#Kenyan R&B

[haveyoulistenedtothisalbum-poll]

Tracklist:

Suzie Noma • I'm Feeling It • Ignited • Kenyan Message • Nita • Pale Pale • Secret Love • Stay • Heaven

This is the soundtrack to the Kenyan film Rafiki which depicts a lesbian relationship and discusses the discrimination of LGBTQ+ people in Kenya!

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[mariacallous]

American R&B singer Aliaune Thiam, professionally known as Akon, has long wanted to help Senegal, the country he grew up in. He started Akon Lighting Africa in 2014 to install cheap Chinese solar-powered lighting systems across the continent. He hoped to do something more significant for Senegal. But how to fund it?

The answer turned out to be the same one adopted by a growing number of governments and entrepreneurs: a mixture of cryptocurrency and urban planning. It’s a combination that offers the promise of development without any of the tricky details—and which tends to turn out to be little more than vaporware. There was Bitcoin City in El Salvador, but also Painted Rock in Nevada, Satoshi Island in Vanuatu, Cryptoland in Fiji, or the Crypto-Kingdom of Bitcointopia in Utah.

In 2018, Akon announced a new cryptocurrency, to be called “akoin.” Akoin would enable Africans to, as the singer put it at a launch event, “advance themselves independent of the government”—in some manner. Most importantly, akoin would fund the creation of Akon City, an advanced planned city to be built in Senegal. Akon announced akoin and Akon City at the Cannes Lions Festival in June 2018. Akon said in November of that year that he had “everything planned out” for the city. But both Akon City and the akoin token remained only ideas for many months.

Akon was interested by the promises of cryptocurrency—specifically, free money by some unclear mechanism—but he was not up on the details of its technical or financial issues: “I come with the concepts and let the geeks figure it out,” he said. The akoin team featured initial coin offering (ICO) entrepreneurs such as Lynn Liss of ICO Impact and Crystal Rose Pierce.

The akoin cryptocurrency was pre-sold in a 2019 crypto token offering called “token of appreciation.” Each dollar “donation” would give you up to four tokens which would convert to akoin.

Akoin had not launched in Senegal at the time, despite billboards across the country. The West African CFA franc is the only legal currency in Senegal; BCEAO, the central bank, warned that akoin could not be used as a currency in the country.

Akoin promised all manner of functionality—special akoin wallet software, direct exchange with other cryptocurrencies or with cellphone minutes, an application marketplace, various “building blocks for entrepreneurship.” None of this was ever implemented.

Akoin finally started trading on a crypto exchange in November 2020. The akoin token didn’t do anything or have any particular utility; it was just a crypto token that you could trade. Pre-sale buyers dumped their akoin immediately and the price crashed. That’s not unusual: As of 2022, 24 percent of new cryptos fell 90 percent or more in their first week.

Akon posted on social media in January 2020 that he had “finalized the agreement for AKON CITY in Senegal”—though he had previously claimed that construction had already started in March 2019. The new city would be built near the small town of Mbodiène, about 100 kilometers south of the capital, Dakar.

Akon City would be a “smart city” inspired by the futuristic African nation of Wakanda from the 2018 movie Black Panther. The city would feature boldly curved skyscrapers, shopping malls, music and movie studios, “eco-friendly” tourist resorts, and a parking garage for flying cars.

Akon claimed in August 2020 that $2 billion of the $6 billion needed to build Akon City had been secured. He laid the foundation stone for the city on Aug. 31, 2020, and said that construction would start “next year,” in 2021.

Construction did not start in 2021, to the disappointment of locals. It was not clear where the $6 billion needed to build Akon City would come from. A representative for KE International, the United States-based contractor for Akon City, told AFP that more than $4 billion had been secured, with Kenyan entrepreneur Julius Mwale as lead investor, and that construction would start in October 2021—but it did not.

By 2022, Akon told the BBC that construction was “100,000 percent moving.” He said the COVID-19 pandemic was partly to blame for the delays. Akon was surprised at the “thousands of studies” that had to be done before work could even commence.

Senegal’s Society for the Development and Promotion of Coasts and Tourist Zones (SAPCO) had claimed the land by eminent domain in 2009 before offering it to Akon City in 2020. By 2023, no building work had been done at the Akon City site—though Axiome Construction insisted that geotechnical studies and environmental assessments were still under way. By this time, according to the Guardian, the only construction was a youth center nearby in Mbodiène, paid for personally by Akon—and built upon the foundation stone that he had laid in 2020.

Senegal finally lost patience with the project. Akon had missed several payments to SAPCO, and in June of this year, SAPCO sent a formal notice to Akon warning that work had to start by the end of July or SAPCO might take back almost all of the land grant.

Akon had already been looking for other opportunities to place akoin. In April 2021, he started talking to Uganda about setting up an Akon City there as well. In January 2022, the Ugandan government allocated him one square mile in Mpunge, in the Mukono district—despite objections from the National Unity Platform party and protests from Mpunge residents wanting compensation, which could not be paid before 2025.

Akon said that Akon City, Uganda, might be completed by 2036. At a 2021 news conference, he evaded questions on what the new city would cost or how it would be funded. The Forum for Democratic Change party said that the Ugandan Akon City would never happen and accused the government of granting “sweetheart deals” to developers.

Akon City was tech solutionism that leveraged the political power of celebrity. Akon wanted to launch a large project and thought that cryptocurrency, the buzzword of 2018, might fund his dream. He thought that this one weird trick would do the job.

In this case, the miracle technology was crypto. These days, such  pushes by celebrities or entrepreneurs of new projects will typically use artificial intelligence—whatever that might mean in a particular case—as the marketing hook for a “smart city.

In his 2023 book Let Them Eat Crypto, Peter Howson of Northumbria University detailed how to head off solutionism-inspired blockchain projects that were heavy on publicity but light on the necessary bureaucratic work on the ground. His approach is broadly applicable to tech solutionism in general: Pay attention to the men behind the curtain. Howson has written recently on “smart city” plans as marketing for crypto tokens.

The Akon City plan was a worked example of speculative urbanization. A project is proposed with science-fiction concept drawings and a pitch aimed at tourists rather than locals; land is allocated; something might eventually be built, but it will bear little resemblance to the brochures. Christopher Marcinkoski of the University of Pennsylvania described Akon City as just one of many such initiatives, particularly in Africa, calling it “very much a real estate play.” The important output from such projects is local political capital—even as they never work out as advertised.

Cryptocurrency was an application of speculative urbanization to money—a high concept, a pitch to financial tourists, and the only end result being a token to speculate on and a tremendous amount of fraud. The Akon City project, however good Akon’s own intentions, seems functionally to have been merely the pitch for a crypto offering that failed—leaving an empty site, disappointed locals, and an embarrassed figurehead.

By 2024, akoin had been removed from the few crypto exchanges it had been listed on; it was effectively worthless. Akon sold short videos on Cameo—but he would not do requests related to cryptocurrency.

The speculative urbanization pitch rolls on. Actor Idris Elba has recently floated plans for an “environmentally friendly smart city” on Sherbro Island off Sierra Leone.

[hirocimacruiser]

20th century

NISSAN

MOTORSPORTS 1958-2000

'80~

WEC championship,

And to participate in Le Mans

Group C flourishes.

In the early 1980s, the FIA ​​(International Automobile Federation)

The rules and classification of competition vehicles were changed.

Group C vehicles that are racing sports cars

is not classified by displacement as in the past,

Only the total amount of fuel used is specified (good fuel consumption is essential);

What type of engine can you use if you clear this?

It is a challenge for manufacturers as they are willing to participate.

It has become a very important category. The same regulations apply from the following year.

The world championship match “WEC Japan” by Fujis

Since it started at Pedeway, Nissan also started

Developed a carbon engine and mounted it on a foreign chassis.

Start participating. As an extension of that, to the Le Mans 24 Hours.

Participated in the race, the first challenge was in 1986, and the best in 1990.

Although it became a fast machine and won pole position, unfortunately, the battle ends without victory. In the 80s-90s

Also in WSPC (World Sports Prototype Championship) he participated full-time and finished 3rd in the series in 1990.

At that time in the United States, a category similar to Group C, IMSA-GTP, which is a popular cars actively participate in the race, Nissan GTP ZX-T

He was the champion from 1988 to 1999.

Nissan has been in the WRC (World Rally Championship) for 7-8 years.

Although he was able to take second place in the series for three consecutive years, the new vehicle In the era of Group B (starting in 1983) and Group A (starting in 1988) after the regulations came into effect, they often played supporting roles. However, there are still marathon raids such as the Paris-Dakar Rally, and popularity in the United States.

At stadiums, off-road races, etc. that collect

Often achieved good results.

In Japan, in 1985, Group A vehicles began

The Japan Touring Car Championship has begun, and Skyline RS Turbo and GTS-R were part of the winning front. And boasts the strongest Group A machine

R32 Skyline GT-R appears.

On the other hand, the Saurus Cup, March one-make race, or an amateur with many Silvias and Pulsars.

Races for beginners were also widely held nationwide.

Also, the first F1GP race in Japan in 10 years will be held in 8 years.

It was held at Suzuka Circuit and has been held every year since then.

With the introduction of F1, there was a sudden F1 boom in Japan.

/The motorsports boom was ignited.

PIC CAPTIONS

Local Kenyan expert Shehkar Mehta and his beloved PA10 Violet achieved the feat of winning the Safari Rally four years in a row from 1979 to 1982. Among the many international rallies, the Safari Rally is far more demanding than the events held in Western Europe, and it became an ideal venue for Japanese cars to demonstrate their excellence.

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The "Silhouette Formula" car, which was born in Germany in the late 1970s, is a heavily modified racing car that retains only a slight silhouette of the production car. It is equipped with a trendy turbocharger and captivates fans with its overwhelming straight-line speed. In Japan in the early 1980s, Skylines and Silvias spewed flames and raced around Fuji Speedway and other places. Its power is 570bhp

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Group C competition, 1985 WEC Japan. More than 80,000 spectators packed into Fuji Speedway in heavy rain. The works Porsche 956 on the first row of the grid withdrew early, and Kazuyoshi Hoshino, driving the March B5G Nissan (No. 28) that qualified third, won the race, which was shortened to two hours due to bad weather. Although bad weather was on their side, it was the first time for a Nissan car and the first Japanese to win a world championship race.

[djdavidturner]

Music Genres

This is a listing of some of the arena's song genre and their definitions.

African Folk - Music held to be typical of a state or ethnic organization, regarded to all segments of its society, and preserved generally by using oral way of life.

Afro jazz - Refers to jazz tune which has been heavily stimulated by means of African track. The music took factors of marabi, swing and American jazz and synthesized this into a unique fusion. The first band to honestly attain this synthesis was the South African band Jazz Maniacs.

Afro-beat - Is a combination of Yoruba tune, jazz, Highlife, and funk rhythms, fused with African percussion and vocal patterns, popularized in Africa inside the Nineteen Seventies.

Afro-Pop - Afropop or Afro Pop is a term every so often used to consult cutting-edge African pop music. The term does now not discuss with a particular style or sound, however is used as a preferred term to explain African famous track.

Apala - Originally derived from the Yoruba human beings of Nigeria. It is a percussion-based totally fashion that advanced inside the late 1930s, when it changed into used to wake worshippers after fasting all through the Islamic holy month of Ramadan.

Assiko - is a famous dance from the South of Cameroon. The band is generally based totally on a singer followed with a guitar, and a percussionnist playing the pulsating rhythm of Assiko with metallic knives and forks on an empty bottle.

Batuque - is a song and dance style from Cape Verde.

Bend Skin - is a kind of city Cameroonian famous song. Kouchoum Mbada is the maximum famous group related to the style.

Benga - Is a musical style of Kenyan popular track. It advanced among the past due Nineteen Forties and past due Sixties, in Kenya's capital town of Nairobi.

Biguine - is a style of tune that originated in Martinique within the nineteenth century. By combining the traditional bele track with the polka, the black David Turner Music of Martinique created the biguine, which contains 3 wonderful styles, the biguine de salon, the biguine de bal and the biguines de rue.

Bikutsi - is a musical genre from Cameroon. It developed from the traditional kinds of the Beti, or Ewondo, humans, who live across the city of Yaounde.

Bongo Flava - it has a mixture of rap, hip hop, and R&B for starters however these labels don't do it justice. It's rap, hip hop and R&B Tanzanian style: a large melting pot of tastes, records, culture and identification.

Cadence - is a specific collection of periods or chords that ends a word, section, or piece of music.

Calypso - is a style of Afro-Caribbean tune which originated in Trinidad at approximately the begin of the twentieth century. The roots of the genre lay in the arrival of African slaves, who, not being allowed to talk with each other, communicated through tune.

Chaabi - is a popular song of Morocco, very much like the Algerian Rai.

[vivamwanahip]

The most streamed Kenyan artists on Boomplay

Here’s a detailed look at the 20 most streamed Kenyan artists on Boomplay, based on their popularity and achievements. This reflects their reach and influence in Kenya and beyond through millions of streams, showcasing the diversity of Kenyan music from Afropop to gengetone, gospel, and hip-hop.   1. Otile Brown – 197 Million Streams Genre: R&B, Afropop Known for his smooth voice and love-themed…

[viral9ja]

Kotrell "Forever" Making Massive Listeners

Kotrell “Forever“ The “Forever” EP is a fusion of Afro-Soul, Pop, and R&B, creating a unique space that allows him to shine. Collaborating with Kenyan singer Bridget Blue and Nigerian artist Dotti The Deity, the EP extends his influence and international presence. Opening with “Take Care,” Kotrell sets a warm, nurturing tone as he desires to protect and cherish his lover

[the-good-projxct]

May 6th, 2024

3:22 pm listening to Inauma by Bien. This song is FIYAH. So many feels. Kenyan music is top tier. Hmm, lemme rephrase. Kenyan r&b/soul is FIYAH. I am a bit too foreign for the rap scene. They speak a swahili that I likely will never understand so I don’t even seek it. Wagwan baby cakes? My period started yesterday and I had these weird cramps. Like it hurt but it didn't hurt hurt. Usually it HURTS. Anyway, as usual I am on day 2 and feeling like a brand new babe. It's the day before and the first day that kicks my ass. Something I have been thinking a lot about is how humans deal with uncertainty. We plan and plan and plan. Make schedules and 5 year plans to calm the storm of uncertainty that unsettles us. However, no matter how much you plan, it rarely goes as planned. Life happens. Life is happening. All the time. And so I am trying to lean into this uncertainty. I have no idea what my life will look like in a year, in a month. I just know I have a small amount of income, my grandmother's house and a community that Loves me. And that is a lot. I have a lot. I am Blessed. This SZN of freedom. To do as I please with my time in my home country. To read books. Go on walks. Spend time with my grandmother. Fall in Love. I am also taking this SZN to Love myself. As I write about Love, I am seeing the ways I do not Love myself. In Epekwitk, I had these identities that I Loved. Black, immigrant, Queer femme, Artist, Activist, Sneaker head. None of these identities really hold water/exist in my current reality. I am a fat Meru woman raised in the Nairobi suburbs that lived in the west for a long time. That’s it. I don’t Love this identity. It is mine. It is where I am now. It is who I currently am. But I LOVED my Epekwitk identities. I cherished those. I related to those. Those identities fit me perfectly. This one feels too big or too small, like it doesn’t fit right…yet? I have work to do to accept this as my new reality. I know I will become an Artist again, maybe a writer predominantly. I know my writing/ Art will be Activism. I know even when I am a wife, my Queerness is forever a part of me. Here I will never be “Black”. Here I will never be an immigrant. There are some identities that are fading away, some that will re-emerge and some that are new. I am grateful for this time to work through these spiritual, emotional, mental and physical changes. I am grateful that I am aware of my identities changing. I am grateful I am not in full blown identity crisis mode. Instead I am leaning into this transition. I am excited to see who I will become on this side of the world. I am excited to be who I deserve to be. It has been a month of constant rain. Every afternoon and almost all night it rains. It was cool at first but now I am over it. The gray days are just …ughh. The cool weather while my pals are entering Summer szn is a bummer. I know this too will pass and the hot days will be back. I don’t know Kenyan szns that well, isn’t that funny? I remember when I moved to Canada and I didn’t know Canadian szn’z and now I am a seasoned pro. I know I will learn the Kenyan ones too over time. Organically. Seasons, change, transitions, evolution. It is always happening, sometimes more clearly than others. I am in a deep transition period. This too shall pass and another will come. LOL, cheers to being alive. Life is complex and I LOVE it. Truly. 

Life is Gøod. Evolution is Gøod. Change is God. I am God.

Ase. Ase. Ase. <3 <3 <3

[ghanaplug]

Kenya's Polaris Unveils Starry R&B Cut "Una Do"

Following her stint collaborating with different artists locally and internationally, Kenyan singer, songwriter, and vocalist Polaris is stepping out of her cocoon to release “Una Do” the second single off her debut solo EP ‘Tufanye.’ The single comes in the wake of a new EP and is a follow-up to December’s lead single “Tufanye?”. Produced by Dillie, “Una Do” is a starry R&B cut that explores the…

[independentartistbuzz]

Aiza Releases Insightful New Song “Majimbo”

Following up on the heels of the infectious and hypnotic Afropop of “Cocoa Butter,” Montreal-via-Toronto artist Aiza’s first single of 2023, the polymath is returning with “Majimbo,” a tribute to fellow East African queen, the Kenyan internet superstar, Elsa Majimbo.

Aiza’s braggadocious flow and a feel-good thumpy pop bassline from producer C the Reason combine to embrace an inner confidence which relates to the immense source of pride, inspiration, and joy witnessing Majimbo’s ascension has brought Aiza.

K.O.G (Kweku of Ghana) lends his powerful and electric vocals to the song to elevate the infectious energy.

She adds: “This track will turn every sidewalk into a fashion runway and will make you feel like the main character of your life, as you should. Without a doubt, Majimbo is the feel-good afropop track of the century!” 

“Majimbo” is the second single to be taken from Sovereignty, Aiza’s upcoming album set for release on September 27th. A seamless blend of sounds from across the African continent and diaspora, from Afropop and Afrobeat to Coupé Décalé and reggaeton, with soulful R&B, Sovereignty tracks Aiza’s life lessons along a young Black woman’s path to where she is today and is driven by the idea of loving boldly.

Watch the official video for “Majimbo,” the first production by Aiza’s company filmed on location in Ghana: https://youtu.be/1U6nP9ucgPM

[chomba94]

VIDEO Otile Brown - Malipo MP4 DOWNLOAD — citiMuzik

Otile Brown, the gifted Kenyan artist renowned for his talents as an R&B singer, songwriter, guitarist, and actor, has made a captivating comeback with the release of his latest music video titled “Malipo.” RELATED: Lexsil – Tonight Ft Otile Brown The captivating song “Malipo” was skillfully penned by Otile Brown, with the beat produced by Ypest. The accompanying music video was beautifully shot…

[jozigist]

After three-year hiatus, SA artist Thabsie returns with Dubai Tourism deal

After three-year hiatus, SA artist Thabsie returns with Dubai Tourism deal Bathabise Biyela better known as Thabsie described her partnership with Dubai Tourism as a step in the right direction especially after her three year break from music due to Covid-19.

The star entered the music industry as a R&B vocalist and is popularly known for hit singles, African Queen, and Ngiyaz'fela Ngawe. In the latter, she featured in the song belonging to multi-award-winning rapper Kwesta. This song was one of her gateways into the spotlight. Thabsie has also been a backup vocalist for a number of artists such as Cassper Nyovest, Donald, Black Motion, Khuli Chana, and Proverb.

"Covid-19 was my saving grace to take a break. For most of 2020 South Africa was in lockdown. This meant no gigs so I thought to myself how else can I still be creative while being in my home. Content creation was a very nice departure for me and also it worked for the times. It was lockdown, I couldn't perform as much, making music was a bit harder, festivals were closed so the music kind of had to take a back seat, " said Thabsie.

With just over a million followers on Instagram, this new creative avenue for the singer has become a successful brand extension. She also says because she's a multifaceted creative, creating content on social media allows her to not limit her creative abilities at a time when it was challenging to do so The star lives by the saying " to make the world smaller, start travelling." And having recently partnered with Dubai tourism as an ambassador she felt inspired because of how similar Dubai and SA are when weighing them on the same scale.

"In SA we love shiny things and feeling good, Dubai is that place. Without faulting Dubai for the stigma it has gained in SA this place is inspirational, aspirational and gives many opportunities. South Africans love to laugh and share our vibrant energy. Our music brings so much joy and it has become far reaching across the world, especially in Dubai. To me, this country has opened my eyes to how big and amazing the world can be," said Thabsie. Kenya's most loved couple Bahati and Diana Marua have also partnered with Dubai Tourism. The couple is part of an upcoming campaign that shows you the A to Z of Dubai, and all the amazing sights and sounds that Kenyans and Africans can enjoy in Dubai. "Thank you, Dubai Tourism, for trusting the Bahati's with the ambassadorial job. I cannot wait for the world to see the magic we have created - the best advert so far," Bahati posted on his Instagram. The Bahati's join a coveted list of global celebrities that have shot adverts for Dubai including Indian actor Shah Rukh Khan, Hollywood superstar Martin Lawrence, Nollywood stars Chioma Akpotha, Uche Jumbo, Omoni Oboli and Ufuoma MC Dermott. https://www.youtube.com/watch?v=ph21cYuQ9Fw Read the full article

[apptworadioapps]

Radio Kenya FM & AM + Radio Online + (Radio Android Application 🇰🇪📻)

Kenya is home to a vibrant and diverse range of radio stations, catering to a variety of musical tastes and interests. From pop music and talk radio to local news and cultural programming, there is something for everyone on Kenyan airwaves.

One of the most well-known radio stations in Kenya is the Kenya Broadcasting Corporation (KBC). KBC operates several national and regional radio stations, providing news, current affairs, music, and entertainment programs. KBC Radio Taifa is a popular choice for those seeking news and current affairs, while KBC English Service is popular for its international news coverage.

Another major player in the Kenyan radio landscape is Nation FM, a commercial radio station operated by Nation Media Group. Nation FM plays a mix of pop, rock, and R&B hits, and also features local news and talk shows.

In addition to these major broadcasters, Kenya is also home to a number of community radio stations, which serve the unique needs and interests of local communities. These stations often focus on specific genres of music, or provide a platform for local voices and perspectives.

Some popular community radio stations in Kenya include Ghetto Radio in Nairobi, which focuses on hip-hop and urban music, and Pamoja FM in Kilifi, which plays a mix of coastal music and cultural programming.

Whether you're looking for the latest hits or in-depth news coverage, there is sure to be a radio station in Kenya that caters to your interests. With a diverse range of programming and perspectives, Kenyan radio is a dynamic and exciting part of the country's media landscape. So why not tune in today and discover what the Kenyan airwaves have to offer?

SO, DOWNLOAD NOW APP!! 🔽🔽

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[whoiswriter]

Otile Brown Biography And Net Worth, Age, Real Name, Wife, Nationality, State, Tribe, Family

Otile Brown Biography And Net Worth, Age, Real Name, Wife, Nationality, State, Tribe, Family

His real name is Jacob Obunga, he is from Kenya and popularly known by his stage name “Otile Brown.” He is an independent R&B singer, guitarist, songwriter, and actor. Wikipedia Profile & Background Real Name: Jacob Obunga Other Name: Otile Brown Date of Birth: March 21, 1994 Age: 28 years old @ 2022 State of Origin: Kisumu, Kenya Place of Birth: Kisumu Nationality: Kenyan Home…

[newleasemusic]

Song of the Day: Anticipate - Xenia Manasseh

Song of the Day: Anticipate - Xenia Manasseh

Introducing the Kenyan-born, Los Angeles-based XENA MANASSEH and her new single ‘Anticipate’ featuring fellow Kenyan artist Karun. The ethereal new single is imbued with 90s R&B sensibilities as the two artists unite, their hypnotic voices sizzling over a glittering, cinematic production. The single marks the latest taste from Xenia’s forthcoming much-anticipated 11-track debut LP Love/Hate Pt.1…

[vivamwanahip]

Otile Brown Receives Surprise iPhone 16 Gift from US-Based Fan

Popular Kenyan R&B star Otile Brown recently took to Instagram to share a heartwarming moment with his fans. In a post that quickly garnered attention, the “Dusuma” hitmaker revealed he had received a special gift from a fan in the United States – the latest iPhone 16. The star shared a photo of the sleek device with a caption full of gratitude, saying, “My iPhone 16 gift, always day made… Mungu…