#Kendra Bryan

[dwtsfun]

Top 5 Louis Partners

So after a long hiatus, I am back with this series that I like to call "Top 5 Favorite Partnerships". Creative, right? Anyway, we will be doing some pros that I was struggling with before because they were a little more sporadic in their appearances on the show than the staples. I will be doing the staples too. I realized I missed some of them because they weren't quite done with the show the last time I wrote this up.

So we're gonna start with Louis. As many of you know, I have my issues with Louis. But he was a great pro and he did have a few really great partnerships. In fact, he had 6 that I enjoyed a lot. But unfortunately Lisa Rinna didn't make the list after much deliberation. These are the five, however, that made it.

5. Kendra and Louis, Season 12

The reason that I put Kendra over Lisa was because Kendra was a much more natural dancer. These two worked really well together. If they had problems, they hid it well because their dances were mostly full of smiles. Their rehearsal packages were usually pretty fun as well. Kendra wasn't the best dancer on her season and they both knew this. But Kendra was dedicated and each week, she would improve on something. She went out at the right time, so she had a full season in my opinion. These two even pulled out one of my favorite dances of season 12 and one of my all time favorite sambas ever done on the show. Favorite Dances: Rumba, Samba, Cha-cha

4. Niecy and Louis, Season 10

Niecy, like Kendra, was not the best dancer of her season. They knew this. And season 10, like season 12, was one of those seasons that everyone knew exactly who was going to be in the finals. So these two just kinda had themselves a good time. Louis is typically someone that is going to get along with any of his partners. I think that makes him a good teacher, as he can adjust to each of their needs and strengths (and he wasn't cursed with a Kate Gosselin type). Niecy is a comedic actress and comedienne, so they played that up in many of their dances. And when they weren't dancing, he kinda stepped to the side as she would work her charm. I also think these two ended up at 4th for me because clearly, a lot of Louis's teachings have stuck with Niecy for a long time. She gave us the best guest judging appearance of this past season and was maybe a top 2 (non-dancer) guest judge that we have seen on the show. Favorite Dances: Argentine Tango, Viennese Waltz

3. Sabrina and Louis, Season 15

That All Stars season was a mess. I know I keep saying it, but it is true. However, it gave us new and improved versions of Apolo, Shawn, Kelly, and Sabrina. Louis tapped into a part of Sabrina's potential that I'm not sure that Mark would've been able to do. Louis got her to be vulnerable and pull back with her dancing. And that pushed Sabrina to a level of being almost untouchable on that dancefloor. I hate that she was eliminated in week 6 again, as we had just gotten to a point where the competition was gonna get extra interesting. These two had so much more left to give. It still stings that we have never gotten a full DWTS season out of Sabrina. But such is life. Favorite Dances: Waltz, Rumba

2. Kelly and Louis, Season 9

What would this list be without Kelly Osbourne. This was an incredible partnership. It is one that I actually think about at least once a week. The transformation that Louis helped Kelly make over those 10 weeks was one that I will forever remember. If you remember watching The Osbournes (the reality show), you remember how much of a mess Kelly was. She talked about it periodically throughout the years before she was on DWTS and even on the show itself. And you could not only see the major changes in her body, but also in her confidence. On top of all of that, Kelly was also a good dancer. She had great technique, took direction well and shocked me each and every week. I could go on and on about the good things about this partnership, but I have to cut it short. Just know that Louis will forever have my respect for the way that he worked with Kelly and made sure to keep her encouraged throughout their time on the show. Favorite Dances: Viennese Waltz, Quickstep

Monique and Louis, Season 3

So Monique was probably the celeb that solidified me being a DWTS fan. I was a huge HSM fan and loved Taylor, so her being on the show was amazing. Monique was an extremely talented dancer and Louis recognized that from the jump. He always challenged her with difficult and interesting dances and I never felt like they ever rested on their laurels. Outside of her foxtrot and their tango, their entire season was full of hits and I really hate that she didn't make the semis over Joey Lawrence. They had truly incredible dances. Especially because the judges were extra harsh on these two and would nitpick them to death while Joey was kinda blah more often than not, and would tend to score higher. Anyway, this is definitely my favorite Louis partnership and one of my favorite partnerships on DWTS of all time. Favorite Dances: Rumba, Mambo, Cha-cha

[obscvra]

White Ring - Puppy

[bebemoon]

inspo board for jennifer's style for the film "jennifer's body" (2oo9). ph. katia stano .

"Mood boards can be a major part of the planning process for costume designers, and Stano went all out to illustrate the contrast between Jennifer’s girlish outfits and her demonic prowess. Some inspiration imagery included a box of chocolates with boys’ heads on them, representing Jennifer’s voracious appetite for her male classmates, as well as My Little Ponys and Francisco Goya’s painting Saturn Devouring His Son. There were also some celebs of the 2000s era, such as Bridget Marquardt and Kendra Wilkinson from the reality show The Girls Next Door and Sabrina Bryan from The Cheetah Girls. Another familiar face? NYLON tear sheets from none other than NYLON magazine were also featured on the boards." --marie lodi for nylon

[jonesywrites]

Did you make a playlist for vantage point? I remember some interesting were on there but can't find it. I'll listen while we wait for updates . Everything is so good so far! Better than I remember it!

Hello anon!

I did, when I first wrote the story back in the day! Each song represents a moment in or the entire chapter for which it was written. I am planning to start adding the songs as references as I post (and retroactively to those chapters already up), but here's a brief explanation/list for what you've read so far.

ALSO -- FAIR WARNING. I am over 40 and my musical tastes reflect that, but also I like intensity in my music, and there is a certain aesthetic for this story --- CYBER NOIR. Think: Drive (the movie with Ryan Gosling).

"I'll Take Care of You", Bobby Blue Bland

This is the song playing on the jukebox in the bar where he accepts the job from Andrea.

"Secret", Maroon 5

(yes, that maroon 5) This is the general mood of the story. I know I don't know you, but I want you so bad.

"GAZI", A. CHAL

Playing at Michonne's party while Rick is watching her.

"Streets," Doja Cat

Rick's fantasy trist with Michonne in the shadows, on the side of her house.

"Protection", Massive Attack

General mood for chapter 2. Rick sees Michonne as someone so alluring to him, in part, because of her solitude and obvious (at least, to him) vulnerability. He yearns to protect her, and he will, even despite his own obvious need for healing, himself.

"Green Desert", Tangerine Dream

The Beast stalking and kidnapping Amy.

"Poor Knight," COMA

The song playing on Rick's truck radio from the station Michonne likes while he drives her home.

"Yes," Chromatics (the Symmetry remix)

Rick watching Michonne after he drives her home, Rick beating the shit out of the intruder, Michonne asking him to come to her after he confirms how much he's been watching her.

"Shameless," Groove Armada, ft. Bryan Ferry

Rick and Michonne have sex for the first time.

"In Common," Alicia Keys

Michonne watches Rick sleep, contemplating how they move forward.

"Broken Mirrors," Chromatics

Rick and Shane meet, we reflect on their past, through the broken mirror of Rick's trauma -- missing his best friend but refusing to let his past lure him out of his self-inflicted isolation. Also, we realize who The Beast is.

"Pizza Guy", Touch Sensitive

Glenn's theme.

That's up to date so far, the rest of the songs are in order of events in each chapter and I'll repost this with updates on why I chose them once I post those chapters :)

I know that my taste in music isn't for everyone, but I am definitely trying to build an atmosphere here, so that leads a lot of my choices.

Thanks so much for the ask!

-Kendra

[zahri-melitor]

Casspoll!

Okay I really had to think about this one and I quickly dipped into the runs I have not touched yet rather than just using their reputations:

Kelley Puckett – It’s Puckett. He created Cass. Some of her very best stories happened here – the first two Shiva fights, delivering a man’s final wishes, Nobody Dies Tonight, Thicker than Water. The absolute heart that Cass cannot allow people to be killed hits hard here. She’s still learning about what a society is.

Dylan Horrocks takes Cass and her growth and lets her mess up and brings Bruce and Barbara more into conflict over what Cass needs, but also allows Cass to be in conflict with them over what she wants. It has the Ivy twofer “The City is a Garden/The City is a Jungle” which I think is Horrocks’ best plot. It has Tough Love, where Bruce and Cass have their conversation over what the Bat means to Cass. It has Cooking the Books, where we see the abrasive side of Barbara’s personality come out and hurt her relationship with Cass. It has Cass taking her first steps into relationships, with her attraction to Tai’Darshan and Kon. It’s a messier, more complicated time.

Andersen Gabrynch has the best conversation of Fresh Blood with Tim over their life goals and their reflections on War Games. He has Destruction’s Daughter/Blood Matters and everything that comes with the culmination of that storyline. He gives Cass her first taste of civilian life. Gabrynch is the ‘how far will Cass go’ writer.

Adam Beechen: you’re all mean! Oh Beechen. He screwed up first time around, no question, but I continue to maintain he did useful things with Cass in Batgirl 2008. He brought in the chance to parallel Slade and Rose’s relationship with David and Cass’. He worked hard to find fixes for the mistakes he made. And if Fresh Blood set up the situation where we saw Tim and Cass become closer and start establishing a sibling-like relationship, then Beechen solidified it to the point that it was expected from that point onwards.

Joe Kelly: oh, Justice League Elite. You are certainly a story. I think the most important thing Kelly actually did in JLE was when Cass stabbed Kendra. It broke her. There is some beautiful writing in JLE surrounding Cass basically sobbing to Bruce over this incident, and Bruce promising her that she doesn’t have to stay undercover, he’ll pull her out, her happiness is more important to him than this mission, and Cass refusing to be extracted. And Ollie remaining there the whole time to keep an eye on Cass on Bruce’s behalf. It’s such a good paternal moment on both Bruce and Ollie’s parts, and they so very rarely get them in concert. It’s also a moment of growth in Cass that is rarely referenced, because as I must repeat, it happens in JUSTICE LEAGUE ELITE.

Bryan Hill: I have heard good things! And immediately on picking it up and going through the first three issues I saw the exact thing I’d enjoyed and wanted more of from Dixon’s 2008 BatO run – Tatsu working with and mentoring Cass – which is a solid recommendation in itself. Will 100% be coming back to this when I get up to this era in my reading.

Becky Cloonan and Michael Conrad: I dipped into #1 and #14. It suffers from the modern era problem of light and bright fluffy content without a solid base behind it. Also the fact that the writers didn’t initially realise that two of the characters they were assigned were ADULTS and were writing them that immaturely is certainly not reassuring. Um. I also know I’m not fully across modern era Cass yet, but #14 seems to miss something that’s basic to my understanding of Cass – talking can be hard but READING is harder. Cass not talking but having reading comprehension showing up constantly? It feels off. (Also I’m fascinated in how an issue like Batgirls #1 manages to be that off while still managing the Cass shower robe scene, which to my eye echoes and references the BatO 2008 Cass shower scene. Suspect they just got lucky and I’m reading too much in)

Mariko Tamaki: okay I have not yet read Shadows of the Bat: The Tower, but I have read Sounds, so I’m basing on that. Tamaki really seems to get Cass, her hand with the character work in Sounds hit some very fundamental parts of Cass’ character and struggles, and I really enjoyed it.

Overlooked: ALYSSA WONG. Wong’s work with Cass in Spirit World not only has been busy recanonising a bunch of things from Batgirl 2000, but is touching on some central aspects of Cass’s view of killing and death in beautiful resonance of things originally established by Puckett. Also it’s given Cass some narrative space back on her own, and while I think Cass’s relationship with Steph is important, I also think she’s more functional and useful to DC writers when she’s not assumed to be part of an automatic pair.

Plus a plug for Scott Snyder for Gates of Gotham and giving us proper insight into the Reborn era Cass relationships with her brothers.

[honeyjets]

Started the day at St. Francis Fountain with Jess, sat outside, clinked mimosas as a downpour started, but it ended quick and I walked to Zeitgeist and got Marc a Maker's on the rocks like old times, talked Philly hoops with Mojo, said hi to Erica, talked blogging 15 years ago with Jeff, drank a Fernet and ginger beer, and then walked most of the way home, helped Jess clean up a weather related mishap at our neighbors', ate a snack and then caught a bus to the Knockout for the honky tonk happy hour with Nashville Honeymoon who were great, got an Espolon and soda and sat down next to J-Man and Glenn, reminisced about Inky Psyche, talked to Janet a bit and booked her for another DJ gig at the brewery, talked to Bryan a bit and told him his honky tonk happy hour idea was GOLD, then I took the 49 straight to the Castle for the Gabi Bravo/Calaverx show which was pretty good, Lisbeth was DJing when I got there, I got another Espolon and soda or two, traded pics with Lizzy via text of the different shows we were at, and then J-Man and Glenn caught up with me and we chatted about the old days at the Castle, but then I had to go to Bottom of the Hill to see Kendra Morris who was pretty good, but the crowd was giving me the willies so I left a little early and headed home.

[higherlearningtvshow]

BLACK ENSEMBLE THEATER CONTINUES 2024 SEASON OF AFFIRMATION WITH "THE SALON"

A MUSICAL COMEDY ABOUT LEGACY, LOVE and HAIR WRitten and directed by Michelle RenEE Bester

JUNE 8 – JULY 28, 2024

Chicago, IL— Black Ensemble Theater’s Founder and CEO Jackie Taylor announces the next production in the 2024 Season of Affirmation: Protection – The Salon, written and directed by Michelle Reneé Bester. The Salon runs June 8 – July 28, 2024 at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago. The press opening is Sunday, June 16 at 3pm.

Bernadette’s salon has been a place of refuge, love, and community in Chicago since opening their doors in 1974. It’s now 2024 and the doors may have to close due to financial hardship, major changes in the community and new ownership. The staff must come together and save the salon by any means necessary! Through music, dance and shared experiences, the salon will explore black legacy, black excellence and black hair like never before seen!

The cast of The Salon includes Cynthia Carter (Mamma T), Dennis Dent (Hustleman), Makenzy Jenkins (Erin), Vincent Jordan (Johnny), Jaitee Thomas (Jacob), Rose Marie Simmons (Marie) and De’Jah Jervai (Monique), with an ensemble of Trequon Tate, Jared Brown, Shantina Lowe, Raeven Carroll, Bryan Nicholas Carter, and Kendra Turner. Isaiah Engram is the understudy.

The artistic team is Jackie Taylor (Executive Producer), Michelle Reneé Bester (Writer and Director), Robert Reddrick (Music Director), Reneisha Jenkins (Choreographer), Angie Weber Miller (Set Designer), Denise Karczewski (Lighting Designer), Evelyn Danner (Costume Designer), DJ Douglass (Sound Designer), Jessica Moore (Equity Stage Manager) and Harrison Ornelas (Technical Director).

Music Director Robert Reddrick will lead a live band of Mike Dangeroux (guitar), Adam Sherrod (keys), Oscar Brown Jr. (bass), and Myron Cherry (drums).

Tickets for The Salon are available at www.blackensemble.org, (773) 769-4451 and at the Black Ensemble Theater Box Office, 4450 N. Clark Street in Chicago. Performances are Saturdays at 3:00 p.m. and 8:00 p.m. and Sundays at 3:00 p.m. Tickets are $56.50-$66.50 (fees included). Valet parking is available for $13 (cash only).

Upcoming productions include:

Jackie Taylor’s Blue Eyed Soul Sung By Brown Eyed People Written and Directed by Jackie Taylor September 14 – November 3, 2024 Press Opening: Sunday, September 22, 2024

How many times have you heard a soulful song and just assumed that the singer was Black only to find out they were not. Music is the common denominator that unites us all. No matter who it’s sung by great music is great music – and Blue Eyed Soul sung by Brown Eyed People will honor and celebrate the music that proves soul is not a color!

A Gamble On Huff: The Story of Gamble & Huff Written and Directed by Daryl D. Brooks December 21, 2024 – January 26, 2025 Previews: December 21, 22 and 28 Press Opening: Sunday, December 29, 2024

Founded by songwriters Kenny Gamble & Leon Huff, Philadelphia International Records was a powerhouse in churning out soul hits by some of the biggest stars in the soul music industry. Groups like the O’Jays, Harold Melvin & the Blue Notes, and McFadden & Whitehead became a staple at PIR as well as many solo artists like Patti Labelle, Teddy Pendergrass, and Billy Paul. Join us as we tell the story of this dynamic duo from their humble beginnings to their biggest triumphs.

The 5-Play Card Black Ensemble Theatre’s 5-Play Card is a digital ticket package unlike any other. At a cost of $225, buying a 5-Play Card saves $20 off each individual ticket, giving an average of $45 a ticket as opposed to our standard $65 ticket price. One of the greatest perks of the 5-Play Card is its flexibility – use the five tickets any way you want! You can: bring five people to one show, treat yourself to five different shows, or use the 5-Play Card in any ticket number combination until all five tickets are spent.

The 5-Play Card is good for 18 months and becomes active immediately after purchasing. If you buy multiple 5-Play Card packages, please note that a maximum of five tickets can be redeemed on a single show date.

FACT SHEET / The Salon

Title: The Salon Written and Directed by: Michelle Renee Bester

Cast: Cynthia Carter (Mamma T), Dennis Dent (Hustleman), Makenzy Jenkins (Erin), Vincent Jordan (Johnny), Jaitee Thomas (Jacob) and Rose-Marie Simmons (Marie), with an ensemble of Trequon Tate, Jared Brown, Ama Kumonu, Shantina Lowe, Raeven Carroll, Bryan Nicholas Carter, Kentrell Dawson, and Kendra Turner

Artistic Team: Jackie Taylor (Executive Producer), Michelle Renee Bester (Writer and Director), Robert Reddrick (Music Director), Reneisha Jenkins (Choreographer), Angie Weber Miller (Set Designer), Denise Karczewski (Lighting Designer), DJ Douglass (Sound Designer), Jessica Moore (Equity Stage Manager) and Harrison Ornelas (Technical Director)

Band: Robert Reddrick (Music Director / Drums), Mike Dangeroux (Guitar), Adam Sherrod (Keys), Oscar Brown Jr. (Bass), and Myron Cherry (Drums)

Dates: June 8 – July 28, 2024 Previews: June 8, 14 and 15 Press Opening: Sunday, June 16 at 3:00pm Closing Performance: July 28, 2024

Schedule: Saturdays: 3:00pm and 8:00pm Sundays: 3:00pm

Location: Black Ensemble Theater Cultural Center, 4450 N. Clark Street, Chicago Valet parking is available for $13 (cash only).

Tickets: $56.50-$66.50 (fees included)

Box Office: The Box Office is located at 4450 N. Clark Street in Chicago. (773) 769-4451; www.blackensemble.org

Black Ensemble Theater    Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially, and ethnically diverse north side Uptown community. Through its Four Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally, and internationally with outstanding original musicals that are entertaining, educational, and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.      The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts and community engagement.  For more information on the Black Ensemble Theater Company, visit www.BlackEnsembleTheater.org or call 773-769-4451.  

#blackensemble #theater #higherlearning

[mymelodic-chapel]

White Ring- Black Earth That Made Me EP (Witch House) Released: October 30, 2010 [Disaro Records] Producer(s): Bryan Kurkimilis, Kendra Malia

[mirandamckenni1]

The Reality of Growing Up with PURITY CULTURE in a Sex-Obsessed World Purity culture seems innocent and shiny on the outside, but when you look closer, understanding there are two sides to every coin, it gets dark and dangerous. Kendra and I take an honest look at the intentions of purity culture and how it often backfires and creates more issues including abuse and self hatred. Episodes with the Ex- Mormon Sex Therapist: LDS Sex Therapist Ousted for Views on Masturbation ft. Natasha Helfer https://youtu.be/vLPEna9SHWI?si=TRnvGfp0mK4IXP83 Mormon Sex Therapist's Reaction to Daily P*rn Use Ft. Natasha Helfer https://youtu.be/96BfXtqevTw?si=Bm1msxQY7n7vUJR3 Resources: Sex Education Website: https://ift.tt/C1jfemT Instagram: @natashahelfermft https://ift.tt/DR7utGH Find Kendra on Social! website with merch: https://ift.tt/FJ0zCr6 YouTube: @KendraLeeBryan IG: @thekendrab https://ift.tt/qX6iWdo FB: Kendra Bryan (the bad child) https://ift.tt/sl483Jj TT: @kendraleebryan https://ift.tt/jQ81p6h Support Shelise Any donations are welcome and appreciated to support the making of this podcast Patreon https://ift.tt/Yu0KQDv Venmo @sheliseann Find Shelise on Social media! Instagram @cultstoconsciousness https://ift.tt/RH8SNvu Host Instagram @sheliseann https://ift.tt/JXZaeo2 TikTok @cults.to.consciousness https://ift.tt/W4Kjz2o Twitter @cultstocon https://twitter.com/cultstocon 00:00:00 Intro 00:02:41 Find and follow Kendra! 00:03:50 What is "purity culture"? Kendra's experience 00:07:55 "Stumbling blocks" and Culottes instead of pants 00:09:51 Shelise's "shame shirt" stories 00:16:43 Government programs for "abstinence only" education 00:18:02 Purity balls.....it's a real thing.... 00:21:04 TW: SA- It's demeaning to label a woman as "pure" 00:27:26 Was Kendra taught about menstruation or her anatomy? 00:31:01 Making educated, informed, non-coerced decisions about your sexual choices 00:34:26 Actual data- Does purity culture work? 00:36:54 TW: SA 00:39:54 Purity culture is harmful to the LGBTQ+ community 00:41:17 TW: r*pe-Teen pregnancies are higher in states with abstinence only education 00:50:39 Repression causes more desire 00:51:36 Teaching nuanced consent is SO IMPORTANT 00:55:30 Advice from an Ex Mormon certified Sex Therapist on P*rn 00:58:50 Does purity culture and abstinence only ACTUALLY protect women? 01:06:48 Linda, listen Theme Song Produced and Composed by Christian Guevara **Disclaimer: Thanks for joining us at Cults to Consciousness. This storytelling podcast is meant to be for entertainment purposes only and does not substitute for medical advice. We may discuss triggering topics and we ask that you make your personal mental health a priority. Lastly, the opinions of our guests do not necessarily reflect the opinions of the host.** via YouTube https://www.youtube.com/watch?v=PhVZrmShT6Y

[newyorktheater]

Relapse Review: Mentally ill youth who can really sing.

Bryan is bulimic.  Melinda is schizophrenic. Kendra has borderline personality disorder. Newcomer Adam is an addict. They are young patients in group therapy at a rehab ward, presided over by a concerned if aloof doctor and a caring nurse, in “Relapse: A New Musical,” a show that tests one’s priorities for appreciating musical theater. On the one hand, Louis Josephson, who is still a student at…

[thefvrious]

FC MEME

full name: bryan delfino delgado nicknames: n/a birthday: july 29 age: 36 gender/pronouns: cis-male, he/him hometown: clearwater, florida sign: leo religion: catholic orientation: bisexual occupation: full patch member of motorcycle club family: bonafacio delgado (father), sofia delgado (mother), kendra delgado (sister), anthony delgado  (brother) +: charismatic, outgoing, fun-loving, adventurous -: reckless, volatile, unforgiving, vain fc: josh segarra

[therealpedrolee]

TOMORROW AT 8 PM Armory Improv House Teams Friday, March 3, 2023 8:00 PM - 9:30 PM The Tank 312 W 36th St. New York, NY 10018 Brand new time. Brand new space. Brand new price. Brand new teams. Still high-octane improv. Rambunctious, daring, hilarious, provoking, and fun. Trust us - You've never experienced a night of improvisation quite like this. COST: Pay what you can. Have your Venmo or cash ready. Drinks are available for purchase all night. @thetanknyc GET THERE: Take the first elevator to the sixth floor. **FRIDAY'S TEAMS** BATTLE SCRABBLE Andy Fitch Whitney Bae Bryan Packman Matthew Stephens Joy Masters Reise Hooper Kendra Perry Kevin Tully DETENTION! David Steele Joe Miles Xavier Pearson Megan Sugrue Elizabeth Keizner Sarah Mucek Morgan Roberts Scott Richey FOCUS GROUP Julian Green Aaron Applebey Jacob Williams Jessika Stocker Ro Rovito Chris Bouknight Kathryn Fabbroni Dylan Manning THE LAST NEIGHBORS Dominique Salerno Sarah Kim Janice McIntyre Mike Spara Channing Tookes Billy Fenderson Jibri Nurridin Willem Brian Smith https://www.instagram.com/p/CpSmSbWuFRz/?igshid=NGJjMDIxMWI=

[dccomicsnews]

Review: Pennyworth #1