#Kelele

[versacethotty]

oh yeah run that up

[lbwings]

Living with Kel

When the artist has been a comic fan for a while and likes to pick on a few things meets a character that will say the quiet part out loud! XD

Sapphire's hair only floats when she uses her powers (and looks longer) so that lead to thoughts of Kel playing with it like a cat trying to figure out why it moves, how it moves, or to just make it stop moving. Plus I tossed in the thought of asking about his cape trail since it shows up but was never mentioned by anyone.

And you ever notice, how most female hero outfits (especially OG outfits) were all in heels? But if you wear a four inch heel normally someone is going to notice the first time they try to talk to you without them on. And Kel has no filter. lo

[basketballjersey]

[tapiocapo]

Making art for a now defunct roleplay group for nostalgia purposes 😍

[aroacenezhaanddainsleif]

Natlan/Ode of Resurrection (Swahili/English)

Shambulia! Beba Silaha / Charge! Bearing all burdens Pigana mpaka mwishowe / Fight! Until the very end Kwa nchi yetu tutaunguza damu yoyote / For our homeland, we’ll shed our last drop of blood Rudi kwa pambaja ya dunia / Returning to the earth’s embrace Hadithi yaendelea (Kama moto) / The tale continues on (Like flames ablaze) Heshima warithi vizazi (Waka daima) / Glory passed through generations (Forever burning) Ushujaa waangaza mbingu na ardhi / Courage ignites the sky and earth Mara tena ashinda Natlan / Once more, victory heralds Natlan’s path Milele tuwangoje, na tutawaimbia / We’ll wait for you, we’ll sing for you Rudini ndugu, rudini mashujaa / Come back, brothers, come back, heroes Mara ya tena mwangani / Once again, once again, burn bright! Ati kweli mwahofuni kifo? (Hapana) / Do you fear death? (Never) Ushujaa wenu ni imara? (Bila shaka) / Is your courage unwavering? (Beyond doubt!) Kumbukeni majina ya mashujaa / Remember our heroes’ names, follow their lead Andameni uwanjani / March once more onto the battlefield Kwa jamaa, nchi na taifa (Zuri, safi, sawa) / For our family, homeland, and nation (For glory) Kwa Matumaini, mbeleni, malengo (Vuma, raha, nguvu) / For our ideals, dreams, and future (For hope) Rudini tunawangojeni / Come back, we’ve been waiting Nyimbo kelele sana / Listen, the songs grow louder Sikiliza zitakuongoza nyumbani / Listen, they’ll guide you home Hadithi yaendelea (Kama moto) / The tale continues on (Like flames ablaze) Heshima warithi vizazi (Waka daima) / Glory passed through generations (Forever burning) Ushujaa waangaza mbingu na ardhi / Courage ignites the sky and earth Mara tena ashinda Natlan / Once more, victory heralds Natlan’s path Milele tuwangoje, na tutawaimbia / We’ll wait for you, we’ll sing for you Rudini ndugu, rudini mashujaa / Come back, brothers, come back, heroes Mara ya tena mwangani / Once again, once again, burn bright! Maisha marefu ni sasa! / This is the moment of rebirth!

[wumblr]

catching up on music... new EPs from shygirl, little simz, kim petras, and oneohtrix/lopatin (soundtrack). oh i forgot anna calvi did peaky blinders lol. i think i listened to kid cudi's album, haven't heard the new jlo. austra did a track on the iamamiwhoami remix album

new singles from (deep breath) perfume genius (soundtrack), emilie simon, mgmt/christine, khruangbin, tierra whack, warpaint, four tet, owl city, bonaparte, garbage (remaster?), burial, mura masa, sega bodega, emancipator, mo, justice, hiatus kaiyote, paloma/kojey, duckwrth, aurora, deerhoof, flamingosis, kash doll, tei shi... and surprisingly, utada hikaru, caravan palace, and of all people, prefuse 73. and... somebody i used to know rerelease? caroline polachek i guess. i don't get her. and i don't get why i don't get her either. raye and kelele remixes. telepopmusik dj set on soundcloud. martyn bootyspoon boiler room seoul. and imogen dropped 6 frou frou b-sides there also

holy shit. stop the presses. new yoko

[atomictalemoon]

Dalval - Dance With Skeletons

New song I've been working on for a new unnamed album.

I've traded the digital synth sounds with synth-based mridangams,dumbeks,kelele and clay pot samples.

Although I kept the crunchy drum machine and echoey voice samples,everything else is meant to sound more acoustic,home made and influenced by international soundscapes.

-M.A.J.

[mask-of-prime]

VG: Shouting Match - PART 1

Vitani's Guard spent the morning responding to some commotion near the watering hole. Looking for whoever was causing trouble, they found an unusual creature who'd been snatching goods from animals when they weren't looking. Unamused, Vitani held out a paw and sternly demanded the pup dropped the food he'd taken from the other animals. Begrudgingly, the pup plopped the assortment of berries and insects onto Vitani's paw. Disgusted at the semi-chewed pile wetly sitting on her paw, Vitani tossed them back towards the rightful owners.

The young boy introduced himself as Sauti, a painted dog. He revealed he was an orphan from the Backlands, in which food was harshly competed over due to the leopard population there. The leopards' ferocity when it came to sharing anything -- be it food or space with another animal -- made Sauti afraid to face them. Vitani deeply sympathized with the boy, remembering she'd once been a food-insecure child who'd resorted to outsourcing for food at times -- including the very Pridelands. She reminded Sauti that the Pridelands were not exactly friendly with sharing either, especially when it came to trespassers. She offered to escort him to the royals, who would help resolve Sauti's residence situation. Upon taking Sauti to Pride Rock and explaining to the royals where the wild dog had come from, the Guard noticed the pup's ears twitch as he tilted his head. The Guard asked him what was wrong, and he told them he'd been picking up a strange sound coming from far away. Eventually, the soundwaves reached the Pridelands, causing the very earth to shake. Concluding the situation to be unsafe -- and rather unnatural --, the Guard rushed to the source of the noise as the royals kept Sauti inside Pride Rock to protect him and bond with him. ____ The Guard traced the noise all the way back to the region that connected the Gorge and Mekundu Cliffs, where they spotted a pointy shape atop a cliff. It was yet another creature they'd never seen before, and another canine at that. Vitani sighed in annoyance, "What is it with dogs today...?" "Who are you, trespasser?!" Shabaha suddenly bellowed upwards. "I'm called 'Kelele' by you Pridelanders," the canine introduced slyly, "I'm looking for the Leader of the Lion Guard..." Vitani stepped forward, unsure of where this was going. "Here, I am." "Funny," Kelele grinned snarkily, "you look different from the paintings..." "Paintings?" "Indeed." Kelele cocked her head up proudly, "In my homeland, there are paintings of a powerful young lion who possesses the Roar of the Elders. Though, the lion looked red and gold..." "Kion..." Vitani muttered, turning to the Guard, who'd silently agreed. Kelele tilted her head, "Are you not the wielder of the Roar?" "I'm one of them." Vitani flatly answered. "T-Two Roars? Perhaps news spreads North longer than I thought..." Kelele muttered to herself before speaking towards the Guard, "Well, then, Roar-wielder, show me what you got against this!" Suddenly, a piercing, loud cry escaped Kelele's throat. Seismic waves shook the ground and knocked the Guard off their feet. They all cringed at the unbearable torture towards their ears. Even Usiku, Tazama's friend and temporary seeing-eye bat, had fluttered away in a panic. "Come on, Roar-wielder," Kelele grinned as she descended from the cliffs, "fight BACK!" The wolf gave Vitani a chance to stand back up. Vitani took a deep breath, and conjured the Lions of the Past form in the clouds. Kelele was astonished to see the power in-person, eager to face the legend that stood before her. Calling to the spirits, Vitani released a roar, letting the clouds roar with her in the form of a strong current. Kelele prepared to counter the powerful blast with her very own Sonic Howl. The two were evenly matched for a good while, despite the noise of Kelele's howl being incredibly overwhelming. Eventually, Vitani was beginning to grow exhausted from producing such a prolonged Roar. When Vitani let go of the force she'd used to keep Kelele at bay, the wolf took advantage of the moment, and howled hard enough for the ground to shake and knock Vitani back down. Growing frustrated, the Leader of the Guard used every technique she'd learned so far. However, Kelele seemed to predict her every move. Be it concentrated currents, geokinesis, or earthquakes, the wolf was prepared for it; trained to fight against each one with her lithe acrobatics and equally-matched sonic howl, which no one could stand anymore. No point in hydrokinesis. There was not enough water in nearby streams, nor hardly any clouds today, and Vitani figured Kelele would dodge those moves anyway. Collapsing the the ground yet again, Vitani groaned shakily as she shuddered from the deafening noise. Seeing this, Kelele cackled wickedly, claiming victory over the match. "I've trained well, it seems..." Kelele grinned ear to ear, "Looks like you gotta come up with some new moves if you wanna defeat me!" As the Guard got up and tended to Vitani, the wolf had absconded. The wolf's sudden cowardice after mercilessly terrorizing and harming the Guard infuriated Vitani even more. After exchanging words of confusion with an equally-confused Guard about the whole interaction that had taken place, she'd stormed away after telling them to make sure Kelele didn't come back. The wolf's impact on Vitani triggered a strong feeling of competitiveness within her. She was unique in the line of Lion Guard leaders for being one who never truly favored using the Roar, but now, she felt the need to learn more than ever about it. She would have to turn to a certain Lion of the Past for advice...

((Author's notes: Kelele, Sauti, and Usiku have made their debuts! I decided to make this episode a parody of Spaghetti Westerns after hearing the song "Ecstasy of Gold" in a commercial (particularly that one remix that's overplayed by like every company). I thought the woman's singing sounded like a howl, so I thought the style of parody would go well with a coyote-like character, and it matched well with the idea that Vitani and Kelele would exhibit their powers in a duel in the middle of nowhere, particularly a gulch-like region of the outskirts of the Pridelands To resolve that issue I had of "I should've named the Ethiopian wolf an Amharic name to give a rare Ethiopian language a shoutout but people already know her so well as 'Kelele'", I decided that "Kelele" is merely a pejorative nickname given to her by Pridelanders that she proudly embraced. Her real name is Malik'esi, Amharic for "cry" (I know it's funny that her name already meant a loud noise but she was given a synonym of that as a nickname lol, I just thought she looked like a "Malik'esi"). But yeah I figured there was nothing wrong with at least giving OCs aliases, in fact it gives them more character because it shows viewers what they're known for and how others interact with them Alas, I'm not a lyricist so I can't project a musical number I have in mind for this episode. I definitely see Kelele introducing herself by singing a boastful song about her abilities, right around the part where she's flawlessly facing off against Vitani's array of Roar abilities. Type of music? I'm thinking something you'd hear in a Western, like on operatic voice or yodeling, it'd fit that howl sound and I could just imagine her high notes forming into a sonic howl and mercilessly causing the Guard to double over multiple times lol))

[artsy-alice]

Ellis, Soleil, Merlin & Kelel 💕

a commission for Trin featuring her OCs. thanks for the support! they are always a pleasure to draw 🥰🥰🥰

[opineonionated]

Sator Arepo

The Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled "punk ethnomusicologist", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.

Hairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. "Many artifacts in the landscape remain," Hairon explains, "and the power of spirits is still palpable." He represents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; "Singeli has contaminated me," admits the producer.

The most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.

If you heard Hairon's last Judgitzu release 'Umeme / Kelele', described by Boomkat as "one of 2019's deadliest dancefloor sessions," then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.

[passimtemere]

YA KNOW WHAT

Actually yeah. Screw the unnecessary 2019 Disney copyright grab (still haven't watched it all the way through) and I get mixed up on who is called Banzai ("Kamari") and Ed ("Azizi") anyway so

NEW SWAHILI NAMES

Banzai = Haraka (Fast/Haste/Move)

Ed = Kelele (Noisy/Racket)

[basketballjersey]

[rwizakakiza]

Somo: TABIA 25 ZA KUEPUKA NA HATARISHI KWENYE MAISHA YAKO. (Part 18: UC...

Somo: TABIA 25 ZA KUEPUKA NA HATARISHI KWENYE MAISHA YAKO.

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SUBSCRIBE (Tumaini Jipya Duniani Tv)

Https://youtube.com/@rwizakakiza?si=ewqb8Z8S1aeDwoRB

Sehemu: XVIII.

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3. 8. TABIA YA 8: "UCHAFU - DIRT"

Uchafu ni yale yanayosababisha kitu au mtu kukosa usafi au kuweka kitu sehemu isiyo yake. Pia "uchafu" unaweza kumaanisha pia hali ya kukosa usafi wa kimaadili au usafi wa kiroho.

....kwa kuwa BWANA. MUNGU wako, YUATEMBEA katika kituo AKUOKOE, na KUKUTOLEA ADUI zako mbele yako; kwa hiyo na KIWE KITAKATIFU kituo chako; asije AKAONA KITU kwako KISICHOKUWA SAFI, akageuka na kukuacha.

.....Kumb 23:14.....

Kama ulivyoona tafsiri ya uchafu imegawanyika katika maeneo mawili ambayo yote yanaweza kusababisha MUNGU akageuka na kukuacha ukabaki mwenyewe. Watu wengi tunafahamu kinachomzuia MUNGU asiwepo kwenye maisha ya mtu ni dhambi, lakini leo kitu kingine kinachomfukuza MUNGU kabisa ni Uchafu. Somo kwa makini hapa...

.....Nawe uwe na JEMBE dogo katika silaha zako; napo UOTAMAPO nje UCHIMBE kwa lile jembe, na KUGEUKA na KUKIFUNIKA KIKUTOKACHO; kwa kuwa BWANA. MUNGU wako, YUATEMBEA katika kituo AKUOKOE, na kukutolea adui zako mbele yako; kwa hiyo na kiwe kitakatifu kituo chako; ASIJE AKAONA kitu kwako KISICHOKUWA SAFI, AKAGEUKA na KUKUACHA.

.....Kumb 23:13-14.....

MUNGU wakati anatoa taratibu za kuishi swala la usafi alilipa kipaombele, alijua wanavyoendelea kuishi watu wanaweza.....kujisaidia haja zao popote....ndio maana akasema ukitaka kujisaidia chukua jembe ukachimbe shimo, ukimaliza haja zako ufunike kilicho kutoka.

Unaona wazi hazungumzii usafi wa Roho bali usafi wa kawaida kabisa. Watu wengi wamekuwa wakitafsiri kwamba MUNGU anaangalia Roho, lakini hapo umeona MUNGU anaweza kushindwa KUKUOKOA sio kwa sababu ya dhambi bali kwa sababu ya UCHAFU.

.....Kwa hiyo, TOKENI kati yao, MKATENGWE nao, asema BWANA, MSIGUSE kitu kilicho KICHAFU, Nami NITAWAKARIBISHA.

.....2Korintho 6:17....

Au

.....kama AKIUGUSA UCHAFU wa binadamu, UCHAFU UWAO WOTE ambao kwa huo amepata unajisi, na jambo hilo linamfichamania, hapo apatapo kulijua, ndipo atakapokuwa na hatia.

......Lawi 5:3.....

Unaona neno KUGUSA, Rohoni hakuna kutumia milango ya fahamu, anazungumzia KUGUSA jambo linalohusu maswala ya kimwili. MUNGU amesema pamoja na kutengwa nao lakini....MSIGUSE kitu kilicho kichafu....

Nafikiri mpaka hapo umeona Uchafu unavyomwondoa MUNGU kwenye maisha ya mtu, Sasa MUNGU akiondoka kwenye maisha ya mtu, lazima aje mwezeshaji mwingine ambaye ni mapepo ingawa na yenyewe yana kitengo cha usafi kinachosimamiwa na mapepo yanayoitwa majini. Chunguza watu wachafu wapoje?

Mfano....

.....YESU alipokwisha kushuka chomboni, alikutana na mtu, ambaye ametoka makaburini, mwenye PEPO MCHAFU; makao yake yalikuwa pale MAKABURINI; wala hakuna mtu ye yote aliyeweza kumfunga tena; kwa sababu alikuwa amefungwa mara nyingi kwa pingu na minyororo, akaikata ile minyororo, na kuzivunja-vunja zile pingu; wala hakuna mtu aliyekuwa na nguvu za kumshinda. Sikuzote, USIKU na MCHANA, alikuwako MAKABURINI na MILIMANI, akipiga kelele na kujikata-kata kwa mawe.......YESU akawaamuru, Wale pepo wachafu wakamtoka, wakaingia katika wale nguruwe; nalo kundi lote likatelemka kwa kasi gengeni, wakaingia baharini, wapata elfu mbili; wakafa baharini.

......Marko 5:2-13.....

Kwa hali ya kawaida kichaa hawezi kuwa msafi ni mchafu na kinachosababisha Uchafu ni mapepo yaliyoko ndani yake akipona anakuwa msafi mpaka mwilini.... Mapepo yakijenga ngome au makao ndani ya mtu, kinaibuka kitu kinachoitwa TABIA YA UCHAFU.

Tabia ya uchafu ni tabia ya kutojali usafi wa mwili, vitu, Rohoni na kukosa mpangilio. Hii tabia inayomwondoa na kumfukuza MUNGU katika maisha yako yakupasa uiepuke kwa sababu ni hatari kwenye maisha yako ya kiroho na kimwili, Na namna bora ya kuepukana nayo ni kumpa nafasi YESU KRISTO awe BWANA na Mwokozi wako binafsi katika eneo hilo, kama iliyofanyika kwa Mgerasi akapona na mapepo ya uchafu yakamtoka, Na wewe unaweza kuacha Uchafu inawezekana, Amina.

3. 8. 1. DALILI /VIASHIRIA /MATOKEO YA TABIA YA UCHAFU.

......Tutaendelea......

________________________________

Rejea

"Since the LORD your GOD walks in the midst of your camp to RESCUE you and to DEFEAT your enemies before you, therefore your camp must be HOLY (undefiled); and He must NOT SEE ANYTHING INDECENT among you or He will TURN AWAY from you".

....Deuteronomy 23:14....

________________________________

For help:

Ev. Erasmus Pascrates Kakiza

+255 782 546 914

+255 764 215 291

Rwizakakiza@gmail.com

@2024 The year of my shining.

[metalshockfinland]

Spain's Modern Metal Titans REEPER Sign with Split Screen Management, New Music Coming

Photo by Eduard Kelel Split Screen Management is thrilled to announce that REEPER, a powerhouse in the modern metal scene, has officially joined the Split Screen Management family! About REEPER: Founded in 2016 in Spain, REEPER has consistently pushed the boundaries of modern metal. Under the leadership of Elías Andrada, the band has become known for their innovative sound and relentless…

[fortunetellersdilettante]

Ho! mazza best friend, best friend 'agadi shevataparyant 'best friends, best frendsna natak karanyachi garaj nahi tula ek hat hava aahe, ani me tujhya shejarich aahe. tu andharatahes, me tula margadarshan karanara tejaswi prakash hoin. 'gharatun baher padanyachya velechya velela sadasy kara jya vel-velet tumhala shanka yet hotya ani apan jya trasat padalo te visaru naka. amhala ase kahi milale aahe j apan purvavat karu shakat nahi, kara khup jorat hasat aahe vadilanchya navya gadila apaghat aamhi samayik kelele serve jakham me vachan deto, me shapath gheto kuthehi gelat tari nehami laksat theva key tula atta ani kayamacham ghar milaaln aahe. ani jar too khali utaralas tar mala phone kar. he majhi tula shapath aahe tumhi kuthehi gelat tari nehami laksat theva tu kadhich ekta nahis, aamhi pankhache paksi ahot ani havaman kahihi aslam tari apan kadhich badalanar nahi he majhi tula shapath aahe mala mahit aahe key me tula ved lavato, ham, kadhikadhi mala mahit aahe key me tula alashi mhanato ani he bahutek vela asate pan too mala purn kar ani te khotn nahi. tu maza tuxedo aahes ani me tujha dhanusyaban aahes gadit aamhi amcham ganam gato-gato-gato tharatharat aahe

Yo! Ko taku hoa tino pai, ko te hoa tino pai 'tae noa ki te mutunga tonu 'Nā te whakamahi hoa tino pai, kāore e hiahiatia e ngā hoa tino pai te whakatakune E hiahiatia ana e koe he ringa, ā, kei reira tonu ahau i te taha tonu o koe Ko koe i roto i te pouri, ko ahau te rama kanapa hai ārahi i a koe 'Ka neke atu te wā-wā i te whare Ngā wā katoa i a koe nga rangirua Kaua hoki e wareware ki ngā raruraru katoa i uru atu ai mātau I whiwhi mātou i tētahi mea kāore e taea e koe te wete, mahia He kaha rawa te whakanui i te kaha o te mahi I hinga i te motokā hou o tō pāpā Ngā riwha katoa e tiritiri ana mātau E oati ana ahau, e oati ana ahau Ki hea haere ai koe, me maumahara tonu I whiwhi koe ki te kāinga mo tēnei wā, mo ake tonu atu A, ki te ngoikore koe, waea noa mai ki a au i ngā wā katoa Ko taku oati tenei ki a koutou Ki hea maumahara ai koe i ngā wā katoa E kore rawa koe e noho ko koe anake, he manu mātau no te huruhuru A, e kore rawa tātau e rerekē, ahakoa te huarere Ko taku oati tenei ki a koutou E mōhio ana ahau e taraiwa ana ahau i a koe i te heahea, i te huhm, i ētahi wā E mōhio ana ahau e karanga ana ahau ki a koe he māngere, a, he tino wā tēnā Engari ka oti i a koe ahau, ā, kāore tēnā i te teka Ko koe taku tuxedo, a, ko au to here kopere E waiata ana mātau i roto i te motokā i ta mātau waiata E whakakaka ana i te

Yo! ကျွန်မရဲ့ အကောင်းဆုံး မိတ်ဆွေ၊ အကောင်းဆုံး မိတ်ဆွေ' အဆုံးကို ချိန်ညှိပါ 'အကောင်းဆုံး မိတ်ဆွေတွေကြောင့် အကောင်းဆုံး မိတ်ဆွေတွေဟာ ဟန်ဆောင်စရာမလိုပါဘူး ခင်ဗျားတို့ လက်လိုတယ်၊ ကျွန်တော်က ခင်ဗျားဘေးနားမှာပဲ ရှိနေတာပါ။ အမှောင်ထဲမှာ ခင်ဗျားကို လမ်းညွှန်ပေးမယ့် တောက်ပတဲ့ အလင်း ဖြစ်ပါ့မယ် 'အဖွဲ့ဝင်က အိမ်ကို ခိုးဝင်ခိုးထွက်လာတဲ့ အချိန်ကိုက် သံသယတွေ ရှိခဲ့တဲ့ အချိန်ကာလအားလုံး ကျွန်��ော်တို့ကြုံခဲ့ရတဲ့ အခက်အခဲအားလုံးကို မမေ့ပါနဲ့ ခင်ဗျား��ဖျက်နိုင်တဲ့ တစ်ခုခုကို ကျွန်တော်တို့ ရပါတယ်၊ အရမ်းကို ရယ်စရာကောင်းလောက်အောင် ခင်ဗျားအဖေရဲ့ ကားအသစ်ကို ပျက်သွားတယ် ကျွန်တော်တို့ မျှဝေခံစားရတဲ့ မာ့ခ်ျအားလုံး ကတိပေးတယ်၊ ကျိန်ဆိုတယ် ဘယ်နေရာကိုမဆို အမြဲသတိရမိတယ် ခင်ဗျားတို့ဟာ အခုနဲ့ ထာဝစဉ်အိမ်တစ်လုံး ရခဲ့တာပါ။ ခင်ဗျား နိမ့်သွားရင် ကျွန်မကို ဖုန်းဆက်ပါ ဒါက ခင်ဗျားကို ကျိန်ဆိုတာပါ။ ဘယ်နေရာကိုမဆို ခင်ဗျားတစ်ယောက်တည်း မဟုတ်ပါဘူး၊ ကျွန်မတို့ဟာ ငှက်တစ်ကောင်ရဲ့ ငှက်တွေပါ။ ရာသီဥတု ဘယ်လိုပဲဖြစ်ပါစေ ဘယ်တော့မှ ပြောင်းလဲမှာ ��ဟုတ်ပါဘူး ဒါက ခင်ဗျားကို ကျိန်ဆိုတာပါ။ ခင်ဗျားကို ရူးသွပ်အောင် မောင်းတယ်ဆိုတာ သိတယ်၊ ဟမ်၊ တစ်ခါတလေ ခင်ဗျားကို ပျင်းရိလို့ခေါ်တယ်ဆိုတာ သိတယ်၊ ဒါက အကြိမ်အများဆုံးပါ ဒါပေမဲ့ ခင်ဗျားက ကျွန်မကို ပြီးအောင်လုပ်ပြီးတော့ ဒါက လိမ်ညာမှုမဟုတ်ပါဘူး ခင်ဗျားက ကျွန်မရဲ့ Tuxedo ဖြစ်ပြီး ကျွန်မက ခင်ဗျားရဲ့ လေးချည် ကားထဲမှာ သီချင်းဆိုသီဆိုနေတဲ့ သီချင်း လှုပ်ခတ်ခြင်း

ᠱᠤᠤᠭᠢᠯᠳᠤ ! ᠳᠠᠭᠤᠤ ᠶᠢᠨ ᠦᠭᠡ ᠶᠢᠨ ᠶᠡᠬᠡ ᠰᠠᠨᠠᠭ᠎ᠠ ᠄ ᠮᠢᠨᠦ ᠬᠠᠮᠤᠭ ᠰᠠᠶᠢᠨ ᠨᠠᠶᠢᠵᠠ ᠂ ᠬᠠᠮᠤᠭ ᠰᠠᠶᠢᠨ ᠨᠠᠶᠢᠵᠠ ᠬᠠᠮᠤᠭ ᠰᠡᠭᠦᠯ ᠪᠣᠯᠲᠠᠯ᠎ᠠ ᠃ ᠳᠠᠭᠤᠤ ᠶᠢᠨ ᠦᠭᠡ ᠶᠢᠨ ᠶᠡᠬᠡ ᠰᠠᠨᠠᠭ᠎ᠠ ᠄ ᠤᠴᠢᠷ ᠨᠢ ᠬᠠᠮᠤᠭ ᠰᠠᠶᠢᠨ ᠨᠠᠶᠢᠵᠠ ᠂ ᠬᠠᠮᠤᠭ ᠰᠠᠶᠢᠨ ᠨᠠᠶᠢᠵᠠ ᠨᠠᠷ ᠬᠠᠭᠤᠷᠮᠠᠭᠯᠠᠬᠤ ᠴᠢᠬᠤᠯᠠ ᠦᠭᠡᠢ ᠃ ᠴᠢ ᠬᠠᠪᠰᠤᠷᠤᠯᠭ᠎ᠠ ᠬᠡᠷᠡᠭ᠍ᠲᠡᠢ ᠂ ᠭᠡᠲᠡᠯ᠎ᠡ ᠪᠢ ᠳᠠᠷᠤᠢ ᠴᠢᠨᠦ ᠬᠠᠵᠠᠭᠤ ᠳᠤ ᠪᠠᠢ᠌ᠨ᠎ᠠ ᠃ ᠲᠠ ᠬᠠᠷᠠᠩᠭ᠋ᠤᠢ ᠳᠤᠮᠳᠠ ᠪᠢ ᠴᠢᠨᠦ ᠵᠢᠯᠤᠭᠤᠳᠤᠯᠭ᠎ᠠ ᠶᠢᠨ ᠭᠡᠭᠡᠨ ᠰᠠᠷᠠᠭᠤᠯ ᠪᠣᠯᠵᠤ ᠴᠢᠳᠠᠨ᠎ᠠ ᠃ ᠪᠦᠷᠢᠯᠳᠦᠬᠦᠨ ᠃ ᠠᠯᠢᠪᠠ ᠴᠢᠨᠦ ᠰᠡᠵᠢᠭ᠍ ᠲᠡᠢ ᠴᠠᠭ ᠮᠦᠴᠡ ᠪᠤᠢ ᠃ ᠪᠢᠳᠡᠨ ᠳᠦ ᠲᠤᠯᠭᠠᠷᠠᠭᠰᠠᠨ ᠠᠯᠢᠪᠠ ᠶᠠᠷᠰᠢᠭ ᠢ ᠪᠢᠲᠡᠭᠡᠢ ᠮᠠᠷᠲᠠ ᠃ ᠪᠢᠳᠡᠨ ᠳᠦ ᠴᠢ ᠬᠦᠴᠦᠨ ᠦᠭᠡᠢ ᠪᠣᠯᠭᠠᠬᠤ ᠶᠢᠨ ᠠᠷᠭ᠎ᠠ ᠦᠭᠡᠢ ᠶᠠᠪᠤᠳᠠᠯ ᠪᠠᠢ᠌ᠨ᠎ᠠ ᠂ ᠭᠦᠢᠴᠡᠳᠬᠡᠭᠡᠷᠡᠢ ᠃ ᠦᠨᠡᠬᠡᠷ ᠲᠡᠭᠦᠨ ᠦ ᠡᠵᠢ ᠶᠢᠨ ᠢᠶᠡᠨ ᠬᠠᠲᠠᠭᠤᠵᠢᠯᠲᠠᠢ ᠃ ᠠᠪᠤ ᠶᠢᠨ ᠰᠢᠨ᠎ᠡ ᠲᠡᠷᠭᠡ ᠶᠢ ᠮᠥᠷᠭᠥᠵᠡᠢ ᠃ ᠪᠢᠳᠡᠨ ᠦ ᠬᠠᠮᠲᠤ ᠶᠢᠨ ᠠᠯᠢᠪᠠ ᠰᠢᠷᠬ᠎ᠠ ᠶᠢᠨ ᠰᠤᠷᠪᠤᠯᠵᠢ ᠃ ᠪᠢ ᠪᠠᠲᠤᠯᠠᠶ᠎ᠠ ᠂ ᠪᠢ ᠲᠠᠩᠭᠠᠷᠢᠭᠯᠠᠨ᠎ᠠ ᠃ ᠴᠢ ᠬᠠᠮᠢᠭ᠎ᠠ ᠬᠦᠷᠦᠭ᠍ᠰᠡᠨ ᠴᠦ ᠬᠡᠵᠢᠶᠡᠳᠡ ᠴᠡᠭᠡᠵᠢᠯᠡ ᠃ ᠴᠢ ᠣᠳᠣ ᠬᠡᠵᠢᠶᠡᠳᠡ ᠭᠡᠷ ᠲᠡᠢ ᠃ ᠬᠡᠷᠪᠡ ᠴᠢᠨᠦ ᠤᠷᠮ᠎ᠠ ᠰᠡᠳᠭᠢᠯᠭᠡ ᠳᠣᠷᠣᠭᠰᠢᠯᠠᠪᠠᠯ ᠂ ᠨᠠᠳᠠᠳᠤ ᠤᠲᠠᠰᠤᠳᠠ ᠃ ᠡᠨᠡ ᠪᠣᠯ ᠮᠢᠨᠦ ᠴᠢᠨᠦ ᠲᠠᠩᠭᠠᠷᠢᠭ ᠮᠥᠨ ᠃ ᠴᠢ ᠬᠠᠮᠢᠭ᠎ᠠ ᠬᠦᠷᠦᠭ᠍ᠰᠡᠨ ᠴᠦ ᠬᠡᠵᠢᠶᠡᠳᠡ ᠴᠡᠭᠡᠵᠢᠯᠡ ᠃ ᠲᠠ ᠬᠡᠵᠢᠶᠡᠳᠡ ᠭᠠᠭᠴᠠᠭᠠᠷᠳᠠᠬᠤ ᠦᠭᠡᠢ ᠂ ᠪᠢᠳᠡ ᠪᠣᠯ ᠨᠢᠭᠡ ᠥᠳᠥᠨ ᠰᠢᠪᠠᠭᠤ ᠪᠣᠯᠣᠨ᠎ᠠ ᠃ ᠲᠩᠷᠢ ᠶᠠᠮᠠᠷ ᠪᠠᠢ᠌ᠭᠰᠠᠨ ᠴᠤ ᠪᠢᠳᠡ ᠴᠥᠮ ᠬᠣᠪᠢᠷᠠᠬᠤ ᠦᠭᠡᠢ ᠃ ᠡᠨᠡ ᠪᠣᠯ ᠮᠢᠨᠦ ᠴᠢᠨᠦ ᠲᠠᠩᠭᠠᠷᠢᠭ ᠮᠥᠨ ᠃ ᠪᠢ ᠵᠠᠷᠢᠮ ᠳᠠᠭᠠᠨ ᠴᠢᠮᠠᠢ᠌ ᠰᠤᠯᠢᠶᠠᠷᠠᠭᠤᠯᠳᠠᠭ ᠂ ᠡᠩ ᠂ ᠡᠩ ᠃ ᠪᠢ ᠴᠢᠨᠦ ᠠᠯᠵᠠᠭᠤ ᠵᠠᠯᠬᠠᠭᠤ ᠭᠡᠵᠦ ᠪᠢ ᠮᠡᠳᠡᠨ᠎ᠡ ᠂ ᠣᠯᠠᠩᠬᠢ ᠦᠶ᠎ᠡ ᠳᠦ ᠪᠦᠷ ᠡᠶᠢᠮᠦ ᠃ ᠭᠡᠪᠡᠴᠦ ᠴᠢ ᠨᠠᠮᠠᠢ᠌ ᠪᠡᠶᠡᠯᠡᠭᠦᠯᠵᠡᠢ ᠂ ᠲᠡᠷᠡ ᠬᠤᠳᠠᠯ ᠦᠭᠡ ᠪᠢᠰᠢ ᠃ ᠴᠢ ᠪᠣᠯ ᠮᠢᠨᠦ ᠬᠠᠷᠢᠶᠠᠴᠠᠢ ᠶᠢᠨ ᠰᠡᠭᠦᠯᠴᠢ ᠶᠢᠨ ᠬᠤᠪᠴᠠᠰᠤ ᠂ ᠪᠢ ᠴᠢᠨᠦ ᠭᠣᠣᠯᠯᠠᠭᠴᠢ �� ᠪᠢᠳᠡ ᠲᠡᠷᠭᠡᠨ ᠳᠣᠲᠣᠷ᠎ᠠ ᠳᠠᠭᠤᠯᠠᠨ᠎ᠠ — ᠪᠢᠳᠡᠨ ᠦ ᠳᠠᠭᠤᠤ ᠶᠢ ᠳᠠᠭᠤᠯᠠᠪᠠ ᠃ ᠰᠠᠵᠢᠯᠠᠨ᠎ᠠ ᠃

Yo! Миний хамгийн сайн найз, хамгийн сайн найз эцсээ хүртэл Хамгийн сайн найзууд, хамгийн сайн найзууд дүр эсгэх шаардлагагүй Чамд гар хэрэгтэй бөгөөд би яг чиний дэргэд байна Би харанхуйд чамайг удирдах хурц гэрэл байх болно 'Байшингаас сэмхэн гарч буй цаг-цаг-цагийн гишүүн Танд эргэлзэж байсан бүх цаг мөч, цаг хугацаа Бидний учирсан бүх гай зовлонг бүү мартаарай Бидэнд буцааж авч болохгүй нэг зүйл байна, Маш их инээх Аавынхаа шинэ машин эвдэрсэн Бидний хуваалцдаг сорви Би амлаж байна, тангараглаж байна Хаана ч явсан үргэлж санаж яваарай Одоо болон үүрд мөнхөд гэр оронтой болсноо Хэрвээ чи сэтгэлээр унавал хэзээ ч над руу утасдаарай Энэ бол та нарт миний тангараг Хаашаа ч явсан үргэлж санаж яваарай Та нар хэзээ ч ганцаараа биш, бид өдтэй шувууд Цаг агаар ямар ч байлаа гэсэн бид хэзээ ч өөрчлөгдөхгүй Энэ бол та нарт миний тангараг Би чамайг галзуу болгож байгаагаа мэднэ, хм, заримдаа Би чамайг залхуу гэж хэлснээ мэднэ. Гэхдээ чи намайг гүйцээлээ, энэ бол худал биш Чи миний смокинг, би бол чиний эрвээхэй зангиа Бид машин дотроо дуугаа дуулж-дуулж байна Сэгсрэх нь

हो! माझा बेस्ट फ्रेंड, बेस्ट फ्रेंड 'अगदी शेवटपर्यंत 'बेस्ट फ्रेंड्स, बेस्ट फ्रेंड्सना नाटक करण्याची गरज नाही तुला एक हात हवा आहे, आणि मी तुझ्या शेजारीच आहे. तू अंधारातआहेस, मी तुला मार्गदर्शन करणारा तेजस्वी प्रकाश होईन. 'घरातून बाहेर पडण्याच्या वेळेच्या वेळेला सदस्य करा ज्या वेळ-वेळेत तुम्हाला शंका येत होत्या आणि आपण ज्या त्रासात पडलो ते विसरू नका. आम्हाला असे काही मिळाले आहे जे आपण पूर्ववत करू शकत नाही, करा खूप जोरात हसत आहे वडिलांच्या नव्या गाडीला अपघात आम्ही सामायिक केलेले सर्व जखम मी वचन देतो, मी शपथ घेतो कुठेही गेलात तरी नेहमी लक्षात ठेवा की तुला आत्ता आणि कायमचं घर मिळालं आहे. आणि जर तू खाली उतरलास तर मला फोन कर. ही माझी तुला शपथ आहे तुम्ही कुठेही गेलात तरी नेहमी लक्षात ठेवा तू कधीच एकटा नाहीस, आम्ही पंखाचे पक्षी आहोत आणि हवामान काहीही असलं तरी आपण कधीच बदलणार नाही ही माझी तुला शपथ आहे मला माहित आहे की मी तुला वेड लावतो, हं, कधीकधी मला माहित आहे की मी तुला आळशी म्हणतो आणि हे बहुतेक वेळा असते पण तू मला पूर्ण कर आणि ते खोटं नाही. तू माझा टक्सेडो आहेस आणि मी तुझा धनुष्यबाण आहेस गाडीत आम्ही आमचं गाणं गातो-गातो-गातो थरथरत आहे

Yo! L-aqwa ħabib tiegħi, l-aqwa ħabib 'til the very end 'Cause best friends, l-aqwa ħbieb m'għandhomx għalfejn jippretendu Għandek bżonn id, u jien qiegħed hemm eżatt ħdejk Int fid-dlam, inkun id-dawl qawwi biex niggwidak "Membru l-ħinijiet tal-ħin tal-ħin għat-tgħawwiġ tad-dar Il-ħinijiet kollha tal-ħin li kellek id-dubji U tinsiex l-inkwiet kollu li dħalna fih Aħna ltqajna xi ħaġa li ma tistax tneħħi, tagħmel Tidħaq daqshekk kkritikat iebes Iġġarraf il-karozza l-ġdida ta' missierek Iċ-ċikatriċi kollha li naqsmu Inwiegħed, naħlef Kull fejn tmur, ftakar dejjem Li sibt dar għalissa u għal dejjem U jekk ikollok baxx, ċempilli biss kull meta Dan huwa l-ġurament tiegħi lilek Kull fejn tmur dejjem ftakar Qatt m'int waħdek, aħna għasafar ta 'rix U aħna qatt ma nbiddlu, irrispettivament mit-temp Dan huwa l-ġurament tiegħi lilek Naf li nsuqek miġnun, huhm, kultant Naf li nsejjaħlek għażżien u dak huwa l-aktar drabi Imma tlestini u dik mhix gidba Int it-tuxedo tiegħi u jien l-ingravata tal-pruwa tiegħek Aħna fil-karozza kant-kant kanzunetta tagħna It-tbandil tal-

[444names]

Names generated from masculine Belarusian, masculine Hawaiian, and all Tolkienesque forenames

Adanana Adregriena Aegorin Aithôr Alacil Aladorn Alagrindur Alandur Albêth Alcastel Alcwin Alebrin Alemir Aleni Algrana Almor Althôn Alvenwë Amagonglu Amargil Amdírion Amielado Amikepaka Amuldë Anala Andar Andil Aneladûn Anelyë Aniel Anieng Animbagor Anoanto Anuwala Aradranuel Aragalanor Aragdur Arahir Aramaulavi Arani Aranien Arashanwë Arastari Ardaraglin Argil Arohindil Aromë Arwendir Arweno’i Athokil Athéod Auharfin Aukiatan Aula’i Aurieopon Awhiendir Azepa...

Bagamir Barindamai Barotrind Belan Belei Beredherd Beremir Berya Bollor Bomain Borion Borodwyn Borossiar Bortz Borwaa Brani Brapeleka Bratarda Brath Bredh Bregundin Brentir Bres’ Brielwë Brindilzôr Bucaron Bëorn Bëorwen Bóriel Calas Calfaleb Caliponel Cali’iu Cardana Carfind Catárin Celavor Celfwin Cemen Cemir Cemmalador Ceona Chalika’i Cilast Cilion Cirgimo Cothorm Cotho’oka Cothôr Curasa Derumboman Dontyn Dowfasfan Dáingor Déagorl Déoth Déowyn Dírin Ecthoei Edhela Edhropav Egnoa Ehuoku Elacalen Eladiri Eldisla Eldor Elebor Elebremna Elegnoher Elekeawair Elendani Elendróf Elfast Elfwin Elmair Elmarano Elwikoa Embar Emine Endishas Essumburt Eären Eärengwë Eärethor Eärethróg Eärnhír Eärwe Fali’i Faumen Faury Feldaris Fendir Fered Ferkeoha Ferumena’i Finana Findilzôn Foldir Folwë Fredur Fregor Fréala Fréalin Fréawike Furth Furwe Fëani Galoan Galohiej Gaviach Gimekoa Gimirya Gimlor Glimir Gli’i Gloharweni Glumbar Goril Gorioki Gorni Gossumeni Granoa Grían Gríani Gwaturi Hadard Halaipohar Halav Halemahen Halfar Haliandur Haradarfin Harailúk Haraniena Harda Hauka Hekekana Heremmaka Herer Herumbreg Holda Huníni Hyania Hyaras Hámaerina Húrion Iathron Ihielyë Ihind Ikamine Ilanimrav Iliar Imithil Imoro Indurio Ingwil Inzimo Iondach Iongol Ionoroni Iothôr Irgerin Ishaldar Isien Isioniey Isiriona Ivaldagor Ivaras Ivreni Jakainel Jaksil Jandandrej Jazôn Jurgold Jurweni Kaheorn Kahiele Kahir Kaion Kaith Kaiwaikon Kalak Kalfinwë Kamitë Kamlaur Kamropiaha Kamûl Kanakangej Kananala Kancar Kanikeli Kanoha Kaphel Kapias Kapil Kapla Kastur Kaulionaon Kaulë Kazephor Ka’ala Ka’im Ka’ius Keahos Kealest Kealimros Kealthéod Keana Keandani Kekoła Kelele Kelwë Kemeh Keohir Keoladoc Keolgron Kephel Khalias Khauganc Khânborn Kingboli Kingej Kinyë Kunír Kuoldar Kuorth Ku’ua Ku’uanoa Kíliothos Kúvioewala Ladaca Ladaikil Ladana Laithir Lamika Lanna Leiaka Lendam Liostefant Liotto Lopo’okua Luanue Luglum Luilimran Lukaldor Lumbareth Lúvirë Machiendir Machiey Madaihis Maghâl Magolan Mahelwë Maihi Mainzimi Maipo’i Makalana Makamaluan Makend Makoan Makophalmo Maksaumbar Malan Malmog Manatrion Mandor Manfas Manoa Maramlinui Meldamich Melelu Melros Merdam Michar Mika’auka Minelimil Mipon Moroniko Nandilzôr Narana Naratris Nikonton Nimine Náinyë Nínika Nóliry Ohandur Oldiryl Oldor Oldorn Olion Onaracar Opele Oroni Orothellua Orthoa Palas Palemna Palendir Paleor Pali’iu Palor Palorwe Palthmoth Pandor Pavriendir Pa’iusiaka Peleg Penwë Perenna Perimë Periën Pholgrod Pihalav Pihir Puake Puandil Rassil Ryavin Saeram Sanorn Sarien Saukalduca Siaksif Sielu Silanuelei Sildwatur Silmo Smavan Sméaglóin Sméalion Sorfindir Steleb Stella Stulinish Tadrene Tafor Tamuelpeni Tanas Tanike Tanuwaele Tatarapen Tefanákhîm Telai Telanui Telbard Thoewalin Thorn Thromë Thrórimin Tingli Tulohien Turodelmo Túriar Ufthor Uglant Uglim Uianikoa Uldorn Uleolioewa Ulfar Ulohis Ulorl Ulother Urthelma Vachane Vainúmer Vaitar Valen Valene Valeo Valohel Varan Varastry Varchvi Vastelm Viast Vidrion Vikanuin Vánaonda Waingonwë Yaran Yathos Zimorn Éoden Írior

Same thing but including the apostrophe

Adziacha’i Adûna’auil Aegli’i Aka’ala Aka’alo Aka’eo Aka’i Akoaka’i Ala’akalf Ala’i Ala’imli Aldali’i Ali’iulu Aloha’eon Amli’i Analeili’i Anauha’i Andili’i Aneli’imir Animotho’i Ano’okeni Arana’alsh Ardana’i Aregili’i Ares’ Arimli’i Artho’okua Arviaka’i Augla’ahi Aukaka’i Aula’iush Au’al Au’alfas Au’oke Au’ollu Au’ua Au’uhalei Au’uhúr Au’ulephor Au’ulioden Baleika’i Barahala’i Barcili’i Bardili’i Bau’uao Belemika’i Beles’ Beli’i Beli’imë Beres’ Bolika’eon Boli’i Borli’i Bregorli’i Bres’ Cala’eon Cala’uala Celena’i Cemaha’i Ceoka’aur Chakali’i Cha’elei Cha’eohtar Cha’eor Cišaka’i Cotha’ala Curgoli’i Círimila’i Dili’i Drómeka’i Eika’i Eilka’en Elaka’ahas Eleka’i Eles’ Elfau’uha Eli’i Elshali’i Emaika’eor Emeana’i Eoka’ala Fimbau’alf Finapo’oku Fina’i Foli’i Forli’i Fëanika’i Fíli’i Gali’i Ganaho’i Gili’i Gili’imo Gilka’ena Gla’al Gla’alloha Gli’i Gli’imron Glokiaka’i Gloroha’i Gola’i Gríanika’i Gróres’ Gwinaka’ua Haiku’uala Haka’i Hali’imros Hau’ul Hau’ulo Ha’ahtana Ha’ake Ha’akon Ha’ala Ha’aulmo Ha’eleg Ha’eluma Ha’en Ha’endor Ha’ene Ha’enth Ha’eo Ha’imil Ha’iu Ha’ualai Hoka’el Hoka’iulë Hoka’uleko Hoku’aheon Hoku’olai Hoku’uani Hoku’uhali Hoku’ulas Horli’i Ho’imipou Ho’okuai Ho’okualor Ho’okung Ho’olaitr Huaka’en Huka’alor Hunaha’i Hundiles’ Huorli’i Iacha’en Ika’endir Ika’enna Ika’i Imika’imë Imli’i Iniela’i Iola’ake Isha’i Islaika’i Isla’elei Isla’i Ivali’i Jakau’olas Jaka’iu Kaika’imo Kaka’ene Kalegno’i Kales’ Kali’i Kali’imorn Kali’iu Kana’ene Kanna’ula Kaperes’ Kapho’i Kauka’eo Kau’ola Ka’aha Ka’ahaed Ka’ahaghâd Ka’ahas Ka’ahel Ka’ahelaj Ka’ahele Ka’ahelm Ka’aheo Ka’ahi Ka’ahir Ka’ahislan Ka’ahor Ka’ahos Ka’aka Ka’akahiel Ka’akai Ka’akalg Ka’akapla Ka’aka’ua Ka’akeo Ka’al Ka’ala Ka’alagor Ka’alana Ka’alang Ka’alanwë Ka’alegon Ka’alend Ka’algri Ka’ali Ka’aliamir Ka’aliking Ka’alin Ka’aliry Ka’almo Ka’alohua Ka’alothi Ka’aláf Ka’aug Ka’auhali Ka’auhoei Ka’auhor Ka’aui Ka’auk Ka’aul Ka’aulecth Ka’aum Ka’aumog Ka’aur Ka’ausil Ka’el Ka’ele Ka’elenna Ka’elio Ka’eli’i Ka’en Ka’engon Ka’eni Ka’enika Ka’eon Ka’eondë Ka’eonwë Ka’eor Ka’eorona Ka’im Ka’imiki Ka’imir Ka’imlo Ka’imo Ka’imron Ka’iulkhâl Ka’iuluma Ka’iush Ka’iusiena Ka’iusifur Ka’ua Ka’uaiko Ka’uan Ka’uand Ka’uha Ka’uhor Ka’uhúr Ka’ulavril Ka’ulei Ka’ulë Keaka’i Kekaha’i Keka’i Keoku’ua Keoli’i Keophaka’i Khali’iu Kika’i Kinaka’i Kino’i Komano’iu Kombali’i Konau’ulë Kuleili’i Ku’ahanuin Ku’ahel Ku’ahelm Ku’akanfax Ku’akoa Ku’ala Ku’alanth Ku’alcala Ku’aldard Ku’alemen Ku’alokel Ku’auhorni Ku’aula Ku’oka Ku’okalo Ku’oki Ku’okoła Ku’oku Ku’okuol Ku’olada Ku’olgas Ku’olith Ku’ua Ku’uali Ku’uanguel Ku’uhani Ku’uhar Ku’uhúr Ku’uhúri Ku’ula Ku’ulav Ku’uld Ku’ulkan Ku’ulkh Ku’ulwinwë Ku’ulwë Ku’ulë Kíli’i Kíli’imir Laika’i Laka’i Lau’ahi La’ala La’el La’enwë La’imin La’ius Leganona’i Leiaka’i Leika’eo Leili’i Lemales’ Lena’i Leoha’i Li’imaka’i Li’imo Li’iush Li’iusior Loha’ale Luka’aka Luka’imë Lumaika’i Maika’i Maiku’oku Maipo’i Makaho’i Maka’ale Maka’eleo Maka’i Maku’uani Malaika’i Males’ Maulika’en Mau’ua Mengli’i Mika’akan Mika’al Mikili’i Moaka’i Nali’i Nau’aug Na’akea Na’endil Na’eo Neli’i Nikeopa’el Nili’imë Nilmona’i Nimlika’i No’okikta No’olca Nóli’i Nóli’imu Oha’end Ola’aka Ola’aushna Ola’uhúr Oli’i Opelenes’ Opohuka’im Opo’oku Paka’i Paka’iulor Pakeka’i Palaka’aha Paloha’eor Pa’aha Pa’ahel Pa’aheli Pa’ahin Pa’aka Pa’akamir Pa’ake Pa’alimer Pa’alo Pa’alohir Pa’aurthor Pa’endar Pa’endaros Pa’endilan Pa’endorn Pa’eol Pa’eorl Pa’iuliaw Pa’uaksir Pa’ulë Peles’ Pha’iu Pili’i Poha’en Po’imor Po’oke Po’oki Po’okil Po’okoa Po’okoła Po’okunar Po’oku’ula Po’oldor Po’oldë Po’oli Po’olóing Puana’aule Sanno’i Santha’i Sau’ulkhîm Sha’ala Sha’i Smaka’i Stonna’i Tha’ene Tha’i Tho’oka Tho’okano Tho’okoła Túriona’i Uglano’oka Uglika’i Uili’i Ulaka’i Ulau’ua Ulau’ulë Uli’i Uli’iush Uloha’i Una’i Vano’i Vasla’i Vatanes’ Vika’endë Vána’aheng Wala’elur Éodala’aka Łuka’i