#Kate Colls

[meisterdrucke]

The Poppyfield, 1897 by Kate Collsoil on canvas, 1897 Private Collection

[kate-jam-and-diamonds]

by Chris Colls for Anine Bing

[stairnaheireann]

#OTD in 1881 – Kate Coll and Juan Vivion de Valera are married; just over a year later Éamon is born.

Allegedly, Catherine Coll and Juan Vivion de Valera are married in St. Patrick’s Church, Greenville, New Jersey on 19 September 1881. They are the parents of Irish statesman and politician Éamon de Valera, who serves as the 3rd President of Ireland and Taoiseach. Catherine Coll is born on 21 December 1856 in Bruree, Co Limerick and emigrates to New York in 1879. She first takes a job with a…

[clatzstoriesphoto]

Kate Moss for Edit, 2016

📸: Chris Colls

[novemb-r]

Page from Kate Greenaway’s almanack 1890 (19th Century Collections, 19th C. Coll 030 GRE)

[brf-rumortrackinganon]

Re: Meghan’s royal wardrobe vs Kate’s royal wardrobe.

As well as your suggestions for Meghan’s approach to her wardrobe, I think it may have helped her to figure out her role first.

Kate had the advantage of being a girlfriend for so long and that way seeing what her role could, would, should look like. She also had the type of mother who really cares about the self presentation of her kids to the point that one of the Marlborough mothers commented on it. 

I realise that Meghan set herself and public expectations up by claiming she’s going to out-Duchess Kate, but that in itself was a failure on her part in not understanding her role and or adjusting accordingly. 

The second mistake she made was to recreate the Disney Princess fantasy in her head with her own role and with couture instead of being herself / california coll per your suggestion. 

And whining to Harold didn’t help because he already had a chip on his shoulder about being the spare instead of understanding the freedom this granted him and by extension Meghan. 

I think this mindset hasn’t left them even though they’ve Megxited and rather than do their own thing, they are trying to set up a rival court that is equal to KP’s royals except with sexy / sex kitten Duchess. 

It’s so funny that she thinks Kate cares to be seen as a sex kitten. To William perhaps, in private, but certainly not to the rest of the world because Kate also understands history. With rare exception, sex kitten doesn’t read well in history. 

****************

I don’t have a problem with Meghan going straight for the couture and the Disney Princess fantasy. I think a lot of people would have done the exact same thing if given the same opportunity

The issue with Meghan’s Disney Princess fantasy fashion is that it was sloppy. It wasn’t tailored to her. She just grabbed something off the hanger, said ‘it’ll do’, and threw it on. If she had things properly fitted, hemmed, tailored, and lined, she probably would’ve been able to upgrade California Cool to French Chic. Which I think is what she was trying to do, because a lot of the outfits she wore from Toronto IG 2017 to Sydney IG 2018 was in that kind of French Chic vibe. And it would have been successful...if it was all properly fitted in the first place.

[counttwinkula]

hi i have been obsessed with your “the monster’s body is a cultural body etc” post since i saw it like a month ago. do you have any book recs where i can read more about this, like, forever. (I’m aware of your podcast I’m checking it out too) <3

i'm glad you liked it, it's an honor to introduce the people of tumblr to cohen's seven theses

first and foremost i would recommend The Monster Theory Reader, ed. Jeffrey Andrew Weinstock, which includes several seminal essays including:

"The Uncanny" by Sigmund Freud

"The Uncanny Valley" by Masahiro Mori

"Approaching Abjection" by Julia Kristeva

"Horror and the Monstrous-Feminine: An Imaginary Abjection" by Barbara Creed

"The Monster and the Homosexual" by Harry M. Benshoff

i would also recommend the book in which Cohen first published his seven theses, Monster Theory: Reading Culture, ed. Jeffrey Jerome Cohen

(i must admit that i haven't gotten around to reading either of these books in full yet)

aside from the essays mentioned above, here are some foundational texts for monster theory but not specifically about monster theory:

The Uses of Enchantment by Bruno Bettelheim

Mythography: The Study of Myths and Rituals by William Doty

Vested Interests: Cross-Dressing and Cultural Anxiety by Marjorie Garber

monster theory/horror criticism texts i've read:

Monsters in the Closet by Harry M. Benshoff

Skin Shows by Jack Halberstam

Murder Most Queer by Jordan Schildcrout

It Came from the Closet, ed. Joe Vallese

Horror by Brigid Cherry

Men, Women, and Chain Saws by Carol Clover

Dark Places by Barry Curtis

The Dread of Difference, ed. Barry Keith Grant

The Monster Show by David J. Skal (SEE NOTE BELOW)

Darkly: Black History and America's Gothic Soul by Leila Taylor

The Ghost: A Cultural History by Susan Owens

and some others i own but haven't read yet:

Dark Carnivals by W. Scott Poole

Phantom Past, Indigenous Presence: Native Ghosts in North American Culture and History by Colleen E. Boyd and Coll Thrush

Queer for Fear: Horror Film and the Queer Spectator by Heather O. Petrocelli

Pretend We're Dead: Capitalist Monsters in American Pop Culture by Annalee Newitz (just started this, already love it)

Theatre and the Macabre, ed. Meredith Conti and Kevin J. Wetmore, Jr.

and i can't neglect to mention The Monster in Theatre History: This Thing of Darkness by Michael Chemers

before i say anything further i want to give one warning. my particular interest is on monstrosity and queerness (probably evident based on some of my recommendations). monster theory and horror criticism have generally been rooted in psychoanalytic theory, particularly as it has been interpreted through a feminist lens. unfortunately, this leads to a lot of arguments and interpretations that are sex essentialist and fail to address gender with the necessary nuance. this is particularly true in Men, Women, and Chain Saws and The Dread of Difference.

(Vested Interests is… complicated. it's not monster theory exactly but cohen cites it. garber is generally better than the others mentioned here in her consideration of trans people but her work can still be uncomfortable.)

i have a lot of reservations about recommending The Monster Show. i loved reading it and i think skal has great analysis. somehow, however, in the middle of his discussion of how marginalized people have been historically monsterized in american culture, he has the audacity to cite The Transsexual Empire by Janice Raymond, the ur-text of TERF ideology, and skal uses this text to monsterize trans women. it's disgusting and reprehensible, and if the rest of the book wasn't so strong i wouldn't recommend it

the best medicine i have are texts by trans people. It Came from the Closet is an anthology with several essays by trans people, i adore it. i am forever obsessed with Gender Outlaw by Kate Bornstein, which isn't exactly monster theory, but i would say it's monster theory adjacent and i wish everyone would read it

and if you haven't, you must read "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage" by Susan Stryker. (see i even put a link to that one. drop everything and read it now)

alright if you're still with me i have a couple other things to put out there:

the docuseries Queer for Fear, available on Shudder, is incredible and i'm obsessed with it

she seems to be inactive these days but @draculasdaughter has a lot of posts quoting texts and articles on monster theory/horror criticism that i highly recommend

i've only seen the jacob geller videos on this list but i mean to watch this youtube playlist of video essays about horror, fear, and dread

and i also keep a #monster theory tag on my blog that has various posts on the subject, some funny and some earnest

[targwh0re]

Thoughts of Teen Wolf the Movie while watching it pt.3

Coach!😃

Derek still sneaking around corners and just randomly appearing 😂 "🎶I always feel like somebody's watching me🎶"

Feel like Derek could scare Eli himself...give him that s1 Derek stare "I'm not afraid of you" 😠 "okay maybe I am afraid of you"

Eli is so me, clumsy af😭

Derek "😠" Hale

Malia! you can't just cut people open🤦‍♀️

Make the plan. Execute the plan. Expect the plan to go wrong...throw away the plan

Man Allison pulled a Derek 🏃‍♀️💨

Allison's tweaking dudes

Why the hospital lockers look like the ones at high school? Would've been coll if that was one of Nogi's illusions to manipulate her

She's very confused and is supposed to be very dead

Split up!?! One of the biggest rules in horror movies is to never split up

Cause a ball cap is such a good disguise 🧢👍

I got her 👊💥🤛💥🤜💥 I don't got her

"Fuck me man" me whenever my alarm wakes me up for school😭

Allison is karate kid 👍

"Scott Who?" ...oop

"Where's the alpha, I have to find the alpha." "What do you want with Derek Hale?" "No, not Hale. McCall. Scott McCall." Vibes. Oh no, now Braedon flashbacks for me😢

Where is Braedon?! She's supposed to be Eli's badass step-mama

Damn to be honest, I wouldn't have taken that. Woulda thrown them scissors back at that zombie bitch ✂️🧟‍♀️

Poor Argent, imagine the pain of seeing your daughter again after 11 years of her being dead and she runs away

Move, bitch! We know she's back, now let us go catch her🙄

But...isn't it your job to hear about the crimes...sheriff?

oh never mind😂

How didn't he know he was a kitsune? Wouldn't weird shit start happening to him like it did Kira? C'mon you can't tell me this man ain't never got his picture taken w/ the flash on before

Could've made him Hikari's family in some way to add some emotional depth for her and give her more ties to the pack

Or he could've been a host for Nogi like his dad I think? If his brother was that one dude wouldn't that make his dad the man who was possessed by Nogi during Chris's first gun deal?

"I don't want to kill you" oh really?👀

🎶I wish that I could wake up with amnesia🎶

So the hunter thingy place is still here but Monroe's peeps are gone🤨

"who are you🏹" "a friend👹" yea okay Pennywise🤚

Nogitsune: "time to hunt" Pennywise:"time to float" I rest my case

No i would not trust my mother who's a psychotic bitch, especially when she looking at me like I just took the last shrimp fried egg roll that she wanted to save for later😑

bitch so was you 30 minutes ago ⚰

Hey don't talk about my smexy dilf werewolf man Derek like that

Oop, that light was a paid actor

Omg I love Jackson 😂 I never thought I'd say that😶

hahaha Derek holding Eli like a baby

"Yes you did, I saw it🥺"

Man Derek such a good dad, got me all up I my feels

I wonder how Talia was as a parent, especially with Derek since he had such trouble learning control 🤔

Man, Allison honestly fuck you. You had to ruin a good father-son moment by trying to take off Eli's head smh I could never. Stay unproblematic people💅

Not the Chinese ring daggers

Honestly flashbacks to the supply closet when Allison told Isaac that. Hey, wait a minute...no one thought to tell Isaac that his late girlfriend is back (bc they were still together when she died)

"Allison?" No bitch it's Katniss🙄

Hey foul play! You shot my man's while his back was turned!! Now you turn around allison, it's my turn! Imma pull a Peter...Peter where u at, she attacking your fav nephew, Kate her ass

Yayy Liam

dude Hikari that was fire 🔥 (no pun intended 🤣; I'm so sorry guys)

Awww he don't even care if he's hurting himself worse, he just cares about his son🥺

Shut up, Scott! Let the man talk!

Damn Scott, couldn't even take my man's pain?

Everyone but Stiles, Isaac, Theo, Kira, Cora, Corey, Hayden, and Braeden... *clears my throat and looks directly at the camera*

The oni really said, "Suprise shawty!"

I knew I should've retired 🤣🤣

Awww first thing he said was his son's name

if this was a short series we totally should've got a scene of Eli, similar to the scene where Scott Howard first transforms in the og teen wolf movie, and then he just passes out. It would've been so funny😭

I'm sorry but the song that popped in my head when that oni floated down was 🎶I'm spinning like a ballerina🎶

Why's mason's gun sound like its popping popcorn

Sheriff Stilinski said, I can be a ninja toooo

Peter's entrance is iconic and so him, such a western-soap opra villain😂

Deaton and Chris:🧍‍♂️🧍‍♂️

oh c'mon Peter, I thought we were past the whole throat slashing thing😬

How does Peter always know everything 🤔

Also I want to see Eli and Peter bonding, feel like they should have a relationship ay peast similar to when Derek and Peter were younger (hell I just want to see young Derek and Peter again, give me a Hale prequel)

Peter: "Is it me? Am I the drama?"

Ofc they have a plan Scott �� not everyone just makes it up as they go and pretends that hunters aren't dangerous (that's always pissed me off about Scott, not everyone is redeemable)

Allison Argent that is a child

There's gonna be an explosion

There was an explosion

Jackson worried about his tail, please bye💀🤚

Would've been better if it was actually an illusion and not really Allison

You better hobble a little faster Eli

Oh, you can't hobbled fast but ur ass can climb

Me personally, I woulda stayed in that car

"Allison stop" bc that'll work🙄

Damn Scott pulled a Satomi, nice. Why he look confused though, you forget you have supernatural reflexes my guy?🤨

lmao not him trying negotiate as she shoots arrows at them

oh but what if I'm not a werewolf? Really Eli HALE?!

Pretty eyes though 😁

Run, Forest, run

"She's tryna get an arrow through you" Omg Eli is meee like fr Scott listen to the kid

"You faint at the sight of blood?!" "No, but I might at the sight of a chopped of arm!"

You think?!

Scott flashbacks, Eli's future partner is in that car "omg we almost hit someone" jk it's Sheriff Stilinski

Peter has a right to be filled with such anger, legit family was burned alove infront of him and was in a coma for 6 years, I would've been forever angry too bc that's not just something you get over

"Allison stOoOoOp" bc that worked so well last time

also backtrack to Chris saying that Allison wouldn't kill a 15 year old, what about Boyd and Erica? Legit grl went psycho in season 2 and I don't want to here and "Well Gerard..." She still did it

"sure lets talk" 🗡🗡🏃‍♀️💨 we have very different definitions of talking

Eli and Derek are the best part of this movie🥺

Hikari said, "I got one of those too mfs"🗡

Flashbacks to when Hayden got taken by the ghost riders 😭

Meanwhile in the Hale house:

Pt. 3- 5

[thestevenwickblog]

Inspired by M&M'S iconic packaging and colorful candy shells, the M&M'S x kate spade new york Capsule Collection features unique pieces that bring together the cheerful essence of both brands. Highlights include the Embellished Smooth Leather 3D Crossbody and Chain Coin Purse, ….

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[the-book-queen]

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1st POV. Second chance. He's former military and has returned to town to run the family inn.

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He is a hockey star. She is his prickly neighbor, ex-military turned bartender. Accidental pregnancy.

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$0.99 ✦ A Witch's Work is Never Done by Kate Moseman

Opposites attract. She's a witch, he's a sarcastic devil-may-care demon. He'll need her help to stop another witch trying to imprison all of demonkind.

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$2.49 ✦ Sutton's Spinster by Scarlett Scott

London's most dedicated scoundrel + the ton's most dedicated spinster. He needs a wife to take care of his surprise twins, she wants her independence and to open a newspaper.

KU Title

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[universomovie]

Kate Moss retorna para o anúncio do verão de 2024 da Anine Bing

JOANA ELISABETE Kate Moss posa para a campanha de verão 2024 da Anine Bing. Photo: Chris Colls Na campanha de verão 2024 da Anine Bing , o ícone da moda Kate Moss se une mais uma vez à marca, trazendo seu apelo único para a coleção. Captada pelas lentes de Chris Colls, a campanha destaca aspectos essenciais elevados através de uma série de retratos de estúdio filmados em um cenário…

[kate-jam-and-diamonds]

by Chris Colls for Anine Bing A/W 2023

[patadave]

Taxidermy and the Gothic: The Horror of Still Life

"Taxidermy and the Gothic: The Horror of Still Life is the first extended study of the Gothic’s collusion with taxidermy. It tells the story of the emergence in the long nineteenth century of the twin golden ages of the Gothic genre and the practice of taxidermy, and their shared rhetorical and narratological strategies, anxieties, and sensibilities. It follows the thread into twentieth- and twenty-first-century culture, including recent horror film, fiction, television, and visual arts. Like late Victorian Walter Potter’s infamous taxidermied two-headed kitten, the Gothic and taxidermy are two discursive bodies, stuffed and stitched together. Moving beyond the well-worn path that treats taxidermy as a sentimental art or art of mourning, this book takes readers down a new dark trail, finding an overlooked but rich tradition in the Gothic that aligns it with the affective and corporeal work of horror (e.g., anxiety, hesitation, disgust) and the unsettling aesthetics, experiences, and pleasures that come with it. Over the course of four chapters, it argues that in addition to entwined origins, taxidermy’s uncanny appearance in Gothic and horror texts, surprisingly overlooked in most criticism, is a driving force in generating fear. The core argument of the book is that taxidermy embodies the phenomenological horror of stuckness, of being there. Taxidermy often sits, presiding over characters in critical moments in Gothic texts, sometimes foreshadowing their own fate (as in the case of Norman Bates’s mother in Psycho, or the protagonist in Roald Dahl’s short story “The Landlady”), but most frequently taxidermy works to amplify the affect of horror, generating anxiety over what will be forever preserved and never escaped: the violence of life. Key texts examined in this book are nineteenth-century taxidermy manuals and specimens, including the anthropomorphic work by notorious taxidermists Walter Potter and Charles Waterton; contemporary artistic taxidermy, with a focus on the shocking work by Scott Bibus, Kate Clark, and Mothmeister; literary works, by authors such as H.G. Wells, Alice Munro, and Claudia Rankine; and horror film and tele-series, with a focus on Get Out (2017), The Cabin in the Woods (2011), and Tell Me Your Secrets (2021). In short, taxidermy’s imbrication with the Gothic is more than skin deep: these are rich discourses stuffed by affinities for corporeal transgressions, the uncanny, and the counterfeit. This book will help carve new scholarly directions in the bodies of Gothic and horror studies, animal studies, and art history and visual culture."

[piaheinrichgf]

careful who you befriend on the internet children, one day you're just talking about fictional characters and the next thing you know you're taking a flight to a different country just to fall asleep on your friend's couch while she's making dinner and you're other friends are having quiet phone time

[stairnaheireann]

#OTD in 1881 – Kate Coll and Juan Vivion de Valera are married; just over a year later the couple give birth to Éamon.

#OTD in 1881 – Kate Coll and Juan Vivion de Valera are married; just over a year later the couple give birth to Éamon.

Allegedly, Catherine Coll and Juan Vivion de Valera are married in St. Patrick’s Church, Greenville, New Jersey on 19 September 1881. They are the parents of Irish statesman and politician Éamon de Valera, who serves as the 3rd President of Ireland and Taoiseach. Catherine Coll is born on 21 December 1856 in Bruree, Co Limerick and emigrates to New York in 1879. She first takes a job with a…

[arutai]

Kate Winslet by Chris Colls