#Its not as clear and defined as I wanted it to be

[literaryvein-reblogs]

Writing Notes: Hyperbole

Hyperbole

An intentional exaggeration or an exaggerated statement that isn’t meant to be taken literally.

Typically used to make writing and speech more exciting using exaggeration. An imaginative hyperbole can capture the attention of a reader or listener as they analyze the hyperbole to understand the user’s actual meaning.

Examples of Hyperbole

Jim fell off the roof and broke every bone in his body.

Don’t touch that hive unless you want to deal with a million angry bees.

We looked forever for the remote but couldn’t find it.

My sister will eat anything.

The whole world was against me, but I managed to complete the report on time.

That comment is the dumbest thing anyone has ever said.

My mom keeps checking up on me every five seconds.

The explosion was loud enough to wake the dead.

I told him a billion times to keep the window closed.

My dad will kill me if he finds out I failed my math test.

That house is older than the dinosaurs.

The TV weighed a ton, so I had to drag it across the room.

Our grandma was the smartest person who ever lived.

The star running back is a bulldozer who destroys anything in his path.

I was sweating buckets while working outside today.

We live in Dallas, and my brother lives a million miles away in Toronto.

Hurry up and hand me the scissors before I die of old age.

The clowns had the entire audience dying with laughter.

She’s been working nonstop on her new painting.

My job is so easy that a monkey could do it.

Our daughter is a little angel.

The smell was so bad it would’ve downed a bull elephant.

Gaston is stronger than 10 men and has a smile that lights up the room.

Since she got sick and stopped eating, my cat has been nothing but skin and bones.

Hyperbole is an example of a rhetorical device.

Typically, a rhetorical device is defined as a technique or word construction that a speaker or writer uses to win an audience to their side, either while trying to persuade them to do something or trying to win an argument.

In the case of hyperbole specifically, exaggerated language can give an audience a sense of scale. For example, hyperbole can be used to imply an issue a speaker supports is very important or be used to imply an issue a speaker opposes is unimportant or dangerous.

At the same time, hyperbole can help establish a rapport with an audience, as it’s often seen as an example of less formal language.

it is important not to confuse or mislead an audience.

It should be clear whether or not a statement is a hyperbole.

A good practice is to use extreme embellishment or impossible feats in your hyperbole to make it abundantly clear that you are exaggerating. For example:

Ambiguous hyperbole: There are twenty cats in the barn. (A possible event.)

Clear hyperbole: There are a billion cats in the barn. (An impossible exaggeration.)

In formal writing and serious situations, hyperbole must be used sparingly and effectively.

Because hyperbole is often viewed as less formal, it may come across as inappropriate or make the user seem as though they aren’t serious.

When an audience expects accurate information or hard facts, hyperbole can give the impression that the speaker doesn’t have the information the audience wants or is intentionally concealing it from them.

Ill-timed use of hyperbole like this can damage the speaker’s credibility or weaken their influence over their audience.

Literary Examples of Hyperbole

His horses are the finest and strongest that I have ever seen, they are whiter than snow and fleeter than any wind that blows. —Iliad by Homer (7th/8th century BCE)

Nor was Stubb the only banqueter on whale’s flesh that night. Mingling their mumblings with his own mastications, thousands on thousands of sharks, swarming round the dead leviathan, smackingly feasted on its fatness. —Moby Dick by Herman Melville (1851)

It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight and a thousand sights of beauty. —Frankenstein by Mary Shelley (1818)

Sources ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[pansy-picnics]

Not to derail the convo too much but i want to add my own input onto this….it sucks bc there are multiple VERY clear reasons why yong and nuru are both pushed aside, but i feel like everyone is afraid to say the quiet part out loud.

- Nuru is a black girl

- Yong is an asian kid

- nuru and yong werent really pitched as main characters to begin with. Maybe they wouldve been, had the pitch been fully realized, but we can only really make educated guesses based on the little information we have. The entire story was really built around varian and hugo, fundamentally- and yeah, obviously we only have the brief outline, but said outline doesn’t really mention nuru and yong like, at all. Doesnt mention any character arcs for them, any prominent relationships, any development theyd have over the series- not even their reactions to hugos betrayal or their involvement in the final fight. its all just about varian and hugo. We can only ever assume, at any given moment, that theyre just….There. And so thats how everyone writes them- as background characters to varigo.

i dont think its wrong to build a story around one character, i mean kay and anna really just did it for fun and i dont see any problem with that- but when people try to make it into a fully realized story, it doesnt really work because there are basically only two main characters and two guys who are just There. so instead of the VAT7K Fandom we just end up getting The Varigo Fandom. i honestly do think its why so many people come and get hyperfixated on it for a few months and then leave. There just isnt really any content to work with, because there are only 4 characters and people are only fully utilizing two of them.

-Did i mention theyre a black girl and an asian kid next to a yaoi couple featuring White Boy #3567488 and Kind-Of-Racially-Ambiguous-Probably-White Onceler Jr because the implications there are Not Great.

I joke, i love them all, i promise, but it is really something that bothers me a lot, especially since ive been here for so long and i dont really consider myself “in” the fandom enough to like, get super obsessed with any of the characters and make 1000 fics and drawings of them. If anything vat7k is kind of like the tts dlc to me. Im mentally ill about varigo and i love nuru and yong to bits and have SO MANY thoughts about them but they just usually stay in my head because i dont have the energy to expel them in any efficient way LOLOLOL. At the end of the day i consider myself more of a tts fan than anything else.

bc nuru and yong never really had any substance to begin with, people cant usually get super attached to them past a surface level, and it gets REALLY frustrating.

- When it comes to nuru, im like, the whitest girl imaginable so i dont want to talk out of turn here but i do want to mention it bc nobody else seems to be willing to- the way nuru is made into either the mature “mom friend” of the group or the “sassy best friend” is something that makes my blood BOIL, because they both feel SUPER stereotypical considering that shes a 16 year old black girl!!! i’ve talked to my friend, who is black, about it a lot (Id tag him here but hes Not in the fandom so i dont want to drag him into this LMAOAOAO) but weve discussed how black girls are “adultified” by mainstream society and quite literally robbed of their childhood and innocence. they’re treated as “mature for their age” and are expected to act as such…..It makes the way people portray nuru as the “mature one” rlly gross to me 😭. and luckily i dont see that “mom friend nuru” AS often anymore, but when people dont do that, i feel like they kinda just turn her into the “sassy voice of reason” which just feels like a whole black best friend trope to me…..😭 Guh. I think just the best anyone can do is actually make her a fully realized character!!! She feels so one note so often 😭

- And yong…I feel like he so often just gets made to be the Baby of the group and the comic relief (which is DEFINITELY because hes also a fat kid but thats a Wholeee other can of worms (eye twitching)) And like that can be fun sometimes, but also i feel like the main appeal about team radical, at least to ME, is that theyre all just stupid petty teenagers who are unparented and sent on a little coming of age quest and they all probably immediately start beefing with each other like its fucking lord of the flies. Yong is Twelve Years Old guys. Have you ever met a twelve year old? Theyre at that age where theyre like weirdly edgy and think theyre the Shit and that every adult around them is a fucking idiot. Yong has the potential to be soooo fucking funny past just being the cutesy little baby of the group and i feel like people just arent really willing to explore that. And like he can still be the more emotionally open one too! I feel like he starts out a lot more silly and more of that steven universe type hes usually portrayed as, but the longer he spends with the gang he just quickly becomes equally as deranged as them LOL. Id love to see a much more mischievous yong whos sweet but also a Very insecure 12 year old and kind of a shithead. I think it’s such an untapped market.

Idk i dont think that if you just Can’t get attached to nuru or yong that you’re like…Bad or like. racist or whatever Thats not what im saying at all!!! bc i do think that kay and anna for all their amazing work on the pitch did kind of contribute to the problem bc of the way nuru and yong are shown, or, well. not shown in said pitch lol. And i also think that everyone should consider the implications these characterizations have and like…Try and challenge themselves to branch out a little more!! and i also feel like a lot of people who ARE nuru and yong fans already arent very loud in the fandom, cuz like, with how varigo centric the community is i think its just assumed by default that nobody cares….and if thats you i want to encourage you to please PLEASE speak up and make more content about them bc people DO care!!!! it is a niche that so many people are willing to invest in!!! Especially me!!! Please please please please im on my knees plea

Guys I NEED to rant about my thoughts on Nuru because i love her <3 ramblings ahead

Like I feel like in almost every fic i read, she's just like, a side character that's there to make whitty remarks to Hugo and be the levelheaded one. If she has an insecurity or problem it's usually pretty surface level and solved quickly, or only mentioned once or twice. I think there are SO many aspects of her character that are so cool.

Okay first, I think we sometimes forget that she's a nerd just like the rest of the gang. Yes, on the outside she's definetly the most 'normal' one, but I think we should concider the fact that she's the only girl in the group, and she's literal royalty. She was raised with a completely different set of standards than the other three. I don’t think I've really ever seen anyone cover that. I feel like she would get called "mature for her age" when she's only 15/16, and almost always gets critisism when she talks back with her own ideas (like her concerns about the meteor shows for example). I feel like out on her journey, she would finally get the freedom to just be herself, and be a kid and be able to rant on about her intrests with the rest of the group. It could be a struggle at first, but it would be awesome to see her getting more comfortable with the group the longer they spend together! Nerds encouraging nerdy rants lol

Since she is a kingdom figurehead, you could also argue that she always has a lot on her hands (especially since she's very proactive when it comes to science and solving problems). This could bring up a need to be productive, or always feeling like she needs to make the right decision, even for the littlest things.

I also feel like a lot of the time she's potrayed as the "right" one, who is 100% right when it comes to stuff like arguing with Hugo. Since they're opposites when it comes to class, they often are compared through that lense. I think it's cool just having Nuru tell Hugo off for judging a book by its cover, but I feel like they have a lot more in common than they realize. I think it would be interesting to see Nuru judging a book by its cover too. Maybe not to the degree that Hugo does, but I feel like calling out both their judging would not only call out character flaws, but it also enforces that even though they hate eachother and would never want to be like the other, they have a lot of the same flaws.

Also, being sheltered in a palace her whole life, I think she might think kind of black and white sometimes, and while she knows when people are just being mean as an act, she might struggle when it comes to people like reformed criminals.

Maybe she's able to be meaner to Hugo because she justifies it by telling herself he's criminal, and therefore bad, possibly glossing over the reasons he might be like that (maybe it crosses her mind, but she tells herself it's not a good enough reason, because stealing is still stealing, and he literally steals EVERYTHING. Even little trinkets and stuff he definitely doesn't need!). When they find out about Varian's criminal history, maybe she reexamines her views on morality and how she used to see people, because by her standards, Varian is a 'bad guy' who's caused harm to SO many people, but he's also the kind, caring, helpful friend that she's been traveling with who would never willingly hurt anyone.

Moving on to Amber x Nuru, I honestly never find myself liking the ship because Amber isn't developed enough which is fine. I don't think every character has to be a magnificent work of art. Side characters are side characters, but their romance is usually written like: "wow that girl is cute! I have a crush now!" Which is cool, but then that's about as far as it gets, then timeskip! Or offscreen they're a couple now. I know it's a side couple so it won't have as much devlopment as something like Varigo, but I never really see their dynamic play out in different situations. Like I don't know how to explain it, but it feels like they solely exist to be a couple? Amber sometimes just feels like an extention of Nuru, and their relationship feels surface level a lot of the time.

I feel like too often she's just watered down to the nice, smart, grounded friend, and I don't know I just think there’s so much more to explore with her. She’s not just some side character. She's literally part of the main cast! Even in fanart I feel like she doesn't really get a lot of stuff besides funny art and just like, pictures meant to look pretty. Unlike something you get a lot with characters like Varian or Hugo.

And honestly I get it. Some characters you just don't take an intrest in. I know I find Varian, Hugo, and Nuru more relatable than I find Yong, but I feel like part of that is developing their characters rather than just seeing them on a surface level. Ofc there are exceptions and there are some stories that dive deeper into Nuru's character out there! I just happen to see this A LOT.

Wow i said "surface level" a lot didn't I 😭😭

Anyway thank you for reading my rant i wanna know what you guys think!!

[aranarumei]

what would separate hirano and kagiura?

so. about that preview of the adult au… I’m sure everyone’s wrecked right now. and I. have some thoughts.

so like, for the adult au to exist at all, harusono sensei has to contrive a situation for both hirano & kagiura to not get their romantic drama in high school, and the same applies for sasaki & miyano. it’d be easy to say that these couples are separated just because they need to be, but i think it’s worth giving them a look. under the cut because i'm being thorough.

for sasaki & miyano, it’s simply that they never meet past their first meeting. hirano doesn’t tell sasaki what miyano's class is, and that’s that. kinda mundane, isn’t it? like… cmon, you’d expect sasaki to try a little harder.

except. well. if there’s any word that defines the sasaki of middle school and most of his first year of high school, I’d say it was apathy. I think sasaki's got a very strange relationship with the idea of force—he uses too much of it on his sister once and subsequently avoids using any kind of physical strength to an extreme degree. he doesn’t break up that fight in the beginning by brawling, and when those kids retaliate he doesn’t hit back (ch 1, 2, and 4 of sasaki and miyano show these scenes, but it's ch 2 of sasaki and miyano: first years that explicitly confirms that sasaki threw no punches) and in a friendly arm wrestling competition he uses basically none of his strength at all (2020 sosenkyo extras). he’s careful in how he speaks to miyano and he feels bad for asking him to quit the crossdressing competition (ch 23, sasaki and miyano). he’s really patient about getting his answer.

in its best form, I think sasaki & miyano's relationship is about Care—miyano is so into his interests and so bright about them, and i think that overwhelming sincerity attracts sasaki, and i think it's a large motivating force in making him a more active person. so in a certain way it makes sense that the way they "miss" each other, in this au, is something that amplifies a negative trait/feeling that exists in the original.

for hirano and kagiura, they don't room together for the next year, and then... they drift apart. but here's what interests me. in the adult au, kagiura gets 61st on his exams. you know what he gets in canon? 60th! that's a difference of one place—the difference is so very clearly not the grades itself, it's internal. @raihanstrapinch suggested that this is perhaps an AU where kagiura took the "one day off" mentioned in ch 19 (you can find the post here) and I think this makes sense for a one place difference! (that one place being the possible cutoff for being able to be roommates again is tragic, though)

interesting is that kagiura says that he doesn't want to look back and regret taking that day off, because then he'll never forgive himself. I think this is exactly what motivates kagiura and hirano drifting apart: shame.

in ch 18 of hirano and kagiura, the topic of "equality" in a relationship gets discussed. kagiura wants to have a relationship between equals, and so that's why they start doing stuff like taking turns waking each other up, and it's why hirano gets kagiura to teach him some basketball. this isn't a new topic, since kagiura's been wanting hirano to be needy with him for a few chapters now, and it's one that gets extended on into ch 24, where hirano makes clear that his 10 seconds is distinct from kagi. reciprocation... it's beautiful.

point is, a lot of hirano and kagiura deals with what hirano and kagiura can do for each other. that's because it's central in establishing their continual understanding of each other. hirano is learning to fall in love with kagi, little by little. they're figuring out their relationship. of special importance is how both hirano and kagiura influence each other in the spheres of basketball and studying.

basketball is obvious: in ch 1 and ch 2, hirano takes care of kagiura so that he'll recover quickly from his cold, and he also helps him handle his loss. it's in ch 17 where we really see the full scope of how it applies to both of them, though: kagiura takes his 10 seconds and gets recharged for practice, and then hirano thinks that he really wants to study right now. despite their differences, hirano and kagiura sharing space with each other makes both of them better at their goals. it's a direct repudiation of the ideas that are floated in ch 11 and ch 13: that kagiura came to the dorm to focus on his club activities, while hirano came to the dorm to focus on his studies. their focuses, then, should naturally be pulled in opposite directions. they might just end up distracting each other.

something that's fascinating about the preview of the adult au is that, after waking up, kagiura demeans himself by saying he essentially has no self-discipline / control. here it's in the context of getting basically blackout drunk, but I think it also reflects how he might've felt back then, getting that grade. he didn't have the self-discipline to balance both studying and basketball well enough, in his own opinion, and since he feels like he didn't try his very best at it ("one day off"), I think he might have concluded, personally, that it might be best to pull back. it's not the first time that kagiura's drawn back, after all: he was like this when he started reacting too much to hirano's touch, and he's still like that because he keeps carefully calculating out his 10 seconds. as hirano says in ch 23, he looks annoyingly miserable when he's like this. he worries so much about crossing the line, about not being as good as hirano thinks he is... to me it's perfectly reasonable that there's a world where kagiura retreats.

in their character descriptions for the adult au, it's noted that hirano is mostly taken up by studying and doesn't socialize much, while kagiura doesn't really talk to anyone outside of basketball-related matters. i think this really shows off that idea of the adult au kind of expanding on a theme that gets introduced in the original, but in a negative direction: instead of balancing and positively influencing each other like they do in canon, here hirano and kagiura have retreated solely into their own focuses.

i think hirano is genuinely rooting for kagiura's success in basketball. he's always so impressed by his passion for the sport, so I think here, along with kagiura's self-inflicted withdrawal, he'd probably rationalize to himself that kagiura's working hard on basketball, and it's... good for him that he's doing so. honestly he seems kind of slow on the uptake with emotions in general so even if he did circle around to thinking about reconnecting, he might've already graduated and it would've felt too weird for him. i also think that, to sort of mirror kagiura's own hard work with basketball, he'd also work hard on his studies. in some strange way, they're still powering each other forward.

[swallowerofdharma]

An example of novel that follows the literary realism tradition but is sometimes approached under romantic lens, and therefore distorted into something else entirely - maybe because of the (bad) movies adaptations? because of the marketing and the covers? I don’t know but I will link this no longer rebloggable post for you to check - is Lolita by Vladimir Nabokov.

I read Lolita when I was seventeen, felt deeply discomforted but I liked the book, understood what it was doing with its narrator, but I have to add, before reading Lolita, I had already read Flaubert (Sentimental Education, didn’t finish Madame Bovary) and Émile Zola to name a few. I think that growing up I have read more books in this genre than others? I don’t know considering that back then I had to read a lot classics for school.

But long story short, I think something similar maybe it’s occurring with Saezuru. To be clear, I am not saying that you have to read it in a certain way, please I don’t really want to even imply that. Read it for yourself and your pleasure first. What I am saying is that, like Lolita, to me Saezuru makes total sense if we assume that it is written with a realistic intention and therefore not exactly bound by the rules of romantic novels that tend to present more positive and idealized views. After all manga are divided into demographics more than their genre, so authors draw very different stories. I still want these characters to find happiness! But I also want to be able to buy the eventual resolution and therefore I appreciate that the development of the story feels organic.

Anyway just a thought. Nakobov himself wrote (in Strong Opinions):

Reality is a very subjective affair. I can only define it as a kind of gradual accumulation of information; and as specialization. If we take a lily, for instance, or any other kind of natural object, a lily is more real to a naturalist than it is to an ordinary person. But it is still more real to a botanist. And yet another stage of reality is reached with that botanist who is a specialist in lilies. You can get nearer and nearer, so to speak, to reality; but you never get near enough because reality is an infinite succession of steps, levels of perception, false bottoms, and hence unquenchable, unattainable. You can know more and more about one thing but you can never know everything about one thing: it’s hopeless. So that we live surrounded by more or less ghostly objects— that machine, there, for instance. It’s a complete ghost to me— I don’t understand a thing about it and, well, it’s a mystery to me, as much of a mystery as it would be to Lord Byron.

As for marketing, if you check the link and think about Saezuru: the covers and merchandise vs the content of the chapters, vs the story as it’s told, the parallel with Lolita makes sense to me. The cover only has one imperative: to sell. But once you are alone with the story, you see that stylistic choices, tone, everything suggest that you read it in a critical way.

The way Yoneda Kou draws is also quite sober, discarding decorative details and paying attention more to frame and pov. The way she presents what happens is objective and detached, neutral I’d say, making us impartial observers most of the time, letting the actions speak without commentary being made. The dialogue is hard for our translators because it recreates the speech patterns of the various characters faithfully. And these characters are common yakuza that live harsh realities, the gritty social aspect of it is visible and part of the story, as well as social injustices and personal trauma, and keen and realistic attention to human behavior.

I guess all this clued me in to reading the story the way I do, and probably also why I chose it in the first place. Realism is the genre of fiction I am more read in, although I am expanding my horizons more and more.

[bananaede]

I actually finished it

[despazito]

for every bird design i like in this movie there's one that i'm really not a fan of..

[dashiellqvverty]

the thing about bbc merlin is that in many ways it is very tragic, in the sense that so much bad shit that happens could have easily been avoided if charcters had made different choices, hadn't been so wrapped up in prophecies, had trusted people and communicated openly literally ever, just generally got their heads out of their asses. like i know thats the point, they are trying so hard to do the right things and protect people but the story is unavoidable. HOWEVER it is all soooo fucking poorly executed that none of it is effective. so instead of thinking "wow what a tragic story about fate/destiny/whatever" you walk away like "well that fucking sucked for no reason. i hate that fuckass dragon" and i sometimes feel very cinemasins in the way i pick apart the logic but the thing is the show is written in a way that makes the characters come off as so stupid and always making terrible choices rather than like. tragic victims of circumstance.

[moghedien]

honestly I find it really weird when people get mad at "cozy" or low stakes popcorny stories for not being deep and meaningful.

like no, shit, why on earth did you pick up the cozy book thinking you were gonna get gritty realism that had something to say about society. like you don't have to read those books, no one is making you, but literally the point of them is make you not have to worry and turn your brain off for a bit. like???? are we gonna get mad at "squeecore" again now? are we back here again??

[brittlebutch]

working on another I Like You Too fic btw. i got distracted by the whole HRT wait but Im back at it again :3

[midnightdemonhunter]

Finally a guy with my sense of humor!

[babybabymerrychristmas]

it does NOT surprise me that there are SO MANY tabloid movies coming out being labelled as "documentaries" filled with "friend of a friend of a friend" claims or like heavily, heavily, heavily biased with a clear narrative the filmmaker wanted to push from the beginning that tells only one possible explanation of the truth.

usually if a documentary is trying really, really, really, really hard to make you think a certain way, it's a propaganda piece. you shouldn't have to force feed your audience the "right" opinion to take away from the film evidence. you should present the full story as accurately as possible with real historical evidence to back up the storyline and the audience will walk away with the right idea.

documentaries should not have an overly persuasive tone to them because you should be able to follow the facts to get to the right answer yourself. if you find yourself walking away from a documentary feeling nothing but "wow this proves exactly what i suspected to be true why arent more people angry about niche radicalizing viewpoint that most people find to be inaccurate" you should recognize that as the first step to being indoctrinated into extremist behaviors and thoughts.

[always-a-slut-4-ghouls]

When I was making my first trying-to-be-serious ocs it was in the start of the 2010s (and I mean the START, 2010-2012) and there was a big “anti Mary-sue” movement on deviantart (the website I spent half my internet time on and was posting my art on) and I liked to make my character designs pretty extra (although compared to modern stuff they look pretty normal) so I started to get self-conscious. At the time though I was watching soul eater (and there was another thing I’m forgetting and it’s really frustrating me) and I saw that it was popular with a cool art style and the characters were extra AF, so I was like “okay. Maybe, as long as I can draw my character often and consistently it doesn’t matter if they are wild!” and you know what? Early teen me was RIGHT. Not about many things, but about this in particular she was!

[comma57]

*walks into the room stumbling and covered in blood* hey everyone i made another heartbreaking observation of the dmc5 manga (spoilers below. of course)

the first image is dante's expression seeing vergil's return in the LINE chapter. the second image is the edited version for the published volume. in the edit, his grimace is more downturned, and he has more wrinkles around his eyes and on his nose, the kind you would get from furrowing your brows and creasing your eyes (or as i like to call it, scrunching up your face).

AND. he also has a sweat drop on his cheek. now, sweat drops can emphasize worry and stress and what not. but because of where it is i'd like to think it was put them as an ambiguous case. is he sweating? or is he crying?

[sanguinaryrot]

not sure how dnd lore works but i want to know your take on a scholar orc

So i had an immediate reaction to this. Scholars are called Sages in the DND handbook and it is a background which leaves the class open to me. Sages are usually associated with Wizards but i think i am going to. Shake It Up a little. just a little!!

When you're fed supposed truths about yourself for long enough, you eventually begin to believe them. Urul knows he is dumb because people tell him he is. Even people he's never met. "You're just a big dumb orc, what could you possibly know about magic?" But Urul wants to know. He's been searching for truths about the universe for years now, reading what tombs he can get his hands on from the outskirts of towns and big cities and consistently praying to Aureon to grant him wisdom and intellect. He knows devotees of Aureon are usually wizards, and in most case also bureaucrats, but this doesn't stop him. But no matter how much he learns, people still call him dumb. And after he is assaulted by a group of adventurers when Urul attempts to enter the library in town for the first tome, he tearfully visits his alter, and he wishes that he would have been born human so that he wouldn't have been made so dumb. But in a vision, he is visited by Aureon. His undying dedication not only to him but the pursuit of knowledge even in the face of constant adversity over the years has impressed him, and he urges Urul to take up his mantle, to spread his divine word. To show the world an orc is just as capable as a gnome. Urul is still discriminated against, but he is strengthened by what his god told him the first time he spoke to him. "You aren't dumb. You never have been."

Send me a class and a background and i'll write a brief description of a character fitting that description :0 !!

[brainjuicey]

I'm not going to lie, this nytimes article about Val kilmer makes me cry when I read it!

[huffingtonpussy]

The insides are wayyy darker than this but i don't gaf abt being acurate rn