#John Hodiak

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Anne Baxter and John Hodiak with their daughter Katrina in 1952.

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You'll get your brains knocked out, kid. You're gonna wish you'd never seen me. DESERT FURY (1947) dir. Lewis Allen

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Here are 10 things you should know about John Hodiak, born 110 years ago today. In his all-too-brief life and career, he enjoyed success on the stage, in radio and in pictures.

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Somewhere in the Night (1946) Joseph L. Mankiewicz

October 12th 2024

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John Hodiak-Ann Sothern "Maise goes to Reno" 1944, de Harry Beaumont.

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Vintage Poster - Naufragos (Lifeboat) (Spanish)

Art by Josep Soligo

20th Century Fox (1944)

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Judy Garland, Angela Lansbury, Preston Foster and John Hodiak in publicity shots and stills from “The Harvey Girls” (1946).

I added a sepia tone as a small tribute to 1939 “The Wizard of Oz” 🤗

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Seen above with Robert Taylor, John Hodiak is best known for floating around in lifeboats

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@tcmparty live tweet schedule for the week beginning Monday, November 21, 2022. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.

Monday, Nov. 21

TRIBUTE TO ANGELA LANSBURY

— 6:00 p.m. THE HARVEY GIRLS (1946) Straitlaced waitresses battle saloon girls to win the West for domesticity.                                           — 8:00 p.m. THE MANCHURIAN CANDIDATE (1962) A Korean War hero doesn't realize he's been programmed to kill by the enemy. 

                                        Thursday, Nov. 24 at 8:00 p.m. NORTH BY NORTHWEST (1959) An ad man is mistaken for a spy, triggering a deadly cross-country chase.                                          

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John Hodiak (April 16, 1914 – October 19, 1955)

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Walter Slezak, John Hodiak,Tallulah Bankhead, Heather Angel, Mary Anderson in Lifeboat (Alfred Hitchcock, 1944)

Cast: Tallulah Bankhead, William Bendix, Walter Slezak, Mary Anderson, John Hodiak, Henry Hull, Heather Angel, Hume Cronyn, Canada Lee. Screenplay: John Steinbeck, Jo Swerling. Cinematography: Glen MacWilliams. Art direction: James Basevi, Maurice Ransford. Film editing: Dorothy Spencer. Music: Hugo Friedhofer. 

Lifeboat has two things going for it: Alfred Hitchcock and Tallulah Bankhead. Otherwise, it could easily have turned into either a routine survival melodrama or, worse, a didactic allegory about the human condition -- elements of both remain. The situation -- a small group of survivors of a merchant marine vessel torpedoed by a German U-boat confront the elements, their own frailties, and the U-boat captain they unwittingly help rescue -- was dreamed up by Hitchcock and was assigned to John Steinbeck to come up with a story. It was then turned into a screenplay by Jo Swerling, with the uncredited help of a number of other hands, including Ben Hecht and Hitchcock's wife, Alma Reville. Steinbeck is said to have hated it, partly because the screenplay was purged of his leftist point of view, but anyone familiar with his fiction can see how the script's avoidance of his tendency to preach strengthened the film. And the casting of Bankhead, in what is virtually her only great screen role, adds a note of sophisticated sass that the melodrama desperately needs. Steinbeck also objected that the character of Joe (Canada Lee), the ship's steward and the only Black survivor, had been turned into a "stock comedy Negro," which is hardly fair: Although there are unpleasant taints of Hollywood racism in the characterization -- Bankhead's character refers to him as "Charcoal" a couple of times -- Joe is generally treated with respect. At one point, when the occupants of the lifeboat decide to put something to a vote, Joe asks, with more than a touch of sad experience behind the question, "Do I get to vote, too?" And when the survivors finally turn in a frenzy on the treacherous German (Walter Slezak), clubbing him to death and drowning him, Joe is the only one who seems to recognize that what they're doing is essentially a lynching; he tries to dissuade Alice (Mary Anderson), the U.S. Army nurse, from joining the assault. (Of course, it's also possible that the studio feared that having a Black man assault a white man would outrage Southern audiences.) While it's not prime Hitchcock, Lifeboat is engaging and entertaining, and a cut above most wartime melodramas, partly because it dares to present the enemy, the German captain, as dangerous, cleverly outwitting and manipulating the Americans and Brits in the boat -- which naturally outraged some of the flag-waving critics.

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John Hodiak-Judy Garland "Las chicas de Harvey" (The Harvey girls) 1946, de George Sidney.