#Jules kristian
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readingsilentstormdragon · 1 year ago
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Misha Collins in glasses remind me of Jules Kristian from the Black Witch.
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Tell me this isn’t Jules.
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zonetrente-trois · 5 months ago
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rainbowfm · 7 months ago
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welcome to rainbow apartments, EVERYONE! before you grab your apartment keys and move in, review your tenant checklist and make sure everything gets followed. we can't wait to see you at the next mixer!
esther yu as leyla wang aka seafoam (apartment 406), penned by cherry
gracie abrams as presley "reese" bram aka dusty rose (apartment 402), penned by jules
davika hoorne as chalita sakdan aka maroon (apartment 603), penned by talia
felix lee as phoenix lee aka magenta (apartment 606), penned by jett
camila mendes as gabriela santos aka crimson (apartment 509), penned by cherry
roseanne park as serena yeo aka hot pink (apartment 403), penned by gia
jessie mei li as noa zhang aka sunflower (apartment 607), penned by jules
havana rose liu as ivy chen aka green (apartment 407), penned by ki
sabrina carpenter as natalia "lia" wilson aka mango (apartment 409), penned by caroline
avan jogia as ari patel aka lilac (apartment 503), penned by sun
ayo edebiri as fiona rockwell aka navy (apartment 407), penned by z
sydney sweeney as lola bancroft aka vermilion (apartment 506), penned by gia
florence pugh as kristian alcott aka orchid (apartment 401), penned by sun
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cineastua · 11 months ago
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MELA from Kristian Mercado Figueroa on Vimeo.
Written and Directed by Kristian Mercado Starring: Mela Murder, Summer Rose Castillo, Caridad de La Luz Cinematography by Alejandro Mejia Edited by REUTER & Kristan Sprague Production Designer: Adeline Pollioni Produced by Andrew Nisinson Executive Producers: Andrew Nisinson, Kristian Mercado, Meilin Gray, Asori Soto, Reuter Producers: Jennifer Zarzuela, Meilin Gray, Debora Perez 1st Assistant Director: Nicole Townsend Casting by: Kate Antognini
Composers: Joshua Madoff David Murillo Nelly Kate
Sound Design Reuter Josh Ascalon
Rerecording Mixer Josh Ascalon
Songs by “En La Mia” Keysokeys Special Thanks to Shoury Santana “Bangah (Pico y Palo)” By IFE “Presludio II Feat. Lex” By IFE
Production Manager: Ana Ugrekhelidze Script Supervisor: Nicole Townsend 1st AD: Jules Cortez 2nd AD: Calvin Perez Hair and Makeup: Tia Rivers Art Director: Sophia Scalzo
Steadicam: Blake Steigerwald 1st AC: Thomas Rospabé 2nd AC: Alex D. Leon
Sound: Tarcisio Longobardi Sound Mix: Cory Choy
Gaffer: Al Rivera Key Grip: Braulio Moz Best Boy Electric: Francisco Amaya Grip: Francinso Florencio
Assistant Editor: Danny Weeks
Production Coordinator: Max Pavlichenko Production Assistants: Jake Ringold, Angelica Cornier, JasmineSkyy Forcer, Aubrey Resto
Cast: Mela: Mela Murder Amy: Summer Rose Castillo Ineabelle: Caridad de La Luz Chico DA-1: Michael Sanchez Baby: Adriel Lantigua Ms Garcia: Sharlene Cruz DJ: Lorenzo Gonzalez Maximo: Maximo Xtravaganza Oliveira Manson: Joseph Charles Viola Hoxton: Bobby Evers Leah: Ashley Nadine Lopez Audition Dancers: Bridget Spencer, Nena Martinez, Caitlyn Byrne, Sangeetha Santhebennur, Angelica Chagoya, Lisa Marie Club Dancers: Sarah Duster, Le Vaun, Jon Rodriguez, BEAU Yaniel Arrendell, School Children: Carlos Mendez, Ashley Fontanez
SPECIAL THANKS: SAG-AFTRA
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emzeciorrr · 1 year ago
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adidas Football – X Speedflow from Erwin van den IJssel on Vimeo.
Client: adidas Football Agency: The Marketing Store Director: Erwin van den IJssel Production Company: The Panics
Executive Producer: Ania Markham, Jules Tervoort Head of Post Production: Ivor Goldberg Producer / VFX Producer: Kristian Stoykov Shoot Producer: Liene Berina
VFX supervisor: Guido Ekker CG supervisor: Jeroen Aerts Motion design supervisor: Doma Harkai Compositing supervisor: Chris Staves FX supervisor: Dieuwer Feldbrugge
VFX artists: Matteo Giorni, Owen Buckley, Charleton Mercelina, Gürkan Yilmaz, Auke de Vries Motion design: Hugo Morais, Juri Agostinelli, Lorenzo Botticelli, Kim Taylor Compositors: Janneke van der Wel, Fabio Malfa Matte painting: Vincent Boudewijn
Editing: Fiona Fuchs Grading: Laurens Orij @ Crabsalad Audio: We Are Audio
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dred58gfx · 2 years ago
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Garena Free Fire - BEATz Go Boom from The Panics on Vimeo.
The Panics' Mischa Rozema and Post Panic bring their cinematic flair to the world of mobile gaming with the production being led by Nexus studios. The ‘BEATz Go Boom’ music video for the theme song of the battle royale game Garena Free Fire delivers an action packed narrative and explosive stunts.
VFX was an integral and ambitious part of the project. Throw in stupendously big green screens and intricate action sequences mixed with an expansive international production and you’re left with considerable obstacles to overcome. But Post Panic rose to the challenge and, coordinating closely with the local stunt drivers and practical fx teams, leveled the production up to an epic scale.
Client: Garena Production: Nexus Studios Director: Mischa Rozema
VFX: Post Panic Executive Producer: Jules Tervoort
Head of Post: Ivor Goldberg Senior VFX Producer: Kristian Stoykov VFX Supervisor: Guido Ekker CG Supervisor: Jeroen Aerts Comp Supervisor: Chris Staves
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silveryinkystar · 3 years ago
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Rhapsody in Blue; a playlist to accompany the fic, both made by the wonderful @kckenobi.
[Read here | Listen here | Insp]
[ID in alt text]
Tracklist [part 1 - fic & chapter titles | part 2 - inspiration]
part 1
i. Prelude by Johann Sebastian Bach || ii. the man himself by Gang of Youths || iii. Gardermoen by Julia Kent || iv. Ring of Saturn by Cory Wong, Dirty Loops || v. In the Mood by Glenn Miller || vi. Nuvole bianche - Arr. for Two Cellos by Mr and Mrs Cello || vii. Moonlight Serenade by US Air Force Airmen of Note || viii. Broken Cellos by Samuel L Session || ix. Hospital, Pt. 1 by Gustavo Santaolalla || x. Due Tramonti - Remastered 2020 by Ludovico Einaudi, Marco Decimo || xi. Caravan by Duke Ellington || xii. Hospital, Pt. 2 by Gustavo Santaolalla || xiii. On the Nature of Daylight by Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey || xiv. Asturias by Boston Cello Quartet, Will Hudgins || xv. Danse macabre by Camille Saint-Saëns || xvi. The Life Cycle of a Butterfly by Cory Wong || xvii. Tomorrow and Forever by Cory Wong || xviii. Rhapsody in Blue by George Gershwin
part 2 (under the cut)
xix. Birdland by Maynard Ferguson || xx. Without Me by Rayland Baxter || xxi. Supermarket Flowers by Stellenbosch University Choir || xxii. Being Alive (Glee Cast Version) by Glee Cast || xxiii. Moon River by Gustav Lundgren || xxiv. Pie Jesu by The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger || xxv. The Swan (From "Carnival of the Animals" by Camille Saint-Saëns || xxvi. i luv him. by Catie Turner || xxvii. Art vs Calling by Sleeping At Last || xxviii. A Million Dreams by The Piano Guys || xxix. Love Theme From St. Elmo's Fire by Stan Whitmire ||
xxx. Thaïs: Meditation (Arr. for Cello & Piano) by Jules Massenet || xxxi. The Lake Isle by Ola Gjeilo, Tenebrae, Kristian Kvalvaag, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp || xxxii. Flower Duet by Leo Délibes, Cicely Parnas, Marnie Laird, Brooklyn Classical, Patrick Laird || xxxiii. October by Eric Whitacre, Youngstown State University Symphonic Wind Ensemble, Stephen Gage || xxxiv. Tu Sei - Arr. for Two Cellos by Mr and Mrs Cello || xxxv. Sing Gently (Arr. for String Quartet and Piano) by Eric Whitacre, Dominic Cheli, Adam Milstein, Emma Wernig, Ben Solomonov, Max Karmazyn || xxxvi. Burying the Dead by Kevin Kiner || xxxvii. The Winner Takes it All - From "Mamma Mia!" by Meryl Streep || xxxviii. Butterfly by Gustav Santaolalla || xxxix. A Model of the Universe by Jóhann Jóhannsson ||
xl. Rhapsody on a Theme of Paganini Op 43: Variation No. 18 Andante cantabile by Sergei Rachmaninoff || xli. Requiem For An Empty Ballroom by The Stolen Orchestra || xlii. Learning to Drive by Gustav Santaolalla || xliii. The Art of Getting By by Laura Zocca || xliv. Needles & Pins by Canyon City || xlv. Bandstand Boogie by Barry Manilow || xlvi. It Don't Mean a Thing (If It Ain't Got That Swing) by Louis Armstrong, Duke Ellington || xlvii. The Jazz Police by Gordon Goodwin's Big Phat Band || xlviii. You Cannot Lose My Love by Sara Groves || xlix. Bad Day by Daniel Powter ||
l. champagne problems by Taylor Swift || li. Landslide by Alex Blue, Sleeping At Last || lii. If This Is It Now by Birdy || liii. God is Just the Universe by Corey Kilgannon || liv. Quiet Man by Roo Panes || lv. Grow As We Go by Ben Platt || lvi. Happiness by We Banjo 3 || lvii. October - Live by gray || lviii. Fare Thee Well by Gustav Santaolalla
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letterboxd · 4 years ago
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Best of Sundance 2021.
From pandemic-era stories, via portraits of grief, to the serendipitous 1969 trilogy, the Letterboxd crew recaps our favorite films from the first major festival of the year.
Sundance heralds a new season of storytelling, with insights into what’s concerning filmmakers at present, and what artistic innovations may be on the horizon. As with every film festival, there were spooky coincidences and intersecting themes, whether it was a proliferation of pandemic-era stories, or extraordinary portraits of women working through grief (Land, Hive, The World to Come), or the incredible serendipity of the festival’s ‘1969 trilogy’, covering pivotal moments in Black American history: Summer of Soul (...Or When the Revolution Could Not Be Televised), Judas and the Black Messiah and the joyful Street Gang: How We Got to Sesame Street.
The hybrid model of this year’s Sundance meant more film lovers across the United States—a record number of you, in fact—‘attended’ the prestigious indie showcase. Our Festiville team (Gemma Gracewood, Aaron Yap, Ella Kemp, Selome Hailu, Jack Moulton and Dominic Corry) scanned your Letterboxd reviews and compared them with our notes to arrive at these seventeen feature-length documentary and narrative picks from Sundance 2021. There are plenty more we enjoyed, but these are the films we can’t stop thinking about.
Documentary features
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Summer of Soul (...Or, When the Revolution Could Not Be Televised) Directed by Ahmir-Khalib Thompson (AKA Questlove)
One hot summer five decades ago, there was a free concert series at a park in Harlem. It was huge, and it was lovely, and then it was forgotten. The Harlem Cultural Festival of 1969 brought together some of the world’s most beloved Black artists to connect with Black audiences. The star power and the size of the crowds alone should have been enough to immortalize the event à la Woodstock—which happened the same summer, the film emphasizes. But no one cared to buy up the footage until Ahmir-Khalib Thompson, better known as Questlove, came along.
It would have been easy to oversimplify such a rich archive by stringing together the performances, seeking out some talking heads, and calling it a day. But Questlove was both careful and ebullient in his approach. “Summer of Soul is a monumental concert documentary and a fantastic piece of reclaimed archived footage. There is perhaps no one better suited to curate this essential footage than Questlove, whose expertise and passion for the music shines through,” writes Matthew on Letterboxd. The film is inventive with its use of present interviews, bringing in both artists and attendees not just to speak on their experiences, but to react to and relive the footage. The director reaches past the festival itself, providing thorough social context that takes in the moon landing, the assassinations of Black political figures, and more. By overlapping different styles of documentary filmmaking, Questlove’s directorial debut embraces the breadth and simultaneity of Black resilience and joy. A deserving winner of both the Grand Jury and Audience awards (and many of our unofficial Letterboxd awards). —SH
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Flee Directed by Jonas Poher Rasmussen
Flee is the type of discovery Sundance is designed for. Danish documentarian Jonas Poher Rasmussen tells the poignant story of his close friend and former classmate (using the pseudonym ‘Amin Nawabi’) and his daring escape from persecution in 1990s Afghanistan. Rasmussen always approaches tender topics with sensitivity and takes further steps to protect his friend’s identity by illustrating the film almost entirely in immersive animation, following in the footsteps of Waltz With Bashir and Tower. It’s a film aware of its subjectivity, allowing the animated scenes to alternate between the playful joy of nostalgia and the mournful pain of an unforgettable memory. However, these are intercepted by dramatic archive footage that oppressively brings the reality home.
“Remarkably singular, yet that is what makes it so universal,” writes Paul. “So many ugly truths about the immigration experience—the impossible choices forced upon people, and the inability to really be able to explain all of it to people in your new life… You can hear the longing in his voice, the fear in his whisper. Some don’t get the easy path.” Winner of the World Cinema (Documentary) Grand Jury Prize and quickly acquired by Neon, Flee is guaranteed to be a film you’ll hear a lot about for the rest of 2021. —JM
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Taming the Garden Directed by Salomé Jashi
There’s always a moment at a film festival when fatigue sets in, when the empathy machine overwhelms, and when I hit that moment in 2021, I took the advice of filmmaker and Sundance veteran Jim Cummings, who told us: “If you’re ever stressed or tired, watch a documentary to reset yourself.” Taming the Garden wasn’t initially on my hit-list, but it’s one of those moments when the ‘close your eyes and point at a random title’ trick paid off. Documentary director Salomé Jashi does the Lorax’s work, documenting the impact and grief caused by billionaire former Georgian PM Bidzina Ivanishvili’s obsession with collecting ancient trees for his private arboretum.
“A movie that is strangely both infuriating and relaxing” writes Todd, of the long, locked-off wide shots showing the intense process of removing large, old trees from their village homes. There’s no narration, instead Jashi eavesdrops on locals as they gossip about Ivanishvili, argue about whether the money is worth it, and a feisty, irritated 90-year-old warns of the impending environmental fallout. “What you get out of it is absolutely proportional to what you put into it,” writes David, who recommends this film get the IMAX treatment. It’s arboriculture as ASMR, the timeline cleanse my Sundance needed. The extraordinary images of treasured trees being barged across the sea will become iconic. —GG
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The Most Beautiful Boy in the World Directed by Kristian Petri and Kristina Lindström
Where Taming the Garden succeeds through pure observation, The Most Beautiful Boy in the World relies on the complete participation of its title subject, actor Björn Andrésen, who was thrust into the spotlight as a teenager. Cast by Italian director Lucino Visconti in Death in Venice, a 1971 adaptation of Thomas Mann’s novella about obsession and fatal longing, Andrésen spent the 1970s as an object of lust, with a side-gig as a blonde pop star in Japan, inspiring many manga artists along the way.
As we know by now (Alex Winter’s Showbiz Kids is a handy companion to this film), young stardom comes at a price, one that Andrésen was not well-placed to pay even before his fateful audition for Visconti. But he’s still alive, still acting (he’s Dan in Midsommar), and ready to face the mysteries of his past. Like Benjamin Ree’s excellent The Painter and the Thief from last year, this documentary is a constantly unfolding detective story, notable for great archive footage, and a deep kindness towards its reticent yet wide-open subject. —GG
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All Light, Everywhere Directed by Theo Anthony
Threading the blind spots between Étienne-Jules Marey’s 19th-century “photographic rifle”, camera-carrying war pigeons and Axon’s body-cam tech, Theo Anthony’s inquisitive, mind-expanding doc about the false promise of the all-seeing eye is absorbing, scary, urgent. It’s the greatest Minority Report origin story you didn’t know you needed.
Augmented by Dan Deacon’s electronic soundscapes and Keaver Brenai’s lullingly robotic narration, All Light, Everywhere proves to be a captivating, intricately balanced experience that Harris describes as “one part Adam Curtis-esque cine-essay”, “one part structural experiment in the vein of Koyaanisqatsi” and “one part accidental character study of two of the most familiar yet strikingly unique evil, conservative capitalists…”. Yes, there’s a tremendous amount to download, but Anthony’s expert weaving, as AC writes, “make its numerous subjects burst with clarity and profundity.” For curious cinephiles, the oldest movie on Letterboxd, Jules Jenssen’s Passage de Vénus (1874), makes a cameo. —AY
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The Sparks Brothers Directed by Edgar Wright
Conceived at a Sparks gig in 2017 upon the encouragement of fellow writer-director Phil Lord, Edgar Wright broke his streak of riotous comedies with his first (of many, we hope) rockumentary. While somewhat overstuffed—this is, after all, his longest film by nearly fifteen minutes—The Sparks Brothers speaks only to Wright’s unrestrained passion for his art-pop Gods, exploring all the nooks and crannies of Sparks’ sprawling career, with unprecedented access to brothers and bandmates Ron and Russell Mael.
Nobody else can quite pin them down, so Wright dedicates his time to put every pin in them while he can, building a mythology and breaking it down, while coloring the film with irresistible dives into film history, whimsically animated anecdotes and cheeky captions. “Sparks rules. Edgar Wright rules. There’s no way this wasn’t going to rule”, proclaims Nick, “every Sparks song is its own world, with characters, rules, jokes and layers of narrative irony. What a lovely ode to a creative partnership that was founded on sticking to one’s artistic guns, no matter what may have been fashionable at the time.” —JM
Narrative features
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The Pink Cloud Written and directed by Iuli Gerbase
The Pink Cloud is disorienting and full of déjà vu. Brazilian writer-director Iuli Gerbase constructs characters that are damned to have to settle when it comes to human connection. Giovana and Yago’s pleasant one-night stand lasts longer than expected when the titular pink cloud emerges from the sky, full of a mysterious and deadly gas that forces everyone to stay locked where they stand. Sound familiar? Reserve your groans—The Pink Cloud wasn’t churned out to figure out “what it all means” before the pandemic is even over. Gerbase wrote and shot the film prior to the discovery of Covid-19.
It’s “striking in its ability to prophesize a pandemic and a feeling unknown at the time of its conception. What was once science fiction hits so close now,” writes Sam. As uncanny as the quarantine narrative feels, what’s truly harrowing is how well the film predicts and understands interiorities that the pandemic later exacerbated. Above all, Giovana is a woman with unmet needs. She is a good partner, good mother and good person even when she doesn’t want to be. Even those who love her cannot see how their expectations strip her of her personhood, and the film dares to ask what escape there might be when love itself leaves you lonely. —SH
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Together Together Written and directed by Nikole Beckwith
Every festival needs at least one indie relationship dramedy, and Together Together filled that role at Sundance 2021 with a healthy degree of subversion. It follows rom-com structure while ostensibly avoiding romance, instead focusing on how cultivating adult friendships can be just hard, if not harder.
Writer-director Nikole Beckwith warmly examines the limits of the platonic, and Patti Harrison and Ed Helms are brilliantly cast as the not-couple: a single soon-to-be father and the surrogate carrying his child. They poke at each other’s boundaries with a subtle desperation to know what makes a friendship appropriate or real. As Jacob writes: “It’s cute and serious, charming without being quirky. It’s a movie that deals with the struggle of being alone in this world, but offers a shimmer of hope that even if you don’t fall in fantastical, romantic, Hollywood love… there are people out there for you.” —SH
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Hive Written and directed by Blerta Basholli
Hive, for some, may fall into the “nothing much happens” slice-of-life genre, but Blerta Basholli’s directorial debut holds an ocean of pain in its small tale, asking us to consider the heavy lifting that women must always do in the aftermath of war. As Liz writes, “Hive is not just a story about grief and trauma in a patriarchy-dominated culture, but of perseverance and the bonds created by the survivors who must begin to consider the future without their husbands.”
Yllka Gashi is an understated hero as Fahrjie, a mother-of-two who sets about organizing work for the women of her village, while awaiting news of her missing husband—one of thousands unaccounted for, years after the Kosovo War has ended. The townsmen have many opinions about how women should and shouldn’t mourn, work, socialize, parent, drive cars and, basically, get on with living, but Fahrjie persists, and Basholli sticks close with an unfussy, tender eye. “It felt like I was a fly on the wall, witnessing something that was actually happening,” writes Arthur. Just as in Robin Wright’s Land and Mona Fastvold’s The World to Come, Hive pays off in the rare, beaming smile of its protagonist. —GG
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On the Count of Three Directed by Jerrod Carmichael, written by Ari Katcher and Ryan Welch
It starts with an image: two best friends pointing guns at each other’s heads. There’s no anger, there’s no hatred—this is an act of merciful brotherly love. How do you have a bleak, gun-totin’ buddy-comedy in 2021 and be critically embraced without contradicting your gun-control retweets or appearing as though your film is the dying embers of Tarantino-tinged student films?
Comedian Jerrod Carmichael’s acerbic directorial debut On the Count of Three achieves this by calling it out every step of the way. Guns are a tool to give insecure men the illusion of power. They are indeed a tool too terrifying to trust in the hands of untrained citizens. Carmichael also stars, alongside Christopher Abbott, who has never been more hilarious or more tragic, bringing pathos to a cathartic rendition of Papa Roach’s ‘Last Resort’. Above all, Carmichael and Abbott’s shared struggle and bond communicates the millennial malaise: how can you save others if you can’t save yourself? “Here’s what it boils down to: life is fucking hard”, Laura sums up, “and sometimes the most we can hope for is to have a best friend who loves you [and] to be a best friend who loves. It doesn’t make life any easier, but it sure helps.” Sundance 2021 is one for the books when it comes to documentaries, but On the Count of Three stands out in the fiction lineup this year. —JM
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Censor Directed by Prano Bailey-Bond, written by Bailey-Bond and Anthony Fletcher
The first of several upcoming films inspired by the ‘video nasty’ moral panic over gory horror in mid-’80s Britain, Prano Bailey-Bond leans heavily into both the period and the genre in telling the story of a film censor (a phenomenal Niamh Algar—vulnerable and steely at the same time) who begins to suspect a banned movie may hold the key to her sister’s childhood disappearance. Often dreamlike, occasionally phantasmagorical and repeatedly traumatic, even if the worst gore presented (as seen in the impressively authentic fictional horrors being appraised) appears via a screen, providing a welcome degree of separation.
Nevertheless, Censor is definitely not for the faint of heart, but old-school horror aficionados will squeal with delight at the aesthetic commitment. “I’m so ecstatic that horror is in the hands of immensely talented women going absolutely batshit in front of and behind the camera.” writes Erik. (Same here!) “A great ode to the video-nasty era and paying tribute to the great horror auteurs of the ’80s such as Argento, De Palma and Cronenberg while also doing something new with the genre. Loved this!” writes John, effectively encapsulating Censor’s unfettered film-nerd appeal. —DC
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CODA Written and directed by Siân Heder
A film so earnest it shouldn’t work, with a heart so big it should surely not fit the size of the screen, CODA broke records (the first US dramatic film in Sundance history to win all three top prizes; the 25-million-dollar sale to Apple Studios), and won the world over like no other film. “A unique take on something we’ve seen so much,” writes Amanda, nailing the special appeal of Siân Heder’s coming-of-ager and family portrait. Emilia Jones plays Ruby, the only hearing person in her deaf family, at war between the family business and her passion for singing. While Heder is technically remaking the French film La Famille Bélier, the decision to cast brilliant deaf actors—Troy Kotsur, Marlee Matlin and Daniel Durant—makes this feel brand new.
But it’s not just about representation for the sake of it. A sense of authenticity, in humor as much as affection, shines through. With a script that’s 40 per cent ASL, so many of the jokes are visual gags, poking fun at Tinder and rap music, but a lot of the film’s most poignant moments are silent as well. And in Ruby’s own world, too, choir kids will feel seen. “I approve of this very specific alto representation and the brilliant casting of the entire choir,” Laura confirms in her review. Come for the fearless, empathetic family portrait, stay for the High School Musical vibes that actually ring true. —EK
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We’re All Going to the World’s Fair Written and directed by Jane Schoenbrun
Perhaps the most singular addition to the recent flurry of Extremely Online cinema—Searching, Spree, Host, et al—Jane Schoenbrun’s feature debut ushers the viewer into a haunted, hypno-drone miasma of delirium-inducing YouTube time-suck, tenebrous creepypasta lore and painfully intimate webcam confessionals. Featuring an extraordinarily unaffected, fearless performance by newcomer Anna Cobb, the film “unpacks the mythology of adolescence in a way that’s so harrowingly familiar and also so otherworldly”, writes Kristen. Not since Kiyoshi Kurosawa’s Pulse has there been such an eerily lonely, and at times strangely beautiful, evocation of the liminal spaces between virtual and real worlds.
For members of the trans community, it’s also a work that translates that experience to screen with uncommon authenticity. “What Schoenbrun has accomplished with the form of We’re All Going to the World’s Fair is akin to catching a wisp of smoke,” writes Willow, “because the images, mood and aesthetic that they have brought to life is one that is understood completely by trans people as one of familiarity, without also plunging into the obvious melodrama, or liberal back-patting that is usually associated with ‘good’ direct representation.” One of the most original, compelling new voices to emerge from Sundance this year. —AY
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Judas and the Black Messiah Directed by Shaka King, written by King, Will Berson, Kenneth Lucas and Keith Lucas
It was always going to take a visionary, uncompromising filmmaker to bring the story of Fred Hampton, the deputy chairman of the national Black Panther Party, to life. Shaka King casts Daniel Kaluuya as Hampton, and LaKeith Stanfield as William “Wild Bill” O’Neal, the FBI informant whose betrayal leads to Hampton’s assassination. Both actors have never been better, particularly Kaluuya who Fran Hoepfner calls “entrancing, magnetic, fizzling, romantic, riveting, endlessly watchable.”
Judas and the Black Messiah is an electric, involving watch: not just replaying history by following a certain biopic template. Instead, it’s a film with something to say—on power, on fear, on war and on freedom. “Shaka King’s name better reverberate through the halls of every studio after this,” writes Demi. A talent like this, capable of framing such a revolution, doesn’t come around so often. We’d better listen up. —EK
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Pleasure Directed by Ninja Thyberg, written by Thyberg and Peter Modestij
A24’s first purchase of 2021. Ironically titled on multiple levels, Pleasure is a brutal film that you endure more than enjoy. But one thing you can’t do is forget it. Ninja Thyberg’s debut feature follows a young Swedish woman (Sofia Kappel) who arrives in Los Angeles with dreams of porn stardom under the name ‘Bella Cherry’. Although Bella is clear-eyed about the business she’s getting into, Thyberg doesn’t shy away from any of the awfulness she faces in order to succeed in an industry rife with exploitation and abuse. Bella does make allies, and the film isn’t suggesting that porn is only stocked with villains, but the ultimate cost is clear, even if it ends on an ever-so-slightly ambiguous note.
Touching as it does on ambition, friendship and betrayal in the sex business, Pleasure is often oddly reminiscent of Paul Verhoeven’s Showgirls. Or rather, the gritty film Showgirls was claiming to be, as opposed to the camp classic it became. There’s nothing campy here. Kappel is raw and fearless in the lead, but never lets the viewer lose touch with her humanity. Emma puts it well: “Kappel gives the hardest, most provocative and transfixing performance I’ve seen all festival.” “My whole body was physically tense during this,” writes Gillian, while Keegan perhaps speaks for most when she says “Great film, never want to see it again.” —DC
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Coming Home in the Dark Directed by James Ashcroft, written by Ashcroft and Eli Kent
A family camping trip amidst some typically stunnin—and casually foreboding— New Zealand scenery is upended by a shocking rug-pull of violence that gives way to sustained terror represented by Daniel Gillies’ disturbingly calm psychopath. The set-up of this thriller initially suggests a spin on the backwoods brutality thriller, but as Coming Home in the Dark progresses and hope dissipates, the motivations reveal themselves to be much more personal in nature, and informed on a thematic level by New Zealand’s colonial crimes against its Indigenous population. It’s a stark and haunting film that remains disorientating and unpredictable throughout, repeatedly daring the viewer to anticipate what will happen next, only to casually stomp on each glimmer of a positive outcome.
It’s so captivatingly bleak that a viewing of it, as Collins Ezeanyim’s eloquent reaction points out, does not lend itself to completing domestic tasks. The film marks an auspicious debut for director and co-writer James Ashcroft. Jacob writes that he “will probably follow James Ashcroft’s career to the gates of Hell after this one”. Justin hits the nail on the head with his description: “Lean and exceptionally brutal road/revenge film … that trades in genre tropes, especially those of Ozploitation and ’70s Italian exploitation, but contextualizes them in the dark history of its country of origin.” —DC
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The World to Come Directed by Mona Fastvold, written by Ron Hansen and Jim Shepard
Mona Fastvold has not made the first, nor probably the last, period romance about forbidden lesbian love. But The World to Come focuses on a specific pocket in time, a world contained in Jim Shepard’s short story ‘Love & Hydrogen’ from within the collection giving the film its name. Katherine Waterston and Vanessa Kirby are Abigail and Tallie, farming neighbors, stifled by their husbands, who find brief moments of solace, of astonishment and joy, together. What shines here is the script, a verbose, delicate narration that emanates beauty more than pretence. “So beautifully restrained and yet I felt everything,” Iana writes.
And you can feel the fluidity and elegance in the way the film sounds, too: composer Daniel Blumberg’s clarinet theme converses with the dialogue and tells you when your heart can break, when you must pause, when the end is near. “So much heartache. So much hunger. So much longing. Waves of love and grief and love and grief,” writes Claira, capturing the ebb and flow of emotion that keeps The World to Come in your mind long after the screen has gone silent. —EK
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longtxts-a · 3 years ago
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      kristian came home with ruby on his back in her little bubble backpack. he decided it was nice enough weather to take their fur baby out on a walk, and it gave him a chance to go for a quick food shopping run. it felt even weirder, since he himself bought a nice wine to go with their meal in a more strict store with being of age to buy alcohol. “ we’re home ! “ kris called into the apartment, wondering if jules was at the shop instead.  /   @exposurc​​
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clearseas17 · 7 years ago
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11C, 8A, 4D!
I’M SORRY THIS TOOK SO LONG ;-;
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4D
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transnamesuggestions · 5 years ago
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Looking for names that are gender neutral in pronounciation but have a gendered preferred spelling in writing?
So gender neutral names with specific gendered spellings? 
Here’s a few  & their alternate spellings ( most are formatted as masculine or neutral spelling & then feminine spelling):
Andy / Andi
Austen / Austin / Austyn
Bailey / Baylee
Bobby / Bobbie
Brook / Brooke
Carroll / Carol
Chris / Kris
Christian / Kristian
Charlie / Charley
Casey / Kasey
Devon / Devin
Dylan / Dillon
Danny / Dani
Jesse / Jessie
Jules / Jools
Marley / Marleigh
Noel / Noelle
Peyton / Payton
Reilly / Riley or Rylee
Rhys / Reese
Ryan / Rian
Ray / Rey or Rae
Robin / Robyn
Sean / Shawn
Sidney / Sydney
Steve / Stevie
Toby / Tobi
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serenamantra · 5 years ago
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Celebrating 2 years together with this guy! Well, this is not the first time that I celebrated a 2 year anniversary with a guy (proud ako unti hehehe) but with him, I know I’ll celebrate more than just 2 years. I was a little younger when I had my first 2 year anniversary that’s why I never thought that it’ll last longer. And also, I fell out of love with that relationship. I wanted to experience more rather than experiencing the same routine every day. It felt tiring but with this, you feel like it’s your home, it’s comfortable and it felt forever. 
I wanted to share with you how we started.
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He’s from Manila, he worked there as a dental technician because he finished a 2 year course of dental technology. When he left at his work, he came back here in Naga and decided to study again. He had many choices but left with studying Psychology in UNC. He was a freshmen that time and I was a sophomore but since he graduated already with a degree and he studied in Ateneo too before he studied dental technology he was able to get that’s why he was able to get 2nd year subjects. He told me how I got his attention. It was a English subject when I came late. He was sitting at the end of the classroom so he was able to see when I walked in, he said I looked so carefree and did not care if i was late for that class. I was wearing eyeglasses that time with my red hair and our school uniform. He was a little exaggerated when he started telling people what happened the first time he saw me.
Our department’s Acquaintance Party came and we had this theme called Traffic Lights. Those who are Single will wear the color green, if it’s complicated they’ll wear the color yellow and if they’re in a relationship they’ll wear the color red. I was wearing the color green that time, well because I was single. I was wearing an off shoulder top, high-waist jeans and white sandals. I didn’t roam around a lot since I was just friends with Princess Parra and other boy friends. After the acquaintance party we went to a bar called Kinamon. We were just drinking when he came and went straight to our table. Kuya Jules introduced him to us. He’s friendly and talkative. I wasn’t interested with him that time because I’m not actually looking for a serious relationship. When he talked to me he asked why I change my top, I was wearing a crop top blue shirt because I felt awkward with the off shoulder top I was wearing. Then said his pick-up line. GANDA NI GHORL HAHAHA after that we started spending time with their group. I asked for his number one time because I had a question which regards to one of our subjects. He took it as an opportunity to talk to me every day. It was cute but Kristian was already courting me when he asked me if he can court me also. I liked how sincere Norvin was but I felt attached already with Kristian that time. He was devastated when I turn him down that he can’t talk to me or return as friends. 
Months have passed and we started being friends again. I had a hard time not going out late at night anymore when I was having a relationship with Kristian, he said he doesn’t want my staying outside late at night. (That jerk, if only I knew what he was doing, I should have not followed his rules) So I missed most of the days our group of friends spent every night. He had various flings with different women but still spent texting me while he was drunk. It’s saddening how our past relationship turned out. 
When Kristian and I are having lots of trouble in our relationship, we were still trying to fix it but it just went even harder to stay. I believe I already made a blog post with regards to this so we will just let this post as it is without any problems from the past. When Norvin was in 3rd year college and I was a senior, he run for governor in our department, I gave him my full support because this is the first time he’ll be going out of his bubble. When he won he took me as his secretary. At first, it was pure professional but he started being cheesy again. He was being clingy and stuff and when I was being stupid with Kristian, he was disappointed in me. Fun fact, they both lived in the same street. MYGHAD HAHAHA. February came when Celine and her thesis mates invited me as the actress for their short movie. I started spending time with them that Norvin felt left out. He can’t come to see me or spend time with me that’s why it was a rough patch for us. After that, he finally had my yes to our relationship 2 years ago. It felt nothing different. But felt nice. It was awkward at first because I never knew that it was going to be this twist of events.
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In the first month of our relationship, we spent almost everyday. I spent most of my nights at his apartment and was finally having our time together. Well, because I was going to live for Manila for the next month. My sister gave a job as an executive assistant in her company. 
It was hard being away with him and having the relationship. I missed my home and of course, the kind of living I was doing. I was homesick, I missed spending time with my friends. It was a totally different feeling because of the responsibilities of being an adult. It took 6 months of suffering but I’m so happy I’m finally back in Naga. 
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Today, we are celebrating our 2nd year anniversary. I am so thankful for having this non-high maintenance relationship with him. I felt so happy having to him as my constant happiness. We may have ups and downs in this relationship but at least we were trying. I love how we communicate whenever there are problems or traits we are not comfortable with. I love how he lets me control what I want to do with myself, he was so supportive with everything. I am thankful because I have this relationship. There’s always a rainbow after the rain. I may have suffered with my past relationship but at least I made every part of the as a lesson and improve and grow in this relationship. To many years of love and caring with you. 
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typicalbibliophile · 5 years ago
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Jules Kristian to Elloren
“Real education doesn't make your life easy. It complicates things and makes everything messy and disturbing. But the alternative, Elloren Gardner, is to live your life based on injustice and lies”
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asfeedin · 5 years ago
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Mbappe, Sancho, Alexander-Arnold lead soccer’s 36 best players age 21 or under
Editor’s note: With the past four Ballon d’Or winners — Lionel Messi, Luka Modric and Cristiano Ronaldo (twice) — all over the age of 30 at the time of their victory, and other would-be winners such as Antoine Griezmann, Neymar and Eden Hazard well on the way to veteran status, there has never been a better time for the next generation to take over. So step forward, Kylian Mbappe, Jadon Sancho, Trent Alexander-Arnold and others!
For the second straight year (read the 2019 edition here), ESPN brings you the game’s next generation. Some of tomorrow’s stars have already made their mark on the big stage — you might remember what Mbappe did to help France win the World Cup two years ago — but all of them have one thing in common: They are the top talents aged 21 or under. So who makes the grade, what are their particular qualities and how can they get even better?
Compiling this year’s list is Tor-Kristian Karlsen, who has worked as a scout and executive for clubs across Europe, including Monaco, Zenit and Watford. He explains his methodology, before revealing the list.
Why 36?
From an initial “long list” of 75 players, those remaining are the ones who satisfied my two main criteria: appearances at the highest level and confirmed performance level over a sustained period. Chelsea’s Reece James, for example, was a contender, but the 20-year-old has made only 12 Premier League starts.
Meanwhile, only the absolute top players born in 2002, such as Ansu Fati and Eduardo Camavinga, were considered, whereas exceptional 2003-born talents — Rayan Cherki and Jude Bellingham among them — were noted for future reference.
What types of research were undertaken?
I used a sounding board consisting of professional scouts and sporting directors from several top European clubs before compiling the final ranking, as well as online scouting platforms such as WyScout and InStat. Personal preference also played a significant role.
Is there a reason that attacking players dominate the list?
In general, forwards get more playing time at a younger age than, say, central defenders, who tend to need more time to develop tactical awareness, positioning and understanding of the game. Beyond those who did make it, other defenders considered included Dan-Axel Zagadou, Boubacar Kamara, Jules Kounde, Ozan Kabak and Ibrahima Konate.
Notes: – Players included must be age 21 or under on May 1. The top 10 have been ranked, with the rest listed in alphabetical order. – With uncertainty about the coronavirus‘ effect on the transfer market, valuations are based on the writer’s pre-COVID-19 estimations.
– ESPN FC on YouTube: Tor-Kristian Karlsen talks to Gab Marcotti and Julien Laurens – Stream ESPN FC TV, 30 for 30 soccer stories on ESPN+ (U.S.)
Presenting the best players on planet football, age 21 or under ESPN
Jump to: The top 10 | Aouar | Alexander-Arnold | Camavinga | David | Davies | De Ligt | Donnarumma | Fati | Felix | Foden | Greenwood | Guendouzi | Haaland | Hakimi | Havertz | Hudson-Odoi | Isak | Kulusevski | Malen | Martinelli | Mbappe | Mount | Odegaard | Osimhen | Pulisic | Rice | Rodrygo | Saka | Sancho | Soumare | Tonali | Torres | Upamecano | Valverde | Vinicius | Zaniolo
The top 10
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Tor-Kristian Karlsen explains why Joao Felix is amongst the top ten players under 21.
10. Joao Felix (FW; Atletico Madrid / Portugal) Age: 20 Estimated transfer value: €95m
In terms of culture changes, going from a free-flowing Benfica side to the tactical discipline instilled by Diego Simeone at Atletico Madrid is about as stark as it gets in European football. So it is no surprise that Felix got off to a slow start after arriving in Spain last year, with four goals and one assist in La Liga. However, the talent that saw him cost €126m has not gone away, and he remains a top prospect.
Strengths: As a second striker, he erupts in creativity when on the ball, and when dropping deeper, he is an inventive playmaker. Although Cristiano Ronaldo comparisons are premature and imprecise, it would be a surprise if Felix did not establish himself as a leading performer at the top level. His refined touch excites fans, who also appreciate his fluid, intelligent movements, as well as his dangerous shot and finishing abilities.
How he can improve: Even though his undisputed talent is on show in patches during every game, as with many young talents the search for consistency is his main challenge.
– Kundert: Meet ‘new Ronaldo’ Joao Felix
Federico Valverde won the Silver Ball at the 2017 Under-20 World Cup. Xaume Olleros/Getty Images
9. Federico Valverde (MF; Real Madrid / Uruguay) Age: 21 Estimated transfer value: €75m
Valverde arrived in Madrid at age 18 and played for the club’s B-team before going on loan to Deportivo for a season that ended in relegation. More disappointment followed when he missed Uruguay’s 2018 World Cup squad, but since then he has established himself for club and country. With Luka Modric in the twilight of his career and Toni Kroos very much a veteran himself, Valverde is set to run Madrid’s midfield for the foreseeable future.
Strengths: Not only does Valverde possess the technical ability and passing skills to seamlessly slot into one of the world’s best midfield units, but he also has the pace and agility to escape crowds and the determination to pose a goal threat. In addition, a tenacity and whatever-it-takes attitude — as shown by his sending off in the Spanish Supercopa final — gives his game an edge. Potentially one of the world’s top box-to-box midfielders.
How he can improve: Poor decision-making and youthful enthusiasm can tempt him to try audacious attacking runs with the ball, when a more experienced player would keep possession and build from the back.
– Marsden: Valverde decisive as Madrid hold off Atletico
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Tor-Kristian Karlsen explains why Erling Haaland still has room for improvement despite his fine form.
8. Erling Haaland (FW; Borussia Dortmund / Norway) Age: 19 Estimated transfer value: €90m
This time last year, Haaland was known best as the son of former Premier League midfielder Alfie and had barely featured for Red Bull Salzburg. Many goals later — he scored nine in one game at the Under-20 World Cup — he is a star striker for Borussia Dortmund, who signed him in January after activating his €20m buyout clause, and is already being linked with the likes of Real Madrid and Manchester United.
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Dan Thomas is joined by Craig Burley, Shaka Hislop and a host of other guests every day as football plots a path through the coronavirus crisis. Stream on ESPN+ (U.S. only).
Strengths: Haaland plays the centre-forward role with intensity, chasing every ball and showing great speed over medium and long distances. He is very strong and possesses a powerful shot with his left foot. His finishing skills are impressive, too, and give him an end product in front of goal that belies his age.
How he can improve: At 6-foot-4 and over 190 pounds, Haaland should pose a greater aerial threat — in 11 games for Dortmund, he has not scored a header — while there is also room for improvement in his hold-up game. If he progresses in those areas and can deal with mounting expectation and non-scoring spells, he could become the most dominant centre-forward of the next decade.
– Karlsen: How Haaland became soccer’s most-wanted teenager
Gianluigi Donnarumma was just 17 years and 189 days old when he made his Italy debut in 2017. Emilio Andreoli/Getty Images
7. Gianluigi Donnarumma (GK; Milan / Italy) Age: 21 Estimated transfer value: €60m
While outfield players might expect to get chances to play in their late teens, the specialized nature of their position means opportunities can be harder to come by for goalkeepers. As such, the fact that Donnarumma debuted for Milan at 16 and has since played more than 200 times for club and country, where he inherited icon Gigi Buffon’s position, shows just how good he is.
Strengths: Whereas the physical aspect has never been an issue for a goalkeeper who stands 6-foot-4, Donnarumma has also developed technically; quick to get down and make saves, his distribution is precise and, without being extravagant, he takes an extra touch, when under pressure in possession, to make the right pass. He has also stood out during a period for Milan that has featured on-pitch underachievement and off-field controversy.
How he can improve: His aggressive style works to his advantage most of the time, but he can be prone to overestimating his own reach when dealing with crosses.
– Miller: Donnarumma among the best homegrown stars
Matthijs de Ligt was 17 on his international debut in March 2017, the youngest Netherlands debutant since 1931. Giuseppe Maffia/NurPhoto via Getty Images
6. Matthijs de Ligt (DF; Juventus / Netherlands) Age: 20 Estimated transfer value: €85m
After playing so well in Ajax’s impressive Champions League semifinal run last season, De Ligt had his pick of Europe’s top clubs and chose to join Juventus. Life in Italy has not been smooth sailing for the centre-back and his early games featured several errors, but he has started 17 of 26 Serie A matches and will benefit from the guidance of central defensive legends Giorgio Chiellini and Leonardo Bonucci.
Strengths: At his best, De Ligt displays presence and leadership qualities beyond his years. His distribution is excellent, and he is able to dominate both boxes; scoring the derby winner against Torino showed his prowess. He has worked to win doubters over after moving from Netherlands to Italy, and an assured display in the 2-0 win against Inter further showed his progress.
How he can improve: Perhaps too keen to impress at his new club, De Ligt has been uncharacteristically rash in tackles and committed himself too early. When he is composed, though, he is the same defender who made such an impression in the Champions League last season.
– Kuper: Why ambitious De Ligt chose Juventus
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Tor-Kristian Karlsen explains what makes Kai Havertz so exciting and discusses where his future lies.
5. Kai Havertz (MF; Bayer Leverkusen / Germany) Age: 19 Estimated transfer value: €95m
Among Havertz’s claims to fame is missing a Champions League game in 2017 because of a school exam, but he has done plenty before and since on the pitch — including becoming the youngest player to make 100 Bundesliga appearances — to show the talent that will surely see him move to one of Europe’s top clubs soon. He has 10 goals and eight assists in all competitions this season.
Strengths: An elegant attacking midfielder, capable of touches that wrong-foot opponents and creating space to play a penetrating pass, Havertz plays with an ease and confidence that almost borders on arrogance. Left-footed, but very comfortable with his right, he never seems hurried and has vision and ability to pick a pass, combined with the stamina to make well-timed runs into the box.
How he can improve: To fulfill his enormous potential, you could argue that Havertz needs to add aggression to his game, especially in terms of winning challenges and recovering balls in midfield.
– Schoenfeld: Everyone knows Havertz is destined for the top
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Tor-Kristian Karlsen explains why Vinicius Jr. has impressed him enough to secure a top 5 ranking.
4. Vinicius Junior (FW; Real Madrid / Brazil) Age: 19 Estimated transfer value: €80m
Given he signed for one of the biggest clubs in the world as a 16-year-old and cost almost $50m in May 2017, Vinicius Junior has been known as a promising youngster for several years and made his Brazil debut in September. He has not yet reached double figures for league starts in a season, but scored the opening goal in El Clasico against Barcelona in early March.
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• When does the transfer window reopen? • Karlsen: Possible coronavirus impact • Best ever transfers: 100-51 | 50-1 • This summer’s top free agents • January transfer grades • Latest completed major transfers
Strengths: His change of pace, balance and rapid movements make him next to impossible to read and stop; many right-backs look silly when they allow too much space. Although Vinicius is not a regular in the Real Madrid starting lineup, his playing time has increased and his display against Barcelona proved he can handle the grandest of occasions. The fact that he is starting to understand that back-heels and trickery are often of little use is another sign of maturity.
How he can improve: Decision-making still remains an issue, as the opening goal against Barcelona showed. Whereas he should have cut the ball back for a better-placed teammate, he instead went for the near-post finish that — fortunately for him — was deflected in.
– Hunter: How Vinicius turned the title race in Madrid’s favour
Trent Alexander-Arnold made his international debut in June 2018 and was included in England’s squad for the World Cup. John Powell/Liverpool FC via Getty Images
3. Trent Alexander-Arnold (DF; Liverpool / England) Age: 21 Estimated transfer value: €100m
Alexander-Arnold combines effective defending with an ability to set up goals that is unmatched by any other Premier League full-back. He has assisted on 24 goals in the Premier League since the start of 2018-19, and only Kevin De Bruyne has created more chances than his 75 this season, although Alexander-Arnold’s most famous assist was surely a quickly taken corner against Barcelona in last season’s Champions League.
Strengths: Alexander-Arnold is a gifted all-around footballer, to the extent that he could do an excellent job as a box-to-box midfielder. Not only does he have a good touch on the ball, he can also pass, strike set pieces, cross and shoot with a range and variety of techniques normally reserved for players further up the pitch; his precisely executed switch-of-play ball to Andy Robertson on the opposite flank is a fine example of what he can do.
How he can improve: While full-backs are often singled out for having lost the fine art of defending in one-on-one situations, Alexander-Arnold has made steady progress in this area over the past year.
– Reddy: Why Alexander-Arnold will not stop
Jadon Sancho came through the youth ranks at Watford and Manchester City before moving to Borussia Dortmund in 2017. Getty
2. Jadon Sancho (FW; Borussia Dortmund / England) Age: 20 Estimated transfer value: €125m
Over the past 12 months, Sancho’s form and progress have been so impressive that he is being linked with a $125 million move away from Dortmund, with Manchester United the reported favourites for his signature. He has scored 26 times and assisted 29 other goals in the Bundesliga alone since the start of 2018-19, and the winger’s outstanding form has made him a regular in the England team.
Strengths: From mainly playing in bursts, Sancho has grown close to the finished article and capable of influencing throughout a game. Quick, technically proficient and able to score and create goals, he can play on either flank but is even more of a threat when he moves centrally. The ease with which he lays off passes to overlapping full-backs and dinks weighted through balls behind opposing defences make him a joy to watch. Sancho loves playing football, and it shows.
How he can improve: Previously criticised for a lack of tactical discipline, Sancho is becoming more diligent in his defensive work.
– Schoenfeld: Sancho will be a star, on his own terms
Before joining PSG in 2017, Kylian Mbappe scored 27 goals in 60 games for Monaco. Photo by Jean Catuffe/Getty Images
1. Kylian Mbappe (FW; Paris Saint-Germain / France) Age: 21 Estimated transfer value: €175m
That last year’s No. 1 retains the top spot shows that Mbappe has been so good for so long at such a young age. In the two years since helping France win the World Cup at 19, he has scored more than 70 goals for club and country and arguably usurped Neymar as PSG’s main man. But with Real Madrid rumours ongoing, how much longer will he remain in Paris?
Strengths: Is there anything he cannot do? Every bit the complete forward — Mbappe tends to play wide on the right for France and in a more central role for PSG — he is exceptionally strong and quick. He can finish with power or with skill, he can head the ball, he is tactically disciplined and he reads the game better than most. His movements are smooth, smart and incisive.
How he can improve: There are no sides of his game worth trading, at the risk of ending up with a lesser player.
– Laurens: PSG is Mbappe’s team, not Neymar’s
The next 26 (in alphabetical order)
Houssem Aouar has nine goals and seven assists in all competitions this season. Catherine Ivill/Getty Images
Houssem Aouar (MF; Lyon / France) Age: 21 Estimated transfer value: €55m
Inheriting the No. 8 shirt at Lyon might be considered daunting enough, given the distinction with which Juninho Pernambucano wore it for almost a decade, but to take it as a teenager is even more noteworthy. But the jersey has not proven too heavy for Aouar. He has played more than 130 games for the club in all competitions and, in the Champions League, has assisted six goals in 12 matches.
Strengths: Most of Lyon’s attacking flow goes through Aouar, who plays with the panache of someone five years his senior and links everything together once he gets on the ball. Though not overly physical, his solid frame makes him hard to knock off the ball. He has an excellent first touch, is never in a hurry, is hard to dispossess and hardly ever gives possession away. He is also adept at finding space in and around the opposing penalty area.
How he can improve: He’s 5-foot-9, which is average height for an attacking midfielder and playmaker, and the development of his heading ability has never been a top priority.
Eduardo Camavinga’s first senior goal came in December 2019 when he scored for Rennes at Lyon. Tim Clayton/Corbis via Getty Images
Eduardo Camavinga (MF; Stade Rennes / France) Age: 17 Estimated transfer value: €55m
Born in Angola before moving to France as an infant, Camavinga has burst onto the scene in the past year with a string of impressive displays that has earned him admiring looks from big clubs, not to mention a France Under-21 call-up. Rennes’ fine season — they are third in Ligue 1 — has been due in no small part to their teenage sensation, who has started 24 of his side’s 28 league games.
Strengths: A once-in-a-generation talent who could easily have found a place among the Top 10 despite not turning 18 until November, Camavinga plays with ease and can fill every role in the centre of midfield, though he is mainly used in a defensive role. Never in a rush, he plays mainly with one or two touches and sets off on ball-carrying duties only when necessary. The attention has not gone to Camavinga’s head, either, because he remains hardworking and disciplined.
How he can improve: The left-footed teenager is ahead of the normal curve of development even for a top talent; until now, he has done more than can be expected of him.
– Laurens: Camavinga’s form has top scouts circling
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Tor-Kristian Karlsen explains why Alphonso Davies and Jonathan David have impressed him.
Jonathan David (FW, Gent / Canada) Age: 20 Estimated transfer value: €35m
David was born in New York, grew up in Ottawa and has played all his professional club football in Belgium since signing for Gent in 2018. He starred for Canada at last summer’s Gold Cup, leading all scorers with six goals and being named in the tournament best XI, and has since netted 18 goals in 27 games in the Belgian first division.
Strengths: Initially seen as a threat on counterattacks for his pace and direct style, David has developed his game over the past six months and boasts impressive finishing ability. While he is liveliest with smart movements when the ball enters the last third — in which he often finds pockets of space — he has also improved his ability to hold the ball up and bring teammates into play.
How he can improve: While David has hardly put a foot wrong and has impressed in the Europa League, his next logical step is a move to a higher competitive level.
Alphonso Davies became the third-youngest player in MLS history when he made his Vancouver debut in July 2016. Getty
Alphonso Davies (DF; Bayern Munich / Canada) Age: 19 Estimated transfer value: €45m
The former Vancouver Whitecap moved to Germany only in January 2019 and did not make his first Bundesliga start until the end of October, two weeks after he opened the scoring for Canada in a shock win against the United States. Davies’ rise as a dynamic left-back for Bayern has been meteoric and a fine performance at Chelsea in the Champions League announced him on the big stage.
2 Related
Strengths: Converting the onetime winger into a left-back has been a huge success for Bayern, for whom Davies is no less of a threat when he begins offensive surges from a deeper position. Thanks to his pace and athleticism, it is easy to forget that he is also a fine footballer, who comfortably fits into Bayern’s possession game with neat close control and quick feet to get out of tight corners.
How he can improve: Davies is learning fast and shows no lack of willingness adapting to the ins and outs of his new role. That said, he is very much reliant on pace to resolve defensive situations, rather than conventional defending.
– Marshall, Bell: Is Davies the best player in CONCACAF?
Ansu Fati scored his first Barcelona goal against Osasuna in August 2019. Xavier Bonilla/NurPhoto via Getty Images
Ansu Fati (FW; Barcelona / Spain) Age: 17 Estimated transfer value: €50m
Fati was the second-youngest player in Barcelona history when he made his debut at age 16 years and 298 days last August, and just 23 days later, he became the third-youngest in competition history to make a Champions League appearance. Spanish Under-21 honours followed, while no less a judge than Lionel Messi has said that Fati “is a fantastic player and has what it takes to succeed.”
Strengths: Equipped with exceptional pace and close control, he is almost impossible to stop when there’s space to take on defenders in one-on-one situations. Though mostly recognised for his qualities on the ball, he has already scored a headed goal, and his movement when not in possession is remarkably developed for a player of his age. He does not seem fazed by expectation or the attention he has attracted.
How he can improve: Because he has such faith in his quick feet and ability to take on opponents, he can be caught in possession and give away the ball unnecessarily.
– Lowe: Is Fati the answer for Barcelona, post-Messi?
In December 2017, 17-year-old Phil Foden became the youngest Englishman to start a Champions League game. Matt McNulty – Manchester City/Manchester City FC via Getty Images
Phil Foden (MF; Manchester City / England) Age: 19 Estimated transfer value: €30m
Foden has been a future star since he was named best player at the 2017 Under-17 World Cup and broke into Man City’s first-team squad. He has been used sparingly by Pep Guardiola but has Premier League and cup winners’ medals. With David Silva leaving the club, Foden should be set for an integral role at the Etihad Stadium. He might come to be equally important for England.
Strengths: Blessed with a highly advanced footballing brain and wonderful abilities on the ball, Foden is perfectly suited to the patient, sophisticated possession game favoured by Guardiola and most other top European clubs. He might have featured more regularly, but starting at Manchester United in the Premier League was a sign of the regard in which he is held.
How he can improve: Foden’s next challenge is to make the permanent transition from an outstanding talent to a fully fledged senior player who can make a 90-minute impact on games.
Mason Greenwood scored his first Manchester United goal 12 days before his 18th birthday. OLI SCARFF/AFP/Getty Images
Mason Greenwood (FW; Manchester United / England) Age: 18 Estimated transfer value: €30m
When Man United’s incredible Champions League win at Paris Saint-Germain is recalled, it might be most significant as Greenwood’s debut. In the year since, he has hit double digits for goals, made his England under-21 debut and been called a more natural finisher than Marcus Rashford and Anthony Martial by United manager Ole Gunnar Solskjaer, who compared the teenager to Robin van Persie.
Strengths: In a short sample size, Greenwood, who can play as a central striker or on the right wing, has demonstrated the force and venom of his left foot by scoring some outstanding efforts in the Premier League and in Europe. He is a natural, instinctive footballer, not just for his nonchalant finishing skills but also for his remarkable balance and sublime ball skills.
How he can improve: He has hardly put a foot wrong, but when being played as a centre-forward — and especially considering his size and athleticism — he will be expected to pose a greater threat in the air.
Matteo Guendouzi was eligible to represent Morocco, but has pledged his future to France. Photo by James Baylis – AMA/Getty Images
Matteo Guendouzi (MF; Arsenal / France) Age: 21 Estimated transfer value: €30m
It was a baptism of fire for Guendouzi at the Emirates Stadium, where he made his Arsenal debut against Manchester City a month after arriving at the club. Since then, the former Lorient player has featured in 55 of 66 Premier League games for the Gunners, scored his first senior goal in a Europa League tie and been called into the full France squad, although he has yet to debut.
Strengths: Guendouzi has found things challenging under Mikel Arteta’s management, but his potential is still evident. Good at recovering balls from defensive midfield, he takes up smart positions and has a relatively high pass-completion rate: 88% overall in the Premier League, and 81% in the opposition defensive third. At his best, he is an efficient player who is physically strong and covers a lot of midfield ground.
How he can improve: He could benefit from breaking forward from midfield more often and being even more assertive in his pressing game.
At age 19, Achraf Hakimi started all three of Morocco’s games at the 2018 World Cup. Alex Gottschalk/DeFodi Images via Getty Images
Achraf Hakimi (DF; Borussia Dortmund, on loan from Real Madrid / Morocco) Age: 21 Estimated transfer value: €50m
He came through the youth ranks at Real Madrid and remains on the Bernabeu books, but it has been in Dortmund that Hakimi established himself over the past two seasons. A regular creator of chances from his position at right-back, the Moroccan international has 10 assists in 25 Bundesliga games this season, while his four Champions League goals have shown his finishing prowess.
Strengths: His forward runs are full of pace, timing and conviction; indeed, there are few more productive right-backs in European football. During a season in which he has established himself as one of the most exciting players in his position, plenty of top clubs are monitoring Hakimi and wondering whether he will get playing time at Real Madrid.
How he can improve: His tremendous attacking potential means he can leave too much space when charging forward and get caught high up the pitch against teams playing on the break.
At 18 years and 135 days, Callum Hudson-Odoi set a record as the youngest Englishman to play a competitive international. Darren Walsh/Chelsea FC via Getty Images
Callum Hudson-Odoi (FW; Chelsea / England) Age: 19 Estimated transfer value: €45m
Not 20 until November, Hudson-Odoi has packed plenty in to his career. He was part of England’s Under-17 World Cup-winning squad in 2017 and has since risen through the ranks to represent the senior side. At Chelsea, meanwhile, he impressed to the extent that Bayern Munich tried to sign him, only for him to suffer an Achilles injury before committing his future to the Stamford Bridge club.
Top players under 21: Nationality
England 8 France 6 Brazil 3 Italy 3 Canada 2 Netherlands 2 Norway 2 Spain 2 Sweden 2 Six countries 1
Strengths: The unpredictable winger, who loves setting off down the left before cutting inside on his favoured right foot, is one of the game’s most exciting wide players. Beyond striking characteristics that include a change of pace, quick footwork and being hard to mark in one-on-one situations, he also understands and reads the game, often working out opposing defenders as games develop.
How he can improve: Hudson-Odoi must learn to be more consistent, rather than showing his undeniable ability in patches. He should also add more goals, assists and chances created to his game.
– Williams: Hudson-Odoi repays Chelsea’s faith
In a January Copa del Rey win against Real Madrid, Alexander Isak scored two goals and assisted another. Quality Sport Images/Getty Images
Alexander Isak (FW; Real Sociedad / Sweden) Age: 20 Estimated transfer value: €20m
Isak’s story is an example of a next big thing who bounced back after overcoming challenges early in his professional career. Success in Sweden led to a high-profile move to Borussia Dortmund in 2017, but Isak struggled to make an impact. After a goal-laden loan spell at Willem II, he joined Real Sociedad, where he has impressed, often as a substitute.
Strengths: Standing at almost 6-foot-3, the powerful centre-forward is deceptively quick, can finish with both feet and is hard to stop in one-on-one situations. Only 20, he is fast becoming indispensable for Sweden and is finally beginning to realise the undoubted potential that was evident when he emerged several years ago.
How he can improve: Isak tends to score in streaks, and his great runs of form are often followed by lean spells. Though not uncommon for a young forward, it might be a sign that he needs to develop more confidence in his abilities.
Dejan Kulusevski made his Sweden debut in a European Championship qualifier against Faroe Islands in November. Andrea Staccioli/LightRocket via Getty Images
Dejan Kulusevski (MF; Parma, on loan from Juventus / Sweden) Age: 19 Estimated transfer value: €35m
On loan at Parma from Atalanta during the first half of this season, Kulusevski’s form was so impressive that Juventus signed him in January, less than a year after his Serie A debut. He has since been sent back to Parma, where he has five goals and seven assists in 22 league games. That form also saw him earn his first cap for Sweden, against the Faroe Islands in November.
Strengths: A strong-running wide midfielder or forward with power, an intense pressing game and pace to match an excellent left foot, Kulusevski has been compared to Arjen Robben. However, in contrast to the Dutchman, who was initially more of an out-and-out winger with the ability to turn opposing full-backs inside out, the Swede is more about work ethic and strength than finesse, though he does enjoy a touch off his heel and a perfectly weighted through ball.
How he can improve: Not unlike other supremely talented left-footed players, developing his right foot is on his to-do list. Kulusevski also needs to work on how to keep possession in tight spaces.
Last September, Donyell Malen scored all of PSV’s goals in a 5-0 win against Vitesse. Photo Prestige/Soccrates/Getty Images
Donyell Malen (FW; PSV Eindhoven / Netherlands) Age: 21 Estimated transfer value: €35m
One that got away for Arsenal? Malen was on the Gunners’ books as a teenager, but moved to PSV in 2017 and has been a prolific scorer ever since; he hit double figures last season and has 17 goals in 25 games in 2019-20. He has also broken into Ronald Koeman’s promising Netherlands squad, marking his international debut with the winning goal against Germany.
Strengths: Malen’s development over the past year has made many scouts believe he is in the process of outgrowing the Eredivisie. His profile certainly fits the bill for a top European club: He is direct, always looking for the shortest way to goal and quick off the mark. Additionally, he has a sharp finishing technique, possesses excellent dribbling skills and makes incisive runs.
How he can improve: As a confident and goal-fixated striker, he often looks for a hopeful finish rather than showing more selflessness and passing to a better-placed teammate.
As well as Brazil, Gabriel Martinelli is eligible to play for Italy. Photo by DANIEL LEAL-OLIVAS/AFP via Getty Images
Gabriel Martinelli (FW; Arsenal / Brazil) Age: 18 Estimated transfer value: €20m
The past year has been a whirlwind for Martinelli, who has gone from the lower tiers in Brazil with Ituano to starting for Arsenal in the Premier League. He was a regular in squads under Unai Emery before the Spaniard was sacked, and has continued to feature for Mikel Arteta. Playing mainly as a left-sided forward, Martinelli has scored 10 goals in 26 games in all competitions.
Strengths: Martinelli’s improbable jump from Ituano to Arsenal is credit to him and the English club’s scouting department. His pace, unpredictability and intensity have seen him make a real impression, but you wonder whether the energetic forward, who doesn’t mind doing a shift defensively, can maintain this speed of development.
How he can improve: Still rough around the edges, he must improve his passing to reach the next level. His ability in the air also leaves a lot to be desired.
Mason Mount has six goals and four assists in the Premier League this season. Darren Walsh/Chelsea FC via Getty Images
Mason Mount (MF; Chelsea / England) Age: 21 Estimated transfer value: €35m
After a year on loan at Dutch club Vitesse, Mount impressed last season at Derby under Frank Lampard and has since made the breakthrough at Chelsea — he first joined the club as a 6-year-old — after Lampard took over at Stamford Bridge. Mount has also become a regular in Gareth Southgate’s England squad, scoring his first international goal against Kosovo in November.
Strengths: The busy, mobile central midfielder is never afraid to ask for the ball and thinks ahead for his next move before receiving it. Mount is creative, plays with intuition and can spot an early switch of play. He has repaid Lampard’s confidence with some stunning performances and is one of the most impressive Premier League newcomers this season.
How he can improve: While he does appear very bright and full of spark early on in games, his impact can drop toward the end of the 90 minutes.
– Marcotti: Mount among Chelsea’s impressive kids
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Tor-Kristian Karlsen explains why Martin Odegaard nearly didn’t make it into the top 30 players under 21.
Martin Odegaard (FW; Real Sociedad, on loan from Real Madrid / Norway) Age: 21 Estimated transfer value: €50m
It looked as if the promise that led Odegaard to earn his professional debut at 15 might go unfulfilled, but while he has not done enough to feature regularly for Real Madrid, loans in Netherlands brought valuable playing time and this season has seen him play a key role in La Real’s quest for Champions League qualification. He also scored against his parent club in a surprise Copa del Rey win.
Top players under 21: League
Premier League (England) 10 La Liga (Spain) 8 Bundesliga (Germany) 6 Ligue 1 (France) 5 Serie A (Italy) 5 Eredivisie (Netherlands) 1 First Division A (Belgium) 1
Strengths: The silky touch, the high football intelligence, the brilliant left foot, the ability to weight a defence-splitting pass and the elegant turns have always been in Odegaard’s toolkit, but this season he has added greater consistency, end product in front of goal and maturity. Though sometimes fielded on the right wing, he is arguably more efficient as a typical No. 10.
How he can improve: To make it in Madrid, Odegaard must demonstrate more presence on the pitch and ensure the breaks between his constructive involvements become even shorter. He still appears slightly less concerned about the nuts and bolts of the game than its art and beauty.
– Hamilton, Fernandez-Abascal: Odegaard is more than a trivia answer
Victor Osimhen’s club career began with Wolfsburg in Germany, before he moved to Charleroi in Belgium, then Lille in France. Getty
Victor Osimhen (FW; Lille / Nigeria) Age: 21 Estimated transfer value: €30m
Osimhen was one of the stars of Nigeria’s Under-17 World Cup triumph in 2015, when he was top scorer with 10 goals — including the winner against Mali in the final — and won the tournament’s Silver Ball. His subsequent club form was inconsistent, but a move last year to Lille proved a catalyst; only three players have scored more than his 13 goals in Ligue 1 this season.
Strengths: Osimhen is a no-frills centre-forward, who will run and chase a lost cause knowing that his impressive pace, intense pressing and alert mind often give him the chance to make something out of nothing. At a time when many strikers want the ball to their feet, he prefers running behind defences. He is direct, sharp and clinical in his finishing.
How he can improve: At times, he is so eager to make runs behind opposing defenders that he does not even consider the option of retaining possession to allow his team to move higher up the pitch.
Christian Pulisic is one of only two Americans to score a Premier League hat trick. Getty
Christian Pulisic (FW; Chelsea / U.S.) Age: 21 Estimated transfer value: €55m
Pulisic has been a U.S. international for four years and made more than 120 appearances for Borussia Dortmund, but in the past year has taken the next step in his career with a $70 million move to Chelsea. Early returns included a hat trick at Burnley before injury slowed his progress. The face of his national team, the Pennsylvania native remains a top prospect.
Strengths: Though he tends to look most comfortable as an inverted winger on the left, Pulisic can comfortably slot into any position behind a striker. An intelligent, modern player with excellent close control and a magnificent first touch, his low centre of gravity and ability to turn either way with the ball mean one thing: He is a nightmare to mark.
How he can improve: Very similar to other young, creative players, he mainly comes to life when he gets on the ball, giving room for improvement when he is not in possession.
– Burley: Pulisic has shown Lampard he is good enough
Declan Rice scored his first West Ham goal in a January 2019 win against Arsenal. Rob Newell – CameraSport via Getty Images
Declan Rice (MF; West Ham / England) Age: 21 Estimated transfer value: €65m
After being released by Chelsea at 14, Rice broke through across London at West Ham, where he has played in central defence but predominantly as a midfielder. He earned international honours initially for the Republic of Ireland before switching allegiance to England in 2019, a year in which he was also nominated for the PFA Young Player of the Year award.
Strengths: In modern football, there are few disciplined, tidy defensive midfielders who enjoy mopping up loose balls and keeping things simple in possession. Rice, though, does just that, and very well; he is the kind of reliable linchpin that most teams could use. He is a dependable, efficient performer who can play with both feet and has a range of passing that keeps improving.
How he can improve: The beauty of Rice is that he just does his job. You do not necessarily want him to be more adventurous going forward or to try stuff he has not yet mastered; his role is to keep things solid, so more creative teammates can benefit.
Rodrygo made his debut for Brazil against Argentina in November 2019. Burak Akbulut/Anadolu Agency via Getty Images
Rodrygo (FW; Real Madrid / Brazil) Age: 19 Estimated transfer value: €50m
Six months younger than his fellow countryman and Madrid teammate Vinicius Jr., Rodrygo is another young player to have followed the well-trodden path from Brazil to the Bernabeu. His early impressions have been positive for Los Blancos: Rodrygo scored within a minute after coming on for his debut in September, and then notched a Champions League hat trick six weeks later.
Strengths: If solely down to natural talent and potential, Rodrygo would be near the top of the ranked section. However, he remains a work in progress, and despite flashes of brilliance, his Real Madrid career has yet to properly take off. At his best, this is an incredibly talented forward who is probably most efficient when cutting in from the left — he does it pretty well from the right, too — utilising close control, technical skills and speed on the break.
How he can improve: After a promising spell in the first team at the end of 2019, he was demoted to Real Madrid Castilla. That leads to the question of whether manager Zinedine Zidane has been unimpressed with his attitude in training. Rodrygo also needs to build his upper-body strength to cope better with the European game’s physicality.
Bukayo Saka was a substitute for the 2019 Europa League final at the age of 17. David Price/Arsenal FC via Getty Images
Bukayo Saka (DF; Arsenal / England) Age: 18 Estimated transfer value: €50m
Since debuting in November 2018 for Arsenal, Saka has made a meteoric rise and this season has seen him established as a regular in the Gunners’ starting lineup under Mikel Arteta. He has begun to chip in with goals, but his most consistent threat comes with the quality and precision of his crosses from the left side, which have led to nine assists in all competitions in the 2019-20 campaign.
Strengths: Already a hit at the youth level for England, Saka has become one of Arteta’s most trusted performers. Reinvented as a left-back from an out-and-out winger, the pacy and tricky Saka is Arsenal’s main outlet on the left, offering width and a constant option to switch play. Never short of effort, he catches the eyes with his eagerness to run at defenders and wholehearted application to defending and attacking.
How he can improve: Saka is still a learner when it comes to direct defending against an opponent and taking up the right positions. There is also work to be done on his upper-body strength — he can get brushed off the ball too easily — while his crossing game also needs to improve.
Boubakary Soumare’s first professional club game was for Lille against Metz in November 2017. David Aliaga/MB Media/Getty Images
Boubakary Soumare (MF; Lille / France) Age: 21 Estimated transfer value: €30m
After coming through the youth ranks at Paris Saint-Germain, Soumare opted to leave the Ligue 1 giants at 18 in order to find more playing opportunities with Lille. The move worked out for the 6-foot-2 midfielder, whose displays this season at home and in the Champions League have earned him France under-21 honours and drawn attention from clubs across Europe.
Strengths: Through his outstanding physique, agility and work ethic, Soumare has developed spatial understanding and, matched with fine tactical sense, is often well positioned to pick up second balls. He also features two good feet, from which he is able to execute a wide variety of passing.
How he can improve: Given his strength and excellent progression in possession, he could become more of a goal-scoring threat if given the license to roam.
Sandro Tonali was part of the Italy squad that reached the 2018 European Under-19 Championship final. Alessandro Sabattini/Getty Images
Sandro Tonali (MF; Brescia / Italy) Age: Estimated transfer value: €40m
When Andrea Pirlo says a 19-year-old is the best player in Serie A, you know you are watching a serious talent. Tonali has been a key player for Brescia for several years, but after helping his club win promotion last season he has taken his game to a new level in Italy’s top flight. He is a full Italian international and will surely be snapped up by one of the big clubs very soon.
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Read all of the columns written by former scout and sporting director Tor-Kristian Karlsen.
Strengths: He combines playmaking abilities with an energetic, all-action style of play; one minute he can be organising from a deep regista role, while the next he is rolling up his sleeves to do some dirty work. Because of his club allegiance, comparisons have been drawn to Pirlo, but while there are similarities, Tonali is more of a grinder. What they have in common, however, is an excellent right foot, with which they can pick a pinpoint forward pass, almost without looking.
How he can improve: One criticism is that he sometimes tries too hard and, instead of letting the game settle, is prone to forcing the forward pass when more caution is needed. And though not fundamental to his position, there is room for improvement in his aerial game.
Ferran Torres collected his first winners’ medal in club football when Valencia won the 2019 Copa del Rey. Silvestre Szpylma/Quality Sport Images/Getty Images
Ferran Torres (FW; Valencia / Spain) Age: 20 Estimated transfer value: €55m
Previous Valencia youth players to reach the highest level include David Silva and Isco, and Torres might also have what it takes. He was the first player born in the 2000s to play in La Liga, and among the club records he owns is youngest Champions League goal scorer. He was part of Spain’s Under-17 and Under-19 European Championship-winning teams in 2017 and 2019, respectively.
Strengths: Extraordinarily these days, Torres is a right-footed forward who prefers playing on the right wing. He is one of the best crossers in Europe, and when being doubled up by defenders, his favourite move involves evading two markers by going right between them while nutmegging one! Atypically for an easy-on-the-eye wide forward, he has the physique and size to go with delightful skills. His superb technique also means he brings first-class playmaking abilities when moving infield.
How he can improve: One scout I spoke to recently, who is a big fan, pointed out that he would like to see Torres be a bit more “aggressive” and “cynical” in his style of play.
Dayot Upamecano was named to the team of the tournament at the 2015 European Under-17 Championship. Oliver Hardt/Bongarts/Getty Images
Dayot Upamecano (DF; RB Leipzig / France) Age: 21 Estimated transfer value: €40m
A key part of Leipzig’s impressive form in the Bundesliga and Champions League, Upamecano has logged consistent displays in central defence and been linked with Europe’s biggest clubs. He has played at every age group level since under-16 for France and, with the European Championship delayed by 12 months, has extra time to force his way into Didier Deschamps’ plans for next summer.
Strengths: Few players stir up more debate within the scouting community than Upamecano, who emerged at Leipzig after Ibrahima Konate — another candidate for this list — was injured. Those defending him point to presence beyond his age, willingness to sacrifice in duels and eye-catching physical attributes, whereas those unconvinced refer to a catalogue of costly errors, a tendency to play aimless long balls and his propensity to give away unnecessary fouls.
How he can improve: With understanding of the game such an important component of the role, centre-backs peak later than those in other positions, so Upamecano has time on his side to become more consistent and less reckless.
Nicolo Zaniolo was included in a senior Italy squad before he had played in Serie A. Andrea Staccioli/LightRocket via Getty Images
Nicolo Zaniolo (MF; Roma / Italy) Age: 20 Estimated transfer value: €50m
After moving to Roma from Inter in the summer of 2018, Zaniolo was thrust into the limelight when he made his Giallorossi debut at Real Madrid in the Champions League. His Serie A bow followed and consistently good performances resulted in a call-up to the Italian national team. Unfortunately, he tore his ACL in January, slowing his progress.
Strengths: He can seem deceptively uncoordinated and gangly at first glance, but behind the lanky appearance hides a near-complete, modern footballer. The versatile attacking midfielder with a sweet left foot has the intelligence and playmaking brain to be fielded as a trequartista — linking midfield or attack — as well as the smooth one-on-one skills to drive opposing full-backs dizzy from a wide-right position.
How he can improve: The immediate priority is for Zaniolo to completely recover from injury, then it is a matter of fine-tuning his physical attributes to become more explosive and resistant to heavy challenges.
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saltforthesalty · 5 years ago
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The signs as the black witch characters (updated)
Aries: Yvan Guriel, Ariel Haven
Taurus: Fernyllia, Andras, Edwin Gardner
Gemini: Aislinn Greer
Cancer: Trystan Gardner, Jarod Ulrich, Wynter Eirllyn
Leo: Diana Ulrich, Rafe Gardner, Fallon Bane
Virgo: Tierney Calix
Libra: Elloren Gardner
Scorpio: Lukas Grey
Sagittarius: Valasca, Naga, Marcus Vogel
Capricorn: Vyvian Damon
Aquarius: Jules Kristian
Pisces: Marina, Sage Gaffney, Gareth Keeler
@laurieannforest
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vm4vm0 · 2 years ago
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Nike Japan - New Girl from Christian Lopez on Vimeo.
Nike Tokyo
Japan is currently ranked 123 of the 151 countries on the gender equality index. It's still frowned upon to speak up in meetings (we're looking at you, Yoshiro Mori), to step into a sumo ring (multiple locations denied us to shoot there because women would be in the sacred ring), to come back to sports after you've had a baby ('you're a mom now') and the gender pay gap index is enormous. Whereas the only question should be to a newborn: Hey girl, what do you want to do? Here's to all girls. Moms. Sportswomen. Bosses. And anyone who wants to step into the sumo ring. To anyone willing to change their minds.
WIEDEN+KENNEDY TOKYO @wktokyo Creative Director - Curro de la Villa @currodlv Lead Creatives - Max Pilwat @maksmaks, Andrew Miller @oylmiller Head of Production - Kerli Teo @kerliteo Account Director - Shinya Kamata @kmt_3a Account Supervisor - Kana Ikushima @chankana_kana Creatives - Asami Yamashita, Christian Lopez @christianlopez Producers - Jennifer Chien @jenchien929, Yuka Nakamura, Eisuke Arai @a_sk_e Comms Planning Director - Justin Lam @justinclam Strategic Planning Director - Thijs van de Wouw @thijs.vandewouw Studio Designer - Shohei Kawada @_showhei Studio Manager - Aiwei Ichikawa Agency Editor - Vinod Vijayasankaran @videovinod PR - Midori Sugama @midorisugama Translator - Mako Tomita Executive Creative Director - Scott Dungate @scotty_fingers Managing Director - Yosuke Suzuki
FILM PRODUCTION Production - BWGTBLD GmbH @bwgtbld Director - Caroline Koning @carokoning Executive Producer - Philipp Ramhofer @philipp.ramhofer Producer - Jule Everts @edelwatz Director of Photography - Kaname Onoyama
SERVICE PRODUCTION Production - NAKAMA @nakamafilm Executive Producer - Kenji Lepretre Sato @kenykilla Producer - Simon Amar @ramanomis Line Producer - Sadami Hwang Production Manager - Anna Briand Hashimoto, Shusaku Kakizawa, Toru Hyakawa Assistant to Director - Risa Nakatomi Casting Director - Kensaku Watanabe (E-spirit), Yuko Yamamoto Lighting Director - Tetsu Moritera Wardrobe | Costume | Styling - Maiko Yoshida @stylist_maiko Hair & Make up - Takahiro Okada Production Design - Masami Tanaka
POST PRODUCTION Editor - Trim Edit @trimediting, Carla Luffe (Trim Editor) @carlaluff, Jacques Simons (Trim Assistant) Noreen Khan (Trim Producer) Music Composer (Teaser) - Joe Farley / Freddie Denham Webb (Father) @father_insta Music Composer (Long Form Film) - Chris White (SIREN) @sirenmusic Music Supervisor & Producer - Siân Rogers (SIREN) Sound Designer - Jon Clarke (factory) @jon__clarke Audio EP - Lou Allen (factory)@factorystudiosuk Colorist - Mikey Rossiter (The Mill New York) @mikolour @mill_ny VFX Production Company - SWISS @swissinternationalab Executive Producer - Erik Holmedal VFX Supervisor - Andreas Weidman Producer - Andres Rosas Hott Compositer - Felix Davlin, Filip Gernandt, Jon Wesstrom, Kristian Zdunek, Markus Bergqvist, Martin Sazesh, Kalle Kohlström 3D Artists - Joel Sundberg, Marguerite Chantel, Simon Voigt Jansson FX Artist - Sebastian Björk Supervisor - Oskar Wahlberg Rigging - Nathalie Roy Animation - Steven Lecomte Match Move - Sebastian Ekman Lighting - Linus Holm
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