#Jean-Pierre Djeukam | Explore Tumblr posts and blogs

secretradiobrooklyn · 3 years ago

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Secret Radio | 7.24.21, 8.7.21 & etc.

“Better, Better, Back” Secret Radio | 7.24.21, 8.7.21 & etc. | Hear it here.

- Mort Garson - “Plantasia”

1. Jean-Pierre Djeukam - ��Africa Iyo” - “Cameroon Garage Funk”

The main musician I think of from Cameroon is Beti-Beti, and this is a whole different thing. Endless props to Analog Africa for providing fiery track after track. This is the sweat from their newest collection!

2. Eyedress - “Jealous”

Paige hears something in this and when I unfocus my eyes I do too. (Literal?) high school skate kids gettin in their shallow feels. I will admit that the chorus “time-time” is killer.

3. Nahid Akthar & Tafo - “Takra We Gutt Bhar Le” (I think)

Nahid Akthar’s voice is so completely bewitching that the amazing arrangements almost sneak by. Tafo is the producer of this track I believe, and the narrative structure of the music is just so confident and encompassing. But then also: man, that VOICE. She’s right up there with Ros Serey Sothea in expressiveness and character.

4. Oruã - “Escola das Roas” - “Sem Bênção / Sem Crença”

My thanks to you, Marc, for pointing this band to us. I have fallen in love with this particular recording, it just gets more thoroughly better with every listen. Calvin Johnson mentioned this band in a recent K newsletter — they’re a Brazilian band who corresponded with Doug Martsch as mutual fans until at some point Doug decided his own band needed replacing and he brought them out as Built to Spill and also as Oruã. This track also has shades of Sonic Youth’s “Master-Dik,” one of my all-time ultra faves. It really hits me in the ’90s, and I rilly want to see how some of this music is performed live.

5. Jacques Dutronc - “Le Responsable”

I’m so thankful to have Jacques Dutronc in my life. His rock songs knock me into gear like nothing else — and the whole band has its own very specific flavor. It kicks!

6. Sleepy Kitty - “Alceste in Silverlake”

At very long last, there is a new Sleepy Kitty album on the way! It’s in line at the record plant as I type this. And this is a song from the perspective of a musician-seeking drummer in LA, crossed with the most brutally honest man in all of France.

7. Sakuran Zensen - “錯乱前戦ロッキンロール” (I Wanna Rock & Roll)

We only knew one song by this band (that we’ve played here) because the video was rad, but I looked to see what else was there and this song is just freakin great with me. The chords are really cool and his vocal delivery is just so over the top it’s impossible not to love. And the guitar solo is basically a full-on tonefest, which I appreciate more than a bunch of flying fingers. The video helps fill in the picture nicely too, I think, though I like the song while not looking at it even more.

https://www.youtube.com/watch?v=YPCqT3e89SU

- Mort Garson - “Concerto for Philodendron & Pothos”

8. Clothilde - “Fallait pas ècraser la queue du chat”

All hail the French instinct for chamber music instruments as pop instruments, and then as a kind of technicolor weirdness. The orchestration of this song is a work of art in itself, and that doesn’t even account for her self-harmonizing melody. If you haven’t already, picture a brunette bob and deep mascara.

9. Public Service Broadcasting - “Spitfire”

I can’t remember now how I found this music, though I think it might’ve been from Josh’s playlist? This is from 2012, but they have a new album coming out almost exactly a month from now. In Bound Stems Tim and I got really into interlacing snatches of other people’s words into the music we were making, and this is very congruent with that interest. I feel like this song passes tests as it goes.

10. Shocking Blue - “Send Me a Postcard”

I first heard of this band when I was learning everything I could about Nirvana, and I’d heard both versions of “Love Buzz” and knew they were both great, but we only recently caught this track. It’s the bridge between “White Rabbit” and “Territorial Pissings.”

11. Metak - “Tetrapak”

Our favorite Croatian band! Everything about this song is delightful. I feel like if this song was in English I’d probably cringe at the lyrics, but in this format I can only hear how much fun the song is to play. I am one-quarter Croatian, which means I can’t understand any of the lyrics either but I do see little ghosts of myself in the pictures of the band somehow. It’s weird.

12. Katerine - “Louxor J’adore”

-Anything I could say about this song is eclipsed by this excerpt:

https://www.youtube.com/watch?v=uD7QuV6f_MA

The performance to the cemetery knocks me out

13. Erkin Koray - “Seni Her Gördügümde”

Whenever we’re listening to Anatolian psych, the songs with the most creative ideas and satisfying riffs and great vocal passages are always Erkin Koray. The four-piece arrangements are so good, and then he doesn’t hesitate to step up with his guitar to narrate a passage. Also, I really like how Turkish rock sounds so Indian and also Arabic and also French.

14. WITCH - “Chifundo”

Zambian prog rock! I haven’t heard anything like this track anywhere else in Africa yet. The thing is, this version of prog includes the exact flavor that Yes totally lacks, and thus I really love listening to this track in a way most prog rock doesn’t hit me. The time switches and the lead part over the top are just so smooth!

15. Ezra Furman - “Psalm 151”

We’ve been listening to a lot of Ezra Furman’s music lately, and it’s only getting better and more engrossing with every listen. We toured with Ezra Furman’s band about 5 years ago and every night was a pleasure. They’re finishing up a new album, which makes this a great time to listen to the others. This entire album, “Transangelic Exodus,” is a masterpiece as far as we’re concerned, and I find myself thinking the whole time too about Tim Sandusky’s production. Tim’s such a home town for us, and to hear his full attention on this album is just such a pleasure.

16. Ralph Stanley - “White Light, White Heat”

It was one of my favorite musical influence moments ever when my dad’s bluegrass band, The Prozac Mtn Boys, played VU’s “What Goes On.” Knowing that there is a recording of one of my dad’s true banjo heroes playing “White Light White Heat” is just an endless blessing. And actually hearing it is even better.

17. Kim Jung Mi - “Ganadaramabasa”

I know basically nothing about this track except that she’s Korean and this is from 1973. She’s got a real Diana Ross thing going on, and her band has a real Supremes vibe too… but it doesn’t sound like one of their songs.

18. Penny Penny - “Yogo Yogo”

We just got this record recently, and based on this track I wouldn’t’ve necessarily pictured the remarkable-looking guy who actually made this music. This is from the album “Shaka Bundu.” I’m sure it’s been cranked up and sent through some great house remixes — how could this not be? — but I like how this tempo operates at its own pace. It’s so truly and thoroughly ’80s, very 20th century. In the 21st century this tempo is practically cerebral.

19. Baris Manço - “Binboganin Kizi”

More Anatolian action. It’s really interesting to me how Turkish stuff was always associated with psych music but I didn’t really know how except for the opium thing, and I now understand that it’s in the chord relationships, well, and a lot of the vocal melody and delivery. In that way, Turkish rock pretty much defines what psych music sounds like. Wow. And check out that keyboard solo, so next level!

20. The Velvet Underground - “Countess from Hong Kong”

People are always asking Beatles or Stones and the answer is Velvet Underground. (And the Beatles, and the Stones.) They were just operating along a different balance beam than those other guys — performing different tricks for a different audience. While the Beatles were defining pop music, the VU were destroying it… but then later, they reveal their deep affinity for Western music, even as they never drop in to the blues-centric reading of it. It’s truly punk. I guess they are to punk what the Beatles are to pop — the definition of pop is whatever flows to or from the Beatles; punk is whatever flows to or from the Velvet Underground. Certainly more than any single band in 1976 or 7 or whatever.

21. Bella Bellow - “Denyigban”

The piano phrase that kicks this song off is surprisingly close to the opening of Bound Stems’ “Appreciation Night.” We got that phrase from the demo mode of Radz’s keyboard, and it’s surreal to hear a high-overlap version in a song from Togo. Her voice is so clean in tone and pitch, and what’s strangest to me is that I register the instrumentation in an almost Disney mode — but then realize that’s because Disney will draw on Caribbean and African elements at times as they establish characters and settings. Such an elegant song though!

22. Rail Band - “Mouodilo”

One of the first insights that got us into WBFF was the realization that James Brown had even more fundamental influence on the music of the world than the Beatles did — certainly in Africa. Hearing how his delivery interrelates with so many bands from all across Africa is such a revelation. This track just keeps winding around you til you can’t hardly live without it.

- Asha Bhosle - “Salma Jarir Jhalak”

All I know about this is that it’s in Bangla and it’s from a movie.

23. Unknown - “Chemirocha” - from “Love Is Love”

Several years ago, when African records looked interesting but we literally didn’t know anything about them, we bought a record called Love Is Love, in part because it was a beautiful cover and in part because the music seemed mysterious and full of possibility. Now, when I go to look for it online, I see no sign — I think it’s just a really small pressing from a… pirate group, I guess one could say? But really I think just hardcore music lovers. Anyway, it has this song “Chemirocha” on it, and there’s a story about this song that is really probably just best to link to because it’s so amazing. I guarantee you will find the information in this article worth your read:

https://www.atlasobscura.com/articles/chemirocha-how-an-american-country-singer-became-a-kenyan-star

24. Sparks - “Do-Re-Mi”

We’ve known about Sparks, but we’re late to a close listen. We’ve been listening a lot in anticipation of — not the band bio pic but “Annette,” the new film by Carax, one of our favorite directors ever. For that matter: make sure to watch “Holy Motors” by Carax. It’s probably best if you watch “Lovers on a Bridge” before that, but if you have to go straight to “Holy Motors,” dive right in. It’s amazing.

Meanwhile: This take on the Mary Poppins classic is TOO MUCH — I can’t stop smiling at the end, when the bells start tolling over the crashing drums and crescendoing vocal waves as their third finale fades away. How can anyone make this song, the very definition of not-rock, rock so fully?

- Mort Garson - “Ode to an African Violet”

25. Bob Reuter’s Alley Ghost - “She Brought Me to the Wire”

I will forever be glad that we not only landed in a city where we could find out about the person and the works of Bob Reuter, but that we got to know and work with him. Bob Reuter was one of the definitions of St. Louis to us, and when he passed, so did some of that city. But also, he left music and photos and stories in Eleven and chapbooks that I truly hope last forever. He was the hard-living romantic that you hope lives in the heart of every hard-luck case… and in his one instance, it was true. Bless your soul, Bob Reuter.

photos by Bob Reuter from The Pageant and El Leñador

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supersupersounds · 3 years ago

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Cameroon Garage Funk by Jean-Pierre Djeukam

V/A - Cameroon Garage Funk

Copping the spiel straight from the Analog Africa release notes. Enjoy! -Kris

“Yaoundé, in the 1970´s, was a buzzing place. Every neighbourhood of Cameroon´s capital, no matter how dodgy, was filled with music spots but surprisingly there were no infrastructure to immortalise those musical riches. The country suffered from a serious lack of proper recording facilities, and the process of committing your song to tape could become a whole adventure unto itself. Of course, you could always book the national broadcasting company together with a sound engineer, but this was hardly an option for underground artists with no cash. But luckily an alternative option emerged in form of an adventist church with some good recording equipment and many of the artists on this compilation recorded their first few songs, secretly, in these premises thanks to Monsieur Awono, the church engineer. He knew the schedule of the priests and, in exchange for some cash, he would arrange recording sessions. The artists still had to bring their own equipment, and since there was only one microphone, the amps and instruments had to be positioned perfectly. It was a risky business for everyone involved but since they knew they were making history, it was all worth it.

At the end of the recording, the master reel would be handed to whoever had paid for the session, usually the artist himself..and what happened next? With no distribution nor recording companies around this was a legitimate question. More often then not it was the french label Sonafric that would offer their manufacturing and distribution structure and many Cameroonian artist used that platform to kickstart their career. What is particularly surprising in the case of Sonafric was their willingness to take chances and judge music solely on their merit rather than their commercial viability. The sheer amount of seriously crazy music released also spoke volumes about the openness of the people behind the label.

But who exactly are these artists that recorded one or two songs before disappearing, never to be heard from again? Some of the names were so obscure that even the most seasoned veterans of the Cameroonian music scene had never heard of them. A few trips to the land of Makossa and many more hours of interviews were necessary to get enough insight to assemble the puzzle-pieces of Yaoundé’s buzzing 1970s music scene. We learned that despite the myriad difficulties involved in the simple process of making and releasing a record, the musicians of Yaoundé’s underground music scene left behind an extraordinary legacy of raw grooves and magnificent tunes.

The songs may have been recorded in a church, with a single microphone in the span of only an hour or two, but the fact that we still pay attention to these great creations some 50 years later, only illustrates the timelessness of their music.”

#cameroon #african #world #funk #soul #70s

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