#Izzy has accepted that there is no Blackbeard. He is finally trying to do what makes Edward happy

[larphis]

The fact that the entire crew lied to Stede at some point to take the blame for Ed’s actions because they knew that hearing just how severly he traumatized him would have scared him off (not as in being scared of Ed, but as in being scared that he has hurt Ed so much that he would rather run away once more as to not cause any more suffering than to face him and actually fight for him) and they couldn’t let that happen because everyone who has been near Blackbeard in the last few months knows that the only way to help this man, the only way to temporarily and after some work even permanently fix his deep rooted turmoil is Stede fucking Bonnet.

[tizzyizzy]

Seen some talk around the interwebs about how Izzy is a totally different, or his arc happened too fast, whatever. He is my argument to the contrary.

There are three major factors driving the change in Izzy's behavior.

Default Pirate Culture → Gentleman Pirate Culture

Izzy spent his entire pirate career before Stede acting like, well, a pirate. There wasn't room for softness. Being tough was expected. Blackbeard's crew's culture in particular discouraged weakness to such an extent crew were expected to kill their pets before joining.

In S1, Izzy's relationship to the crews and captains was ambiguous. Was he training the Revenge crew to be proper pirates? Was he in charge when the captains weren't on board? Was Ed planning on killing Stede and everyone aboard, or not? So it's unsurprising Izzy held himself away from Stede's crew instead of becoming part of it, and tried without success to make the Revenge crew follow his lead.

In S2, Izzy ends up in Stede's crew, and Izzy isn't in a place emotionally or socially to try to push to change the culture of the ship. He's outnumbered. Izzy has to adapt. At the very least, all of the expectations he has been living up to his entire pirating career are gone.

Taking Care of Ed → No More Ed

Izzy said he'd been cleaning up Ed's messes his whole life. Scenes from S1 and S2 suggest that is the case. In S1, Izzy is dealing with Ed making strange choices on his search for meaning, which requires him to manage restless crew members and deal with the risky spots Ed puts them all in. Once Stede arrives on the scene, Ed is contradictory and non-communitive, leaving Izzy to wonder if the plan to kill Stede and the promised captaincy were bullshit (they were).

And because Izzy has no emotional intelligence, he thinks that Stede is seducing Ed into losing everything, and he desperately tries to pry the pair ppart.

I mean, we all know what happened in the early S2 episodes. Emotional, off-the-rails Ed trying to himself and everyone else while Izzy desperately tried to protect Ed and the crew, until he was forced to give up on Ed.

After breaking up with Ed via bullet, though, Ed is officially Not Izzy's Problem. Ed isn't a threat to the crew. Stede is incompetent, but was clever and brave enough to escape Zheng's ship and rescue them. Izzy is free to have a drunken breakdown. After, well, he gets to do whatever he wants.

What does Izzy want? Well, he's finding out.

No Trust → Trust

The major reason pirates put on such a tough facade is to protect themselves. Being tough keeps enemies from messing with you. It keeps your crew too afraid to mutiny. It's easy to recognize that Ed puts on a persona of Blackbeard, but Izzy put on a persona too. A weak link can be targeted and broken.

Just look at the scene where Izzy finally breaks down and is comforted by the crew. Izzy doesn't make the choice to be emotionally vulnerable. He is behaving the same way he always with crew who question his orders. He yells, he curses, he commands. It is only the level of his emotional distress and the crew's acknowledgement of it that make him incapable of hiding his pain.

I think it's safe to say that has been hiding grief, frustration, confusion, sadness, etc. behind the "Get back to work!" facade for years. It only crumbled under extreme pressure.

But when Izzy breaks, and is at his most pathetic and vulnerable, the crew have his back. Under Blackbeard, they comfort him, hide him away, and treat his injuries at the risk of the captain's wrath. Under Stede, when he's at his most pathetic, the crew make him a new leg and accept him into the crew without judgement.

There's almost nothing Izzy could do in front of the crew now that would make him look more weak than he was when he was crawling across the floor drunk and repeating "You're born alone, you die alone" over and over. He hit rock bottom and there was a pillow there to catch him.

So, Izzy is in the "talk it through" culture of Stede's Revenge. He is free from obsessing about Ed as a man and as a captain. He is surrounded by people who saw him at his worst and showed him compassion.

Izzy's worst behaviors in S1 were motivated by fear. Fear of the new, fear Ed was losing it, fear of what would happen if he showed weakness. In a "safe space", where he has nothing to worry about? Of course Izzy calms way down. This is the Izzy that swaggered up to Stede on the island and at Spanish Jackie's in S1. Dry, sarcastic, sassy. Some flair for the dramatic with the swordplay.

It is because Izzy feels so safe that he can put on that makeup and perform. Wee John is doing it, and Wee John wouldn't let him do anything embarrassing. He's clearly got confidence in his ability to sing.

He's still Izzy. He says fuck constantly. He's kind of a dick. He offers good advice. He's a dramatic, whether he's cutting his name into someone's shirt or singing in French from a balcony. He's just an Izzy that can be whatever he wants without fear.

[maximwtf]

 “What kind of a moron gets shot…”

Izzy x Reader

words: 1970

google docs pages: 3,5

warnings: blood, a gunshot wound, slight alcohol use

opening: A medic, you get shot in a crossfire. It’s only after things have settled a little that anyone has time to notice you. No one but you are used to removing bullets, so obviously the crew chose the next most experienced pirate to help you with your instructions. Izzy. 

AN// Reader can be any gender! I finally started watching this series, after putting it off for so long and oh my god do I love this man more than life itself. I would die for him. Anyway, sorry if this is a little ooc, I’m learning how to write for him ! Requests for him would also be lovely, I have so many ideas that I don’t even know what to write :D

 “What kind of a moron gets shot…”

The feeling of rain hitting your face kept you to your senses, additional moisture to the already wet wooden deck you were laying on. At least you had made it back, but that did not remove the fact that someone from the other ship had gotten a good shot at your thigh. For that reason, you didn't mind the wet fabric sticking to your skin. The waves of pain radiating from your thigh were enough to keep your mind from thinking of anything else. 

Your body curled up a little, hands going to hold the place of the wound on their own, or at least that’s what it had felt like. Like your body was moving on its own. There wasn’t much of a thought process happening in your mind, though it felt like you should have known what to do. You’d removed more than one bullet in your time, and it wasn’t a rare procedure to perform for you. But never could have you guessed the amount of pain a bullet wound caused. You’d only ever helped someone else and seen them try their best to stay still for your sake. As much as you had hoped these thoughts would have distracted you from the pain, they didn’t. The pain was still raging, making you groan and grunt silently against the deck. Or at least what you thought had been quietly up until voices became audible around you. They’d been there before as well, but they’d become somehow louder by now. Like the people that sounded further away were now closer. The crew must have noticed something was wrong.

You opened your eyes, still curled up on the deck. Most of the crew were there, standing near you. From your perspective and what was left of your vision, they seemed concerned. But probably rightly so. Most of them had become quiet, only light chatter among them. “Well, fucking someone help me.” You growled, allowing the words to come out and going back to gritting your teeth straight after. The chatter got louder for a moment before someone was pushed out from the group. By the sound of his voice, you identified him quite easily. The first mate of Blackbeard’s, Izzy. He did not sound keen on doing this, insisting for someone else to do it before accepting his fate. But you and mostly everyone else in the crew seemed to agree on him being the most experienced for this, after you. 

You knew their first idea would have been to just cut off the whole leg, but for the amount of times you’d helped them you were hoping they’d see this as owing it to you and actually helping.

Your vision was getting a little more blurry, not badly but enough to make things a lot more confusing. You tried to keep a straight head, knowing you’d have to assist Izzy while he got the bullet out. While these thoughts were running through your mind, two of the crew members of which you hadn’t seen who carried your form to the lower decks. No more of the rain, you thought. They cleared a table, and by the sound of it they must have just sweeped the items on it to the floor and placed you on the smooth surface instead. 

There was a moment of silence before through your haze you could hear Izzy’s voice clearly. “Well, fuck off? No need for an audience.” He said, and by the sound of it the people previously there made their way back up. “Cut the…the pant leg.” You said, not wanting to waste any more time. Izzy looked at you, doing as you said but with slight hesitation. “How does a medic manage to get shot?” The first man asked in a voice you wanted to believe was annoyance, trying not to find a hint of worry from his voice. You didn’t want to imagine a man worried for your life trying to save it. “Guess the bullets couldn’t resist a…a checkup.” You took a quick breath, gritting your teeth as the fabric was pulled off from over the wound. Izzy didn’t say anything to that, perhaps it had been a bad time to joke either way. You didn’t have time to waste, for anything from the bullet could leak to your bloodstream if you kept stalling. “T-take off yer belt-” You had to take a breather before continuing, but that was enough for Izzy to give you a dirty look, which you were glad you couldn’t see properly through the slight blur. “And wrap it a little higher from the wound…” You finished the sentence, trying to stay still on the table. “Gathered that much.” He said, voice still stern as he undid his belt and wrapped it tightly around your thigh. “Get yer knife…and dig..dig the bastard out.” You breathed out, closing your eyes for a moment as you braced yourself for what was about to come. 

The sound of Izzy taking out a knife from his belt opened your eyes once more. You took a weak hold of his wrist before the first mate was able to start the process. “If I lose consciousness after…take the fabric you removed and..and use it to close up the wound after cleaning with rum…” You instructed him before your hand let loose from his wrist. His eyes were on you, you could feel it. Yet, he did not say a word. It worried you, but you didn’t want to tell him that. You wanted to think that he didn’t care. As many times as you had spent time with him, he did not care for you. Maybe, just maybe, he enjoyed talking to you from time to time. 

You took a hold of the edge of the table, which was worth it. Because as soon as Izzy had dug the knife into the wound you screeched. Using the palm of your hand to cover the rest of the horrendous noises leaving you, feeling hot tears push their way through and fall down the sides of your face. The gritting of your teeth helped, somewhat. The feeling of the blade hitting the bullet sent a mix of shivers along with waves of pain through your body.

You tolerated it for a while, in a way proud of yourself for that, this being the first time a bullet was being removed from you. Though, that did not last long.

The dim lights in the lower deck began to seem darker, and your body wasn’t contorting itself the same way as before. In a way you felt more relaxed this way, though the darkness that had started to slowly surround you was something you didn’t look forward to. A faint sound of the bullet hitting the wooden flooring as the knife left your body was the last thing you heard. Your consciousness faded away, leaving Izzy alone with bloodied hands and a mess on the table. 

His gaze shook a little, but he stood still at the table. Thanking whoever had left a bottle of rum in the lower deck. Izzy took a hold of the brown bottle and took a swig from it himself. With a second to think, he poured the liquid from the bottle straight onto the wound. It felt odd not to hear you instruct him, not that he needed it anymore. But you being so silent, seemingly dead to anyone else's eye who might have walked past, it shook him a little. As many people as he had killed and seen dead, none of them had affected him this way. The thoughts of your death filled his mind for a brief second, before the first mate shook them away. He wasn’t sure how much to pour, stopping eventually. He thought you might like the rest of it once you woke up. In his experience, rum was good at numbing feelings. Just what pain was, only a feeling. 

Izzy wrapped the wound best he could, leaving the belt on. You hadn’t told him what to do with it after, and that had only now occurred to him. As much as his duties would have commanded for him to leave you with the rest of the crew, he did not want for you to wake up in the noise and smell that was the crew’s quarters. Was what he told himself, not being able to ask for your opinion. 

He might have not been the tallest man on deck, but that did not mean he was weak in any way. He picked you up easily, carrying you to his quarters. Barely a spot for sleeping fit there, but he managed. 

The first mate laid your still form onto the small bed, seating himself onto a box next to it. His eyes stayed on the bed for some time before a sigh left his lungs, turning his eyes to his hands. He placed them over his face for a while, the burning feeling of tears trying to push through all too familiar at this point. They never truly fell down, so it did not count as crying for him. A pirate didn't cry.

So he sat there, the held-back tears reddening his eyes a little as he leaned on the wall behind him and stared at the other in front of him, keeping his gaze up. He felt conflicted, more so than usual. He hadn’t thought of you, not of how much he seemed to care. Sure, the two of you had spent an odd amount of time together, but you preferred to be alone or at least at the sidelines, so did he. So, for long it had been a coincidence that you bumped in together. And during those times you spent together were almost enough to make him feel alive again. But when you didn’t, was when he truly felt lonely. And so he did now, now when you were unconscious. A sharp breath drawn by you caught his attention back. The end of it started sounding more like a hiss than anything else. Your eyes tried to open slowly, but the sheering pain forced them to snap open with yet another hiss. You curled up on the bed before your eyes landed on Izzy. His mouth was slightly agape, but soon realised to hand you the bottle from earlier which you gladly accepted. After a long swig you handed it back to him, hand shaking ever so slightly. Eyes focusing on him now, vision back to what you remembered as normal. Even with Izzy keeping his gaze quite low, you could see the slight tint of red in his eyes. The first mate hadn’t said anything yet, so you decided to break the silence. “Have you been crying?” Came out rustier than intended, but the teasing tone of voice was still clear somewhere in there. Izzy’s jaw tightened, but he must have backed away from what he wanted to say. “Sod off.” He looked away for a moment, expression much softer after from what you could tell. Though, he seemed stiff. Like he was shaken in a way you’d never seen him before. “Izzy-” You sighed, not sure what to say to him, so instead you thought of something else. His other hand was resting on the edge of the bed. Expecting him to pull away at the very least, you placed your hand on his, but he didn’t. He allowed your slightly warmer, shaky palm to warm his colder hand, badly wiped away blood dried on it. “Thank you.” You said silently, not to disturb the oddly peaceful silence that had formed from the slightest of connections. Izzy turned to you, moving his hand further on the bed, not adding anything to that. The touch was a thank you enough, more than enough to him. 

[khruschevshoe]

OFMD Critique: Finales, Writing Backwards, and the Importance of Building Relationships

Continuing on the rambling meta bc it turns out there are a couple of people that responded well to my initial thoughts...

Am I the only one that felt like the OFMD Season 2 finale suffered from the exact same problem as the Game of Thrones or the How I Met Your Mother Season finales? Well, not exactly the same, but lemme explain.

The treatment of Izzy Hands in Season 2 of OFMD feels like when they sat down to write this season, they wrote his death scene first (for whatever reasons that might be, though likely for the sake of Ed's arc- we're not going to address my feelings on THAT rn), THEN backfilled his arc for the rest of the season based on that, but then didn't rewrite his death scene to address the stuff that organically happened when writing the rest of the season.

Like, for example, I've seen plenty of people point out that the deathbed apology from Izzy to Ed doesn't really work (I fed your darkness) both in regards to the sheer imbalance of damage shown onscreen between Ed and Izzy, but also doesn't work as a "putting Blackbeard behind us" scene when Izzy figuratively (and literally, if you count him as part of the group with the cannonball) killed his half of Blackbeard in the storm scene in 2x2, with whatever parts lingering in him killed with the unicorn scene in 2x4. After this point, his arc and his focus has very, very little to do with Blackbeard or hell, Ed in general besides the couple of comments made to Ed and Stede that cement that Izzy is happy that Ed moved on and found someone that makes him happy.

Izzy's arc has left Blackbeard behind already. He has already hit the emotional beat that the finale wants to retread.

And then the other part of his deathbed comments to Ed- "the crew loves you, Ed"- makes no sense from the Ed side of things. The show built up an arc for Izzy that would make people care when he died, but that arc was literally about the crew literally putting aside their differences/fear/distrust of each other to help, support, and accept Izzy as their figurehead, their protector, their friend, their recovery, their family, their (insert positive symbolism/metaphor for all of the VARIOUS implied flirtations here).

What did they have with Ed? Other than his moments with Stede and Fang, what relationships were built up before Izzy's death? Calypso's birthday included no scenes of the crew interacting with Ed other than the short Archie/Ed/Stede convo at the beginning. We get none of him talking to them when prepping for the party. He spends 2x7 and 2x8 with Stede, only having scenes with Stede, never building anything with the crew.

THE LAST SUBSTANTIAL INTERACTION ED HAS WITH THE CREW BEFORE IZZY DIES IS THE "INFLUENCER APOLOGY" IN 2X5 (other than with Fang in the boat). Holy shit, I didn't even realize that until I got to this point in the meta. I had realized that something felt wrong/off about the "the crew loves you line," but I thought that it was because 2x1-2x3 cast such a long shadow on the rest of the season that it was impossible to escape. No, there were cracks in the back half of the season as well.

All of which is to say: if you have to kill Izzy (which you really, really don't, btw, it makes little sense in a show where pretty much every character has survived a near death experience with nary a scratch, but for the sake of hypothetical), there is a way you can pull it off: you have the crew at Izzy's side as he dies instead of Ed. You have their relationship with Izzy at the forefront, because their relationship is the one that matters at this point in the narrative. You have Izzy die trying to save one of them, not by random gunshot.

And then after Izzy dies, you finally give the crew their agency back. You let Izzy's death be the last straw in THEIR arcs. You let them tell Ed that they cannot allow him to stay on the ship after everything. You let them tell him that they are putting their foot down, and he can go retire if he wants, but they will not let him destroy this crew anymore.

(Or, you know, you can have all of that with a death SCARE instead of an actual death, and allow Izzy to sail off into the sunset as a first mate instead of as a dead body. Because that would suit the tone of the show and the story better.)

But I have the feeling that point B (Izzy dying/his death scene) was the thing that was decided on first, and so the budget crunch/other factors may have led the writers into making the same mistake as so many before them have: writing point A out organically, and then failing to change Point B when it no longer fit the story they had written.

[ladyluscinia]

Izzy, Bottles, and Apologies

Izzy's arc in S2 has been a wild ride.

The S1 Izzy enjoyers are feeling vindicated as hell, many people are fully revising their opinion of him, and the people still hating him have a new criticism or off the wall theory daily. David Jenkins LOVES Izzy and is having the time of his life trying to make sure everyone else does too. They had Con O'Neill sing in drag!

And naturally I have thoughts.

This is gonna be a two part post, I think. First, as much as people are celebrating Izzy having realized his arc and come into his own - from the singing to the apparent BlackBonnet shipping - there are some threads they could pull on that might reveal more arc to come. And I am really hoping they pull them, so I'm gonna tell you why you should too!

And second, I have some minor points I dislike and concerns that this might be the end of the arc. Which would be disappointing but I think I get why, so I'm gonna discuss that too.

To start...

---

"How are you handling all this so well?"

Here's the thing about S2 Izzy - while I need to be clear his behavior is not OOC or inconsistent with S1, it is happening rather fast. I'm pretty sure that has a lot to do with out of universe reasons I'll get into later, but in-universe it stands out. Now, he's hardly the only one operating on an accelerated schedule - the timeline for this season is an insanely fast not-even-two-weeks - but Izzy's defining struggle in S1 was fear of change. That was the cause of his friction with Edward, and what made him an antagonist in the first place.

In S2 he's gone through a lot of trauma, yes, but that fear is noticeably less present than I would expect.

Izzy in 2x06 has been cleaned up from his sobbing mess phase for just over 48 hours and he faces Edward with a joke, and then that night sings a moving French serenade to the crew. The next morning he's teasing them about finally hooking up and spends the day offering both Stede and Edward relationship advice.

He's a newly realized man... shedding repression and embracing who he could be. Accepting his breakup with Edward and trying to openly support the relationship that's better for him.

It's fun!

It's also, potentially, a bit of a flag. Maybe not a red one, not yet, but... pink-ish? A bit orange?

Let's look a little closer at those frayed edges.

---

"Well, you see, I have a system..."

There's an exchange from right at the start of the Pilot episode that has echoed through the entire series so far:

"Bottle it up?" -> "No, Frenchie! No, that's the worst thing you could do!"

Not talking to other people, not addressing your traumas... that's the kind of shit that just builds and builds inside you. When the cork eventually pops, the resulting damage can be a lot. Look at the finale of S1, where all of Stede's bottled up guilt and insecurities laid waste to his relationship with Edward, and then inadvertently became the first domino in the Kraken.

S2 is quick to bring this scene back into the forefront. The first time we see the Breakup Boat crew talking in 2x01, Frenchie reveals that "Bottle it up?" wasn't just a random comment he made, but a philosophy of his:

"Ah - well, you see, I have a system for dealing with all the terrible things I've seen. There's a box, in my mind, and I put the things in the box, I lock the box, and then I don't open it again. Works like a charm."

Apparently, Frenchie is the only one it actually seems to be working for.

Now, the show has been drawing some interesting lines between Frenchie and Izzy. From both serving as Blackbeard's First Mate to being frequently shown as a duo - tormenting Navy guys together on Sunday's raid, Frenchie holding Izzy's hand, Frenchie leaning on Izzy's leg in the cell, Frenchie behind him raising the flag in 2x05 - it's fitting that Izzy echoes Frenchie's preferred coping method. First he frames the non-acknowledgement of harm from Edward as just... part of piracy. He's a pirate, so he's fine with it.

And then we get Izzy's little whittled shark reveal and the conversation with Lucius about his leg:

"I don't know what you're talking about. Shark did this... dangling my legs over the side of the ship. Served me right, too."

Lucius calls him out on the unhealthy behavior, and Izzy concedes his point:

"O-kay, that seems healthy. Using a bit of fiction to help cover up your trauma." -> "Yeah, well... not moving on is worse. Twatty."

And to give him credit, he's right in his advice to Lucius. Filling his sketchbook with pages and pages of Blackbeard trauma is Lucius's form of bottling it up - thinking in endless recursive circles about his tumble off the ship and everything that followed. We already know chasing revenge instead of living is bad - Jim and Spanish Jackie established it last season, and Pete just echoed them. When Izzy advises Lucius to move on, that's what Lucius does.

But what Izzy is doing with the shark? That's not the same thing at all. He's lost a leg, grazed a bullet off his own head, and was snarling drunken accusations at himself in the mirror... he's not moving on from that. He's bottling it up with a nice dose of self-blame.

Cutting the legs off the unicorn for not doing it's job right and saying "served me right" about his fictional shark? There's a real dark knot of emotions there.

(Recall, too, that Edward deflected his hurt from Stede's abandonment into a "fictional character" during his chats with Lucius, and that delayed the explosion but couldn't stop it.)

So... Izzy's definitely coping with trauma in a way the show does not advise and often circles back to. Can we see any signs in 2x06 and 2x07?

---

The Weight of Things Unsaid

At the very start of 2x06, Izzy gets the thing he spent all of 2x05 mentally bracing himself to never hear - an apology from Edward for his leg. He walks up to initiate conversation and begins talking like nothing has changed. Edward is back in his leathers. Appropriate, given that his penance onesie was nothing genuine, just "how long do I have to wear this fucking thing for?" And Izzy is ready for them not to address the obvious hurt, to just smooth over a few jabs and go back to normal... but even Edward's mumbled little "Sorry about your leg" is so significant and difficult he flees as soon as he gets it out, leaving Izzy to sit, incredulous, with the acknowledgement.

It's still almost definitely not enough.

There was so much between them in 2x01 - 2x03. The writers literally did BlackHands love confessions on both sides. An apology from Edward Teach - a man who historically does not apologize - is a huge first step but still only the first step. The real things unsaid are so much bigger than a leg.

We get something else, too... Edward commenting on Izzy's drinking.

"Jesus. Really putting that away, aren't ya?"

Izzy has had booze a lot this season. He lost a leg and pain meds aren't really an option, so not surprising, but notable. Edward, advocating for substance abuse to deal with bad feelings, calls him a lightweight in 2x01. When they are found with the dead seabird in 2x03, Izzy takes a pointed drink from his bottle, and then 2x04 he spends the entire episode completely plastered. He seemingly sobered up for 2x05 - probably to focus on sword training and his whittling project - but now the bottle is back again before Izzy disappears for several hours.

And a little liquid courage might explain his going all in for the Calypso's Birthday performance.

I do appreciate that the performance on it's face is something completely unexpected for Izzy, but when thinking about it... it does make sense.

We already know music and performance were available on Blackbeard's ship even before Stede. Edward learned to play shanties on the piano somewhere, and singing is a common and encouraged part of sailing culture. Izzy's choice of song to perform is something a lot more emotional, but this is probably not his first performance for a crew.

Makeup, too, is in fashion for men and women at this time, and OFMD has shown it as such before. Izzy has never worn fashion makeup, or tried to be beautiful, but the concept wouldn't be alien to him. Wee John's description of a dramatic party look might even have intrigued him specifically because Izzy has actually done "looks" before - of the terrifying "theatre of fear" kind. The Kraken did have his whole crew in makeup for their raids. Taking the opportunity to embody something a bit more vulnerable and try to bring joy to this crew that took care of him is meaningful as fuck.

And it's still a drag performance!

It's a good pair of moments - before and after Ned. Proof that all this isn't just coping method - that's not what I'm arguing here - and even if Izzy's still bottling up a lot of feelings he's not doing the same full pressure bomb thing as he did in S1. There's been growth!

(This is why the flags are only pink-ish / orange-ish right now.)

Episode 2x07 though... I'm not so sure he's doing good as much as pretending it's all good.

Showing up to make his joke in the morning is a fun moment. I especially enjoy Edward's little "fuck off" with no bite to it 🤣🤣🤣 Reminder they do live together on a ship, so this is likely not even close to the first morning-after that Izzy has gotten front row seats to. But, at least to me, there's also a very performative feeling about it. Izzy being very Look how normal I can be about you fucking your boyfriend, Ed - and Edward picks up on it too. That's why he turns to Stede and whispers "He's jealous" as Izzy walks away.

Izzy continues to make jokes and give advice through the day to our main couple, but he's... subdued. I think his fake chill also disguises that he and Edward aren't on the same page about what they discuss at the docks, hence his poor advice to "listen to it" when the "it" in question is Edward's immediate desire to run away from Stede and become a fisherman. They are talking again, but haven't resumed communicating.

I also think it's relevant that Izzy goes to try and support Stede after Edward dumps him, because we're still waiting for Stede to stop bottling things up. He doesn't talk about Badminton or feelings of inadequacy or even the babiest little olive branch to Edward about "hey my dad kinda sucked too." Edward's two exes are sitting in the bar corner together, thinking about all the shit they won't talk to him about until it kills all three of them. Exciting!

The pressure is building. It has to circle back to Stede in S3. I'm hoping at the same time, it circles back to Izzy, too.

Hoping we get to explore some of his anxiety, and his internalizing negative self-image and blame. At the moment, I think Izzy might have less gotten over his anxieties and more just let go of the wheel of his life entirely, and fortunately had people around to steer him in okay directions. It would be really interesting to explore that more.

(Even if I have some concerns they may not.)

---

Subtle as a Cannonball to the Face

Izzy's character arc was always going to be a long journey - not because he was somehow morally worse than everyone else, or required particularly painstaking growth, or even because there was going to be some great need to "hold him accountable" for S1. No, it was going to be a long journey from an antagonist start for the same reason I mentioned earlier: Izzy's core struggle is fear of change.

OFMD opens with two protagonists recklessly pursuing change in ways that harm themselves, their relationships, and others, and a primary onscreen antagonist resisting change in a way that harms himself, his relationships, and others. There's no easy morality here - they all fuck up. And they all require the entire show to actually figure out the correct balance of change and growth and facing the past.

"I think the three of them are on an arc together that's pretty inseparable." - David Jenkins (Source, 9 Oct 2023)

So... why is there a chance that everything I've mentioned above is going absolutely nowhere and Izzy's arc has been wrapped up with a bow in S2?

Well.

It's late March 2022, the fandom's age is still only countable in weeks, I personally haven't even watched the pilot yet, had only even heard of the show 3 days before... and one of David Jenkins first post-finale statements is telling people to pay attention to Izzy's POV and his and Edward's love story on rewatches (Source, 25 Mar 2022), and then soon after comparing Stede to a homewrecker in Edward and Izzy's toxic marriage (Source, 15 Apr 2022). Lots of links because this stuff was available to the fandom from the start.

By the first half of May 2022 (while poor Mr. Jenkins is still anxiously trying to get his series renewed for S2, since the confirmation won't come until June 1) the takes on Izzy have soured a lot. It's not a "homophobic gay" joke anymore. Now it's "Izzy is the embodiment of colonialism who enforces a racist and homophobic ideal of Blackbeard on Edward" and "pretending Izzy could be canonically gay is homophobic" and "Izzy bought Edward as a slave from the British". Harassing anons have already started on tumblr. No first hand experience with Twitter but I've heard horror stories. These takes are spreading like wildfire through the fandom, with a heavy backing of white fans accepting and spreading anything that sounds vaguely racially-conscious as something they just missed in their privilege and need to listen to POC about. Or listen to other white fans that say they've been listening to POC.

The anchor hoist in 1x09 (that was a complete directing coincidence, as the crew confirmed in late May) is being taken as incontrovertible proof that Izzy is a violent racist, and the relatively small Izzy fandom pushing back against any of these reads is being likened to toxic fangirls declaring Kylo Ren a poor widdle victim because they think violent white guys are so hot their brains fall out. This is happening loudly and in the public forums of social media.

Can you imagine being David Jenkins right then?

This is one of your favorite little guys, who you wrote a silly little homoerotic pirate jealousy arc for. He's kinda cringefail and tends to be a dick, but you cast a guy who you think embodies him with so much sympathy and genuine emotion. You're so excited to explore his direct relationship to the main couple of your series even more. Unfortunately, you and a lot of the cast and crew are also engaging maybe a bit too much in fandom spaces, which very few of you have much familiarity with navigating as creators. AND there's still renewal stress!

If I were him, I too would consider that perhaps my intended Izzy arc was a bit too nuanced and drawn out, and maybe I needed to clear up some misconceptions as soon as I got the opportunity.

Enter S2.

MAX reduced the budget for the season significantly and it shows - particularly in the whole thing having to squeeze into 8 episodes - and I wouldn't be surprised at all if worries over a S3 renewal / S3 budget impacted S2 writing as well. Character arcs got pinched, goals had to be prioritized... and from the looks of the season, "make sure everyone knows Izzy is not a homophobic villain tormenting Edward as fast as possible" came out as a big goal.

I mean they open with a dream sequence that literally mocks the idea of a heroic Stede rescuing Edward from the dastardly Izzy. It's not subtle.

And the lack of subtlety is kind of what's concerning me.

Izzy's arc is (I think) leaving enough threads that they can extend it into S3 with the reveal he's not actually fine and done developing, but they also seem to want his S2 arc to end in a place where maybe he is. Lots of giant signs pointing to him and saying "Look! Everyone likes him!" or "Look! He's also gay!" at the expense of some of his cringefail or dickish charm. My guy had anxiety he dealt with poorly in S1, and I do think they are trying to frontload or adjust the arc so he's basically (or at least seemingly) over that before the next hiatus.

The best way I've seen it described is that the show no longer trusts the audience to pick up what they are putting down, and so they feel the need to really hammer it in. Not necessarily OOC, but definitely de-emphasizing any of his rough edges that were originally just written to not be any worse than the other characters.

This is why Izzy gets shot by Edward in the very first episode for a bunch of complicated reasons that are really good character work and not super hard to discern, but then later they have Izzy point out to Stede why he got shot twice. It's all very "look into the camera and say the themes", because to some degree they are afraid everyone is going to get easily convinced Edward shot him for calling him a namby-pamby that one time.

It makes me worried they are too afraid of misinterpretation to commit to the arc they originally conceived of, even with the finish line in sight in S3.

And, again, I get it, Mr. Jenkins. In October 2022 he made a funny quip and a boner joke on a tweet about Edward's blanket fort and the hordes descended to scream victoriously about how he was cutting down the Izzy stans for their racist infantilization crimes of thinking Izzy would *checks notes* help hold up a blanket. It's a very reasonable conclusion that this fandom cannot read and needs to be spoonfed Izzy's arc.

It just sucks that a toxic section of fandom's misinterpretations appear to have undercut a strong - and, honestly, not that complicated - character arc so much that S2's BlackBonnet arc can be about fuck ups and backsliding, but Izzy needs at least the illusion of having no flaws left come hiatus time.

[sarucane]

OFMD Spiral Parallels 53: Ed's Suicidal Spiral

Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from s1 to s2, but in s2 everything goes deeper than s1. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, and the second season plucks the same ones--but louder, alongside some new notes, and then weaves them all together to create a symphony.

---

"Shouldn't let go/ if I let go/ all will fall

Fingers bleeding/ down to the bone now...

hold on/ hold on/hold on"

Ed says those lyrics to Lucius in S1E10. And in S2E3, he falls.

In ep 10, Ed's song comes across as a fairly straightforward adolescent break-up song. But when Ed tells Lucius about the lyrics, he says the alternative to holding on is to "curl up into a ball and die." Ed's looking at living as a binary choice: one or the other, be strong or be dead. And in season 1, Ed thinks rather a lot about death.

But as Lucius points out: maybe letting go now won't be real death. Maybe being in pain isn't the only way to be. Maybe he can survive this pain that feels un-survivable. Maybe falling isn't death. Maybe this is all more complicated than he thinks.

Ed embraces this as best he can. Tries to believe it. He adds lyrics asking himself to let go. He embraces vulnerability, embraces a purely metaphorical death that breaks down the life and death binary ("life's a hard sad death"), and tries to move through this towards life "beginning again"--but this time a life on his own terms, the rebirth he's been seeking all along.

But then Izzy tells Ed what he really fears deep down: this is wrong. That actually, things do make sense, and there is a binary choice: he can be strong and hold on to Blackbeard--can hold onto Izzy, who will not change or accept change--or he can be worthless, and fall.

But accepting Izzy's worldview there means, right from the beginning, embracing death. Because as long as Ed's holding on like that, fingers bloody to the bone, all alone, he is going to fall. Sooner or later. And that's going to be death.

Because he isn't the kind of person who gets to be reborn.

For the next two episodes, Ed is torn between wanting to hold on to the pain that means strength...

...wanting to let go of everything...

...and wanting to believe there might, somehow, be another option than being a devil or a weak human. And yet, even then, all he can imagine is constant motion. Flying, forever, above everything that brings pain.

Unable to let go himself--still too conflicted and fearful of the reality of death with no hope of rebirth--and unable to fly forever, he sets out to be forced to let go.

And since he doesn't believe Lucius's advice about rebirth anymore, letting go means dying. He isolates himself until he's sure no one will try to make him hold on like Izzy did. He sets out to get himself into a situation where he isn't stronger. Where he can't hold on anymore.

And then he ends up in the gravy basket, and he's stuck alone with a version of himself he hates--and which has the power of life and death over him. And Hornigold tells him the ugliest truth Ed himself believes about what it means to be a human man: that in the big picture, there are only two choices. Anything else is just delay.

"Strength" or death. And Ed already knows he isn't strong enough to stop feeling, to just move on, to keep holding on. Worse than that, deep down he doesn't think someone like him is worthy of living.

Ed doesn't want to die, but he also doesn't believe a life after letting go is possible for him. And in the gravy basket, where the impossible is inevitable, he can make himself let go.

So, finally, Ed falls.

and falls.

But here's the thing: Ed was never as bad as he feared he was. He was never unworthy of rebirth. Holding onto strength was never in itself living, and falling was never in itself a death.

And not only is there someone waiting for him, there is in fact someone desperate to see him. Ed's core fear of worthlessness...

...the rock that drags him down and makes him fall in still waters, is wrong. Because sometimes life isn't strength: it's weakness. And that's where help comes in.

Underlying this entire binary of "strength or death," and even the possibility of being reborn, is the idea that Ed is alone in this. He doesn't ask Lucius for help, he just accepts it when it's offered--and even that was enough for him to want to kill Lucius later. He doesn't ask the crew for help, even when he's being his most open right after the breakup. All the help he seeks is connected to being killed. All the help he thinks he's worthy of--or feels safe enough to dare seeking--ends with death.

But when he's underwater and he hears Stede, Ed opens his mouth as if he's shouting--and the first finger that moves is his ring finger, knocking against the wood.

And just like that, Ed isn't holding on. He's being held.

By the person who first showed him that "hold onto this pain or die" was wrong.

And he isn't falling. He's floating.

The only binary that matters is literal life and death. Rebirth and transformation are bigger than that--and they're always possible, as long as living goes on.

Ed's let go of what he was holding onto. And now life begins again.

[the-doctor-needs-a-river]

So, going into this tentatively because there are a lot of strong feelings going around.

People are so traumatised (and validly so) about queer/disabled character deaths from shows with horrible representation and queerbaiting that this has become almost the automatic response to the death of any queer/disabled character. In a lot of situations (cough cough spn etc.) this is absolutely the case.

HOWEVER.

What people are missing is that this doesn't apply to a show in the context where multiple characters are (respectfully) represented as disabled (Lucius, Ed, Jackie, Wee John, Prince Ricky) and nearly every single character is queer. The beauty of the intention here is that a queer/disabled character gets to just be a character. There's no tokenisation there. So when a character like this in this kind of context dies, it's just a character death.

Because of good representation, there is no malice in the death.

Add into this the fact that the death makes perfect narrative sense when viewed through the larger narrative lense of the main point of this season being Ed's emotional arc, it's actually very good story telling (can go deeper into this if requested). That's not saying that it doesn't hurt or that it doesn't feel unfair: that's what good story telling is supposed to do.

I think it's easy to, especially after the first 2 episodes of s2, try and villainise Ed, but I think that's a narrow understanding of what was going on. Yes, Ed was physically abusive to Izzy and the crew, but people overlook the fact that Izzy was emotionally abusive to Ed when he was in an incredibly vulnerable state, which was ultimately the catalyst for the events of S2ep1-2. They both did wrong and both deserved/needed to give apologies; there was no innocent party between them, a fact that Izzy acknowledges multiple times. That's why the parallel to S1ep10 ("there he is") was so beautiful and devastating because it was an understanding of wrongdoing on both parts and an acceptance that they no longer fit together.

Like Izzy said, THEY were Blackbeard, and Blackbeard needed to die for Ed to be able to move on and truly be himself - think the shift from ep 2 to 3 where Ed didn't want to die, he just didn't want to live being Blackbeard but had been convinced there wasn't any alternative. That was the overarching theme of Ed's arc and what Izzy was acknowledging in his final moments.

When you think about it this way, Izzy's death has been foreshadowed as a narrative necessity from the very beginning of the series. With this in mind, the journey that he goes on in the meantime goes above and beyond the acceptance of Ed's vulnerability that we needed to see for them to get to this point; we also see Izzy find his own vulnerability and strength within his found family and identity. THEY DIDN'T NEED TO DO THIS. They gave us this because they also love Izzy and wanted to give his character as much love as possible in the time up until his purpose as a device for Ed's character arc came.

And ultimately, this is what separates Izzy from Ed and Stede - his primary purpose has always been as a character based narrative device to challenge Ed. The fact that so many people love him in his own right is amazing but this has always been his main purpose. Of course he has intervals of brilliant character ingenuity and growth of his own, especially in this new series, but this is exactly what I'm talking about when I say we've been gifted this when we didn't need to be. Does that make the loss sting even more now that we've had it? Of course it does but that's the point. They went so above and beyond with him this series because they saw the potential in his character and Con's fantastic performances, and because they love him as much as we do. But the point still stands that he served the purpose of the character and device that he was always set out to be from the very beginning.

We know from dj that this was all very intentional and, although the analogy used can potentially be questioned, he stuck to his intended trope and executed it with dignity and beautiful parallels.

I guess I'm just saying that it makes me sad to see good writing be misinterpreted, but I completely get where the trauma response is coming from. I would hate to see us get into a situation where we lose this kind of amazing representation because writers are too scared of potential backlash to take the chance of including it when what has been interpreted wasn't narratively intended.

As always, this is written with respect, love and no ill intentions and everyone is entitled to their own thoughts ❤️

[canonizzyhours]

When Izzy got shot in the leg I felt nothing about it. Thinking about it led me to nod and go "that makes sense" but I felt nothing and after all this time I still feel very little about it.

I wasn't shocked. I wasn't horrified. After rewatching the season I was a little proud of Ed and glad that the narrative followed through on finding out after you've fucked around. I don't believe anyone deserves violent retribution (and I was initially worried that they were setting up "suffering = atonement" dynamic) but I also wasn't surprised that Izzy's retribution involved violence.

As Izzy himself has demonstrated, violence* is one of the only languages he's fluent in. That's why it's useful getting him to step back in line in the first season finale. I know there are people who want to argue that Izzy didn't enjoy getting toes cut off but I'm in the camp that says he absolutely did. What's important about Izzy being shot on deck in front of everyone is that this application of violence a) made him lose face and b) couldn't be viewed through the lens of his weird psychosexual relationship with the Blackbeard persona (whereas private toe-cuttings could be viewed as something intimate that satisfies his masochism).

I don't think this was conscious on Ed's part but using violence began Izzy's journey to change because violence is what got through to him. I think getting shot happened to get through to Izzy was effective because it involved violence, but I think it was incidental. Where I've arrived is that Ed actually shot him out of a combination of feeling threatened/undermined (something he felt like he couldn't afford if he was gonna maintain his authority based on the very rules Izzy laid out for him), disgust at the hypocrisy of Izzy dragging his feelings out in public (when that's what got Ed threatened last season), and the fact that Izzy blamed Ed's feelings for Stede for poisoning the vibes.

Re: the last bit, I can say from personal experience that the only thing that makes being mistreated by someone worse is realizing that they don't even understand the thing they're mistreating you for. To see that the two of them have been miscommunicating for so long that Izzy blames his feelings for Stede when what Ed was trying to say with the Kraken persona was not to fuck with him? And how the ceaseless raids were an expression of his suicidality (either to get the crew to kill him or to get Ned Low to do it after losing his record)? Of course Ed would be frustrated.

Izzy still getting things so wrong not only showed how little he understood Ed, it showed that everything Ed had been trying to communicate with his unhealthy but acceptable-to-Izzy forms of emotional expression (vs the healthier robe-wearing sadboi way he was processing and expressing his feelings before the namby-pamby speech) wasn't even getting through to Izzy. This made violent retribution against Izzy feel if not inevitable, then at least entirely predictable based on everything leading up to that scene.

So of course some of us had fairly muted responses to Izzy getting shot. Being shocked at that would be like being shocked that it might start raining if there are clouds in the sky.

*Even now, even anonymously, I feel like I have to justify saying this statement by saying something about how Izzy isn't inherently violent, but that unfortunate life experiences have shaped him to be the way he is.

#97.

[nicnacsnonsense]

Izzy's whole "No, I could never do that. We deserted him on a beach," lie is so interesting, because it's basically pulling triple duty here.

First of all it's just a practical choice to protect them. If Zheng finds out that they committed mutiny, she will kill them all. Initially they tried to tell a lie about Ed retiring, but that one was falling apart because frankly it wasn't very believable at this point. So now Izzy is switching over to this new lie of yeah, they did sort of commit mutiny, but they definitely didn't kill them. It's a much better lie both because it's actually believable and because it does almost work. Stede takes this story and uses it to advocate for them to Zheng, and while she does describe their behavior as "mutiny-adjacent" she also says that she's feeling merciful. It seems like if Auntie hadn't found Ed's body, Zheng was going to let them live.

Secondly, I think it's maybe a way of coping with the guilt. Partially in the sense that maybe Izzy wants to pretend that this is what really happened, but I think also this is Izzy's version of "technically the fire killed those guys." Yes, Izzy shot Ed to stop him from killing them all in the storm, but non-fatally. And yes, Izzy was there when Ed was killed, but he wasn't actually the one to smash Ed's head with a canonball. Technically Jim killed that guy; Izzy could never do that.

And finally, there's the aspect of him wanting assert to Stede and himself that Izzy is too close to Ed to ever kill him.

Prior to Stede's return, Izzy had a very clear (and wrong) understanding of the world in his mind where he and Ed had this close, deep relationship where they knew each other better than anyone, and Stede was this prissy interloper who did something to Ed's brain and ruined that and ruined him.

When Stede comes back for Ed, that immediately throws Izzy off-balance. So he responds by goading Stede, trying to get Stede to react in a way that confirms Izzy's worldview is correct. But Stede never responds in the way Izzy wants him -- needs him to. Stede is not particularly upset by the state of his cabin. Stede knows exactly why Ed was lashing out and acting the way he did. Stede is not particularly disturbed by Izzy's brutal descriptions of Ed's behavior. Stede knows about doggy heaven, meaning he and Ed have had conversations all about the former plan to kill Stede and steal his identity. Stede is not some prissy interloper who couldn't handle the truth of Blackbeard; Stede and Ed have a deep and intimate relationship where Stede understands and accepts all sides of Ed.

So "I could never do that," is an another attempt to right this situation in Izzy's mind. Maybe Stede has a close relationship with Ed, but Izzy also has a very close relationship with him; Izzy is also a very important figure in Ed's life. I think that might also play into why Izzy changes his tune from Ed's feelings for Stede being the problem in 2x1 to Stede and Izzy BOTH did this to Ed during this conversation. If Izzy is being proved wrong about Stede's relationship to Ed being meaningful, then he at least needs his relationship with Ed to equally meaningful, if not more so.

[heleeanthea]

There is only one thing that I feel having watched last episode and it's disappointment. Not even sadness, not even anger, im just disappointed.

Izzy Hands deserved better.

We all, as the audience, deserved better.

You know, when the first season came out I was one of those people who really did not like Izzy at all. I almost couldn't believe that his fans even existed. Then, before second season I thought, well, Im sure that they will give him a redemption arc but Im going to hate him anyway as there is nothing that can redeem him in my eyes. I was so very sure of it.

Wrong, I was wrong. I admit it.

I loved his arc in second season, I loved every second of it. Truly. It has done what seemed utterly improbable to me - made me Izzy Hand's nr. 1 fan. It was just such a great piece of writing. From his initial first disobedience towards Blackbeard and then his finding himself and his worth outside of Blackbeard. His singing (he's great), doing drag (so beautiful), helping Stede, being a friend to him, helping Lucius, finding a family within the crew and finally, finally achieving what - as he said himself - piracy is about: belonging. He found his place, became the new unicorn. He begun to accept himself, to finally let go of all that bitterness that he had inside him in the first season. He allowed himself to be true to himself, to show his more vulnerable parts to the world. He was starting to feel better.

And then they killed him. And what makes it even worse, they did it in such a stupid, useless and anticlimactic way.

You see, Im generally against killing Izzy. I find it to be an utterly disappointing conclusion of his arc. The guy changed so much for the better during this season, becoming a better person as well as becoming more mentally stable and I believe that his arc deserved to have a much brighter and more optimistic conclusion. Where is a scene where he becomes a captain on The Revenge and finally is at peace? Free from Blackbeard, with his found family next to him?

Where is a promise to all lost, young, queer people that thing will get better even though now you may feel no hope?

We didn't get it. What we got was a rushed sequence that was directed more toward serving Ed's arc than Izzy's.

Why did he get shot? No reason, it was just random; it wasn't in a fight, it wasn't the unicorn protecting someone from his crew (which would make his death slightly less bad). The sole reason of him getting shot was to kill him off.

Was it needed for his arc? Well, it could have been done better and make more sense, yes. But wouldn't it make a more satisfying ending to give poor guy some happiness? When the whole season was focused on him earning it and allowing himself to feel it? It would turn out much better to acknowledge his growth and give him space to grow even more.

I don't even feel like Izzy's death was necessary for Ed's growth; not when both their arcs focused on finding themselves outside of constituting Blackbeard.

That's why I hate how Izzy's actual death moment is played out. The scene isn't about Izzy, it's about Ed. It's so focused on him that it almost hurts. Why is Ed the only one who's close to Izzy? Why is the crew so far away? Izzy loved them, they loved him, why don't they come closer and show it, he deserved it. And even Izzy's words, they are so focused on him telling Ed thing's that he needs to hear to grow further but... he doesn't need to hear it from him? It doesn't have to be Izzy who tells him that the crew loves him (which, arguably, is not really true as they are still wary of him after all that happened in the beggining of the season??), especially not when it's the last chance for Izzy to be told that he is loved, he is a part of the community, to be forgiven and apologised to.

And then they get over him so so fast? Just seconds after the funeral Stede is standing there and... trying to boast what great piece of pirat he is? Trying to make Zheng compliment him?

Also, why shoot him in his left side, missing all the important bits, and then have him die anyway?

[gameerica]

Hot take: I like what they did with Izzy

First of, this is all my own opinion and if you think they did Izzy dirty, you do you babez. But please don't come after me for what I think about Izzy and his character arc.

Tbh I don't really know if there could've been a direction for Izzy to go without Ed. Like he said, they were Blackbeard. In season 1 he saw Ed wanting to move on from Blackbeard, so he became desperate enough to give them up to the English so that Stede would be killed and they could stay as Blackbeard. But Ed really loved Stede, so he brought up the Act Of Grace just to save him. Then when he returned alone and became Blackbeard again, Izzy thought he got what he wanted. But it wasn't what he wanted after all.

In season 2, Ed was Blackbeard alone, leaving Izzy to feel isolated and hurt over and over again by something he thought he wanted. But that loneliness and separation from wanting/needing Blackbeard opened him up for the rest of the crew. It allowed him to accept their help and their love. So when that bullet he fired missed, he decided to go help his family instead. With Stede coming back, he allowed himself to finally have even the tiniest of friendship with him because he recognized the love Ed had for Stede. It wasn't mean and twisted like the love he thought he wanted from Blackbeard, but nice. By episode 6 he had enough courage to join the party the crew was having instead of brushing it off, even joining in with his iconic singing and look. He looked at the crew as family now, something he would fight and die for gladly. And eventually, he did.

I think even before they got to the boat, Izzy knew he didn't have much time. As much as the people around him wanted to help, it would only be a waste of time and resources. He apologizes for what he has done in the past even though they have BOTH been terrible to each other. Blackbeard was not healthy for either of the parties involved and both of them have grown to the point that they can see it now. Izzy thought he'd be nothing without Blackbeard, so he fought hard to keep Blackbeard as it was, only to see that without Blackbeard, he was so much more. When he says "I wanna go", I took it as him accepting death rather than just wanting to die in general. Because he crawled from his death bed to help his family, and seeing that his family was safe Ed included (Eddie, NOT Blackbeard). He has grown over the season to embrace Ed, to try and love him like he loved the idea of Blackbeard. So in his final moments, he tells Ed to just be Ed. Even giving us a mirroring scene with that "There he is" line. The difference is that s1 Izzy wanted Ed to become his image Blackbeard. s2 Izzy got to know Ed and just wanted him to be himself. And him dying was like the final nail in Blackbeard's. Ed killed his part of Blackbeard by embracing Edward and following his dream of opening an inn. Izzy killed his part of Blackbeard by learning to be his own being and being a part of something else: the crew, his new family. And though he unfortunately didn't survive to see them thrive, he died knowing his family was safe. With the "brains of the operation" being gone, Blackbeard is truly... dead.

Also, I've seen a couple people say that they didn't like how Izzy was buried on land near the inn. Like,, sure, again you can have your opinions, but you can't exactly bury him in the local cemetery. And if he was just dropped in the sea, it would've felt like just another joke like "welp, that's dealt with". I like to think that having Izzy's grave near the inn allows Ed to go and talk to him but that's just a headcanon lol.

So TLDR: I think they did Izzy's character arc justice by having him learn that his desire of needing to be a part of Blackbeard was not healthy, learning to open himself up to his new family and eventually learning to love Eddie for Ed, not Blackbeard.

Of course it would've been nice to see Izzy thrive in season 3, but his character arc is done (dead and buried lmao). Yes, it was rushed, but I blame HBO max entirely, this show deserved 10 episodes.

[gabichanwrites]

Imagine you have a character, a broken, vicious man who bites and spits venom even at a person he loves the most, who pushes the buttons of his love just because this toxic familiarity is all he knows, just because it's all he feels safe doing. And then his love finds another person who brings out such a different part of them, a part this character never could or maybe just long forgot how to do. He drowns in jealousy, in his bitternes, he hurts his love, he hurts his love's beloved, their crew... And finally gets what he wanted. Finally has his Blackbeard back, finally can forget about the part of Ed he can no longer reach... But suddenly Blackbeard is unpredictable even to this character.

And suddenly everything changes as he slips and can no longer even enjoy the familiar toxicity because he saw something better and kinder and selfishly wishes for it too, despite it all. And suddenly he understands people around him, people who never saw the evil in Edward, and suddenly he realizes it's his fault. All of it, just a part of it - doesn't matter. He caused this and nobody is happy, not even him.

And then, despite everything, others start to care for him. They tell him "We think you're in a toxic relationship" as if they didn't know it was him who brought Blackbeard back and they hug him tight as if he wasn't the once to sentence them to this horror and they hold his hand when he panics. They experience kindness and hope in a miserable place, maybe a glimpse of what made Blackbeard so soft for a moment there. And when everything falls apart, when he takes the final tumble in this horrible dance he has with Blackbeard, somebody is there to hold him up. Somebody is there to criticize his drinking and make him a new leg and call him their unicorn. The character is "their bastard", he is part of them. He is part of something kind and accepting and he shyly embraces the new familarity-that-might-be, even when he still insults and retreats and bottles stuff up because maybe if he seems fine he can help others, maybe in the end he can be loved in a way as kind as theirs. Maybe he can have a family.

So once they are again in danger he takes the chance and speaks boldly and captures the ominous attention of the enemy. He takes a risk for them. He takes a bullet for it. He rests in the arms of his love and tells him he's sorry even when he could never accept the other's apology. He never gets the chance to try more and forgive more and try to be forgiven more. He can only ever serve as a tool for another character, can never evolve to existing on his own, to healing on his own.

You are Izzy Hands. You are drowning in your mistakes and the toxic familiarity you're too afraid to get out of. And once you dare to try...

The show would rather have you die than give you a chance at healing and happiness.

Your death doesn't prove a point and it doesn't mean anything. It's just cruel.

[tizzyizzy]

OFMD S2 Rewrite Part 1 (???)

I probably should write out a whole, finished plot outline, but I instead I'm starting with my attempts at replacements of the first two episodes.

Episode 1:

On the Revenge, we see that Ed is on a downward spiral. He is drinking to numb his emotional pain, cares little about his own safety or the crew's, and keeps taking risks in an attempt to feel anything. This includes stealing a prize from right under Ned's nose.

Throughout, we see how much this is wearing out the crew, especially Izzy. His toe is infected, but whenever he suggests a break, or going to shore to resupply, Ed is dismissive and uncaring. It isn't until Izzy collapses from infection Ed realizes what's going on.

Meanwhile, Archie has been picked up at some point to join the crew, and her relationship with Jim is developing.

Meanwhile meanwhile, Stede is learning that he has to regain the loyalty of his crew. Without money, they aren't inclined to follow him.

But with the help of the mysterious Ricky, Stede comes up with a brilliant plan to steal a ship. Turns out Ricky actually planned to capture Stede and use him as bait to capture Blackbeard.

But whoops, Stede and co. captured the lead ship of the Pirate Queen, and she's still on it! Now they've got Zheng's fleet on their tail, and a traitor in their midst!

Episode 2:

Izzy, delirious, refuses to accept an amputation, saying he'd better take his chances with the infection than become useless and be discarded by Blackbeard. Ed shoots Izzy in the leg to make amputation the only option. Overcome by guilt and despair, he locks himself in the brig to drink himself to death.

Between Izzy and Ed's delirious dreams, we get flashbacks of their relationship, where it is clarified for the audience. We see how close, productive, and joyful their relationship used to be. Then Ed becomes depressed, lose interest in piracy, and stop taking his role as captain seriously. We see how this puts an unfair burden on Izzy who tries to keep everything afloat while taking care of Ed, but also how Izzy misunderstands the situation and makes things worse by nagging Ed and trying to force him to do something he doesn't care about anymore.

Meanwhile, a storm is coming. Ed is too depressed to care. The crew on the Revenge are struggling to keep Izzy and themselves alive in the gale. Jim and Archie kiss, believing they might not survive.

Meanwhile meanwhile, Stede is having a crisis of his own. As they sail into the storm, his incompetence is becoming clearer and clearer...but he just managed to regain his confidence with his splendid plan. Zheng says she can lead them through the storm, but that would mean letting her out of the brig. Ricky tells Stede not to go through the storm, that it's better to wait it out than trust in someone as dangerous as Zheng.

In the end, Stede is man enough to give up power and trust in the crew and Zheng. Zheng takes charge and Stede, unlike Ricky, willingly submits to her orders, doing every bit of necessary manual labor with the rest of his crew. They get through the storm, and reach Revenge.

On the Revenge, Edward, finally, takes charge to get them through the storm. After his dark night of the soul, he has overcome his despair to save Izzy and the crew. He's wet and miserable with streams of dark makeup down his cheeks, but he's done it.

The storm fades. There are the slightest hints of a rainbow as Stede and Ed stare across at one another.

Authors Notes:

So I would consider this Act I. Here are some advantages of this setup.

No Evil Ed: Ed went full on bonkers in S2, complete horrific torture, murder-suicide, and PTSD inducing behaviors. In TizzyIzzy S2, Ed's atrocities are toned way down. While he's still a brutal pirate, he's more careless than intentionally cruel. This means he's more sympathetic as a character, keeping more of the audience on board. It also makes redemption much less of an issue for him, which mean we don't need to dedicate too much of later episodes to it. Speaking of which...

Ed's Redemption & Agency: In S2, Ed ends e2 being "killed" after nearly killing the entire crew, is unconscious in ep3 and spends all of e4 with Stede. He doesn't start trying to make things up to the crew until 5, and his attempts are woefully inadequate considering the impact. In TI S2, Ed is starting to work toward righting his mistakes as early as the end of ep2. By shooting Izzy's leg and forcing him to agree to the amputation, he's already acting in Izzy's best interest to make up for his previous negligence, even if it is in a fucked up way. Having him overcome his despair and guilt to save the crew in the storm shows growth, because he isn't letting his despair allow him to neglect the crew again. Development! It is also triumphant moment that gives Ed agency, conquering both a metaphorical storm and a literal one.

Stede as Captain: A big question that doesn't really get addressed in S2 is "why Stede?" Sure, he's got a pleasant attitude compared to most other pirate captain's, but he's fundamentally incompetent. Without his money, what is he? In S2, he goes from getting the crew hired by Spanish Jackie, to trying and failing to steal indigo at Ricky's suggestion, to being rescued by Zheng because luck. While Ricky still helps here, Stede still takes the lead in this unspecified brilliant plan. Sure, he messes up because he ends up taking Zheng's ship, but the fact that they actually succeeded goes to show his potential.

Stede as Crew: Another of Stede's flaws is that he can be arrogant. He wants the crew to do what he wants, even if he does genuinely care about them. He still wants to be the guy on top, and he's still naturally insecure about his pirating abilities. In TI S2 e2, he gets to overcome this flaw. He even gets to apply what he learned with Ed: just because Zheng is a fearsome Pirate Queen doesn't mean she can't be trusted. While we do get some of this in S2, I feel we could do with some more Stede bonding with the crew instead of lording over them.

Getting Stede and Ed Together: Before s2, I wanted Ed and Stede to grow a lot before finally reuniting. S2 made me lose my taste for that. Now we're getting Ed and Stede together an episode earlier. With less time needed to redeem Ed and them together an episode earlier, their relationship can be more thoroughly developed.

Clarifying the Edizzy Situation: Are they they world's most divorced couple? Mentor and mentee? Friends with benefits? Idol and worshipper? I don't know, and neither does David Jenkins! This flashback picks a relationship, clarifies it, and sticks to it. We get to be sympathetic to Izzy, by seeing how Ed has taken him for granted, and sympathetic to Ed by seeing unhappy he's been. Maybe we even see that Ed feels compelled to keep being pirate lest he disappoint Izzy.

[neurosiscocktail]

Finale Spoilers ahead-

Processing a lot of emotions about the season finale, and I unfortunately just didn’t like a lot of aspects about it. A lot of which is about Izzy’s death, but some of it is about Ed and Stede, and some of it is about the lack of resolution.

Izzy’s death really felt like the “we ‘redeemed’ the antagonist and now we don’t know what to do with his character so we give him a gut wrenching death” troupe. That may not have been the intent, because the writers of this show are great, and because they’re great I really expected someone to say “hey does this feel like we’re writing a troupe that hasn’t been meaningful since 1980” and no one did.

I really don’t feel like Izzy’s death was necessary or even necessarily meaningful. That being said, I’m not really that upset that he died beyond he was my favorite character and that is a bummer and a half. It has more to do with the situation-

1) why do muppet rules apply to everyone but Izzy? Like, yeah the “he’s the only real human in a show full of muppets” joke is funny, but Ed got bludgeoned with a cannonball and he is completely fine. Several members of the crew have survived and recovered from cartoonish injuries, but a gunshot wound takes out Izzy?

2) There was plenty of time in that scene for Izzy to get out of the way. Or take out the prince with him. I don’t really like the take that he didn’t because he was resigned or wanted to die. I feel like it takes away from the episodes we just had of him finding his place in the crew. Maybe that’s what the writers were going for, but it doesn’t sit right with me.

3) his death speech didn’t add much for me. There’s a saying that funerals are for the living, not the dead and in media I think death speeches often reflect that. They’re not usually about the person dying, but instead it’s about giving something to the protagonist. I don’t really think it did that. It felt like Izzy continued to take accountability for both his and Ed’s actions, which doesn’t actually help Ed grow from what happened. The speech pulled at my heart strings and I think I’m a lot of ways that had more to do with Con and Taika being phenomenal actors than it did with the writing itself.

4) his death speech kind of was rendered meaningless and doesn’t really add anything to the story. He uses his dying words to tell Ed that he can move on because he has a new family that loves him and then Ed and Stede stay on shore totally alone, so either Ed didn’t hear him, or what he said doesn’t have any relevance to protagonist decision and again, not my favorite writing choice.

5) Some people have brought up a very good point that if you stick with a popular interpretation of season 1, that Izzy was a representation of Ed’s old life and that the first season was about Ed needing to choose between the relative safety of Izzy- brutal, emotionally devastating Blackbeard or the unknown that is Stede- the chance for love, trying something new, etc, then it makes sense that Izzy had to die for that to happen. For Ed to really move on. However, and don’t get me wrong, I love my toxic codependent pirates, burying Izzy on land and then living on that land doesn’t really feel like letting go to me. It feels like an extension of their codependency

6) budget cuts meant less episodes. Which is a bummer and not the writers fault. However, it kind of felt like instead of cutting things they wanted to include, they tried to speed run a 10 episode season into 8 and the pacing felt very off.

7) I am including what I personally disliked here. Everything above was sort of issues I had with narration and writing, and this point is just kind of complaining about stuff I personally don’t like in writing. I am so tired of watching shows where they kill off queer characters who have a difficult time with self acceptance and opening themself up to love. I see it so often and find it exhausting. The death was painful and on purpose to be painful. His arc didn’t have to end with him dying. No one else’s , except arguably Buttons, did. And that doesn’t mean he NEEDED to live either, but it felt less like “this is what is best for Izzy’s arc” and more like “this will hurt the audience immensely and we want the finale to pack a big emotional punch” and to me that’s just… not a good enough reason. I know a lot of people don’t feel that way, and arguably the point of writing is to make your audience feel something, but it felt like it was there specifically to garner an emotional response, rather than any real necessity to the story. And I think I feel more strongly about it because again, whether intentional or not, I hate the killing your redeemed antagonists troupe. I guess they did succeed in making me feel something, so if the writers view that as the point of writing, they did what they meant to do and that’s a well written ending. To me, while Izzy’s death didn’t make a bad story out of his arc, I would argue it prevented it from being a great one and that’s kind of a bummer. I also think I unintentionally set the bar higher for the OFMD writers because they have shown better, and that may not be fair.

All that being said, I overall really enjoyed this season, and will watch season 3 if they get a third season. My opinions might change on my third, fourth, or fifth watch when I’m not feeling a lot of emotions about it. I think everyone should be kind to each other, the writers, and the actors in the show. I think sometimes we forget that when something like a season finale is polarizing.

[nothinghere368]

SPOILERS!

Alright I finished ofmd 2 last night. After four or five hours of sleep I still feel like a mess and cannot think straight. And here's my first reaction to the last episode.

Okay so they created one of the most attractive amazing character in season 2 (yes I mean Izzy Hands) and we can see his pain, his softness, his humanity and his struggle, but we also know he's trying to change. He's not really move on okay, drinking in the morning and lying to himself (shark did this) but clearly he's getting better, at least he knew the meaning of love and who he loves (the crew). Everything seems to be back normal and in a good way!

And then they decide to kill this character. Why the fuck are you doing this??? For the record, I can accept main character's death. I just don't understand this, all of this. I really don't think he died like a hero, more like die for nothing. Yes, he is a representative of the old way, a part of blackbeard and yes he pushed ed too hard in s1, but is that mean he has to die at this moment? Cause if I'm right, they literally spent four episodes showing us this poor suicidal man can change, can be loved and be in a super healthy relationship with EVERYONE. He finally realized he had a weird and toxic relationship with the one who never appreciated him and started to pursue his own happiness and even enjoying his little moment. So tell me, why he wants to die? what's the point to kill him like that?

One more thing, we knew Izzy is the best first mate and swordsman. You really believe he would leave a loaded gun for a hostage? And why he is the one to escort the prince? It's almost like shouting to everyone "hey look! wooden leg! I'm a pirate!" And now comes to the most heartbroken scene, that apology. Dude, you are basically a single mom who survived the domestic violence and tried your best to protect your kids from the demon, oh and you lost a leg for that and you chose to apologize to your ex husband before you die?!?! Why?! I loved Edward this character. I really did, but sorry you had no right to say the word "family". You don't treat your family like dogs or ask your ONLY family to shoot you dead even though you knew exactly he had love for you and can never do this, or maim your ONLY family.

I just feel sorry for the character, maybe a little bit furious about the script? He's not a tool or a dog, he's a real person that deserved so much more.

[sarucane]

OFMD Spiral Narratives 37: Ed and Izzy in Those Scenes 2

Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from season 1 to season 2, but in season 2 everything goes deeper than season 1. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, then the second season plucks the same ones--but louder, and then it weaves them together to create a symphony.

---

The scene when Izzy breaks Ed in S1E10 and the scene where Izzy dies in S2E08 have a really fascinating amount of overlap.

Both scenes start on what boils down to the same basic idea: Ed is trying to put something back together. In the first episode, he's putting his own sense of self back together, cleaning up after his earlier despair. It's a real effort, and it's having actual results that matter.

In the second episode, Ed is denying reality and trying to put Izzy back together. The reactions of everyone except Ed and Stede point to the reality that Izzy won't survive this. But rather than accepting this, Ed fights it to the last.

On the following beat, Izzy asserts himself over Ed and Ed's view of reality. The first time, he's being cold and cruel. But the second time, he's being kind and open. In the first scene, Izzy's actions are based on contempt for what he fundamentally doesn't understand ("whatever this is"); in the second, they're based on acceptance of what he does understand, that he's dying and it's hurting Ed.

And then Ed and Izzy talk about Blackbeard.

The first time this happens, Izzy is angry. He imposes a binary on Ed: what he should be is Blackbeard, what he is is pathetic, unmanly, worthy only of contempt.

But he's holding a piece of paper. He's holding a fantasy, that has no bearing on reality. And he's talking about his own fantasy of who and what Ed should be.

In the second season, Izzy finally and truly understands who and what Blackbeard was. Not a fantasy printed on paper: a fantasy conjured by two men. Izzy Hands and Ed Teach, who each built Blackbeard for their own reasons. Ed Teach who outgrew him, Izzy Hands who clung to him and tried to destroy anything that threatened the fantasy.

In the first season, we see Izzy push Ed to be Blackbeard by being cruel.

In the second, we see Izzy own that.

How many times did Izzy make sure Ed wouldn't stray from the path of Blackbeard? How many people did Izzy remove from Ed's path before Ed finally managed to catch Stede? Why did he do this?

In these scenes, the Izzy of the first season says something, and the Izzy of the second season explains what he really meant.

Izzy was scared to see Ed become more, because Izzy was afraid of being more himself.

But in spite of all that, Izzy did become more. And so did Ed.

And where the Izzy of the first season thought this idea was intolerable, found the idea of Ed becoming something else so terrible he'd rather kill Ed himself...

the Izzy of the second season realizes that this "something else" is much more than anything he'd been capable of perceiving before.

And then there's the crew. The Izzy of the first season ignored the crew entirely. He ended up presenting Ed with a binary choice: this crew, this community, family that surrounds you, or me. And Izzy knew on some level that Ed loved him (whatever the nature of that love may be, or have become), and that Ed would do what he wanted.

But in the second season, Izzy doesn't ignore the existence of the crew, of the community on this ship. When Ed is scared of losing Izzy--the very thing that terrified Izzy enough before that he thought losing body parts was a better fate--Izzy tells him he's an idiot. That he'll be fine.

And the scenes meet at the end, and the beginning.

With Izz. And Eddie Teach.