#Juan van der Hamen y León

[artthatgivesmefeelings]

Juan van der Hamen y León (Spanish, 1596 - 1631) Bodegón de la cesta de guisantes y cerezas, con dos floreros, ca. 1621 Museo de Bellas Artes De Asturias

[visual-sandwich]

Juan van der Hamen y León (Madrid, 1596 - Madrid, 1631), Still Life with Artichokes, Flowers and Glass Vessels, 1627. Oil on canvas, 81 x 110 cm. Detail

[dumbbitchhour]

Juan van der Hamen y León, Cesta y caja con dulces, 1622 x

[carloskaplan]

Juan van der Hamen y León: Natureza morta de froitas e cabeza de cabra (ca. 1625)

[collectionstilllife]

Juan van der Hamen y (Gómez de) León (Spanish, c. 1596-1631) • Boxes and Glass with Sweets • 1621

[onlandandonsea]

Juan van der Hamen y León, 1631

[theonlinecollector]

Juan van der Hamen y León

Francisco de la Cueva y Silva (h. 1625)

Academia de Bellas Artes de San Fernando

[herbulum]

Still life with flowers and fruit, Juan van der Hamen y León

[luvetlux]

Juan van der Hamen y León, Plate with plums and sour cherries, 1631

[artthatgivesmefeelings]

Juan van der Hamen y León (Spanish, 1596-1631) Ofrenda a Flora, 1627 Museo Nacional del Prado

[myownprivate]

Juan van der Hamen y León (1598-1631), Still Life with Flowers and Fruit, oil on canvas, 33 1/4 x 51 1/2 in. Estimate: $8,000,000 - $12,000,000. © Christie's Images Ltd 2019.

[karrova]

Juan van der Hamen y León MADRID 1596 - 1631 Basket of Peas and Cherries with Vases of Flowers

[carloskaplan]

Juan van der Hamen y León: Retrato de anano (ca.1626)

[eatingbreadandhoney]

Still Life with Fruit and Glassware by Juan van der Hamen y León 1626.

[steliosagapitos]

      “An Offering To Flora”, 1627,  by Juan Van Der Hamen Y León (Spanish painter, a master of still life paintings, also called bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scale works for churches and convents; Born: April 8, 1596, Madrid, Spain - Died: March 28, 1631, Madrid, Spain).

 ~ A lady seated in a garden is handed a basket of roses by a boy. The profusion of flowers around her and the crown on her head, as well as her location in a courtly garden with a statue in the background, identify the painting as an allegory of the goddess, Flora. This work is related to a series of similar compositions made by van der Hamen during the sixteen twenties. Some of these are allegories of the different seasons or narrations of mythological scenes, making him more that a mere still-life painter. His capacity to render figures is revealed in this painting, as is his compositional capacity, visible in the perspective of the hedges. All of these characteristics round out his well-known meticulousness when painting flowers, which can be seen in the marvellous group in the foreground. This work, which was present in the collection of the Count of Solre in 1638, exemplifies a kind of painting highly coveted at that time by aristocrats in Madrid, making van der Hamen one of the most notable artists at the court of Felipe IV. ~

[s0irenic]

Plato Con Ciruelas Y Guindas - JUAN VAN DER HAMEN Y LEÓN