#Just constructive criticism

[seriouslycromulent]

I love this look for her, but I need them to fix her gear because her bra doesn't fit properly. As a big girl myself <cough>, I know how bad it is for your chest to not be secure when you're active. The girls need proper support.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[filibusterfrog]

[denkies]

[guardianofthestarz]

you put all my thoughts into words 🫶

from the start, i’ve mainly been praising the show and have spoken against the minor nitpicks but i think some constructive criticism won’t go amiss. i’m always going to advocate for praise + critique but since literally all my posts praise the show (character-work, writing, directing, cinematography, literally all aspects) i’ll focus on the main issues i have with it for this one.

i’m only saying this because i do think there is merit to the conversation: yes, i agree with many other people saying the show has a very real lack of tension. the stakes are established, potential horrific consequences are alluded to, but the instances in which the action needs to take place falls short. i wanted to see percy and annabeth and grover SHOWING their inexperience through stumbling on traps (which would automically raise the tension in both medusa’s lair and the lotus casino), i wanted them to make mistakes and quick-think their way out of it. sure, there’s something to be said about conveying annabeth’s intelligence but aunty em was a great way of highlighting percy & annabeth’s dyslexia by having them be unable to read the signs. the statues could have been removed from the yard–a move that would show medusa’s intelligence instead. similarly, the fun of the lotus casino was about the creepiness that slowly and steadily builds on the backdrop of this harmless kid carival like setting. percy, annabeth and grover’s intelligence and knowledge has already been built in other obstacles so seeing them actually fall for well-set traps seems to me like a much more nuanced portrayal of the kids, their capabilities but also their weaknesses. speaking of, i was waiting for one moment of annabeth making some mistake, showing some flaw. i think it would have been cool if she was the one to lose her drachma given that she was undoubtedly jostled hard while clinging to the cerberus. grover already felt like he messed up after the lotus casino and having percy reassure annabeth after her drachma screwup would really nail in that yeah she’s intelligent and wise but she is also just 12 and she can be a bit reckless too.

honestly, i’m a sucker for flaws. i love my emotional percabeth bits to death but would i have rejoiced just as much had both of them been a little more unempathetic towards each other and been at each other’s throats for a few more episodes? yes.

i love show grover and his earnestness and savagery in manipulating a god but do i love my little coward goat boy who slowly but surely proves himself to be capable and brave? who keeps asking for food at the most inopportune moments but really has percy’s back at the end of the day? who is severely unconfident but slowly learns to trust himself more? yes! i just feel like the grover we have now was my imagining of grover in book 2-3. we never got to see his major flaws so i’m just wondering what kind of upward arc will he have and will it be as impressive as the books.

i really really appreciated that percy’s impertinence was actually something he paid a price for. it will make his continued rebellion against the gods that much more intentional. that said, i would have liked percy’s relative ignorance of the mythic world to still remain. having sally make him so prepared that he sometimes manages to know obscure greek stories sort of blends their roles in the trio. yes, each one of them is layered and there is no one super rigid position they must adhere to but this is storytelling on television at the end of the day, the characters should have unique traits to distinguish themselves. for me, percy’s intelligence was about his presence of mind and deductive reasoning which the lotus casino scene in the book beautifully portrays. similarly, his knowledge was less about facts he knew and more about the street smarts he had acquired. in some way, annabeth and percy have a weird overlap in characteristics (show annabeth feels as sassy as show percy which is not the book dynamic imo).

i don’t see these as minor nitpicks btw – i think show portrayals have changed these characters through small changes and while that is okay, it also leaves room for improvement before it is too late. there are many considerations to be made–percy’s grief, annabeth’s tackling of complex feelings about the gods, grover’s guilt, ofc. but it’s, i think, a valid critique of the show that the main trio’s dialogue and actions could be made more faithful to the books.

also, i think the direction can be more dynamic, especially in exposition-heavy scenes. there are ways to make info-dumping fun and i’m sure the directors are more than capable of exploring these options moving forward.

there are many more smaller things i would point out but i don’t want to make this longer that it already is. many people handwave alot of the critique saying that the show is for children to which i say: children’s media doesn’t mean lesser quality media–the books were literally made for children yet on tv, many scenes are sanitised, very little left not on-the-nose. i have myself mentioned how certain scenes could be impossible to film with 12 yr olds (medusa beheading) without harming them mentally in some way so i appreciate the clever sanitization there. but the action sequences do need much more edge and that’s okay to acknowledge. the show we have now is great but it is absolutely not without flaws and normalising discussion about the flaws is only going to benefit the show moving forward.

and lastly, rick might be the author of the books but there is no rule that once you like an author’s work, you will have to like all of that author’s writing. just because rick made some final decisions does not take away the fandom’s rights to question those decisions and critique the screenwriting. there is seriously no use putting him on a pedestal–and i say this as someone who adores his writing in pjo.

let’s let the fandom breathe a little. let the mild, politely conveyed critique become commonplace as much as the ardent praise because i think that’s the balance we need to ensure that season two delivers on all the fronts that season one was unable to.

that’s all. thanks for reading lol. have a nice day. :))

[isawjamfirst]

🐺🐺🐺

[the-kipsabian]

saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ

first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it

you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh

im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you

i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life

[ingoodjesst]

have you put the pieces together yet, detective

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[poorly-drawn-mdzs]

As we approach the next arc in the story, an outfit change is now on the horizon! The question is, what are our lads going to wear?

(Please also vote in the Lan Wangji poll!)

[fandomrose]

Sunday - Love Hypnosis

Sunday hypnotises you (consensually) to relax you.

No spoilers.

No description of reader or readers troubles so project what you are personally struggling with as you see fit.

No angst just fluff. I thought this concept would be cute. I've seen many a yandere Sunday hypnotises you, and that's great but consider - consent and fluff.

(This isn't a jab, I too enjoy a yandere fic from time to time but I also want to see fluff and I haven't seen this done in a fluffy way yet.)

I don't know why I'm mildly obsessed with this man but I am. (Cough Cough, I read maximum ride as a kid and now I automatically fall in love with winged characters. Cough Cough.) I need him to hypnotise me please and thank you.

(I have a few fics in the works that I need to finish but I'm struggling.)

As usual enjoy. Love ya 💙

"Darling?" Came the light and airy tone of your beloved. Though there was a hint of worry in his voice as he took in your face down, slumped form. "Are you alright?"

He could tell very well that you were not alright. But he would coax an answer out of you one way or another. Though the only answer he received was a groan.

"Darling." He sighs but chuckles at your obviously aggravated self. "Allow me to help you." 

Your body goes limp as you let him move you from a sofa to your shared bed. "My darling. Tell me what's gotten into you."

He chuckles as you groan out a single word relating to your issues. "Life."

"Oh, my darling. You'll let me soothe you for the night won't you?" He only felt it was right after the many nights you had soothed him. 

Patient, kind, understanding. Three words that when asked by others what you think about each other, you'd both say about each other. A pure give and take without a scoreboard, that's how you operated. You were both busy or stressed for one reason or another so that's how things had to be.

The simple love you shared was enough most days but sometimes things went wrong.

Sunday had performed hypnosis on you before so he knew it worked but he'd never engage unless you agreed. You knew the question he asked meant he wanted to soothe you via hypnosis, and with the state of your mind you would happily agree. 

"Please do." 

He wouldn't offer if he didn't have the energy you knew this, a rather large argument took care of that when he'd overworked himself then passed out after hypnotising you once and a medic had to be rushed in. Needless to say, you weren't happy with his carelessness. And seeing how upset you were he agreed to be more careful with his health.

You didn't want to think anymore so as you lay there looking up at him with your tired eyes and weary mind, he smiles. He caresses your face and hair before taking a deep breath and reciting that familiar chant.

"Oh triple faced soul, allow me to take hold of this one's mind and soothe them of all worries and burdens. The word Beloved will be the catalyst for control."

With that simple incantation your mind belonged to Sunday for a short while. Your mind felt fuzzy and slow but not unpleasantly, the way it would when you achieved complete relaxation. 

Like he had done before, he would take you through your nightly routine with this hypnosis.

"Beloved, follow me to to the bathroom." He helped you up while your body automatically followed his words and stood up. 

Walking was about the most complex task you could complete, he wasn't Xipe Themself, so his power only went so far. 

"Beloved, lift your arms." 

You do as told and he aids in stripping you, ready to be cleaned. 

"Beloved, sit on this stool and close your eyes." 

You again do as told his voice muffled through the layers of hypnosis, but soothing nonetheless. "I am going to wash your face first darling." He always narrates what he does before doing it as not to startle you.

You felt a cool, wet, cloth glide over your face and you can't help but sigh with satisfaction. You feel it gently caress your cheeks and softly rub your eyes tickle behind your ears. You hear the cloth being rinsed and wrung, the muffled sounds of the water soothing you further.

"I am going to wash your upper body now darling." And, as before, you feel the damp cloth glide over your neck and upper body, letting him move you has he sees fit. Soft humming coming from him lulls you deeper into his hypnosis. The cloth glides down and caresses your chest before moving to wash your back. You'd make sounds of relaxed satisfaction if you could but your exhausted body coupled with the hypnosis has made your brain devoid of any thought or control. Just how you want it. 

He moves back to the front of you with a new cloth. "Beloved, spread your legs, I need to clean you." 

Your body complies without hesitation and that's what he does, making sure to be extra gentle around this sensitive area. He is thorough but doesn't linger long this time, not wanting to spark anything in you this evening.

Standing to switch the cloth again, "I'm going to wash your legs and feet now darling." Still being as gentle as ever his hands and the cloth slowly makes their way down your legs massaging them as they go. A light massage is given to your feet as well before he finishes and pats you dry with a towel before he deems your body clean.

"Beloved, open your mouth wide." 

He orders next, your mind too fuzzy to think of what else could be doing. You hear more water then feel a hand on your chin. "I'm going to brush your teeth darling." Then light scrubbing of your teeth and tongue can be felt, he is thorough with this area too. Not wanting to be the reason you have cavities he takes his time. Not too long later he finishes with you. You can hear things being put away and muffled sounds of him walking around you, maybe inspecting you. Before he stops in front and, 

"Beloved, open your eyes and stand up. Its time to go to bed."

You're led back into the bedroom now that he is satisfied that you are clean. "Beloved, are you ready to sleep?" 

Compelled to answer, you do. "yes"

"Beloved, do you want to sleep with me?"

"Yes"

"Good, let's get to sleep then shall we." 

The sounds of fabric and draws is all you hear for a moment before he guides you into bed with him. 

"Beloved, lay down." 

When he's satisfied you are comfortable You feel his soft skin against yours, the wings on his head lightly brushing your face in reverence before he pulls them back. It isn't often he blesses you with his naked body, the vulnerability gets to him at times. 

Once you've laid down and he's pulled you close he asked one more question.

"Beloved, are you ready to be released from hypnosis?"

"Yes"

As the words leave your lips he begins the incantation to remove his influence on your mind. 

"Oh triple faced soul, this one has completed this ones tasks and can now be freed from the shackles of my control with no burden."

Everything goes still as your senses return slowly, reacclimating you to reality. A few minutes pass of him softly stroking your head and neck while you come back to him.

"Thank you Sunday" a soft whisper conveying how grateful you are before you promptly pass out the exhaustion and relaxation hitting you full force as you melt into the bed and his arms.

"Oh my beloved, I'd do anything to see you happy and relaxed like this more often. I am grateful for all you do for me so it's only natural. I love you, so much my beloved."

He whispers to your sleeping self, pressing small kisses to your forehead, cheeks and nose. Watching the small twitches at the contact makes his evening and he feels like he too can finally relax.

[hatchet-boy]

Judging SPN Seasons By How Messy It Would Be If Sam And Dean Started Having Sex

Season 1: freshly reunited. no one else in their world but them. they are obsessed with each other. they would fuck like feral dogs and it would make them so much worse. also dad is there. unspeakably messy. 12/10

Season 2: dad just died. the grief sex would be more tears than come and at least one of them is probably saying johns name mid fuck. dean might have to kill baby brother (TM) and so the obvious reaction to this would be extremely possessive sex. sam would not like that attitude (with the one exception of if it happens when hes drunk in playthings). messy in even grosser but marginally less feral ways than szn one. 13/10

Season 3: milder. still obsessed with each other but more settled into it now. deans turn to maybe die and sams turn to be uber-doober possessive about it. unlike sam, dean would be extremely into that. and his deal is comin due so he might as well. sad and tragic,, but not that messy. probably still more tears than come. 6/10

Season 4: dean just came back from hell to find sam fucking his new demon girlfriend. the angels are there. they're still hunting but Stuff Is Going On and god knows they need to be grounded with each other to make it through. sex would probably help. would do the opposite than make things messier. would be vicious. definite chance dean might try to feed sam his blood. 4/10

Season 5: apocalypse fuck. oh fuck. ruby is dead. angels and death and demons and god and destiny. sam and dean are the most experienced and secure theyve ever been and yet. the whole damn world is about to explode. and yet they are still tortured and annoyed by the goofy everday hunting horrors. fucking would be nice for them, would remind them they belong to each other. they think theyre gonna die so the consequences wouldnt matter a whole lot. less insulated and worried about holy judgment so the incest thing may be a bother now. 2/10

Season 6: you fuck your brother but its not your brother he's different in ways you cant explain but you havent seen him in months and you thought you lost him and hes not quite right but fuck he looks like him and talks like him and knows everything about the two of you and he fucks like a greek god and hes mean as a motherfucker in bed but you can take it its fine its worth it its sam godammit-

15/10

Season 7: stranded up the creek without even a twig for a paddle. both brothers are destroyed and traumatised and forcing each other forward by force of necessity and a brotherly hand on the back of the neck. at least its just them alone together (dean please ignore the hallucination of lucifer sitting in the corner and judging our cock size-). sex would go terribly and be the most unsexy sex ever sexed. but they would probably like the closeness if sam could handle it. messy but wouldnt ruin them long term. there would be a terrible Dick joke. 8/10

Season 8: WHOA BOY WHAT A DOOZY. BOTH BROTHERS HAVE PARAMOURS ON THE SIDE WHOM THE OTHER FUCKIN HATES. DEAN IS PURGATORY FERAL AND HAS ONE EYE ON A VAMP. SAM IS SOFT HAS HIS PINKY FINGER TWINED AROUND SOME RANDOM GIRL. WHY DIDNT YOU LOOK FOR ME?? // YOU TOLD ME NOT TO!! // YOU TRUST A DAMN VAMPIRE OVER YOUR OWN BROTHER?? // YOU HIT A DOG... meanwhile sam is doing the trials losing his mind again and dean is losing his mind about that. letting you down was my biggest sin//there is nothing i would ever put in front of you. messy. 10/10.

Season 9: less than ideal with sam possessed by and angel. dean is rocking with the guilt and confliction. the mark of cain is also making him a bit feral again. theyre safe together in the bunker but thats already claustrophobic enough sex might just suffocate them both. pretty messy. 7/10

Season 10: your big brother is an angry angry man but its not his fault right??? its because of the mark right?? he cant control it and you love him and you want to stay in the safe house/bunker/tomb with him you dont want to leave anymore and you need him. youve both been through enough. you deserve this. there would be minimal messiness caused by sex with your brother rn. exception to those few weeks where he was a demon. 2/10

Season 11: gods sister is here and its the apocalypse again. dean hates what he has with Her. at least his sammy is here. at least theyre together. still crazy about each other. gay incest sex is the most reasonable reaction. god might find out- but then again, he and his sister are pretty wacked out together too, and are we not made in gods image?. 1/10

Season 12: Mom is here and so is lucifer and his kid and also the cunt ass brits. not ideal. minimal messiness so long as no one finds out. and fuck all them anyway its pretty clear sam and dean can only ever really trust each other. sex would be affirming and safe here. they are absolutely fucking in the kitchen to the smell of toast and coffee. dean discovers he has an std because no its not normal that your balls have iched like that for the past four years you need to go to a doctor and dean i swear on the impala if you gave it to me- . 3/10

Season 13 to 15: fellas is it gay to have sex with your brother who you've been functionally married to for over a decade? probably not right ha ha. if they havent already fucked by now theyre not going to. theyre just gonna be intensely platonically married until they die. they both have erectile dysfunction by this point . sex would mean everything to them but change nothing they would still be old and married in their bunker with the devils kid tomorrow regardless. they dont care what people think anymore. fuck all messiness. 1/10

Post Season 15 Finale/Heaven: we deserve a soft epilogue my love sammy. mildly concerned about being kicked out of heaven for incest but with everything else theyve done they still made it there. it would be the least of their sins. lovely soft and nothing hurts. can you make a sex tape in heaven? 0/10

[answermywearyquery]

happy pride! 🌈 | beyond evil edition (insp: ½ + ½)

+ bonus:

[the-one-who-lambs]

suddenly remembered I do digital art sometimes but only for evil

[araneapeixes]

Throw down your umbilical noose

So I can climb right back

[outsiderswolfpac]

dumb thing i made for my gf of mine and her fave wrestlers but it is too funny to not share

this came to me in a shroom-induced fever dream (/hj. it's a long story) and i just had to make it

so behold: wwf femme-butch scale. i can't explain my rankings. they are just like that.