#Japanese mistress

[uberfemale]

Lifestyle dictator and micro administrator

[sallymayblondeenka]

サリー・メイ(Sally May) in Rashamen Oman: Higanbana wa chitta らしゃめんお万 彼岸花は散った (1972) AKA FOREIGNER'S MISTRESS OMAN: FALLING AUTUMN FLOWER.

[alpha-kenny-badi]

[amuromi]

★ ₊ ⊹ ⋆˙ ┈ 𝐑𝐘𝐎𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀 X ᶠ!ᴿᴱᴬᴰᴱᴿ

✦ ⋆˙ 𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 ┈ 9.9k

✦ ⋆˙ 𝐓𝐀𝐆𝐒 ┈ NSFW! heian era!au, concubine!reader, true form!Sukuna, unprotected sex, established relationship (married), canon typical violence, era typical misogyny/gender roles, unhealthy obsession, mentions of death, mentions of cannibalism and blood, (Sukuna is a lunatic), Sukuna is referred to exclusively as “Lord Sukuna”

✦ ⋆˙ 𝐀!𝐍𝐎𝐓𝐄 ┈ I got a bit carried away with this one. My love of psychological horror was clawing to be free but I think I kept it pretty contained…

✦ ⋆˙ 𝐏𝐀𝐑𝐓 𝐈𝐈

✮ 𝐌𝐈𝐍𝐎𝐑𝐒 & 𝐀𝐆𝐄𝐋𝐄𝐒𝐒 𝐃𝐎 𝐍𝐎𝐓 𝐈𝐍𝐓𝐄𝐑𝐀𝐂𝐓!! ✮

𝐖𝐎𝐑𝐃𝐒 𝐓𝐎 𝐊𝐍𝐎𝐖 ✦ ⋆˙ engawa ┈ a hallway-like path surrounding the house ⋆ shoji ┈ a sliding door/divider ⋆ koto ┈ a Japanese zither/stringed instrument

The winter storm has leached everything into bleak shades of black and white, like ink on parchment. The trees are thick black strokes against the deep gray clouds, dusted with a thick layer of snow as flurries fall like stars through the courtyard. In the moonlight each snowflake shines like pearls, soft and lustrous as they dance on the wind. From the edge of the engawa it almost looks like staring into the great gaping mouth of a beast that’s swallowed the world, spears of ice hanging like jagged teeth from the edge of the roof, the wind shuddering through the estate in howling gusts. The cold night is scented with dreams of spring, sweet smelling coal burning in braziers, wafting gray wisps of floral-scented smoke into the wind. 

It’s quiet aside from the sharp whistling of the wind and the hissing of snow melting over hot coals, then, somewhere within the estate, a bell tolls for the Hour of the Rooster. Nightfall, despite the veil of darkness already laid out by the storm clouds. Suddenly there’s the sound of footsteps soft as summer rain, pattering through the estate and the shoji begin to blossom with the warmth of firelight as candles are lit throughout the sprawling house. More snow gathers in soft sheets over the courtyard before there’s a gentle knock to announce a soft-footed servant coming to renew the braziers and light the lanterns. The scent of lavender is renewed as the coals are sifted and replaced and the engawa is streaked with blushing shades of gold as the pink-tinged paper lanterns are lit in turn. 

Of all the rooms in the vast estate, yours is the most adorned. Which is to say, it looks as though your room is used for more than sleeping. There’s a modest desk with inks and paper, a small table for combs and perfumes, and a trunk for miscellaneous things beside the chest of drawers filled with kimono. When she’s lit the last lantern, you ask the girl to send for your personal maid. A dowry servant, though not originally one of yours. Life in this estate is fleeting in that way. 

An unbalanced teacup had been the undoing of the girl your father sent to accompany you in your marriage. Stained silk and scalded skin, later soaked with splatters of blood. But the tatami were changed and the kimono and girl were replaced. Your new maid is a bit older–a few years your senior–originally belonging to a woman that came before you. Certainly not First Mistress because she would loathe to see you even look upon anything of hers. No, she served a less honored concubine that wasn’t worthy of the title “wife,” even if it’s a hollow honor in itself. Still, your maid had belonged to the unknown mistress before she perished. It all happened before you were brought to the estate, but the haggard weight of the loss still sits heavy on her shoulders. Her face always looks like a crumpled piece of paper that someone tried to smooth flat, creased with hidden worries. She arrives quickly, kneeling to await her orders. 

“I’m happy,” you tell her. “A new Mistress is joining the family tonight, isn’t that right? Happy news.” The maid hums something to the tune of affirmation, long since grown used to your unflinchingly jovial disposition. She once asked if you wear a smiling mask throughout the day and take it off once you sleep. It’s a silly question, of course, but you like to imagine that you smile even in your sleep. There is nothing to be sad about. Living a life such as this is no different than a deer grazing in a meadow. There is nothing beyond the grass. Nothing farther than the horizon or higher than the tallest tree. What is there to be sad about when the world has been folded into something small enough to hold in your hands, a piece of origami meant to be appreciated and not pondered. There’s happiness in the simplicity that this life provides, though you seem to be the only one to realize it. 

The other two Mistresses of the house say that you should be locked up in a rice chest and left out to die. That it’s cruel to let you live in such a state of delusion. How little they know, yet it’s still too much. At times, it seems that they are far deeper in their minds than you’ve ever been. Caught up in worries and tribulations that haven’t plagued you in a long time, since you let go of your humanity. What use is pretending to be human when you’re treated like a pet. Treasured and pampered but still inferior to the master of the house. Because your husband has no true use for human brides. In keeping the three of you, he has honored each of your families with the knowledge that their blood has produced something too intriguing to kill off just yet. Perhaps if he desires an offspring to assume his legacy he’ll have a true use for one of you. 

Other brides have been offered and had their families culled like squashing bugs. It made you feel some air of superiority, knowing that you were chosen from a dozen women to be honored as a new wife to the King of Curses. It only took a few months for you to realize your place in all this and the last thread of your humanity snapped like a frayed koto string. Thinking of yourself as a person is useless when the person that holds your life within his hands sees you as no more than a doll to be toyed with as he sees fit. 

“I’m happy.” You always mean it when you say it. Happiness is all you have left when faced with the truth of how finite your existence is. There is no world beyond the walls of this estate. No people beyond its residence and staff. No purpose outside of serving your husband with unwavering loyalty. In that regard you are the most precious of his wives. The others, their devotion wavers. You’ve seen it in the way they still hesitate to follow simple instructions, still tremble and shrink in Lord Sukuna’s presence even as you bloom like a flower in the light of the sun. He is your sun. There is no life without him. Which is why you are happy to simply exist in this small world that he’s made for you. 

His power has greatly uncomplicated your existence, turned it to something purposeful, something that will end when you’re no longer of use. And Lord Sukuna will always tell you when you serve no further purpose to him. How many underlings has he executed because they were no longer of use? You imagine they must’ve felt great pride in the moments before their demise at the hands of their King. Pride in knowing that they did what they were made to do. As a child you had scoffed at the idea that your only purpose was to be wed and serve your husband as a proper wife should, but that was when the husband of your future was set to be someone unremarkable. Lord Sukuna is greater than any man that’s ever lived. Perhaps even ascended beyond the concept of a man to become the strongest sorcerer to ever live. As the daughter of a highly regarded family known for birthing remarkable sorcerers, you take pride in your small but purposeful place in all this. The culling of clans, the clashing of factions trying to unseat your husband. History will remember you because you will play your part until the very end. An end you’ll greet with a smile if it should come by your husband’s hand. 

“Will the Fourth Mistress be here soon?” A new deer to join the herd, a new flower planted in the garden. 

“By the Hour of the Bird, the last message said.” Your maid agrees. Soon, a new Mistress will be here. It’s been so long since another woman has joined hands with Lord Sukuna. The last being yourself nearly two years ago. First Mistress had been collected three years ago, and Second Mistress came along only a short few months behind her. Lord Sukuna had waited half a year after that to marry a third wife, and you must’ve served him well because there’s been no need for another until now. It makes you wonder if death is close at hand. A raven had come earlier in the day, before the snow began to fall, announcing that Lord Sukuna would be returning from his excursion by nightfall. Perhaps he wanted to arrive home in time to greet his new bride. 

Fourth Mistress. Unlucky number Four, terrible number Four. Blowing into her marriage with a snow storm. It’s all terribly inauspicious, but Lord Sukuna has reason for everything he does. Nothing is without purpose. Even death has cause when dealt by his hand. Even if it comes tonight you will go towards it fully satisfied. The snowfall looks beautiful, and the cold isn’t so terrible with the legion of braziers burning around you and the thick furs draped over your shoulders. It’s a wonderful night to die if it should come to that. 

“Shall we go welcome her?” 

“First Mistress insisted that you need not be present for Fourth Mistress’ arrival, your highness.” First Mistress, Jurina, whose hatred towards you cannot be quelled by any manner of platitudes. 

When you first arrived, you’re sure it was mere jealousy that compelled her to act out against you. A multitude of wives is not uncommon among high ranking men, but rarely is it expected that they should all live together. Most wives are left in their parents’ homes to be visited whenever their husband deems it fit. To walk the hall of your home and come across the woman your husband sees when he is not with you must be jarring to the first woman he married. Jurina seemed adamant about dispelling you from the family upon your first arrival. Now, her animosity isn’t borne of jealousy, but discomfort. 

Your happiness makes her nervous. She’s said it herself. Snapping and raging at you for your unflinching smile even as she and Second Mistress have slowly begun to lose themselves in the monotony of this life. Sitting and waiting, then serving when Lord Sukuna comes home. To them, your complacency, your happiness, is something eerie and othered. Akin to the curses your families seek to eradicate. Unnatural. Inhuman. Though it hardly matters what they think of you. They are not your reason for being, and Lord Sukuna seems to find your smile charming. 

Despite the chill, you find yourself reaching for a fan. A gift from Uraume. They’re strangely doting towards you in a way that they aren’t to Lord Sukuna’s other wives, bringing you gifts when they accompany Lord Sukuna on long trips away from the estate. A set of calligraphy brushes, a jade bracelet, a new kimono. You’ve amassed quite a collection of possessions by Uraume’s spoiling, though the fans are your favorite. All made a beautifully lacquered wood, some painted with gilded designs, the folded paper painted by the hands of careful artists. Crashing waves and blossoming trees decorate each of your fans and you take great pride in keeping them all in pristine condition because you’d hate to perform a dance with a damaged fan. 

Of all of the things filling your room, your koto is the most precious. It had belonged to your mother and she offered it with teary eyes as your wedding gift, absolutely bereft that she had to marry her daughter off to a monster to appease the head of your father’s clan. But such was your purpose in being born into a highly acclaimed sorcerer clan. Take your blood and lend your body to another clan so that you might make more powerful jujutsu users. Your father had complained of the waste in sending you off to quell the King of Curses, insisting that sending you to Lord Sukuna would be a waste of a bride. Curses have no use for brides nor, truly, does their King. Still, Lord Sukuna keeps all of you alive and well in his home. To what end? It’s hardly your concern. 

“Bring my koto,” you hum. “I want to dance.” 

The maid goes about carrying the large stringed instrument to the edge of the room where the opened shoji separates the warmth of your room from the chill of the engawa. It is a happy coincidence that your maid had been taught to play the koto some years ago when she was still an eligible maiden. But her father grew ill and when he passed her mother sent her off to find work to support herself because she couldn’t afford a dowry to marry her off properly. So she sits and serves, waiting for you to name your song of choice with her fingers poised over the strings. The song you choose is one of comfort, the first your mother ever taught you when you were learning to dance and play. There’s a practiced grace to your movements, smooth as a flowing river as you dance with your fan. The song is short but it is always your favorite to perform. 

A rare beauty in the north, she’s the finest woman on earth. A glance from her, the city falls. A second glance leaves the nation in ruins. There exists no city or nation that has been more cherished than a beauty like this.

Flecks of snow melt against the bare nape of your neck, so cold it feels like burning, but you want to keep dancing. The weather has no bearing on your mood. Rain or shine you are happy to sing and dance, amusing yourself as you wait to be of use to your lord husband. Perhaps he has already returned home along with his new bride but without the order to accompany him you will stay in your room, performing to your heart’s content. Your maid begins to pluck out the notes of your next song request, fingers stuttering over the strings as if she’s forgotten how to play the melody. That’s alright, you will dance even without proper music, swinging your fan with practiced poise as your voice contests with the howling of the storm. It’s a song of longing and melancholy. Fitting for a woman separated from her husband. 

Are you going away? Leaving me alone? How could I live if you’ve gone away? Are you going away? Leaving me alone? I want to keep you unhappy with me. I fear you may never return. Sadly, I will let you go–

“Stop whining, I’m here.” A voice interrupts your singing, a smooth timbre that rumbles like a roll of thunder. So please, come back soon after you leave. In a heartbeat you’re on the floor, kneeling before your husband. Lord Sukuna is soiled from his travels. Kimono stained and torn, the scent of blood lingering heavily around him, along with the buzzing aura of excess cursed energy leaking into the cold air around him. 

“Welcome home, Lord Sukuna.” He purrs at how you prostrate yourself at his feet, always so satisfied with your absolute submission. He once told you your lack of fear was something intriguing, your unwavering adoration far more interesting than submission borne of fear. It’s something he’s found in so few of his followers and you imagine it’s why he shows such preference for Uraume’s company. Of all of your husband’s subordinates, they are by far the most devout. Perhaps even more than you because they know what Lord Sukuna is trying to achieve with all the calamity he causes. Your lord husband has never made you privy to that knowledge, and as a good wife you remember it is not your place to ask. If you are meant to know something, he’ll tell you. 

“Get out.” His voice is thick with something akin to revulsion, though you don’t bother to raise your head. Lord Sukuna hasn’t spoken to you so gruffly since you first proved your devotion to him. Behind you there’s the sound of frantic movements as your maid assumedly makes herself scarce in the presence of her master. When she’s gone Lord Sukuna gives you permission to lift your head. In the low light, you can hardly see his face. It’s hard to tell Lord Sukuna’s mood even in bright lighting. He hardly changes from his stoic expression unless there’s blood being spilled, then a smile–more like a deranged baring of his fanged teeth–finds its way onto his face. 

“Come bathe with me.” He doesn’t wait for you to react, already halfway down the engawa by the time you gather yourself enough to stand. Lord Sukuna traverses the estate with practiced ease, as if this was his childhood home and not all place of residence usurped from some affluent family. Though the perks of Lord Sukuna’s minions commandeering such a luxurious home for their leader and his family are the accommodations afforded to only the highest nobility. Because only families with more money than time to spend it can afford to build their home large enough to encompass a hot spring along with all the other necessary land. The air is humid around the bathhouse, curtained with steam as clouds of warm air seep out of the secluded space. 

Lord Sukuna stands expectantly at the edge of the rocks surrounding the steaming pool, waiting for you to fulfill your wifely duties. With great haste you begin to undress him. His kimono is ruined beyond repair, delicate white silk tattered and stained with browning patches of blood. Still, you take great care in folding each article as it’s removed from his body. There’s no added layers despite the inclement weather, no added underclothes beneath the outer layer of clothing. Your hands reach skin sooner than you expected, flinching away from the warmth of his muscles as if his skin were an open flame. Despite your status as his wife and your consequently intimate knowledge of his body, you still err on the side of caution when it comes to touching Lord Sukuna. He had only asked you to undress him, not to run your fingers over the corded muscles of his arms. Luckily, your husband seems unconcerned with the wayward touch. Instead of snapping at you he rolls his shoulders as if the layers of clothes had been restricting his movements. In all likelihood, they probably have. 

Lord Sukuna is something that is no longer human. A higher being ascended beyond the physicality of a normal man, as if his body could no longer handle the brunt of his power and needed to evolve to fit the newly emerging shape of his soul. Once, before you first laid eyes upon him, Lord Sukuna had the appearance of a mere man. An unremarkable face and body. But now he has become something beyond the shape of a human. “A two faced demon with four arms,” as the members of your clan had called him when talks of appeasing the great King of Curses began whispering through the halls of your maiden home. Of course his rumored differences held no bearing on whether or not the clan would be willing to sacrifice a bride to satisfy the Disgraced One. His four eyes and black markings make no difference to your devotion. He is still the husband you’ve dedicated your life to. 

Tentatively, you try to strike up a conversation as Lord Sukuna settles himself in the warm pool. “Has Fourth Mistress arrived yet?” 

“Yes, she arrived before I did. I expected you to be with the others, fawning over her. Why weren’t you?” His tone is calculated as if he is trying to decide if there is cause for punishment. Your next words are chosen carefully. 

“First Mistress did not think–it was requested that I not attend to Fourth Mistress’ arrival.” 

“Are you not my wife?” Lord Sukuna asks, annoyance thick in his tone. Of course you are. In this life you are nothing if not his wife. “I expect that you’ll act your part. The lady of the house is meant to greet guests upon their arrival. I don’t care what Jurina says. You’re of noble birth. You know the rules on how to conduct yourself. Act like it.” 

“Forgive me for speaking out of turn, my lord, but I am not the lady of the house. That is First Mistress Jurina’s title.” To go against your husband’s word is wrong, reason enough for him to lash out at you, but it is the truth that Jurina is always reminding you of. She is First Mistress, the matron of the estate. It is you that is a lowly concubine in comparison to her status as a legal wife. Lord Sukuna bristles at your insolence and you duck your head to receive your reproach. He’s a short distance away, submerged to his waist in the warm water, but Lord Sukuna can move like a striking snake. It would only take half a beat of your heart for him to reach you and tear it from your chest if he so desires it. 

Tonight’s admonishment is far less violent. Coming in the form of a disparaging growl before he snaps at you to undress. You do so with the same care that you disrobed your husband. As his wife, you are an extension of him, and you dare not mistreat his items in his presence. Once your clothes are folded you approach Lord Sukuna with hesitant steps. You’ve discovered that drowning and burning are the worst means of death and the boiling water of the hot spring is a combination of both. Still, if tonight will be wasted on death, at least it will come in Lord Sukuna’s arms. He reaches to help you into the water, drawing you close while his second pair of arms stay splayed on the rocks behind him. He moves you as he pleases like a doll being perched on a shelf, positioning you to straddle his thigh. 

“Look at me, woman.” His tone doesn’t sound angry, but that has never been a successful way to guess at Lord Sukuna’s intentions. He can execute someone with a smile. You hope he’ll offer you that same cruel grin when he pushes hot beneath the bubbling water. 

“I do not care what order I married any of you in. It should be clear by now that you are the woman of this house. First or third, it doesn’t matter. Jurina’s words hold no weight over you. Do I make myself clear?” There’s a franticness to the way you nod your head, chirping out a pinched “yes, Lord Sukuna!” as he holds your chin to keep your eyes on his. 

“You’re the only wife that matters to me, stupid woman. The rest,” he scoffs, “I wouldn’t spit down their throats even if their lungs were on fire. Even the new one. Jurina is nothing and no one. I will kill her right now if it will please you.” 

And that had been the original crux of Jurina’s jealousy. The priority with which Lord Sukuna always seemed to treat you. There were always rumors about the estate that you are the favored wife, the one that truly matters, but it is hard to believe rumors when Lord Sukuna hardly does anything to validate them. Though his constant quelling of his temper in your presence should be evidence enough. It’s a rare thing for your husband to lash out at you, but you always assumed it was simply because you were careful with your actions. Never giving him any reason to turn his ire against you. It’s plain to see now that the reason for your persisted well treatment is simple. You are his favorite wife. 

Possessive as he is, Lord Sukuna has favorites in everything. Cursed weapons that he favors over all others, and servants that he calls on more often than the rest. To know you hold weight among his most precious possessions is dizzying. Of course, to Lord Sukuna, a favorite thing is a useful thing. It’s easy to imagine that you’re the most useful of his four wives. Neither of your seniors have remarkable cursed techniques despite hailing from quite notable families in the hierarchy of the jujutsu world. And any technique they do possess is woefully untrained as is expected of women in the world of sorcery. Women of jujutsu-laden clans are meant to be vessels from which the next generation of male sorcerers are born, not taught to be sorcerers in their own right. 

It was only by a terrible coincidence that you were able to train your own technique. A jealous cousin and a well. A harsh push to your back after she whispered about how she should be the one to marry first despite her inferior talents as a homemaker. She got her wish, the husband she so covetously desired. Last you heard she’d been returned to your family’s estate after being set aside for a more fitting woman. 

When she pushed you, falling felt like flying and dying felt like burning as your lungs filled with water. In the end you’d spent nearly a week at the bottom of that seldom used well, floundering for your life as your cursed technique kept you in a constant loop of dying and reviving, bursting back to life stronger than when you died. Chrysalis is what your family had taken to calling your ability when you were finally fished out with a bucket of water. Death was something impermanent to you, though the manner of which you passed holds bearing on how long you’ll be stuck in your “cocooned” state. You imagine being killed by means of jujutsu would kill you properly, forever, but no one has been bold enough to try. Certainly not now that you are a treasured wife of the King of Curses. Though you’re sure Lord Sukuna will kill you eventually, when your purpose has been served. For now, it seems your purpose is to provide him with the comforts a wife can offer her husband. 

“Kiss me.” He commands, hand on your jaw already pulling you towards him. There’s never been anything delicate about Lord Sukuna as far as you could tell. He’s always had an air of harshness to him, something wild and untamed that bleeds into his every movement. You’ve decided it must be because he lives the same as you, unimpeded by the world around him. The King of Curses bows to nothing and no one, so why should he govern himself by the laws and morals of humanity. Kindness, restraint, it doesn’t seem to exist to your lord husband. The same way fear no longer exists to you. So when Lord Sukuna’s hand–large enough to hold your head in his palm–pulls you towards his fanged mouth, you feel nothing but unadulterated lust. It’s unbecoming of a woman to find herself so lost in her bodily whims but you’re no longer just a woman. You’re Lord Sukuna’s woman, and within the walls of his home, shame no longer exists. You melt against him as his sharp teeth find the softness of your lips. Blood spills between your open mouths, dripping down your bodies before dripping into the water with a soft tinge of pink. 

“Sweet,” he hums. 

It’s no secret that Lord Sukuna is prone to fits of bloodlust so blinding he’ll tear his teeth into anything soft he can find, no matter the origin of the flesh. Animal or human it’s all the same when he’s tearing his claws through a warm body. He’s mentioned sampling your body once. How he’s thought about tearing off bits and pieces of you to taste. Of course, he told you that he would only maim you in such a way as punishment for misbehavior–it hardly matters when death would only find you mended and made anew–though it hasn’t stopped him from sinking his teeth into you when he’s wrapped up in another kind of lust.

Usually imperceptible if you aren’t looking for it, the only sign of Lord Sukuna’s arousal stands proudly between your legs, so large they breach the surface of the water as he holds you steady in his lap. His upper arms are still splayed out on the stone behind him as he reclines as if he is seated on a throne. He’s shown you what a throne fit for the King of Curses would look like, but only once. In his domain. An infinite wasteland bathed in blood with a single shrine standing at its heart. A corrupted chinjusha of flesh and bone. All gaping maws and cracked skulls. A shrine dedicated to the only higher power Lord Sukuna will ever respect; himself. The strange mouth splitting a seam between his muscles always reminds you of his Malevolent Shrine, of the four grotesque mouths that stand where the four doors of a shrine would be. Its tongue is strangely textured, like that of a cat’s as it lolls out of his stomach to lap at your skin. Sometimes you find yourself wondering if Lord Sukuna has control over the appendage or if it acts of its own volition each time the grainy feeling drags over your body, but it isn’t your place to ask. Who has control or not, it doesn’t matter. Lord Sukuna is your husband and you relish even the smallest touch whether it’s intentional or not. 

“Are you going to please your husband?” He asks. The answer is always simple. Yes. It is your sole purpose now that he’s taken you as his wife and torn your world into the smallest pieces until only this single scrap remains. It’s becoming so precious no matter how small and defaced it becomes. Sometimes you wonder what would happen if you stepped out of line. Tried to leave the estate, tried to defy Lord Sukuna. In truth, you’ll never know. Your husband is your world and your world is your husband. Of course you will do everything within your power to please him. He seems satisfied with just the look in your eyes as you stare up at him, waiting for his next command. If it would please him you’d slash yourself open, spill your innards into his lap and watch him feast on your flesh. His true wish is far more gentle, something a more humble husband would ask of his bride. 

“Touch me.” His clawed hand is already guiding yours to his stiffness, wrapping your fingers over the length of him. It’s so strange that curses can bleed, but Lord Sukuna isn’t exactly a curse nor is he a human. He’s something more but his heart beats just the same. You feel it in your palm as his cock twitches in your grip, thick veins thrumming under his skin. Perhaps it’s the water or more likely it’s something innate to your husband because he always feels hot to the touch, his skin is nearly scalding as you wrap your hands around his twin cocks, fingers spread too wide to touch around his girth. Lord Sukuna looks pleased as he leans back, eyes watching you as if to catch a flaw in your presentation. A rogue frown or unintended scowl that would prove your supposed dedication false. 

Even after so long he’s waiting for you to break, to truly realize what you’re doing and be disgusted enough to shrink away. The only thing you feel at this moment is heady arousal. It pools like molten lava deep in your stomach, seeping between your legs and into the water. There’s been no permission given so you remain still, but your hips ache to shift against the strength of Lord Sukuna’s chiseled thigh, to relieve a bit of the tension his lingering gaze has caused. But his hand hasn’t strayed from your hip, in fact his grip has tightened with each stroke of your hands. There’s a stinging bite as his claws dig through your skin, burying deep enough to draw blood despite the composure still set in stone on his face. He is still a man in some regard. Still a husband enjoying the touch of his wife. The thought blooms sweetly in your chest, lifting a soft smile to your lips. Lord Sukuna notices in an instant, four eyes still trained on your face. He snatches your chin up, straining your neck with how quickly he guides your eyes towards his. 

“What are you smiling about, brat?” Another attempt to catch you in a lie, to find some falsehood in your contentment. Even your lord husband finds himself questioning if your happiness is true. You thumb over the head of one of his cocks, bringing the taste to your lips. And because he is watching you so intensely you make a coquettish show of dragging your tongue over the pad of your finger, gasping when Lord Sukuna’s fingers bury deeper into your delicate skin. There will be cuts and bruises when he’s done with you. There always are. Then your maid–or, on some occasions, Uraume–will come to tend to your body marked by your husband’s touch. You like the way your body burns when he’s through with you, memories of his touch simmering in your mind. He scoffs when you wrap your lips around your thumb. With a cruel smile he hooks his own thumb into your mouth, talon scraping against your tongue as he pulls your jaw until your mouth is as wide as you can bear with only the slightest twinge of pain. 

Drool pools in your mouth, dripping out of the corners as they sting with the strain of Lord Sukuna’s strength. He sneers, looking pleased with the mess you’re making as he leans down to lick it up before spitting it back into your open mouth. You nearly choke and rush to swallow with a rattling cough. It tastes like blood, likely your own though you wonder if your husband sank his teeth into something before coming to you. The blood on his clothes looked dry, though you can never be certain with Lord Sukuna. You banish the thought, thrilled with the way he no longer seems to be dividing his focus. 

Before he had looked uninterested, as if his mind was elsewhere even as he looked at you servicing him so happily. Now he’s leaned in close enough for you to see his eyelashes, a rare treat with his immense stature. He’s nearly all you can see, all you can feel and you revel in it as your world shrinks to this tiny pinprick. There’s nothing outside this bathhouse. Only the infinite nothingness that surrounds a domain. The world could come apart outside these four walls and you wouldn’t care as long as Lord Sukuna keeps you in his arms. As if he knows your thoughts, the very deepest desires of your heart, Lord Sukuna drags you up his leg by the hand still embedded in the fat of your hips and the feeling sings through your body as your clit catches against the firmness of his thigh. Your hands tighten around his cocks still pulsing in your hands, though his only reaction is the slightest twitch of his lip. 

“Am I doing a good job, Lord Sukuna?” You ask around his thumb, truly desperate for approval. If you were any more pitiful he might’ve pet your hair like a loyal hound. Instead he laughs, something short and sardonic as his teeth nip at your cheek. Warmth blooms then drips down the curve of your face and you know he’s broken skin once more. 

“Enough with the stupid questions. If you want my praise you know how to earn it. Show me how badly you want it and I might reward your efforts.” You slip from his lap, mourning the loss of his leg pressing between yours as you kneel in the water. It’s up to your neck as your knees meet the bottom of the pool, steam billowing like a veil in front of your eyes as you center yourself at the apex of Lord Sukuna’s thighs. He’s spread out above you like a proud effigy, a statue meant to be worshiped. You feel a transcendent kind of devotion kneeling at the feet of your lord husband. The taste of him lands heavy on your tongue as your lips tease at the head of his dick, swallowing him in slow increments. Despite the harsh preparation of your mouth, you still wish to savor every moment spent servicing your husband. 

His face is clouded in shadows again as he leans back, head tilted towards the ceiling. The lanterns flicker playful shadows across his body, highlighting and shrouding pieces of him as you bow to take him into your mouth in earnest. Your jaw still aches from the way he nearly unhinged it, but it works in your favor as your lips wrap around his length. 

There’s nothing dignified about the way you’re swallowing his dick, little focus being allotted to your own comfort as you take him as deeply as his size will allow. His body is strange, of course, but it’s all you’ve ever known of a man. Aside from Lord Sukuna you’ve never seen any man bared beyond his chest, although you know innately that humans aren’t meant to have the endowments he does. His second cock presses against your cheek, dribbling over your skin as you hollow your cheeks until Lord Sukuna’s thighs twitch. Muscles seizing tighter as the head of his cock meets the tightness of your throat. Breathing is far from your mind, a need secondary to pleasing your husband. It’s a messy endeavor and you loathe to think of how terrible you must look. It’s always been a point of pride to preen yourself to perfection because husbands like their women to look beautiful when they arrive home, or at least Lord Sukuna seems to prefer it. Though he never seems bothered by what is surely a horrid display as split slicks down your chin and tears dot along your lash line as you gag around his dick. 

Lord Sukuna flicks your forehead after a while, likely drawing another scratch between your brows. It’s a fraction of his power. It’s likely he could take your head apart as easily as squashing a peach under his heel yet he hardly puts effort behind the reproach. Only enough to draw your attention as he drags you, coughing and drooling, off of his cock. They’re both gathered into one fist so he can drag the taste of his leaking precum over your parted lips. 

“You know better.” Lord Sukuna does not take things in half measures. His intentions are clear. If you’re going to pleasure him, do it right and do it well. Your jaw pops open again, wide enough to take his twin cocks into your mouth. He stretched and strained your mouth but there’s only so much that can be done with the sheer size of him. And while he does well to shield his thoughts at the best of times, you imagine he must be gleaning a fair bit of pleasure from your messy sucking as his hand remains in your hair. His claws scratch against your scalp, gentle enough to keep your skin intact as he keeps your mouth wrapped around him. A burning type of exertion settles painfully in your jaw but you’ll endure. Lord Sukuna never likes to keep you like this for long. With both of his weeping cocks tangled between your lips you can hardly take more than the head of each. In the end, his preference will always be the wet heat brewing between your legs. Another bout of pain sings through your scalp as Lord Sukuna pulls your mouth away from him, leaving threads of spit dripping between your bodies. His thumb brushes over your bottom lip, pressing against the grooves where his teeth bit into your skin until they begin to bleed anew.

He manipulates your body as if you’re merely a puppet dancing on strings. A flex of his arm and you’re lifting off your knees, hips stretched wide to accommodate the width of his body between them. His spit-laden cocks are pressed between your bodies, grinding into the soft expanse of your stomach as he pulls your bleeding mouth to his. He suckles at your torn skin, humming at the taste of your blood seeping onto his tongue. His hands find your hips, pressing into the marks he’s already left there as he hikes you higher against his body. The tongue lolling out of his stomach finds its way between your thighs, lapping at the mess that’s left after the water washed away the first wave of your arousal. It’s nearly too much with how textured the wide appendage is but you welcome any type of relief you can find as Lord Sukuna pulls your head to the side quick enough to send a stinging twinge up the column of your neck. The pain is only intensified as he noses against the soft curve where your neck meets your shoulder, as if he’s looking for something. 

His tongue sweeps over your skin before his fanged teeth make a home in it. There’s a rippling groan that thunders in his chest as a true taste of your blood spills into his mouth. Before long, your head is spinning from blood loss. Lord Sukuna must feel the change in your pulse as it turns slippery, harder to catch beneath your skin. He pulls away with a satisfied groan as his hands press your hips deeper into the expanse of his lower tongue. 

“Enjoying yourself, brat?” Lord Sukuna sneers, and because you have no sense of shame you find yourself nodding earnestly. He’s hardly touched you and what touches he’s shared have been steeped in equal parts pain and pleasure, yet you’ve enjoyed it all the same. It’s awkward and teasing because there’s no tact to the way his lower tongue moves between your legs. It’s like striking a flint without starting a fire, dull sparks of teasing pleasure that leave you wanting more. You’d rather have his face between your legs and a more dexterous tongue teasing you to the edge, but it would be presumptuous to make any kind of demands of your husband especially when he’s a man like Lord Sukuna. 

In most regards, your pleasure is incidental. Secondary to his own. So when his teeth snap over his claws, biting the sharp points into flattened nubs, you feel your excitement growing. He’s learned from experience that his rough treatment of your body should not extend to certain places. After only a few times he pressed his clawed fingers inside you, Lord Sukuna learned that it would better serve him if his nails were dulled before he went poking them inside you. And they’ll be grown back to full length by night’s end. He can manipulate the shape of his body as easily as fire melting snow. His hand smooths over the side of your body, sliding against your ribs and hips as he makes his way between your legs. His fingers plunge inside with little warning, forcing you open with a swiftness you could almost call desperation. If something so undignified could ever be said about the King of Curses. 

Lord Sukuna is a behemoth, dwarfing you in every regard, and his hands are no different. His fingers reach deep inside you, stroking over the place that has your back bowing as he makes space for himself inside you. He hums at how easily you take his fingers, sounding somewhere between amused and approving. It flutters through your chest and settles atop the arousal already building inside you. 

“Give your body to me, woman. Open yourself to your king.” You try to say something as he slips another finger inside you but it comes out as little more than a breathy whine. This is already too much and yet it can’t compare to how full you’ll feel when he gets his cocks inside you. His fingers are a luxury offered in preparation for his true reward and you take it happily. He smirks at the way your thighs strain as you try to grind against his touch. The heel of his hand is pressed tight against your clit and you buck your hips against the feeling. Lord Sukuna’s skin is thick, nothing like the softness of your own and it feels just the right amount of rough against your clit. One of Lord Sukuna’s hands finds your hair again, yanking hard until you’re looking up at him with tears shimmering in your vision. 

“There’s my spoiled brat. This is how you act. This is how the wife of a king is meant to be. Take what you want, woman, take everything I give you.” A dark laugh booms through the room as you whine and paw at Lord Sukuna’s chest. He adds another to the litany of scratches decorating your skin as his teeth nip at your neck, distracting you from the sting of another finger finding its way inside you. 

“You were made for this,” he reminds you. “Made to be mine. My bride. You can take it.” He sounds almost patronizing, voice softening to a teasing lilt as his thumb presses against your clit. Like with everything, Lord Sukuna is harsh, forcing you to the edge quicker than expected. Each curl of his fingers yanks at the string tightening inside you, pulling you closer and closer to the edge as he moves his hands with inhuman speed inside you. Everything is hard and fast and your thighs start to tremble in his hold, body shivering as Lord Sukuna all but wrings the orgasm out of your body. You clench hard around his fingers, pussy dripping down your thighs as you try to steady yourself with your hands on Lord Sukuna’s shoulders. He allows it, revels in it as he pulls you into another bloody kiss. But even as you tremble in his arms, Lord Sukuna doesn’t stop. His thumb is still circling your twitching bud even as you try to whine out a plea for mercy. It only brings a fanged smile to his lips. 

“Take it,” he grunts, “I know you can.” It really feels like you can’t. The tension brought on by your orgasm hasn’t dispersed and you feel like a knot being pulled ever tighter, back curling until your face is buried against his chest. He smells like the bath. Like sweet oils and wildflowers as your nose is buried against his scalding skin. With your forehead pressed against his chest your eyes have nowhere to look but down. Down at the way his cocks are straining to be touched, flushed and leaking just out of reach. You look up to distract yourself with the black markings etched into Lord Sukuna’s chest. Your kisses are sloppy, wet and open-mouthed as your tongue peeks out to trace the shape of each tattoo. It’s not until your teeth begin to nip at his chest that Lord Sukuna scruffs you once more. 

“Trying to leave a mark on me, brat?” As if you could. Your teeth are likely no different than trying to pierce his skin with a blade of grass. “What a greedy little bride I have. So eager to defer to another wife’s authority when you’re this possessive of your husband. Isn’t that right, woman?” You try to shake your head. Of course, you aren’t possessive of him, you know your place. You are the Third Mistress. Perhaps you are his favorite but there is a hierarchy that must be upheld in the household. To so brazenly try to claim full authority over your lord husband would be lunacy. There is no higher authority than the King of Curses himself. You’re simply a pebble lingering in the shadow of the highest mountain. 

“Yes you are,” he grins. You whine as he pulls his hand from between your legs. “Look at the mess you’ve made trying to mark me up like a bitch in heat.” There’s no sense of embarrassment welling at his degrading words. What sense is there in hiding how well your husband pleasures you? And Lord Sukuna seems proud as his tongue licks up the mess you’ve made on his hand before pressing a kiss to your parted lips. You taste yourself on his tongue. Your blood and your pleasure. 

“You’re going to take me so well, aren’t you?” It’s hardly a question. Simply an ordered phrased as if you could deny yourself the feeling of being split open on Lord Sukuna’s cocks. He starts with one, always. Dragging the leaking head through the mess he’s made of your cunt, tapping against your clit until he finally presses inside. His body is a marvel and you’re blessed to be so acquainted with it as the length not pressing inside you grinds against your clit as he makes you take him as deep as your body will allow. Lord Sukuna has been known to be rash and unpredictable, a being of pure chaos when the mood strikes him, but when he’s with you like this everything he does is deliberate. 

He’s rough but not destructively so. Yes, you’re bleeding as he bounces you in his lap, drawing a litany of breathless sounds from your lips, but he’s always intentional when drawing blood. You’ve been trained well in these years of marriage to take him. To weather any storm Lord Sukuna throws at you. His hands are bruising on your hips as he drags you up and down his length, hands that could shatter your bones with the slightest bit of effort and yet he only uses enough strength to hold you close. You’re not deluded enough to think that Lord Sukuna loves you, certainly not in the way a lover should, but he cares enough to treat you with a level of gentility. 

“Thank you,” you babble it like a prayer, over and over. Worshiping at your husband’s altar for even the briefest thought given to your safety, your pleasure. It can never be said that Lord Sukuna is a neglecting lover, at least not with you. He’s everywhere all at once. Hands on your hips and at your breasts, pinching at the aching peaks of your nipples. His face is buried against your throat, teeth surely raising welts as his tongue laps at the taste of blood and sweat dampening your skin. You cling to him in turn, nails digging into the thick muscles of his arms with no hope of ever drawing blood. Still, he grunts out a laugh as you drag your dull nails across his skin, leaving nothing but the whisper of claw marks behind. An arm slips out from under your grasp, unbalancing you, but Lord Sukuna is quick to steady your boneless body as he reaches between you to take hold of his second cock. It’s thick and straining, leaking against your skin as he presses it in beside the first. The stretch is harsh, a stinging pinch between your legs soothed only in part by his thumb drawing shapes against your clit. He hushes you when your whining gets too loud, hands clamping tight to your hips to keep you from squirming away from taking all of him.

“Be a good wife and accept your reward.” Lord Sukuna hisses as he presses deep inside you. The weight of him settles like molten heat inside you, his hand pressing over the shape of himself through your stomach. “Hush, you can take it.” He hisses, biting at your cheek as tears well in your eyes once more. It doesn’t hurt, but it’s a strange feeling to be so full all at once. 

“My pretty wife.” He’s only this sweet when he has you close to breaking, teetering on the edge of insanity from the way he’s taking his pleasure from your body. “Look at me, woman. Keep your eyes on your king.” It’s hard to look anywhere else. He isn’t sweating, this is hardly more than a leisurely stroll for him, but the humidity has left his skin beaded with moisture. It makes him shimmer in the torchlight like the divine being that he is, wasting his time on a creature as lowly as you. It’s your blessing that he’s so enraptured with you at the moment. Your eyes slip shut, tears streaming down your cheeks as every corner of your body feels lit aflame, the heat only made worse as Lord Sukuna’s hand finds your jaw. 

“I said, eyes. On. Me.” He growls. With a bit of resistance, your eyes flutter open, white light swimming at the edge of your vision as Lord Sukuna drags you to the precipice of insanity. He’s close. Far less careful and coherent as he drags you up and down his lengths with startling strength. He’s pressing against every sweet spot inside you, igniting a thousand flames at once that threaten to swallow you whole. There’s a pitchy mantra of “wait, wait, wait” playing on your tongue but it only seems to further entice your husband. 

“You gonna sing for me, woman? Go on, let me hear something pretty when you come for your king.” He’s taunting you, laughing at how shrill your voice sounds. It nearly does sound like you’re singing as you wail his name, back bowing as he rips another orgasm from your spent body. It’s as quick as a lightning strike and nearly as blinding, eyes clouding white for a moment as you fight to keep your eyelids from fluttering. From taking your eyes off Lord Sukuna for even a moment. You feel yourself clawing at him, clinging and grasping to keep yourself grounded as pleasure shatters through your body. Vaguely you can hear Lord Sukuna laughing, something tinged dark with amusement as he works you through your orgasm. He has no patience to wait for you to regain your breath, to see the light of coherence return to your eyes. Instead, his hands grip tighter to your waist, nails biting into your skin as he works you faster over his cocks. His voice dips low, a rasping gravel as he grunts, squeezing every bit of his own pleasure from your body. It’s barely a change, just the slightest shift, but you’ve done this so many times that you can almost sense when he gets close. 

Lord Sukuna gathers your loosening muscles back into some semblance of an embrace, holding you tight to his chest as he pushes your hips low enough for your bodies to meet in earnest. The feeling is a wet slide of skin against skin, the mess of your joined pleasure slicking up your bodies. It nearly feels like choking as he holds you still, the shape of him pressing every so slightly against the softness of your stomach. He’s more gentle now, but only by a hair’s breadth, as he thumbs over the shape of his body making a home for itself inside yours. There’s always a hint of softness at the edges of moments like this. A bit of the darkness bleeds from Lord Sukuna’s eyes as he guides your hips to grind against him, thumbing where he sees himself beneath your skin. Lord Sukuna has always been smart, his intelligence far exceeding that of your woefully undereducated mind. 

There’s never been a time where you were certain of his thoughts, but in moments like these you think there’s a hint of curiosity sparkling in his eyes. Something desirous of the unknown and intangible. He moves in shallow thrusts, thumb dancing lazily over your puffy clit for only a moment more before he’s spilling inside you with a satisfied groan. But, still, he keeps you there. As if forcing your body to take to everything he’s given you. If it were up to you, your womb would quicken to give him a child; proof of your devotion. But even the fantasy sounds impossible. Lord Sukuna has shed his humanity and with it, you assume, his ability to continue his legacy by way of heirs. Though he hardly needs them. 

Lord Sukuna is a shining beacon of the height of jujutsu, proof of what greatness can be achieved when you’re willing to go beyond the standards set out by society. He’s immortal, indomitable. Children would only be another jewel in his crown, more pawns to serve his greater will. And it’s unlikely such children of greatness will ever come to pass. In all your years of marriage, there’s never been a single moment where you thought for even a moment that Lord Sukuna’s seed took. And it likely never will. It’s wasted as he lifts you off of his softening length, everything he gave you dripping out into the spring water. The light flickers and for a moment it almost looks like there’s a spark of disappointment in his eye, then the torches shift again and the shadows are gone.

“You did well, woman.” He hums, running his hands over the length of your body. The heat of his palms and the babbling water works to soothe the aches and pains of being so thoroughly used by your behemoth of a husband. “Who do you love, wife?” He asks after the breath finally returns to your lungs. Of course it’s him. There is no one else. No man could compare, like a pebble being compared to a shining jewel. 

“Good girl.” He says when you’ve finished your babbling. Like a true king, Lord Sukuna loves to hear his own praises and you’re more than happy to sing them. Sometimes it’s startling how perfectly the two of you exist together. He’s the sun and you’re a flower turning your face to gaze upon him always. Which of his other wives could ever share in a fraction of your devotion? No one will ever love Lord Sukuna as you do, save for maybe Uraume. Perhaps they don’t love him, but there is a fine line between love and admiration. The loyal servant comes bustling into the bathhouse after Lord Sukuna has had his fill of soft caresses and breathless praises. 

The fact that both of you are bare makes no difference to Uraume. They lift you from Lord Sukuna’s arms with startling strength, hands frigid against your skin as they guide you to sit and go about drying your body and combing your hair. It’s always strange to be tended to by someone other than your personal maid, more so when it’s by the hands of Lord Sukuna’s most trusted servant, but it seems Uraume sees you as an extension of Lord Sukuna as much as you do. They dry and dress you, sending you back to your room so that they may speak privately with your husband. Some time later when the bells of the estate are tolling for the Hour of the Dog, the strumming of your koto is interrupted further by screaming. Something bloodcurdling terrified as it rings through the house, echoing into the snow speckled night. Vaguely you think of how the screaming sounds like First Mistress Jurina. 

[spiderfreedom]

It's interesting how the same misogynistic trope can reappear, independently, in different countries. I'm reading "Scream from the shadows: the women's liberation movement in Japan" and this section about the connotations of the word 'woman' is interesting:

In the Japanese context, the semantic distinctions between the terms fujin, josei, and onna, which are all translated as “women” and/or “woman,” must be given careful attention, as they often signal political differences. Ribu [women's lib] activists deliberately chose and reappropriated onna, a term for woman that can be used in a pejorative manner with sexual or lower-class connotations. As noted by Kano Masanao, the term onna approximated a discriminatory word (sabetsu go). It signified the raw and total being that had to be liberated. According to linguistics scholar Orie Endo, its strong sexual implications made it a term that could “be substituted for many sexually related terms, such as mistress or prostitute,” and this was considered disrespectful, taboo, even “dirty.”

As a kid, I never liked the word 'woman' because it often sounded sexual to me, and I hated the way it was used. "My vices are alcohol, cigarettes, and women" - treating 'women' as equivalent as objects. "Love going to Colombia and seeing all the beautiful women" - treating 'women' as sightseeing objects. "You've known her since she was a girl, now watch her become a woman" - being a 'woman' is to be a passive sex object that is (often against her will) penetrated.

I used to think this was my personal issue with the word, but I've since learned other women also felt the same way about the word. And apparently in Japan, the word we foreigners are taught is the default word for woman (we learn woman = onna and man = otoko) is also subject to being sexualized, objectified, and degraded. What the Japanese 'ribu' activists did was to reclaim the word onna to mean a woman who was a subject, who was free to pursue sexual pleasure for herself and not for men. In other words, the degradation of the word for 'woman' isn't just something that happens in English, but in other languages and cultures. In this case, it does not appear to be a result of Western colonization, either.

If you haven't read much feminist work outside your home country (or about the West), I strongly recommend doing so. The more you learn about feminists in other countries, the more you realize that the form sexism takes is eerily universal.

[room-surprise]

Asivia: The Marriage Hunter, Former Party Member

(This is an excerpt from my essay, Real World Cultural and Linguistic References in Delicious in Dungeon)

ASIVIA

(Japanese Pronunciation: Ashibia)

Asivia (アシビア) is a female magic user that was in the Touden party before Marcille. She’s a pretty woman who tries to take advantage of Laios’ trusting nature, and is referred to at one point as a “marriage-seeker”, implying that she is a gold-digger, looking to find a man who has recently struck it rich in the dungeon and marry them now that they have money. Laios seems oblivious to the fact that she’s using him. When Laios, under pressure from the rest of the party, tells Asivia that he can no longer give her special treatment, she immediately leaves.

Asivia is a name that comes from the precursor to Ancient Greek, Linear B. Linear B is a syllabic script that was used for writing in Mycenaean Greek, the earliest known form of the Greek language.

Asivia (𐀀𐀯𐀹𐀊/Ασίfια/a-si-wi-ja) is identified as an “ethnic name” on a chart I found online about names and words in Linear B, but it doesn’t specify what ethnicity. It most likely comes from the Hittite word Assuwa (𒀸𒋗𒉿, aš-šu-wa).

I found that asivia/asiwija was a word used to refer to a portion of northwestern Anatolia called Lydia. Later this word came to mean the world east of Greece in general, and eventually evolved into the English word Asia, so Asivia means a person from Lydia/east of Greece/Asia.

Lydia was an Iron Age kingdom located in modern day Turkey, and the name comes from Ancient Greek Λυδ��α (Ludía, “the region of Lydia”), from λυδία (ludía, “beautiful one, noble one”). The given name Lydia originally indicated ancestry or residence in the region of Lydia.

So Asivia’s name may be telling us where she’s from. In Dungeon Meshi’s case, it could mean she is from “Asia” meaning the Eastern Archipelago, or it could mean she is from the “East”, as in the Eastern Continent, where the story takes place. Since she looks like she has brown or red hair, I think she’s probably from the Eastern Continent. Her name could also be a joke about how she’s a pretty girl and Asivia means someone from Lydia, since Lydia/Ludia means “beautiful one” in Greek.

MISTRESS OF THE DUNGEON

Asivia/Asiwija also has a connection to the Ancient Greek word potina (𐀡𐀴𐀛𐀊/πότνια/po-ti-ni-ja), which means "Mistress, Lady", and is an honorific title used both for mortal women and goddesses. In the case of goddesses, it’s a euphemism used in place of their actual names, and Asivia/Asiwija is one of the descriptive words that has been found frequently accompanying potina. “Potina Asivia” means “Mistress/Goddess from the East.”

Despoina, another euphemistic title used the same way, means mistress of the house, and a famous use is a mysterious, nameless, "Mistress of the labyrinth", who was worshiped in Minoan Crete, the place where the Minotaur was supposedly imprisoned. The tale of the Minotaur and the labyrinth has deep connections to the world and plot of Dungeon Meshi, which I go into more in Chapter 12 (Elven Culture).

Asivia was not Laios’ mistress, obviously, but she wanted to be! And if she hadn’t left, and had become Laios’ lover, then maybe she would have been called the Mistress of the Dungeon (labyrinth) at the end of the story…

[sharuruwrites]

Another

I'm in love with the idea Of dying with you in my arms But not like this - The Bird song by Noah Floersch

Tags: Osamu Dazai x Fem!Reader, Angst, inspiration from BEAST manga, unedited, Reader works as a florist, lots of deaths, Dazai being a Yandere in one of his past lives?, Unalive oneself, fluff

A/n: haven't read the manga, but hearing these specific lines from that song two days ago while driving to home, made me write this. I do recommend to look up hanakotoba or Japanese Flower Language after reading this one shot.

------------------------------------

The ability to experience and remembered all past lives sounded a good idea in theory. However, one must expect that not everything would be the same as one hoped it'll be.

Unfortunately, Osamu Dazai was blessed? or perhaps cursed? He really didn't know at this point as he lost count in how many lives he started and ended. Dazai was too busy studying the lady's beautiful features behind the glass window of a flower shop.

Someone was so lovely and brimming with life, but so far within his reach. The carefree smile on your face never changed either.

Yes, this wasn't his first encounter of you. In fact, in every life he experienced, a very special constant existed. He unexpectedly believed he would get his desired ending.

You.

Despite your profession being the same through the many lifetimes, you always have a different favourite flower and a different ending.

In the first book, the scent of red roses was constant to him as you always greeted him with it. It was a fall at first sight. Stolen kisses, intimate conversations, and silence filled with affection. Love and Passion -- those two words described what his first relationship was like with you. Just the existence of you was enough to fill the void he found in his tiring world.

Yet, his enemies found out his 'weakness', and the last thing he remembered from that life was rage and anger directed at everything after your corpse was delivered to him.

In the next book, your first meeting, Dazai brushed his fingers against yours as you were reaching for the soft hydrangeas. Memories from the previous book haunted him, and swore to himself that he would do everything to keep you safe. The moment you fell for him he ensnared you, and locked you up in his apartment like a caged bird.

Dazai took advantage of your kind heart by threatening to take his life if you dared to go outside. His fear of losing you and his stubborn pride drove you to insanity. Instead of an obedient and dependent beloved welcoming him home, he found you dead with an empty bottle of sleeping pills.

In one of the books and after many more tragedies, Dazai vowed to not fall for you, but fate was a such a cruel mistress to suffering. Everywhere he went, you were there, wearing a metallic spider-like flower brooch.

Since when fucking Yokahama city became a small town for him to see you so easily?

Dazai avoided you like a plaque, but it's unavoidable as you were somehow acquainted with the agency's mad doctor, Yosano. During your visits in the agency, longing still filled him as he caught glimpses of you. Dazai yearned to be the one who makes you smile effortlessly.

After he gathered the courage to approach you, he witnessed a car crash as your body flung across the busy street of the city. His mind screamed at him to get close to you, but he stood still as his eyes locked onto the bloodied flower brooch on your dress.

That's where realization hit Dazai. Whether it be from the start or from the end, you and him were doomed. He's enamoured to a dream -- to die alongside of a beautiful lady. But, if it meant a countless partings with you attached to your tragic end, why would he wished for it?

Although all hope may seemed lost, Dazai dreamt of a very peaceful scenery last night that ignited his hope of a happy ending with you.

"I know we just got married," Dazai cupped your face, and his thumb caressed your cheek. "But, will you marry me in our next life?"

You leaned further to his touch with your eyes getting misty. "Well, as long as you hear me say yes."

With a deep breath, Dazai walked into your flower shop. The bell rang, and the flowers' scent filled his senses. He took a moment to enjoy the sight before him—the roses, carnations, and lilies, all so pretty. He felt himself smile at the sight, as if he hadn't seen them in years. He had never thought much of flowers, but after he met you, he found himself falling in love with them.

"Welcome!" you called from behind the counter, greeting him. "How may I help you?"

"Instead of help," Dazai plucked a cluster of small blue flowers from a nearby vase. "Can't I just give a beautiful lady like you a flower?"

"Oh," You meekly accepted the flower. "How did you know that forget-me-nots are my favourite?"

Dazai chuckled. "A lucky guess?"

[uberfemale]

Attitude corrected!

[yanderenightmare]

Dear Newcomers

This blog contains erotica and is meant for a mature audience—a distinction I’ll allow you to make for yourself. 

With that addressed, I bid you all a warm welcome!

My name is Marie—Miss Krueger if you’re nice, and Mistress Nightmare if you're naughty—and I'm the author behind the posts.

The type of erotica you can expect to read here is primarily dark-themed, including graphic depictions of non-consensual sex and sex with dubious consent, often shortened to noncon/dubcon—as well as this blog's niche, Yandere fantasies—which is, to those of you who aren’t yet familiar, a genre/character trope taken from Japanese manga culture and now similarly used as a term for love-interests within erotic literature that are, with nuance, obsessive and possessive to a maniacal and often abusive degree. Call them Jason Dean, David McCall, or simply the Joker to your Batman—these characters are lovesick and quite literally crazy for you, dear reader.

I, the author, write mostly character inserts—original characters with overlapping traits to many recognizable characters across different fandoms—most often of the Yandere sort. Still, you can also find other character types and the occasional fanon material among my posts. Fandoms I’ve written the most for include BNHA and JJK, but others are to be expected.

I write for FEM and GN readers—a distinction made clear at the top of my posts. For older posts that have not yet been labeled, readers should expect a FEM reader characterization—sorry for any inconvenience this might cause.

Please refer to this Rules post regarding what you may request. But fair warning: I rarely adhere to requests—only if and when they really pique my interest. Such is my right as a creator. Above all else, I hope you will respect that.

For those who’re interested, this is a link to my published work, Marie’s Collection of Erotic Thrillers; College Years—hopefully the first book of many. For additional information on this, see this promotional post.

Other than that, feel free to roam my blog as you like.

NAVIGATION ♡ KO-FI ♡ RULES ♡ REQUEST ♡ MASTERLISTS

[sallymayblondeenka]

Lobby card for Enzetsu Jokyo-Den: Oman Midarehada AKA FOREIGNER'S MISTRESS OMAN: TEMPESTUOUS SKIN(1972)

艶説女侠伝 お万乱れ肌

[alpha-kenny-badi]

[hotvintagepoll]

Propaganda

Elizabeth Taylor (Cleopatra, Who’s Afraid of Virginia Woolf, Cat on a Hot Tin Roof)—iconic actress with purple eyes and a double row of eyelashes, the real ebony dementia ravenway of old hollywood. known for her stunning tastes when it comes to jewelry and her incredible, incredible advocacy during the AIDS crisis.

Setsuko Hara (Tokyo Story, Late Spring, The Idiot)— "'The only time I saw Susan Sontag cry,' a writer once told me, his voice hushed, 'was at a screening of a Setsuko film.' What Setsuko had wasn’t glamour—she was just too sensible for that—it was glow, one that ebbed away and left you concerned, involved. You got the sense that this glow, like that of dawn, couldn’t be bought. But her smiles were human and held minute-long acts, ones with important intermissions. When she looked away, she absented herself; you felt that she’d dimmed a fire and clapped a lid on something about to spill. Over the last decade, whenever anyone brought up her lips—'Setsuko’s eternal smile,' critics said, that day we learned that she’d died—I thought instead of the thing she made us feel when she let it fall." - Moeko Fujii

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Elizabeth Taylor:

I've been trying to steer clear of the absurdly-big names, but damnit, those violet eyes got me. The *talent*, the *presence*, the string of marriages and (temporally out-of-bounds) work in combating AIDS and pioneering in the concept of the celebrity fragrance line.

Not only did she have gorgeous violet eyes and lashes for days and one of the hottest voices ever, she was also a big supporter of the gay community

Child actress turned starlet, Liz dominated films as one of the greatest screen legends of classic hollywood. If your protagonist has violet eyes, they're imitating hers.

A Legend. She was serving milf rage in Whos Afraid Of Virginia Woolf. A Star in every sense of the word.

She was renowned for the beauty of her eyes; they were a dark blue but could look violet in certain lighting, something that photographers would actually touch up to look even more so in pictures. But even more striking was a genetic mutation that gave her a double row of eyelashes. She was also famed for her string of husbands -- 8 marriages to 7 men. Two-time hubby Richard Burton once said she was “a wildly exciting love-mistress… beautiful beyond the dreams of pornography.”

Her EYES. Early and loud support for gay rights and AIDS victims. Married a bunch of hot dudes, Burton twice!

just look at her. she's gorgeous. there's a video somewhere of her applying her eyeliner in the mirror and I think about it all the time

THE Hollywood actress of all time. Not only was she known for her long dark locks and blue-violet eyes, she also had one of the wildest life stories ever….. She’s Carrie Fisher’s stepmother because her father Eddie Fisher cheated on Debbie Reynolds with Liz. She was knighted as a dame of England. She was married to seven different men, one of them twice. She was also very kindhearted and did a lot of charity activism.

Asides from being an iconic actor, she did a lot of philanthropy and co founded the American Foundation for AIDS research. She’s sometimes considered one of the last great stars of old hollywood

Setsuko Hara:

One of the best Japanese actresses of all time; a symbol of the golden era of Japanese cinema of the 1950s After seeing a Setsuko Hara film, the novelist Shūsaku Endō wrote: "We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?"

One of the greatest Japanese actresses of all time!! Best known for acting in many of Yasujiro Ozu's films of the 40s and 50s. Also she has a stunning smile and beautiful charm!

Linked gifset

Linked gifset 2

She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.

She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.

"No other actor has ever mastered the art of the smile to the same extent as Setsuko Hara (1920–2015), a celebrated star and highly regarded idol who was one of the outstanding actors of 40s and 50s Japanese cinema. Her radiant smile floods whole scenes and at times cautiously undermines the expectations made of her in coy, ironic fashion. Yet her smile's impressive range also encompasses its darker shades: Hara's delicate, dignified, melancholy smile with which she responds to disappointments, papers over the emotions churning under the surface, and flanks life's sobering realizations. Her smiles don't just function as a condensed version of her ever-precise, expressive, yet understated acting ability, they also allow the very essence of the films they appear in to shine through for a brief moment, often studies of the everyday, post-war dramas which revolve around the break-up of family structures or the failure of marriages. Her performances tread a fine line between social expectation and personal desire in post-war Japan, as Hara attempts to lay claim to the autonomy of the female characters she plays – frequently with a smile." [link]

Leading lady of classic Japanese cinema with a million dollar smile

Maybe the most iconic Japanese actress ever? She rose to fame making films with Yasujiro Ozu, becoming one of the most well-known and beloved actresses in Japan, working from the 30s through the 60s in over 100 hundred. She is still considered one of the greatest Japanese actresses ever, and in my opinion, just one of the greatest actresses of all time. And she was HOT! Satoshi Kon's film Millennium Actress was largely based on her life and her career.

[jpopstreaming]

🆕 「 CREATURES」 by FaM, MANA ex SolaSound, AMERU mistress OG Available for streaming worldwide!🌐 Added to our weekly playlist 🎧 https://spoti.fi/3lgjH73

[chireikiden]

do we know whether zun writes the script for each official manga word for word, or if he gives the artists a detailed outline and they write the dialogue? i often wonder this because i feel like the writing styles of each manga can differ quite a lot, and some of them feel really different from the way zun writes dialogue in the games.

I don't think we can say for sure how he works with each individual manga. However, the largest sample we have is from this spring's Dai Touhou Project Expedition, which included some of ZUN's scripts for Lotus Eaters. As photography was banned in this section, afaik we only have the recreated text in this blog post here, in Japanese of course.

In these examples, the dialogue is the one thing that ZUN does include word-for-word, while most other descriptions are very brief. This matches how the artists clearly draw e.g. characters' reactions and general behavior very differently.

The scripts have been reframed a bit for the expo, and Mizutaki's comments are a later addition, but we can assume the contents themselves are pretty unedited (or else there'd be very little point in displaying them as a showpiece). I'm gonna go through a couple.

Here we have the script for the first few pages of Lotus Eaters chapter 4. The Japanese dialogue is word-for-word identical between the script and the finished manga, and though this could be a change made for the expo, I doubt they did that. I've borrowed Alpha Beta Kappa's translation for the dialogue, but the point is to illustrate what is and isn't in the script:

Chapters 4–5｜"The Haughty Grab Even the Red Ape" (Part 1–2) Page 95 ― ZUN's Script ――Night-time cherry blossoms at the Hakurei Shrine. Reimu, Marisa, Sakuya, Remilia, Youmu, and some other usual characters may or may not be there. Everyone's already had some drink, and the party is in full swing. Sakuya brings out a dessert on a large tray. Marisa: "What's this?" Sakuya: "I tried my hand at a dessert. In the Outside World, it's called tarte soleil, or 'tart of the sun'. Supposedly it's quite popular for it's sunlike appearance. Although as the sun hardly suits my mistress, I tried rearranging it for a night theme. I call it the tarte lune. It's not too sweet, so enjoy." Everyone's excited. Sakuya looks proud. Marisa: "Fits right in your hand!" Reimu: "This is wonderful." Everyone happily finishes dessert as well. No one's looking at the cherry blossoms at this point. Reimu: "Jeez, your cooking's so good. I'm glad we asked you for help again, Sakuya." Sakuya: "Oh, it's nothing. I merely prepared it to entertain the mistress. Perhaps this is the best the shrine could hope for, but it really is nothing praiseworthy. To think you'd be so easily pleased." Reimu and Marisa smile awkwardly. Reimu: "R-Right... Well—" Marisa: "Y-Yeah, that's right!" Mizutaki's Comments ZUN-san's script didn't really clarify what this tarte lune was supposed to look like, so I just came up with something tasty-looking based on the appearance of the real-life tarte soleil. It says that Sakuya made this for dessert for Remilia, yet Remilia doesn't actually have any lines here. Luckily she's a pretty easy character to make move on page.

Obviously this is a pretty simple, dialogue-based scene, with not much else happening plot-wise, but it shows how all the little interactions on page and even what characters are present is left to the artist's discretion. Sometimes the script for an entire page is like "Miyoi's cleaning happily, when suddenly there's some noise at the door", and sometimes the script ends up becoming a different number of pages than expected. Because the whole point is to be the script for the story, though, it can also be pure description when that's what the story is being told through:

Chapters 11-12｜"Love the Customer, Hate the Sin" (Part 1–2) Pages 106–107 ― ZUN's Script Mamizou and Komachi begin to exchange information. Mamizou keeps the existence of Sanshoku Geidontei a secret, but tells her about the fake name customer. Komachi recognizes what she's talking about! And shares what she knows. Mamizou looks like she understands everything now, and seems satisfied with herself, but her face is also a little solemn. Mizutaki's Comments This scene had no dialogue, only ZUN-san's description of Mamizou and Komachi's conversation. Figuring out how to draw stuff like this is difficult, and I feel a bit lost sometimes, but it's also fun in some ways. Since the location wasn't specified, I wanted to give the feeling that they're hiding themselves from humans but doing so right under their noses, so I chose the underside of a bridge across the river (canal) that runs through the Village. Where else would Komachi be but a "river", after all!

In general, we have Mizutaki's word for the scripts being a bit vague sometimes, but being able to discuss them with ZUN during the process:

Chapters 1–3｜"A Drunken Evening Leaves no Memories" (Part 1–3) Page 77 ― ZUN's Script Suika: "Ah, yeah. I just figured she was that sorta youkai. The kind that always appears at bars. Getting people drunk and then wasting 'em. Good sake makes for a good suima. Bad sake makes for a bad one. And an oni's sake, well..." Reimu: "Well what?" Suika drinks directly from the gourd. She laps up the last bits of the bottomless Ibuki Gourd. Looking drunk and very smug, she goes: Suika: "That makes for... the strongest kind of suima. Unmatched, and unparalleled." Mizutaki's Comments At the time that I got the script, this scene had basically no stage directions. When I tried asking ZUN at our meeting what the mood was supposed to be like, he suggested that Suika blow an alcohol-laden breath at Reimu, so the end result is what you see. (*We were usually also drinking during our meetings, and it's not like I really have any clear notes from them, so there's also a good chance that I'll misremember things. Please read with that in mind...)

We don't get to know how much of the embellished fight scene against the dream-pig that follows was in the script, and how much of it is Mizutaki's creation. But it's already easy to see that with directions like this, any scene can be drawn in many different ways.

If this is representative of the other manga too, it seems that the dialogue itself is straight from ZUN, but almost everything else we see on page is just drawn based on his very general directions. This means that even if the text is pure ZUN, it can still be greatly affected by the context, and the less dialogue there is going on, the more of the page is made up whole-cloth by the artist.

Presumably there are differences in how he works with different artists for different manga, and CDS for example has far less dialogue than most of his other manga, but I must assume that is on purpose. For example, he's said on some show or other (don't ask me to dig up the source, sorry) that he enjoys how he can just kinda tell Akimaki to stick in a fight scene and cut loose (which tells us both that it's Akimaki's doing, but also ZUN-approved).

I can't say with confidence that the dialogue in CDS or any other manga is also word-for-word from ZUN's script, but I think it's plausible and likely, and the artists just have a lot of room to put their own spin on it even without touching a word of it.

There's also other factors in the dialogue pipeline, of course, such as:

ZUN himself is writing in a very different format in the games than in the manga, and the manga generally have a lot more and lengthier dialogues.

The text is split up very differently (into small text boxes vs. across multiple bubbles and pages). And believe me, if you've never translated Japanese, the way things like periods, ellipses, commas and conjuctions are placed is half translator preference and half trying to wrestle with the way the text is split.

The game translations are generally massaged by a number of translators, while the manga are hammered out by individual translators in a couple days with maybe proofreading at most, meaning that their individual styles also affect things more directly.

[oikyskau]

seeing kenji muto, the director of trigun stampede, reading an article about the portrayal of women in media made me want to take a little bit of a closer look at the women in trigun and as i was rambling about this earlier to my partner, they told me to write it down LMAO

as most of us know, in a lot of fiction, women are mostly characterised through common tropes, leading to a lack of complexity and a one-dimensional portrayal: as the doting wife, the femme fatale, the mistress, or the virgin. Their role only amounts to an Other, an extension of the male hero. they’re either the whore or the madonna.

for female characters in anime that usually means they’re either the sexy femme fatale, big badonkers and all to be gazed at, the mother, the helpless damsel in distress, or the child (yet, still sexualised despite the fact that it is a literal child); they’re portrayed through the way they are being perceived by men and mostly sexualised beyond belief. 

tristamp doesn’t do any of that.

in fact, the female characters in stampede achieve something that you don’t often see in anime: they are people. and stampede makes that clear in its very first episode by decidedly not going the route that you would usually take with the female characters they introduce:

of course, the biggest example here would be meryl, who i’d argue is the biggest driver of the plot, despite the fact that the plot of stampede is technically determined by vash - vash is an entirely passive character, he doesn’t make things happen, things happen to him and they mostly happen to him because of meryl. she’s the one who unties him, she drags them to the city, she makes them stay with him after ep3, she drives over wolfwood (rip my man), she stops for them to find rollo, she makes them follow the steamer.. you get it. she does all of this, despite being introduced as the newbie, the innocent person who would usually be the damsel in distress, who is helpless and shy and easily manipulated and who will probs be sexualised in her role as the “virgin” (sexually naive young girl who just doesn’t get all this adult sexuality yet hehe) 

but she’s not – she wears a non-sexualised outfit, she only gets called out for being a newbie, or for being small height-wise by wolfwood, but not for being a “girl”, she determines the action despite the fact that she does have a mentor figure and is therefore still in a position of a student – she still isnt an extension of roberto, vash, or anyone

in fact, the other characters – Rosa, Elendira, Luida, Rem – all take up roles that would in other media be portrayed in very specific ways: Rosa could just be a pregnant mother, who is also a divorcee, Elendira could be an innocent child beholden to her caretaker, Luida could be the loving motherlike figure and rem the Madonna figure, symbolising all the virtues a woman should aspire to have. – Rosa is a leader, her pregnancy is mentioned one single time and never made a bigger part of her character, Elendira is young but powerful, making choices by herself that are not inherently based on any kind of innocence, Luida doesn’t coddle Vash or prioritise him over her own work and mission (which also serves to inspire another woman, meryl!!), and rem is also just a non-perfect person, with secrets and questionable morality

none of these women are judged on the basis of their gender, none of them experience gender-based violence, none of them are made into a joke, none of them are sexualised (or desexualised – if you compare them to the male characters, who also do not ever make jokes about sexual promiscuity or similar stuff), they have different body types (rem has a very pronounced chest, and yet stampede doesn’t ever focus on it or give her cleavage) – note also that when presented with the perfect opportunity to call a female character a “bitch”, they chose to go with a “witch” instead, in both original japanese and english dub

their femininity is not used as a weapon against them, nor are stereotypical hypermasculine elements used to define characters’ positive traits (vash not being our traditionally hypermasculine hero for example) - the only time we see a semblance of gender-based violence is, you guessed it, at the very end, when knives forcefully takes control and bodily autonomy away from vash and inseminates the plants against their will (also interesting to note that knives, as the character that does exhibit that kind of violence, is the only character to be shown incredibly buff and all muscle) 

the women in tristamp are written for women, with the goal to be women that we can recognise, that represent the women that we are and know

anyways, i love all women in tristamp and have not once felt uncomfortable or said “oh look, a panty shot” and honestly i just find that pretty neat

[chaosprincess404]

💗About me💗

Name: Sakura

Age: 35

Height: 153cm/5ft

Nationality: Japanese x Australian

(Yes I can moan in 2 languages)

S/D: Switch but default Sub princess.

Status: Unowned and seeking both a master and a puppy.

Fun fact: I’m hyper sexual.

💗Kinks💗

CNC, Breeding, BD/SM, face fucking, face sitting, ass eating, gagging, drooling, ahegao queen, choking, slapping, biting, hardcore, public, humiliation, free use, princess treatment, femdom, financialdom, ownership, puppy boys, praise, unhealthy obsession, knife play, costumes, pain….. pretty much anything but scatt sorry

💗Biggest turn on💗

Seeing a man obsess over me it will get me so wet regardless of where I am. This is not a joke it gets me so turned on. 🤤💗

💗A little more about me💗

Im a chaos princess who loves making bad decisions. I have the words human trash tattooed on my arm in Japanese and chaos in Korean. I have an obsession with sex and tattoos. I’m a Tech nerd who works in cybersec, I do neon night street photography and 3D asset building for games. I worked as a hentai voice actress for three years in Tokyo. I’m fluent in English and Japanese and can play any part you want. I do have OF which I use the money to support my chaotic life by buying sex toys, costumes, and mainly to support my dream of being a tattoo artist and saving up for my tattoo gear and a better PC build. I tend to like nerdy guys who want to destroy me or me to destroy them.

💗How to simp for me?💗

I love simps and encourage simp behaviour. The more you obsess over me the more attention I will give you because people being obsessed turns me on.

1. Sub for to my OF, I reply to all DMs there and you will get my attention more than any other platform.

2. Repost my posts, like and comment.

3. Send me Anons

4. Follow my IG _dopam1n3

5. Spoil me by sending me a little something cute from my throne Wishlist.

💗FAQS💗

- Pet names I like: Princess, Goddess, Babydoll, Mistress.

- Have you ever dated a fan? Yes my ex originally was my fan.

- Sub or Dom? I’m a switch so I enjoy being both sub and dom. I love being owned and being taken care of but I also like owning someone.

- Do you have PayPal? Yes DM me for it.

- Do you make custom content? Yes I offer custom content on my OF.

- Do you accept tributes? Yes I do.

- Can you ruin my life? Yes absolutely!

- Where to talk to you? I reply fastest in OF and from time to time I reply on IG and Tumblr.

💜🖤💜🖤💜🖤💜🖤💜🖤💜🖤💜🖤💜🖤💜