#Joseph Ali

[npcdragonboi]

Spring at the Manor

An illustration I done for the Illustration contest in idv discord.

[vittacorle]

JOSEPH COTTEN and TERESA WRIGHT in 'The Steel Trap' (1952), directed by Andrew L. Stone

– We've never been separated. That's the way we planned it before we married. And I still feel the same way about it. Even more so, I guess. – Do you? – I want you with me always.

for janeaustenlover

[pedgito]

hello yes this is my formal admission that i am re-entering my joseph quinn era i won't be taking any questions <3

[haveyouseenthisseries-poll]

[camyfilms]

GREEN BOOK 2018

People love what you do! Anyone can sound like Beethoven or Joe Pan or them other guys you said. But your music, what you do? Only you can do that!

[madelynraemunson]

is ‘eagan tehrani’ in the room with us right now? @ pinterest

[flocklings]

they were so real for this

[theforswornelite]

I forgot the post, but this is the "you know whats sexier than soulmates? Having your own archnemesis"

Just two idiots finding their own personal "Dinkleberg"

[beyouatalltimes]

The Fresh Prince of Bel-Air

[fearsmagazine]

THE MAN IN THE WHITE VAN - Review

DISTRIBUTOR: Relativity Media

SYNOPSIS: In 1975 Florida, before the term "serial killer" was coined by the FBI, a string of violent disappearances linked to a mysterious white van went unnoticed. The film follows Annie, a young woman targeted by the van's driver, her concerns are dismissed by her parents and she's drawn into a terrifying ordeal. Based on the true story of Billy Mansfield Jr., the film portrays a chilling reality of a relentless stalker shattering a young woman's life in a simpler time.

REVIEW: Warren Skeels' "The Man in the White Van" masterfully blends true crime and horror, delivering a captivating and suspenseful entry to a successful year for the genres.

The film, written by Warren Skeels and Sharon Y. Cobb, focuses on Annie, her family, and the white van, effectively capturing the essence of the 1970s. The family dynamic portrays the concerns of that era and skillfully develops the characters. The story interweaves family scenes with Annie's passion for horseback riding and school, interspersed with flashbacks of the man's previous victims, building to Annie's encounter. Annie is portrayed as a strong, intelligent young woman, refreshingly assuming the "final girl" role. The parents' beliefs, such as "children should be seen and not heard" and dismissing Annie's concerns about the white van as attention-seeking behavior, reflect the attitudes of the time. As someone who grew up in the 70s, the dialogue and family situations felt genuine and effective.

The film effectively captures the era through its visuals, with cinematography and production design reminiscent of "The Texas Chainsaw Massacre" (1974). Like that film, this film builds tension through editing and sound design rather than excessive gore. When it comes to the ultimate confirmation, the score enhances sequences featuring the van, the man and his prey, creating an effect as potent as any classic slasher film. Period-accurate costumes, production design, and locations further immerse the viewer.

THE MAN IN THE WHITE VAN boasts a remarkable cast, with Ali Larter and Sean Astin convincingly portraying the adults of the era. Astin's interactions with the family unit evoke a sense of familiarity, reminiscent of this reviewer's own grandfather personality and philosophy. The sibling dynamics are expertly presented by Wolfe, Bassinger, and Warren. Wolfe shines as the emotionally strong middle child, contrasting with Bassinger's portrayal of the favored older child. The trio's chemistry is undeniable, particularly evident when the stalker's threat escalates. Wolfe seamlessly transitions into the heroine, while Bassinger embodies the damsel in distress. Their earlier lighthearted interactions add depth to the evolving tension and suspense. Wolfe, a seasoned young actress in the horror genre, delivers a multifaceted and powerful performance that surpasses the typical "final girl" trope.

Warren Skeels' debut feature film, THE MAN IN THE WHITE VAN, is an exceptional and memorable blend of true crime and horror. The film excels in capturing the 1970s setting and features a talented cast delivering an intense and thrilling experience. Scott Thomas Borland's memorable score effectively enhances the visuals and performances. Madison Wolfe's performance is phenomenal. The tale here is one of several stories based on the real-life serial killer Billy Mansfield Jr., and a potential possible sequel is hinted at with the closing scene. Skeels has also mentioned having a screenplay ready for a supernatural thriller, and based on his work in THE MAN IN THE WHITE VAN, I eagerly anticipate his next film.

CAST: Madison Wolfe, Brec Bassinger, Skai Jackson, Ali Larter, Gavin Warren, Sean Astin, Andy Sibley and Blake Drivas. CREW: Director/Screenplay/Producer - Warren Skeels; Screenplay - Sharon Y. Cobb; Producers - Anne Marie Gillen, Terri Lubaroff, Paul Scanlan & Michael Nole; Cinematographer - Gareth Paul Cox; Score - Scott Thomas Borland; Editor - Billy Gaggins; Production Designer - Lauren palding; Costume Designer - Tiger Curran; Special Effects Foreman - George Landrum Jr.; Visual Effects Consultant - Andru Davies. OFFICIAL: N.A. FACEBOOK: @WhiteVanMovie TWITTER: x.com/whitevanmovie TRAILER: https://youtu.be/IiDUCGPwxQs?si=XBsxOddQJNjp4N-O RELEASE DATE: In select theaters December 13th, 2024 FEARSmag Interview with WARREN SKEELS: HERE

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[pedgito]

writing this sub!emperor geta fic feels like

[demifiendrsa]

BEEF | Official Trailer

BEEF will premiere on Netflix on April 6, 2023.

Poster

[scenesandscreens]

BEEF, Season One (2023)

Directed by Hikari, Jake Schreier & Lee Sung Jin, Cinematography by Larkin Seiple

[cinematic-literature]

Beef E07 (I Am a Cage)

Book title: A Death in Summer (2011) by Benjamin Black

[a-member-of-minuteswithmandm]

BEEF on Netflix is soooo good! I can't be surprised though because A24 is really good at doing things differently (e.g Euphoria, Moonlight, Everything Everywhere All At Once, Midsommer, Hereditary, Pearl, etc)

I don't know what I loved the most - Touching in mental health, complicated family dynamics, people getting absurd revenge or phenomenal Asian representation? It was as all amazing!!

That being said, we need to address the fact that Danny was fucking awful. He was so selfish and shortsighted and no matter how much context we have on why he is the way he is, he is unforgivable and I'm glad that Paul finally cut him off. Choosing to involve himself with Isaac again and again just showed me how useless he was

On the other hand, despite some bad choices that Amy made - most of what she did wasn't that bad to me 😭😭 I support women's rights and wrongs unfortunately - also I hated George so that helped lmao

Basically the whole show was incredible, and whether I was angry at Naomi and Jordan, or learning to like Fumi - I was having a great time!

Watch our YouTube video and let us know what you think! Do you agree or disagree with out opinions? I wanna know ☺️

[warmglowofsurvival]