#Joshua Clayton

[white-cat-of-doom]

Joshua Clayton as Plato shows off his new Plato makeup.

With Adam Hearn as Coricopat.

Cast 14 of the Oasis of the Seas, 07 January 2024

[cryptidvoidwritings]

Sing off

source

[crisisofinfinitemultiverses]

Action Comics 1075 (2024) by Mark Waid, Mariko Tamaki, Joshua Williamson & Clayton Henry

Cover: Clayton Henry

[hawkmoon269]

The Joshua Tree Tour 2017, São Paulo, Brazil 🇧🇷 [X]

[kellymagovern]

U2 - "Where the Streets Have No Name" [x]

[spaceotter42]

Disney Channel's LGBTQ+ Actors

Just a few of Disney Channel’s out LGBTQ+ actors.

Joshua Rush (Andi Mack)

Raven-Symone (That's So Raven, Raven's Home)

Josie Totah (Jessie)

Joey Pollari (Avalon HIgh, Love, Simon)

Lilan Bowden (Andi Mack)

Rowan Blanchard (Girl Meets World)

Garrett Clayton (Teen Beach Movie 1 & 2)

Miley Cyrus (Hannah Montana)

Dove Cameron (Liv & Maddie, Descendants movies)

Corey Fogelmanis (Girl Meets World)

Alyson Stoner (Camp Rock Movies 1 & 2, Mike's Super Short Show)

Karan Brar (Jessie, Bunk'd)

August Kamp (Best Friends Whenever)

Joshua Bassett (Stuck In The Middle, High School Musical: The Musical: The Series). Also, several other actors from this series not pictured: Larry Saperstein, Julia Lester, Frankie Rodriguez, and Joe Serafini. Aired on Disney+ and on Disney Channel.

[jamlessjj]

“Where The Streets Have No Name” opening — piano reduction arranged by me; transcribed from The Joshua Tree recording via dictation

I do not want to talk about how late I stayed up dictating the Streets opening ! ! I believe it has been described as a “wall of sound” which makes sense, as all these individual pitches blend together so seamlessly in the recording it really does just sound like one all-encompassing Noise. This is a great thing in my eyes, as it further proves the point of the Roman numeral analysis I’m working on. Of course, the actual chord progression happening here works to obscure the song’s home key, which ties in with the whole album’s discussion of place and belonging. BUT the voice leading and organization of pitches, the adding and omitting of certain pitches, etc. also play a huge role in the emotional appeal of these chords—individual pitches, too, are obscured. UGH I love it! It made the process of picking out notes one by one and putting them onto a piece of sheet music all the more thrilling.

Consider this a sneak peak of the aforementioned Roman numeral analysis. I wanted to be sure I provide an audio reference of the transcription I’ll be using to analyze Streets, but didn’t want you all to suffer through the crispy MuseScore MIDI piano audio. Besides, I think much of this particular song’s emotional impact comes from the interaction between person and instrument. So, I recorded myself playing it.

I’ve got a few more things to put into MuseScore and some evidence to gather from an essay on TJT, and then I’ll be putting my analysis together!

I should mention: piano is NOT my primary instrument, so if there are any piano primaries watching this, I apologize, haha.

[fancyhats-and-fennelsbuds]

A short comic about the AU

Big ol long text fueled with pieces of the AU's story under the cut! ( THE LORE)

The Golden age

In the early days of house of Mickey entertainment, when the business was still run by a handfull of  people, the first chosen characters to be put as the face of the pizzeria were: Bambi, Pinocchio, The Good Fairy, Monstro, Dumbo, The Hippo ballerina, Chernabog, and Snow white. The newly built animatronics were barely a mechanical structure with vinyl external shells, with prerecorded voicelines, sounds and movements that singed from a stage. At the time it was enough to inspire tons of little fans to arrive and join the fun in the pizzeria. It was the 40's.

There was a supposed incident happened around the Snowhite animatronic, but no text or information about that survived to our days.

The Silver Age

Leaving behind the doll-like era of animatronics, the Silver Age desired to create much more durable robots, for the time and fans to come. Resistant to time and usage. The characters were built with lighter metals and hard plastics for the external shells, and the endoskeleton enhanced with steel. These are the heaviest animatronics that house of mickey ever created (after Chernabog ). To balance the huge production costs, some parts were left uncovered by the external shell, leaving out the bare endoskeleton.

The line was sadly famous for the tons of problems it gave to the technicians and whoever adult crossed their space. Although they did not possess advanced technology (like later generations), these animatronics seemed to possess primordial specks of personality , which often hampered the work of anyone who had to repair them. They seemed to favor spite only for adults, while not giving any signs of aggressiveness towards the childrens.

The Bronze Age

Their production was followed by a new creative team that wanted animatronics to reach a new level of realism. Newer endoskeleton technology, enhanced realistic movements and augmented mobility of the facial plate through silicone for upper part of the face capable of more complex emotions. (As always for economy, the parts that would have been covered by the clothing were not made of premium vinyl and weren't textured.) Freshly out, the bronze age line was greeted with enthusiasm by the visitors, with a positive decrease of children getting frightened by them. Barely a month after their debut tho, some parents begun to report complaints for the uncanny-ness brought by characters, one parent in particular said to have accidentally mismatched the Sykes animatronic for a friend till this one fully faced her, scaring the lights out her. These reports, weren't considered in the least by Mickey’s entertainment until the event that caused the animatronics decommissioning in block. One day, during the birthday of a little girl were requested as guest stars some Oliver and company animals characters. In the middle of the party, the girl began to show signs of respiratory distress and minor rashes that quickly alarmed the parents, due the little girl's only allergy were to cat hairs, and inside the establishment were sure to be none. The fact got silenced, and shortly afterwards the Bronze Age characters were put aside, bringing back to the stage the Silver age animatronics. Some independent newspapers tried to spread the incident, with vain results. There were rumors from an anonymous interview of a ex former visitor whom witnessed a fairly morbid event, happened during the re-enactment of the "Black Cauldron" before the models were decommissioned. "(...) that day i noticed that some of the Horned king’s teeth were missing, and i thought it was due to a pure aesthetic choice (...)  at the end of the performance when the stage floor cleared, i noticed something strange on the ground. I gave a further look because my eyes fell there and... my god. It were teeth. Actually human molars."

The Renaissance

This was undoubtedly the most advanced line of animatronics in terms of performance and technology for their times. Advanced mobility to the point of being able to almost perfectly emulate the movements of their cartoon counterparts, plus some rather special effect for few of the characters (Ariel and Ursula being water resistant, Quasimodo and Tarzan huge athlete like ability to climb, etc etc).

The enlargement of the company brought more wealth into the pockets of the production, allowing the decrease of the unpainted parts in the body of the animatronics. The only flaw of these models was that to increase the movements, the outer vinyl shell was sacrificed through the partial removal of material nearby the joints making the endoskeleton rather visible. ( To prevent children from squeezing their fingers between the joints, House of Mickey entertainment decided not to allow this lines of robots to attend parties as guest stars but only appear on stage or in meet and greet booths.) . The others most surprising news about this line, was the technological growth of the animatronics ' artificial brains. While the Bronze Age ones had a basic idea of being just copies of cartoon characters that acted in fake environments (sometimes even by forgetting to be robots), from the Renaissance onwards the animatronics were totally aware of their state of being "interpreters" under the command of a company. Some robots have shown signs of sharp increase of cynicism and sarcasm after this update.

During the 1990s, House of Mickey built a bigger space for the pizzeria, becoming the huge structure known to this day. There are six major themed zones, that become the home of our beloved heroes, henchmen and villains for them to get back to, for whenever they are not busy doing shows on stage or greeting fans around the pizzeria. Have you already tryed Tarzan's jungle of sliding tubes? Esmeralda's mirrors-maze? Bolted climbing with Mulan?

Post-Renaissance

With the arrival of 2000, the new animatronics began to comply with tighter safety laws. The new line of robots was made with safer external shells without openings to the internal endoskeleton parts (safe from the risk that small fingers may remain closed inside), removal of cigarettes, cigars and pipes from some characters (Mrs Packard, Hades, John Silver, Toon patrol etc etc), and the closing of some of the attractions in the themes areas considered dangerous as : Clay pigeon shooting with Clayton, Hide-and-seek in the elephant cemetery with Scar and Hyenas (contrary to popular belief, the attraction was closed because too many children stumbled on the scenery forcing the animatronics present to stop the game to calm down the childrens. ), Archery and javelin throw with Philoctetes, Self defence class with Maggie and Buck , and Jim's Solar flying jumping in the vertical wind tunnel (mourned by many fans and also Jim animatronic). History of first aid class with Dr. Sweet was just upgraded to a formative experience rather than a historical show and tell of the 1900's medical procedures after some parents lamented that watching a dummy's femur being saw in half could be horror inducing in a child. (Alas the kids loved it).

Non-textured parts are practically absent here. The technical department has however decided to save in accessories and partial clothing, deciding to make it part of the aniamtronic's outer shell.

Rumors said that someone in the animatronic programming department was so determined to make animatronics realistic that they filled their artificial brains with terabytes of all the possible notions that character could canon-ly know. Although Milo’s animatronic would gladly help you doing your history and languages homeworks, House of Mickey entertainment would rather wish you didn’t. To anyone that is continuely asking to the Vinny Santorini animatronic to be taught the process of making a bomb, you are warned. Next time you'll be reported to security.

Memo for the reader : Animatronics cannot harm in any way our lovely fans! Each character is equipped with advanced facial recognition, capable of distinguish between invited guests from external subjects. Your kids will rejoice to know to being kept in check by our heroes and villains watchfull eyes! Visitors should't ever be found crossing the private or prohibited areas. In case of incident, injury, death, or burning Mickey's entertainment will be not responsible of such accadiments.

[lexluthordirectoroflexcorp]

Action Comics 1050 (2022) by Phillip Kennedy Johnson, Tom Taylor, Joshua Williamson, Mike Perkins, Clayton Henry, Nick Dragotta & Steve Beach

Cover: Steve Beach

[thebuhonerodazorrow]

The Riddler - Year One #4 (2023)

Black Label

Dc

[white-cat-of-doom]

A post from Joshua Clayton in honour of his Rum Tum Tugger cover debut over the weekend in Cast 14 of the Oasis of the Seas.

Video clips throughout the show.

With Adam Hearn covering Mistoffelees.

03 February 2024.

[cryptidvoidwritings]

instagram story: Nov 18, 2023

[newx-menfan]

Fav X-23 artists!!

In celebration of Laura’s new mini (🍾🥂), here’s a countdown of some of my FAVORITE Laura Kinney art!

Mike Choi

Let’s be honest- Choi is pretty much *THE X-23* artist! From “Target X” to “X-Force vol. 3”, there’s just something about his art that always manages to capture Laura’s essence perfectly!

2) Joshua Middleton

I KNOW Middleton is a controversial choice…but there’s just something sad and tragic about his rendition of Laura that I really love. He’s one of the X-23 artists that I really wish would return on another X-23 book!

3) Will Conrad

It might be because of the Hellion and Laura “Killing Dream” scene, but Conrad is one of my favorite X-23 artists! While definitely not the strongest X-23 artist listed…I just really like his rendition of Laura!

(I think part of it is that I just like Laura with pouty lips!) 😂🤣

4) Billy Tan

Tan probably SHOULD be higher, simply because he did such a wonderful job with conveying a wide variety of emotions despite Laura being completely silent!!… Tan really makes “Innocence Lost” the power house book that it is and if it wasn’t for Choi and Middleton, I would probably say he is the most iconic X-23 artist!

5) Skottie Young

While I do weirdly enjoy Mark Brooks 90’s style chibi art…Young is definitely *THE New X-Men artist!* While I wasn’t much of a fan of his version of Julian…I deeply LOVE his Laura, Surge, Pixie, and Anole and appreciate how much Young IS the Bill Sienkiewicz of NXM!

6) Sana Takeda

Takeda is kind of a “hit or miss” for me…if I am being honest, I like Takeda’s rendition of Hellion better than I like her Laura.

Some of Takeda’s panels are really gorgeous and really fit the scene perfectly (like the panel of her with Jubilee!), and some just feel kind of out of place in an X-23 book; I would kind of compare it to “Batman: Gotham Knight” with bishie Bruce Wayne… sometimes it’s just a little bit jarring and it kind of takes me out of the moment.

7) Kalman Andrasofszky

While Andrasofszky has ONLY done covers…I tend to think they have all been pretty memorable! I especially LOVE his Hellion and Laura cover and I wish Andrasofszky was doing the main art for the new Schultz book!

8) Marcio Takara

I really enjoy Takara and how fun his art is; my only wish is that he had drawn Laura during her X-23 days, because I think his commission work of her is a bit better than his work on ANW. That being said- his Gabby is positively ADORABLE, as is his Jonathan!

9) Sara Pichelli

I REALLY love Pichelli’s art despite it being a Bendis book, focusing on Laura and O5 Angel, and Laura’s eye color being totally wrong!

Pichelli’s “goth Laura” is just absolutely beautiful! She’s another artist that I would love to see return to X-23, because her art is just Joelle Jones levels of beauty!

The nightclub ANXM issue is hands down some of the best Laura art out there and if it wasn’t for the coloring mistake, she’d probably be higher on the list for me!

10) Juann Cabal

While I don’t always love how Cabal does faces, he is definitely one of the most creative comic artists out there! The detail he puts in and how he stylizes the onomatopoeia is just really engaging! I especially LOVED his work in the “OWL” arc!

11) David Finch

While I am not always a big Finch fan, nor do I always think his art suits every character, I do really like his rendition of Laura. The excess of lines and grittiness just work really nicely with Laura and remind me of Jim Lee or Andy Kubert’s 90’s X-Men, but with a more modern color palette.

12) David Lopez

I really loved Lopez’s art when it first came out but have kind of cooled on it a bit since then. I think part of it is it just doesn’t really “look” like Laura to me. Compared to all the other artists, I just don’t feel like Lopez captures Laura’s “essence” as well as the others.

That being said, Lopez did a great job on “Four Sisters” and the panels in Paris are especially beautiful!

13) Phil Noto

Noto is that artist a LOT of people dislike because all his faces look more or less the same. I will give Noto this- I think his “face” works well for Laura in this instance; there’s just something kind of innocent about it that I like. I also like how Laura is a little more “plain” and “awkward” in his work; she looks like a genuine teenager here. She blends in to the background more.

I know Laura is SUPPOSED to be very attractive, but in some ways I enjoy Noto’s plainer rendition and I often think Noto’s work is in general, better suited for teen books than drawing characters like Emma or Black Widow.

14) Clayton Crain

While I like Crain’s work and think it was a good choice for X-Force…it does sometimes bug me how “CGI”- lite it looks…it definitely hasn’t aged well.

Some panels are absolutely amazing…others…not so much!

While I do think Crain had improved over time, his old work is, for lack of a better word, sometimes kind of clunky!

Those are some of my personal favorites- Let me know if you agree…? Or disagree…?

[hawkmoon269]

Good and gorgeous photos of the band.

Save the Yuppies Free Concert, San Francisco, CA, 1987.

🌐 Source: prisionersofrockandrollphotos.com

[kellymagovern]

U2 - "I Still Haven't Found What I'm Looking For" [x]