#Kathy Baxter

[seeyounextmurder]

As someone who finds it interesting to analyze character personality types, naturally I’ve been thinking about what zodiac signs and MBTI (Myers-Briggs Type Indicator) I feel like both Kathy and Stella are… so here’s my thoughts on that!

Kathy comes across as a Virgo to me, especially given how meticulous and rule-driven she is. Feeling some Taurus in there as well and possibly Capricorn because of her groundedness? She also reads as a strong ISFJ. We know she’s super introverted plus focused on sticking to facts and while she makes decisions based on information, she also tends to go along with what others want and is quite aware of people’s feelings.

Stella seems like a Leo, especially with her desire to be in the spotlight. Also a bit of Scorpio and Aries energy because of how stubborn and impulsive she can be. Getting big ENTP vibes from her! She’s definitely the more extroverted of the two and tries to use logic to justify her actions, with less concern about how her choices may affect people.

[scenesandscreens]

Are You There God? It's Me, Margaret (2023)

Director - Kelly Fremon Craig, Cinematography - Tim Ives

"I've been looking for you, God. I looked for you in Temple. I looked for you in Church. I didn't feel you at all. Why ? Why, God ? Why do I only feel you when I'm alone?"

[dweemeister]

Are You There God? It’s Me, Margaret. (2023)

According to the American Library Association, there were over 1,200 challenges to remove library books or resource materials from an American school or public library in 2022. It was the highest number since the ALA started collecting data in 2003 and about half of these challenges result in a restriction or full removal of that text from circulation. Judy Blume’s Are You There God? It’s Me, Margaret. was one of the most frequently challenged books in the United States from its publication in 1970 through the 2000s due to its discussions of spirituality, girls’ sexuality, and menstruation. The recent book banning headlines in America tend to feature novels that have LGBTQ+ themes or have protagonists and/or prominent secondary characters who are non-white in tales surrounding racial relations. These contemporary debates might make the fury surrounding Are You There God? It’s Me, Margaret. seem quaint, in a culture far removed from the present. However, Blume’s book (and the debate surrounding it) remains relevant more than fifty years after its publication.

Perhaps it might surprise non-readers that Kelly Fremon Craig’s adaptation of Are You There God? It’s Me, Margaret. (henceforth, I will use simply Margaret in italics if referring to the book) is a gentle coming-of-age film in an environment sorely lacking such works right now. The lack of overly precocious children with a cynical wisecrack for every situation has few relations among its raunchy relatives of the last few decades; so too the absence of the meta humor and period-specific jokes of John Hughes’ (1984’s Sixteen Candles, 1985’s Ferris Bueller’s Day Off) movies. That cynical precociousness and audience-winking, period-specific humor could easily have appeared in Margaret if Craig, who also wrote the screenplay, made too many deviations from the source material. With Blume’s guiding hand as a producer, Craig’s as writer, and an enjoyable ensemble performance – especially Abby Ryder Fortson as Margaret – this is a worthy adaptation and entry into the American coming-of-age film canon.

Returning home to Brooklyn from a New England summer camp, eleven-year-old Margaret Simon (Fortson) is upset to hear that her parents Barbara (Rachel McAdams) and Herb (Benny Safdie) are soon to move to suburban New Jersey, leaving grandmother Sylvia (Kathy Bates) alone in New York. Shortly after arriving at the Simons’ new home, Margaret befriends eventual classmate Nancy Wheeler (Elle Graham), and her friends Janie Loomis (Amari Alexis Price) and Gretchen Potter (Katherine Kupferer). Through the school year, the girls will gossip about their classmates, talk about boys who catch their interest, bras, changes to their bodies, and more – the manner of their conversations, for middle school-aged characters, are unusual to see in films, let alone in literature. Meanwhile, their teacher, Mr. Benedict (Echo Kellum) assigns a yearlong research project to all. Noting Margaret’s answers on a getting-to-know-you assignment, he suggests looking into religion. That’s a touchy subject in the Simon household. Mother Barbara comes from a Christian family; father Herb from a Jewish family. Due to furious disagreements with Margaret’s grandparents, neither parent actively practices religion, nor have they imposed religion upon Margaret (she is free to choose when she “grows up”). Despite this, Margaret communicates to God on occasion about her hopes and concerns. Through the school year, Margaret will learn more about herself and religion, mostly on her terms.

Are You There God? It’s Me Margaret. also stars Isol Young as Laura Danker, a girl who is the target of nasty words because of her early puberty; Aidan Wotjak-Hissong as Margaret’s sort-of crush, Moose (I certainly hope that is a nickname); Landon S. Baxter as Nancy’s brother, Evan; Zackary Brooks as slick-haired handsome boy/shmuck Philip Leroy; and Kate MacCluggage as Mrs. Jan Wheeler (also PTA President). Mia Dillon and Gary Houston play Margaret’s maternal grandparents.

In terms of approach and tone, this is as finely-tuned a literary adaptation as there could be. Blume’s Margaret, slender as it is at under two hundred pages, is episodic by necessity and structure, often employing time skips of several days or a few weeks into a new chapter. Craig’s Margaret does so as well, but brief montages and editing from Nick Moore (1997’s The Full Monty, 2005’s Nanny McPhee) and Oona Flaherty ease the transitions – fully exemplifying one advantage motion pictures have over prose. The period detail in Margaret firmly grounds it in 1970. Together, the costume design by Ann Roth (1985’s Places in the Heart, 2021’s Ma Rainey’s Black Bottom) and production design by Steve Sakald (2005’s Thank You for Smoking, 2021’s Barb and Star Go to Vista Del Mar) transport the viewer to that period.

This adaptation contains a refreshing lack of major deletions from the original novel. All of the book’s important episodes, exchanges, ideas, and tender wisdom are in the film, and none of the secondary cast have been short-changed. If anything, the only notable alteration from Blume’s novel is the addition of a subplot for Rachel McAdams’ Barbara. Within this cast, McAdams is easily the most bankable movie star at present (with apologies the wonderful Kathy Bates, but her character is not as central to the narrative), which may have been the justification for this decision. Nevertheless, the subplot – which revolves around Barbara joining the school’s parent-teacher association (PTA) and volunteering for multiple committees – seems unnecessary, sidetracking from Margaret’s point of view (and Blume’s book is entirely written in Margaret’s voice). Thankfully, Barbara’s PTA experience does not have much screentime and always quickly reverts to Margaret. That the filmmakers did not fully trust Abby Ryder Fortson to carry an adult audience’s attention for the film’s entirety is disappointing, regardless of McAdams’ solid performance, as she needs to be the true star of this film.

Audiences may know Abby Ryder Fortson best as Cassie Lang from Ant-Man (2015) and its 2018 sequel. In her first film as the lead, Fortson is brilliant. She embodies Margaret’s guardedness and anxiety when first moving to New Jersey, especially in juxtaposition to the overly confident Nancy. Fortson also capture Margaret’s earnestness, as well as a few scenes of cruelty and thoughtlessness – crucially, Margaret’s worst moment feels plausible, and never seems as if the behavior is coming from some other character entirely. However, Craig’s screenplay, due to its inability to stay firmly in Margaret’s point of view, underserves her in the film’s final act when her maternal grandparents arrive. By no fault of Fortson’s, the film does not delve deeply enough into how Margaret feels about her maternal grandparents’ estrangement and attempts to reconcile with her parents. Fortson can only do so much in lending Margaret a mix of bafflement and uncertainty in these scenes in arguably the most emotionally charged scenes of the film. Here, the film is torn between Margaret’s feelings about her maternal grandparents and parents’ disagreements and how parental decisions can impact children for the rest of their lives. It achieves neither.

I have never been a teenage girl, nor was I raised in an environment where any of the Abrahamic religions were even tangentially part of my life (let alone being part of an interfaith family). Judy Blume probably did not have someone like me principally in her mind when she wrote her book. But in Margaret, I saw a glimmer of the past that I imagine many of you will see for yourselves, too. The incredible awkwardness of being a pre-teen is probably something you, the reader, would probably like to keep half-forgotten. Rare is the film that can summon those feelings: of wanting to grow up (and quickly!), only to realize that those milestones that we associate with maturity are perhaps not as earthshaking as we imagined them to be. True maturation is more elusive than what Margaret and her friends envision. Religion, the passage of time, and sexuality cannot confer it. And some grown-ups never quite discover that. Fortson, through her performance, and Craig’s screenplay deliver on all of this, even if Fortson herself might not realize it yet.

At eighty-five years of age, Judy Blume has had a modest cinematic renaissance this year. Her books, fixtures in American children’s and young adult literature, have curiously not often been adapted for television or film. But with this film and the documentary Judy Blume Forever premiering at the Sundance Film Festival earlier this year, that appears to be changing. On the television front, Netflix is currently in production on an adaptation of her young adult novel Forever… (another Blume work often finding itself on most banned/challenged book lists); also in the pipeline are TV adaptations of the Fudge series for children and the adult book Summer Sisters. For the New Jersey-born-and-raised Key West, Florida native, conversations about her legacy are underway. Despite her unassuming persona and the gentleness of both Margaret and its film adaptation, Blume has been a vocal critic of Florida’s recent Parental Rights in Education bill (also known as the “Don’t Say Gay” bill) and requirements to review books based on state guidelines mostly over gender identity, race, and sex. No surprise for an author who has been the target of book bans from almost the beginning of her career.

Are You There God? It’s Me, Margaret. arrives at a time when coming-of-age movies are, at least among the major and mini-major (such as Lionsgate, which distributed this film) American movie studios, no longer perceived as commercially viable for theatrical exhibition. Coming-of-age movies must be packaged within a superhero movie or tied to a franchise in order to find its way to American cinemas. The creative and financial heads of the superhero cinematic universes claim that their narratives can encompass genres/subgenres such as coming-of-age or political thrillers or historical epics, but their approach and distributional dominance precludes non-superhero affiliated films of such genres/subgenres from appearing in theaters in the first place. Their influence makes the existence of this film’s theatrical run – despite its apparent failure to find much of an audience beyond those who have read the book (non-readers of certain political stripes probably mistakenly thought this was a faith-based film from the evangelical Christian film industry or already knew about the book’s reputation and refused to see it) – a minor miracle.

Director Kelly Fremon Craig has worked on a coming-of-age film before surrounding a female protagonist in The Edge of Seventeen (2016). But Margaret – for its remarkable faith to the source material, engaging performances, and meticulous period detail – is an achievement surpassing that. Craig’s sensibilities as director and writer suit the film, and Fortson’s performance elevates it to the level of the most universal American coming-of-age movies.

My rating: 8/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[stuff-diary]

Are You There God? It's Me, Margaret.

Movies watched in 2023

Are You There God? It's Me, Margaret. (2023, USA)

Director & Writer: Kelly Fremon Craig (based on the book by Judy Blume)

Mini-review:

Oh, I loved this! I must admit I never got around to reading the book, but after watching the movie (I've heard it's a very loyal adaptation), one can easily tell why it's widely regarded as a classic. It portrays puberty in a really frank and straightforward way, but also with a lovable dose of warmth. As for the cast, Abby Ryder Fortson is an absolute star and she will have a brilliant future, there's no doubt about that. And the rest of the kids are also fantastic! It honestly surprised me how good they all were. And of course, with names like Rachel McAdams and Kathy Bates in the cast, you already know the adult cast will deliver too. Their performances are as amazing as usual. Pitch perfect casting, for real. Last but not least, the period setting is beautifully recreated through the sets and the costumes. Anyway, Are You There God? It's Me, Margaret. is a lovely addition to the coming of age genre and will probably end up being considered a classic, just like the book.

[akultalkies]

Abby Ryder Fortson, Kathy Bates, Rachel Adams, Benny Safdie, Elle Graham, Katherine Mallen Kupferer, Amari Alexis Price, Kate MacCluggage, Landon S. Baxter, Aidan Wojtak Hissong, Echo Kellum, Simms May, Isol

[rookie-critic]

Are You There God? It's Me, Margaret. (2023, dir. Kelly Fremon Craig) - review by Rookie-Critic

This movie really charmed me. I was, of course, aware of the book's existence and of Judy Blume in general (I had read the Fudge series of books in elementary school), but I'd never read it. So I had no idea what I was going into when I went and saw this a couple days ago. It turned out to be a lovely story that tackles female puberty, female identity, and complicated family dynamics in terms of religion in a very candid and unashamed way. It's a coming-of-age film that actually feels like our central character does just that; a year in the life film where we feel like our protagonist has gone on a journey and come out the other side of it changed. Not in some grand, high-stakes, movie way, but in a very human way. In a way that only a year of life experiences at that age could change you.

In the film, Margaret is a girl on the verge of entering the sixth grade, and is being forced to move from the bustling streets of New York City to the suburbs of New Jersey. From there the general things happen: she makes new friends, learns things about life and womanhood she was previously unaware of, has big talks with her mom (played by the always wonderful Rachel McAdams) about grandparents she's never met, and just exists as a pre-teen girl in 1970s America. Nothing particularly mind-blowing happens in the film's runtime, but the beauty of this story comes from all of the subtle changes and things that happen. The conversations with her new friends, her first crush, her curiosity about Judaism and Christianity as a result of being raised in non-religious household, and the culmination of all of these things as they shape the person you know Margaret will turn into as an adult as a result of these experiences.

I think what impressed me just as much as the main storyline with Margaret is how well embodied her mom is as a character. McAdams' Barbara Simon feels almost as important as Margaret and the story tries hard to show how the trauma of her parents affected her, and how much her and her husband Herb (a big, sweet doofus played by Benny Safdie) are trying to keep the stressors and potential trauma of extreme religion off of their daughter. It's wild to think of parents that are that supportive and progressive existing in that era of American history, but it's also a very refreshing to see an example of positive and affirmative parenting on screen. The deft hand with which directory Kelly Fremon Craig (whose previous film, The Edge of Seventeen, I also loved) handles religion in this is impressive. The condemnation of extreme devout-ism while not shunning the concept of personal faith away entirely is a bit of thin tightrope walk, but Craig and the entire cast walk it beautifully. Allowing Margaret to talk her perception of God on her own terms and the exploration of how that word means something different to everyone (if it means anything to them at all), and how all of those different meanings are ok, is a wonderful message to send. This is just one of those movies that, try as I might, I can't find a single thing to complain about. It's lovely, it's life-affirming, and it's a wonderful film for everyone, man, woman, young, old, and everything on the spectrum in-between, to enjoy. The most effortlessly great film so far this year.

10/10

Only in theaters. Also, the soundtrack is front-to-back bangers, and the costume design department on this film deserves a ton of praise, because all of the outfits in this were cute as hell.

[velvet4510]

For all my fellow vintage movie fans out there. Share a couple from a classic film who you think deserve more attention! (Be sure to check out round 2, round 3, round 4, and round 5.) Please reblog for bigger sample size. :)

[magentagalaxies]

Kids in the Archive: Episode 9

one week from today i will be conducting my primary interviews scott thompson and paul bellini for the buddy cole documentary! as i'm going through my various archive materials to construct the most important interview questions, i figured why not do another episode of kids in the archive! the show where i highlight iconic kids in the hall sketches that i have procured the original scripts for and break down a behind-the-scenes comparison of script and screen

Previous Episodes: Episode 1 - armada finale ("do we make it?") Episode 2 - fran & gordon: the vacation Episode 3 - comfortable Episode 4 - cathy & kathi: is he? Episode 5 - danny husk: kidnapped! Episode 6 - trappers Episode 7 - sizzlers & the bank Episode 8 - darcy & francesca

today's episode is highly on theme, as i present to you the S2E10 sketch "show within a show"!

ah yes. "the scott thompson show featuring scott thompson": aka an accurate portrait of what it's like to be in my brain while working on the buddy cole documentary for the past year and a half. i've always enjoyed how bizarre this sketch is and how far it takes the joke with several mini-segments all relating to, of course, scott thompson.

The Opening

As you can see from the script segment above, the draft version of the sketch includes a longer intro monologue to justify this premise before getting into the show itself. I can see why it was cut, since it doesn't add much to the pacing and it's funnier to portray the scott thompson show as just a natural spin-off from what the kids in the hall were already doing. the credits themselves are also described differently:

written faintly next to the credit sequence in pencil is the word "cut," meaning whoever annotated this script also didn't think this proposed credit sequence idea was that strong. personally, i like the version of the credits that aired so much better - while the business with the coffee mug more properly parodies the typical morning show setup, the sketch's actual opening creates such an incredible vibe. starting straight in with music and text that reads "LORNE MICHAELS DOESN'T PRESENT" as a silhoutted figure (later revealed to be scott) dances around dramatically is such a strong opener, and i think it supports this idea of scott's ego more than a bunch of pictures of his face ever would. it's scott being weird and theatrical - what's not to love?

The Stuff that was Cut

"show within a show" is in many ways a list-sketch, bouncing quickly from one bit or "segment" to another. therefore it makes sense that some jokes could easily be slotted out and replaced with others on the same theme.

while most of these bits remain, the "scotland" joke was cut (presumably because it doesn't have anything to do with the most important scott). this is also funny because scott would go on to use the title "scottland" for his webseries in 1999 which i will be interviewing scott and his brother craig about for the buddy cole documentary. and if you've ever seen me screenshot one of my hilarious text conversations with scott you will know that "scottland" is what his contact is saved as on my phone, because he told me a story about how it was a nickname he was trying to make happen in the 80s as a weird artsy twentysomething.

The Stuff that was Added

while the majority of the bits in this sketch remained the same, the one bit that was fully added was the introduction of scott's neighbors, the baxters.

other small bits that were added to this sketch that i appreciated were referring to giving himself a hickey as the "arts and crafts" segment, and of course the opening and closing beat of scott losing his contact lens. because it would not be a scott thompson show without some low-stakes catastrophe for him to freak out about (i mean this in the most complimentary way possible)

anyway i hope you appreciated my kids in the archive episode on the scott thompson show featuring scott thompson. fun fact i did just get a text from scottland as i was typing this. i do feel like getting to know scott more as a person and the relationships he has with the other kids in the hall made me appreciate this sketch more, because even though this sketch is deliberately larger than life and was made by a version of scott that existed a decade before i was born i can still go "yeah that's scott."

with my central interviews with bellini, scott, and the rest of the kids in the hall coming up in these next few months, i'm starting to realize we're close to being finished with filming on the buddy cole documentary. i'm sure there are still things i'll want to film in the new year (i want to get an interview with someone at GLAAD to discuss the paradox of "good queer representation" in comedy, and if scott tours again with the new buddy show he's working on i think that will be a good way to close out production before sending things into post) but the buddy cole documentary has been such an all-consuming entity in my life that it's weird to be able to see the end of the tunnel even if it's still a few months off. will the inside of my brain still look like the scott thompson show featuring scott thompson once the documentary is done? i don't know, i'm sure it'll be different - i'll be moving on to projects that don't have scott the real human being and his characters as the main focus of my artistic output. but over the course of this project i've gotten to be so close with scott and paul and bruce that i'm certain our time as collaborators is just getting started

[hooked-on-elvis]

"Thinking About You"

1973, '74, '75

From the album "Promised Land", released by RCA Records on January 15, 1975, "Thinking About You" was recorded by Elvis on December 12, 1973, at the December 10–16 recording sessions for RCA at Stax Records in Memphis, Tennessee.

Composer, Lyricist: Tim Baty; Vocal: Kathy Westmoreland; Vocal: Voice; Vocal: J.D. Sumner; Vocal: The Stamps; Producer: Ernst Mikael Jørgensen; Producer: Roger Semon; Mastering Engineer, Mixing Engineer: Dennis Ferrante; Engineer: Al Pachucki; Engineer: Mike Moran; Engineer: Dick Baxter; Engineer: Tom Brown Jr.; Engineer: Ron Olson.

Elvis at the Stax Records studio in Memphis. In the first picture EP's with Wayne Jackson of the Memphis Horns. All the pictures taken the same day in July 1973.

"Thinking About You" (Take 6) by Elvis Presley. From "Elvis At Stax" compilation album, released in 2013.

[driftwork]

names, most surnames (2)

Allow me to apologize again for this partial list of names in the library,  titles available on request…

amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b.  (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel  (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell  w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers  (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris johanna, sabatini rafael, spalding francis, stables gordon, camus albert, sinclair upton, stowe harriet b,eecher shem samuel, sienkiewicz henryk, swift jonathan, samuel maurice, scott sir walter, scott paul, stowe harriet beecher, scott sir walter, skinner john, sterne laurence, sewell anna, stevenson d.,e. sitwell edith, strang herbert, surtees r. s., sidney sir phi,llip stout william, sigurdardottir yrsa, solzhenitsyn alexander, scott sir walter, stephenson neil, self will, styron william, scott sir walte,r scott sir walter, scott sir walter, slavicsek bill, sebold alice, smith f seymour, slaughter frank, seth vkram, trollope jo,anna henry fielding, trevelyan g. m., thelwell normal, trevor elleston, thompson flora, thompson flora, tey josephine, tyler j.e.a., tutton diana, tuchman barbara, tolkien j.r.r, duke of windso,r wheatley dennis, wilkinson gerald, wells h.g, rawnsley c,.f. and wright robert white patrick, winchester simon, waugh evelyn, wodehouse p.g,. walsh j. m., welles orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george bernard, shaw george bernard, shaw bernard, sturgess keith (edited), euripides, matsumoto ,seicho lewis naomi, lang andrew, goethe, aristop,hanes pevsner nicholas, alvarez a., de la mare walter, larkin phillip, townsend sue, kyd thomas, euripides, lawrence d,. h. anderson w.e.k., marvell andrew, allan c.f., de la mare ,walter illustrated by edward ardizzone mitchell tony, plath sylvia, hobbs jack and hobbs margaret, spender stephen, whittier john greenleaf, millay edna st. vincent, bridges robert, steakley james , arkell reginald, thompson francis, arkell reginald, townsend sue, stamp l. dudley, keats john, farmer john s. , gollancz sir isr,ael and  day mabel and serjeantson mary s hood thomas, milton john, walsh michae,l (editor) barkow al, british sociological association, burgess tyrrell, bentley michael, braudel fernand, de botton alain, ardrey robert, barrow r. h., bennett joan, aylward j. d., albert marvin h., alford violet, ali ayaan hirsi, cookson mrs. nesfield, cecil david, 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tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, eggers dave, yurick sol, emecheta buchi, bryson bill, bryson bill, smollet tobi,as kapitanial thomas, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, stengers isabelle, browning. robert, walbank f. alan (,ed1ted and arranged by) roberts adam, kipling rudyard, ruskin john,

ellis john, hinton michael, chamoiseau patrick, martinez guillermo, willis connie, nemirovsky irene, rhys jean, joyce james, delillo don, mantel hilary, parker k. j., parker k. j., parker k. j., wilhelm richard, topol jachym, perez-reverte arturo, mcevoy j.p. and zarat,e oscar atwood margaret, sloterdijk peter, unit for research on the urban environment, perry steve, anderson kevin j, zahn timothy, hambly barbara, massey d, tucker paul hayes, anderson kevin j., smith p. robert, semprun jorge, crace jim, reynolds ingrid and nicholson charles, reynolds ingrid and nicholson charles bell ann, carre john le, grossman lev, tallis frank, hornby nick, tallis frank, newberry linda, coelho paulo, bryson bill, harris joann,e bond terance james, hopkins gerard manley, haviaras stratis, hoban russell, benson peter, pears iain, gray robert, wiggins todd, price richard, perez-reverte arturo, hoeg peter, flaubert gu,stave ivan illich irving k zola john mcknight, runyon damon, frei max, chaponnie,re 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alice, strugatski arkady and boris, bach rachel, leduc violette, paretsky sara, eastland sam, eastland sam, bechdel alison, fitzgerald conor, hart miranda, higashno keig,o marshall michael, wodehouse p.g, wodehouse p.g, wodehouse p.g, rohmer sax, runcie james, fleming peter, bellow saul, mccullers carson, defoe daniel, greene graham, lawrence d. h., faulkner william, faulkener william, o'brien edna, o'brien edna, spark muriel, spark muriel, doyle lynn, camus alber,t allingham margery, allingham margery, allingham margery, rhys jean, newson john and elizabeth, mann thomas, allingham margery, allingham margery, o'brien edna, leonard elmore, evans ifor, spark murie,l webster john, moravia alberto, spark muriel, pym denis (ed,ited by) trevor elleston, bronte charlotte, homer, geoffr,ey of monmouth gaskall elizabeth, heilpern john, joyce james, peter cheyne,y spark muriel, rushdie salman, mitford nancy, hardy thomas, moore john, wells h.g, hardy thomas, lawrence d. h,. murdoch iris, walpole 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bohumil, briggs asa, colette, gaskall ,elizabeth landolfi tommaso, france anatole, christie agatha, bone david w., hawkes jacquetta, hammett dashiell, de teran lisa st aubin, bates h.e, isherwood christopher, hemingway ernest, brahms caryl and simon s.j, duffy maureen, kilworth garry, berger john, fielding henry, miliband ralph ,and saville john wilder thornton, achebe chinua, mascaro juan (new translation by), schnabel jim, braine john, james henry, waugh evelyn, waugh evelyn, peake mervyn, williams tennessee, sagan francoise, hughes richard, weldon fay, waugh evelyn, buchan john, graves rober,t boll heinrich, weldon fay, wodehouse p.g, tillyard e. m., w. lee laurie, lessing doris, updike john, amis martin, hardy thomas, chandler raymond, wodehouse p.g, manning olivia, lessing doris, spark muriel, masters john, o'brien edna, mann thomas, traven b., pevsner nicholas, dickens charles, white t. h., shakespeare william, douglas norman, woolf virgina, murdoch iris, blackwood algernon, 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naomi, kermode frank, firestone shulamith, webster john, gosse edmund - introduction by, conrad joseph, palmer frank, trollope anthony, bronte charlotte, durrell lawrence, prose francine, murphy devla, lyall gavin, fraser georg,e macdonald fo dario, fleming peter, disch thomas m. and sladek john t., marlowe christoher, rosewicz tadeusz, nunez raul, shakespeare william, webster john, poliakoff stephen, murakami ryu, neuvel sylvain, eliot t. s., fitzgerald penelope, fergusson francis, curie ewa, geoff dyer, (contributor) lila azam zanganeh (contributor) leanne shapton (contributor) alain de botton (contributor) alice rawsthorn (contributor) swann ingo, le carre john, nabokov vladimir, evans julian, ahndoril alexander, gonzales tony, chu wesley, gentle mary, solnit rebecca, barnes john, fitzgerald penelope, hamilton geoff, jordan robert, sterbenz carol endler, mcnaughton colin, david peter, innes clive, banks lynne reid, miller henry, hartley l. p., smith e. e. 'doc', smith e. e. 'doc', silitoe alan, bonnot  xavie,r-marie pratchett terry, lessing doris, bowen elizabeth, allen woody, hamilton peter f., hamilton peter f., millar martin, barker howard, barker howard, steinbeck john, hardy thomas, smith zadie, johnson air vice marshall j.e., lewis sinclair, gentle mary, izzo jean-cl,aude forster e.m, webb beatrice, kiefer anselm, harkaway nick, cheever john, cordell aleander, plener pytan, council for c,hildren's welfare lovecraft h. p., harrison harry, mah adeline yen, heinlein robert, smith e. e. 'doc', knausgaard karl ove, bartlett jamie, feist raymond, osbourne lawrence, renoir jean, paasilinna arto, thirlwell adam, trollope anthony, twain mark, bataille georges, bataille georges, bataille georges, bataille georges, emily morris kevin pask marco déramo  kristen surak wolfgang streeck frederic jameson hung ho-fung, gaston sean, shannon samantha, nash ogden, st john madelaine, hill susan, de botton alain, reynolds alaistair, reynolds alaistair, fine. anne, rushdie salman, allingham margery, grimwood jon courtenay, welsh itvine, melville-ross antony, swift graham, hiaasen carl, beeton mrs, mcguane thomas, cheever john, crisp quentin, klossowski pie,rre barker george, rankin ian, mayne andrew and shuttleworth john, wainwright gordon, ivor noel-hume and audrey noel- hume, heller joseph, wilson barbara, reynolds peter, newman ernest, pickering kenneth, rankin ian, van horn er,ica tchaikovsky adrian, leon donna, lerner ben, brantenberg, gerd martinez guillermo, musil robert, baxter stephen, markaris petros, gaiman neil, deren maya, virilio paul, ballard j. g., heller joseph, sahgal nayantara, marshall bruce, chadbourn mark, nesser hakan, glade merton, shepard lucius, theilkuhl wolfg,ang sawyer robert j., moore christopher, glendinning victoria, vesey-fitzgerald bria,n bennett vanora, smith alexander mccall, allingham margery, allingham margery, e.c.bentley and h. warner allen, allingham margery, simenon georges, gide andre, walker martin, iyer lars, ings simon, allingham m,argery friedmann john , marcus ben, marcus ben, southam b. ,c. enright anne, drinkwater olive, asher neal, asher neal, sullivan caitlin and bornstein kate, bradley a c, lahiri jhumpa, hiaasen carl, westerfield scott, johnson diane, cheek mavis, faulks sebas,tion asimov isaac, edwards ruth dudley, lackey mercedes, blunden edmund, mckinley robin, duffy stella, steinbeck john, davies andrew, donoghue emma, asher neal, grimwood jon courtenay, villalobos juan pablo, asher neal, asimov isaac, berlins marcel and wansall geoffrey, leonard elmore, proulx e. anne, tennyson alfred, dyer geoff, reynolds al,aistair reynolds alaistair, reynolds alaistair, roig jose miguel, yevtushenko yevge,ny livio mario, hardy thomas, head bessie, mill j.s, tanizaki junichiro, pinborough sarah, pinborough sarah, williams nigel, jonathan ross and tommy lee edwards, tor krevor andre singer thomas piketty goran therborn teri reynolds perry anderson josh berson  william davies marcus verhagen, robin blackburn perry anderson wang lixiong jacques ranciere micheal hardt  geoffrey ingham  terry eagleton peter lagerquist timothy bewes gunter grass pierre boudieu, n. e. thing enterprises , donoghue emma, coupland douglas, mankell henning, fred halliday er,nest mandel  heather  maroney riccardo parboni satyajit ray

pablo iglesias mike davis francis mulhern joann wypijewwski joshua rahtz emma  fajgenbaum  r taggart murphy, evgeny morozov gopal balakrishnan wang chaohua  mauricio velasquez franco moretti jeffrey r. webber anders stephanson barry schwabsky, joshua wong frederic jameson joetrapido emilie bickerton sebastian veg  adam tooze achin vanaik franco moretti, gopal balakrishnan bhaskar sunkara  daniel finn francesco fiorentino  enrica villari  micheae denning blair ogd,en  vivek chibber susan watkins ching kwan lee neil davidson nancy ettlinger alex niven timothy brennan joshua rahtz emilie bickerton,mike davis giovanni arright, g tamas peter nolan koza yamamura asef bayat  benedict anderson tariq ali ian birchill kheya bag  regis debray, dark horse comics, dark horse comics, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, damon hurd with pedro camello, brian wood /  becky cloonan, chris claremont jim lee scott williams, dark 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jim valentino chance wolf dan davis, jim valentino chance wolf dan davis, mckillip patricia a., du maurier daphne, elgin suzanne haden, de teran lisa st aub,in collingwood r. g., winterson jeanette, carmody isobelle, perry steve, egan doris, moorcock michael, gaiman neil, gilden mel, larry niven jerry pounelle micheal flynn, eddings david, cooper louise, weaver micheal, claremont chris, hamilton laurell k., kepler lars, nothomb amel,ie staig laurence, wood anthony, murrary linda, kaveney roz di,tor plato, cumming elizabeth and kaplan wendy, reiss johanna, glover jonatha,n goodman nelson, plato, carmody isobelle, wilson robert cha,rles wilson robert charles, wilson robert charles, johnson george, kepler lars, brookmyre christopher, jordan robert, kinsella sophie, jewell lisa, parent gail, gibson williams, kinsella sophie, carofiglio gianr,ico hesse hermann, nesbo jo, duane diane, higginson wi,lliam j. ferguson margaret.  salter mary jo. stallworthy jon, evanovich janet, evanovich janet, 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(edited by), rankin robert, rankin robert, mccaffery anne, evanovich janet, mccaffery anne, yoshimto ray - clamp nanase ohkawa, brookmyre christopher, allen roger macbride, pratchett terry, anderson kevin j. (edited by), connolly joseph, cherryh c.j., cadigan pat, mccaffery anne, divakaruni chit,ra banerjee zappa moon unit, vernadsky vladimir i, mackesy serena, waterhose keith, hines barry, golding william, keenan joe, ironside vi,rginia cullimore claudine, kawabata yasunari, motter dean and lark michael, mccaffery anne, mccaffery anne, mccaffery anne, packard vance, moore gerald, furey maggie, furey maggie, mccaffery anne, duane diane, gaiman neil, brown dan, furey maggie, lindsay dougl,as scott-giles c. w., modesitt jr  l. e., bronte charlotte, murdoch iris, streatfield noel, leiris michel, bronte emily, williams ursu,la moray ecke wolfgang, pratchett terry, mclean lenny, edwards-jones, imogen nesser hakan, mcintyre vonda, fisk nicholas, evanovich jane,t tey josephine, robbe-grillet alain, aeschylus, baudrillar,d jean baudrillard jean, pagels heinz r., sen amartya, sen amartya, caputo john d., rossini, corey james a., holt tom, kube-mcdowell michael p., sweterlitsch tom, wolfe tom, cadigan pa,t murdoch iris, bronte anne, dyer geoff, spinoza  be,nedictus de  spinoza  benedictus de, haasen carl, dexter colin, moffat gwen, handke peter, handke peter, handke peter, handke peter, kavan anna, kavan anna, kavan anna, gaiman neil, nicholson william, christopher adam, lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, tawadayoko, snow c. p., snow c. p., groening matt, claudel philip,pe leith sam, spinrad norman, russo richard paul, hamilton peter f., haldeman joe, rankin robert, musil robert, niven larry, niven larry, walsh micheal, dibden michael, anouilh jean, herbert frank, allen roger macbride, mcgraw eloise jarvis, lowery marilyn m., bruford bill (editor), bishop micheal, saraute nathalie, abbey edward, wahloo per, davies andrew, davies andrew, asimov isaac, faulks sebastian, dos passos john, egan greg, egan greg, bradley marion, rankin robert, brown eric, shakespeare, william jeter k. w., dyer geoff, beckett chris, roth philip, marshall smith michael, armesto felipe fernandez, almond david, bolano robert,o goscinny f - uderzo a, goscinny f - uderzo a, lowe helen, arnott jake, reynolds alaistair, frith r. j., lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, anderson perry, anderson perry, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, higgins jack, hoban russell, rolfe fr- fred,erick baron corvo busby f.m, kepler lars, barnes julian, machiavelli ni,ccolo sebald w.g, priest christopher, martin sean, gibson gary, banks iain m, gibson gary, gibson gary, gibson gary, gibson gary, gibson gary, mclellan david, grady james, tilley patrick, van vogt a.e, boyd william, swartz richar,d bennett alan, cortazar julio, anders charlie jane, lowe helen, stagg guy, banks iain, banks iain m illustrated by nick day, banks iain m, banks iain m, flint james, larsson stieg, anthony piers, mcdevitt jack, lostetter marina j., richardson dorothy m., scott m. k. c., gaskall mrs, talbot-booth e. c., whitman walt, le carre john, shelley percy bysshe (introduction phyllis hartnoll ), holt tom, tett gillian, shepard luciu,s grimwood jon courtenay, proust marcel illustrated by phillipe julian, fenn jaine, caldecott a,ndrew caldecott andrew, harvey colin, mcauley paul j., mcdonald ian, mcdonald ian, linklater eric, pliny, nesbo ,jo mcauley paul j., brown eric, backman fedrik, de la motte and,ers galbraith robert, dahl arne, watkins susan, anderson perry, watkins susan, watkins susan, watkins susan, bull mccormack, badiou hart blackburn therborn sarfattio watkins susan, watkins susan, watkins susan, watkins susan, susan watkins benedict anderson franco moretti, hallward collini 'retort' bickerton, jean baudrillard giovanni arrighi richard gott rgis debray, watkins susan, anderson perry, anderson perry, watkins susan, watkins susan, tom mertes peter gowan gerad dumenil & dominique levy, watkins susan, watkins susan, watkins susan, blackburn ronin, watkins susan, watkins susan, watkins susan, watkins susan, perry anderson darko suvin lucio magri  carlos prieto, watkins susan, watkins susan, watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, anderson perry, watkins susan, watkins susan, blackburn robin, blackburn robin, blackburn robin, peter hallward t,om nairn jean baudrillard sabry hafex watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, moravia alberto, tolstoy leo, busby f.m, marquand j,ohn p. airne c. w., haldeman joe, oçonnor richard, hardy thomas, rhys jones  griff, butcher jim, harper david, larsson stieg, joslin edward c., furnival kate, eastland sam, eastland sam, kadare ismail, hertzberg max, grancsay stephen v., mcintyre vonda, kafka franz, piketty thomas, greene harris, butcher jim, ordnance survey, brodie bernard and fawn, kornbluth c. m., bull emma, seigel martin, imlah mick, thomas edward, maclean alista,ir de giovanni maurizio, banks iain m, banks iain m, banks iain, corey james a., corey james a., carver raymond, mason paul, reynolds alaistair, lagercrantz david, lagercrantz david, shakespeare willia,m brooks rosetta , brooks rosetta , grant richard, scudder bernar,d (translator) bull emma, eliot george, kadrey richard, lowry malcolm, de la motte anders, aaronovitch ben (cartmel williamson renne), dick lesley, herbert fran,k setterfield diane, lyall gavin, carr caleb, mcintyre vo,nda groening matt, groening matt, dark horse comics, groening matt, greene graham, gunn kirsty, klein rachel, bussi michel, wiltshire professor patricia, collins bridget, ford ford madox, bishop micheal, brandao ignazio de loyola, kube-mcdowell michael p., pratchett terry, anderson kevin j, mitchell david, barnes john, barnes john, marion  jean,-luc marin louis, marion  jean-luc, marion  jean-luc, horner robyn, zizek slavoj, goscinny f - uderzo a, goscinny f - uderzo a, zizek slavoj, zizek slavoj, powers richard, nietzsche, zizek slavoj,  rorty richard, marion  jean-luc, monbiot george, zizek slavoj, zizek slavoj, litvinoff emanuel, williams raymond, williams raymond, williams raymond, fabre dominique, zizek slavoj, stiegler bern,ard knight renee, painter sarah, north claire, upson nicola, wesley mary, hogan ruth, jones ruth, brookmyre c,hristopher evanovich janet, dabos christelle, greene joshua, bullmore edwar,d upson nicola, gardener graham, honeyman gail, evanovich jane,t kadrey richard, vonnegut kurt, pratt tim, thomas d. ,m. liminov eddie, liminov edward, dahl roald, banks iain, vickers sally, zahn timothy, vonnegut kurt, bassini giorgi,o eastland sam, bainbridge beryl, hill susan, golding wil,liam chen da, tey josephine, reig rafael, lawrence d. ,h. vinge vernor, brown eric, grimwood jon courtenay, stross charles, maddox tom, ellis bret easton, de teran lisa st aubin, aldiss brian, fleming jim and wilson peter lamborn, kepler lars, roslund and hellstrom, kepler lars, cartmel andrew, ripley mike, lyotard jean-francois, stross chalres, kristjansson snorri, king laurie r, powell gareth l., costantino maria, various, mosley walter, brown eric, brown eric, nespolo matias, king laurie r, le carre john, cheever john, campbell john w. , ferman edward l. , oatmeal matthew inman, le carre john, niven larry, zetford tully, ripley mike, le carre joh,n boardman tom, candlish louise, gombrich e.h., shaw george be,rnard jones diana wynne, kennedy emma, jones ruth, gardiner be,cky  wainwright martin , bates stephen , meer malik, sylvain dom,inique paolini christopher, bourdain anthony, horowitz anthony, hugo victor, hesse hermann, tolstoy leo, hawtree christopher graham greene, hilbig wolfgang, barnes julian, kundera milan, zafron carlos ruiz, grimwood jon courte,nay bellow saul, isherwood christopher, clark alan, dahl roald, lotringer sylvere, pullman phillip, galgut damon, paolini chris,topher cresswell helen, jones sadie, christie agatha, doyle a.conan, robinson geoffrey, hodges andrew, sylvain dominique, dostoevsky f.m, martin george r.r., moore christopher, hacker katerina, o'flynn catherin,e cervantes miguel de, kavenna joanna, one direction, austen jane  g,rahame-smith seth conan-doyle arthur, lessing doris, wakeman rick, conan-doyle a,rthur conan-doyle arthur, gaskall mrs, hansen essa, trapani gina, lore pittacus, upward edward, lively penelope, morrison grant, ennis garth, ellis warren, morrison grant, ennis garth, moyes jojo, simsion graeme, shea dave and holzschlag molly e., cederholm dan, martin george r.r., macdonald kyle, feist raymond, upward edward, levi primo, stross charles, sjowall maj and wahloo per, krauss  rosalind, bataille georges, queneau raymond, blackwood algernon, arnold n. scott, leckie ann, cobley michael, levy david, bywater mic,hael brennan marie, fuller steve, fuller steve, fuller steve, tom taylor , jeremy rapack , mik s miller, tom taylor , bruno redondo , ball philip, morden simon, conan-doyle a,rthur pratchett terry, lovegrove james, sartre jean-paul, simenon georges, allan nina, plato, brown eric, cumming cha,rles moore christopher, mieville china, genna  giuseppe, aldiss brian, davidson lionel, adams douglas, russell eric frank, vance jack, cobley michael, cobley michael, furst alan, judd alan, king laurie r, gaiman neil, saint-exupery antoine de, aldiss brian, acker kathy, woolf virgina, mordern s. j., meaney john, anthony piers, christie agatha, smith cordwainer, smith cordwainer, dickson gordon, brin david, davidson lionel, cottrell leonard, rushdie salman, le carre john, brown eric, sayers doro,thy l. brown eric, szerb antal, szerb antal, von schrirac,h ferdinand barthelme donald, shakespeare william, jerome jerome k, kipling rudyard, duras marguerite, pavese cesare, ackroyd peter, tilly charles, thorton tim, reynolds alaistair, von arnim elizabeth, land nick, mackay robin, gould stephen jay, gould stephen jay, mackay robin, veal damion, wolfendale peter, ball philip, castoriadis ,cornelius chomsky. noam, dyson freeman, waldrop n. mitchell, wyatt sir thomas, watson james d., macrae  donald g, larsson stieg, noon jeff, rowbotham sheila & segal lynne & wainwright hilary, carrion jorge, hilbig wolfgang, fermor patrick l,eigh parveeb adams beverly brown elizabeth cowie, parikka jussi, pelevin victor, kurkov andrey, introduced by j. michael walton, jones steve, russ joanna, bennett jane, morgan dan, hannah dolan elizabeth dowsett emma grange, judge dredd!, sayers doroth,y l. sayers  cox edward, vickers sally, nykanen harri, matheson richa,rd jenkins martin and swift jonathan, fleming ian, o'brien flann myles na gopaleen, gieysztor aleksander et al..., de beauvoir simone, sayers dorothy l., sayers dorothy l., de la mare walter, marnham patrick, cumming charles, enger thomas, sayers doroth,y l. lebor adam, dick philip k, naylor doug, amis martin, priest christopher, makine andrei, pratchett terry, carofiglio gianr,ico s. c. kaines smith, grenier jean, lessing doris, pratchett terr,y vickers sally, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, akerman chantal, kevin eastman peter laird dave sim, tremain rose, hustvedt siri, evanovich janet, nesser hakan, cage john, van vogt a,.e karlsson jonas, lethem jonathan, singer peter, tuck rchard, leach edmund, floridi luciano, floridi luciano, rose mark (edito,r) skolimowski henryk, kunzru hari, sexton ed, arden kath,erine milanovic branko, helen pluckrose and james lindsey, pinker steven, brooks rosetta,  zizek slavoj, keene jogn, fox jeremy, collins jef,f myerson george, fox dominic, pallant kathryn, haggard william, haggard william, haggard william, henshaw lee, golumbia dav,id dawkins richard, dawkins richard, dawkins richard, kaplan robert, balestrini nanni and moroni primo, watkins susan, watkins susan, barry max, weir andy, kadrey richard, mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcdonald ian, mcdonald ian, mcdonald ian, cavanaugh wil,liam t. corina john, lee yoon ha, unt mati, simcox ad,am ripellino angelo maria, morgan richard, setterfield diane, morgan richard, stross chalres, garner alan, bassini giorgio, jennings luke, jennings luke, jennings luke, mordern s. j., novick naomi, novick naomi, macleod ken, reynolds alaistair, reynolds alaistair, afary janet and anderson kevin b, quignard pascal, queneau raymond, arrighi giovanni, niffenegger audrey, quignard pascal, conklin groff, gibson william, quignard pascal, quignard pascal, atkinson  anthon,y b zelazny roger, karl frederick and hamalian leo (edits), modiano patrick, foer jonathan sa,fran chekov anton, garnier pascal, thiongó ngugi wa, crussi f. gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. (editor), mcdevitt jack, van vogt a.e, stross charles, hamilton edward, pratchett terry, herbert frank, appia adolphe, king laurie r, brown eric, clifton mark and riley frank, mordern s. j., russell eric frank, kuttner henry, robson justina, tchaikovsky adrian, robson justina, mattelart armand and michelle delcourt xavier, dick philip k, cherryh c.j., pohl frederick and kornbluth c. m., graeber david, graeber david, robin blackburn, stiegler bernard, stiegler bernard and derrida jacques, llansol maria gabriela, benkler yochai, robinson kim stanley, anderson poul, jeter k. w., king lily, moorcock michael , leon donna, silverberg ,robert pratt tim, mcarthur maxine, moorcock michael , stephenson neil, carver jeffrey a., van vogt a.e, wollheim donald a. (editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky

[blogger360ncislarules]

“The Baxters” will premiere March 28 on Amazon Prime Video. Based on the bestselling novels by Karen Kingsbury, the faith-infused family drama series stars Roma Downey and Ted McGinley.

The series follows Elizabeth and John Baxter, played by Downey and McGinley, and their five adult children. The 10-episode first season revolves around their daughter Kari (Ali Cobrin), who discovers her professor husband Tim (Brandon Hirsch) is having an affair with one of his students. Kari must find comfort in her family and faith to discover if love is a choice or if her marriage can be redeemed.

Kingsbury’s novel series has encompassed more than 25 titles since its debut in 2002. Downey has had the book under option for over a decade.

“Since the day Roma Downey asked for my blessing in making the Baxter family literary series into a televised show, I have dreamed that it might find a home on Prime Video,” Kingsbury said. “Many millions of readers are going to be thrilled over this news. It is a dream come true.”

Masey McLain, Josh Plasse, Cassidy Gifford, Reilly Anspaugh and Emily Peterson round out the Season 1 cast. Guest stars Kathie Lee Gifford, Jake Allyn, Damien Leake and Orel De La Mota join the previously announced cast.

LightWorkers Media, Will Packer Media and Haven Entertainment produce “The Baxters.” Jessie Rosen serves as showrunner. Downey, Josen, Will Packer, Kevin Mann, Brendan Bragg and Jaime Primak Sullivan executive produce, while Karen Kingsbury and Rick Christian are consulting producers.

See the first-look clip below.

[kathyprior4200]

Meet the 2P characters of HH/HB

Property of Helluva Scribe/Kathy Prior 42

Reverse Locations:

 Haven Hotel (Opposite Hazbin Hotel)

Holy Halo City (Opposite Pentagram City)

E.L.F. Headquarters (Opposite I.M.P. Headquarters)

Humility Halo (opposite Pride Ring)

Charity Halo (opposite Greed Ring)

Chasity Halo (opposite Lust Ring)

Kindness Halo (opposite Envy Ring)

Temperance Halo (opposite Gluttony Ring)

Patience Halo (opposite Wrath Ring)

Diligence Halo (Opposite Sloth Ring)

Woo-Hoo Land (opposite Loo-Loo Land)

 Currency: souls (Hell) spirits (Heaven)

    Haven Hotel:

 2P Charlie Magne/Charlie Morningstar – Coercea Eveningstar (has a crush on Adam the Exorcist, teal suit, black hair, sharp fangs, violent, evil, prideful)

 2P Angel Dust – Devil Grit (dark fur, hates sex, straight)

 2P Alastor – Stalaro (blue and white, cowardly, sad, loves dubstep and sex, Techno Angel, loves sweets and tea)

 2P Vaggie – Phalla (loves men and hates to fight)

 2P Niffty – Klutzy (lazy, rude, gluttonous, lesbian, water/ice powers)

 2P Husk – Core (white cat, friendly)

 2P Valentino – Valentine

 2P Vox – Nil

 2P Velvet - Ashen

 Lucius and Lilian – Coercea’s angel parents, counterparts of Lucifer and Lilith

 2P Travis – Sivart

 2P Egg Bois – Hatchlings

 2P Baxter – Baker (the artist/animal lover, uses science for good)

 2p Crymini – Joymaxi the Heavencat popstar

 2P Mimzy (miserable and flimsy) – Jueva (joyful/strong)

 2P Sir Pentious – Bold Egull (bald eagle angel) (originally Anguis/snake)

 2P Cherri Bomb – Berri Blossom

 2P Razzle and Dazzle – Pub and Chub (Coercea’s rocker cherub lackeys, creepy babies)

 2P Katie Killjoy – Catie Carejoy

 2P Tom Trench – Ron Wrench

 2P Helsa von Eldritch – Seraphia (fiery angel princess bird)

 2P Seviathan von Eldritch – Enochsera (fiery prince)

 2P Rosie – Violeta

 2P Roo – Moo (cow, instead of and kangaroo trash-loving, hungry, Australian demon) likes vegetables and being proper

 2P Molly – Holly

 2P Fat Nuggets – Thin Tenders (Devil Grit’s boar)

 2P Adam and Lute – (Eva and Harp white anti-exorcists)

   Heavenly Boss: (in order of appearance)

 2P Blitzo – Docile

 2P Moxxie – Tirred

 2P Millie – Timmid

 2P Loona – Sunna

   2P Eddie – Ellie

  0 0 0

 “Savior Family”

 Mrs. Mayberry (good alternate universe)

 2P Jarold – James

 2P Ralphie – Ralph

 2P Martha – Mary

  0 0 0

  “Woo-Hoo Land”

 2P Octavia – Quartet

 2P Robo Fizz – Bio Rizz

 2P Wally Wackford – Sully Serious

 2P Fizzaroli – Rizzafoli

 2P Queef - Feeuq

 Additional characters: Azrael, Samael, Flora, Veronica (good Verosika) and Lord Menadel

  0 0 0

 “Autumn Intact”

 2P Verosika - Veronica

 Kiva Perdera

 Kiva Perdera’s cherubs

 2P Vortex – Portal

 0 0 0

  “D.I.A.B.L.O.”

 2P Lyle Lipton – Kyle Kipton

 2P Loopty Goopty – Straight Nate

 2P Cletus (C.H.E.R.U.B.) – Erebos (D.I.A.B.L.O)

 2P Collin (C.H.E.R.U.B.) – Devvin (D.I.A.B.L.O)

 2P Keenie (C.H.E.R.U.B.) – Dammna (D.I.A.B.L.O)

 2P Deerie – Doe-Doe

 0 0 0

  “Sowing Sun Festival”

 2P Striker – Soother

 2P Joe – Max

 2P Lin – Min

 2P Sallie May – Polly Pax (deaf, expert in sign language)

 Lord Menadel

 2P Billie May, Willie May, Tillie May, and Killie May (Millie’s siblings) – Polly Pax, Molly Pax, Holly Pax, Jolly Pax, Dolly Pax ( “Tolly” Timmid’s siblings)

 0 0 0

 “Lying Inductees”

 2P Agent One (D.H.O.R.K.S.) – Agent Negative One (C.H.A.R.M.E.R.S.)

 2P Agent Two (D.H.O.R.K.S.) – Agent Negative Two (C.H.A.R.M.E.R.S)

 0 0 0

  “Uri’s”

 2P Asmodeus/Ozzie – Archangel Uriel-Uri

    0 0 0

 Future/other characters:

 2P Barbie Wire – Holly Dove

 2P Cash Buckzo/Blitzo’s Father – Deferent

 2P Tilla/Blitzo’s Mother – Allie

 2P Joe and Lin – Max and Min

 2P Andrealphus – Damabiah (65th duck-like angel of the 72 angels, opposite of Andrealphus, representing sun and summer)

 2P Crimson Knolastname - Turquoise

 2P “Rosa” Knolastname/Moxxie’s Mother – Teal

 2P Chaz Turman – Zach (letters mixed)

 Additional characters: Azrael, Samael, Flora, Veronica (good Verosika), Jesus Christ, Mother Mary, Archangel Michael, Archangel Raphael, Archangel Gabriel, Archangel Uriel, Archangel Jophiel, Archangel Zadkiel, Archangel Metatron, Archangel Sandalphon, Archangel Chamuel, Adam, Eve, Cain, Abel, Lord Menadel etc.

[spiderdreamer-blog]

The Hunchback of Notre Dame (1996)

As observed in the last post, when the Disney Renaissance period "ends" isn't always entirely clear. Even after the high water mark of The Lion King, the animated films were still making money (esp. on the merchandising end) and getting good reviews, just somewhat less effusive ones depending on the film. Perhaps no film during this period was regarded with more curiosity and suspicion than their attempt at adapting Victor Hugo's classic French novel The Hunchback of Notre Dame (though if you want to get technical, that's the title of most adaptations, whereas the original French title is Notre Dame de Paris). The story of Quasimodo is often a dark one, after all, full of themes like religious hypocrisy and discrimination against minorities. Could Disney handle that, critics seemed to ask, or should they even TRY? Well, they ultimately did, and we have the film in front of us to judge. Let's dig in.

(Quick note: the film uses the outdated g-slur to refer to Roma characters throughout. I will not be doing so for sensitivity purposes.)

We open in 15th century Paris, as Clopin (Paul Kandel), leader of the city's Roma begins to narrate a story, "a tale of a man...and a monster." Twenty years ago, Judge Claude Frollo (Tony Jay) murdered a Roma woman when pursuing her for a presumed theft. The cargo turns out to be her son, who Frollo classifies as a monster for his hunchbacked deformities, and he nearly murders him to boot. But the Archdeacon of Notre Dame (David Ogden Stiers) stops him, warning that the "eyes" of Notre Dame, and possibly God Himself, will witness this crime. A shaken Frollo agrees to raise Quasimodo (Tom Hulce), but shuts him away in the bell tower. As the present day opens, Quasimodo yearns to join the outside world, with his gargoyle friends Hugo (Jason Alexander), Victor (Charles Kimbrough), and Laverne (Mary Wickes, in her final film role) as his only companions. But Frollo insists they would never accept him, and Quasimodo nearly seems ready to accept that lonely lot in life, so much has he internalized this abuse. His friends, however, encourage him to sneak out to the yearly Feast of Fools, just for one day. He works up the courage to do so, only to encounter the beautiful Roma Esmeralda (Demi Moore) and be crowned the King of Fools. After the crowd turns on him, Esmeralda comes to his rescue, only to be pursued by Frollo and the goodhearted captain Phoebus (Kevin Kline), who convinces her to take sanctuary in the church. Things quickly become a waiting game as Quasimodo and Esmeralda begin to bond over sharing an outsider status, and he begins to consider a potential life "out there", as Frollo's anger begins to twist into hatred...and lust.

The first thing that has to be said about Hunchback is that it's one of the best-looking films the studio ever made. Like Tarzan after it, CGI techniques were heavily used to give Notre Dame a real sense of place and atmosphere previously though unachievable. You truly FEEL the vastness of the cathedral and Paris, occasionally feeling just a bit of awe in the process, but thankfully directors Gary Trousdale and Kirk Wise (Beauty and the Beast, Atlantis: The Lost Empire) never let them overwhelm the characters and their emotions. Some of this hasn't aged gracefully (the CGI crowds are definitely a little ropey when you look close), but the overall effect remains outstanding.

So too does the character animation, which is remarkable in its complexity. Quasimodo alone would be a challenge for most animators, but James Baxter is not most animators, and he gives the hunchback a genuine soulfulness in addition to making that seemingly impossible body move with pencils. Kathy Zielinski, meanwhile, takes what could have felt like a caricature in Frollo and makes him into a real, terrifying person. You feel his pain...and gape in horror at his cruelty. Tony Fucile's Esmeralda is vivacious and vibrant, Russ Edmonds makes Phoebus a little rougher than most handsome Disney leading men even with his good heart, and Mike Surrey grants Clopin an intriguing ambiguity; right up until the end, you're never totally sure what he's after.

The story is just as good as the visuals. I will admit upfront that it probably bites off more than it can chew. There is a LOT to cover here in terms of the intersections of racism, religious hypocrisy, and othering of people deemed "monsters" because of their disabilities. Especially since smarter people than me have pointed out this was NOT wholly Victor Hugo's original intent, but that the story transformed into a parable about discrimination thanks to Hollywood and other adaptations. It's possible that anyone could balk at it, much less the largely-compositionally-white Disney animation studio of the 1990s. Yet it has to be said that a genuine, earnest effort is made here even with some fumbles (which we'll get to later).

A useful comparison point is the previous year's Pocahontas. I can genuinely say I kind of hate that film outside of a few caveats, and one big reason why is that the characters feel so flat in their assigned roles. Nobody surprises or does anything unexpected, there's no nuance in the colors of the wind there, and even the characters you think could have affecting arcs are unbearably stiff. Not so here. Quasimodo is an excellent lead, for starters; even if he's gentler and less outright antisocial than other adaptations or the source material, he's allowed to be flawed in terms of parroting assumptions about Roma planted in him by Frollo and initially feeling entitled to Esmeralda's love because she was kind to him. He rises to heroism instead of having it be assumed. Frollo, too, is more complex than most Disney villains. Not sympathetic, precisely, but you get the sense that he really is just a miserable person at the end of the day, directing that misery outward as the contradictions between his religious piety, his racism, and his lust tear him up inside. Esmeralda is a little sexualized, it's true, and perhaps a little more noble than she might truly be in the situation, but she's a passionate, driven adult with a sense of humor. Which feels rare even now in animated kid's movies. The triangle that develops between her, Quasimodo, and Phoebus is intriguing because we can see it going either way, rather than having Phoebus be an obvious bad egg. I like his arc, too, as the Roma gain a human face and he grows increasingly uncomfortable with his complicity.

The voice cast helps with this considerably, giving stellar performances across the board. Helping is that they have one of the best soundtracks in the Disney canon backing them up, with Alan Menken and Stephen Schwartz giving us banger after banger. "The Bells of Notre Dame" stands out especially for getting across a ton of story and character notes as elegantly as the likes of "Belle", "Circle of Life", and "The Family Madrigal." (Credit to Kandel, too, for hitting that insane high D note at the end of both it and the final reprise) Plus, I'm always a sucker for Badass Ominous Latin Chanting, and that's all over this score. We also get TWO "I Want" songs for the price of one, with "Out There" and "God Help The Outcasts" being excellent mission statements for Quasimodo and Esmeralda. "Hellfire" is the most chilling Villain Song in the entire canon, taking us down a road of darkness and flame. And "Topsy Turvy" feels underrated as a comedy song, feeling almost like something you could hear in another Hugo-derived musical, Les Miserables, in the clever rhyming and archaic word usage. (I'm also partial to "The Court of Miracles", which is short, but has a nicely sinister bounce)

In terms OF the actors, Tom Hulce is honestly an interesting choice for Quasimodo given that his best-known performance otherwise is as Mozart in Amadeus. A great film, and great acting, but Mozart is a markedly different character in that he is cheerfully obnoxious even whilst remaining in our sympathies. Here, Hulce finds a wistful quality in his tones, childlike without ever being childish, which is a hard balance to strike. And he knocks "Out There" out of the park, as it were. Tony Jay, meanwhile, gives the performance of his lifetime as Frollo, mining every scrap of loathsome humanity he can without ever losing the reality of the man. His rendition of "Hellfire" always leaves me awestruck. Moore has a distinct, smoky tone that aids Esmeralda spectacularly even if we can question the ethics of casting a white woman as a dark-skinned Roma in retrospect, and Kline matches her well in terms of being funny and down-to-Earth, making us believe in Phoebus' turn.

(Also, I'd be remiss if I didn't mention Stiers' cameo at least a little bit. He was a good luck charm for Disney in this period, and he gives the Archdeacon genuine warmth to contrast Frollo's bigotry, a necessary one given how brutal that becomes)

Now there are some fumbles, even if they don't blemish the film overmuch for me. The first is the depiction of the Roma, which can run a little inconsistently. It's laudable that the movie is sympathetic to their plight and doesn't make any mealy-mouthed both-sides statements about it the way Pocahontas tries to run with an ill-defined "hatred" as the Aesop. Frollo is just straight-up racist and that's how we're doing this. But they also get played as comic relief and we don't get much internal dialogue on them outside of Esmeralda and Clopin (though as said, I appreciate that he has purposeful ambiguity in seeming like a gleeful jester one moment, then a tough street boss the next).

The second is the gargoyles, who you may have noticed haven't been mentioned much up to now. That's because I'm of two minds about them. On the one hand, I don't think they're bad characters. The animation on them is as good as the rest of the film, and you could tell the animators had fun figuring out how to move stone figures around. Alexander, Kimbrough, and Wickes all give excellent comedic performances, and especially in the early part of the film, they serve a useful function as keeping the mood light and confidants for Quasimodo. There are much worse Disney sidekicks purely on the merits (fuck you, Gurgi, go to hell). Nor do I object to comic relief on its face. I adore comedy-as-characterization, and Disney sidekicks can often be a useful counterbalance.

What I dispute is the usage here. To me, there's an obvious arc of Quasimodo shedding his comfort levels as he grows up and decides to engage in the outside world. But the gargoyles...keep showing up past a point where it feels necessary. You get the sense the filmmakers were nervous about just HOW dark and adult the rest of the film was, and were hedging their bets. This is best exemplified in their song "A Guy Like You." On its face, it's a funny, catchy number that the actors sing the hell out of. And the dramatic purpose (building Quasimodo's confidence about his romance before learning that Esmeralda has fallen for Phoebus) is solid. But it's just...too much. These guys aren't the Genie or Timon and Pumbaa, and they shouldn't be. Also between them and Esmeralda's pet goat Dhjali, who's also Fine mechanically, and Clopin already being funny in cleverer ways, it begins to feel a smidge crowded.

One quibble I DON'T have is with the ending. This remains the most criticized part of the film, given that the book ends tragically with Frollo, Quasimodo, and Esmeralda all dead, and some variation on this tends to stick for a lot of adaptations (in fact, both Disney's later German and English-language stage adaptations hewed closer to the novel, if not exactly in terms of circumstances). By contrast, here we get an uplifting ending where not only is Frollo the only casualty (and with a bitchin' variation on the Disney Villain Death to boot), Quasimodo is accepted by the citizens of Paris. Unrealistic? Maybe. Does my heart melt every time that little girl comes up to feel Quasimodo's face? Absolutely. Look, I'm not someone who thinks we need to treat minorities/disadvantaged people like glass dolls in narratives. We can have bad things happen to them without it being Le Problematique. But given the history, is it really so terrible to give a hunchback a happy ending on occasion? I think not, and for this version of the story, they absolutely arrive at the correct decision.

The mood around the film was slightly more muted upon its release. It made money, the critical reception was generally positive-even in France!-and some critics like Roger Ebert gave it effusive reviews. But it was usually agreed that Disney had done its usual thing of simplifying a popular narrative for mass consumption the way they did for fairy tales and such. Hard to totally argue against that point, but I would posit that, as said, the story had already mutated into a very different form thanks to various other adaptations. You'd hardly think Les Miserables would be a good crowd-pleasing musical either at first glance. Even if it totally doesn't stick the landing, this remains one of my favorite Disney films because it TRIED, damn it. It's imperfect, but beautiful.

Could say that about our hunchback, couldn't we?

[starkiddreamcasting]

Starkid Promises! Promises!

It’s Turkey Lurkey time! Enjoy this Thanksgiving special of Promises! Promises! The only show I could find with even a little bit of a Thanksgiving connection. I know there is not a big audience for this show on Tumblr, but I hope those here how do know the show enjot this dreamcast!

1. Jon Matteson as Chuck Baxter 2. Britney Coleman as Fran Kubelik 3. Dylan Saunders as J.D. Sheldrake 4. Nick Gage as Dr. Dreyfuss 5. Jaime Lyn Beatty as Marge MacDougall 6. AJ Holmes as Mr. Dobitch 7. Corey Dorris as Mike Kirkeby 8. Jeff Blim as Mr. Eichelberger 9. Joe Walker as Jesse Vanderhof 10. Tyler Brunsman as Lum Ding Waiter/Orchestra Voice 11. Bryce Charles as Barbara/Orchestra Voice 12. Denise Donovan as Miss Olson/Orchestra Voice 13. Mariah Rose Faith as Sharon/Orchestra Voice 14. Ali Gordon as Kathy/Orchestra Voice 15. Brian Holden as New Young Executive/Night Watchman/Orchestra Voice 16. Lauren Lopez as Ginger/Lum Ding Hostess/Miss Della Hoya/Orchestra Voice 17. Curt Mega as Eddie Roth/Orchestra Voice 18. Alle-Faye Monka as Helen Sheldrake/Miss Kreplinski/Orchestra Voice 19. Joey Richter as Company Doctor/Karl Kubelik/Orchestra Voice 20. Meredith Stepien as Patsy/Orchestra Voice 21. Sango Tajima as Miss Wong/Vivien/Orchestra Voice 22. James Tolbert as Eugene/Orchestra Voice 23. Kim Whalen as Miss Polansky/Nurse/Sylvia Gilhooley/Orchestra Voice

Swings: Julia Albain, Joe Moses, Brian Rosenthal, Rachael Soglin

Understudies: Julia Albain (Kathy, Ginger/Lum Ding Hostess/Miss Della Hoya, Helen Sheldrake/Miss Kreplinski), Tyler Brunsman (Chuck Baxter, Mike Kirkeby, Jesse Vanderhof), Ali Gordon (Fran Kubelik), Brian Holden (Mr. Dobitch, Jesse Vanderhof), Alle-Faye Monka (Miss Olsen, Miss Polansky/Nurse/Sylvia Gilhooley), Joe Moses (Dr. Dreyfuss, Mike Kirkeby, Mr. Eichelberger, New Young Executive/Night Watchman), Joey Richter (J.D. Sheldrake, Mr. Dobitch, Mr. Eichelberger), Brian Rosenthal (Chuck Baxter, Lum Ding Waiter, Eddie Roth, Company Doctor/Karl Kubelik, Eugene), Rachael Soglin (Barbara, Sharon, Patsy, Miss Wong/Vivien), Meredith Stepien (Marge MacDougall), Joe Walker (J.D. Sheldrake, Dr. Dreyfuss), Kim Whalen (Fran Kubelik, Marge MacDougall)

Make sure to leave any show suggestions or any questions on my casting choices so I can explain them.  

[ulkaralakbarova]

Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town’s founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die. Credits: TheMovieDb. Film Cast: Stevie Wayne: Adrienne Barbeau Father Malone: Hal Holbrook Kathy Williams: Janet Leigh Nick Castle: Tom Atkins Elizabeth Solley: Jamie Lee Curtis Sandy Fadel: Nancy Kyes Andy: Ty Mitchell Mr. Machen: John Houseman Dick Baxter: James Canning Dan O’Bannon: Charles Cyphers Al Williams: John F. Goff Tommy Wallace: George Buck Flower Mrs. Kobritz: Regina Waldon Dockmaster: Jim Haynie Mel: Darrow Igus Bennett: John Carpenter Dr. Phibes: Darwin Joston Ashcroft: Fred Franklyn Grocery Clerk: John Strobel Ghost: Tommy Lee Wallace Ghost: Lee Socks Ghost: Ric Moreno Blake: Rob Bottin Blake (voice): Charles Nicklin Blonde Girl on Bleachers (uncredited): Debra Hill Film Crew: First Assistant Director: Larry J. Franco Director of Photography: Dean Cundey Producer: Debra Hill Original Music Composer: John Carpenter Producer: Barry Bernardi Executive Producer: Charles B. Bloch Producer: Pegi Brotman Editor: Charles Bornstein Production Design: Tommy Lee Wallace Art Direction: Craig Stearns Costume Design: Stephen Loomis Costume Design: Bill Whitten Sound Designer: William L. Stevenson Stunt Driver: James Winburn Production Accountant: Donald P. Borchers Assistant Art Director: Randy Moore Second Assistant Director: Jim Van Wyck Camera Operator: Raymond Stella Script Supervisor: Jeanne Rosenberg Sound Re-Recording Mixer: Richard Tyler Assistant Editor: Joe Woo Jr. Boom Operator: Joseph F. Brennan Makeup Effects: Rob Bottin Supervising Sound Editor: Gregg Barbanell Sound Effects Editor: Frank Serafine Makeup Artist: Erica Ueland Hairstylist: Tina Cassady Makeup Artist: Dante Palmiere Makeup Artist: Edward Ternes Sound Re-Recording Mixer: Bob Minkler Sound Re-Recording Mixer: Ray West Supervising Sound Editor: Ron Horwitz Special Effects: Richard Albain Jr. Gaffer: Mark Walthour Unit Publicist: Ed Pine Unit Publicist: Katy Sweet Sound Mixer: Craig Felburg Grip: David Michels Title Designer: Burke Mattsson Key Grip: Ben Haller Stunts: Mags Kavanaugh Movie Reviews: John Chard: 00:00: 21st April, 1980. The Fog is directed by John Carpenter who also co-writes the screenplay with Debra Hill. It stars Adrienne Barbeau, Tom Atkins, Janet Leigh, Hal Holbrook, Jamie Lee Curtis and Nancy Loomis. Carpenter also scores the music and cinematography is by Dean Cundey. The Californian fishing town of Antonio Bay is preparing to celebrate its 100 year anniversary. As the clock ticks past midnight strange events start to occur around the town, it seems that the town has a secret and that secret is back to make a point… Not as praised as Halloween and The Thing from John Carpenter’s early horror output, The Fog sees the director tackle the ghost story premise. For many who lapped it up back when the 80s began, it still enthrals and holds in its eerie vice like grip, for others in this desensitised age of gore and cgi overkill, it proves to be a film unable to justify the love poured on it by the fans. Which is a shame. Being able to appreciate the craft of John Carpenter back in 1980 certainly helps to avert some harsh criticisms thrown its way, because Carpenter has achieved, pound for pound, a better ghost story on a fraction of the budget afforded big Hollywood genre productions that have been made since. That’s not to say it’s perfect, for it’s not, Carpenter himself has never been wholly satisfied with the final film, this even after re-shooting a third of the film after originally making a picture reliant on suggestion over presence, but with some smoke machines, a synthesiser, a game cast and a spooky revenge story on the page, he’s made a sub-genre classic. Carpenter has so...