#Kinoshita Yukiko

[owochimauwu]

Welcome to Pia Carrot!! / Pia♥キャロットへようこそ!!

[kindsickness]

Character List - Mobile Friendly

Welcome to my mobile friendly characters list!

First thing you need to know here is that I'm a moron with a weird ass characters system because I can't stop myself from making multiple characters with the same FC. Now, how does this work?

Easier than it looks: for every face claim listed below, there is/might be multiple characters. All you have to do is choose a FC from the links below and you can check out all the characters associated with that FC. If none is of your liking, rinse and repeate with a new FC.

Meng Jia

Park Sooyoung (Joy)

Kim Jongdae

Kim Yeri

Choi Minki

Kim Bora (Sua)

Song Hayoung

Kim Seonho

Suzuki Airi

Seto Koji

Kinoshita Momoka

Shinoda Mariko

Sugaya Risako

Sato Hana

Kinoshita Yukiko

Kasai Tomomi

Kikkawa Yuu

Mitsui Aika

Ikoma Rina

Komiyama Haruka

Tina Jittaleela

[byneddiedingo]

Hideko Takamine, Tatsuya Nakadai, and Yoshi Kato in Immortal Love (Keisuke Kinoshita, 1961)

Cast: Hideko Takamine, Tatsuya Nakadai, Keiji Sada, Nobuko Otowa, Akira Ishihama, Yukiko Fuji, Yoshi Kato, Kiyoshi Nonomura, Masakazu Tamura, Masaya Totsuka, Yasushi Nagata. Screenplay: Keisuke Kinoshita. Cinematography: Hiroshi Kusuda. Art direction: Chiyoo Umeda. Film editing: Yoshi Sugihara. Music: Chuji Kinoshita.

I'm a little surprised to find that Keisuke Kinoshita's screenplay for Immortal Love is "original." The film has the feeling of an adaptation from one of those doorstop "sins of the father" family sagas like East of Eden. It's full of melodramatic moments, including at least one rape and several suicide attempts, including a successful one in which the character jumps into a volcano. It spans three decades and is loaded with enough plot and characters to fill a much longer film, which is why it sometimes seems a little skimpy. The plot is set in motion when Heibei (Tatsuya Nakadai), the son of a wealthy landowner, returns from the invasion of Manchuria in 1932 with a crippling war injury. He spies the pretty Sadako (Hideko Takamine), the daughter of one of his father's tenants, but she loves Takashi (Keiji Sada), another tenant farmer's son who has also served in China. When Takashi returns he finds that Sadako has been raped by Heibei and is set to marry him. As the years pass, Sadako stays with Heibei, tending to him and his aging father, and bearing three children -- one of whom was conceived during the rape, a fact that will develop into a plot point. Takashi marries and moves away, but his wife, Tomoko (Nobuko Otowa), bears a kind of grudge against Sadako, her husband's first love. And things get complicated as the children grow up. The film works largely because of the actors, even though both Hideko Takamine and Tatsuya Nakadai, considerable performers, seem a little stretched to put across their characters. Heibei, for example, comes across as a deep-dyed villain until the very end, despite some closeups in which Nakadai seems to be trying to suggest the character's remorse for his villainy. And Takamine is faced with playing the dutiful wife to a man she despises, undermining him secretly and passive-aggressively. It's a tribute to both actors that they make the film as watchable as it is. Kinoshita tries some things that don't really work, like a ballad that bridges the time gaps between "chapters" (of which there are five), and the guitar-based score by his brother, Chuji Kinoshita, sounds like flamenco -- an odd choice for the very Japanese story and setting. Even the title given it for American distribution is askew -- none of the loves depicted in it seem particularly deathless. It was released in the United Kingdom as Bitter Spirit, which seems more appropriate. The film was Japan's entry for the foreign language film Oscar; it made the shortlist but lost to Ingmar Bergman's Through a Glass Darkly. 

[party-ga-hajimaru-yo]

木下 有希子 (SKE48) Google+ Pics (2011-2012)

[skylarkdragonstar]

Looking back at the old times. Dang this opening was catchy. It’s a disco dance party.

(Hard to believe that near the end of the year Nao and Dasu will be all that’s left of the members from this clip. Man where did the time go? T_T)

[arbitrarygreay]

Excuse me, but what!? I've never seen this version of End Roll before!? This new choreography with the Seven Dancers lineup!!! (Yes I know this is from 2013, so "new" is relative, but I meant how it's different from the original choreo, which even the Asia spinoff groups are still using even in 2019.)

[incorrect48quotes]

Shiorin to Yukko: Are you sure you're not half-french because maDAMN.

[skethings-blog]

‹ kinoshita yukiko icons ›

like or reblog if you save something!  ☾

[jyurineko]

For old times sake...

SKE’s Akagumi song from 4th single! Behind-the-scenes footage!

[skysora27]

[party-ga-hajimaru-yo]

村重杏奈 (HKT48) x 木下 有希子 (SKE48) / 2014

[clemsfilmdiary]

Immortal Love / Eien no hito (1961, Keisuke Kinoshita)

永遠の人　（木下恵介）

Also known as: Bitter Spirit

9/8/21

[chan-hii48-blog]

How about a group chat shenanigans? If that's possible?

Who says it’s impossible? /sips coffee/ TOok me a wHile but is ok here’s one ^^

[incorrect48quotes]

Yukko: I don’t wanna die a virgin!

Shiorin: Me neither!

Yukko, staring at Shiorin: ...Wait, that gives me an idea.

Nishishi: No, NO-

[oshiri48]

Kinoshita Yukiko