#Karolina Jonderko
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Karolina Jonderko, "Autoportret z matką"
Artystka sfotografowała się w ubraniach matki, która kilka lat wcześniej zmarła na raka. Karolina Jonderko – polska fotografka, członkini agencji Napo Images. W 2021 roku otrzymała II nagrodę World Press Photo w kategorii projekt długoterminowy za zestaw zdjęć "Reborn". Via Culture PL
Lewa str: "Ubranie weekendowe", Na prawo: "Ubranie zimowe" z serii "Autoportret z matką", fot. Karolina Jonderko / Napo Images
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Fresh From Poland goes to India!
Just Another Photo Festival, New Delhi, India, 2015
Grażyna Siedlecka, as one of the guest curators, selected 11 photographers and prepared presentations about their projects.
Artists: Michał Łuczak, Anna Kieblesz, Kasia Klimpel, Michał Iwanowski, Karolina Jonderko, Krystian Lipiec, Piotr Zbierski, Jan Cieślikiewicz, Kamil 1, Krzysztof Racoń, Katarzyna Zolich
#japf#delhi#curating#india#photography#fresh from poland#contemporary#art#selection#grazyna siedlecka#michal luczak#anna kieblesz#michal iwanowski#kasia klimpel#karolina jonderko#krystian lipiec#piotr zbierski#jan cieslikiewicz#kamil 1#krzysztof racon#katarzyna zolich#just another photo festival#curator
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THE FIRST EDITION OF PAPERLUST PHOTOBOOKS FEST IS OVER!
IT COULD NEVER HAVE HAPPENED WITHOUT OUR PARTNERS, GUESTS, ARTISTS, VOLUNTEERS AND GUESTS. THANK YOU ALL!
by Fresh From Poland & Paper Beats Rock, funded by International Visegrad Fund
24.05 – 14.06.2019, Kraków
Paperlust Photobook Fest is a new biennial on the map of photographic events in Europe, stemmed from love to paper. Fest focuses on regional collaboration and aims to present the local self-publishing scene to the wider audience. The motivation behind the festival is to allow discovery while encouraging artistic exchange and explore the power of self-publishing as an offline medium, co-existing in the era of the Internet. PAPERLUST programme is formed of exhibitions, talks, book signings, panel discussion, workshop, photobook fair, reading room (chill zone and library) and dummy review. We invite small publishers, makers and established artists to present their practices, ranging from self-made publications and zines to book objects, albums, and photobooks published by the established institutions. As a reoccurring event, the festival aspires to become a photobook hub in Central and East Europe.
First edition – PAPERLUST Photobook Fest 2019. Art and self-publishing as a tool for social change is focused on the Visegrad region and has been created in close collaboration with the festival’s partners from Slovakia, Czech, and Hungary. It intends to gather local institutions, publishers, non-profit organizations and makers together to increase the visibility and exposure of the artists using photobooks to tell their stories, as well as strengthen, connect and empower the local art scene.
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PAPERLUST PHOTOBOOK FEST OPENING & PHOTOBOOK. ASSET EXHIBTION OPENING GALERIA I!, KRAKÓW, 24.05.2019
PHOTOBOOK. ASSET EXHIBTION GALERIA I!, KRAKÓW, 24.05.2019
Exhibition Asset focuses on the economic and prestige aspects of art publications. An artistic book has become a tool for the emancipation of artist-maker. Having printed publication allows in an almost automatic way to get into the field of the world of art, or rather the history of art. It is often made with the purpose of creating a unique object, that might become a cultural asset.
Except for the context criterion, we do not have any other criteria for evaluation, what is a work of art and what is not. In any case, however, we need legitimacy – perhaps as time passes, distribution of power and who has the legitimacy to evaluate and give the status to a work of art will change. However, traditional, institutional bodies are still holding a strong position. Even though artists, as well as publishers, say that books are overproduced, that there is no environment, not enough audiences or market, publishing an art book still seems to be amongst the best ways to build up one’s position in the art world.
The exhibition presents the selection of books made with a purpose to become an asset, a self-standing piece of art, to bring an income or to became a valuable, collectable object.
Artists: Petr Fabo, Ivars Gravlejs, Agata Grzybowska, Blanka Győri and Máté Labu, Hubert Humka, Dominika Jackuliakova, Libuse Jarcovjakova, Martin Kochan, Wawrzek Kolbusz, Peter Kollanyi, Martin Kollar, Wojtek Mazan, Peter Puklus, Łukasz Rusznica, Michał Siarek, Jakub Stanek, Krystyna Jędrzejewska-Szmek & Łukasz Gniadek, Beatrix Szörényi, Milan Tittel, Tereza Zelenkova
PHOTOBOOK. STORYTELLING EXHIBTION
ZNACZY SIĘ, KRAKÓW, 24.05 – 14.06.19
The show is a part of the series that focuses on various aspects of the photobook. A carefully designed exhibition presents the most interesting samples of the photobooks from the Visegrad region, that have been made out of the need to convey, usually a personal, story. Most of the presented works are either self-published or published in small editions, including hand-made or low-cost printed zine publications.
A book, as depicted in the show, becomes the means for communicating one’s personal experience, a cultural experience and the same time becomes an instrument protecting such experience from oblivion. The leitmotiv of a narration underlines the role of the recipient as an active participant/interpreter of the work of art.
Low-cost self-publishing is here a starting point for a polemic about the nature of the medium. The dissemination using the most economic and least demanding means gives it the power of an independent statement. The questions asked by the authors are an attempt to reflect on the phenomena of this type of publications on the Central European market, their role, ways of production and presentation, as well as expectations of the recipient.
Artists: Tabori Andras, Ewa Behrens, Eva Benkova, Stanislav Briza, Radek Brousil, Jan Brykczynski, Magda Buczek, Kateřina Držková, Peter Fabo, Viola Fátyol, Lucia Gamanová, Aurélia Garová, Agnieszka Gotowała, Anna Hornik , Tomoya Imamura, Zuzana Ivašková, Tereza Kabůrková, Ines Karčáková, Joanna Margarethe Kischka, Deana Kolencikova, Jan Kolský, Viktor Kopasz, Paulina Korobkiewicz, Andrea Kurjakova, Katarzyna Ewa Legendź, Tomasz Liboska, Michał Loba, Alicja Łabądź, Maciej Moskwa, Boris Németh, Anna Orłowska, Krzysiek Orłowski, Ivana Paleckova, Igor Pisuk, Marcin Płonka, Piotr Pytel, Krzysztof Racoń, Kaja Rejczel Rata, Anka Sielska, Jakub Stanek, Juraj Starovecký, Dorota Stolarska, Eva Szombat, Budha Tamás, Jiri Thyn, Balázs Varju Tóth, Ondrej Urban, Imrich Veber, Dorotteya Veykony, Ján Viazanička, Lukasz Wierzbowski, Karolina Wojtas, Adrian Wykrota, Ficsór Zsolt, Kasia Zolich, KWAS (Karolina Wojtas, Agnieszka Sejud)
PHOTOBOOK. PROCESS EXHIBTION
NOŚNA GALLERY, KRAKÓW, 24.05 – 14.06.19
In this exhibition, we treat objects of art as a consequence and as an event. We explore the medium of a book as a work in progress submerged in group work, culture, and its own particularities. The exhibition investigates photobooks as a constantly evolving medium in relation to its potentiality. It includes drafts, dummies, sketches, and excerpts from different stages of the work that cannot be completed.
Referring directly to the activities related to the book in a political context, here also the core idea is an artistic prosumer activity, or more precisely its aspect pertaining to work with an art object, that is done by a particular group/ collective. The work created in this way is a result of the vision and ideas of all those involved in the creation process. We want to open a dialogue on the role of a photo editor in photographic publications. We want to define the route which the author- photo editor relation is going through and tension it generates through the choice of photographs, arrangement, strategy – a cycle of events related to the photographic book.
Process exhibition emphasizes a special presence and interactive lecture by Viktor Kopasz and his lifelong process of creating Diaries.
Kopasz’s works become a starting point to think about a book in terms of a multidimensional process. The process can be considered from the perspective of an artist, as a work that can be presented synchronously – from idea to implementation – or asynchronously, as a kind of spiral, which concentrically returns to the centre, and can be looked at from different positions. By disrupting the order of the beginning and the end, the book appears as a final product of the process, enters into a new cycle – that varies depending on the adapted presentation and distribution strategy.
It is a more specific kind of self-publishing, in the context of the previous examples, as it functions as a work of art on the border of the avant-garde, ready-made and niche, crafted publications. Kopasz consciously plays with the medium, its content, and formal potential.
Artists: Jakub Bors, Kuba Dabrowski, Tomoya Imamura, Viktor Kopasz, Tomasz Laczny, Konstancja Nowina Konopka Książki twórców indywidualnych: Anna Ádám, Milan Adamčak, Hynek Alt, Aleksandra Vajd, Ján Ballax, Jakub Chromiński, Krystian Daszkowski, Peter Fabo (Petr Black FaBox), Lukas Hofmann, Nat Marcus, Alek Janicki, Karolina Jonderko, Ines Karčáková, Barbora Klímová, Paulina Korobkiewicz, Markéta Magidová, Barnabás Neogrády-Kiss, Lucia Nimcova, Lucia Papčová, Monika Pascoe Mikyskova, Tomas Pospech, Peter Puklus, Maciek Przemyk (Maciek P Myk), Catarina Simão, Anna Małgorzata Stankiewicz, Marta Szymanowska, Paweł Szypulski, Martina Šárovcová aka Kosmo Nauty – stories, Jan Sipocz, Bartłomiej Talaga, Konrad Trzeszczkowski, Imrich Veber, Karolina Zajaczkowska Książki grup twórczych: Časopis X o súčasnej kresbe, Hurrikan Press, If I saw that in a gallery I would say, this is art, Paper Beats Rock workshop dummies
VIKTOR KOPASZ. PROCESS. PROLONGED IDENTITY. OPEN STUDIO
APTEKA GALLERY, KRAKÓW, 25.05 – 27.05.19
Our ambition is to involve the artist in the process of creating. Therefore, for a limited time, we want to change the gallery’s window into an artist’s studio. Artist, being present, will allow the viewers to look at a photographic book as part of a broader phenomenon. The artist is working for 3 days in the window of the gallery. The temporary display changes every day. It might be a radical move or a subtle shift of meaning that we can follow alongside the process.
The presentation of the works and performative character of the exhibition by Viktor Kopasz allows placing the contemporary phenomenon of the book boom in a historical context while creating an experience of the process itself in real time.
TOMASZ ŁĄCZNY. PROCESS. C18FE7N18. OPEN STUDIO
APTEKA GALLERY, KRAKÓW, 01.05 – 02.06.19
A live book-making process. The artist creates a hand-made photography artbook using traditional photography techniques with elements of improvisation (taking advantages of technical errors of wet plate photography). It’s the final step of the personal project “It All Is. And Nothing”. The audience has an opportunity to experience work in progress in the experimental stage of the process.
OPEN LIBRARY & CHILL ZONE + KIDS ZONE
MOCAK LIBRARY, KRAKÓW, 24.05 – 14.06.19
If you would like to explore art books in a quiet and peaceful space, Chill Zone is a place to sit down and discover our reading room. It is located in a beautiful and bright MOCAK Library. Presented publications – zines, photobooks, small editions’ publications from Visegrad countries – come from the MOCAK and Paper Beats Rock collections, private collectors, artists and the open call.
We invite kids to spent time in our Kids Zone, space prepared specially for youngest fans of paper.
PHOTOBOOK DUMMY REVIEW
TYTANO, KRAKÓW, 02.06.19
Paperlust Photobook Dummy Review is a project intended for emerging artists working with the medium of photography and art books. Event will allow to connect young talents with professionals, publishers and curators from different countries.
The Tytano space will open for one day for face-to-face discussions over the photobooks in progress. Submissions are open to everyone over 18 years old. Selected artists will be invited to meet four of our international experts. Handmade dummies are in focus, although digital projects and small self-published editions are also taken under consideration. The main aim of the event is to help artists to develop the ideas they are already working on.
On Saturday, 1st June, we invite all of the Participants and Experts of Photobook Dummy Review to join the Portfolio Evening, a special joint event organised by Krakow Photomonth and Paperlust Photobook Fest.
Our Experts: Franek Ammer, Stanislav Briza, Zsolt Ficsor, Zuzana Flaskova, Gábor Arion Kudász, Wiktoria Michałkiewicz, Tereza Rudolf, Olija Triaška Stefanovič
STILL ‘TIS DEVILS MUST PRINT – ARTIST TALKS
MILK, KRAKÓW, 01.06.19
Series of 3 talks focusing on different aspects of the photobook and self-publishing in Visegrad Group countries will take place at Milk Studio. Subjects TBA.
Self-publishing practices in Hungary in the post-digital era/ Beata Istvánkó
The notion of artists’ publishing activities has changed over the past decades, in particular with
the expansion of the art market and the globalization of artistic practices, combined with the advent of the digital era and the introduction of new modes of production and circulation. Print and digital projects employ experimental formats and blur distinctions between art press, curatorial
experiments, and other publishing enterprises. The aim of the presentation is to summarize the history of independent art publishing in Hungary after 2000 through the activity of the Budapest based ISBN books+gallery.
The ISBN is a contemporary art bookstore and a gallery space established in 2017. The name of the gallery was obtained from the 13-digit identification number for publication, the ISBN-number (International Standard Book Number). The most important mission of the ISBN books+gallery is to map, collect, exhibit and distribute the domestic and regional, Hungarian and foreign language, new and second-hand contemporary art publications, exhibition catalogues, zines, art books, photobooks and theoretical publications.
Young scene of photobook makers in Slovakia/ Olja Triaška Stefanović
Five years ago students from the Department of Photography and New Media at the Academy of Fine Arts and Design, Bratislava, Slovakia showed great interest in making photobooks within their visual researches. Olja Triaška Stefanović, together with her colleague Juraj Blaško from Visual Communication department, realized that it is necessary to open new and interdisciplinary course, that will link two departments and prepare students to make more professional photobooks. They created and started together to teach, PHO BO – Creation of Photobook where the main part of the course is focused on teaching a wide range of technological processes together with visual dramaturgy and storytelling. The author will be focused on the presentation of youngest generations of authors from Slovakia, their production of photobook and how they can improve the self-publishing market in Slovakia. Triaška Stefanović will present their books, zines and introduce to the audience how they work within the PHO BO, what is the course methodology and how they prepare students for professional work after graduation.
I shout „That’s Me!” Stories of Czech fanzines from the ’80s till now // Miloš Hroch & Pavel Turek // presentation of the book
The book ‘I shout “That‘s me!” Stories of Czech fanzines from the 80s till now’, published by PageFive, for the first time takes its readers through uncharted waters of the Czech fanzine scene, that is of unofficial amateur magazines. It brings to light stories of those who fell for computer games or wrote sci-fi stories, who obsessively compiled their own metal music charts, who were driven to street demonstrations by hardcore punk music or who wanted to change the standing of women in society. And about those who then wrote about it freely in their magazines. „This type of publication has the advantage that you can wave it around and shout ‚That’s me!’” – a photographer, a protagonist of the youngest fanzine trend of photozines, explains the essence of fanzines in one of the chapters of the book. And while there is the talk of the decline of printed media, the microcosm of independent printing is constantly expanding.
LET’S TALK ABOUT SELF-PUBLISHING – PANEL DISCUSSION
MOCAK, KRAKÓW, 31.05.19
Panel discussion at MOCAK with invited experts from the Visegrad group countries is orientated toward various aspects of the photobooks and self-publishing. The event has an informative and educational character, but also intends to encourage local collaboration.
The debate is focusing on the current situation of self-publishing the Eastern and Central Europe, its role and potential. Guests will discuss the phenomenon in the current socio-political context, its recent trends and how the role of self-publishing evolved in the era of the Internet.
The discussion at MOCAK Musem will be moderated by Michał Sita (Pix.House), and the speakers are Olja Triaška Stefanovič (Academy of Fine Arts and Design, Bratislava), Stanislav Briza (Bflmpsvz publishing) and Beáta Istvánkó (ISBN books+gallery, Budapest).
COLLABORATION NOW! SELF-PUBLISHING WORKSHOP
MOCAK, KRAKÓW, 30.05 – 02.06.19
Workshop …. Collaboration Now! International self-publishing workshop.. . is a unique formula designed for PAPERLUST Photobook Festival. As a participant you will gain basic knowledge about photobook creation from the scratch, including craft, design, editing and its function in the wider perspective of the art market. You will have a unique opportunity to work with internationally recognized artists from V4 region. Prepare for an intense experience where you will work in a group as well as directly with workshop leaders and other participating artists. You will progress by presenting your work, participating in round-table discussions and one-to-one sessions.
As a result every participant ��will create a dummy. This workshop will allow us to develop knowledge and consciousness about the medium of photography, photobooks, editing and narration and the use of visual language and self-expression through art. We believe visual is political and we intend to put it into the process. We will encourage emerging artists and amateurs (participants) to create visual stories, develop real skills and preserve the craft of producing a printed body of art, especially photobook.
Workshop leaders:
Katarzyna Ewa Legendź PBR| PL
Katarzyna Zolich PBR|PL
Leader from Hungary – Gábor Arion Kudász
Leader from Slovakia – Jan Sipocz
Leader from Czech Republic – Teresa Zelenkova
COLLABORATION NOW! SELF-PUBLISHING WORKSHOP
MOCAK, KRAKÓW, 30.05 – 02.06.19
Workshop …. Collaboration Now! International self-publishing workshop.. . is a unique formula designed for PAPERLUST Photobook Festival. As a participant you will gain basic knowledge about photobook creation from the scratch, including craft, design, editing and its function in the wider perspective of the art market. You will have a unique opportunity to work with internationally recognized artists from V4 region. Prepare for an intense experience where you will work in a group as well as directly with workshop leaders and other participating artists. You will progress by presenting your work, participating in round-table discussions and one-to-one sessions.
As a result every participant will create a dummy. This workshop will allow us to develop knowledge and consciousness about the medium of photography, photobooks, editing and narration and the use of visual language and self-expression through art. We believe visual is political and we intend to put it into the process. We will encourage emerging artists and amateurs (participants) to create visual stories, develop real skills and preserve the craft of producing a printed body of art, especially photobook.
Workshop leaders:
Katarzyna Ewa Legendź PBR| PL
Katarzyna Zolich PBR|PL
Leader from Hungary – Gábor Arion Kudász
Leader from Slovakia – Jan Sipocz
Leader from Czech Republic – Teresa Zelenkova
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Organisers: Fresh From Poland Foundation, Paper Beats Rock Foundation
Strategic partners: FOTOGRAF Magazine (CZ), The Studio of Young Artists’ Association / FKSE (HU), ISBN könyv+galéria (HU), Hardness &Blackness (SK)
Programme curators: Katarzyna Legendź, Katarzyna Zolich
Exhibitions curators: Katarzyna Zolich, Katarzyna Legendź, Gosia Fricze, Grażyna Siedlecka, Katarzyna Roniek, Beata Istvánkó, Markéta Kinterová, Slavomíra Ondrušová
The project is co-financed by the Governments of Czechia, Hungary, Poland and Slovakia through Visegrad Grants from International Visegrad Fund. The mission of the fund is to advance ideas for sustainable regional cooperation in Central Europe.
#paperlustphotobookfest#welovepaper#paperlust#photobook#festival#art#photography#freshfrompoland#paperbeatsrock#mocak#visegrad fund#photomonth#fotograf#legendz#zolich#roniek#siedlecka#fricze#istvanko#kinterova#ondrusova#visegrad#book#artbooks#contemporary#zine#self-publishing#self-published
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Reborn dolls crafted by artists around the world
The first time Karolina Jonderko held a reborn doll, she was amazed at how lifelike it was. It not only looked like a newborn baby, but it felt like one, too. It was as heavy as a baby should be. She had to support its neck like a baby. It even smelled like a baby. “My mind was blown, seriously,” said Jonderko, a photographer based in Poland. “It really feels real.” These reborn dolls, crafted by artists around the world, can cost hundreds and sometimes even thousands of dollars. They’re made of vinyl or silicone, and their realistic features can include veins, pores, tears and saliva. Some even have systems that mimic breathing and a beating heart.
Browse our collection ofBrowse our collection of reborn doll clothes , including our popular Reborn Doll girls and customer-favorite Reborn Doll boys ! Cheap reborn doll for sale or home reborn doll.
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Karolina Jonderko
Karolina Jonderko, Professional photography, documentary photographer, photography
Source : Karolina Jonderko
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Kwaśnicę najlepiej zrobić wieczorem, żeby przez noc przeszła smakiem. I z własnej kapusty kiszonej. A jak nie ma, to taka sklepowa też może być. Moskole może nie mają poza Podhalem tej sławy co oscypki i kwaśnica, ale lokalnie są równie dobrze znane. Proste w przygotowaniu, smaczne i pożywne. To takie placki ziemniaczane po góralsku. U Janiny Rzepki z Brzegów moskole jem zimne, podane na drewnianej desce z bryndzą do posmarowania. – Tak jadało się dawniej, nawet bez bryndzy. Bo zrobione brało się w rękę jak kanapkę i szło w góry. I wiadomo było, że człowiek głodny nie będzie, bo moskole potrafią nasycić – opowiada pani Janina. Wie, co mówi. Zna góry i wszystko, co z nimi związane. Jest pierwszą kobietą bacą w Polsce. To dosłownie kobieta rakieta, wulkan energii. Prowadzi bacówkę, pensjonat dla gości, wyrabia sery, nadzoruje trzech juhasów. Bo to, że umie strzyc owce, to wiadomo. Mówi, że śpi z komórką pod poduszką. Kiedy podaje moskole, siada jednak spokojnie przy stole i po pierwszym kęsie się zamyśla. Więcej czytajcie na @wysokieobcasy.pl: https://bit.ly/2WFiV5F Fot. Karolina Jonderko #podhale #goralka #kwasnica #moskole #pornfood #instafood #wysokieobcasy #instareading #czytajcie #weekendzwyborcza #polecamy
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Karolina Jonderko, Z serii "Mała Polska", fot. Karolina Jonderko / Napo Images | "Little Poland" – historii o domu spokojnej starości w Newton Abbot w Wielkiej Brytanii.
Karolina Jonderko: Fotografią można dotknąć innych ludzi : https://culture.pl/pl/artykul/karolina-jonderko-fotografia-mozna-dotknac-innych-ludzi-wywiad
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Fresh From Poland Krakow Takeover
Pauza, Kraków, 17-24.05.2015
slideshow exhibition as a part of Kraków Photo Fringe festival
curator: Katarzyna Roniek & Grażyna Siedlecka
event by Fresh From Poland
The debut event by Fresh From Poland - presentation of selected works by 57 young and talented Polish photographers.
The artists participating:
Franek Ammer, Karolina Bajda, Katarzyna Balicka, Ewa Behrens, Marta Berens, Łukasz Biederman, Marcel Borowski, Michał Brezinsky, Ola Bydlowska, Michał Bździuch, Agnieszka Chabros, Damian Chrobak, Justyna Chrobot, Jan Cieślikiewicz, Marta Cieślikowska, Ania Cywińska, Michał Czech, Piotr Czyż, Alicja Dobrucka, Darek Fortas, Jacek Fota, Karolina Grabowska, Kasia Gumpert, Karolina Jonderko, Dorotka Kaczmarek, Karolina Karwan, Anna Kieblesz, Kamila Kobierzyńska, Wawrzyniec Kolbusz, Magdalena Kulak, Marcin Kwiecień, Diana Lelonek, Krystian Lipiec, Mateusz Luzar, Monika Łopacka, Kuba Mozolewski, Gabriel Orłowski, Tatiana Pancewicz, Sylwia Paprzycka, Magdalena Lazar & Marcin Pazera, Oiko Petersen, Ewa Płonka, Natalia Podgórska, Natalia Poniatowska, Ernest Protasiewicz, Maciek Przemyk, Michał Sierakowski, Magdalena Świtek, Jacek Ura, Ola Walkow, Anna Wiącek, Ania Witkovska, Hubert Worobiej, Michał Woroniak, Piotr Zbierski, Marta Zgierska.
Read more: http://freshfrompoland.tumblr.com/post/118868061988/fresh-from-poland-krakow-takeover-youth
Cover photo by Ewa Behrens
#curating#grazyna siedlecka#fresh from poland#krakow fringe#festival#photography#exhibiiton#young polish photography#ffp#art#contemporary
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by Karolina Jonderko
from the ‘Lost’ series
http://cargocollective.com/karolinajonderko
#karolina jonderko#karolinajonderko#jonderko#lost#tiger#photography#documentary#polish documentary#documentary photography#polish photographer#polish photography#young polish photography#young polish photographer#polish#poland#pick of the day#photo of the day#contemporary polish photography
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Od ośmiu lat Karolina fotografuje się, leżąc w różnych miejscach na świecie. Zaczęło się od Stonehenge i pewnej piosenki. Ma się nigdy nie skończyć. „Córka górnika” – pisze o sobie Karolina Jonderko, wielokrotnie nagradzana polska fotografka, absolwentka łódzkiej Szkoły Filmowej i stypendystka legendarnej agencji Magnum. Uznanie przyniosły jej długofalowe projekty skupione wokół straty i samotności. Pierwszy – „Autoportret z matką” – powstał po śmierci jej mamy, drugi – „Zaginieni” – stworzyła we współpracy z fundacją ITAKA, która poszukuje osób zaginionych.więcej link w BIO Na zdjęciu: Nowy York Fot. Karolina Jonderko #podróże #IfILayHere #Jeślisiętupołożę #fotografia #lodzkaszkolafilmowa
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LOST
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Karolina Jonderko with her project “Reborn” won the first prize in the category 26+ of The Ideas Tap and Magnum Photographic Award 2014 - 2015.
The project introduces controversial topic of reborn dolls ( also known as living dolls) and their owners. A reborn doll is a manufactured vinyl doll that has been transformed to resamble a human baby with the most precise realism. Artist spent weeks trying to explore and depict not easily accesible environment of women for whom reborn doll often is a substitute of a real baby. In Karolina’s words:
“Every woman has a unique motive for having such a baby. The maternal instinct is so strong that those who can’t have, or have lost a baby, give their love to an unreal one. They look after them, change them, take them for a walk and buy clothes for them. The “babies” provide companionship, they bring calming routine, they are a little bundle of joy to love and help their “mothers” dealing with loss, depression, trauma or anxiety.
Babies awaken strong emotions in adults. We look after them with care and gentleness, we love them. Surprisingly, this is the case even if they are not real.
I wanted to find out why.
It looks like a real baby, it even smells like one, but it’s made of vinyl. When you take on such a doll, you are given a birth certificate with the weight and height, just like a real baby. Each and every one of them is unique, carefully crafted by reborn artists, that’s why they are collected as pieces of art. Yet those dolls happen to be a powerful therapy tool. It’s proven that cuddling a baby causes a release of hormones, which produce a sense of well-being. They bring comfort.”
Karolina Jonderko (b.1985) born in Rydułtowy (Poland). Warsaw Film School and the Polish National Film, Television and Theatre School in Lodz graduate. Winner of numerous prestigious national and international photo contest. Her works have been exhibited i.e. in USA, Portugal, France, England, Germany and Poland. A graduate of a reputable mentor program of NAPO Images agency.
http://cargocollective.com/karolinajonderko, www.karolinajonderko.tumblr.com
Among finalists was also Magda Rakita. Congratulations!
We regret to say that was the last edition of this prestige award for emerging photographers. After 6 years Ideas Tap is to close its doors on the 2nd of June this year. Visit the website if you would like to find out more: http://www.ideastap.com/.
text by Gosia Fricze
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