#Keith Forsey
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In the midnight hour, she cried “more, more, more”.
#billy idol#rebel yell#steve stevens#William Michael Albert Broad#alternative#alternative rock#rock#classic rock#punk#punk rock#80s#80s music#Steve Webster#hard rock#Thommy Price#Keith Forsey#uk#england#worthing#west sussex#glam rock#Spotify
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Billy Idol: Charmed Life (1990)
Cover Illustration by AWest
Chrysalis Records
#my vinyl playlist#billy idol#mark younger-smith#arthur barrow#phil soussan#keith forsey#awest#chrysalis records#hard rock#classic rock#heavy metal#record cover#album cover#album art#vinyl records
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♫ Flashdance ... What A Feeling ♫ (Redux)
I love this song, but surprisingly haven’t played it here for nearly four years! It is one that definitely gets the toes tapping! I hope you all like it! There is no rhyme nor reason for deciding what song I will play on any given night. Sometimes it is one that has been stuck in my head all day and I want to get it out of my head and stick it in yours. Other times, I might play a song for a…
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What are the mixtures of electronica we need to discuss right now? We struggle to maintain any semblance of continuity in these discussions here thanks to many factors present in our talks. No, I'm not shocked here, because electronic music remains a nebulous term for me at this point. Then again, I consider disco to be a part of electronica as well. Think about that – many European practicionaries of the genres were studio bound, which meant they used the latest technology for their music. Boney M, for example, show the way of this approach. Mr. Farian hired some singers, while he made the tunes in his production office. Of course, he did tap onto something as we can hear, since the European emulations of the famous American genres seem to stumble upon something intriguing.
#boney m.#take the heat off me#daddy cool#liz mitchell#marcia barrett#the rhythm machine#gary unwin#keith forsey#nick woodland#thor baldursson#george reyam#frank farian#70's music#disco
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Love Theme-Keith Forsey
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Never Ending Story (Dustin e Suzie) [Legendado/Tradução]
Never Ending Story (Dustin e Suzie) [Legendado/Tradução]. Bichos & Traduções – 1 de jan. de 2021 desses dois vai ser épico Essa música toca no oitavo episódio da terceira temporada de “Stranger Things” Never Ending Story – Limahl. letras.mus Turn aroundLook at what you seeIn her faceThe mirror of your dreams Make believe I’m everywhereGiven in the lightWritten on the pagesIs the answer to a…
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#Composição: Keith Forsey / Giorgio Moroder#Músic of Cold Case#Never Ending Story (Dustin e Suzie) [Legendado/Tradução]. Bichos & Traduções#oitavo episódio da terceira temporada de "Stranger Things"
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Limahl - The NeverEnding Story 1984
"The NeverEnding Story" is the title song from the English version of the 1984 film The NeverEnding Story. It was produced and composed by Italian musician Giorgio Moroder and performed by English pop singer Limahl. He released two versions of the song, one in English and one in French. The English version featured vocals by Beth Andersen, and the French version, "L'Histoire Sans Fin", featured vocals by Ann Calvert. It was a success in many countries, reaching #1 in both Norway and Sweden, #2 in Austria, West Germany and Italy, #4 in the UK, #6 in Australia and on the US Billboard Adult Contemporary chart. The song was composed by Giorgio Moroder with lyrics by Keith Forsey, though it (and other electronic pop elements of the soundtrack) is not present in the German version of the film, which features Klaus Doldinger's orchestral score exclusively. In the final episode of the third season of Stranger Things, set in 1985, "The NeverEnding Story" is sung by Dustin and his long-distance girlfriend Suzie as a way to reconnect after not seeing each other for some time. Following the season's release on July 4, 2019, interest in "The NeverEnding Story" surged; viewership of the original music video had increased by 800% within a few days according to YouTube (not linked to here), while Spotify reported an 825% increase in stream requests for the song. It recieved a total of 68,2% yes votes!
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Release: April 13, 1979
Lyrics:
Sittin' here eatin' my heart out waitin'
Waitin' for some lover to call
Dialed about a thousand numbers lately
Almost rang the phone off the wall
Lookin' for some hot stuff, baby, this evenin'
I need some hot stuff, baby, tonight
I want some hot stuff, baby, this evenin'
Gotta have some hot stuff
Gotta have some love tonight
Hot stuff
Baby, baby
Baby, baby (tonight)
I need hot stuff
Baby, baby
Baby, baby (tonight)
I want some hot stuff
Baby, baby
Baby, baby (tonight)
I need hot stuff
Baby, baby
Baby, baby (tonight)
Baby, baby
Baby, baby (tonight)
Baby, baby
Baby, baby (tonight)
Baby, baby
Baby, baby (tonight)
Baby, baby
Baby, baby (tonight)
Lookin' for a lover who needs another
Don't want another night on my own
Wanna share my love with a warm blooded lover
Wanna bring a wild man back home
Gotta have some hot love, baby, this evenin'
I need some hot stuff, baby, tonight
I want some hot stuff, baby, this evenin'
Got to have some lovin'
Got to have love tonight
Hot stuff
Baby, baby
Baby, baby (tonight)
I need hot stuff
Baby, baby
Baby, baby (tonight)
I want some hot stuff
Baby, baby
Baby, baby (tonight)
I need hot stuff
Baby, baby
Baby, baby (tonight)
Songwriter:
Looking for some hot stuff
Baby, baby
Baby, baby (tonight)
I need some hot stuff
Baby, baby
Baby, baby (tonight)
Looking for some hot stuff
Baby, baby
Baby, baby (tonight)
I need hot stuff
Baby, baby
Baby, baby (tonight)
Pete Bellotte / Keith Forsey / Harold Faltermeier
SongFacts:
👉📖
Homepage:
Donna Summer
#new#new music#my chaos radio#Donna Summer#Hot stuff#music#spotify#youtube#music video#youtube video#good music#hit of the day#video of the day#70s#70s music#70s style#70s video#70s charts#1979#electronic#funk soul#disco#dance electronic#pop#lyrics#songfacts#2054
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Billy Idol- Billy Idol (New Wave, Power Pop) Released: July 1, 1982 [Chrysalis Records] Producer(s): Keith Forsey
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The Sing-Off, s.4 ep.5 — Movie Night
Even before movies had spoken dialogue, they had musical accompaniment. Music can convey or enhance the emotions of a scene, and make a film more impactful. (And when one of your show's production partners is under the same umbrella as several film studios, you can license some of their music pretty easily.)
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Group opener
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What's not to love about a catchy song full of big, dramatic moments from a movie about dancing? It's a fabulous way to kick off the "movie night" episode. The arrangers and choreographers clearly had fun with this number, and the singers turned it into a giant party.
Details:
title: (I've Had) The Time of My Life
original performers: Bill Medley & Jennifer Warnes (featured in Dirty Dancing)
written by: John DeNicola, Donald Markowitz, & Franke Previte
arranged by: The Sing-Off arrangers
air date: 18 December 2013
My favorite bits:
the ballroom-inspired choreography
pairing up members of different groups whose voices blend well
the delightful incongruity of goth-punk Tony doing perfect pas de bourrées
Sarah Vela's gorgeous tone on ♫ "Never felt this waaay" ♫
the choreographers sparing some of the vocal percussionists by letting them enter in the last group so they don't have to dance as much (Keeping two different beats with your mouth and your body is hard.)
I figured out how to make a cropped gif for that cute moment between Geoff and Jules.
Trivia:
In order to achieve the cool silhouette effect at the beginning, Tim Foust had to stand (and sing) in a very uncomfortable position.
Once again, one of the Vocal Rush chaperones recorded a rehearsal for the kids from the audience. It's a little fuzzy, but Earl's bright orange shirt, Eli's red pants, Tony's studded black cap, and Honey's red hair make them all pretty easy to spot. Layne is in all gray at the far left. Geoff's one of the blurry dudes near the front on the right, but I'm not sure which one because it seems like the blocking changed a bit before filming.
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Theme reveal
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Order of performances
Home Free — "Oh, Pretty Woman" by Roy Orbison (featured in Pretty Woman)
Vocal Rush — "Against All Odds (Take a Look at Me Now)" by Phil Collins (from Against All Odds)
AcoUstiKats — "Old Time Rock and Roll" by Bob Seger (featured in Risky Business)
The Filharmonic — "I Don't Wanna Miss a Thing" by Aerosmith (featured in Armageddon)
VoicePlay — "Don't You (Forget About Me)" by Simple Minds (featured in The Breakfast Club)
Ten — "Skyfall" by Adele (from Skyfall)
Ultimate sing-offs
AcoUstiKats vs. VoicePlay — "Eye of the Tiger" by Survivor (from Rocky III)
Vocal Rush vs. Ten — "Fame" by Irene Cara (from Fame)
Home Free vs. The Filharmonic — "I'm Alright" by Kenny Loggins (from Caddyshack)
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VoicePlay performance
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[Here is a longer version that includes the intro package and judges' comments.]
A theme like "movie night" is tailor-made for the theater kids of a cappella. Give them characters and a story, and they'll give you fantastic entertainment. The only stumbling block for this song was that the reality show format hindered them from following their own instincts. Jewel pushed them to be even more "emotional" than the previous episode, which steered them away from giving a performance more true to themselves.
Details:
title: Don't You (Forget About Me)
original performers: Simple Minds (featured in The Breakfast Club)
written by: Keith Forsey & Steve Schiff
arranged by: VoicePlay
air date: 18 December 2013
My favorite bits:
the costumes — a great balance between representing the characters from the movie and their own personalities
Layne subtly snapping them in rather than counting out loud
the gradual layering to fill out the sound
the downward harmony run on the first ♫ "Rain" ♫
everything dropping out when Eli kicks off the polyphony, then building back up one by one
the insistence in their voices during the final section
Trivia:
The judges' biggest critque was that VoicePlay didn't include enough of the song's iconic ♫ "La-la-la-la" ♫ hook. Geoff revealed on Twitter that their first draft of the arrangement did include more of that part, but the producers made them change it.
Shawn Stockman also touched on the fact that they'd been pushed from the beginning into arrangements that framed them more as Honey and her backup singers rather than a group of equals with diverse talents. (Not the only group with that issue.)
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Ultimate sing-off vs. AcoUstiKats
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[Here is a longer version that includes the intro package and judges' comments.]
Since all six groups were paired off for battles this episode, they at least got to avoid the fraught selection process. Being able to rehearse against the same groups all week also allowed everyone to really hone their arrangements and interactions, resulting in performances that were more collaborative and fun to watch.
Details:
title: Ultimate Sing-Off – Eye of the Tiger
original performers: Survivor (featured in Rocky III)
written by: Frankie Sullivan & Jim Peterik
arranged by: VoicePlay & The AcoUstiKats
air date: 18 December 2013
My favorite bits:
Honey and Ron playing rock-paper-scissors for who gets to go first
Earl knocking Eli and Geoff's "teeth" out, and Tony's shocked reaction 😲
the ridiculously disproportionate tug of war 💪
Earl's dancing pecs leading straight into a Latin dance beat
the AcoUstiKats making their 12-man "wall of sound" into a physical barrier
Eli fending off the encroaching threats with a Matrix-style dragon kick (and some help from Earl)
the melodramatic tableaux when the final "brawl" breaks out
ending it all on a glorious major chord
Trivia:
It didn't end up in the final episode (for reasons that will become obvious), but this performance got a standing ovation from the audience and the judges.
The groups apparently gave themselves the portmanteau of "CatsPlay", which is just adorable. ��
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Judges' choice
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Eliminated: VoicePlay & AcoUstiKats
Despite the show framing the "ulitmate sing-off" segments as battles with a winner and a loser, the judges bafflingly chose to cut both halves of the showdown between VoicePlay and the AcoUstiKats. It seems that the groups working together to create a more cohesive performance resulted in the judges pitting the three supergroups against each other instead.
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This episode was filmed on Geoff's birthday… which means they got kicked off on his birthday. 😒 At least that meant they got to go home and rest for a few days before coming back for the finale?
#VoicePlay#Honey Larochelle#The AcoUstiKats#The Sing-Off#season 4#live performance#a cappella#music#video#long post
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Mony Mony
Mony Mony
Mony Mony
♫♫♫ ♫♫♫ ♫♫♫
1) Tommy James and The Shondells - Mony Mony (1968) Bo Gentry / Bobby Bloom / Ritchie Cordell / Tommy James from: "Mony Mony" / "One Two Three and I Fell"
Rock
Tumblr (left click = play | right click = "save as") (192kbps)
Personnel: Tommy James: Lead Vocals / Guitar Eddie Gray: Guitar / Backing Vocals Ron Rosman: Keyboards / Backing Vocals Mike Vale: Bass / Backing Vocals Peter Lucia: Drums / Percussion / Backing Vocals
Produced by Bo Gentry / Ritchie Cordell
Recorded: @ Bell Sound Studios (?) in New York City, New York USA 1968
Released: March, 1968
Roulette Records
♫♫♫ ♫♫♫ ♫♫♫
2) Celia and The Mutations - Mony Mony (1977) Bo Gentry / Bobby Bloom / Ritchie Cordell / Tommy James from: "Mony Mony" / "Mean to Me" (Single) "1977: The Year Punk Broke" (2019 Cherry Red Records 3-CD Box Set)
Punk
JukeHostUK (left click = play) (320kbps)
Personnel: Celia Gollin: Lead Vocals The Mutations = The Stranglers
Produced by Andy Arthurs
Recorded: @ Olympic Studios London England UK 1977
Single Released: June 17, 1977 United Artists Records
Box Set Released July 5, 2019 Cherry Red Records
♫♫♫ ♫♫♫ ♫♫♫
3) Billy Idol - Mony Mony (1987) Bo Gentry / Bobby Bloom / Ritchie Cordell / Tommy James from: "Mony Mony (US 12") "Don't Stop" (EP)
Rock | Dance Rock
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Personnel: Billy Idol: Vocals Aseley Otten: Guitar Mick Smiley: Bass Frankie Banali: Drums
Stephanie Spruill: Backing Vocals
Produced by Keith Forsey
Recorded: @ Westlake Recording Studios in Hollywood, California USA 1980/1981
EP Released on October 24, 1981
Chrysalis Records
#Mony Mony#Tommy James and The Shondells#Celia and The Mutations#The Stranglers#Billy Idol#1960's#1970's#1980's#Ritchie Cordell#Tommy James#Bo Gentry#Bobby Bloom
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Love Theme § Keith Forsey
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Flashdance... What a Feeling (Radio Mix)
https://www.youtube.com/watch/xuHwv07G3qE Flashdance… What a Feeling (Radio Mix) Provided to YouTube by Unidisc Music Inc. Flashdance… What a Feeling (Radio Mix) · Irene Cara What a Feelin’ ℗ 1983 Unidisc Music Inc. Released on: 1983-01-01 Main Artist: Irene Cara Producer: Giorgio Moroder Composer: Irene Cara Composer: Keith Forsey Composer: Giorgio G. Moroder Author: Irene Cara Author: Keith…
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#ProyeccionDeVida
🎬 “EL CLUB DE LOS CINCO” [Breakfast Club]
🔎 Género: Comedia / Adolescencia / Amistad / Colegios / Escenario único / Película de Culto
⌛️ Duración: 100 minutos
✍️ Guión: John Hughes
🎼 Música: Keith Forsey
📷 Fotografía: Thomas Del Ruth
🗯 Argumento: Cinco estudiantes de distinta educación, formación y gustos son castigados a pasar un sábado en el instituto en el que estudian. Pronto las desavenencias entre ellos aparecen, especialmente cuando el director que les vigila se ausenta del aula.
👥 Reparto: Judd Nelson (John Bender), Molly Ringwald (Claire Standish), Ally Sheedy (Allison Reynolds), Anthony Michael Hall (Brian Johnson), Emilio Estévez (Andrew Clark), Paul Gleason (Richard Vernon), Mary Christian (Hermana de Brian), John Kapelos (Carl Reed) y Jennifer Polito.
📢 Dirección: John Hughes
© Productoras: Universal Pictures, A&M Films & Channel Productions.
🌎 País: Estados Unidos
📅 Año: 1985
📽 Proyección:
📆 Martes 17 de Setiembre
🕗 8:00pm.
🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)
🚶♀️🚶♂️ Ingreso libre
🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas.🌳💚🌻🌛
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July 25, 2024: 3pm ET: Feature LP: Billy Idol (1982)
Billy Idol is the debut studio album by English rock singer Billy Idol, released on July 16, 1982, by Chrysalis Records. After the breakup of the band Generation X and the release of his first solo extended play, Don’t Stop (1981), Idol began working on his debut album. Produced by Keith Forsey, Billy Idol is a rock album with strong influences of new wave music. Upon its release, the album…
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