#Katara Cultural Village

[emaadsidiki]

Katara Beach Club - Doha, Qatar.

[morelin]

Katara Cultural Village

Il Katara Cultural Village di Doha (Qatar) è situato tra il distretto finanziario di West Bay e le torri a mezza luna dell’area residenziale di The Pearl. Un mix di modernità e tecniche antiche costruito per ospitare attività culturali, intellettuali ed artistiche che lo hanno reso uno dei centri artistici più importanti della regione del Golfo Persico. La nostra prima tappa qui è la colorata Moschea di Katara o Moschea Blu progettata da Zeynep Fadilloglu, la prima architetta donna a specializzarsi in questo tipo di edifici religiosi. Ricoperta da meravigliose piastrelle blu e dorate, trae ispirazione da diversi edifici civili e religiosi del mondo musulmano.

All’arrivo siamo stati accolti dalla guida per un interessante approfondimento sui momenti di preghiera.

Vi è anche un’altra moschea a Katara che però abbiamo visto solo esternamente perché l’accesso non è consentito ai non musulmani, la cosiddetta Gold Mosque, così chiamata perché è interamente ricoperta da piastrelle dorate.

Abbiamo visto anche delle strane costruzioni, strutture oblunghe con fori e trespoli: si tratta delle Pigeon towers dedicate ai piccioni che servivano per raccogliere i loro escrementi utilizzati poi come fertilizzanti. Curiosa anche la forma dell’edificio dove ha sede Al-Gannas Qatari Society, un’associazione culturale che promuove la tradizionale caccia araba e la falconeria: infatti rappresenta uno chaperon, il copricapo per gli uccelli rapaci.

Nel cuore del villaggio si trova il grandioso e bianchissimo Anfiteatro, un mix tra arte islamica e greca,che può ospitare fino a 5 mila spettatori.

Anche se non volevamo fare shopping abbiamo raggiunto la 21 High Street, la via super lussuosa dove si trova il grande magazzino Lafayette, per ammirare le stupende sculture all’aperto in vetro di murano e poi siamo entrati al SNAN Food Hall per sbirciare la copertura in stile liberty.

Non mancano poi le sculture, ad esempio “The Force of Nature II” di Lorenzo Quinn oppure la fontana in movimento nella piazza principale.

Infine, per la mia gioia, la street art è arrivata anche qui.

[hsmagazine254]

Explore The Charms of Doha, Qatar

Discover Doha: Where Tradition Meets Luxury Experience the captivating allure of Doha, Qatar, where ancient heritage blends seamlessly with modern extravagance. From opulent skyscrapers to bustling souqs, Doha offers a myriad of experiences waiting to be explored. Join us as we uncover the essence of this enchanting city.   Visit Qatar – Doha   Immerse Yourself in Doha’s Splendour 1. Wander…

[paulpingminho]

[seps-travel-blog]

Was aber wirklich einen Besuch wert ist, ist das "Cultural Village". Dieses hatte den Beinamen "Katara"

Dies ist ein Treffpunkt für alle Künstler der Stadt. Mit vielen kleinen Ausstellungen und künstlerischen Gebäuden. Auch ist hier das "Ministry of Culture". Dieses hatte auch eine kleine Ausstellung direkt vor dem Gebäude.

[wileycap]

Crackfic Idea:

30-year-old Zuko gets randomly flung back in time to his 16-year-old self. For a couple of hours at a time. At the most random times imaginable. Imagine the potential.

Zuko assumes that it's a dream or a vision, but definitely not real. He tries not to freak everybody out too badly, but he's also fully enjoying himself and seeing all of his friends as their young selves.

ZUKO, as he and Aang circle each other at the South Pole: I've spent years preparing for this encounter. Training, meditating. You're just a [Spirit Shwoop Sound] ... baby Aang!

AANG, confused: Well, more like preteen Aang. How do you know my name?

ZUKO, looking around: Wait, where are we?

AANG: Um... this is the-

SOKKA: Don't answer him! He's trying to get information out of you. You can't give away our location!

KATARA: Sokka, he's standing in the middle of our village. I think he knows.

ZUKO: We're here? This is so weird. I was just here for the Annual Penguin Race.

AANG: THERE'S AN ANNUAL PENGUIN RACE?!

ZUKO: Well, yeah, it was your idea... you gave a whole speech about cross-cultural cooperation and friendship, but I know you just wanted to go penguin sledding with a bunch of people...

AANG: Well, I-

SOKKA: Stop giving him more information! He already knows about the penguins!

Everybody else is confused, bewildered and even befuddled except for Iroh, who assumes that it's Spirit Shenanigans™️ and just fully accepts that his nephew likes tea and hugs and Pai Sho sometimes while being his usual shouty surly traumaball self at others.

ZUKO, stepping into the cabin: Hi, Uncle. I brought you some ginseng. How about a game of Pai Sho?

IROH, tearing up a little: I would love that, my nephew.

ZUKO: I wish we could do this more often, but you live so far away...

IROH, mentally calculating that he lives exactly three doors away from Zuko, and nodding sagely: The rat-viper may never climb the mountain that a hog-monkey can, but the monkey does not know what lies underneath it.

ZUKO, sighing sadly: I know, Uncle. I do appreciate my position in life, even if it has disadvantages.

IROH: Hmm. Your move, nephew.

The crew of Zuko's ship is terrified by the fact that whenever it happens, Zuko is somehow even more hyper-competent, seems to be weirdly calm about everything, and most unnervingly of all, he's polite.

SOLDIER: Here is a report on the best teahouses within three days travel of our current location, Sir. And, uh, Commander Zhao sent a messenger hawk.

ZUKO: Excellent. Thank you very much, Sergeant. I think we can ignore whatever Zhao has to say. In reply, I want you to send him a list of the most famous officers in Fire Nation history, and point out that none of them had sideburns. I want to see if he shaves them.

SOLDIER, sweating nervously: O-of course, Sir.

As a matter of fact, the whole fic could just be Zuko trolling Zhao. It would be glorious.

[unfriedough]

Hey sorry if your request aren’t open but I had a thought about Zuko x water tribe/bender reader!Like three years after the war he wants to propose to reader and So he ask Katara and Sokka about marriage traditions within the tribe and he carves a betrothal necklace for her?? And the readers reaction!! Thank you

An: HEY. Sorry this took like, so long I think you requested last summer, however I’ve kinda lost most of my determination to write and this account became more of a chore than what I had initially wanted. Either way, maybe somehow I’ll be able to be more consistent soon but I also don’t wanna make myself hate writing so :(

Thank you for requesting, I really do appreciate it, hope you enjoy :)

Zuko’s nose twitched as the cold nipped away at his extremities, huddled up in a few too many jackets. There’s a striking difference between cold and cold and right now he wished he was on fire.

Your gloved hand was intertwined with his as you lead him off of the fire nation ship and onto the white snow of the southern water tribe. This trip was planned as a way to visit Sokka and Katara, but Zuko had another plan in mind.

Finally, after three years of struggling to settle down, the fire people finally relaxed and he was able to make more time. In that time, he realized he’d wanted to marry you more than anything. So here he was, in a nation far too cold for someone like him, with a goal in mind.

He had exactly 5 days (and a half if you’re counting from now) to get ready a betrothal necklace. Why a necklace? Well, Zuko had watched you for days on end in the castle library, a book bigger than your head on the table being analysed by your eyes. You’d smile brightly when you locked eyes, and call him over. He’d sit next to you, shoulder to shoulder, attempting to read with you. The books were always about old water tribe traditions, tales, legends, history, everything of the sort. You’d wanted to stay connected to your culture and upbringing - it made you who you were today.

And so that brings you to today, here, the water tribe.

“Katara!” You squealed, running forward and pulling her into a hug. You two squeezed each other tightly, excited noises being expressed.

Zuko and Sokka nodded to each other, trying to be kinda nonchalant but Sokka couldn’t hold it much longer, he sprinted at Zuko and tackled him to the ground into an oh-so-warm hug. You laughed at the site, Katara too. Zuko felt a twinge of pink on his cheek, from the cold or embarrassment he couldn’t really tell, but he still wrapped his shaking arm around his buddy. After a few more ‘I missed you!’s and giggles, Zuko and Sokka got back up. Katara grabbed your hand and pulled you deeper into the village, you laughed the entire way, giddy from being back home here with your family. You threw a glance backwards at the fire lord, there was something very slightly off about the way he was smiling, you brushed it off as just the cold getting to him.

It was most definitely the cold getting to him.

Sokka led him to the ice on the outskirts of the village and brought some chairs along. They were gonna go fishing while they talked. As they both sat, another shiver ran up the poor fire bender’s back.

“How do you guys survive the cold?” He groaned.

Sokka chuckled, handing him a rod, pushing the bucket of bait closer to him, “You get used to it… I could ask you the same thing about the heat,”

“I’m a fire bender it’s in my blood,”

“Yeah well you learn a thing or two when your lovely sister starts learning how to bend and suddenly you’re always wet,” he cast the line, leaning back, putting one leg over the other.

“I guess,” he laughed.

They sat in a suffocating silence for a minute, Zuko just awkwardly holding the pole and Sokka staring into the sky.

“Are we going to address the camelephant in the room?”

Zuko looked to him from his peripheral, “I’m kinda nervous I guess, I don’t know what to do,”

Sokka sat up a little straighter, getting up to help Zuko with his fishing issues. He stood behind him and helped his arm into the correct place, slowly to be sure he understood.

“Just like fishing, you have to be precise and confident to get what you want, and if you cast your line just right, you’ll catch the fish,” he winked once the bob hit the water, stepping back to admire his own work.

“Not sure that’s the best metaphor,”

“Say you love it, he's been working on it ever since you wrote to him,” Katara rolled her eyes, holding your hand as you both struggled to not slip on the ice.

“KATARA.”

Zuko couldn't help but laugh, then he was met with the puzzled look on your face.

“I thought this was a surprise trip, when’d you write to them,” you tilted your head, eyes narrowed suspiciously.

“…needed to make sure they were free,”

“Yeah?”

“Yeah…”

“That totally checks out,” you rolled your eyes, getting a serious case of FOMO.

Sokka coughed to try to clear the awkwardness, “So fishing…”

“What’re you trying to catch anyways?”

“Does it matter, it’s about the process YN get with the times,”

“Since when did you fish for fun?”

“Since now.”

“I thought you hated fishing,” you were all standing up by this point, including Sokka and Zuko.

“Only because Miss Katara always splashed me,”

“And I won’t hesitate to do it again!” She bent a small stream into his face, giggling when he stumbled back.

“Oh it’s on Katara,” he paused, “As soon as I get snow,” he waddled away to get to the snow on shore.

You laughed when the waterbender used more ice to cause him to slip.

“I’ll go help him up,” you laughed, moving towards him as he laid helplessly on the ice, not even bothering to get up anymore.

Zuko watched your figure, missing the way Katara turned to look at him.

“I think you should do it here,”

“What?”

“The proposal,”

“That’s not enough time, it’s barely enough for me to learn how to carve the necklace,”

“Lucky for you, Sokka’s pretty efficient with plans, he’s been plotting since you told him,”

The fire bender smiled, shoving his hands into the pocket of his jacket. “Okay, maybe, but how can I get started when she’s with us all the time?”

“Don’t worry, I’ll handle her,” she smirked.

-

“Are you sure this is safe?” You shivered, standing in your bathing suit on top of a huge rock, below it freezing water.

“No!” Katara, “But let’s do it anyways,”

“I don’t know, what if I freeze?”

“Good thing we have a fire bender with us,” she pointed to Zuko, who was in the distance learning about what tools to carve and what stones to use, he’d settled on one that reminded him of your eyes, and the band matching the deep royal blue usually used. He wanted to alter the pattern as a way of commemorating both elements. Currently, he and Sokka were doodling designs on the snow with sticks.

“Look at those dorks, I wonder what they’re doing,”

“You know Sokka, they’re probably drawing,” she laughed nervously.

“Hmm, that kind of looks like a-“ you were cut off as she pushed you off of the rock. You shrieked as you first dropped, then as you got more air time you changed into a more streamlined position with your head downwards. Instant regret when you hit the water though.

You resurfaced, drenched and in pain from the cold. Your fingers felt like they were gonna fall off any second now. Before you got to dwell on it, Katara joined you, also screaming in fun-agony.

“WHY’D YOU PUSH ME?” You splashed her.

“You were talking for too long…” she giggled, going under and pulling you down.

You inhaled a large amount of air before going under, making sure to keep her under with you as well. After a few seconds of freezing cold, you resurfaced, feeling pain in all your joints from the water.

“Why did I ever think this was a good idea?”

“I’m honestly not sure,” she shrugged, waterbending herself back up to the ledge so she could jump again, “But it sure is fun,”

Sokka and Zuko heard a splash in the distance.

“I think Katara is torturing your wife,”

“What?” he mumbled, looking at where you were very clearly lecturing her about something, “What’re they doing?”

“Ice bath, Katara tricked me into doing it once… I never fully recovered,”

Zuko chuckled, using his stick to doodle another design. Which he then stared at for a while.

“This is it.”

“Oh?” Sokka glanced at it, “It’s perfect.”

The men stared at each other proudly, as if they’ve just completed a super hard mission.

Immediately, Sokka took him inside a tent, quickly teaching him methods of carving with different tools. A few more splashes could be heard and you and Katara had fun.

“I wonder what he’s doing to Zuko,”

“Boy stuff,”

You furrowed your brows, “what does that even mean?”

After a lot of time (and a few cuts) Zuko finally had a necklace ready. Sure, it needed to be refined, but his hands were tired and shaky. Sokka patted him on the back, watching the fire bender weave the blue band into the loops.

What they failed to notice was you approaching, now covered in a warm coat.

“What’re y'all up to?” You breathed out, still cold but beginning to gain your senses.

Zuko panicked, hiding it under his leg. You looked at him weird.

By this time, Katara had joined the group, and behind her the sun fell into a pink and purple type hue. Zuko didn’t miss the way your breaths were so laboured, and he took it upon himself to lead you back to where Sokka said you two were staying. You changed into some clothes while he surveyed the room, moving around nervously.

“You’ve been acting weird all day,” you pulled a sweater over the thermal shirt, reaching over to grab an undercoat.

He walked up to you, fingers working shakily to button up the buttons. “Just cold,”

“No, the cold doesn’t make you avoid me.”

“I’m not avoiding you,”

“Really? It feels like Katara and Sokka are trying to keep us apart.” He grabbed another, heavier coat and draped it over your shoulder, you inserted your arms in the holes.

“I didn’t notice,”

“You’re lying,” you stepped back, putting your boots back on and tucking your pants into them.

He frowned, reaching out to you, but you stepped back.

“It’s weird, the letter thing as well- why didn’t you tell me you sent it to them? I thought it was last minute?”

“It was!”

“You’re lying again,” you frowned, folding your arms.

“I promise it’ll all make sense soon,”

“How soon? What’re you hiding?”

“I-“

“Actually. Don’t tell me. I don’t wanna know.” You huffed, storming out of the room, leaving a different kind of cold lingering.

Zuko sat down on the large bed, dropping his head into his hands. He sighed deeply, reaching over multiple layers of clothing to his pocket to pull out the carved stone. Truly, it was mediocre at best. And after this misunderstanding, the sinking feeling of impending rejection poisoned his thoughts. He couldn’t help but trace his finger over the patterns, wondering what could’ve been- he was half sure he was single now.

“I forgot-“ you gasped as you walked back in the room, catching a glimpse of the rock in his hand.

“Yn!” He quickly shoved it behind him.

“Zuko… what was that?”

“What was what?” He said, looking so suspicious it was stupid.

You took a few steps closer, inching towards him slowly, “In your hand,”

“My hand’s empty…”

“Liar…” you dragged on, standing right infront of him now.

“Zuko,”

“Yn,”

You tried pulling at his arms, but he wasn’t budging.

“Cut it out! What’s behind you?”

“Nothing!”

You sighed, walking away in defeat, just as he let his guard down, you pounced, having to grab it and rolling onto the bed. He barely had time to process it when your face immediately changed.

You sat up, moving on your knees towards him on the bed, patting his bicep, “Zuko light,”

The fire lord frowned, embarrassed that he was about to get rejected, although that’s no foreign feeling. A small, dancing red flame illuminated the carved necklace.

“It’s…” you covered your mouth with one hand, tears welling in your eyes.

“Tacky- I know, I just thought- you don’t have to do a-“

“Beautiful…” he glanced sideways at you, “Zuko…”

“This isn’t at all how I wanted this to go…” he sighed, dropping his head.

“No… probably not,” you sniffled, “but it was perfect,” you laughed, he chuckled as well.

He got up, lighting an oil lamp for better lighting. Zuko circled the bed and stood next to you, still nervous and fidgety.

“Yn,” he breathed out, shakily.

You nodded, glossy eyes meeting his.

“The years you’ve spent by my side, against me, with me- those have been the best years of my life. When I’m with you, I feel like I’m truly myself. I’ve never,” he swallowed harshly, “I’ve never felt more at home,” he paused again, looking up at the ceiling, “then when I’m with you.”

You let out a small noise of excitement, bouncing your legs.

“I’ve made so- so many mistakes in my life, every single day of it, but I think… I think letting you go would be my biggest mistake, Yn-“

“YES!!” You pounced on him, hugging him so tight as your heartbeats both skyrocketed.

You giggled as he looped the necklace around your neck, it was simple, and dainty, but most of all it was so Zuko. The more someone could stare at the imperfections in the craftsmanship, the more they’d love it. A man carved it with love and intention.

You held each other for a while, just swaying in the dimly lit room. You leaned back, cupping his face in your hands.

“Is this why we're here? You wanted to carve the necklace?”

“Yeah, pretty much, you ruined my plans though,”

“I did, didn't I?” You giggled.

“I had a lot planned for us, with the help of Sokka of course,”

“Ohh now that makes sense,”

“What makes sense,”

“Literally everything, you were being so weird,”

“I’m not great at keeping secrets,”

“Good, never keep one again,” you kissed his cheek.

“I suppose we should tell Katara and Sokka,”

“Yeah, I suppose we should.”

And so, hand in hand, you walked out to the bonfire, where the siblings sat.

Sokka was so mad his plan foiled.

[atlaculture]

Favorite Foods: Sokka

Since Sokka is almost always shown shoveling food down his gullet during meal scenes, I figured he prefers foods that he can stuff into his mouth quickly and in large quantities. Like Katara, I also feel his favorite foods would tie back to key memories in his life.

Sea Prunes (Row 1) - Sokka likes eating sea prunes even more than his sister does. Being Hakoda's favorite food, I think eating sea prunes allows Sokka to feel closer to his father. I think he prefers eating them either stewed in five-spice (five flavor soup) or just blanched and paired with a dipping sauce. Real-life sea prunes are small, leathery mollusks traditionally eaten by First Nation and Alaska Native groups along the west coast.

Muktuk - Muktuk is whale skin and whale blubber served raw, like sashimi. It's typically snacked on as the rest of the whale is being butchered for later consumption. Sokka has fond memories of his father's hunting crew bringing home a whale and his father offering him the first bite of muktuk.

Seal Jerky - Sokka's favorite portable snack. Seals are the largest animal that Sokka has ever successfully hunted on his own, so he feels a real sense of pride when he eats this jerky.

Polar Bear Stew - Stew made from polar bear meat. Polar bears are revered in Inuit culture as the greatest of all bears, so successfully hunting one is a considered an impressive feat. As such, polar bear stew is considered quite a delicacy in the SWT. Sokka has only had the dish once, thanks to the bravery and skill of his father's hunting team, and dreams of one day bringing home another polar bear for the whole village to enjoy.

Fermented Eider Egg - Eider is a species of arctic duck. Their eggs are buried underground and left to ferment. They're said to taste like a strong cheese. There's no deep reason why Sokka loves them, he just likes that he can stuff a bunch into his cheeks like a squirrel. ^_^

Green Kasha - Green Kasha refers to a mash of different tundra greens such as sourdock, rhodiola leaves, arctic willow, and mountain sorrel mixed with rendered blubber oil. The oil acts as an emulsifier as it slowly gets incorporated into the mash of greens. Green kasha is used as a dipping condiment for various types of arctic meat. Sokka likes it because it gives him a whole new way of enjoying his favorite foods.

Kumis - Kumis is a fermented dairy product traditionally made from mare’s milk. Sokka was introduced to the drink by Yue and the two often enjoyed the drink together--- the mild alcoholic content made them feel rather grown-up. The color of the drink also reminds Sokka of Yue's hair, so the drink is tied to Sokka's bittersweet memories of her.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[queen-morgana91]

"Why do people dislike Zuko/Zutara stans??"

Mmmh

🤦‍♂️

Sorry but I can't stay silent anymore, these posts are insane

Aang: a kid/genocide survivor lashing out because his best friend and only living link to his people has been stolen. The avatar state (a power he is afraid of) was a response to losing another part of his home, the only person connecting him to his past and eradicated culture

Katara: saw Aang loosing control in the avatar state and CHOSE to be at his side and help him, because she KNOW what's it's like having your loved ones stolen from you, she is hurt from seeing him hurting because she's an empathetic person and she loves him. She's comforting a friend during an emotional crisis.

Zutara/Zuko's stans: Ugh violent destructive tantrums save yourself katara! Zuko <3

Mh ok.

It's funny because those people are stanning a character who called Katara a peasant and threatened to wipe her village and only were in good terms in the last few episodes. They are stanning a character who was a villain/antagonist for two seasons (and half of season 3) who tried to kill her and her friends over and over again. But that's ok, he suffered and redeemed himself in the last 3 episodes, so it doesn't matter, while everything the abuser/toxic Aang """did""" was beyond forgiveness.

That's the message of Avatar the Last Airbender :)

The way people in this fandom are so unempathetic towards a 12 year old who lost everything is so crazy to me.

These episodes are full of sad moments with a lot of hurt behind it. These are all children (child soldiers also) overwhelmed by moments of severe loss. These children are human and they have flaws.

This is why being a fan of most animated content sucks as their fanbases have the intellectual capacity of a goldfish

[zvtara-was-never-canon]

Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

[emaadsidiki]

Sculpture by Subodh Gupta at Katara in Qatar.

Subodh Gupta's sculpture at the Saffron Lounge.

[katy-89]

I'm just trying to imagine Aang's face in Zuko's spot. Can you imagine him trying to burn her village, using katara’s dead mother necklace as blackmail and using her as an hostage, or throwing a guy across the room because he was talking to her, or calling her and her brother "peasant", or betraying her after she showed empathy to him, or encouraging her to kill a man, or making racist comments to her friend and mocking his culture, or just throwing tantrums all the time?

Zuko's emo pretty face protects him and hides his worst tendencies imo

[the-badger-mole]

Rumor Has It...

Being in the public eye was...grating. Katara thought that growing up in a small village, where everyone knew everyone's business would have inured her to the self-consciousness of having everyone talking about her and her business, but it didn't take long for her to learn that there was a difference between people who knew and loved her talking about her and strangers who were just hungry for gossip doing it. It was even worse when she was dating a man (and she used the term very loosely in her less charitable moods) who understood discretion even less than he understood his girlfriend's boundaries.

She had quickly learned to hate the cameras that were so popular in the Fire Nation and the Earth Kingdom. It made it harder for her to ignore what Aang was doing. Not that he was cheating on her. Of course he would never do that to his Forever Girl. But to see pictures of him with his fans hanging on his arm, gazing up adoringly at him, smiling proudly at the cameras when the reporters caught them coming out of some Air Nomad symposium or other. When Katara told him how much she hated the pictures, Aang would just shrug and say, "Well, it's not like I'm kissing them or anything!"

It was always somehow Katara's insecurities and mistrust that was the issue, and not him entertaining these young women who were plainly throwing themselves at him. When Katara asked him to set boundaries with them, he would scoff and blame her repressive upbringing in the barbaric Southern Water Tribe. The Air Nomads were more evolved about friendships between men and women. As if he would know, Katara fumed to herself silently. He was 12 when his education came to an abrupt end, and he had spent his entire life to that point in a sexually segregated monastery. When she told him how much the rumors bothered her, he regarded her with pity. If she was with him, he told her, to take her place on his arm, there wouldn't be any need for her to worry about the girls who'd taken her place. A slap in the face.

Katara did her best to ignore the rumors, even after they grew teeth. Even after they developed venom potent enough to kill. Because Aang wouldn't do that. Not sweet, innocent, literally couldn't harm the most evil man on the planet Aang. When he told her to take her place on his arm, he hadn't meant to imply that she should give up on her own ambitions to travel the world as the Avatar's Girlfriend. He knew how important it was for her to be home to prevent the Northern Tribe immigrants from getting too much of their own way. How important it was for her to reintroduce Southern style waterbending. So when the newspapers- which were always a week old by the time they made their way to the Southern Watertribe- began to report on growing rumors that the Avatar was known to have spent long nights sharing his culture with this woman or that, Katara clung to what she knew of him. The pictures didn't matter. There were any number of reasons for Aang to be emerging from his hotel with women who weren't her touching him knowingly. The pitying looks from the people who'd known and loved her her entire life and the insinuating whispers from the newcomers from the Northern Tribe didn't either. She wasn't stupid. Aang could be trusted...right?

Hakoda knew his daughter needed a distraction. The school was getting to the point that her constant presence wasn't needed, and he knew Katara could use a new challenge. He conferred with Sokka, who reached out to their friends, and a solution was reached. A diplomatic visit to the Fire Nation. Sokka and Suki would accompany her. The fact that it would take place during the summer court recess was not worth discussing. Zuko would be happy to host. Aang would be invited, too. His aversion to visiting the Southern Water Tribe had long been a sour point between him and Katara, but he could have no issues meeting his girlfriend on neutral ground, where he wouldn't accidentally come into contact with animal byproduct. He still hadn't given Katara a direct answer by the time she disembarked in Caldera. The paper was timely there. The day after she arrived, Katara read about the opening of an Air Nomad museum in the nascent Republic City. The woman on his arm in that paper was a petite, doll like creature with pouting lips and wide eyes that may have been grey or hazel. It was impossible to tell in the black and white photo.

"I had a trip planned to Ember Island," Zuko said over breakfast. It was just the two of them. Sokka and Suki were still in their room, and Iroh had plans with Piando and Jeong Jeong. Katara set the crumpled paper aside and smirked at him.

"And what bit of diplomacy are we expected to perform there?" she asked. Zuko coughed on the sip of tea he'd taken. He had at least the grace to look sheepish as he cleaned himself up.

"I guess I should have timed this better," he said. "I just wanted to show the world that the ties between the Fire Nation and the Southern Water Tribe were as strong as ever, but maybe I should have waited to the end of summer, when we returned to court."

"I don't know," Katara said, trying and failing to hold back a smile. "It's been three months since you visited us down south, and eight since the last time you had us visit. People were probably starting to think we'd fallen out."

"Yes, well..." Zuko mumbled. His face was tinged pink. "I did have another reason to invite you."

"Oh?" Katara raised an eyebrow at him. "And that would be?"

"I need help," he said. "I have some initiatives I want to introduce to the Fire Nation. Costly ones, like universal healthcare and education reform."

"Sounds serious," Katara said. "How can I help you?"

"Your father has told me how many of your ideas he's used to build up the Southern Tribe. That you were able to make room in the budget, even where there was literally no money for it. I'd like you to help me do that here."

Katara sat stunned for a moment. The hopeful look on Zuko's face was almost too painful to look at.

"The Southern Tribe is much smaller than the Fire Nation," she reminded him. "I was able to get creative because a lot of people were willing to volunteer to get some of my projects off the ground."

"You'll be working with a bigger budget," Zuko promised. "And with a team. You can pick whoever you'd like. Of course, I wouldn't expect you to do everything. If you could only help me get one of my initiatives off the ground, I'd be in your debt forever."

There was a long beat. Katara sat impassively, thinking quietly. After a moment, she smiled.

"No," she said, "you wouldn't be. I'd be happy to help you." Relief bled the tension out of Zuko's shoulders and he grinned at her.

"You'll have to be here a while," he said. "A few months at least."

"It's a good thing I like my room," Katara shrugged.

"You have no idea how much help you're giving me," Zuko insisted. "Consider the palace your home. You can invite Aang or- What's wrong?" Zuko's voice was suddenly panicked when he saw how stricken Katara looked. Her face had gone ashen and she clutched the table, doubled over as if she'd just been delt a blow. Zuko hesitated only long enough to see the first tear fall down her cheek before he was at her side and holding her as she cried.

Katara managed to gather herself in a few minutes. Enough that she could sit up and pass Zuko that morning's paper. His face fell when he saw the photo of Aang and the caption named as Himari. She had both arms wound possessively around Aang's, and he leaned into her, grinning, as if they were sharing an especially hilarious private joke. the blurb beneath the picture was a short, but piercing, speculating about the young Avatar's current relationship status and wondering where the Avatar's Girlfriend had been the last year.

"This...this is just-" Zuko scrambled for anything comforting to say. Katara turned her mournful eyes on him and shook her head.

"This is just the latest," she said, her voice cracking slightly. "He doesn't care if I see him."

"Katara-" Zuko's hand slipped into hers and he squeezed it tightly. Katara took in a deep, shuddering breath.

"It's okay," she lied. "I think I've known we were over for a while. I just wish he'd be a man about it and tell me to my face."

Zuko was silent for a long moment. It took all of Iroh's lessons in self control to keep his anger from spewing out like erupting lava. He ran his thumb over Katara's knuckles distractedly.

"What do you say we get Toph and crash at the summer house?" he suggested. "No newspapers, no work. Just us being lazy on the beach and pretending the rest of the world doesn't exist?"

Katara smiled weakly at him.

"I'd like that."

[paulpingminho]

[likealittleheartbeat]

talk to me about the theme of emotional isolation for zuko and aang

It's the main reason I'm obsessed with the show tbh.

Can we overstate Aang's isolation within the show. He's not only a survivor--a sole survivor--of a genocide, he's also knocked out of time and history. These are the facts of his physical isolation. But his emotional isolation is such a different beast. It began before any deaths did. He is set apart by the monks and by the whole world as a savior. Shortly after his status as the avatar is made known, his peers exclude him, his power too great. His humanity is denied because he's too divine. Only Gyatso seems to still regard him for who he is rather than his gifts. Of course, that's why the council decides Aang needs to be further separated from worldly relations like that, and vote to send him off. For Aang, it's the last straw. He can't bear further exile from others. To regain some sense of control, he tries to run away from the heavy burden and those who have put it on him. At least this time, he's the one choosing his loneliness. It has become so clear that no one can understand his feelings about the Avatar State.

This is the emotional state he enters the series with, icon rather than human. He starts off concealing his revered identity in an attempt to indulge in simple pleasures, penguin sledding, coy fish riding, etc. But the shame is secretly right there at the surface. He's lovable but mercurial. Friendly and animated with everyone when he first meets them but in a way that's fleeting. The knowledge that he will have to leave the village, in an episodic fashion, having helped the members of the town, even having sacrificed himself for their well-being, is an understood fact of the plot and his life. At most he sheds some of his grief by putting it into words with Katara's encouragement. But despite the whole world fighting through their own grief from the fire nation and Katara's sole-survival of her own culture's genocide, they each have people in their families and cultures who, however bitterly, hold them and hold the broken memories together with one another. No one is as physically isolated as Aang, but, more importantly for his character development, no one is as isolated by their significance to the world.

No one, except Zuko. Zuko, the banished prince. Isn't that what Aang as the Avatar is in many ways: a spiritual prince, an heir by birth to power and legacy, who has been banished from his inheritance. Only, Aang's inheritance would be peace. Zuko's would be the Fire Nation, but because of his humanity, Zuko, like Aang, is without a nation. This is one reason Zuko and Aang are such incredible narrative foils. Aang is rejected from humanity's compassion because of his divine status while Zuko is rejected from divine rule because of his human compassion and failures to demonstrate perfection. (If you're interested in this dynamic in media, Fruits Basket has fantastic explorations of these themes with Kyo vs. Yuki and Tohru vs. Akito.)

How early did Zuko start to notice the disappointment he brought to his father and grandfather? As early as we can see, Zuko seems alone. The episode with that phrase in the title reflects back on his childhood, which, noticeably, lacks the friends Azula manages to keep. He mimics and mocks her cruelty, as well, in an attempt to impress his mother. His insecurity seems already set, a sense that no one can understand. While Aang recognizes that everyone thinks he's too good to belong, Zuko lives in an environment in which he's not good enough to belong.

The reactions to their rejections correspond, too. Zuko's reaction of antagonistic pursuit of anyone and everyone--like Aang's reaction to run away (literally and sometimes emotionally with a smile or joke)--helps keep others in a framework of enemies so he can control his exile rather than the other way around. Yet these behaviors put them in dynamic relation to one another--Zuko is drawn to the endless pursuit of the strangely kind Aang, whose instinct is to behold others while remaining untouchable, while Aang becomes clearly intrigued by the person who refuses to treat him like an untouchable hero, the person who refuses to give up on the possibility that the Avatar can be flawed and fail, no matter how many times he slips away proving his divine destiny.

It's obvious that Zuko is supposed to hate Aang, as the Avatar. "The Headband" illustrates how education in the Fire Nation portrays him if the fact that Zuko's only possibility for regaining his title under his father is bringing the Avatar back isn't enough evidence for you. But Aang ought to hate Zuko just as much, if not more. Instead, they are drawn toward one another with an remarkable intensity, established within the first half of the first season, "The Storm" x "Blue Spirit" combo punch! In fact, the blue spirit episode really reveals what they can mean to each other. Not only in Aang's question at the end that invites Zuko back into the past with him, but in the way that Zuko is made to be the divine entity for a brief period while Aang is helpless in the fort. Then, that question at the end: "Do you think we could have been friends?" Isn't that the opposite of the isolation they feel. In the woods, without a nation or an allegiance, Aang, remembering the people and time that he was forced to leave asks Zuko, who has just betrayed the people who banished him, in another version of life where they were both simple people rather heirs of vast power, if they could have formed a kind of union that would have dissolved the loneliness that consumes both of them. But it's momentary and they have to return to the world that defines them as the Avatar and the Banished Fire Prince.

This becomes one of the cores of the show, as echoed in the finale, where Zuko and Aang consummate their friendship, but by then, through traveling the winding road toward one another and aiming to take on a part of what the other person represents, they have found a balance that refused the binaries of divinity and fallibility that had previously separated and defined their lives, binaries that exiled them from connecting with others, binaries that built towers to isolate them from the world. The victims and survivors of genocide, the subjects of colonial violence, nor the sufferers of abuse need be pure to claim their pain, nor must the people who want and work towards justice be saints to do that work. Harder for many audience members to absorb, despite their love for Zuko who's arc is meant to emphasize the point, there is a spark of divinity in everyone, from the most unloved to the most violent and tyrannical. This second fact must exist alongside the first, or else the premise won't hold. How you choose to act and engage with that spark of divinity is a human choice we each make on our own, but that does not deny it's existence. The divine ideals must be allowed to fall apart into comedy and tragedy, while the mundane, the profane, and the cruels horrors of life must be allowed to be seen as something that hold the possibility to become beautiful and part of a grander design. The Avatar must be allowed to be Aang and Zuko must be allowed to be the Firelord so that we can have Avatar Aang (the last title of the series) and Firelord Zuko (the most celebrated character arc of the series). They need one another to assuage the fear, isolation, and dread that black-and-white perfectionist thinking boxes us into.

[wilcze-kudly]

The tragedy of Avatar's "Funny Guys"

So... Sokka and Bolin are both "the funny guy" of their respective group, we can all agree on this. Now comic relief characters aren't rare in media and often they exist purely to be said comic relief, with little nuance or storyline of their own.

But Avatar strays from this rule by giving their comedic relief characters a lot of depth.

Both Sokka and Bolin have been through some awful stuff. They've dealt with loss and plenty of adversity.

Sokka lost his mother as a child. After that, his father left for a war, basically leaving Sokka to care for his sister and village. And, to his credit, Sokka took his duties very seriously. You can see how protective he is of Katara and the members of his tribe, trying to defend them even when he's clearly outnumbered and outmatched. This also bled through into his role within the Gaang, where he acts as provider, strategist and organiser.

As for Bolin, he was orphaned as a small child, forced to live at least 10 years homeless. His horrific childhood trauma leads to him lacking a lot in social skills and confidence. And throughout the show he is manipulated, used and, quite frankly, abused multiple times.

But we already knew that, right?

We've seen them in their respective shows and we've heard their backstories explained to us. They share most of their backgrounds with their siblings, so it's not a leap in logic to say that they most likely have similar trauma.

So, why is that their "angst" isn't taken as seriously as, say, Katara's and Mako's?

I'd the main reason really is the fact that they are meant to lighten the mood.

This is unlike Katara and Mako, whose roles allow them to express their grief and pain more freely, the creators going so far as to incorporate symbols of their trauma into their designs.

Katara and Mako's actions are often more easily related to their trauma. Because their characters are more obviously tied to their trauma.

We, for example can understand Katara stealing a waterbending scroll and relate it to her need to connect with her almost completely destroyed culture. We can see Mako have difficulties connecting with people and recognise that this is most likely due to his troubled past.

Sokka and Bolin are more... tricky. We don't always think about the in world reasoning of their characters. Often, we just assume that they're doing something to be funny.

We see Sokka insisting to be the leader as: haha, funny bossy guy. Instead of: damn, this kid has been conditioned to take so much responsibility for the safety and well-being of others.

We see Bolin bending over backwards to please Eska as: oh, that Bolin, such a silly guy. Instead of: oh, shit this teenager spent his entire life as a dependent to his brother so his decisionmaking skills and backbone are probably extremely stunted.

This isn't helped by the fact that these character's pain, distress, grief and sadness are often played for laughs. And yeah, often the scene is funny. But that doesn't negate the character's in-world suffering.

I think this is what occasionally can be quite upsetting to me when people don't take this character seriously because they're "only meant to be there for the comedy". Maybe with a more straightforward show, I'd take that answer, but Avatar leaves us these pretty obvious breadcrumbs.

Avatar is a pretty well crafted show, in the end and most of the main cast have their nuances and storylines that raise them above the tropes they're meant to represent.

PS: This is not to say that Sokka and Katara have the same trauma, nor that Mako and Bolin have the same trauma. Both pairs of siblings took up different roles in their respective dynamics.

For example, Sokka visibly takes up the role as defender, provider and planner, wheras Katara deals with the more domestic tasks (yay sexism). This shows in how their trauma manifests in dufferent ways. Sokka's need to prove himself vs Katara's frustration at her percieved "role" in society.

Mako and Bolin's past is more nebulous, but I would argue Bolin still played an important role in his and Mako's lives. Bolin is cheerful and bubbly, almost by design. It wouldn't be a leap in logic to assume that a bit of that cheer may be fabricated in order to keep going. Bolin's lack of personal growth due to being Mako's dependent is also a symptom of his trauma.

It also bears to mention that these character's competence is also often downplayed due to the humorous ways in which they fail. Sokka planned an invasion on an entire nation that would've succeeded had it not been for Azula gaining insider information. He invented submarines. While Bolin is one of the most efficient and powerful earthbenders combatwise (I'm tired of pretending he's a mid bender the only thing stopping my man from commiting mass murder is his heart of gold). They are not just haha funny idiots. Put some respect on their names.

Ok I'm done stating the obvious now.