#Jean-Baptiste-Camille Corot

[psikonauti]

Jean-Baptiste-Camille Corot (French,1796-1875)

Diana and Actaeon (Diana Surprised in Her Bath), 1836

Oil on canvas

[creativespark]

Jean-Baptiste-Camille Corot (French, 1796-1875), St. Sebastian, 1850-51

[evalcea]

Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand

Jean-Baptiste-Camille Corot

oil on board, 1868

National Gallery of Art

[lux-vitae]

Faunes et Nymphes Dansant (Fauns and Nymphs Dancing) by Jean-Baptiste-Camille Corot (1796-1875)

[weary-hearted-art]

Jean-Baptiste-Camille Corot, Florence, View taken from Boboli Gardens, 1834

[thedeadleafs]

Jean-Baptiste-Camille Corot, Woman with a Pearl, 1858-68

[mythinart]

orpheus leading eurydice from the underworld by jean-baptiste-camille corot (1861)

[mysterious-secret-garden]

Jean-Baptiste-Camille Corot - ‘Dante and Virgil’, 1859.

[bottegapowerpoint]

Jean-Baptiste-Camille Corot, Wounded Eurydice

[ameliepeinture]

Jean-Baptiste-Camille Corot «Little girl with a doll»

[psikonauti]

Jean-Baptiste-Camille Corot (French,1796-1875)

Bathers of the Borromean Isles

Oil on canvas

[marywoodartdept]

Identifying Shapes of Shadow

McKenna, our #painting blogger, explores the technique of identifying shadow shapes to elevate paintings. Using Corot’s The Roman Campagna as an example, she illustrates how simplifying light & shadow can enhance depth and atmosphere. #MarywoodArt

[evalcea]

Forest of Fontainebleau

Jean-Baptise-Camille Corot

oil on canvas, 1834

National Gallery of Art

[beyourselfchulanmaria]

Camille Corot (1796-1875) He was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.

Jean-Baptiste-Camille-Corot, Orpheus Leading Eurydice from the Underworld, 1861

[weary-hearted-art]

Jean-Baptiste-Camille Corot, Forest of Fontainebleau, 1846

[clairity-org]

Jean-Baptiste-Camille Corot, The Beach, Étretat, 1872, oil on canvas, 8/9/23 #StlArtMuseum by Sharon Mollerus