#Just so many wonderful performers

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[sainz100]

Carlos Sainz | F1 London Live in 2017 | x x x x x

[fairyofshampgyu]

he’s literally so beautiful and handsome

[boraababy]

sometimes I think of when astronauts come back to earth and because they’re not poets they don’t have the words to describe what they just experienced and to me it’s like when cyclists are asked how their day was and they just say ‘yeah good legs’

[loverboybrightsideghost]

10am

me: oh boy i sure hope i can start gigging this holiday season, but i don't know very many people so i don't know how!

2pm

my violinist friend's teacher: hey iris are you available to do a gig in my church this weekend?

me: oh fuck yeah

[charlie-rulerofhell]

Love of the Lost

[skinzchoerim]

I can't tell if I'm not the target audience for dOpamine or if I get it. It seems everyone finds the song really fun and exciting, but for me it sounds a bit... haunting I guess would be the word? Which makes sense with the lyrics acknowledging it's an obsession that makes the narrator lose himself, so maybe it's not trying to be deceptively cheerful in its sound and visuals while hiding the darker truth in the lyrics and MV like angel did, and instead it's laying it all out and making the listener intentionally a bit uncomfortable. But I haven't seen anyone else have these complicated feelings about how it sounds, so maybe it just doesn't fit into the type of sound that I personally find exciting

[dracimexidae]

So yeah since Jasmine and Sara are out of the Finals 😢, I'm left with the BJK Cup and then i'm basically on vacation myself from tennis (as for the more engaged and "stressful" part of watching matches😝- honestly it's "exhausting" being a fan a pause is definitely needed phew 😮‍💨🤣)

[britneyshakespeare]

Much Ado About Nothing, II.i

[mooremars]

Just thinking about how absolutely wild the structure of Camelot's songs are within the context of the show. I am sure people have been saying this for 60 years but I want to talk about it now. Like I do genuinely love it but what were they thinking????

The first scene has 3 songs and a reprise. And depending on the version, different amounts of Guenevere starting us off.

Arthur in fact has two songs in the first scene. At least using 2023 as an estimate for timing, he will not sing again for over 45 minutes. After that, over an hour (including intermission). He is the main character. I know a hallmark of most versions is that he can't sing for shit but still.

The way The Simple Joys of Maidenhood barrels straight into I Wonder What the King is Doing Tonight like I don't think you're supposed to stack two songs immediately on top of each other in this way.

Genny also has two songs in the same scene later. And this time no one else is getting one in between. The middle of act 1 is for her.

Really all of act 1 is for her because more than half of the songs in it at least prominently feature her. And no one can catch up in act 2.

It's not even close. She has three full songs basically to herself, another one that's probably like 80%, a reprise that's mostly her, another solo reprise in 2023, except for 2023 another song with just her or with Lance, and one song with Arthur.

Iconic

Arthur has four major songs and then the tiny slices of Camelot reprises while Lance only has two or three. Even I can do this math, Genny wins by a landslide.

Depending on the version, the main couple either doesn't have a song together or has a song but it isn't even a love song. They all just sing about each other. Sometimes in front of each other. But together... nah.

There are no songs with the three leads and in fact there are like twice or three times the number of songs with one or two people singing than songs with more than that. I don't know the normal ratio but I feel like usually there's more ensemble stuff.

And like obviously act 1 ends with a monologue and that is brilliant and the best decision ever but also extremely weird that then the last song before intermission is sad Genny.

I am no musicals expert but literally none of this seems to make sense to me and yet it all somehow works and I'm obsessed with it.

[deviousdiesel]

.

[theheadlessgroom]

@beatingheart-bride

"I felt like I had sworn in front of a princess!" Randall admitted with a shy laugh, the rest of his family laughing along as he rubbed the back of his neck: Though he would freely admit he could cuss a blue streak with the best of 'em, he tried to keep his mouth clean in public, and certainly keep it extra-clean in the presence of an upper-class young woman like Emily. Needless to say, his failing to do so absolutely mortified him in the moment, though he could certainly laugh about it now.

"I, uh...I didn't want to sound like I had no manners," he continued sheepishly, adding, "It, uh...it did take a while for her to convince me that she wasn't offended by my cursing-I felt awful, I really did, in the moment, though, I felt like it made it seem like I was born in a barn..."

"Awww, reminds me of when August and I first started getting to know each other," Josephine giggled amusedly, seeing a lot of similarities between her husband and grandson in the moment as she went on to explain just how nervous her future spouse was in the early days, very flustered being around such a confident, forward, and scantily clad woman (which quite flattered her, honestly).

"I used to have him over for coffee after performances, and bless his heart, he was so nervous-the only thing louder than his racing heartbeat was the way his cup used to clatter against his saucer! Well, one day, he got so wound up that he dropped his cup and spilled coffee all over the rug (which didn't bother me much; if anything, the coffee stain made that cheap ol' thing look better), and between his very rapid-fire apologies, I could hear him cursing under his breath, and that only made him apologize even more!"

"I'm not usually one for vulgarity," August admitted bashfully. "But I was just so frustrated and embarrassed by my inability to sit still that it just...slipped out, and I felt awful, just awful, swearing in the presence of a lady!"

Most people wouldn't bat an eye at swearing around someone in her profession, but he was a consummate gentleman to everyone he met, and so he didn't think twice about apologizing to her (even though, as she told him, she'd heard worse).

[mariocki]

What Ever Happened to Baby Jane? (1962)

"Jane, did you ever stop to think that... if anything happened to me, I mean anything bad, there wouldn't be any money for you? I wouldn't be here to sign the checks. You wouldn't even have pocket money. Did you ever think of that?"

"Yeah, I've thought about that."

[knightingale]

kinda nuts that they hired actors in their mid-late 20s to play aegon ii and helaena when the younger actors that portrayed them in ep 6 are the actual age of the characters

[liu-yu-xin]

Im #1 yuwin hater bc it was so popular but their dynamic is actually so off like its company assigned gay bait and winwin was bad at pretending he didnt hate it and yuta seemed annoyed winwin was bad at it and had to compensate for them both and was way overselling it which made winwin hate it more. Vicious cycle. victims of the fujoshi industrial complex really

[alicentflorent]

Anyone else think Van still believes in the wilderness shit and actually wanted to go fully ahead with the hunt in hopes that it would cure her cancer? What if she even sent the postcards in an attempt to get everyone together?