#Juliao Sarmento

[koerperlich]

Julião Sarmento One Frame, 2017 Acrylic and graphite on paper 30.1 x 21.5 cm

[elarafritzenwalden]

'Casa do Guarda', small guest house Nafarros - Sintra, Lisbon, Portugal; 1995

Manuel Graça Dias, Egas José Vieira, Gonçalo Ribeiro Telles (photography by the architects)

see map | more pictures

via "Architécti" 35 (1997)

[thunderstruck9]

Julião Sarmento (Portuguese, 1948-2021), Silver Lake Yellow Boob, 2010-11. Polyvinyl acetate, pigments, acrylic, acrylic gesso, ink, graphite and silkscreen print on unprimed cotton canvas, 195 x 195 cm.

[berndwuersching]

Julião Sarmento One Too Many (Yellow), 2013 Mixed media on cotton canvas 57 x 50.5 x 4 cm

[barbarafeio]

Julião Sarmento

[martalosada]

JULIAO SARMENTO, PORTUGAL, 1948

https://www.juliaosarmento.com/

Esta lo deja pensativa (Yellow), 2020, Acrylic “Gesso”, graphite, water-based marker, silkscreen print and water-based enamel on linen, 65 × 53 1/10 in, 165 × 135 cm

Joana and the Wall, 2019, Bronze with white wax finish; silk charmeuse; concrete (Viroc ) wall, 70 9/10 × 59 1/10 × 5 ½ in, 180 × 150 × 14 cm, Edition of 4 variants

15 different shades of blue found in the studio, 2018, Water-based enamel and acrylic on linen, 11 4/5 × 169 7/10 in, 30 × 431 cm

White Exit, 2011, Painted bronze, wood, stainless steel, and glass, 84 × 33 × 10 in, 213.4 × 83.8 × 25.4 cm, Edition of 

[wrongclothingmap]

wrongclothingmap:

Grace (2007)

Ava (2006)

Amis (2008)

“Clothes were interested in the other things, in abundance and expertise. Obliquely and perhaps inadvertently, clothes also did a third thing: they told other people about the soul they encased by dramatizing your attempted lies about money and sex...”

by Julião Sarmento 

[howmanyartists]

Juliao Sarmento

Nace en Lisboa en 1948. • Estudió pintura y arquitectura en la escuela de Bellas Artes de Lisboa. • Su trabajo se formaliza desde lo fronterizo. Muchas de sus obras contienen imágenes de imágenes y están relacionadas entre sí, aunque funcionen de manera independiente. Son microrrelatos que asumen la múltiple potencialidad del cine, entre lo expreso y lo secreto, entre lo personal y lo extraño. Su obra proyecta esa sensación cinematográfica, porque en lo que vemos siempre intuimos algo que se mantiene ausente, fuera de escena. PREMIOS: • 1997 - Medalha de Prata de Mérito Municipal, Sintra • 2009 - Regione Lazio - Premio Internazionale "Il Lazio" tra Europa e Mediterraneo - IV Edizione 2009 • 2009 - Prémio Universidade de Coimbra 2009 • 2013 - GQ Men of the Year - Arts • 2013 - Prémio de Artes Casino da Póvoa 2013 • 2014 - Prémio de Artes Plásticas AICA - Secção Portuguesa 2012

• Su obra está en cantidad de museos de todo el mundo entre los cuales se incluyen: Museo Nacional Centro de Arte Reina Sofia, Madrid, España, Museu d'Art Contemporani Barcelona, Barcelona, España; Museu Nacional de Arte Contemporânea - Museu do Chiado, Lisboa, Portugal; Museum of Contemporary Art, Los Angeles, California, EEUU; Museum of Modern Art, Nueva York, EEUU; San Francisco Museum of Modern Art, San Francisco, California, EEUU; Solomon R. Guggenheim Museum, Nueva York, EEUU; Tate Collection, Londres, Inglaterra, Reino Unido; Van Abbemuseum, Eindhoven, Países Bajos; Virginia Museum of Fine Arts, Richmond, Virginia, EEUU.

[femaleauthor]

“There lies a mystery within the thinking that art is centered on that which

takes place within two images. This means that, unlike what happens in the field of music, in which one sound may occur in a continuous relationship with another, establishing a continuity that is physical, in the field of images this is not possible. That is, in images that represent movement, it is not possible to find the same continuum. In other words, images that demonstrate movement are themselves fixed images. Movement, however, is the aim of the appropriation of the image, no matter what the context. Aby Warburg, the German art historian, called this possibility of connecting - indeed, his method - an “iconology of the interval”. This iconology of the gap derives from a necessity to understand art as a zone of non-fixation, between impulse and action, outside any normal fixation, as a stigma of a movement. However, our perception of movement does not allow us to see the impossibility of its representation.

If we take the example of the presentation of movement in the cinema, it is obvious that we are not aware of this impossibility, because we see movement.”

Lisboa-Zagreb, 2.11.19

[ferrerocubo]

SARMENTO, JULIAO

Julião Sarmento es un artista y pintor multimedia portugués. Sarmento estudió pintura y arquitectura en la Escuela de Bellas Artes de Lisboa.

Nació en 1948 en Lisboa, Portugal.

IMAGEN 1 - Esta lo deja pensativa (Yellow), 2020, Acrylic "Gesso", graphite, water-based marker, silkscreen print and water-based enamel on linen, 65 × 53 1/10 in, 165 × 135 cm

IMAGEN 2 - Joana and the Wall, 2019, Bronze with white wax finish; silk charmeuse; concrete (Viroc ) wall, 70 9/10 × 59 1/10 × 5 1/2 in, 180 × 150 × 14 cm, Edition of 4 variants

IMAGEN 3 - 15 different shades of blue found in the studio, 2018, Water-based enamel and acrylic on linen, 11 4/5 × 169 7/10 in, 30 × 431 cm

IMAGEN 4 - White Exit, 2011, Painted bronze, wood, stainless steel, and glass, 84 × 33 × 10 in, 213.4 × 83.8 × 25.4 cm, Edition of 3

https://www.juliaosarmento.com/

[koerperlich]

Julião Sarmento Stain-Bite-Shoulder, 1996 Etching

[antronaut]

Julião Sarmento - Kiss Me (with foam). 2005 (via)

[thunderstruck9]

Julião Sarmento (Portuguese, 1948-2021), The House with the Upstairs in It, 1996. Mixed media on canvas, 110 x 87 cm.

[berndwuersching]

Julião Sarmento The house with upstairs in it (17), 1996–1997 Mixed media on canvas 59x74 cm

[pdrrook]

||Mehr Licht 1985 Juliao Sarmento  || Angelea Lowes, excerpt of 2 Truths and a Lie|| 

||Michelangelo's 'David' 1987 Eduardo Paolozzi || Anaïs Nin, from The Diary of Anais Nino, Vol. 4: 1944-1947||

||Death's Head Moth 1889, Vincent van Gogh || Lidia Yuknavitch, from The Chronology of Water: A Memoir||

[artenvena]

Juliao Sarmento

Nace en Lisboa en 1948. • Estudió pintura y arquitectura en la escuela de Bellas Artes de Lisboa. • Su trabajo se formaliza desde lo fronterizo. Muchas de sus obras contienen imágenes de imágenes y están relacionadas entre sí, aunque funcionen de manera independiente. Son microrrelatos que asumen la múltiple potencialidad del cine, entre lo expreso y lo secreto, entre lo personal y lo extraño. Su obra proyecta esa sensación cinematográfica, porque en lo que vemos siempre intuimos algo que se mantiene ausente, fuera de escena.

PREMIOS: • 1997 - Medalha de Prata de Mérito Municipal, Sintra • 2009 - Regione Lazio - Premio Internazionale "Il Lazio" tra Europa e Mediterraneo - IV Edizione 2009 • 2009 - Prémio Universidade de Coimbra 2009 • 2013 - GQ Men of the Year - Arts • 2013 - Prémio de Artes Casino da Póvoa 2013 • 2014 - Prémio de Artes Plásticas AICA - Secção Portuguesa 2012

• Su obra está en cantidad de museos de todo el mundo entre los cuales se incluyen: Museo Nacional Centro de Arte Reina Sofia, Madrid, España, Museu d'Art Contemporani Barcelona, Barcelona, España; Museu Nacional de Arte Contemporânea - Museu do Chiado, Lisboa, Portugal; Museum of Contemporary Art, Los Angeles, California, EEUU; Museum of Modern Art, Nueva York, EEUU; San Francisco Museum of Modern Art, San Francisco, California, EEUU; Solomon R. Guggenheim Museum, Nueva York, EEUU; Tate Collection, Londres, Inglaterra, Reino Unido; Van Abbemuseum, Eindhoven, Países Bajos; Virginia Museum of Fine Arts, Richmond, Virginia, EEUU.

https://www.juliaosarmento.com