#Kill la Kill soundtrack
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kyouka-supremacy · 8 months ago
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Setsuna no Ai × Kowareyasuki
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citrusotakutea · 7 months ago
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idgaf. firstly, I literally have multiple posts on my blog about kill la kill. recent ones too. it's literally one of my favorite anime. in case you forgot, gainax literally did eva?? every eva movie. yes it has nudity and erotica in it. next. studio trigger has also done Little Witch Academia, which I think captures their animation and storybuilding skillset well without having any fanservice. and as I've said b4 on this blog, kill la kill is literally the sister show to gurren lagann and has just as rich as a plot, theme and characters but people just label it the 'fanservice anime' and move on. and this is the first time in my life I've seen TTGL referred to as a 'fanservice show', that made me laugh. anyways, gainax also did FLCL, gunbuster, diebuster, and kare kano, which are some of my favorite anime, which have fanservice or show nudity in some way, but are known more for their plot. boiling down PASWG to its eroticism when it was literally a playground for animators (the animators who worked on gurren lagann btw), is literally also proving my point. the reason I said this was because this is the millionth time i've seen "teehee gainax/trigger the boobie studio" "remember kill la kill, I'm glad they're moving on from that". it's tired and annoying. as if other studios and anime before or after them didn't also animate boob physics while simultaneously having a rich plot. And 'a Gainax' to me is a weird ass plot ending, not fkn boob physics. Like I said, nuance. I'm not sorry at all, when I see my favorite studio(s) and anime being referred to as the boobie studio and nothing else, it's irritating as hell. don't try and pretend like that isn't the current, general attitude towards the shows you just listed now lol, especially kill la kill. you all are acting as if dungeon meshi is doing something completely different which is backfiring 1) because of the obvious fanservice and boob physics which are blowing up on tumblr now 2) I will say Kui's worldbuilding is refreshing and different than most manga that we've seen in a while but studio-wise. all those other shows had a plot too. remember that? talking like all those other shows were pure fanservice makes me question your intelligence. dungeon meshi is already just a "furry boobie anime" to someone and you will hear it being referred to a such and be just as irritated as I am now lol
Ma'am did you seriously just gainax while crushing a woman to death
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classicjdog · 4 months ago
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man playing guitar hero with the actual guitar controller is really really fun. no wonder that shit was so popular back in the day. in my childhood i played a decent amount of gh with a normal controller, but playing it on the guitar is definitely more fun, at least once i got used to it
wish i'd inherited my older brothers' talent for the game but twas not to be unfortunately, no 5 star through the fire and flames on expert for me lmfao but i'm still having a lot of fun doing fairly well for myself on hard and barely scraping by on expert
the 2 songs that i've replayed the most so far are hotel california & eruption. hotel california strikes a really nice balance between being really fun & engaging to play while still being totally doable even for someone with my shitty level of skill. like it's not some super easy song where you're just strumming away at the same chord progression over and over for 5 minutes, there's lots & lots of hammer-on/pull-off sequences, but those sequences are very much on the easier end of the spectrum. it is, at least so far, the only song that i've 5 starred on expert, it's really fun and obv it's a super good song too
eruption is also very very fun cause it's literally just a 2 minute guitar solo and it's REALLY HARD. it's so hard that i really shouldn't be able to do it, like it's the final song in the van halen career mode which means the game places it on that same tier of final boss-type songs as like through the fire and flames & jordan & the like, but since it's so short it's actually just barely doable for me. at least on hard, i haven't even tried it on expert lol. it's also the only song where i've successfully done that both-hands-on-the-fretboard thing that i saw my brothers do back in the day. any time it could potentially be useful i'm usually too overwhelmed by the number of notes to even think to attempt it, but i'm pretty sure eruption is specifically designed for you to have both hands up on the neck of the guitar since that's literally what eddie van halen did whenever he played the song irl, which i do think is a really nice touch
#also sidenote#playing all this guitar hero is making me wanna start playing my real guitar again#like after a decently long session of guitar hero the tips of my fingers are pretty sore#which kinda brings back fond memories of the stupid steel strings on my guitar leaving marks on my fingers lol#it's been so long since i've touched my guitar i've completely forgotten every single song i knew how to play#i knew how to play like 5 or 6 different undertale songs!!! i played save the world AND hopes and dreams for my year 12 exam!!#i learnt shit like american pie & the man comes around!! the man who sold the world!!#cruel angels thesis! a bunch of songs from steven universe! the little guitar part from el mañana by gorillaz! various other random shit!!#i tried to learn the intro to crazy on you by heart and gave up in like 2 seconds cuz that shit's impossible!!!#now it's all been flushed down the memory toilet#i guess i can just learn them all again. i mean i've done it before right?#oh and another sidenote i just remembered#the first couple guitar hero games didn't get the rights to most of the songs so the soundtrack is mostly covers#and obv pretty much all of them are inferior to the originals#but i just wanted to make special mention of the cover of killing in the name from guitar hero 2 cause that shit was HORRIBLE#butchered an absolute all-time classic but they butchered it in a really funny way so it's fine honestly lmfaooo#like the instrumentation is fine. inferior to the original but prime rage is a high bar to clear so i won't give them shit for that#oh except the guitar solo omg they made that thing sound like shit lol#but the vocals. christ almighty. CONTROL I WON'T DO WHAT YA TELL ME!!! CONTROL I WON'T DO WHAT YA TELL ME!! UNDER CONTROOOOOL#guy is certainly no zack de la rocha is all i'll say. thank goodness they got the real version of bulls on parade for gh3
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stokergirl · 2 years ago
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i listen to the la la land soundtrack when i feel like killing myself
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redeemingvillains · 3 months ago
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the playlist - mattheo riddle
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summary: enzo overhears something about you he shouldn't have and when he tells his friends, all hell breaks loose.
word count: 1.5k
soundtrack: dress - taylor swift
a/n: just some fun, sweet and silly banter with our favorite boys! i made enzo italian? not sure if that's a thing. and i definitely took some liberties with italian, so please forgive me!
warning: the group is lowkey mean to enzo about his english not being very good; this in no way reflects my personal views about that. anyone that even attempts to speak or learn more than one language (esp english!) is amazing ♡
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"Alright, I've got another one"
Pansy's voice carried from your bedroom into the bathroom where you were curling your hair, getting ready for your girls' night. She was fiddling with your phone, playing music through your bluetooth speaker.
"Fuck, marry, kill: Blaise, Mattheo, Theo."
"What is the actual matter with you?" you responded, laughing. "I'm not answering that, none of them" you said resolutely about your best friends, even as your heart trilled in your chest at the very obvious answer you had in your head.
She laughed deeply, "Gods they would simply die. Any of them would be on their knees to marry you, I swear to Salazar... or fuck you for that matter."
"Pansy!!"
"Ok, ok, I give up."
"Anyway, how are things with you and Draco?" you asked, looking to quickly change the subject.
A heartbeat. No response.
"Pans?" you asked, your ears listening intently for her answer before you became worried. "You okay?" you asked, concerned as you carefully set down your curler and peered around the doorframe to find her with a shit-eating grin on her face, staring at your phone.
"Pansy..." you said cautiously as you slowly approached her.
"I just found a very interesting playlist on your phone. 'M.R.'? Gee, wonder what that could be?" she said slyly.
Your feet started moving quickly towards her. "Nonono, nope that's not what you think –"
Now she was on her feet, running away from you. "Oh, GIRL, ohhhhh my goddddssss!"
"Give it back!" you shouted, lunging for your phone as she dodged out of your grasp.
"This is all Taylor Swift! Down Bad, But Daddy I Love Him, DRESS!?! I KNEW IT, I FUCKING KNEW IT!!!!" she shouted as she scrambled on top of your bed and jumped up and down. "This is the best thing that's ever happened to me, please, Mattheo is going to lose his mind!!!"
"Oh gods, Pans, please, please you cannot say anything, not to Draco, not to anyone."
Her eyes flicked from you to over your shoulder and your heart dropped into your stomach as you turned to see Lorenzo standing in your doorway.
"...Ciao bellas..." he said hesitantly, eyebrows raised as he took in the scene in front of him, Pansy, out of breath, standing on your bed, you clambering up beside her as you were both shouting at each other.
"Uhh, hey Enz, what's up?" you said as casually as possible as you climbed off your bed.
"I'm here to borrow your potions textbook, you said I could?–"
"–Yes, gods, yes I did" you said, scrambling to search for it from the pile on your desk before brandishing it at him.
"Thank you bella" he said as he left, a cheeky grin on his face.
"Fuck how much of that do you think he heard?" you said, looking up at Pansy.
"Babe, he barely speaks English, you're fine" she said nonchalantly. "But as for me, you have a lot of explaining to do."
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Enzo made his way into the common room where the rest of his friends were gathered around the TV playing a video game as he plopped down onto the couch beside them.
"Where the hell have you been?" Draco asked without breaking his concentration on the screen.
"I was with la dolce e la piccante, eh, I needed her book" he said, using his affectionate nicknames for you (sweet) and Pansy (spicy). "Amico, she was talking about you" he said suggestively, his eyebrows wiggling.
"Yeah, what did she say?" Draco asked, his curiosity piqued.
"No, not you, la dolce, she was talking about Mattheo."
Mattheo had been sprawled in a large armchair with his hood over his head and eyes closed, but they fluttered open at that. Be cool he thought to himself, even as his heart raced in his chest. Enzo immediately registered his reaction and smirked.
"Care to share?" Theo grunted, jamming the buttons on his controller.
"She has music for you" Enzo said, his eyes never leaving Mattheo.
Mattheo's heartrate slowed.
"She sends me songs all the time, we have a shared playlist, Enz" he said, waving him off as he pulled his hood back up.
"No, no, it was not for sharing, it was a secret."
"You mean a surprise?" Blaise tried.
"No, no, la picante, she found it and la dolce was upset, it was a secret playlist."
Mattheo sat back up.
"A secret playlist... for me?" he asked.
"Yes!" Enzo said, happy to finally have gotten his attention and the message across.
Enzo's confirmation was met with some chuckles and ooohs and aahhs.
"Did you hear it?"
"What was on it?"
"I bet it was the same depressing alternative shit you two always listen to" Theo said.
"Shut the fuck up" Mattheo snapped back, narrowing his gaze at him.
"–It was Taylor Swift!" Enzo announced proudly, and four sets of eyes shifted to him, with three blank stares.
A pause.
"Ok, but like what era are we talking about here? Lover? Folklore? TPD?" Theo said and four sets of eyes shifted to him.
"What the fuck?"
"Bro, what are you talking about?"
"Am I supposed to know what any of this means?"
"Che cosa??"
"Taylor Swift is a fucking icon and anyone who says otherwise is either deaf or ignorant" Theo retorted before snapping his gaze back to Enzo, the video game in the background long forgotten now.
"Tell me exactly what you heard."
"Ehh, Down Bad, Daddy something something, and Dress" he said, nodding as he remembered each.
Theo's controller fell off his lap as he leaned forward intensely, eyes narrowed on Enzo, "You are fucking certain that's what you heard?"
"...Yes..?"
Theo let out a noise somewhere between a howl and a laugh.
"Oh my fucking gods Matty you lucky son of a bitch!"
"What the fuck are you talking about?" Mattheo asked. He was sitting upright now on the edge of his seat and he could feel his pulse in his neck as he'd watched the conversation going back and forth between Theo and Enzo like a fucking tennis match.
"Dress by Taylor Swift? But Daddy I Love Him? Hellloooo???!!" Theo was cackling now, falling back on the couch, his hands on his stomach.
And then panic ensued.
"Put it on! Someone pull it up!" Blaise shouted, scrambling to his feet in search of his phone.
"Gods" Draco muttered, his hands on his head as he tried to process the information as tears streamed down Theo's face with laughter, and maybe a small bit of bitter jealousy.
Enzo looked around with wide eyes at their reaction, somehow more dramatic than the girls'.
"No!" Mattheo said finally, standing up and grabbing Blaise by the arm as he was frantically trying to find the songs. "All of you, just shut. the. fuck. up" he said firmly, his voice low and serious as he enunciated every word, causing each of them to stop what they were doing and look at him.
"This is bullshit, he doesn't even speak English" he continued harshly, gesturing halfheartedly to Enzo. "I'm not wasting my time with this shit, can we please just get back to the game?"
He sat down resolutely, picked a controller up off the floor and moved to restart their game.
The group exchanged quiet glances with one another before settling back into their places.
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Mattheo had been able to project a semblance of controlled anger the rest of the night, despite the sideways glances he received, but on the inside, he felt like a kettle full of boiling water, ready to scream.
He was fuming that Enzo repeated what he'd heard in front of everyone, furious at the way Theo laughed and annoyed at everyone else's reactions. His life, his feelings, and especially his friendship with you were private; it was none of their godsdamn business.
He also didn't like the idea that Theo knew your music better than he did, music was something the two of you had always shared with each other... since when did you listen to Taylor Swift anyway? And why was her music such a big deal?
He was tossing and turning in bed now, playing and replaying the evening's events in his head until finally he reached for his headphones, shoving them in his ears as he grabbed his phone. He needed to know, needed to understand why Theo was making such a big deal out of it. Theo's voice echoed in his head: "Matty you lucky son of a bitch!" and excitement and jealousy stirred in his stomach in equal measures.
It doesn't mean anything he told himself, tampering his expectations. The last thing he wanted to do was get excited, like one song was going to change anything anyway.
Dress he typed - tapping play.
Decent beat he thought, she's got a nice voice...
And then he hit the bridge.
Say my name and everything just stops I don't want you like a best friend Only bought this dress so you could take it off
He had stopped breathing.
Everyone thinks that they know us But they don't know nothing about All of this silence and patience, pining and anticipation My hands are shaking from holding back from you –
He ripped his headphones out of his ears and sat straight up in bed, his hand falling subconsciously to his beating chest as he tried to catch his breath. He swallowed. He blinked several times, trying to register what he'd just heard.
I don't want you like a best friend?
Well fuck he thought, me either.
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T H E P L A Y L I S T
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🏷️ tagging a few of my beautiful mutuals: @girllblogging777 @draco-dormiens @dracosbabygirl8 @leona-hawthorne @noble-serpent @sectumsempraaa @reys-letters
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doubleca5t · 1 year ago
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ryuko matoi yes or no
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Peter: Since we're all gonna die, there's one more secret I feel I have to share with you. I did not care for Kill La Kill.
Lois: What?
Peter: Did not care Kill La Kill.
Chris: How can you even say that, dad?
Peter: Didn't like it.
Lois: Peter, it's so good! It's like the perfect anime!
Peter: This is what everyone always said. Whenever they say...
Chris: The animation, the fight scenes the soundtrack!
Peter: Fine soundtrack, amazing even. Did not like the anime.
Brian: Why not?
Peter: Did not...couldn't get into it.
Lois: Explain yourself. What didn't you like about it?
Peter: It's too over the top, Lois.
Lois: What?
Peter: It's too over the top.
Lois: What does that even mean?
Chris: How can it be *too* over the top, the whole point of that show is to be over the top!
Peter: It's just a whirlwind of insane bullshit from start to finish. It's disorienting, I couldn't get invested in it, I've never even finished the show. I've never seen the ending.
Chris: You've never seen the ending?!
Stewie: How can you say you don't like it if you haven't even given it a chance?
Lois: I agree with Stewie. It's not really fair.
Chris: It's outrageous.
Peter: I have tried on three separate occasions to get through it, and I get to like the fifth scene where she's fighting some half naked lunatic.
Lois: Yeah, it's a great scene. I love that scene.
Peter: I just could not get excited for it at all. Like at some point I just think "you'd have to be REALLY horny for this high schooler to get into this show" and I'm just not, I just do not get horny for Ryuko
Lois: You know what, Peter,
Chris: It's a satire!
Lois: The show is a satire of anime fan service you just don't appreciate sexy anime girls when it's tongue in cheek
Peter: I love Keijo. That is my answer to that statement.
Lois: Exactly.
Peter: Well, there you go.
Lois: Whatever.
Chris: I like that show too.
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monarchetype · 17 days ago
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btw you should play xenoblade chronicles x: definitive edition when it comes out on switch and here's why:
-absolutely beautiful open world JRPG made by the studio that went on to work on BotW and TotK's maps. you want fantastical natural settings? we got em in spades.
-instead of being a JRPG that starts as a fantasy story and gets more scifi as it goes on it starts as a scifi story and gets more fantasy as it goes on. all xenoblade games are firmly science fantasy but X tips the closest to the science side of the scale
-super cool aliens. aliens that were genetically engineered to eat pollution. high tech aliens that love pizza. aliens that are allergic to human dna. straight up thundercats.
-Mix-and-match combat where you custom build your own class based on which sword and gun choice you have equipped. From a regular ass knife to a lightsaber, from an assault rifle to a laser drone.
-There's a character named "Murderess."
-You get a mech. You get lots of mechs. They transform into vehicles and can fly. Anything you want out of a mech, this mech can do it.
-There is a field boss named "Sheldon the Dentally Challenged"
-If you have a favorite English voice actor, they are in this game, I can almost guarantee it.
-Side quests. Great side quests. Excellent side quests. Open world JRPG with excellent side quests. Need I repeat.
-OST by Hiroyuki Sawano. You might recognize him from the soundtrack of some obscure anime such as Attack on Titan, Kill la Kill, and Gundam.
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stayconnecteed · 4 months ago
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hi bby <3 i just saw your post and im here to request something 👉👈
i wondering if you could work something with jisung and love at first sight? idk i've been watching too many romcoms lately. it's totally okay if you don't want to write it though, love you <33
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🪐˓⠀˚⠀summertime longing⠀@⠀han jisung.
bridgerton au , jisung is head over heels for you ㅤ—⠀⠀at first sight. mention of little wounds ( scratches, really ) & soonie is a paid actor hehe 🫶🏼 this is not a part of my dear gentleman oneshots & it's not proofread. i hate to write on my phone but i don't have my laptop. hope you like it, mana 🤍
SEE MORE.⠀⠀⠀⠀⠀⠀⠀⠀2.4k words. ⠀⠀general mlist.⠀⠀join taglist.
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The carriage stopped, and Jisung didn't wait for the door to open before jumping out. He was late, and although it wasn't unusual, his old friend Minho would kill him if he didn't show up on time. He didn't bother to look at his pocket watch as he walked the cobblestone path of the Lee manor's entrance, flashing an apologetic smile at the housekeeper who had watched him grow up as she opened the door for him before his fingers caressed the metal knocker. The hall was empty, the only source of noise the bustle coming from the kitchen, and Jisung knew that the guests had already been moved to the garden. Minho was going to notice his absence. Shit.
He hurried through the hallways, the rustle of the fabric of his pants ringing in his ears with each step as the only soundtrack to his march, until he reached the large glass windows of the blue room. He stood in the doorway, taking a deep breath to calm the erratic beating of his heart, flattening the lapels of his suit jacket against his chest. He wanted to think that the shaking in his hands was a creation of his creative mind, but in reality it was just a side effect of his lack of social skills. Jisung closed his eyes. He didn't know why he kept arriving late to places when it made him so uncomfortable to have to enter a room full of people totally alone.
Then he realised that on that occasion the people were in the garden, and he was the one who remained in the room, and he chuckled, shaking his head. What an idiot. He would be fine. Plus, he knew the Lees — it wasn't going to be that bad.
The first to see him as soon as he stepped out onto the terrace was Lady Lee, the Earl of Gimpo, and she quickly gestured for him to come towards her, ignoring the panicked face of the man who should have announced him when he arrived. He did not have to force the smile that curved his lips in reflection of the one that the woman in front of him had, and he responded to her effusive greeting and affectionate comments with easy laughter and lots of promises of meetings with his own mother as soon as possible.
Minho and his family had been travelling all spring, and now that the first rays of sun heralded summer in its most comforting form, they had finally returned, to enjoy the few months of heat before the new season began. And Jisung couldn't wait to hug his best friend again, even if it meant putting up with all the jokes about the experience he had gained in Europe and how little he had been missed. It was part of who Minho was, all the teasing and the sharp smirks, and the least he could do was get to his welcome back event on time, which… Well, he hadn't been able to do it.
Lady Lee's attention slid from her son's friend to the man she had been chatting with before, and Jisung offered a respectful bow, trying to finally find Minho in the crowd. Until he found his broad shoulders moving in silent laughter at his companion's words. And he saw you, the companion, giggling too, covering your mouth with an expert twist of your fan, your cheeks flushed, in front of Minho. Then you looked at him, and for a minute he forgot everything about how to breathe. 
Because looking into your eyes was like listening to a melody. He could hear the quartet that Minho's mother had chosen for the event playing from the little wooden platform by the lake, but it was a completely different tune than that. Your gaze, cheerful and serene, sang of mischievous breezes swaying the treetops at will, of dances without music barefoot on the grass and of the warm rays of the sun kissing your skin. You brought the summer with you, that summer that filled him with life and hope, and as he lost himself in your bright pupils, standing among the crowd, he wondered how his heart had been able to beat until that moment when it didn't had you to beat for.
“Hey, Ji!” Minho called his name, approaching him in a couple of steps, and wrapped his arms around him in a hug. Minho was dry in words, but his actions showed clearly enough how he truly felt about his friends.
Jisung's body reacted with the force of habit, letting himself be embraced and tightening his grip on Minho, as if he was afraid that he would get back on that ship with the desire to travel the world. He couldn't allow it, at least for a long time. Or unless they went together. And after one last squeeze he let him step away, Jisung's hand firm on Minho's back, as the Lees' only son turned to you.
“This is Lord Han, as I told you,” he explained, and you bowed before him, lowering your head with a lingering smile curving your lips. Jisung wanted to kiss that smile into his mouth, but he cleared his throat instead, trying to fill his mind with other — more appropriate — thoughts.
“Milady here wanted to visit our city,” he continued, offering his hand to you, waiting for you to rest it over his, and squeeze it with a familiarity that made Jisung’s heart sting, “so I proposed to her to travel back with us and stay for a while. She was the girl I told you about in my last letter.”
The last letter that had arrived that morning, and that he hadn't read because he was arriving late.
“Then you were absolutely right, my brother,” Jisung uttered, his words withering in his tongue as he linked the word ‘propose’ between you and Minho, “you were going to try to find beautiful views out there in the world. You truly discovered the most breathtaking one.”
Minho gave Jisung a playful punch on the shoulder, his chest filling with pride, ready to affirm any compliment his friend could mutter about you, but he stopped when he saw you addressing Jisung, your voice soft and honeyed, still hidden behind your fan. 
“My lord really praised your composer skills during our trip here,” you whispered, averting your magnetic gaze from his as if you were having trouble bearing the knowledge that Jisung was observing you, completely stunned, but also desperate to have a conversation with you. “He forgot to add how much of a gentleman you were.”
Jisung accepted your words with a light blush covering his cheeks, and he raised his hand almost instantly, narrowing his eyes and waiting, until you released your hold on Minho's hand and let yours rest on Jisung's. His breath got caught in his throat as he felt the soft fabric of your gloves on his fingers, and he wanted to imagine that the way you held your own breath was also due to the touch his lips left on the back of your hand — the greeting of any gentleman. 
And just before either of you could say a single word, you heard Lady Lee scream by the terrace, absolutely stressed, and a spark of orange fur running across the grass like a shooting star in the darkest night. Minho gasped, and Jisung knew. His cats.
You were the one who took the initiative, smashing your fan into Minho's chest and grabbing the hem of your dress in one swift move, following the mischievous creature at a fast pace, ignoring the calls of the rest of the men at the event. Jisung stared at you, starstruck, before running after you. It wasn't the first time he had dealt with Minho's cats, they knew him, for them you were a stranger. It would be his fault if the animal started to get stressed and ended up hurting you. 
The hurried race took him to the forest adjacent to the Lee property, and by the time Jisung spotted you among the foliage, he froze. Your bun had come loose, your hair loose falling over your back, and you had your dress pulled too far up your thighs, fully prepared to climb the tree where Soonie was waiting, curious about what you were doing.
Jisung couldn't think. He didn't know if you had heard him arrive, but he didn't care. He could only focus on the smooth skin he was witnessing — more than he had ever seen in his life — contrasting with the colour of your dress. You didn’t seem uncomfortable being barefoot, your low heels abandoned among the thick roots of the weeping willow, one foot resting on a gap between the folds of the robust trunk and your hands holding tightly to the lowest branches. 
It would be difficult to reach Soonie, because its branch, although low, was too thin for a human, even dangerous with the way it was located above the lake. Jisung could understand why the cat had chosen that tree. He also liked the way its leaves swayed in the wind, and it really did look like a giant feline toy, but they already had scratching toys and little houses in the manor, all handmade by Minho. The adventure had to end before something went wrong.
But before he could warn you of his presence, a leaf creaked under his boots, alerting you, scaring you, and making you lose focus on your tightrope walk along the branch below Soonie's. You lost your balance completely, and Jisung saw your hands trying to grab onto something, anything, before falling into a loud splash on the edge of the lake. Jisung would have laughed if his heart hadn't jumped in his chest, if you had been someone else, if he wasn't so deeply scared that you were seriously wounded. 
He rushed over to where you were, mumbling a string of “I'm sorry’s” as you emerged from the water, taking a breath of oxygen, holding onto the hand Jisung was offering you. Your hair formed spirals in the water, floating around you, just like your dress. Jisung felt so overstimulated that he wasn't able to process how he had just gotten his pants wet, the level of the water reaching over his waist. All he could think about was that your gloves had torn, and that he was touching your skin, the soft but bloody skin of your outstretched hands, and that you were so close that he could feel your rapid breathing on his arm. 
He cleared his throat, trying to get rid of the thoughts that were popping into his head, and pulled you lightly so you could stand up. Only instead of getting angry with him, blaming him for spying on you, your lips curved into a smile, and you let out a crystalline laugh, closing your eyes and relaxing your shoulders before him. You were the picture of happiness, cheeks still rosy and your chest rising and falling against the corset at full speed. Even he felt on edge, with adrenaline bubbling everywhere. 
“There’s no need to be sorry, lord Han” you whispered under your breath, your eyes falling over him, Soonie purring above your heads. “It was a funny accident. I shouldn't have tried to climb so high.”
You weren't apologizing for running away but for not thinking about the density of the branch, Jisung noticed, and he couldn't help but widen his smile at it. He was getting lost in your gaze again, too captured by you, and everything was going too fast. He didn't know if it was good or bad, but he didn't want it to stop. Until he realised that you were getting goosebumps, and the first shiver ran through you. He cursed himself for not having acted sooner, and helped you out of the lake with difficulty, the ground on the shore completely muddy. You were cold.
Jisung avoided looking at you as he turned slightly to take off his expensive suit jacket, ready to give it to you, but when he turned to offer it, he saw that you were removing your dress. He was quick to put his jacket on you before you could continue, shame creeping up his neck and leaving a trail of blush in its wake, and you flashed a mischievous smile, fully aware.
“I’m not going to end up naked, lord Han” you assured him, grabbing the thick fabric of your dress and leaving it on the grass, the figure of your body crafted by the thin white nightgown you wore underneath, before snuggling into Jisung's warm black blazer, “you should court me first.”
Your words snapped Jisung out of the haze he was in, suppressing the urge he had to run his hands along your arms to help you warm up, and he picked up your dress and shoes from the floor, keeping his hands well occupied. He was a gentleman, he shouldn't… He had to involve you both in situations appropriate for a young lady like you. Not in an improvised swim, where you were going to end up so... God, so delicate and delicious, looking at him that way. 
He couldn’t. Not when everyone knew where you were, when Soonie was judging you two among the roots of the trees, approaching Jisung with the confidence of having found a familiar human. Before he could get any closer, you crouched down, holding out your fingers so he could smell them. It took a suspicious look and realising that Minho's cologne was still soaked in you to accept being held in your arms, sticking to your body to provide you with more warmth. 
Jisung had to remember to buy Soonie more treats the next time he visited Minho. 
“Are you coming?” you asked, oblivious to the way the vision you were was killing Jisung inside, you in his clothes, with that cheeky smile, your hair a wet mess but still looking so beautiful.
Still, he nodded, treasuring every second in his memory. One look, and you had cast a spell on him. He would follow you wherever you asked as long as you were the one to guide him. He knew he was in love, because you held his heart in your hand as easily as you had taken Minho's cat, and if you broke it it would hurt more than a bad cut with a rusty knife. He had fallen catastrophically, and was now at your total mercy. The worst part, however, was that he didn't care at all.
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brucequeensteen · 7 months ago
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why did head (1968) flop so badly, you may ask?
the short answer is: terrible promotion. why the promotion was so terrible is another question entirely. there are two schools of thought: 1) bob rafelson and jack nicholson were being deliberately avant garde and obtuse (maybe to attract a certain psychedelic audience) or 2) deliberate malicious intent from columbia pictures to get rid of the monkees (by November 1968, when the movie premiered, the monkees TV show had been cancelled for 2 months).
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(LA Times, 2008)
what exactly was the ad campaign? Well, it was originally supposed to be Bob Rafelson's head displayed for a few seconds smiling at the camera--according to Wikipedia this was a spoof on Andy Warhol's short film Blowjob (1964). but in the end it was John Brockman, even more unknown, and he was just the guy who was supposed to be filming the clip.
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from Andrew Sandoval's The Monkees Day-by-day Story (page 210). explains more about why they did this. Micky also says he thinks it was a way to get back at the monkees for striking on the first day of filming when they found out they would get no creative credit for the film and had been "getting ripped off pretty badly" basically for years.
another factor was the critics reviews. obviously Head is not your average film, and loads of reviews looked down on it as psychedelic garbled trash. they didn't get it. there were positive reviews of course, but most people just didnt get it (and you cant really blame them - its at its most enjoyable when you are a) a bit of a freak, b) a total anti-capitalist, or c) substantially aware of the horrors the monkees were going through at this point. no film critic at the time ticked all 3 of these boxes). i think at this point bob rafelson panicked, because he wanted the film to do well, he just wanted it to do well independent of the monkees (hubris). there's a funny story about the night before the movie premiered in new york, he and jack nicholson got arrested for putting up stickers promoting head, after jack tried to put one on a police officer's helmet. and it makes me wonder why he then didn't fight harder for the film to do well.
it's funny (re: sad) how so many things came together to bring about the doom of the film: bob rafelson and jack nicholson's own cockiness about how well the film would do, their complete disregard of the what the monkees themselves wanted, the studio being tired of the monkees/already having cancelled the show, the whole phenomenon dying out a little since record sales had gone down (the last album they put out was in february 1968 - by this point it was november, and the Head album wouldn't be released until December)...
another peter quote because I trust him the most (again from the day-by-day story, page 210)
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Mike over the years has said different things, at one point calling Head an assisted suicide (pertaining to his own desires to kill the monkees phenomenon and be seen as a serious musician), at other points calling it a murder (which i think is how peter continued to see it throughout most of his life, while simultaneously recognising its artistic and cinematic merit, and also saying the soundtrack was the record he was proudest of besides headquarters 1967). but here's something Mike said in the Head commentary (some time in the early 2000s) which i find simultaneously funny and devestating:
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so yeah. the main conclusion is that nothing was in Head's favour for it to do well. there were conflicting visions, conflicting motivations, a total lack of interest from Columbia pictures, and no one was on the Monkees' side, not even really the monkees themselves. the world just wasn't ready for the crazy anti-monkees monkee movie. their swag was too different. everybody wanted to kill them. but they didnt have to cos they killed themselves it happens right at the start of the movie and again at the end. WATCH HEAD.
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mossy123302 · 6 months ago
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Okay, after what happened yesterday in the live stream where Phil mentioned he did have a song for Missa. I was ....totally not scavenging the Bleach soundtrack to figure out what song Phil could have probably used.
(I've never watched Bleach. I'm so sorry—)
Anyways, the song I found that I felt fit perfectly for Philza and Missa was "Escalon". It gives the otherworldly feeling, while also still tying to Missa to his heritage. (Philza being the Angel of Death & Missa being a Grim Reaper of some sorts. Would Missa technically count more as a Demi-God? Because I've been finally trying to understand Missa's small lore bits and his mother, lore wise, is a goddess, correct? Like La Muerte? Please correct me if I'm wrong)
I laughed at the comments on YouTube where they said "Escalon" sounds like if aliens were invading Mexico.
It also occurred to me how Philza and Missa are just connected a lot to space themes which is probably another ironic thing.
I really do wish we could have seen more Philza and Missa fighting together. Philza is more direct, quick to kill the mobs but is cautious when it's up against something he isn't familiar with. Missa covers up his weak spots by being more watchful and attacking, sometimes, from afar. This has its downs and ups, because Missa can immediately alert Philza to other nearby mobs but Missa is a bit too far, so Missa ends up attracting the more dangerous mobs to him-
Overall, I think Missa is more or less like the shield while Philza is the weapon. Both needed to work together and find some rhythm.
You ever think about how Missa was teaching Philza how to dance at Mexico's Independence Day event that somehow brought the two to a better understanding of their body movement. They were new and awkward, unfamiliar with each other's fluid of movement and slowly they got better at it together.
So maybe Philza gained a few traits from Missa, being much more observant to assess the situation, to avoid attracting other mobs while also trying to teach his kids, mainly Tallulah, how to fight. Missa charges and attacks without a thought to defend and protect his kids, and picks up a few traits from Philza. He knows how to locate the weak points to kill the mobs faster and how to better avoid mob situations.
God...we were so robbed...
Phil Minecraft plz... Give us more crumbs.
Missa as well. Please...play a game together or something.
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sid-the-sandwich · 6 months ago
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Obey me! Character Album Song Colours
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Above is the template, You can put your album in the bottom right:
i tried my best to add songs for each colour that fit each boy, it was a bit difficult lol
Song names:
Red:
Lucifer - I Love You Like An Alcoholic
Mammon - Talk Too Much
Leviathan - Suki Suki Daisuki
Satan - Hayloft ii
Asmodeus - Literal Legand
Beelzebub - Inferno
Belphagor - Telephones
Orange:
Lucifer - Take Me To Church
Mammon - Partners in Crime
Leviathan - I am Falling for You
Satan - The Other Side of Paradise
Asmodeus - Cupid (Twin Version)
Beelzebub - Moral of the Story
Belphagor - If I Killed Someone for You
Yellow:
Lucifer - Dream a Little Dream of Me
Mammon - My Alcoholic Friends
Leviathan - I Cant Fix You
Satan - Ocean Eyes
Asmodeus - Circus
Beelzebub - GUY.EXE
Belphagor - Moonlight on the River
Green:
Lucifer - Hermit the Frog
Mammon - Cupid's Chokehold
Leviathan - Everyone Adores You (At Least I do)
Satan - Evil
Asmodeus - Primadonna
Beelzebub - Soldier, Poet, King
Belphagor - Home
Light Blue:
Lucifer - Sway
Mammon - The Adults Are Talking
Leviathan - Sports
Satan - CATS
Asmodeus - Toxic
Beelzebub - I Need a Hero (Shrek 2)
Belphagor - Control
Blue:
Lucifer - I Dont Smoke (Audiotree Live)
Mammon - Out of My League
Leviathan - Still With You
Satan - Duvet
Asmodeus - Young and Beautiful
Beelzebub - The Red Means I Love You
Belphagor - Our Word
Purple:
Lucifer - I Hate Everyone But You
Mammon - Bubble Gum
Leviathan - Jealousy
Satan - Majora's Mask soundtrack
Asmodeus - La La Land
Beelzebub - Cloud 9
Belphagor - Cigerette Duet
Pink:
Lucifer - Stalkers Tango
Mammon - IT Girl
Leviathan - Fire Drill
Satan - Animal
Asmodeus - Emo Boy
Beelzebub - Looking Out For You
Belphagor - Dead to Me
White:
Lucifer - EVERYTHING
Mammon - I Wanna Be Your Boyfriend
Leviathan - I Can't Handle Change
Satan - Happy Pills
Asmodeus - Touch You
Beelzebub - Birds on a Wire
Belphagor - Jobless Monday
Black:
Lucifer - Daddy Issues
Mammon - Cooler Than Me
Leviathan - Megalovania
Satan - Blackout Days
Asmodeus - Toxic (Pitch Perfect)
Beelzebub - Baby Hotline
Belphagor - Deathwish
Brown:
Lucifer - Its Been So Long
Mammon - Greed
Leviathan - Chamber of Reflection
Satan - All Eyes on Me
Asmodeus - Stars are Blind
Beelzebub - Cake by the Ocean
Belphagor - I Can't Decide
here is mine:
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clayderogatory · 2 months ago
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okay let me just say i am a big music nerd and also a big resident evil nerd. put two and two together, and now you have this. greetings and salutations everyone and today i am going to analyze and discuss the 4 major boss themes in resident evil 4 remake and my interpretations of each one.
note that i am no big music theory major, but i know way too much about resident evil and i know how music can influence how someone can feel and how it can relate to the characters they are for.
the bosses i am going to be talking about are as follows:
Bitores Méndez, Ramón Salazar, Krauser, and Osmund Saddler.
they will go in order right under the cut!! i hope u enjoy because this actually took hours to write im not even kidding.
Bitores Méndez:
Starting off with Méndez, his boss theme is very very different from the OG. What the Remake has, I believe it further demonstrates and shows to the player through music more insight on how he is presented in the game.
In the original, his theme is really just...eerie. It's unsettling, with much of it being very high pitched and almost just screaming in your ear. Some really other good examples of this are like—for instance—the very end of the Undertale Genocide route or like Something in Omori. It's made to be unnerving, like something is incredibly wrong in the situation you are in. But for Méndez's theme in the OG, it's really as far as it goes. It's just high pitched noises with creepy sound effects, almost like something is chasing you. There's even remnants of someone screaming in the background if you listen super closely.
The thing I love with the Remake is that they added so much more to this theme. Firstly, they kept that eerie high pitched noise that was primarily in the OG's soundtrack, in the background. That feeling and that aspect is still there in the song, but they added more instruments so that it was definitely more of a boss theme. There's drums, violins, tubas, etc. Those were at least the main ones I heard upon inspection.
Méndez is supposed to be the first big bad in re4r, he's kind of like the strong and seemingly invincible character for a good long while. He doesn't talk much, he's just there to follow Saddler's orders and to carry out his will. You have to try to avoid him in many cases because you can't get past him, but now you're in a situation where you have no other choice but to fight him. The music really amplifies this because it really conveys that feeling that he's like a mindless soldier. He's extremely intimidating, a lot of the music feels like it isn't leading up to this big finale or any sort of release. It's meant to build up tension or suspense, and it isn't much of a build up.
Méndez is there for the purpose to kill, with Las Plagas infecting his mind so badly he doesn't even have thoughts of his own anymore. That's only the first half of the song, because the second does get interesting.
It turns very fast paced and hurried. Like a cat and mouse chase, there's even an added primarily male choir in there to further add to the eerie feeling. It gets a lot more intense, because further in the fight, Leon is doing more to injure Méndez and that tension is finally rising to where it's a much more intense battle because Méndez had mutated a second time and now they are at each other's throats and the heat of battle and the burning building is probably getting to the both of them. And the tension is rising, rising, the music gets louder and its crescendoing more and more and then, it goes quiet.
it's not a big flashy ending, it just fades out to quietness. all of it is over, you can take a break and let what just happened sink in. it's so much more interesting and i do love they incorporated the same eerie noises from the OG into the remake's.
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Ramón Salazar:
Up next we have Ramòn Salazar, and his remake theme is one of my favorites in the whole game. But starting with the OG, it lays a pretty decent foundation. There's that eerieness to it in the first, but then it grows a bit bigger. It primarily has a lot of organ parts to it. Plainly stating, Ramòn is from Royalty, he lives in a castle and had people do his bidding and such. His official title is of a Castilian.
He is also very weak compared to everyone else, and he hides behind the stronger ones with his rank and title. Organs are very primarily used in settings of where we are now, a very gothic style castle where before Los Illuminados came, everyone there was very Catholic. Which in other cases, they can be heard in churches as well. They're typically seen as very creepy instruments that unnerve many people. There's also usage of violins and a choir, which give this feeling of almost like a Haunted Mansion like sound as if there were ghosts taunting you.
Interestingly enough, there's also some more modern hints in the song with a faint electric bass in there. It's also a little waltzy, like it has elements where you could kinda dance to it. It has a similar tension where it rises and rises and then goes quiet again.
But what I really want to get to now is his remake theme, holy shit it is so so SO amazing. Ramòn in remake is very vastly different from OG, he has that same element of being weak and using his authority to always have a higher ground, but he isn't nearly as cowardly. He has a way more sadistic mind to him, and even in records found in the game, he was described to be this nasty little guy who reveled in seeing people suffer.
he also presents the whole section as like a story or a play. He calls Leon a "gallant knight" and Ashley the "princess fair." He's over dramatic, and he sees himself as a higher being than the others. Except for Saddler, because he worships the man—like everyone else.
Already within the theme we are starting off BIG, it's loud, dramatic, very fitting to how he sees everything as a show, a drama even. We get a lot of build up within the first 35 seconds or so. They utilize a lot of choir parts within this, mainly SSA (sopranos and altos) to make it very high pitched and giving that eerie vibe again. The title of the song comes into play too, "Baile de la Muerte," or as translated, The Dance of Death. Already off the bat it sounds as dramatic as the music is, and because the song is very much a waltz.
It's also something to note that Ramón moves around a LOT in this fight, similar to how you move in a dance. But he looks a lot more like a horrifyingly mutilated bug so it's more annoying than anything.
String instruments are HUGE in this song, and especially that choir part mentioned earlier coming in really heavy towards the middle. There is some more SATB (soprano, alto, tenor, bass) at this part compared to the beginning. There's already so much tension because the song starts big and keeps. getting. BIGGER. towards the end the choir part keeps striking with more and more tension, its keeps building and building, and then HUGGEEE beat drop where there is just this beautiful and amazing finale that is just so so SO dramatic and theatrical. it's like the big end to a show, the strings are fast and furious as the drums are striking and LOUD, and what i believe to be brass instruments just killing it. and the final note ends on a high ass note for the choir and all the instruments coming together to deliver the end of this AMAZING track.
its a dramatic piece for an equally theatrical and dramatic character, and it leaves with this satisfying finish before ending and letting it all settle again.
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Jack Krauser:
Now with Krauser's theme, it is my favorite in the whole game. I could loop it for hours because it's so catchy and it even ties back to previous lore with his character. Firstly to compare to the OG, the OG and remake are already extremely similar.
It's very strong and heavy, like how Krauser is. It's also very dramatic and one big thing to notice is that there is this kind of very fast drum that is prominent. It's kind of something that you would hear in a theme pertaining to jungles and whatnot, which IS important. I'll get to that in a moment, but, it's a very fast paced song. It does have that tension because Leon is facing a formidable for that he used to know. There's a lot of build ups ready for a beat drop that just adds so much to the intensity. There's not much to say because the melody and sound for this song is pretty much the same as remake, but obviously they expanded on it.
what i really want to get to is remake, because they utilize SO many elements in this to make it really powerful and to support Krauser's character. First and foremost, Krauser and Leon's relationship in remake is different than OG. In OG they were more "comrades" who fought with one another in the military, but in remake, Krauser and Leon, have this relationship where he was his mentor. They both know the same combat skills, it just comes down to who can apply them better in their fight. That's what makes Krauser so terrifying, because he knows everything Leon knows to a higher degree.
As well as that jungle aspect maybe coming from Darkside Chronicles that expanded on Leon and Krauser and Operation Javier. I thought that was a neat touch to add with the music as well, but anyways, this piece is powerful with the primarily male choirs, harmonies, and so. much. buildup. it's leading up to something so much bigger with it's fast paced structure. there's a lot of heavy drums that are just going and going, and it eventually leads to this HUGE beatdrop that really makes it feel more like a final battle. Leon is facing someone that was close to him, even if he was a huge asshole, he was Leon's mentor and taught him everything he knew.
it's so heavily dramatic because the stakes are high, Leon has to get to Ashley before it's too late and try not to get killed by his teacher. It repeats until at the end It leads up and up until it goes to this somber music. Leon has to kill someone he did care about. He proved himself worthy and now has to take the final blow, all while trying not to cry because he was forced into doing it. It leads up to this big big tense feeling until he strikes the blow and it's over.
"I taught you well, Leon."
"That you did, Major, that you did."
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Osmund Saddler:
With Saddler, it's, again, similar to the OG and to be frank, I'm just gonna talk about the remake. Saddler is so interesting because the whole game has been leading up to him. He's a mystery, he is the leader of Los Illuminados, the one with all the control over everyone in the hivemind. With his theme, they really use a lot of the choir instead of the instruments taking over.
The reason due to this is probably all of the religious themes within Saddler and how he is literally a cult leader. within churches, there are usually church choirs that sing which is probably why it's very abundant in the theme. The music is matching with the choir a lot, and a lot of drums are used in this piece. Compared to some others, there are a lot of flowy parts to the song and also some very staccato moments where it's very on the dot. Especially in the middle where it's very big and intense.
This is a serious battle, Leon has to kill Saddler to get rid of Los Illuminados, and it isn't an easy task. They really keep that feeling of it being such a tough fight and that it is menacing, Saddler is not just a pushover. He wants to spread his cult across the world and he will stop at nothing to try and achieve that. It mainly repeats a lot due to it obviously being a boss theme and it will repeat until you kill the boss, but the ending is so interesting as it goes from this very flowy and moving section, and then it goes down, and then ends abruptly with even a hint of organ snuck in there.
Saddler is posed as a threat, on or off screen, and his theme definitely delivers on that as well.
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and that is a wrap! if you made it to the end, you get a cookie 🍪
and if anyone wants to discuss anything more, feel free! these are my thoughts and ideas of all of these themes and how they relate to all of the characters they are for :)
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i-didnt-hate-it · 6 months ago
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I didn't hate Abigal, it was a lot of fun!
I was sick the week Abigail released, so I'm just watching it now because I'm not going to see the new Planet of the Apes, I haven't seen any of them yet.
Now THIS is how you do a Dracula's daughter story.
If you know anything about the movie going into it, you know what's coming, but they make you wait for it to actually happen. Making Hitchock's bomb a cute little girl? Bloody genius.
Abigail is a fun, exciting, bloody vampire movie. It's got to be hard to make an original and unique vampire movie these days, but I think Abigail did a good job of blending a Gothic tone with a modern gorefest vibe.
The soundtrack was pretty good, not quite outstanding, but not bad. The use of music (a la Tchaikovsky) was fun and really set the mood.
The casting was great. Giancarlo Esposito was very Giancarlo Esposito-y, Kathryn Newton was funny and made me want to watch Lisa Frankenstein even more (new horror queen?). Kevin Durand was great as "the muscle." Dan Stevens looked like he had a lot of fun. William Catlett and Angus Cloud were both solid. But of course the standouts are Melissa Barerra, definitely a horror queen, and Alisha Weir in the title role. It takes skill to make an audience believe a 12 year old girl is actually a centuries old vampire, but Alisha did it.
Spoilers below.
I feel like others might disagree, but I honestly loved the pacing of the movie. With how long it took for them to show Abigail as a vampire, it really gave time to get to know the characters.
The way they set the tone really somehow made it feel like a classic Universal horror, but it also felt fresh and modern too. Little things like the creepy basement, the rats(?), the big library, the statue garden thing. It really felt like they were in a house that someone had been living in for a looooong time.
I honestly love how two people died before Abigail ever bared her fangs. It really helped sell the idea that she was just playing with them. And the black guy didn't die first! It is kind of sickly ironic that Angus Cloud's character was the first to go (RIP), but I mean, bro was an absolute idiot.
I'm still not sure who my favorite character is, I really just loved the ensemble. I will say, I figured out the Rat Pack joke before Peter, not too long before, but still before.
I love when modern monster movies reference the lore, but make it their own. Like they reference all the stuff that kills vampires but only a couple of them actually work, the rest are just part of the legends.
I wasn't expecting to actually root for Abigail toward the end, but I loved the respect the was shared between her and Joey.
Those Ready or Not guys really love making people explode like bloody water balloons. I mean, what a way to go, I guess.
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quirkwizard · 11 months ago
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You haven't gotten a lot of Non Quirk questions in a while, so I wanted to send one that I think would be fun. What do you think would be the favorite anime/series of each 1-A Character? I know Tokoyami would be a Jujutsu Kaisen fan, but the rest I'm not sure.
Can I just say how much I enjoy questions like these? It's always really fun to get questions unrelated to Quirks, especially more light hearted, character focused questions like these. I appreciate you sending this in and encourage more non-Quirk related questions. That aside, I will expand this to include manga as well. There are some choices on here that I think are perfect, but I know that certain animes aren't the best adaptation.
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Sato: Food Wars. Maybe Toriko if you want something more on brand with him. I would say more about it, but that would imply there is anything deeper to read into with Sato.
Koda: Pokémon. There really isn't anything complicated about this choice. Just a fun, lighthearted series with wonderous creatures under the main character's control.
Mineta: Without question, it's Kill La Kill. He's actually one of the few people who are able to read into it on a deeper level and what it's trying to say but nobody believes him.
Denki: I don't know, Seven Deadly Sins? Kaminari just seems like he would be the most basic, go with whatever's is the most popular kind of fan, never really commiting to anything for too long.
Tsuyu: I think she would be into cute and happy series. Something light and fun that puts a smile on your face and could enjoy with other people around. Think something like Spy x Family.
Sero: Maybe Steins' Gate? He's on the same level as Denki, but it's usually more along with critics are going with then general audiences and at least takes some time to think about it.
Ojiro: Pretty much any heavily technical fighting anime, like Hajime no Ippo, but has a special place in his heart for Dragon Ball Z. Who knew that a martial artist with a tail would hit a chord with Ojiro?
Hagakure: I think her being into Sailor Moon would make sense. Something fun and flashy. I could easily see her using her reflective powers to do the whole Moon Prisim Power thing.
Aoyama: I could see him being kind of anime snob, being more interested in really old animes like Revolutionary Girl Utena or Rose of Versailles. Just something really pretty looking for his Bishonen soul.
Mina: Again, another character like Denki, but instead of focusing on shonen, she's more into whatever is popular with rom coms or slice of life, like Don't Bully Me Nagatoro or Dress Up My Darling.
Jiro: I honestly see her being more pulled towards the soundtrack of an anime rather then it's content. Though I do think she'd be interested in Cowboy Bebop with it's general "cool" feeling to it.
Tokoyami: He certainly seems like the guy that would be into the whatever edgy anime flavor of the month. First Death Note, then Tokyo Ghoul, and most recently Jujutsu Kiasen.
Shoji: He'd be into the Berserk manga. Just one of that people that reads super mess up stuff and is one of the chilliest people around. The only time he gets angry is when you mention any of the adaptations.
Kirishima: His favorite would be Gurren Lagann and there is nothing you can do to change my mind. It's just too perfect. That being said, if you want to pick something more ongoing, I'd say Jojo's Bizarre Adventure for obvious reasons.
Uraraka: I think she'd be into One Piece. I'm not sure why exactly I picked that out, I just think that she would like it. Maybe it's the mix of good, light heart adventures, lots of action and heart renching movement that makes me think she'd like it.
Tenya: Pretty much anything related to Gundam. I could see him being into the mechanics of the robots and the amount of stragy involved in the fights. Out of all of them though, his favorite would be the objectively best Gundam series: G Gundam.
Bakugou: Bakugou is both sides of the deep Naruto fan coin. He's simultaneously the guy that's actually reading into it and understanding what's it's saying, but also the obnoxious dude bro that talks about it like it's the greatest manga ever without question.
Shoto: It was honestly really hard to think of anything for him. He just doesn't seem like the kind of that would be into it. I was tempted on Fire Force for a joke, but I like the choice of Fruits Basket better. I feel like the complications of family and bonds would speak to him.
Momo: I was tempted to go with Doctor Stone, but I had to go with Fullmetal Alchemist. She's definitely one of those people who slaves over all the little details and themes in whatever she is watch, her face glowing as she talks about Elric's character and journey.
Izuku: I really wanted to pick One Punch Man for obvious reasons, but I think he'd be more pulled towards Hunter x Hunter. I think he'd especially be interested in the power system that's one of the few in all of manga that doesn't have to do with whatever you're born with.
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geekthefreakout · 20 days ago
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Random Poll: Hunchback Edition
SURPRISE! Equity has suddenly decided to give Disney's Hunchback of Notre Dame musical a shot on Broadway. You're one of the people in charge of getting the show ready, and you want to be mindful of how the Romani people are portrayed. What changes do you make? (elaborations below the poll)
Option 1 elaboration: The Court of Miracles song is the one that unfortunately says the Roma people in Paris actually ARE thieves and scammers and now you found us and we will have to kill you. That awful message is offset by Clopin being A Lot of Fun while he sings it.
Option 2 and 3 elaboration: In the musical, every character refers to the Romani people as g-slur, with the exception of one line in A Place of Miracles where Clopin identifies them as Romani. In this option, you would allow characters who WOULD use a slur use the slur because that's how they are, but would correct other characters such as Esmeralda, Clopin, and maybe others to use proper terminology.
Option 4 elaboration: You can take this to mean that you acknowledge there are problematic things in the musical, but that it's a product of its time and does not need to change. Or if you don't think it's problematic at all (????) you're wrong, but you can pick this option.
For reference: The soundtrack, La Jolla production, and wikipedia page
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ratlordsarah · 4 months ago
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absolute ton of wg music HCs because I am obsessed with music
dr two brains/ steven
-obsessed with the 80s
-favorite song is between careless whisper, and out of touch by Daryl hall & John Oates
-most certainly goes on summer night drives with the window rolled down listening to songs like everybody rules the world and other various 80s songs
-favorite band is between queen and abba
Amazo guy
-obsessed with the 90s
-secretly loves Britany spears, but won’t tell anyone
-favorite songs are starman by David Bowie, everybody by the Backstreet Boys, and his secret third favorite is baby one more time by Britany spears
-favorite bands/artists are David Bowie and the backstreet boys
becky
-doesn’t listen to music much, but really likes come on Eileen by dexys midnight runners, and livin la vida loca by Ricky Martin
-will listen to about everything except rap (out of spite towards Toby)
toby
-Eminem fan
-absolutely loves counting stars by one republic, the ceiling can’t hold us by Macklemore, and nearly any imagine dragons song
-probably would be a lemon demon fan
lady redundant woman
-favorite songs are definitely 9 to 5 by dolly pardon, bad romance by lady gaga, and dancing queen
-favorite song by frank Sinatra is definitely strangers in the night
-favorite band is abba
-probably cries to dancing queen each time that song plays
the butcher
-favorite songs are sweet home Alabama, fortunate son, and stayin alive by the bee gees
-favorite bands/artists are lynyrd skynyrd, Elton John, Bon Jovi, and Billy Joel
-goes nuts over you may be right by Billy Joel and will talk about it for hours
-old time rock n roll by bob seger is actually his ultimate favorite
invisi-bill
-favorite songs are counting stars by one republic, and centerfold by the j. Geils band
-half his playlists are energetic songs from movie soundtracks
-quite literally floats of the ground listening to free bird
-if the song’s not energetic, he doesn’t like it
miss question
-favorite song is without a doubt killing me softly with his song by fugees and ms. Lauryn hill (based)
-Whitney Huston is her hero
-other favorites are funky town, super freak by Rick James, cake by the ocean by dnce, and just about any Michael Jackson song
-her and two brains probably have the best music taste for a long late night car ride
chuck the evil sandwich making guy
-listens to mostly video game soundtracks
-favorite songs are nearly every remix made of megalovania and buddy holly by weezer
-loves 80s music but doesn’t know it
-will listen to nearly anything
-listens to emo music when people don’t find the “deeper meaning” behind him nearly crushing a school under a sandwich press over a hair net (same bro, same 😔)
Miss power
-favorite song is holding out for a hero by Bonnie tyler
-enjoys just about any song with the word ‘power’ in the title
-secret that handsome devil, and Katy Perry fan
Leslie
-likes anything abba
-favorite song is lay all your love on me by abba
whammer
-literally any loud and energetic song
-likes 2econd 2ight 2eer by will wood, but hates the lyrics for no reason
mr. Big
-Huey Lewis and the news fan
-really likes the 60s
-really likes loud music
Am I a little too hyper obsessed with music? Absolutely 👍
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