#Kate Cushing

[comicbooksaregood]

Spider-Man Versus Wolverine

Volume: 1

Issue: 1

High Tide

Writers: Jim Owsley

Pencils: Mark Bright

Inks: Al Williamson

Colours: Petra Scotese

Covers: Mark Bright

Marvel

[iwouldvebeendrake01]

Crimson Peak (2015), costumes designed by Kate Hawley Poor Things (2023), costumes designed by Holly Waddington

"The house really dictated how to approach the costumes, from a sculptural point of view, to give them extra depth, to give them a painterly quality. I didn’t want to get myself caught up in detail that didn’t feel like it meant anything, like generic lace or decoration. So all the details we made and they all came from the symbolism of the characters or the house itself. The leaves on Lucille’s dress were constructed by hand, with a single piece of cording. And for Edith, the motifs of the flowers, she blooms. It was about trying to create an atmosphere. [...] [Edith's] like a chrysalis at that point. She’s very fragile, so the butterfly is dying and becoming this little husk. [...] When Guillermo said to me, “It’s about a house that breathes,” that’s why we chose the lightest fabric, just a little thing to try and help the storytelling with the idea of the house." "[As Edith falls in love with Thomas Sharpe,] the silhouette of the sleeves becomes fuller, and the flowers start growing on her dress. You have the world of the moon, and black, and Lucille being the moth, and Edith being the butterfly.” - Kate Hawley

"I wanted texture to be everywhere in the costumes… for everything to feel like it was living and breathing – from an animal or a sea creature from a shell. It all has a kind of organic quality to it. There are curvy, linear shapes, and no sharp lines. Bella’s costumes are very airy. Those sleeves are like huge lungs full of air, and she’s just been reanimated so that felt like a good thing to include. The huge sleeves also affect her body shape, which felt like a good idea, because she is more creature-like when she wears these.” - Holly Waddington

[costumeloverz71]

Edith Cushing (Mia Wasikowska) Traveling coat. Crimson Peak (2015). Costume by Kate Hawley.

[dark-ethereal-visions]

Promo shot for Hammer's 'The Vampire Lovers' (1970)

[philrayart]

The Vampire Lovers (1970) alternate poster.

Prints, stickers, apparel, etc... available!

Links in Bio 🖤

[fuckyeahcostumedramas]

Mia Wasikowska as Edith Cushing in Crimson Peak (Film, 2015).

[abs0luteb4stard]

W A T C H I N G

[weirdlookindog]

The Vampire Lovers (1970) - German promo poster

[missholson]

The Horror of Frankenstein (1970) dir. Jimmy Sangster

[ask-cloverfield]

I don’t know exactly when the shift started but there is a fun thing in the 80’s Spider-Man books where Peter gets more serious about photography as a career and suddenly has to account that for years he had intentionally built up the image of himself as an incredibly unethical photographer.

[thethirdromana]

Ages of Dracula casts

This ask made me wonder how close past Dracula casts were to the ages of the characters as established in the novel. Looking at these adaptations:

Dracula (1931)

Horror of Dracula (1958)

Dracula (1974)

Count Dracula (1977)

Dracula (1979)

Bram Stoker’s Dracula (1992)

Dracula (2020)

In some cases characters are merged or changed; I've associated each character with the person who comes closest to having the same name.

Jonathan Harker (early 20s)

Dracula (1931) - David Manners, 31

Horror of Dracula (1958) - John Van Eyssen, 36

Dracula (1974) - Murray Brown, 37

Count Dracula (1977) - Bosco Hogan, 28

Dracula (1979) - Trevor Eve, 28

Bram Stoker's Dracula (1992) - Keanu Reeves, 28

Dracula (2020) - John Heffernan, 39

On average, Jonathan Harker is cast as 32.

Mina Murray (early 20s)

Dracula (1931) - Helen Chandler, 25

Horror of Dracula (1958) - Melissa Stribling, 32

Dracula (1974) - Penelope Horner, 35

Count Dracula (1977) - Judi Bowker, 23

Dracula (1979) - Jan Francis, 32

Bram Stoker's Dracula (1992) - Winona Ryder, 21

Dracula (2020) - Morfydd Clark, 31

On average, Mina Murray is cast as 28.

Lucy Westenra (19)

Dracula (1931) - Frances Dade, 24

Horror of Dracula (1958) - Carol Marsh, 32

Dracula (1974) - Fiona Lewis, 28

Count Dracula (1977) - Susan Penhaligon, 28

Dracula (1979) - Kate Nelligan, 29

Bram Stoker's Dracula (1992) - Sadie Frost, 27

Dracula (2020) - Lydia West, 27

On average, Lucy Westenra is cast as 28.

Jack Seward (29)

Dracula (1931) - Herbert Bunston, 57 (aged up to be Mina's dad)

Horror of Dracula (1958) - Charles Lloyd-Pack, 56

Dracula (1974) - none

Count Dracula (1977) - Mark Burns, 41

Dracula (1979) - Donald Pleasence, 60 (Lucy's dad in this one)

Bram Stoker's Dracula (1992) - Richard E Grant, 35

Dracula (2020) - Matthew Beard, 31

On average, Jack Seward is cast as 47, and also assigned Dad.

Quincey Morris (mid to late 20s)

Dracula (1931) - none

Horror of Dracula (1958) - none

Dracula (1974) - none

Count Dracula (1977) - Richard Barnes, 33

Dracula (1979) - none

Bram Stoker's Dracula (1992) - Billy Campbell, 33

Dracula (2020) - Phil Dunster, 28

On average, Quincey Morris doesn't exist. But when he does, he's 31.

Arthur Holmwood (mid to late 20s)

Dracula (1931) - none

Horror of Dracula (1958) - Michael Gough, 42

Dracula (1974) - Simon Ward, 33

Count Dracula (1977) - none

Dracula (1979) - none

Bram Stoker's Dracula (1992) - Cary Elwes, 30

Dracula (2020) - none

On average, Arthur Holmwood doesn't exist either. But when he does, he's 35.

Van Helsing (a generation older)

Dracula (1931) - Edward Van Sloan, 49

Horror of Dracula (1958) - Peter Cushing, 45

Dracula (1974) - Nigel Davenport, 46

Count Dracula (1977) - Frank Finlay, 51

Dracula (1979) - Laurence Olivier, 72

Bram Stoker's Dracula (1992) - Anthony Hopkins, 55

Dracula (2020) - Dolly Wells, 49

On average, Van Helsing is cast as 52.

[trashboatprince]

Here's a little one-shot based on this recent drawing I did for Fourteen and Donna, involving a flip phone. It's gonna have different dialogue, but that's alright.

As always, I write Fourteen with they/them pronouns.

On with the fic!

--

"You have got to be kidding me..." Donna growled as she stared at the alien sitting in a chair before her. They looked a bit roughed up and were grinning, but that kind of grin that meant that they knew damn well that they were in trouble.

"Hi, Donna!" The Doctor gave a little wave. "Finally tracked you down, this building is huge! How do you even get around in here without constantly getting lost?"

"What are you doing here?" Donna asked, crossing her arms. It's not that she didn't mind being visited by her family while at work at UNIT, but it was bad enough that Rose worked here twice a week for some extra cash, now her adopted-alien sibling was breaking and entering instead of just calling her! She didn't need to keep an eye on two troublemakers while she had to deal with aliens and paperwork!

The Doctor looked away, toying with their tie instead of making eye contact. "Well... I was bored."

"You were bored."

"Yeah. Sean's off at work, Sylvia has her book or cooking club, can't remember which one she said she was going to, and Wilf was busy with his friends, leaving me alone." The Doctor shrugged. "Andyoustillhavethetardiskey." They quickly added, pouting.

"For a damn good reason, spaceman." She huffed. "So, why come here?"

"To help! Or see if I can get back into the Black Archives. They changed up the security system the last time I was there, and I know that they have some stuff in there I really want. Like the copy of this one movie with Peter Cushing in it based on one of my old adventures! It's an excellent movie, it's even got Bernard Cribbins in it! Remember, he's that lovely chap who was..."

They trailed off under Donna's heated stare and they swallowed. "Also, I miss hanging out with you, and talking with you, and just spending time with my best friend. You're always so busy with work!"

Donna sighed loudly, rubbing at her eyes. "Doctor, it's sweet that you miss me, but this is my new job, and I'd really like to keep it for longer than a few months. I know you miss hanging out with me and going on adventures, I can't deny that I miss it too. But you are retired, and Kate says you are not allowed to help with UNIT stuff unless if it's an extreme emergency and we can't get in contact with your other half."

"I'm sure I could be of great help here, I'll even put up with the scientific advisor job again!"

"No." She held up a hand. "Look, just... go home, relax, and break the TV or something. It'll entertain you for a few hours as you try to, I dunno, update it to get channels from Planet Blue."

"Oh, you don't want channels from there, they are just the worst, all public access, but not the fun kind with the puppets or the people in costumes. Those are good ones."

Donna just stared at the Doctor, who smiled. She rolled her eyes and shook her head. "What can keep you occupied while I'm at work?"

They shrugged. "I dunno. I just... wanna hang out with you in some way while you're at work."

"What about a phone?"

They looked bothered, even offended, at this suggestion. "A phone? Donna, I hate phones."

"Your home is a phonebox!"

"Not really, she just likes to look like one. And besides, I don't like all the... apps and options, and the fact that it's just a shitty computer and not really a phone anymore. Also, Kate gave me one, remember?"

Donna scoffed. "Yes, and it 'accidentally' ended up buried in the garden."

"That was the ghosts who did that."

"No, they didn't."

"Yeah, they didn't." They sighed, pouting. "Don't wanna smartphone, don't need one. Never had a need for one, and the only reason I even had a phone back when you traveled with the younger version of this pretty face was cause Martha wanted me to have it."

"And I want you to have one." Donna pointed out, poking them in the chest. "If Martha can convince you to have one, then I should be able to as well."

The Doctor groaned, rolling their head back before slumping in their seat. "Fine, I'll use a phone."

Donna grinned. "Good, I'll find you a good one."

--

"A flip phone?" The Doctor asked when Donna arrived home that evening, staring at the little device in her hand.

"It's better suited for you, no apps, just takes and makes calls, and does a bit of texting. It's a phone. And one that I know you're not going to just conveniently lose." Donna stated. "I made sure of that."

"Really?" The Doctor blinked, taking it. "How so?"

"Got a tracker on it, so if you try to lose it, I'll find it. And if you try to have the TARDIS lose it, she'll just give it to me, cause she loves me."

They glanced at the window, glaring at the big, blue box that stood out on the back porch. Yeah, she did love Donna, and would so rat the Doctor out in a heartbeat. "Fine! I'll keep it on me!"

"Good. And, now that you have one, if I lose you in public, which is bound to happen because it always does, I can easily find you with a single call!" Donna said with a smile.

The Doctor sighed, staring at the dark blue and silver flip phone, opening it up and seeing the most basic of backgrounds on the screen. First things first, they were changing that, and maybe getting custom ringtones. They might not like phones, there were easier ways to communicate, and more fun, like writing letters on psychic paper and having them show up throughout time and space, but they were going to make this work in their own way.

"And Rose helped me pick it out." Donna spoke as she moved to the kitchen. "She said it's the kind that can have a little phone charm hang from it, she'll help you find one, or she'll make you one."

This instantly got the Doctor's attention, and they perked up. "Oh? Ooh, I love a little charm! Adds a bit of, well, charm, to something!"

"Yeah, I figured you'd approve of that." Donna said before vanishing into the other room.

After a week with the blasted device, now loaded in photos and every one of their contacts having custom ringtones, and several charms hooked to the thing, the phone seemed to be a good compromise to keep the Doctor from pestering Donna at work.

At least in person.

However, calling was quite often, and Donna was now regretting ever getting them the damn thing.

At least she finally got them to use the damn thing for once.

--

The Doctor is the kinda person who would love phone charms.

Also, the reference to the Peter Cushing Doctor Who movies is a canon fact from the novelization of Day of the Doctor, Ten and Eleven found the movie in the archives and were obsessing over it.

Also, the letters on psychic paper are from a Ten and River audio adventure. I can see Fourteen doing this too, but I think they and Fifteen would do it to keep in communication.

[philrayart]

The Vampire Lovers (1970) poster designs

Prints, stickers,apparel, etc...available!

Links in Bio 🖤

[scarymovies]

so today I learned that in the novelization of The Day of the Doctor (the 50th anniversary episode) Kate Stewart tells the eleventh Doctor and Clara about the Peter Cushing Dr. Who and the Daleks movie... Making it canonically a movie that exists in-universe in Doctor Who. It's something Moffat wanted to show in the actual episode but couldn't because at the time the BBC couldn't pay to license the posters.

Anyway, now I want an episode where the Doctor and Ruby end up in 1965 and see a trailer for the movie and lose their minds over it.

[whifferdills]

Please share more controversial Doctor Who opinions, yours are always so refreshing

BF Eight hasn't been good since Dark Eyes; Kate Stewart is a boring nepo baby at best; JNT who is great it's just cynical when it fails, which makes it feel worse than when other eras whiff; Flux is the best thing the show's done since the 2005 reboot; Dr Who & Silurians crumhorn is unfairly maligned; Cushing should be canonical somehow; Moffat is as good at writing women as anyone short of, like, Sarah Dollard (he just never had an editor willing to reel in his plots); idk i'll get back to you if i think of more

[abs0luteb4stard]

W A T C H I N G