#Kim Bok Ju

[quillinhand]

if I had a nickel for every time I watch a kdrama and become rapidly obsessed with the imaginary relationship of side characters in the drama- who weren't interested canonically, have/had different partners, are not gay(as far as the writers know), have like two scenes together, and ultimately don't care that much about each other/ aren't onscreen much together- I wouldn't have much but it's really really weird that it has happened thrice.

[dilebe06]

My Favorite Male Characters

[sasuhinasno1fan]

So this was for last years @zutaramonth and 2021's @zutaraweek and I finally got the chance to continue it. When I realised what was supposed to be day 2/chapter 2 was reach 7k and not even done, I thought, let's just post it somewhere it's a bit more contained. The second chapter will be up soon.

[cosmosbeelover]

The History of Korean Female Soloists from the 20th Century: Episode 2/?

The evolution of Korean female soloists in the early 20th century is a fascinating narrative, particularly against the backdrop of Japanese occupation. During this tumultuous period, several remarkable artists emerged, carving out their identities and gaining recognition despite the challenges they faced. However, the historical documentation of these pioneering women is often limited, as they were active nearly a century ago, before the Korean War, leading to a significant gap in available records. Their contributions, though sometimes overshadowed by the era's struggles, remain a vital part of Korea's cultural heritage.

Jeon Hae-nam (전혜남)

The lack of information regarding Jeon Hae-nam, the wife of the esteemed veteran dancer Kang Yun-bok (강윤복) from the 'Joseon Akgeuk Troupe,' is both disheartening and perplexing. Despite her significant contributions as a pioneer in Korean tap dancing and her association with a prominent figure who transformed the performing arts landscape, she remains largely obscure. In contrast, other artists, even those who have faded from public recognition or were not particularly renowned, often have a considerable amount of information available about them. This disparity highlights the unfortunate reality that Jeon Hae-nam's legacy is not adequately documented, leaving her remarkable achievements underappreciated and largely unknown. This gap in historical recognition is one of the driving forces behind my efforts to shed light on such artists. I am passionate about encouraging others who share my love for Korean music to explore and appreciate the works of these talented individuals who made their mark in the 20th century. By bringing attention to their contributions, I hope to foster a deeper understanding and appreciation for the rich cultural heritage they represent.

Jeon Hae-nam who was married to Kang Yun-bok, the last member of the Joseon Music Troupe (Photo = Park Sung-seo, popular music critic)

Jeon Hae-nam, a prominent figure in the realm of dance, was born in Pyongyang in 1924 and relocated to Seoul during her childhood, where she spent her formative years. Her journey into the world of performing arts began at Sookmyung Girls' High School (숙명여자고등학교;淑明女子高等學校), where she encountered an advertisement for the inaugural class of the Oke Music and Dance Research Institute. After successfully applying and being selected for an interview, she demonstrated exceptional talent in dance, frequently sharing the stage with fellow student Ju-ri. Her artistic endeavours extended beyond the classroom, as she participated in international performances with the Joseon Music Troupe across Japan, China, and Manchuria.

Kang Yun-bok (back row, third from left) and Jeon Hae-nam (front row, far right), after finishing a performance in Okinawa during the US 8th Army Show. (Photo = Park Sung-seo, popular music critic)

Following the passing of Lee Cheol (이철), the leader of the Joseon Music Troupe, Jeon Hae-nam remained committed to the troupe's activities until Korea's liberation in 1945. In the aftermath of this pivotal moment, she took on a significant role as a lead dancer in the newly established Joseon Akgeuk Troupe and later in the Rose Orchestra. Additionally, she contributed her expertise in choreography and dance to the KPK Orchestra, which was directed by Kim Hae-song (김해송), further solidifying her influence in the performing arts landscape of the time.

I previously discussed the Joseon music troupe in Part 5 of 'The History of Korean Male Groups'.

Kang Yun-bok and Jeon Hae-nam (Photo = Park Sung-seo, popular music critic)

In the 1950s, Jeon Hae-nam became a vital member of the 'Beni Kim Show,' associated with the US 8th Army show group Hwayang, and performed at various US military installations in Okinawa, Japan. Her artistic contributions continued during the Vietnam War, where she participated in the 'Vietnam Soldier Comfort Performance.' Later in her career, she served as a choreographer and dance instructor at KBS before her retirement. Kang Yun-bok (real name Kang Yun-deok) was married to the modern dance pioneer Jeon Hae-nam (1929-2011, birth name Park Eung-cheon (박응천)), and together they led the 'Jeon Hae-nam Dance Company.' Park Sung-seo (박성서), a noted music critic, recognized her dedication to the evolution of dance in Korea, highlighting her role as the last surviving member of the Joseon Musical Troupe and her collaborative efforts with her husband to transform the nation's performing arts. She is survived by her son Park Jae-bin and her daughters Dan-hee, Jin-hee, and Hyeon-hee.

[dailyasiandramas]

[seouldramaspot]

Lovely Runner - A Fusion of Heartfelt Drama and Fantasy

"Lovely Runner" has been highly anticipated by K-drama enthusiasts, and it doesn't disappoint. Starring Byeon Woo-seok and Kim Hye-yoon, this 2024 series, based on the popular web novel "Tomorrow's Best" and its webtoon adaptation

A Plot Steeped in Emotion and Intrigue

"Lovely Runner" centers around Im Sol (Kim Hye-yoon), a former aspiring film director who finds her dreams crushed by a tragic accident that leaves her paralyzed. Sol's life takes another heartbreaking turn when her idol, Ryu Sun-jae (Byeon Woo-seok), a multifaceted celebrity, dies unexpectedly. However, the narrative takes a fantastical twist when Sol wakes up 15 years in the past, with an opportunity to rewrite both her and Sun-jae's destinies.

The premise alone promises a rich exploration of themes like fate, second chances, and the enduring power of dreams. As Sol grapples with her newfound reality, viewers are taken on an emotional rollercoaster that is both poignant and exhilarating.

Outstanding Performances

Kim Hye-yoon shines as Im Sol, bringing depth and nuance to her character's journey from despair to hope. Her portrayal captures the essence of a woman determined to seize her second chance, making Sol's struggles and triumphs profoundly relatable.

Byeon Woo-seok's performance as Ryu Sun-jae is equally compelling. He seamlessly transitions between the charismatic idol and the vulnerable individual behind the public persona. The chemistry between Kim Hye-yoon and Byeon Woo-seok is palpable, adding a layer of authenticity to their characters' intertwined fates.

Supporting Characters Add Richness

The supporting cast also deserves praise for their contributions to the story. Song Geon-hee as Kim Tae-sung, Lee Seung-hyub as Baek In-hyuk, and Jung Young-ju as Park Bok-soon deliver strong performances that enrich the narrative. Each character brings a unique perspective, making the world of "Lovely Runner" vibrant and multifaceted.

Special mentions go to Park Tae-hwan, Kwon Yu-ri, and Han Seung-yeon for their memorable cameos, which add a touch of realism and excitement to the drama.

The visual storytelling in "Lovely Runner" is captivating, with carefully crafted scenes that enhance the emotional impact of the story. The soundtrack complements the drama perfectly, adding depth to key moments and enhancing the overall viewing experience.

"Lovely Runner" is a compelling drama that expertly weaves together elements of fantasy and melodrama. Its strong narrative, combined with stellar performances and high production values, make it a standout series in the 2024 K-drama lineup. Whether you're a fan of time-travel tales or emotional character-driven stories, "Lovely Runner" offers a heartfelt and engaging viewing experience.

So, grab your tissues and get ready to embark on a journey through time with Im Sol and Ryu Sun-jae. "Lovely Runner" is more than just a drama; it's a testament to the power of resilience and the beauty of second chances.

Honest Comment: At first I thought this will be like the typical love story a series about a high school life that the girl will fall in love with its Idol like obsessed with her Idol but when I start watching I love how the episode go , how the flow of the series its like the year of Korean Drama 2016 it made me feel the past like it was my first time watching Korean drama. I love how fresh the story you will be fluttered especially the interaction with the 2 Protagonist the story surrounds them and the story line is a masterpiece. It gives the vibe that you wanted to fall in love again. Highly recommended for first timer , Big Thumbs Up!!!

[fake-married-my-dead-fiance]

Categorizing Parent-related Trauma for male and female leads in Kdramas:

Orphans: Lee Hong-jo (Destined With You) Moon Gang-tae (It's Okay to Not be Okay) Moon Sang-tae (It's Okay to Not be Okay) Ha-ru (Extraordinary You) Naksu/Cho Yeong (Alchemy of Souls) Tak Dong-kyung (Doom at Your Service) Nam Ji-ah* (Tale of the Nine Tailed) Cheon Sa-Rang (King the Land) Jang Man-wol (Hotel del Luna) Yoon Yi-seo (100 Days My Price) Kang Young-hwa (Moon in the Day) Kim Do-ha (Moon in the Day) So Mun (The Uncanny Counter) Do Ha-na (The Uncanny Counter) Kang Tae-moo (Business Proposal) Kang Tae-ha (The Story of Park's Marriage Contract, present version) Lee Heon (The Forbidden Marriage) Do Do-hee (My Demon) Ji Eun-tak (Guardian: The Great and Lonely God) Na Bong-seon (Oh My Ghost) Kang Cheol (W: Two Worlds) Do Da-hae (The Atypical Family) Yeom Hae-sang (Revenant) Jeong Ji-an (A Shop for Killers) Shin Jae-rim (Dreaming of a Freaking Fairytale) Kim Ji-uk**** (No Gain No Love)

Half Orphans with loving remaining parent: Eun Dan-oh (Extraordinary You) Koo Chan-sung (Hotel del Luna) Ye So-ran (The Forbidden Marriage) Nam Ha-neul (Doctor Slump) Yu Ji-hyck (Marry My Husband) Kang Hee-soo (Captivating the King) Choi Yi-jae (Death's Game) Im Sol (Lovely Runner) Ryu Sun-jae (Lovely Runner) Lee Chang (Kingdom) Lee Geum, Prince Yeoning (Haechi) Gu San-yeong (Revenant) Son Hae-yeong (No Gain No Love)

Half Orphan + Remaining Parent is THE WORST: Jang Uk (Alchemy of Souls) Kim Do-ha (My Lovely Liar) Lee Yul (100 Days My Price) Ahn Min-hyuk (Strong Woman Bong-Soon) Seo Mok-ha (Castaway Diva) Gong Tae-seong (Sh**ting Stars) Kang Tae-ha (The Story of Park's Marriage Contract, past version) Yi In (Captivating the King) Kang Ji-won (Marry My Husband) Kang Sun-woo (Oh My Ghost)

Parents (at least one) are THE WORST but Both Are Still Alive: Jang Shin-yu (Destined With You) Han Yi-joo (Perfect Marriage Revenge) Ko Mun-young** (It's Okay to Not be Okay) Mok Sol-hee (My Lovely Liar) Gu Won (King the Land) Crown Prince Lee Hwi/Dam-yi/Yeon-seon (The King's Affection) Do Bong-soon (Strong Woman Bong-Soon) Woo Young-woo (Extraordinary Attorney Woo)*** Jung Ji-woon (The King's Affection) Kang Bo-geol/Lee Ki-ho (Castaway Diva) Yeo Jeong-woo (Doctor Slump) Hong Hae-in (Queen of Tears) On Eun-yoo (Twinkling Watermelon) Oh Yeon-joo (W: Two Worlds) Yoon Ji-ho (Because This Is My First Life) Nam Se-hee (Because This Is My First Life) Bok Gwi-ju (The Atypical Family) Moon Cha-min (Dreaming of a Freaking Fairytale)

Immortal Being that Still Somehow has Parent Issues: Myul Mang/Doom (Doom at your Service) Lee Yeon & Lee Rang (Tale of the Nine Tailed) Jeong Gu-won (My Demon)

Added trauma flavour: Parent was murdered in front of them (**Still counts if they survived the murder Parent tried to murder them Dying from seemingly incurable disease which makes their parents/guardian sad (If your parents are alive, you must pay for it by dying yourself) Adoptive parent/stepparent is THE WORST

Somehow has normal, alive parents: Lee Jun-ho (Extraordinary Attorney Woo, Has no backstory at all. We only meet his older sister and hear nothing about his childhood.) Shin Ha-ri (Business Proposal, her family is refreshingly normal, right down to her brother being sent out to find her when she's drunk) Oh Han-byeol (Sh**ting Stars, Again, we know almost nothing about her family, only that she has twin sisters. But she doesn't appear to have childhood trauma.) Park Yeon-woo (The Story of Park's Marriage Contract, her mom being annoyed at her for something that is a crime doesn't count as bad parenting) Lee Young-joon/Sung-hyun (What's Wrong with Secretary Kim, his trauma comes from a kidnapper, his parents faced a pretty impossible situation and did their best. They clearly love their kids) Baek Hyun-woo (Queen of Tears, nothing wrong with them out of the ordinary and they are in the drama a significant amount.) Ha Eun-gyeol (Twinkling Watermelon, very loving parents and the deafness and their reliance on him is not anyone's fault)

*Counting her as an orphan even though she gets her parents back after 20 years, she spent her childhood orphaned. ***This character is tricky because I understand why her mother wanted nothing to do with her, but her trying to manipulate the dad and also saying he didn't raise her properly made me so angry. ****This character is tricky because he was explicitly raised as an orphan by his grandma, his father didn't sign his birth certificate (Korean equivalent of this), and he's registered as the child of his grandmother, not his actual mom. His grandma is dead by the beginning of the series and he is living alone without family, so I think he counts as an orphan.

Uncatagorized due to lack of clarity on parents: Soundtrack #1, Hospital Playlist, Happiness

[papaya2000s]

The Crossroads of Youth

It is important to recognize that "The Crossroads of Youth" and "Turning Point of the Youngsters" are two translations of the same Korean title, "청춘의 십자로." For clarity, this post will consistently refer to the film as "The Crossroads of Youth." Enjoy.

"The Crossroads of Youth" (청춘의 십자로; 靑春의 十字路) is a melodrama film from 1934, produced during the Japanese colonial era in Korea. Directed and written by Ahn Jong-hwa, the film features performances by Lee Won-yong, Shin Il-sun, Kim Yeon-sil, and Park Yeon. Notably, it predates Korea's first sound film, "The Story of Chunhyang," and is recognized as the sole surviving silent film from this period, classified as National Registered Cultural Property No. 488. The narrative follows the experiences of a protagonist who migrates from the countryside to the capital. Initially considered a lost film, its original version was rediscovered in 2007 and subsequently released in 2008, albeit with some unrestored segments.

A scene from the 1934 film Crossroads of Youth silent film

Directed by Lee Gyu-seol (이규설) Cinematography by Lee Myeong-woo

Supervision, Script and Editing by Jong-Hwa Ahn (안정화)

Production Company - Geumgang Cinema (금강키네마)

Opening Date - September 21, 1934 at the Chosun Theatre (조선극장)

Movie Duration - 73 - 80 Minutes

Nation - Japanese colonial period Joseon during the Japanese colonial period.

Language - Silent Film/ Korean Commentary

Cast:

Lee Won-yong (이원용) – played Yeong-bok (영복)

Shin Il-seon (신일선) – played Yeong-ok (영옥)

Park Yeon (박연) – played Jang Gae-cheol (장개철)

Kim Yeon-sil (김연실) – played Young-hee (영희) (Some say it is Gye-sun, not Yeong-hee)

Yang cheol (양철) – played Ju Myeong-gu (주명구)

Moon Kyung-shim (문경심) – played Bong-seon (봉선)

Lee Bog bon (이복본) – played Baggage Carrier Friend (수화물 운반부 친구)

Choi Myung-hwa (최명화) – played Baggage Carrier Friend (수화물 운반부 친구)

Plot

The film opens with the sight of a train passing, setting the stage for Young-bok's journey. Having left his mother and younger sister, Young-ok, in their hometown, he arrives in Seoul to work as a porter at Gyeongseong Station. Previously, Young-bok spent seven years as a son-in-law at Bong-seon's household, but he relocated to the city after Bong-seon was taken by Ju Myeong-gu. In his new role, he encounters Young-hee, a gas station attendant who struggles to support her ailing father and younger sibling.

In the meantime, Young-ok, having lost her mother, travels to Gyeongseong in search of her brother. Unable to locate him, she secures a position as a waitress at a café. During her employment, she meets Gae-cheol, a wealthy associate of Ju Myeong-gu, who exploits her vulnerability, leading to a traumatic encounter. Concurrently, Young-hee, who has also lost her job, becomes ensnared in Gae-cheol's predatory circle.

After fleeing her home, Young-hee confides in Young-bok about the harrowing events. Upon learning the truth, Young-bok confronts Gae-cheol at his residence, where he reunites with Young-ok. She recounts her ordeal, prompting Young-bok to seek vengeance against Gae-cheol. In a climactic confrontation, he and his fellow porters launch an attack on Gae-cheol and Ju Myeong-gu's gang. Ultimately, with the conflict resolved, Young-bok receives Young-ok's blessing and vows to start anew alongside Young-hee.

Production

"Crossroads of Youth" marked the inaugural production of Geumgang Cinema, a film production entity. Initially conceived as a sound film, the decision was made to transition to a silent format due to certain deficiencies identified in the original footage. Producer Park Chang-soo, who adopted the stage name Park Yeon for his role as Jang Gae-cheol, financed the project himself after experiencing setbacks in his acting career, including an unsuccessful audition for actor recruitment.

The filming took place across various locations in Gyeongseong. The narrative commences at Gyeongseong Station, where the character Yeongbok serves as a porter, while scenes featuring Yeonghee as a gas station employee were captured in the vicinity of Gyeongseong Station Square. Additionally, a pivotal fight sequence between the characters Banbu and Gookilgwan was filmed in one of Seoul's numerous restaurants.

Screening

"Crossroads of Youth" premiered at the Joseon Theatre on April 21, 1934. On September 26 of the same year, an incident occurred involving an actor from the film who was stabbed. Um Dong-ok (엄동옥; 嚴東鈺), a boxer and gangster known as Shinmajeok, confronted Lee Won-yong and Park Yeon after viewing the film. During this encounter, Um Dong-ok requested a drink, citing the movie's commercial success, and subsequently demanded payment for his suit. When Lee Won-yong refused to comply, Um Dong-ok attacked him with a dagger. The weapon penetrated Lee Won-yong's left abdomen, cutting through his suit jacket and pants, yet fortunately did not injure his flesh.

Excavation and Re-examination

Following the discovery of "Sweet Dream" in 1936, a private collector reached out to the Korean Film Archive, claiming possession of nine rolls of vintage film. The collector explained that his father had operated a cinema named Dansungsa until shortly after the Korean War began, and the films were preserved when the theater ceased operations during the conflict. Upon examination by the Korean Film Archive, it was confirmed that these rolls contained the original negative of "Crossroads of Youth," which premiered in 1934. Notably, the discovered material was a negative rather than a positive print, consisting of nitrate film, with eight rolls representing the main content and one roll dedicated to the ending credits. Regrettably, one of the eight main rolls exhibited a whitening effect, rendering it irreparable.

The discovery of this film marked it as the oldest surviving Korean cinematic work, leading to occasional screenings organized by local authorities and film archives. Given its silent film status, many of these screenings featured a narrator to provide context and commentary. In 2007, the Korean Film Archive was approached by another private collector who provided nine nitrate negative rolls from the 1930s. Among these, one roll included the film's concluding titles, while another was too deteriorated to undergo restoration. The collector's father had retained these films from his time managing Dansungsa until the onset of the Korean War.

During the restoration efforts, the film research team initially identified the work as "Passion Flowing Through the Galaxy," directed by Ahn Jong-hwa. However, further investigation clarified that the film was indeed "Crossroads of Youth." This process underscores the challenges associated with preserving nitrate film, which is susceptible to oxidation and poses significant fire hazards, as evidenced by historical incidents even in well-organized archival environments like the United States. The fortunate survival of these films, despite their precarious conditions, is a remarkable achievement in film preservation.

Evaluation

In 1938, the Chosun Ilbo Film Festival recognized "Crossroads of Youth" as the sixth best entry in its list of the "Top 10 Silent Films."

Show

At the time of its debut, "Crossroads of Youth" achieved significant commercial success. Baek Ya-saeng, in his article "15 Years of Joseon Cinema" published in the Chosun Ilbo, remarked that "Mr. Ahn Jong-hwa produced ‘Crossroads of Youth,’ and the audience, eager for Joseon cinema, responded with applause reminiscent of raindrops at a festival." He further noted that during its screening in Daejeon on Chuseok in 1937, three years post-release, the venue was filled to capacity.

Director Ahn Jong-hwa later reflected on the film's box office performance, attributing its success partly to the return of actors Lee Won-yong and Shin Il-sun to the screen after a lengthy absence, which provided the film with a competitive edge at the box office.

Impact and Value

“Crossroads of Youth” predates the first sound film, “Chunhyangjeon,” released in 1935, and stands as the sole silent film produced during the Japanese colonial era. Its historical significance is underscored by its designation as National Registered Cultural Property No. 488 in South Korea, reflecting its cultural and artistic value.

Film historian Kim Jong-won highlights several aspects of “Crossroads of Youth” that contribute to its importance in Korean cinema. It provides insight into the state of filmmaking at the conclusion of the silent film era under Japanese rule, showcases the talents of early silent film actors like Shin Il-sun, Lee Won-yong, and Kim Yeon-sil, and offers a glimpse into the early works of Ahn Jong-hwa, whose contributions remain largely unexamined due to the loss of his films. Notably, the film's discovery occurred within South Korea, further enhancing its cultural relevance.

Anseong Art Hall to hold performance of historical drama 'Crossroads of Youth'

Anseong Art Hall in Anseong City set to showcase the historical drama 'Crossroads of Youth' at 7:30 PM on July 28, 2021, in the Small Theatre. This event was part of the hall's programming for Culture Day in July and represents a reinterpretation of the 1934 Korean silent film 'Crossroads of Youth' by Jong-hwa Ahn, presented in a new format known as bensa drama. The performance aimed to evoke the atmosphere of the Gyeongseong theatre district during the 1930s, as articulated through the bensa's dialogue in the original film.

Anseong Art Hall in Anseong City will present the historical drama 'Crossroads of Youth' at 7:30 PM on the 28th as part of the July Culture Day planned performance at the Anseong Art Hall Small Theater. (Photo = Anseong City).

The significance of 'Crossroads of Youth' lies not only in its status as a landmark Korean film but also in its aesthetic and historical value. The film has garnered acclaim for its visual artistry and has been featured in prestigious film festivals, including the Seoul Chungmuro International Film Festival and the Busan International Film Festival in 2008, as well as international events such as the 47th New York Film Festival in 2009 and the Guanajuato International Film Festival in 2011. These accolades have played a crucial role in promoting the global recognition of Korean cinema and its performances.

This production is under the direction of Kim Tae-yong, known for his work on "The Birth of a Family" and "Manchu." Jo Hee-bong, recognized for his roles in "Chuno" and "My Love from the Star," served as the narrator, showcasing his abilities and artistry throughout the performance.

The silent film play "Crossroads of Youth" creatively fills the voids of silent cinema with a blend of humour and wit. Tickets were available for 5,000 won with a 'Culture Day Discount,' and Anseong Art Hall implemented safety measures by limiting attendance to 143 seats, which was under 50% of the venue's small theatre capacity, to mitigate the risk of COVID-19 transmission.

[aparichit98]

My korean dramas masterlist ( yearwise)

2009

1)The return of illegime

2011

1) city hunter - one of my all Time favorites

2012

1))Queen In-hyun's Man (2012)

2)Answer Me 1997 (2012)

3)The King 2 Hearts (2012)

4)Gaksital (2012)

2013

1)I Hear Your Voice (2013)

2014

1)Healer (2014) - minority here but I still love city hunter more than healer. Reason- too much romance and fan service, also hero was not fighting for greater justice, girl was his main focus. So sorry.

2)Misaeng

3)Pinocchio (2014)

5)You’re All Surrounded(2014) - average but still more watchable than today's popular dramas.

2015

1) I Remember You (2015) - one of my all time favorites.

2)Kill Me, Heal Me (2015)

3)Answer Me 1988 (2015)

4)Oh My Ghostess (2015)

2016

1)W–Two Worlds (2016) - I am in minority because I loved this till the end

2)Age of Youth (2016)

3)Signal (2016)

4)Shopping King Louis (2016)

5)Weightlifting Fairy Kim Bok-ju (2016)

6)Legend of the Blue Sea (2016)

2017

1)Chicago Typewriter(2017)

2)Rain or Shine(2017)

3)Hello, My Twenties! 2(2017)

4)Suspicious Partner (2017) - started dragging after ep 25 , not my fav still watchable.

2018

1)Welcome to Waikiki

2)Come and Hug Me

3)The Hymn of Death

4)My Mister

2019

1)Welcome to Waikiki 2

2)Extraordinary You

3) he is psychometric

2020

1)The Flower of Evil

2)Memorist

3)Train

4)A Piece of Your Mind

5)When the Weather Is Fine

(List is completely subjective)

[zhoufeis]

kdrama ask meme

based on my cdrama ask meme: send me a number and I’ll reply with a gifset

1: extraordinary you or true beauty 2: goblin or hotel del luna 3: bring it on, ghost! or happiness 4: i’m not a robot or see you in my 19th life 5: doom at your service or tale of the nine-tailed 6: w - two worlds or flower of evil 7: moon lovers or alchemy of souls 8: weightlifting fairy kim bok-joo or strong woman do bong-soon 9: 100 days my prince or the tale of nokdu 10: semantic error or the eighth sense

11: haru or baek kyung 12: jang man-wol or myul mang 13: jang uk or naksu 14: park bong-pal or seon woo-hyul 15: kim hyun-ji or dong dong-ju 16: eun dan-oh or tak dong-kyung 17: ki seon-gyeom or lee young-hwa 18: oh yeon-joo or yoon sae-bom 19: kim min-gyu or kang chul 20: hong cha-young or seo dan-ah

21: haru / eun dan-oh or lee soo-ho / im ju-kyung 22: im ju-kyung / han seo-jun or eun dan-oh / baek kyung 23: kim bok-joo / jung jun-hyung or cha heon / shin sol-yi 24: wang so / hae-soo or jang man-wol / koo chan-sung 25: kang chul / oh yeon-joo or ban ji-eum / moon seo-ha 26: jang uk / naksu or tak dong-kyung / myul mang 27: seo dan-ah / lee young-hwa or ki seon-gyeom / oh mi-joo 28: song geu-rim / ji soo-ho or kang dan-i / cha eun-ho 29: sae-bom / yi-hyun or do hyun-soo / cha ji-won 30: cho ji-a / kim min-gyu or hoo joon / lee geun-young

[korelist]

BLOODHOUNDS // KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı: 8,1 Benim puanım: 9

Drama: Bloodhounds (English title) / Hunting Dogs (literal title)

Hangul: 사냥개들

Director: Kim Joo-Hwan

Writer: Jung Chan (webcomic), Kim Joo-Hwan

Date: 2023

Language: Korean

Country: South Korea

Cast: Woo Do-Hwan, Lee Sang-Yi, Heo Jun-Ho, Kim Sae-Ron, Park Sung-Woong, Choi Si-Won

Aşırı keyifle izlediğim bir diziydi. Çok sade, dümdüz bir anlatımı olan, aşk, ihanet, entrika, 2.adamlar, 2.kadınlar olmayan; son derece kendi derdine odaklı bir hikayeydi. Oyuncular şahaneydi, oyunculuklar şahaneydi. Başroldeki iki erkeğin bromance’i enfesti. İkisi de rolü gereği boks eğitimi almış. Hareketler koreografi yemiş yutmuşlar. Gerçekten ikiside inanılmazdı.

Konusuna gelecek olursak; Yılın Çaylağı ödülünü kazanan ve gelecek vaat eden boksör Kim Gun-Woo(Woo Do-Hwan) bir maç sonrasında rakibi Hong Woo-Jin(Lee Sang-Yi)’yu yemeğe davet eder. İlk başta ikilinin ezeli düşman olacağını ikisinin arasındaki kavgayı izleyeceğinizi sanıyorsunuz. Ama öyle olmuyor. İkilimiz beraber yemek yedikten sonra büyü yapılmış gibi seçilmiş kardeş oluyorlar. İkisi de tertemiz son derece saf bir kalbe sahip delikanlılar. Kim Gun-Woo boks ve annesinden başka hiçbir şeye sahip değil. Hong Woo-Jin ise kendi başına hayatta kalmaya çalışan genç bir çocuk.

Diğer yandan; insanlara borç vererek büyüyen Smile Capital isimli şirket sahibi Kim Myeong-Gil(Park Sung-Woong) ise bir nevi modern tefeci, aynı zamanda nitelikli dolandırıcı. Esnafın bankaya olan borcuna karşılık para vereceğini, ödemeleri ise daha uzun vadeye yayacaklarını söyleyerek borçları satın alıyorlar. Ödeme gününde ödemeyenlerin ise borçlarını otomatik olarak 2katına çıkartıyorlar. Yine ödemediklerinde ise kol bacak kırma, mekan yıkma gibi filmlerde gördüğümüz tefeciden borç alınca neler oluyorsa onlar oluyor. Bu şekilde ana karakterimiz Kim Gun-Woo’nun annesi de dolandırılınca karakterimiz konuya dahil oluyor. O dahil olunca haliyle en yakın arkadaşı Hong Woo-Jin’de dahil olmuş oluyor.

Diğer yandan kendi döneminin efsanevi tefecisi olan President Choi Tae-Ho( Heo Jun-Ho) bu işleri bırakmış, kendine bir yardım kuruluşu kurmuş, muhtaç olan insanlara vadesiz borç verme işine girmiş. Özellikle hastası olan, hastane masrafı için paraya ihtiyacı olanlara yardım ediyor. Böylece bir nevi hayat kurtararak zamanında kararttığı hayatların diyetini ödüyor. Borcunu ödeyemeyenlerin peşine düşmüyor, aksine sınırsız kredi ile ne kadar yardım edebilirse o kadar yardımcı olmaya çalışıyor. Torunu gibi gördüğü Kim Hyeon-Ju(Kim Sae-Ron) ise bu durumu suistimal edenlerden borçlarını tahsil ediyor.  Kim Hyeon-Ju ne kadar sert bir kız olsa da onun için endişelenen Mr. Choi, genel olarak ona bir koruma tutmak istiyor.

Burada bir tık araya gireyim. Kim Hyeon-Ju karakterini canlandıran oyuncu Kim Sae-Ron; dizi çekimlerinde kariyerine çok ciddi bir darbe vurdu. Henüz dizi çekim aşamasındayken alkollü araç kazasına karıştığı için oldukça linç yedi. Kore’nin bu tarz konularda ne kadar hassas olduğunu artık hepimiz biliyoruz. Böylelikle çok genç yaşında kendi kendinin kuyusunuda kazmış oldu. Öyle ki, dizinin sonunda karakterle ilgili çekim vardıysa bile kesilmişti. Karakteri ile ilgili hakkında konuşma geçti, göstermeden bittirdiler. Diziye ne zararı ne katkısı oldu, teknik olarak spoiler da sayılmayacağı için yazmakta bir sakınca görmüyorum.

Neyse; hikayeye dönecek olursak, yolları Mr. Choi’ye düşen iki bıçkın delikanlımız delifişek torunun koruması olmak için aday oluyorlar. Böylece aynı zamanda Mr. Choi’de onların hikayesine dahil olmuş oluyor. Koruma karşılığında Kim Gun-Woo’nun borcunu kapatıyor ama durum bir noktada borç kapatmanın ötesine gidiyor. Bu artık karşılarındaki insanı başkalarına zarar vermemesi için durdurma noktasına geliyor. Ve bir tür savaşa dönüşüyor.

Hikayesi, çekimleri, kurgusu ve oyuncuları ile leziz bir iş ortaya çıkartmışlar. Kesinlikle izlenmesi gerektiğini düşünüyorum ve tavsiye ediyorum. Vıcık vıcık konulardan biraz uzaklaşmak kaliteli bir şeyler izlemek için birebir. Son not olarak, sahnelerde müzikler güzel kullanılmıştı ama hiç biri sonradan açayım dinleyeyim diyebileceğim türde olmadığı için OST paylaşamıyorum.

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

[anniekimsvedin]

2/9-24

I mitt huvud är det bara mos just nu… Hjärnan orkar snart inte ta in så mycket mer, snart blir det överfullt där inne.

Pappa har börjat visa sig igen. Han som inte sen sa grattis när jag fyllde år, knappt reflekterade över att Lara föddes, inte ens skrivit och frågat hur vi mår eller hur det går. Vet inte vad jag känner. Var ganska skönt att ha tystnad från honom, slippa bry sig och slippa tänka så mycket.

Men fram kom han igen och slet upp alla demoner och trauman han för med sig. Vill skrika åt han, men som vanligt blir jag så liten och ynklig när jag pratar med honom och törs inte. Jag blir det där lilla barnet igen som blir skrämd av sin onyktra arga pappa.

STICK DU STYGGA SPÖKE, FÖR DU FINNS INTE! vill jag säga! Spöke är just vad han är. Han kommer och spökar och hemsöker mig när det passar honom bra 👻 Kim och spökpappan, min kommande bok.

Var på öppna förskolan idag, så skönt att få komma ut och träffa folk! Få prata med folk och få komma ut och se annat än dessa fyra väggar.

Torsten har börjat vara ute mer och mer, bra! För han har börjat kissa inne.. Mest troligt för att han är rädd för Rut. Han är ju rädd för allt den där lilla Torsten. Jag försöker klappa honom men han springer för sitt liv och gömmer sig 😂 Stackarn, men det börjar gå bättre och bättre!

Och alla tycker att Lara är så lik mig! Blir så glad ❤️ Lara, mini me ❤️

[kdramaladies]

Thank you to everyone who participated in our 2024 Year End Poll! Thank you for voting, liking, and sharing/reblogging the edits our team made.

You can find gifsets of the top 10 most voted female characters of 2024 by going to our event tag, #kdlyearend24. The result for the rest of the top 20 will be listed below under the cut.

Feel free to also check out our new desktop theme and our new mobile headers and icon (by @haeyeongs and @natahjikio, respectively) featuring some of the wonderful female characters of 2024.

We wish you all a very happy new year, and hope it's filled with more wonderful female characters in 2024.

KDRAMALADIES 2024 YEAR END TOP 20

1) Kang Bit-na/Justitia, The Judge from Hell (65) 2) Im Sol, Lovely Runner (46) 3) Hong Hae-in, Queen of Tears (36) 4) Kang Ji-won, Marry My Husband (33) 5) Cho Sam-dal, Welcome to Samdalri (29) 6) bae Seok-ryu, Love Next Door (27) 7) Son Hae-yeong, No Gain, No Love (25) 8) Yoon Jeong-nyeon, Jeongnyeon: The Star is Born (24) 9) Jung Mo-eum, Love Next Door (22) 9) Do Do-hee, My Demon (22) 10) Jo Jae-mi, Mr. Plankton (17) 10) Seo Mok-ha, Castaway Diva (17) 10) Do Da-hae, The Atypical Family (17)

11) Nam Ha-neul, Doctor Slump (16) 11) Go Eun-ha, My Sweet Mobster (16) 12) Yoon Chae-ok, Gyeongseong Creature (15) 12) Nam Ja-yeon, No Gain, No Love (15) 12) Han Yi-joo, Perfect Marriage Revenge (15) 13) Lee Gang-hyeon, Flex X Cop (14) 13) Moon Ok-gyeong, Jeongnyeon: The Star is Born (14) 14) Jung Ji-ahn, A Shop for Killers (13) 15) Cho Yeo-hwa, Knight Flower (12) 16) Yoon Joo-won, Family by Choice (11) 16) Na Ah-jung, Weding Impossible (11) 16) Heo Yeong-seo, Jeongnyeon: The Star is Born (11) 16) Kim Sun-ja, Pachinko (11) 17) Death, Death's Game (10) 18) Park Yoon-woo, The Story of Park's Marriage Contract (9) 19) Oh Baek-ryun, My Man is Cupid (8) 19) Choi Hong, What Comes After Love (8) 19) Han Hae-na, A Good Day to be a Dog (8) 19) Joo Eun-ho/Joo Hye-ri, Dear Hyeri (8) 20) Im Sun, Miss Night and Day (7) 20) Seo Hye-jin, The Midnight Romance in Hagwon (7) 20) Hong Ju-ran, Jeongnyeon: The Star is Born (7) 20) Cha Eun-gyeong, Good Partner (7) 20) Kang So-bok, Jeongnyeon: The Star is Born (7) 20) Yoon Ran-joo, Castaway Diva (7) 20) Lee Eun-yu, Sweet Home (7)

KDRAMALADIES YEAR END POLL: Favourite Female Drama Characters of 2024

Welcome to our third annual year end poll! Vote for your favourite female characters from dramas in 2024, and at the end of the year we will announce and celebrate the top 10 most beloved characters with some gifs, and feature the top 3 in our blog’s desktop and mobile themes.

vote here

polls are open until December 10, 2024 at 11:59PM PST

results will be announced starting the last week of December

the options are sorted alphabetically by title

only dramas set to complete by the start of the voting period has been included (dramas ending in December or January will be included in the following year’s voting period)

if there are series or characters we missed, there is a write-in option at the bottom of the poll

if writing-in, please make sure to include the show title and the character or actress name

Happy voting! Please feel free to reblog this post to promote the poll to your friends and followers!

[speaklike-a-child]

[i-wish-you-a-kinder-sea]

thank god weightlifting fairy kim bok joo exists. gonna go watch my boy be happy somewhere :')

[alexmanesairstream]

Just finished Love all Play and it took me right back to all the feels I got from Weightlifting Fairy . K drama fans, please suggest some sports romance k dramas for me- I’ve found my new fixation