#Joélle Harvey
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Joélle Harvey - 'Endless Pleasure' from Semele | The Organ Room Sessions
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#Music Joélle Harvey - 'Endless Pleasure' from Semele | The Organ Room Sessions Glyndebourne
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I’m not quite inspired to put together a Mostly Mezzo Mondays list this week, but if I did, it might point to video livestreams of Nozze from Covent Garden (Gerhaher, Keenlyside, Joélle Harvey) and Mahagonny from Aix (La Mattila) and a radio broadcast of AnnaCat doing La mort de Cléopâtre. Fleming fans can hear her doing a bit of this and a bit of that ranging from Tchaikovsky to a Rodgers & Hammerstein chestnut.
#anna caterina antonacci#karita mattila#renée fleming#joélle harvey#christian gerhaher#simon keenlyside#opera tag
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L'Olimpiade - Oper Zürich 16.03.2022
L'Olimpiade - Oper Zürich 16.03.2022 #pergolesi #davidmarton #sonjaaufderklamm #oper #barock #ottaviodantone #dokumentarfilm #corona #pandemie #alter #rezension #musik #opera #kritik #operalover #operzürich #annabonitatibus
Der Pandemie zum Opfer gefallen, nun als interessante Mischung aus Filmdokument und live gesungenen Arien im Zürcher Opernhaus zu sehen und zu hören – die selten gespielte Barock-Oper “L’Olimpiade” von Giovanni Battista Pergolesi…. (more…)
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#Anna Bonitatibus#Barockmusik#Barockoper#Carlo Allemano#Corona#David Marton#Delphine Galou#Dokumentarfilm#Giovanni Battista Pergolesi#Joélle Harvey#Kritik#La Scintilla#Lauren Snouffer#Oper#Oper Zürich#Ottavio Dantone#Pandemie#Rezension#Sonja Aufderklamm#Thomas Erlank#Vivica Genaux
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@parmandil i see your sarah connolly as giulio cesare butt slap and raise you
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sarah connolly as giulio cesare boob grab
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Qué haré a partir de ahora, con todas esas hojas secas amontonadas en el rastrillo.
#haendel#christopher purves#sarah connolly#robert murray#elizabeth atherton#joélle harvey#mark dobell#jeremy budd#stuart young#the sixteen#harry christophers#coro#música#music#mis discos
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Since we’re spending this week on a stroll down memory lane (M is for Mozart and also for Memories, right?), I’ll admit that a rich source of memories for me when it comes to Mozart call back to my senior year in college, when I played the Countess in our department’s production of Le Nozze di Figaro. Mozart’s ensemble writing in opera is spectacular, to say the least, but while people talk a lot about the second act and fourth act finales, one of my favorite, less discussed pieces is this second act Terzetto, “Susanna, or via, sortite,” a celebration of anxiety as the Countess desperately tries to keep her jerk husband from discovering Cherubino in the closet, and Susanna tries to figure out what the heck to do about it all. Sung gloriously here by Simon Keenlyside, Julia Kleiter, and Joélle Harvey at the Royal Opera House, this trio was one of my favorite pieces to learn and sing back in the day, and it’s still probably my favorite moment in the opera. Enjoy! - Melinda Beasi
#mozart#memories#w.a. mozart#le nozze di figaro#opera#classical music#classical opera#18th century#simon keenlyside#julia kleiter#joelle harvey#musica in extenso
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CARNEGIE HALL PRESENTS Joélle Harvey, Soprano Allen Perriello, Piano Wednesday, February 13, 2019 7:30 PM Weill Recital Hall @carnegiehall ©Copyright Pete Checchia Photography (at Carnegie Hall) https://www.instagram.com/p/Bt7C3avDEal/?utm_source=ig_tumblr_share&igshid=1jpxxmogjzmgz
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Review: Philharmonic Replies to $50 Million With ‘Hallelujah’
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Joélle Harvey, the soprano soloist in the New York Philharmonic’s “Messiah,” with Andrew Manze conducting. Credit Michelle V. Agins/The New York Times
Perhaps not every member of the New York Philharmonicis thrilled at the annual prospect of Handel’s “Messiah,” and you can partly understand why. As often as not these days, a sharply reduced…
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Joélle Harvey - 'Endless Pleasure' from Semele | The Organ Room Sessions
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Joélle Harvey sings “V’adoro pupille” from Handel’s Giulio Cesare I heard Joelle Harvey sing the soprano part in Mozart's Great Mass in C Minor. She has a lovely voice.
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Mostly Mezzo Mondays: Röschmann & Hampson, DiDonato, and Harvey
Mostly Mezzo Mondays: a recurring (though not weekly) feature where, on Monday nights, I blog a list of the upcoming broadcasts that have caught my eye on World Concert Hall. My interests: baroque vocal music, art song recitals, and a list of favorite singers.
Dorothea Röschmann and Thomas Hampson sing songs from Mahler’s Des Knaben Wunderhorn with the Turku Philharmonic. Live broadcast Thursday, August 8 on YLE Radio 1.
Joyce DiDonato sings Berlioz’ Les nuits d’été with the National Youth Orchestra of the United States of America. Live broadcast Sunday, August 11 on BBC Radio 3.
Joélle Harvey sings Barber’s Knoxville: Summer of 1915 and Mahler’s Symphony No. 4 with the San Diego Symphony Orchestra. Deferred broadcast Sunday, August 11 on KPBS. NOTE: although this broadcast begins at 8:00 p.m. on August 11 in the Pacific time zone, it shows up in the WCH schedule, which uses GMT for all times, very early in the morning of August 12.
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Handel’s Messiah
NEW YORK PHLHARMONIC
HANDEL’S MESSIAH
Presented by Gary W. Parr
Andrew Manze, Conductor
Joelle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Tyler Duncan, Bass-Baritone
Westminster Symphonic Choir
Joe Miller, Director
The Westminster Symphonic Choir with the New York Philharmonic under Andrew Manze.
It’s that time of year again for performances of Handel’s Messiah. The New York Philharmonic delivered several last week. There were many highs and some surprising lows.
The overture was exceedingly slow to the point of sounding like it was dragging. Of the soloists, soprano Joélle Harvey had luscious plummy tones as did the mezzo-soprano, Jennifer Johnson Cano, though her command was less accurate. Tenor Ben Bliss was powerful but too often drifted into a strident tone; bass Andrew Foster-Williams had good tones but seemed to lack the power needed for a house the size of David Geffen Hall.
The Westminster Symphonic Choir was not consistently balanced with the bass-baritones seeming to lack sufficient force to respond to the other sections.
One of the thrills of any Messiah performance is that special trumpet solo – here performed beautifully by Christopher Martin.
The Messiah is a favorite with audiences and certainly launches the Christmas spirit.
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Pittsburgh Opera Mozart 'The Marriage of Figaro' Review
Pittsburgh Opera Mozart ‘The Marriage of Figaro’ Review
Bravo! Thank you, Pittsburgh Opera for making going to the movie theater obsolete for me. Conveniently,��located in downtown Pittsburgh. I was able to grab something to eat before going in to enjoy their performance. Once inside I picked up my tickets and was greeted by Dr. Marilyn Egan Pittsburgh Opera’s Director of Education, who informative me that the Pittsburgh Opera lobby was inspired…
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Listen to Prom 59: Mozart - La clemenza di Tito
Live from the Royal Albert Hall, London
Presented by Donald Macleod
BBC Proms 2017
Mezzo-soprano Alice Coote leads an all-star cast as the vengeful Vitellia under Glyndebourne's Music Director Robin Ticciati.
Live from the Royal Albert Hall, London Presented by Donald Macleod
Mozart: La clemenza di Tito - Act 1
c.8.35pm: Interval: PROMS EXTRA Sara Mohr-Pietsch talks to Timothy Jones and Nicholas Till about La clemenza di Tito. Highlights of the Proms Extra recorded earlier at Imperial College Union.
c.8.55pm: Mozart: La clemenza di Tito - Act 2
Vitellia .... Alice Coote (mezzo-soprano) Sextus .... Anna Stéphany (mezzo-soprano) Annius ... .Michèle Losier (mezzo-soprano) Publio .... Clive Bayley (bass) Titus .... Richard Croft (tenor) Servilia .... Joélle Harvey (soprano) Glyndebourne Festival Opera Chorus Orchestra of the Age of Enlightenment Conductor Robin Ticciati
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I’m so sad I can’t go see Giulio Cesare at Glyndebourne because the cast seems Amazing
and I just really love the sets and costumes and everythingg
#giulio cesare#georg friedrich händel#joélle harvey#sonja's art#behold a finished piece#i might make this a habit#feels good man#hey glyndebourne plz a video#maybe dvd eh#?#plz
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