#It's still better than Dallas

[dearyallfrommatt]

I went to a couple of SXSWs for work around '99-'01, and the trademarkization of Austin was already in full swing. I've been told the first SXSW I went to was the last one that wasn't completely ridiculous, which makes me wonder how bad it's gotten now.

Like any other town, the best places were where the tourists and/or hipsters didn't go. It was a lot like New Orleans is now in that respect. I did go to one old-school Texas dancehall (and saw Jo-El Sonnier and Rodney Crowell, both of whom I got to tell I'd been a fan since I was 12, and my buddy Scott Miller), and that was pretty neat.

Did you like living Austin?

No, I did not. If I'm not mistaken, there were 50 straight days of 100 degree temperatures at one point. The weather was awful. The traffic was worse -- and I'm from Sacramento and I've lived in Los Angeles for years, so it's not like I don't know what traffic is like.

Everybody kept telling me how "cool and "weird" and independent Austin was, but it was the most over-commercialized city I've ever been to -- and, again, that's coming from somebody whose lived in Los Angeles. It has to have the most big-box stores and franchise-anchored strip malls per capita of any major American city. Every time Austin is mentioned, it should have a trademark symbol next to it, like this: Austin™

Also, people will tell you that it's a "liberal oasis" in the middle of Texas. Guess what? It's still very much Texas. I saw my first Confederate monument in Austin, as well as the second and third and fourth. I saw more Confederate flags on license plate frames and truck windows within the city limits of Austin™ than I ever saw anywhere in rural Missouri. And if someone told me that there were still explicit segregation laws regarding where people can live in Austin, I would not be the least bit surprised considering the demographic makeup of each neighborhood.

I know I'm going to get hate mail for this one, but I'm just answering questions honestly!

(I only have love for the LBJ Library, though. Austin does have that, and the @lbjlibrary is worth a trip on its own. But go in November instead of the summer...but not when there's football game at UT that paralyzes traffic in Central Texas for 18 hours.)

[chippedshake]

Ponyboy stands in front of the mirror, fifteen and one month old. His hair is longer than it used to be, and the still-blond tips brush his shoulders.

There are scissors in his hands.

"Glory, he looks different with his hair like that."

Ponyboy squeezes his eyes shut, hands gripping the sink for balance. The metal scissors clang against it.

"It used to look tuff. You and Soda had the coolest-lookin' hair in town."

He tries to imagine himself a year and a month ago. Squared off in the back, long at the front and sides. It looked real tuff.

He'd complained so much when he had to cut it off, making everything impossible for Johnny, and now he can't make himself bring it back to normal?

"Oh, come on, Ponyboy, it'll grow back."

It did. And now he doesn't know what to do with it.

"Oh shoot, it's just hair."

The front door slams open.

"Honey, I'm ho-ome!"

"I never shoulda showed you that," Steve grumbles

"Well, ya did, and now ya gotta deal with it." Ponyboy can hear the grin in Soda's voice.

Loud footsteps go into the kitchen.

"Hey, ain't Pony s'pposed to be home already?"

"Prolly is, just up in his room with a book. Wouldn’t notice a twister a foot away if he was reading."

Steve snorts. "You up for a game of cards?"

"Sure. I gotta go change first though."

"Ya mean you gotta go stick an ace in your shoe?"

"Somethin' like that."

Soda's voice trails away as he makes his way to his room, but Steve's has grown closer and closer, and Ponyboy knows he's going to see him and ask questions that he doesn't want to answer, but he can't move from where his hands still grip the sink, scissors trapped against it.

"Hey, kid." Ponyboy looks up and meets Steve's eyes through the mirror. He's standing in the doorway, one hand gripping the frame, whole body tense with discomfort, his face drawn with the same worry that strings through his voice. "You want me to get Soda?"

Ponyboy shakes his head and tries to subtly wipe his eyes. It'd be a new low to cry in front of Steve.

Steve's eyes flicker from Ponyboy's face to the scissors in his hand and his ungreased hair. He grimaces when he notices the tears, like he's not sure what to do with them.

"You know, cutting it off don't mean you'll forget them. You've still got a lotta memories that ain't in your hair. Better ones, too."

Steve's tone is matter-of-fact, but soft, softer than it's ever been. To Ponyboy, at least.

Like how Dally's voice reached a high, pleading tone it'd never reached before when they were speeding down that dirt road.

"I know..." Ponyboy whispers, and Steve leans in to hear him better. "It's just the last thing I got from them."

"That ain't true," Steve says. "You got both of their jackets and that book y'all read in the church. You even got the pictures you drew of them."

"Yeah, I know. It just ain't the same." His voice still won't come out above a whisper, but Steve seems to hear him just fine.

"Shoot, kid, I know that." He steps forward and sits down on the closed toilet seat. "But you can't live your life for them. They're gone. And they ain't comin' back. If you wanna remember 'em the right way, you gotta forget them sometimes."

Ponyboy thinks about the last year. About his bookmark that's been on page 118 for five months because Johnny would never get to read any pages after. About all the movie posters he's seen come and go because it wouldn’t be the same to watch them without Johnny. About the blade that's always in his back pocket that he can't stand to look at. About the time he brawled with Curly and then started crying because Dally had been the one to teach him how to throw a punch.

About how every time he looks in the goddamn mirror, he gets scared by his own reflection and remembers the church.

Maybe Steve's right. Maybe if he wants to start living normally again, he needs to forget them sometimes.

"This just ain't us. It's like being in a Hallowe'en costume we can't get out of."

Johnny might never get out of his costume, but Ponyboy could. And he would do it. For Johnny. Because he wouldn’t want Ponyboy to live as a shell of who he once was.

But when he meets his own eyes in the mirror, he knows he can't bring himself to do it.

"Steve, you ever cut hair before?"

He looks up in surprise, and for a moment Ponyboy's scared he's going to laugh at him. Then he stands up and holds his hand out for the scissors.

"Can't imagine it's harder'n fixin' up a car."

[moghedien]

is it just that California people are insane or am I missing something about In and Out because I tried it a few months back and it was like….not good?

And I say this as a lover of fast food cheeseburgers

[claritys-silly-things]

The gang is good at singing send post

[lenacopperleaf]

I’m pretty sure I’m watching a Dallas stream?

[the-carlos-cow-eyes]

So....I just found out how exactly they changed up Dally's death In the The Outsiders musical and I don't really think I like It....

I had already heard rumors that his death was being changed, but now that I know what his new cause of death Is In the musical....I can't believe I'm saying this, but they might as well have just still shot him with how fucked up It Is😭

I won't give anything away because It's still a fairly new musical (first official showing was like a month or so ago), but DUDE-

I don't know If I'll ever warm up to It, but they made his death SOOOO much fucking worse than In the book and the movie

It also really messes up the overall Initial message of classism and how the cops really only shot Dally because he was a greaser and was at a lower social class than let's say If a Soc had been In his position

Idk, that's the only really major spoiler I've gotten, so It's my only gripe about It. I'm still gonna go out of my way to go and see It at some point and I'm still gonna drag my The Outsiders loving best friend along with me though, lol

[mzcain27]

Finished the live action avatar

It’s not a perfect adaptation, I think the biggest thing is they have taken a lot of the fun out of it, Aang doesn’t wanna go do kid stuff, Iroh is way more serious, BUT I don’t necessarily blame like the series itself as much as I blame the current state of tv being in constraints of like 8 episodes and wanting people to binge it in the first few days and everything.

I hope they let Azula be as scary as possible next season, I think they just wanted her introduced a bit earlier since everyone was gonna be waiting for it, I hope they let Iroh chill out a bit more, but in general from my point of view if you see people bashing this series with as much vitriol as the movie then they’re being super dramatic. There are parts that could absolutely be better but like I said those issues go hand in hand with issues with all of tv right now. I think it’s decent at least, I know it’s a beloved series but some people are being HARSH

[music-for-them-asses]

Absolutely beautiful weather today. Do you think Ms. Moon could reschedule her appearance for this afternoon?

[musclegoth]

lmfao "welcome to Dallas, the most vampire-friendly destination in the great state of Texas" YEAH RIGHT BRUH NO IT WOULD NOT BE!!!!! LMAO

[the-physicality]

"tomorrow we find out where paige is going" .... .tomorrow we find out which team has a 99% chance of drafting paige

[bueckets]

Prophecy | Finale

Pairing: Paige Bueckers x Reader

Parts: Part One | Two | Three (you're here)

Description: Following the viral video of Paige and Azzi, you spend the next three months redefining what perfect means. Each shot becomes a statement, each swish echoing with something colder than precision. Your teammates watch you stay late every night, turning heartbreak into headlines, until even UConn's dynasty seems breakable.

The game approaches like destiny. Harvard versus UConn in the Final Four, a collision course that ESPN calls "The Game Women's Basketball Has Been Waiting For." Twenty thousand tickets sell out in minutes. The whole sport holds its breath.

You haven't spoken to Paige since that night in the snow. Haven't read her texts or opened her letter. Instead, you let your game speak - 47 against Princeton, 51 against Yale, perfect shooting in both. They call it The Revenge Tour, though you never bother correcting them.

Now Dallas looms like a storm on the horizon. One game to prove that some things break you, and some things make you unbreakable.

This is the story of which one you become.

WC: 11k

WEEK ONE

After that night in the gym, you don’t miss. Not once.

Every shot is a calculation, a release, a fury of physics and heartbreak. Each arc is perfect, each swish feels like vengeance. The ball obeys because it has to. Because it’s the only thing left that makes sense.

Paige’s texts come in like a storm. Desperate, raw, and relentless:

Monday (3:47 AM): please just let me explain.

Monday (4:15 AM): it wasn't what it looked like.

Monday (4:22 AM): i miss you.

Monday (4:45 AM): please answer.

You sit on your bed staring at the ceiling, the blue glow of your phone lighting the room like a taunt. Sierra grabs it from your hands and sets it face down on your desk. “Nope.”

By Tuesday, the messages get sharper, more frantic

Tuesday (2:13 AM): i know you’re mad. i’d be mad too.

Tuesday (3:01 AM): rocket, please. you mean everything to me.

Tuesday (3:45 AM): i never meant to hurt you. i’d do anything to take it back.

By Wednesday, she calls. Seventeen times. Sierra’s thumb hovers over the block button. Jasmine glances at you, but you just lace up your shoes and head for the gym.

Thursday, the texts shift to something softer, almost pleading:

"i know you're reading these."

"just tell me you're okay."

"god, i miss you."

"please just talk to me"

Sierra and Jasmine take turns deleting the messages before you can see them, but you know. You always know.

“She’s hurting,” Jasmine says carefully one night, her voice soft like she’s walking a tightrope.

"Good," you respond, and sink another three.

WEEK TWO

The texts get longer, more rambling.

"i know i screwed up. i don’t even know how to start fixing it. all i know is that i want to."

"i miss how you made me feel like the best version of myself. like i could do anything."

"i miss you solving equations while watching film. i miss your voice. i miss you."

"rocket, i love you. i don’t care if you don’t believe me right now, but it’s the truth. i love you."

"please just tell me to fuck off or something. anything is better than this silence."

You don’t read them, but Sierra does. She updates you with clipped summaries: “She’s still apologizing. Still desperate.” You just nod, focusing on your form. Release. Swish.

“She says she loves you,” Sierra says one day, her voice careful.

“Doesn’t matter,” you reply, grabbing another ball.

WEEK THREE

Thursday evening, it snows. Heavy, wet flakes that stick to the ground and blanket campus in white. You’re in the gym, as always, the only sound the steady rhythm of the ball hitting the floor, then the net.

Sierra bursts in, out of breath, snowflakes clinging to her jacket.

“She’s here,” she says, voice strained.

You pause mid-shot, the ball resting heavy in your hands. “What?”

“Paige,” Sierra says. “She’s outside. Just standing there. She’s not leaving until you talk to her.”

You blink, your pulse quickening. “In the snow?”

“Yes. In the snow,” Sierra snaps. “Want me to handle it?”

You glance at the door, at the faint glow of the snowstorm through the windows. Your chest feels tight.

“I’ll do it,” you say quietly.

Sierra looks surprised but doesn’t argue. “You sure?”

You nod, dropping the ball onto the rack. “Yeah. I’ve got it.”

You push open the gym door, and the cold hits you like a slap. The snow is coming down hard now, heavy flakes swirling in the wind and catching in your hair, on your lashes, melting instantly on your skin. The air bites at your face, sharp and unforgiving, and you pull your sweatshirt tighter around you as you step into the storm.

Paige is there.

She’s standing under the dim glow of the parking lot light, a lone figure against the blanketed white. Her coat is too thin for this weather, her arms crossed tightly over her chest as if that could keep the cold out. Snowflakes dust her hair, her shoulders, even her lashes, sticking there like delicate glass. Her nose and cheeks are red, raw from the wind, and her breath comes out in uneven clouds that catch the faint light before disappearing.

Your heart pounds as you take her in. It’s not fair, how seeing her still makes your chest tighten, how her very presence feels like it could knock you off balance. You feel your feet ache against the frozen pavement, the sting of cold air in your lungs, but it’s nothing compared to the burn in your chest.

She looks up as you approach, her eyes locking onto yours immediately. They’re red, glassy, the unmistakable sheen of unshed tears making them glisten. She uncrosses her arms, her hands trembling, and takes a single step forward.

“Rocket,” she says, and her voice cracks. Just that one word, and it’s enough to make your knees threaten to buckle.

You stop a few feet away, planting your sneakers firmly into the snow to keep steady. Your throat feels tight, your tongue heavy. For a moment, you can’t speak. You just stare at her, the silence between you as thick as the snow falling all around.

“What are you doing here?” you manage finally. Your voice is sharper than you intended, but the lump in your throat makes it hard to sound anything but cold.

She shifts, wiping her hands on her coat as if that’ll stop them from shaking. “I—I had to see you,” she stammers. “You weren’t answering, and I just—” Her voice breaks again, and she swallows hard, trying to steady herself. “I just needed to try.”

The words hang in the air, weighty and raw. You bite the inside of your cheek, forcing yourself to stay grounded, to not let your emotions spiral. The wind picks up, whipping snowflakes against your face, and you blink hard against the sting.

“You’ve said enough,” you say, your voice flat.

“I know,” she says quickly, stepping forward again. Her boots crunch against the snow, and the sound feels deafening in the quiet. “I know I’ve said everything wrong. I don’t even know if there’s anything left to say. I just—” She takes a shaky breath, her hands balling into fists at her sides. “I need you to know how sorry I am. How I got into my head leading up to it. I was scared. I’m sorry. For everything. For ruining us.”

Your breath catches at that, and your chest tightens even more. Her words hit like a weight, heavy and suffocating, and for a moment, you don’t trust yourself to respond. You feel the sting in your fingers, the way the cold air pinches your ears, the dull ache in your feet from standing still too long.

“It wasn’t just a mistake, Paige,” you say finally, your voice trembling despite your effort to sound steady. “It was trust. It was everything we had.”

She nods quickly, tears finally spilling over. She swipes at her face with the sleeve of her hoodie, trying to hide it, but her hands are shaking too much. “I know,” she whispers, her voice barely audible over the wind. “I know I broke it. And I hate myself for it. I hate myself for hurting you.”

The tears keep falling, streaking down her red cheeks, and she doesn’t bother wiping them anymore. Her shoulders shake, but she doesn’t look away from you. You want to turn away, to stop seeing her like this, but you can’t. Your eyes burn, your throat feels raw, and the weight in your chest only grows heavier.

“I loved you,” you say softly, the words slipping out before you can stop them. Her breath catches audibly, and you see her shoulders slump further, like the words are knives she’s been bracing for.

“I love you,” she says, her voice breaking entirely. “I still love you. I’ll always love you.”

The snow falls harder now, coating everything in a thick, suffocating white. You feel it collect on your shoulders, your hair, melting down your neck. Paige shivers, wrapping her arms tightly around herself, her breaths coming out in ragged clouds.

You swallow hard, the lump in your throat threatening to choke you as you stare at Paige. The snow falls heavier now, landing on her lashes and melting against her flushed cheeks. Her nose is red, her hands trembling as they clench at her sides. The cold bites at your skin, your ears pinching, your feet aching, but none of it feels as sharp as the weight in your chest.

“Go home,” you say, your voice cracking slightly despite your attempt to sound firm.

Paige doesn’t move. Her wide, red-rimmed eyes stay locked on yours, brimming with fresh tears. Her lips part, but no words come, just a soft, shaky breath. Then:

“Please,” she whispers, barely audible over the wind. Her voice is raw, broken, and it hits you like a punch. She takes a step closer, her boots crunching in the snow, her hands twitching at her sides like she wants to reach for you but knows she can’t. “Please,” she says again, the word shaking with everything she’s trying to say but can’t.

You inhale sharply, your chest tightening as you force yourself to stand your ground. “Paige,” you say, softer now, almost pleading yourself. “Go home.”

She flinches, like the words physically hurt, but she doesn’t argue this time. She nods slowly, blinking hard against the tears streaming down her face. Her shoulders slump as she turns away, her steps hesitant, dragging in the snow like she’s leaving pieces of herself behind with every step.

You watch her walk toward the far end of the parking lot, her figure blurry through the curtain of falling snow. She stops once, just for a moment, her back to you. She swipes at her face with the sleeve of her hoodie, but the motion is weak, almost futile. Then she moves again, trudging toward the lone car parked under the faint glow of a streetlamp.

The driver’s side window rolls down as Paige approaches, and you see KK leaning out, her face a mix of concern and frustration. KK says something—low and sharp, the words lost in the wind—and Paige shakes her head, opening the passenger door and climbing in without another glance in your direction.

The car idles for a moment, exhaust puffing into the frozen air, and you catch a glimpse of KK glancing your way, her gaze hard but questioning, like she’s debating whether to come out and say something. But she doesn’t.

The brake lights flare as the car shifts into gear, and then they’re gone, disappearing down the snow-covered road.

You stay rooted to the spot, the cold seeping through your clothes, the sound of their departure fading into silence. You don’t move for a long time, staring at the empty space where they’d been, your chest heaving as you try to catch your breath.

You stand there long after the car disappears into the swirling snow, the cold seeping into your bones. Your feet ache from standing still, your fingers sting from the frost, and your chest feels like it’s caving in on itself. You force yourself to turn, your legs heavy as you walk back toward the gym, the door looming like a safe haven you don’t feel like you deserve.

The moment you push it open, the heat rushes out to meet you, thick and suffocating. It hits your face like a wall, and suddenly, you realize how cold you were—how raw your skin feels, how your ears throb with the warmth sinking in. You blink against the hot air, your vision blurring, and that’s when you feel it. The damp streaks on your cheeks, the burning in your eyes.

You were crying.

The thought stuns you for a moment, but there’s no time to process it. Your feet move automatically, carrying you deeper into the gym. The echo of your footsteps bounces off the empty court, the sound sharp and hollow in the stillness. You make your way to the locker room, the familiar scent of sweat and rubber hitting you like a memory you didn’t ask for.

Inside, Sierra and Jasmine are waiting. They’re sitting on one of the benches, their expressions tight and unsure, like they don’t know what to say—or if they should say anything at all.

Your eyes meet Sierra’s first, and the look she gives you is soft, pitying, like she’s trying to hold you together with just her gaze. Jasmine looks away quickly, her hands fiddling with the strings of her hoodie, her shoulders tense with unspoken guilt.

Neither of them says a word.

You don’t either. You don’t have the energy.

You walk past them, your legs threatening to give out, and sink onto the bench in front of your locker. The cold from outside is still in your body, lingering in your muscles, making everything ache. You press your hands to your knees, trying to ground yourself, but the weight in your chest is too much.

It breaks.

You bury your face in your hands, your shoulders shaking as the sobs finally come. They tear out of you, raw and uncontrollable, and you can’t stop them even if you wanted to. The locker room fills with the sound of your crying—ugly, unfiltered, and nothing like The Prophecy at all.

Sierra shifts behind you, and for a moment, you think she’s going to say something. But she doesn’t. Neither of them does. They just sit there, giving you space to break apart, their quiet presence the only thing holding you from completely falling apart.

Your tears soak into your palms, your breath coming in gasps, and for the first time in weeks, you let yourself feel the full weight of it all. The cold, the betrayal, the way her voice cracked when she said, “I love you.” It crashes over you, relentless and unrelenting.

And you let it.

Because in this moment, you don’t have to be perfect. You don’t have to calculate the pain away or turn it into fuel.

For now, you just let yourself break.

WEEK SIX

Her last attempt comes in the form of a letter. Handwritten. Twelve pages. Sierra finds it slipped under your door one gray morning, the paper just slightly bent, as though it had been clenched tightly before being left there.

“Want me to burn it?” Sierra asks, holding it up like it’s fragile, like even touching it too long might do damage.

You don’t answer at first, your eyes fixed on the envelope. Your name is written in Paige’s handwriting, unmistakably hers—soft, looping, careful. It looks like she spent a long time on just that one word. The ink is smudged in places, faint blotches where you know she must have paused, maybe wiped her eyes.

“Rocket?” Sierra asks again, her voice gentler this time.

You reach out, hesitating before your fingers brush the paper. The weight of it feels heavier than it should, like it’s holding every unsaid word she couldn’t force into those desperate texts, every plea she couldn’t voice the last time she saw you.

“No,” you say quietly, your voice firm despite the knot in your chest. “Don’t burn it.”

Sierra doesn’t press. “What should I do with it?”

You swallow hard, still staring at the envelope like it might crack open on its own. “Keep it,” you murmur finally. “For after March.”

The corner of her mouth twitches in a faint, understanding nod. She tucks the letter carefully into her bag without another word.

Because that’s what this has all been about, hasn’t it? Every ignored call, every perfect shot, every breath you’ve taken since that night in the gym has been leading to one thing: March.

Two weeks later, the bracket drops.

Harvard vs. UConn. Sweet Sixteen.

You hear whispers everywhere—teammates speculating, reporters asking veiled questions about how you feel about the matchup. You stay quiet, dodging the noise with an unshakable focus that keeps the world at bay.

Paige doesn’t text. She doesn’t call. But one night, you see it.

It’s subtle, so subtle you almost miss it: a photo on her Instagram story.

She’s sitting on the floor of her dorm, the soft golden light of a bedside lamp pooling around her. Her knees are drawn to her chest, her head resting on her arms. There’s no caption, no obvious sign of you. But in the corner of the frame, hanging off the back of a chair, is your Harvard hoodie.

The air leaves your lungs.

It’s so small, so quiet, but it feels loud in your chest.

Sierra notices you staring at your phone and gives you a sharp look. “Don’t,” she warns.

“I’m not,” you reply, locking your phone and sliding it across the table.

And you aren’t.

Instead, you lace up your sneakers and head to the gym.

30 DAYS TO MARCH MADNESS

The bracket predictions start rolling in. Every analyst has the same storyline: Harvard and UConn are destined to meet in the championship.

ESPN calls it "The Game Women's Basketball Has Been Waiting For."

You don’t watch their coverage. You don’t need to. You just shoot.

Paige’s last text comes at 2 AM:

“i still miss you.”

You delete it without reading. (Sierra tells you about it later anyway.)

25 DAYS

“Did you hear?” Jasmine says as she slides into the locker room after practice, her voice quieter than usual.

You don’t look up. “Hear what?”

“Paige was at some party last night. Someone saw her with... someone.”

You pause mid-lace, your fingers tightening. “And?”

“She’s... moving on. Or trying to.”

Later, Sierra shows you the photo: Paige with her arm around a tall blonde, both laughing like the world doesn’t hurt them.

You close your phone, drop it in your bag, and hit the gym for 200 straight shots. Each one lands, clean and precise, but your chest tightens with every swish.

At midnight, Sierra finds you still there. “She’s doing this on purpose,” she says softly.

“Doing what?”

“Trying to make you feel what she’s feeling.”

You grab another ball, square your shoulders. “Bold of her to assume I still care.”

(You do. God, you do.)

20 DAYS

Your game is evolving. Whatever limits you thought existed don’t anymore. You’re not just making shots—you’re erasing boundaries.

Reporters ask Coach about it after Harvard crushes Penn by 30 points. “Have you ever seen anything like it?”

She shakes her head, her voice filled with awe. “She’s playing like someone who has nothing left to lose.”

Because you don’t.

15 DAYS

Another photo surfaces: Paige dancing at a club, the same blonde close enough to blur the line between friendly and intimate. The image spreads through whispers, not headlines, but it’s enough to reach you.

The next morning, Jasmine deletes all your social media apps. “Focus on what matters,” she says, her tone leaving no room for argument.

So you do:

47 points against Princeton.

51 against Yale.

Perfect shooting in both games.

The whispers around you grow louder. People call it The Revenge Tour, though you don’t bother correcting them.

You let your game speak for itself.

10 DAYS

Harvard enters March Madness ranked #1 for the first time in school history. UConn is #2.

The narrative writes itself:

Ice vs Fire.

You hear the buzz but tune it out. Paige posts a hype video for the tournament. There’s no sign of you in her clips, but you don’t need to be.

That night, you shoot until your arms shake. The sound of each swish reverberates through the gym, the echoes cutting through your chest like heartbreak.

5 DAYS

The tournament begins, and you burn through the first two rounds like wildfire:

45 points against Florida State.

52 against Tennessee.

You still haven’t missed.

UConn advances too. Paige plays like she’s on fire, dropping 38 against Duke and 41 against LSU. But she misses. She stumbles. She’s human. She’s flawed.

You tell yourself that’s why she couldn’t keep you. Because perfection is lonely.

2 DAYS

The Final Four is set: Harvard vs. UConn. The matchup everyone’s been waiting for.

Your teammates feel the weight of it, the buzz of history swirling around them, but you stay quiet. Focused.

“Are you ready?” Coach asks after practice.

You glance at her, your expression steady. “Always.”

1 DAY

The press conference is brutal. Every question is a thinly veiled attempt to dig into the drama. Paige. The rumors. 

You give them nothing.

“I’m here to play basketball,” you say flatly. “Nothing else matters.”

Later that night, alone in your hotel room, you stare at the letter Sierra saved weeks ago. It sits on the desk like it’s daring you to open it.

Your hands shake as you unfold the pages.

The first three lines hit harder than you expect:

"I know I don’t deserve forgiveness. I know I broke something perfect. I know I lost the best thing that ever happened to me."

You stop reading. You don’t need to see the rest.

The paper burns easily in the sink, the edges curling in on themselves like the words are folding into ash.

Tomorrow isn’t about forgiveness.

It’s about proving that some things break you.

And some things make you unbreakable.

Time to show her which one you are.

THE FINAL FOUR: HARVARD VS UCONN

The arena in Dallas feels alive, like it has a pulse of its own. Twenty thousand fans pack the stands, and the roar of the crowd is more than sound—it’s energy, crackling in the air, vibrating through the floor. You can feel it in your chest, in the way your heart beats a little faster as you stand in the tunnel, waiting.

This is the game. The one people will talk about for decades.

“Harvard vs. UConn,” ESPN’s voices echo faintly from the screens overhead, carrying over the din “The Game Women’s Basketball Has Been Waiting For.”

“Harvard’s perfect season against UConn’s dynasty.”

“Two programs. Two stars. One unmissable collision course.”

You don’t look at the screens. Don’t let the noise creep in. You focus instead on the rhythm of your breathing, the weight of the ball in your hands, the perfect arcs playing out in your mind. Force vectors, trajectories, momentum. The physics of what’s about to happen.

Sierra steps up beside you, her face all business, her game face as sharp as you’ve ever seen it. “You good?”

You nod once. She doesn’t ask if you’re sure. She’s seen you these past weeks—seen the extra hours, the obsession, the way you’ve turned heartbreak into something almost unrecognizable. She’s seen you rewrite what’s possible when perfect turns to steel.

“They’re out there,” Jasmine says quietly, stepping up on your other side.

Your stomach tightens, but you don’t let it show. 

“You’re sure you’re good?” Sierra presses, glancing at you out of the corner of her eye.

“I’m perfect,” you say flatly, the word cold and sharp.

The crowd’s roar deepens, and you know UConn must be taking the court for warmups. You can picture it without looking: Paige leading them out, her stride confident, her expression poised. She feeds off this energy, always has, like she was built for these moments.

You think about everything—every ignored text, every late-night practice, every time Paige’s name appeared on your phone screen and you turned away. You think about the letter, folded and burned, its words turned to ash: "I know I broke something perfect."

“I’m ready,” you say, voice steady.

Coach nods. “Good.” She turns to the team. “Ladies, listen up. Everything we’ve worked for comes down to tonight. They’re bigger, they’re stronger, and they’ve got more banners in their gym than we’ll ever see. But we’ve got something they don’t.”

She looks at you, and there's something fierce in her eyes.

"We've got perfect."

The team huddles up, hands in. But before they can do their usual chant, you speak. It's the first time you've addressed them all day.

"When we take that court," your voice is quiet but carries weight, "you're going to hear a lot of noise. They're going to talk about everything except basketball. But that's not why we're here."

Your teammates lean in closer.

"We're here because I made you all a promise three years ago. That we'd make history. That we'd show the world what Harvard basketball really is. That we'd be perfect when it matters most."

You look each of them in the eye.

"Tonight, we keep that promise."

The tunnel erupts in fierce agreement. Your teammates are ready for war.

"One minute!" calls the official.

You close your eyes for a moment, center yourself. Think about all the shots that led here. All the nights in empty gyms. All the physics problems solved between free throws. All the moments that built The Prophecy.

And yes, you think about her. About early mornings in her dorm. Late nights watching film. The way she said your name like it was something precious. The way she looked at someone else the same way.

The anger rises, cold and precise. You use it, let it sharpen your focus until everything else falls away.

The tunnel lights flicker as the official signals. It’s time.

"Ready?" Sierra asks one last time.

You step toward the light of the arena, toward the noise, toward destiny.

"Perfect," you say.

And then you emerge into madness.

The sound hits you like a wave the second you step onto the court. It’s not just noise; it’s a force, a physical thing that presses against you, vibrating in your chest.

"THE PROPHECY! THE PROPHECY! THE PROPHECY!"

The chant rolls through the arena like thunder, swelling as the crowd rises to their feet. Signs wave above the sea of faces:

"PERFECTION WEARS CRIMSON"

"847-2: THE PROPHECY SPEAKS"

Your entrance stops UConn's warmups cold. Every player freezes mid-drill, even the legendary Geno Auriemma turns to watch. You catch Paige's reaction in your peripheral vision—the way she stumbles slightly, ball slipping from her fingers. But you don't look at her. Won't give her that.

The Harvard section is delirious, but it's more than that. The neutral fans, the media, even some UConn supporters are on their feet. This is what happens when you spend three months turning heartbreak into headlines, when you take "perfect" and make it look easy.

Your teammates hit the court, their warmups sharper, fueled by the energy of the crowd. But your routine is different. Quieter. Singular.

You start at the three-point line, the ball resting in your hands. The noise fades as you focus, your heartbeat steadying. One shot.

Swish.

The explosion of noise is deafening. You don't react. Just catch, shoot, swish. Again. Again. Again.

On the other end, UConn's trying to maintain their composure, but you can feel their eyes on you. Feel the way their usual swagger has been replaced by something else. Something that looks like doubt.

Your teammates are feeding off the energy now. Sierra drills a corner three, the ball cutting through the net with a satisfying snap. Jasmine blocks one of Taylor’s layups in a mock defensive drill, both of them grinning fiercely.

"Focus on our game!" Geno barks, but even he keeps glancing your way.

The media's having a field day. Every camera in the building is trained on you, catching every perfect shot, every ice-cold expression. ESPN's commentary carries over the speakers:

"We're watching something unprecedented here, Rebecca. The Prophecy isn't just perfect anymore—she's transcendent. Look at the way UConn's players are watching her. They're supposed to be the dynasty, the standard-bearers, but right now they look shook—"

And still, you don’t look at Paige.

The crowd's volume keeps building, impossibly louder with each perfect shot you make. NBA players sitting courtside are shaking their heads in disbelief. Olympic champions in the stands are filming on their phones. This isn't just a warmup anymore—it's a statement.

Finally, mercifully for UConn, the buzzer sounds to clear the court for final preparations. As the teams head to their benches, you allow yourself one glance at their side. Just one.

Paige is standing near the sideline, her hands resting on her hips, her gaze fixed on you. For a split second, your eyes meet. Her expression shifts—shock, pain, something that might be regret.

You hold her gaze for a beat longer, then turn away, your face unreadable.

You turn away, face impassive. But inside, the cold fire burns hotter.

Because this isn’t about her anymore.

This isn’t about heartbreak or revenge.

This is about showing the world what happens when perfect stops trying to be loved.

And starts trying to be legendary.

The starting lineups are about to be announced, and the arena hums with anticipation, the kind of energy that makes the hair on your arms stand on end. It’s not just loud—it’s electric, like the walls themselves are holding their breath. Every cheer, every chant, every flash of a camera feels sharper, brighter, heavier. History is about to be made.

The announcer’s voice booms, reverberating through the cavernous space, calling out names that blur into the roar of the crowd. You barely hear them—don’t need to. You’re locked in. You can feel the ball’s weight in your hand even though you’re not holding it, the phantom rhythm of your dribble steadying your pulse.

The Prophecy is about to speak.

And everyone—Paige, UConn, the world—is about to listen.

Sierra wins the tip with authority, the ball snapping to Maria like it’s been rehearsed a thousand times. Harvard’s ball. The crowd leans forward collectively, the sound dropping to an expectant hum as you cross half court, their energy feeding into the moment.

UConn’s defense is already set. You see it as soon as you step over the timeline: box-and-one. Four players sagging into a tight zone, leaving Paige on you.

Of course they’d make her guard you. Of course.

She’s close, closer than you expected, the kind of tight defense that borders on personal. Her eyes flicker for a moment, uncertainty bleeding through her usual focus.

“Please…” she whispers, so quiet it almost gets lost in the noise. “Can we just—”

You don’t let her finish.

A crossover—quick, precise, lethal—cuts her off mid-sentence. The crowd gasps, a collective intake of breath, as Paige stumbles, her footing faltering for just a second. But a second is all you need.

You rise up from 25 feet, the motion as natural as breathing. Perfect form. Perfect rotation.

Swish.

The crowd detonates.

3-0 Harvard.

"THE PROPHECY STRIKES FIRST!" The announcer can barely contain himself. "ICE COLD FROM DEEP!"

UConn pushes the ball upcourt fast, their transition game as polished as ever. Paige has that look now—the one that used to make your chest tighten, the one that once made you believe she could do anything. Now, it’s just data to process, another variable in the equation you’ve already solved.

She drives hard to the right, her speed and body control flawless. She’s counting on you to back off, to avoid contact, to give her just enough room for the pull-up jumper she’s perfected.

But you don’t.

Your body stays with hers, every step mirrored, every shift anticipated. When she rises for the shot, your hand is already there, contesting at the perfect angle. The ball leaves her hands, spinning slightly off-axis.

Clank.

The sound of the ball hitting the rim feels louder than it should, the miss reverberating through the arena like a misstep in a symphony.

“REJECTION!” The crowd erupts again, their voices rising to a fever pitch. “THE PROPHECY WITH THE PERFECT DEFENSE ON THE PRINCE!”

Maria grabs the rebound and pushes the break. You trail deliberately, your movements fluid, waiting for the play to unfold. The ball swings to you on the wing. Another catch. Another perfect release.

Swish.

6-0 Harvard.

Geno Auriemma doesn’t hesitate. Timeout, 47 seconds in. His voice carries across the court, sharp and commanding as he pulls his players in, trying to steady a ship that’s already rocking.

The ESPN commentators are incredulous. “I’ve never seen anything like this! The Prophecy isn’t just scoring—she’s controlling the entire game. And having Paige Bueckers guard her it’s psychological warfare at its finest.”

In the huddle, Coach Matthews stays calm, her voice steady amidst the chaos. “Keep executing. They’re rattled.”

Your teammates nod, feeding off her composure. You don’t say anything, don’t need to. The look in your eyes says enough.

Back on the court, UConn shifts their defense. KK Arnold takes over guarding you, her physicality immediately apparent. Paige shifts to Jasmine, but you feel her eyes on you anyway, like a weight pressing against your back.

You make her pay for it.

A quick backdoor cut—sharp, timed to perfection—leaves her a step behind. Maria sees it instantly, the lob arcing perfectly into your hands. You lay it in cleanly, barely breaking stride.

8-0 Harvard.

The UConn section is restless now, the nervous energy rippling through their chants.

From the crowd you hear, “She's not that special! Lock her up!"

The next time down, you catch the ball at the top of the key, KK’s hand pressing into your hip. You rise anyway, unfazed. The ball barely brushes the net on its way through.

11-0 Harvard.

Geno is furious, calling out defensive adjustments. But there's something different about UConn's energy—they're not just trailing, they're shook.

Paige tries to take over, driving hard to the rim with an intensity that feels more desperate than controlled. Her first step is sharp, her movements calculated, but there’s something frantic in the way she moves—like she’s trying to match you shot for shot, trying to prove something to herself as much as to the crowd.

Her floater arcs high but catches the back iron and rolls out.

The crowd groans, the sound rippling through the UConn section like a wave of disbelief. Paige’s jaw tightens as she sprints back on defense, but you’ve already moved on, focused, untouchable.

On the next possession, she pulls up for a three. It’s a clean look, her form textbook, but the ball rims out again, drawing a gasp from the fans and a loud clank that echoes through the arena.

Then she drives again, barreling into the paint, trying to force her way through Sierra’s perfect positioning. The ball pops loose, Sierra’s quick hands stripping it clean, and the Harvard section explodes in cheers.

Meanwhile, you’re somewhere else entirely.

Athletes talk about it, but few ever get there: the space where time slows, where the game feels less like competition and more like art. The roar of the crowd fades into a low hum, the edges of the court softening as everything sharpens around the ball in your hands.

It’s not just instinct—it’s control, precision, the physics of perfection in every step. Each shot feels inevitable, each movement unfolding like an equation you’ve already solved.

On defense, you can feel the tension radiating from UConn, their movements tighter, their communication louder. When Emma finally scores off a put-back—muscling through a sea of Harvard defenders—the UConn section celebrates like it’s a game-winner.

11-2 Harvard.

You glance at the scoreboard, then at your teammates, your calm focus unshaken. They know what’s coming next.

You show UConn what victory really looks like.

KK Arnold presses into you as you bring the ball up the court, her hands swiping aggressively, trying to throw you off balance. You shift your weight left, plant your foot, and cross over so quickly it sends her stumbling, her arms flailing for balance as the crowd gasps.

You take one step back, rising effortlessly over Caroline’s outstretched arms as she contests, her fingertips barely brushing the air beneath the ball.

Swish.

16-2 Harvard.

The Harvard bench leaps to their feet, arms raised, while the UConn section sits frozen, unsure of how to react. Geno is pacing now, barking orders to his team, his sharp voice cutting through the tension.

"We're watching history," the announcer's voice trembles with excitement. "The Prophecy isn't just winning—she's rewriting what's possible in this sport."

Paige is pressing harder, trying to shoulder the burden of momentum, but it’s slipping through her fingers. She forces another drive, this time straight into Sierra, who holds her ground like a wall. The whistle doesn’t blow, and Paige stumbles as the ball goes loose again, Maria scooping it up and feeding you on the wing.

The moment your hands touch the ball, you already know what’s going to happen.

Perfect rhythm. Perfect form. Perfect swish.

UConn tries everything: double teams, traps, full-court pressure. Nothing works. You split defenders like they're standing still, find teammates for open shots when they sell out to stop you, and when they give you any space at all.

The quarter ends with one final dagger. UConn tries to hold for the last shot, but you read Paige's eyes—you always could read her eyes—and jump the passing lane. The steal leads to a breakaway with three seconds left.

Most players would lay it in. Safe. Smart.

But The Prophecy isn't most players.

You take off from just inside the free-throw line, rising up as the buzzer sounds. The ball leaves your hands at the perfect angle, with the perfect spin, following the perfect arc.

Swish. As time expires.

29-10 Harvard.

The arena absolutely detonates. Your teammates mob you as you walk calmly to the bench. Even Coach Matthews cracks a smile.

In their huddle, you can see Geno gesturing frantically, see Paige's head hanging.

But none of that matters.

Because this isn't about them anymore.

This is about perfect.

And perfect is just getting started.

The second quarter opens with UConn desperate to change the momentum. Their energy is sharp, frantic, the kind that comes from a team not used to being punched first. Geno has abandoned the box-and-one, switching to a triangle-and-two defense. It’s designed to suffocate you—two defenders shadowing your every step, cutting off your air, daring the rest of your team to beat them.

You glance at Paige and KK as they close in, their feet shuffling in sync. Paige’s jaw is tight, her expression unreadable, but there’s tension in her shoulders, the kind you’ve seen in every film session this week. KK is louder, her movements brash, barking orders at the rest of the defense.

The first possession, you take the ball at the top of the key, waiting for the defense to swarm. KK gets there first, her hands low and active, trying to force you left. Paige closes in immediately after, her presence suffocating.

You don’t flinch. You shift just enough to pull both defenders with you, then flick a no-look pass to Sierra cutting baseline. The ball drops into her hands, and she lays it in cleanly, untouched.

31-10 Harvard.

"The Prophecy showing she can dominate without scoring!" ESPN's excitement builds. "This is basketball genius at its finest!"

Then it happens.

Four minutes into the quarter. Harvard up 37-15. You shake loose from the double team, slicing through the defense like a knife through fabric. Sierra's screen creating the perfect angle of separation (47 degrees, optimal for catch-and-shoot scenarios), your feet set precisely shoulder-width apart, knees bent at the textbook 110-degree angle.

The ball feels good leaving your hands—perfect, even. The rotation is clean, the arc flawless, the trajectory straight out of a physics textbook. It’s the kind of shot you’ve made thousands of times. The kind of shot you don’t even need to watch to know it’s good.

But sometimes, the universe has other plans.

The ball hits the back rim, bouncing straight up, a little too high, a little too slow. It hovers for an agonizing second.

The entire arena holds its breath. Twenty thousand people frozen, watching the impossible happen. The ball hangs there, defying gravity for one more precious second, before falling away.

You’ve missed.

The UConn bench explodes, their cheers wild and unfiltered, like they’ve just won the championship. Their fans echo the celebration, chants swelling and overlapping.

"SHE’S HUMAN! SHE’S HUMAN!”

Paige takes a step toward you, instinct guiding her more than logic. It’s the same look you’ve seen in practices, in dorm rooms, in quiet moments when her guard was down. She wants to reach out, to say something, to bridge the gap between who you were to each other and who you are now.

But she stops herself. Her foot hovers for half a second before she steps back, her hand falling limp at her side. She remembers where she is. Who she’s supposed to be to you now.

And still, everyone waits.

Your teammates glance at you nervously. They’ve seen what happens when you miss. They know the last time you broke. They know why.

But you're not the same person who broke in that dark gym.

Instead of shattering, you do something no one expects.

You smile.

It’s small, controlled, more ice than warmth, but it’s enough to send a ripple through the arena. The silence shifts into something sharper, heavier.

The message is clear: Missing doesn’t break me anymore.

Nothing does.

"Oh my," the ESPN announcer’s voice is barely above a whisper. "That might be the scariest smile I’ve ever seen in basketball."

Next possession.

You take the ball at half court, KK and Paige closing in again. Their energy is different now—more cautious, less certain. They’re waiting for you to pass, waiting for you to hesitate, waiting for the doubt to creep in.

But it doesn’t.

You glance at the defense sagging just slightly, expecting hesitation, and then you do the thing no one else would.

You rise from the logo, the shot pure and effortless, the ball spinning through the air like it was destined to fall.

Swish.

40-15 Harvard.

The arena erupts.

Your teammates are screaming, their hands raised in disbelief. Coach Matthews stands for the first time all game, clipboard forgotten, her face a rare mix of awe and pride.

"THAT'S HOW YOU RESPOND TO ADVERSITY!" ESPN's voice cracks with excitement. "The Prophecy isn't just perfect anymore—she’s unstoppable!"

UConn calls timeout, but it's too late. They've lost whatever psychological edge they thought they'd gained. The rest of the quarter becomes a masterclass:

You hit threes over double teams.

Thread passes through impossible angles.

Turn their defense into a highlight reel of broken ankles and shattered hopes.

By halftime, the score is 52-27 Harvard. You've got 31 points, 8 assists, and a message that's louder than any perfect streak:

Some things break you.

Some things make you unbreakable.

And sometimes, becoming unbreakable is better than being perfect.

The teams head to their locker rooms, but the story of the second quarter isn't the score. It's the smile after the miss. The logo three that followed. The moment when The Prophecy proved that she's not just a perfect player.

HALFTIME

The locker room feels like it’s vibrating, the energy practically bouncing off the walls. Your teammates are loud, voices overlapping in a chaotic chorus of disbelief and celebration. Sierra’s pacing, too hyped to sit, while Jasmine reenacts your logo three for the tenth time, miming your shooting form with exaggerated flair.

"DID YOU SEE THEIR FACES?" Sierra's practically dancing. "When you smiled after that miss? I thought they were gonna pass out!"

"That logo three was DISGUSTING," Jasmine adds, mimicking your shooting form. "The disrespect!"

You let their voices wash over you, grounding yourself in the chaos without joining it. Sitting on the bench, you pull a water bottle to your lips, its coolness a sharp contrast to the heat radiating from your skin.

But Coach Matthews raises her hand for quiet. "They're going to come out desperate. Geno's never been down this much in a Final Four. Expect everything."

You nod slightly, her words steadying you. She’s right. The storm is coming. You can feel it brewing beyond the walls, the hum of the arena like distant thunder.

Through the locker room door, the halftime show filters in faintly. ESPN’s voices carry over the noise of the crowd:

“Harvard leads UConn 52-27 in the most lopsided first half of a Final Four in recent history…”

“31 points, 8 assists, 12-of-13 shooting, 5 steals. These aren’t just numbers; they’re history in the making…”

“And it’s not just the stats. That smile after the miss? That was the moment The Prophecy stopped being perfect and became something more. Something immortal.”

Sierra catches you listening and grins, holding up her phone. “You’re trending worldwide. Again.”

You wave her off. You don’t care about that. You’ve never cared about that.

But then Jasmine nudges you, her expression shifting from playful to serious as she shows you another text. This one’s from KK.

Paige is crying in the bathroom. Whole team’s shook. 

Good.

THIRD QUARTER

The second you see UConn retake the court, you can tell they’ve changed. There’s a new energy to them—sharper, more desperate. Paige’s eyes are slightly red, a telltale glint betraying her earlier tears. But there’s also something dangerous in her expression, the kind of desperation that makes even the best players reckless.

Geno’s thrown everything at the wall. UConn opens with a full-court press, their defenders swarming like bees, aggressive and chaotic.

It’s laughable.

You slice through them on the first possession like they’re standing still. A quick pass to Maria in the corner. Perfect release.

55-27 Harvard.

Paige tries to respond immediately, driving hard to the basket with her head down. The play is pure determination, her shoulders hunched as she barrels into the lane, but you’re ready.

Sliding over, you plant yourself perfectly, your feet set, your body immovable. When she crashes into you, the impact reverberates through your chest, but you don’t budge.

The whistle blows. Offensive foul.

Paige hits the floor hard, her hands slapping against the hardwood. For a split second, instinct kicks in—the memory of a hundred practices where you’d help her up, offer her a hand, a joke, a smile.

But that was then.

Now, you simply turn and walk away, your expression colder than the ice under her feet.

“Ice. Cold,” the announcer breathes, the disbelief palpable.

On the next possession, Paige picks you up full court, her body language bristling with frustration. She presses in close, practically stepping on your toes, her voice low and cracking.

“Please,” she whispers. “Just look at me. Just once.”

You don’t respond.

Instead, you hit her with a combination that feels less like basketball and more like poetry:

Crossover right.

Behind the back left.

Through the legs.

Step-back three.

The crowd doesn’t even wait for the ball to hit the net. The moment Paige stumbles backward, they’re on their feet, screaming.

The shot, of course, is perfect.

58-27 Harvard.

The UConn section is dead silent now. Even Geno has stopped pacing, his arms folded as he stares helplessly at the court. Paige glances toward their bench, her eyes briefly meeting Geno’s, but he has no answers either

Next possession, you wave off the screen, motioning for everyone to clear out. The court feels impossibly wide as Paige crouches in her defensive stance, her body coiled with tension. You can see the tears threatening at the corners of her eyes, the way her breathing hitches as she exhales.

Time slows.

Can see the tears threatening at the corners of Paige's eyes.

Can feel twenty thousand people holding their breath.

Perfect isn't about not missing anymore.

Perfect is about what you do next.

The move is pure poetry.

Crossover so quick the cameras barely catch it.

Through the legs at half speed, letting her think she's got you.

Then the acceleration – zero to legendary in a heartbeat.

Paige lunges, trying to stay in front.

The crowd rises as one.

But they don't matter.

Nothing matters except the physics of this moment.

You rise up from 30 feet, Paige's hand right in your face.

Time stops.

The ball arcs through the air like destiny.

Swish.

The arena detonates.

Your teammates mob you as you jog back, their faces alight with disbelief. Even the referees exchange glances, one shaking his head like he’s just witnessed the impossible.

61-33 Harvard.

Paige doesn’t move. She stays rooted to the spot where you left her, her head bowed, her hands on her knees. The weight of the game—of the moment—presses her into the hardwood.

The UConn bench looks like a graveyard.

Perfect breaks back.

The quarter ends with Harvard up 73-41. You've got 45 points on a shot chart that looks like abstract art. Each bucket more impossible than the last. Each move designed to teach them all the same lesson.

FOURTH QUARTER

Ten minutes left in the biggest game in women’s college basketball history. Harvard up 73-41. The crowd buzzes with anticipation, sensing the inevitable.

Paige opens the quarter like someone with nothing left to lose. Her movements are sharper now, more fluid, like she’s untethered from the weight of expectation. There’s desperation in her eyes, but also glimpses of what made her special.

What made her yours, once upon a time.

She hits a deep three. Then another. Her teammates respond, pressing full court, fighting for every inch, clawing for one last stand.

On the next possession, UConn doubles you at half court, but you see the opening before they do. A quick bounce pass threads the needle, hitting Sierra in stride for an uncontested layup.

75-44 Harvard.

The press comes hard again, but you stay poised, letting it collapse around you before sending a no-look pass over your shoulder to Maria in the corner. She drains the three, and the crowd explodes.

78-44 Harvard.

Paige tries to answer with a contested jumper at the other end, and it rattles in. She’s pressing now, forcing every play, trying to drag her team back into a game that’s already slipping away.

Back on offense, you hesitate near the arc, drawing in the defense before flipping a behind-the-back pass to Jasmine cutting baseline. The ball barely touches her hands before it’s in the net.

80-46 Harvard.

Coach Matthews calls timeout to sub you out with 1:32 left. The ovation is deafening—every single person in the arena on their feet, cheering until their voices crack. You’ve got 34 points, 15 assists, and 7 steals, but the numbers barely scratch the surface of what just happened.

You jog to the bench, your teammates mobbing you, their hands slapping your back, their voices a chaotic blur of celebration.

As you pass Paige one last time, there are no words. No need.

You both know what this moment is.

The final buzzer sounds: Harvard 89, UConn 51.

Confetti falls, a blizzard of crimson and gold, as your teammates tackle you in a storm of laughter and tears. Cameras flash everywhere, their lenses capturing history in real time.

You stand at center court, calm amidst the chaos, the weight of the moment settling over you.

Because you did it. You won.

The locker room is a storm of joy, the kind that only comes from rewriting history. Music blasts from a speaker in the corner. Sierra’s leading a conga line with the championship trophy hoisted high. Jasmine and Maria are filming every second, screaming into their phones about being “FINAL FOUR CHAMPIONS, BABY!”

You should be reveling in it. You are, to an extent—smiling as Sierra shoves a bottle of sparkling cider into your hands, laughing as Jasmine accidentally sprays half the team with the foam.

But deep down, there’s an itch you can’t scratch.

You made the statement. You dominated the game. You won the war.

But the battle inside you—the one that started long before tonight—is still unresolved.

Later, when the celebration starts to wind down, you find yourself leaning against a corner of the locker room, still clutching the now-empty bottle of cider. The room feels quieter, though the energy still hums faintly in the air. Your teammates are scattered—some FaceTiming family, others sprawled on benches in blissful exhaustion.

Sierra catches your eye from across the room. She doesn’t say anything, just tilts her head slightly, a silent question.

You shake your head. Not yet.

An hour later, you’re back in your hotel room, the championship hat still perched on your head, your phone buzzing endlessly with texts and notifications. Most are from reporters, friends, family. A few from Jasmine and Sierra, who are probably still partying somewhere downstairs.

You scroll through them aimlessly, not sure what you’re looking for until you see her name.

Paige.

She hasn't texted. Not since before the game. Her name sits there like a ghost in your messages, daring you to make the first move. To break the silence that's grown between you like a wall.

For a while, you just sit there, staring at the empty message thread. You replay every moment of the game in your mind—the way her voice cracked when she guarded you, the way she pressed harder and harder as the score slipped further out of reach. The way she nodded, warrior to warrior, as if she knew what you’d just written into history.

And yet, it doesn’t feel complete. Not entirely.

Before you can overthink it, you start typing.

you can come by if you want

The message is simple. No explanations, no context. You don’t even wait to see if she reads it before tossing your phone onto the bed and heading to the bathroom to wash off the night.

When you come back, the screen is lit with her reply:

where?

Your heart stumbles over itself as you type the room number. You sit on the edge of the bed, fingers playing with the hem of your sweatshirt, trying to ignore how your pulse picks up with each passing minute.

The knock, when it comes, is so soft you almost miss it.

For a second, you just stare at the door, your pulse thudding in your ears. The part of you that has spent months building walls tells you not to answer, not to let her in.

But tonight isn’t about walls.

You open the door.

She’s standing there, still in her UConn travel gear, hair tucked under a beanie. Her eyes are tired, rimmed with dark circles, but there’s something in them—something vulnerable, tentative—that catches you off guard.

“Hi,” she says softly.

“Hi.”

You step aside to let her in. She moves hesitantly, as if unsure whether she belongs here.

For a moment, neither of you speaks. The room feels heavy with unspoken words, with everything the game couldn’t settle.

“You played…” Paige starts, then stops, biting her lip. “You were unbelievable.”

“Thanks.” You cross your arms, leaning against the desk. “You weren’t bad yourself.”

She lets out a breathy laugh, the sound awkward and raw. “I tried.”

Silence stretches between you again. The words you want to say stick to the back of your throat, stubborn and heavy. You watch her hands fidget with the strings of her hoodie, a nervous tell you used to find endearing. Now it just makes your chest ache.

Finally, it’s Paige who breaks the tension.

“I thought it would feel better,” she admits, her voice cracking slightly. “Losing, I mean. Seeing you win. It’s like I needed you to win. I needed you to be okay without me. But it didn’t make it hurt any less.”

Her honesty feels like a gut punch. You unfold your arms, suddenly unable to stay distant. “Paige…”

“I’m sorry,” she rushes out, words tumbling over themselves.“For all of it. For hurting you, for not fighting harder, for—”

“I know,” you cut her off gently, your voice quieter now. “I know.”

She looks at you, her eyes shiny with unshed tears. “Do you?”

You nod, stepping closer. “Yeah. I do. And I…” You take a shaky breath. “I’m tired of being angry. I don’t want to carry it anymore.”

Her shoulders slump, the tension leaving her body all at once. “I don’t either.”

For a moment, the two of you just stand there, the weight of everything unsaid filling the room.

And then, slowly, you reach out, your hand brushing hers. She looks down at the contact, her lips trembling, and you feel something shift.

Forgiveness isn’t instant. It’s not easy. But it starts here, in this quiet room, with the two of you trying to find your way back to something that feels whole.

“Sit,” you say softly, gesturing to the bed.

She hesitates, then sits down, and for the first time in months, the space between you feels less like a chasm and more like a bridge.

And maybe, just maybe, you’re ready to cross it.

She sits on the edge of the bed, her hands clasped tightly in her lap, her shoulders hunched like she’s bracing for something. You grab a water bottle from the mini-fridge, needing something to do with your hands.

“Want one?” you ask, holding it up.

Paige glances at you, nodding slightly. “Yeah. Thanks.”

You hand it to her, and your fingers brush—just for a second. It’s such a small, fleeting touch, but it makes the air between you feel charged, like something fragile and important is hanging there.

She twists the cap off the bottle but doesn’t drink, just stares at it like it holds answers. “I wasn’t sure if you’d actually let me in,” she says softly.

“Neither was I,” you admit, sitting down beside her. The bed dips slightly under your weight, and for a moment, you’re hyper-aware of the small space between you.

Her lips curve into a faint, rueful smile. “Fair.”

The quiet stretches, not uncomfortable but heavy with unspoken things. You look at her out of the corner of your eye—the way her hands tremble slightly as she holds the water bottle, the way her hair falls messily over her shoulders, the way her shoulders rise and fall with each shallow breath.

“I meant what I said earlier,” Paige murmurs, breaking the silence. “You were… unbelievable tonight. I mean, you always are, but tonight…” She trails off, shaking her head like she can’t find the words.

“Thanks,” you say softly.

“I wasn’t just talking about the game,” she adds, her voice quieter now. “The way you handled everything—the pressure, the expectations, even me. It was like watching someone I didn’t even know existed.”

You glance at her sharply, caught off guard by the rawness in her voice. “You know me better than anyone.”

“I thought I did,” she says, her lips twitching into something that’s not quite a smile. “But I think I only knew the parts of you that let me in. And I don’t think I earned the rest.”

Her words hit something deep inside you, something you’ve been trying to bury. You look down at your hands, twisting the cap on your water bottle. “You didn’t need to earn it,” you say quietly. “It was always yours.”

She turns her head to look at you, her eyes wide and vulnerable, and you can feel her staring, feel her trying to read between the lines of your words.

“I should’ve fought harder,” Paige whispers. Her voice cracks, and she drops her gaze back to her lap. “For us. For you. I should’ve—”

“Stop,” you interrupt gently, surprising even yourself with the softness in your tone. “You don’t have to keep apologizing. I’ve already forgiven you.”

She lets out a shaky breath, her shoulders slumping like a weight has just been lifted. “Really?”

You nod, your throat tightening. “Yeah.”

For a moment, neither of you speaks. The sound of her breathing fills the room, slow and uneven, and the faint hum of the city outside filters in through the window.

“It’s weird,” you say after a while, breaking the silence. “I thought beating you tonight would feel like closure. Like I could finally move on. But it didn’t.”

Paige looks up at you, her brows furrowed. “What did it feel like?”

You hesitate, the words catching in your throat. “Like I was still waiting for something.”

She doesn’t ask what, doesn’t press, but the way she looks at you tells you she knows.

The silence stretches again, but this time it feels different—like the space between you is slowly shrinking, like the air is shifting.

You shift slightly on the bed, your knee brushing hers. The touch is small, accidental, but neither of you pulls away.

“Do you want to stay?” you ask suddenly, the words tumbling out before you can overthink them.

Paige blinks, her eyes widening in surprise. “What?”

“Stay,” you repeat, your voice steadier now. “Just for tonight.”

She looks at you, searching your face for something—hesitation, doubt, anything that might make her say no. But she doesn’t find it.

“Okay,” she says finally, her voice barely above a whisper.

You nod, standing up and grabbing a spare blanket from the closet. “You can take the bed. I’ll—”

“No,” she interrupts quickly, shaking her head. “I mean, we can… share. If that’s okay.”

You hesitate for a moment, then nod again. “Yeah. Okay.”

The bed feels impossibly small as you both lie down, the silence stretching between you like a fragile thread. You’re on your back, staring at the ceiling, trying not to think about how close she is. Paige shifts slightly, the mattress dipping under her weight, and you catch the faint scent of her shampoo.

You try to focus on anything else—the faint hum of the city outside, the muffled sound of someone laughing in the hallway, the rhythm of your own breathing. But your mind keeps circling back to her.

“Hey,” Paige whispers after a while, her voice tentative in the dark.

“Yeah?”

“Can I…?” She trails off, and you turn your head to look at her. Her eyes are wide, uncertain, the soft light from the window catching the gold flecks in them. “Can I hold you?”

The question catches you off guard, but only for a second. Then you nod, shifting onto your side to face her.

She hesitates, like she’s still waiting for you to pull away, and then she closes the space between you. Her arms wrap around you carefully, like she’s afraid you’ll break, and you feel the warmth of her body settle against yours.

You exhale slowly, your head resting against her shoulder, your hand curling slightly against her chest. Her heartbeat is steady, grounding, and for the first time all night, you feel your own racing pulse start to calm.

“Is this okay?” she asks softly, her breath warm against your hair.

“Yeah,” you murmur, letting your eyes close. “It’s okay.”

For a while, neither of you speaks. The quiet hum of the room wraps around you like a cocoon, the world outside fading into the background. You focus on the small details—the way her fingers trace absent patterns against your back, the steady rise and fall of her breathing, the way her cheek brushes against your temple.

“I missed this,” she whispers, the words barely audible.

You don’t answer right away, your throat tightening with emotions you’re not ready to name. Instead, you shift closer, tucking your face into the crook of her neck. “Me too.”

Her arms tighten slightly around you, and you feel the faintest press of her lips against your hair. It’s not a kiss, not really—just a gentle, fleeting touch, like she’s afraid to ask for more.

You stay like that for what feels like hours, the weight of everything unsaid hanging in the air. But for now, it’s enough. Enough to share the silence, to let yourselves be close again, to let the cracks start to heal.

“I don’t want this to be the end,” she says quietly, breaking the silence.

You open your eyes, your gaze meeting hers in the dim light. “Maybe it doesn’t have to be.”

The faintest smile tugs at her lips, hopeful and tentative, and you let yourself smile back.

For now, it’s enough.

For tonight, it’s everything.

The End

A Note from the Me

Thank you for following The Prophecy's story through these three parts. Your comments, messages, and support have meant the world to me. You've helped shape this story of what happens when perfect meets human, when physics equations meet matters of the heart, when being unbreakable becomes more important than being flawless.

Thank you for being part of this journey (cornball moment lol). If enough people want I can do a 6 year time jump as a short story where they're married.

[callme-holly]

could you maybe please do some scenarios for (y/n) comforting sodapop, Dallas, ponyboy, and Johnny if you want please. also could you please make the reader fem please and thank you

𝐜𝐨𝐦𝐟𝐨𝐫𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐠𝐚𝐧𝐠 [𝐢𝐧𝐜𝐥𝐮𝐝𝐞𝐬 𝐃𝐚𝐥𝐥𝐚𝐬 𝐖𝐢𝐧𝐬𝐭𝐨𝐧, 𝐒𝐨𝐝𝐚𝐩𝐨𝐩 𝐂𝐮𝐫𝐭𝐢𝐬, 𝐏𝐨𝐧𝐲𝐛𝐨𝐲 𝐂𝐮𝐫𝐭𝐢𝐬, 𝐚𝐧𝐝 𝐉𝐨𝐡𝐧𝐧𝐲 𝐂𝐚𝐝𝐞.]

𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞 - im a little behind on requets but im getting there! i've got my final exam of this week tomorrow and then i'll be a lot speedier, i promise. asks are still open for requests!!

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 - 1.6k

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 - mentions of fighting, getting jumped and small injury detail

Dallas Winston -  The room is quiet as you card your fingers through Dallas’ hair, the greaser’s head resting against your thigh. His eyes are closed, and there's a nasty bruise blossoming on his cheekbone, accompanied by a few bloodied scrapes that he refuses to let you clean. There’s dried blood crusted beneath his nose, which you wipe away gently with the pad of your thumb, humming softly under your breath as he breathes out a low, soft groan.  “You alright?” Your tone is barely above a whisper as you tug at the ends of his mussy locks, pushing them back from his face. He blinks once or twice, his eyelashes fanning against his cheeks, and his expression is a little less pained than it was just minutes ago.  “Yeah,” he murmurs after a moment, “fine.” He shifts a little bit so that his head is now more firmly planted upon your lap, and he wraps an arm around your waist, pulling you closer in a half embrace. You reach down between the two of you and retrieve the ice pack that is sitting forgotten beside you, pressing it against his swollen cheek once more.  He makes a disgruntled noise but doesn't open his eyes again.  “Sorry 'bout this.” His voice is rough, strained from the exertion: “Y' shouldn't have to take care of me all the damn time.” The words fall heavy between the two of you as he speaks, and you smile softly, shaking your head. “It ain't too much trouble, really.” You rub small circles against his bicep, pressing a light kiss to his forehead. “And besides...” your voice drops to an almost conspiratorial murmur, “I like taking care of you. It makes me feel better when I know you're not lying dead in a ditch somewhere.”  He gives you a lopsided grin at that, eyes still closed. “You've got so much faith in me, doll.”  Your smile widens, feeling something twist inside of you. You take his hand, squeezing it gently before pressing a quick kiss to his busted-up knuckles. “Whatever.” 

Sodapop Curtis -  A small sigh leaves your lips as Soda buries his face in your chest, arms wrapped tightly around your middle, tears cascading down his cheeks as he struggles for air.  It pains you to see him like this, his usual bright smile replaced with a look of pure anguish, silent sobs racking his body. You rub slow circles against his back, mumbling soft words of reassurance into his ear as he clings to your shirt. “I don’t understand,” he gasps, his voice thick with emotion. “Why can't they just get along? They never used to be like this. A shudder runs through him, and you tighten your hold on him, rocking him a bit back and forth as he cries. “Shh, Soda, hey, you need to breathe,” you murmur soothingly, combing your fingers through his hair. “You’re gonna make yourself sick.” You press a soft kiss to the top of his head, hushing him quietly as his cries gradually abate.  “I just want them to get along.” Soda whispers brokenly, burying his face against your collarbones. “I'm tired of being made to pick sides. I don't wanna be in the middle all the time.” You hum sympathetically, shifting slightly so that you can wrap both arms around him and pull him as close as physically possible. Soda melts into your touch, relaxing fully against you. You can tell he's exhausted, both emotionally and physically.  "I hate it.” He sounds miserable. “All they do is yell at each other. Darry is way too hard on Pony, and Pony's trying his hardest, but he can only take so much–" Soda stops abruptly, his breath hitched in his throat as another sob tears from him, wracking his body. His grip tightens around your middle and your heart clenches painfully at the sight.  “I just want things to go back to normal.” You give a slow nod, closing your eyes. “I know, I know. It'll be okay.” You press another gentle kiss to his temple and run your hands slowly up and down his spine, trying to offer as much comfort as you can. He relaxes under your touch, melting further into you as he tries to take deep, steady breaths, struggling to control himself.  You tilt his chin up so that he's looking at you once more, running your thumb over his cheek. “I love you, you know” “Mm,” he hums, blinking rapidly to rid his vision of the last remnants of tears. His eyes meet yours, and even though his gaze is glassy and filled with sadness and pain, his expression is soft and tender. “Love you too.”

Ponyboy Curtis -  You're sitting in the lot, your jacket pulled tightly around you, when you hear the sound of approaching footsteps. You stiffen and turn sharply, expecting to see a group of drunken socs or the odd greaser looking for trouble, only to come face to face with none other than Ponyboy Curtis. He has tears streaming down his cheeks, his hair mused as he all but throws himself at you, shoulders shaking and chest heaving. You don’t speak a word as you pull him into your arms, rubbing your hands over his shoulders in an attempt to calm him. His head comes to rest on your shoulder, one fist clutching the front of your sweater as tight as possible, the other hanging uselessly by his side. For several moments, he sits in silence, letting you hold him while he finally manages to collect himself. Then he pulls back, wiping furiously at his face. “Sorry…” You don’t miss the way he averts his gaze from you as he speaks, refusing to make eye contact. “Didn't mean to bother you; I just—”  You shake your head, interrupting him. “There’s no reason for you to apologise.” You pause, considering for a long moment before continuing. “What's up?”  He exhales shakily, then hesitantly meets your gaze again. “I—Darry yelled at me again. He got real mad this time.” His voice cracks, and you pull him close once more. You know Darry’s been harder on him as of late, expecting too much of a boy Pony’s age. You know he means well, but you also know the toll it’s been taking on the younger Curtis brother and how difficult these past few weeks have been for him.  “Sometimes I don't think Darry likes me very much.” You can hear the vulnerability in his tone, unable to miss how broken he appears. He's not crying anymore; if anything, he looks a little embarrassed and ashamed. You frown, brushing his damp bangs from his forehead. “Don't be ridiculous.” Your tone is firm, determined to keep him from ever getting caught up in that dark spiral. “He cares about you a whole lot.” “He's got a funny way of showin' it.” Pony grumbles softly, and you can't help but laugh at his bluntness, wrapping your arms tighter around him. “I wish he'd be nicer. I really don't like all the fighting we do.” “I know. But it'll get easier.” You look down at him. “If you want, I can go talk some sense into him.” That earns you a smile as Ponyboy nods, squeezing you a little tighter. “Good luck. I doubt he’ll listen.” You press a quick kiss to his forehead, smiling softly. “I’ll try my best.”

Johnny Cade -  Arms circle around your waist, gripping onto you tightly as you comb your fingers through his tangled, and still heavily greased, hair. Johnny’s head rests in your lap, eyes squeezed shut as he tries desperately to fall into some sort of relaxed state, but he just can't seem to find the will within himself to do so. You watch him silently, running a finger absently along his jawline, taking in the bruises and cuts littering his face and arms. He looks worn thin and broken; his cheeks are tear-stained and hollowed by exhaustion. His breathing remains unsteady and uneven, his skin pale, and you can't help but reach out and brush the pad of your thumb across the faint lines beneath his eyes, your brow furrowing deeply. He flinches slightly but doesn’t open his eyes, his breath hitching. “Sorry,” You whisper, going back to smoothing your hand over his hair. “Didn’t mean to startle you.”  Johnny lets out a soft sigh, leaning his forehead against your stomach. “S' okay…” He shifts a little closer to you, reaching for your hand and lacing your fingers together. “...just glad yer here.” You bite your lower lip, tracing patterns into the back of his hand with your thumb, pressing soft kisses against his forehead as you let him snuggle closer, relishing in the simple closeness of it all. It eases your nerves knowing he's safe with you and calms the storm raging inside of you. Your mind wanders back to earlier, the images of him lying, half-dead, in that field flashing unbidden through your mind.   It takes a lot to make Johnny Cade cry, but the second you had knelt down beside him and pulled him into your arms while the gang huddled about you, his composure had completely crumbled. Sobs had wracked his body, shaking his entire frame, and you could do nothing but hold him until he had finally calmed down. And now, here he was, curled up into your embrace, clinging to you like a lifeline. Every little noise made him jump, every sudden movement made his muscles tense, and your heart ached for him. You wanted so badly to make everything better, but there was nothing you could do. All you could do was stay there, holding him as he cried, wishing that there was something you could do besides sit by and whisper softly to him. But, you know, right now, just you being there is enough for him.

𝐚𝐬𝐤𝐬 𝐚𝐫𝐞 𝐜𝐮𝐫𝐫𝐞𝐧𝐭𝐥𝐲 𝐨𝐩𝐞𝐧 𝐟𝐨𝐫 𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐬!!

[2knightt]

Do you think u could write abt the gang being (separately) absolutely obsessed with the reader. Like they adore everything she does, they can’t get enough of her. To the point where the rest of the gang starts releasing them abt it, meanwhile reader is like completely oblivious lol

୧ ׅ𖥔 ۫ heaven and hell were words to me.⋄ 𓍯

…IN WHICH! the greasers are totally obsessed!

tags/warnings: no confessions—just the gang having a crush, gang being literally whipped, them being a little odd, kinda toxic!johnny LFMAO, nothing else to my knowledge

ೃauthor notes⁀➷ i’m just working…working hard so i can please you.(shout out to ema/corvyes/loml for that ref.) but if i get a req asking me for like the gng confessing to you—i will do it. trust.

Dallas Winston

WHEN HE’S DRUNK, YOU’RE ALLLL HE TALKS ABOUT LMFAOOOO

“i’m tellin’ you—there ain’t a girl like her.”

dallas would repeat after what felt like this 5th drink of the night. buck is sick of him, two-bit regrets dragging him along, and dallas just wants to tell them how good you looked today.

when he sees you walking home, to school, or to work he WILL tag along. HE DOESN’T GAF IF YOU TELL HIM TO TAKE A HIKE!

actually, he kinda does. you’re like the only person he listens to.

LMFAOOO THE GANG THREATENS TO CALL YOU OVER WHENEVER DALLAS IS DOING SMTH STUPID

like whenever you threaten a kid ur gna tell santa.

“dallas, i’m gonna tell y/n what you did last week.”

“??if you do, i’ll beat your head in, soda.”

“YIKES..i’m gonna have to tell her that too…”

“…don’t, she’d be so mad at me😔😒.”

THE GANG TEASES DALLAS THE WORST(besides ponyboy) ABOUT YOU LFNAOAOAOAO

like they’re shoving him toward you, nudging him at even the slightest mention of you, giggling as they tell him they seen you today.

“look, it’s your girlfriend.”

“steve, shut up! she ain’t deaf!”

—

“GO SEE HER!”

“OW—i mean—hi, y/n.”

“did you…trip? or did you mean to bump into me?”

“yeah, sorry or whatever. some IDIOT back there pushed me.”

—

“guess who i saw..🥰🥰”

“who?”

“your wife…”

“can you NOT.”

despite all that, you somehow, still don’t know how he feels about you. how? we’ll never know. it’s beyond the human mind.

his friends try and hint at you that the big, bad greaser has a school girl crush on you. do you get what they’re trying to say? no. but that’s okay, you’re just a girl.

lowkey pisses dallas off but that’s okay cuz he prefers admiring from afar. DOES HOWEVER ASK YOU TO HANG OUT AND CONSIDERS THEM A DATE IN HIS HEAD TO KEEP HIM SANE LFMAO

“you wanna go see this drag race tomorrow?”

“sure! i don’t have work then. uhm, pick me up at my place!”

“alright, cool.”

‘yeah..,it’s date🥱😍’ — dallas’ brain.

Johnny Cade

‘johnny, if you even fucking stutter when you talk to her today—you’re gonna have to drink pickle juice.’

“oh, hi. i didn’t see you there, johnny. ‘m sorry.”

“o-oh—it’s alright.”

‘well, shit.”

he thinks he looks like such a fucking loser when he talks to you omfg😭😭

the gang tries to tell him he might have a shot but he thinks they’re just telling him that because he’s their friend. :(

HEAVILY admires from afar. like seriously he’s a fucking stalker

WAIT LMFOAOO HE’D BE THE TYPE OF GUY TO ACCIDENTALLY STALK YOU LIKE HE’D FOLLOW YOU PLACES FROM AFAR LMFAOAOAOOAOA

what a little freak

anyways

he accidentally lets things slip to let you know he’s better than any other guy trying to go after you. like if you had a shitty ex—he’s preaching that he’d ‘never treat you like that, he can’t imagine that a guy with a brain ever would.’

johnny does everything to keep your attention on HIM and nobody else when your friends try and talk to you when you two are out together. like you could be having a conversation with him and he’d be just pouting in the background with his arms crossed.

“y/n, look. they got that shirt you was talkin’ ‘bout. let’s go check it out. c’mon.” “oh—alright! bye, viv!😊” “yeah, bye viv.😒”

side eyes the gang whenever they bring you up in conversation

“johnny and y/n sittin’ in a tree—“

“😒🤨”

“alright.”

he tries to subtly hint that he really likes you and that you’re his type but it’s not subtle at ALL.

“y’know, if i were to have a girlfriend, i’d wish she was like you.”

—

“my type? uhm, it’d probably be someone-“ and he goes on to describe you.

Ponyboy Curtis

‘holy fuck that’s literally y/n walking towards me??!! does she know i’m here—does she even know me-wow she looks good in red. i mean—SHE’S WAVING OH MY GOD.’

HE IS SUCH A WRECK I CANTTT

ponyboy is the type to stare off into space in your direction and dream about how well he’d treat you if he was your man!!

yk how bitches be like ‘my man, my man!’ whenever they talk about their crush?? he’s all ‘my girl, my girl!’ WUAGRMRNEE

the gang was so confused on why he was so eager to go to school all of a sudden?? and why he cares about his appearance just slightly more than usual?? …is that soda’s shirt he’s wearing?-

two-bit was the first one to realize what was happening when he seen ponyboy and you talk in the halls. that wasn’t the giveaway, though.

it was the way he stared at you like you were the only girl alive and everyone else was just gone. two-bit was almost moved to tears to see ponyboy all grown😞😞!!!

“is tha’ your girlfriend? that why you couldn’t wait ‘til monday?”

“shut up!”

“ouuu, wait until the gang hears ‘bout this!”

“YOU AIN’T TELLIN’ ‘EM NOTHIN’!”

ever since — it has been hell on earth for ponyboy. dallas brings you up every time ponyboy gets smart, johnny giggles at every kissing scene at a movie nudges him, soda and darry had to give him ‘the talk,’ (soda just made it worse by making snide remarks.) and steve never stopped poking fun at him.

two-bit tried to get you to spill the beans on how you felt about him, but all you’d do was huff and ignore him. FINE THEN😒!—is what he always thought.

soda, johnny and two-bit all let ponyboy rant about you.

“LIKE, BRO. my girl, my girl! she’s so cute and smart. LIKE SHE’S TOTALLY MY DREAM.”

—

“that’s so cute ☹️” - soda

“SHE WANTS YOU SOO BAD” - two-bit

“just go tell her, man.” - johnny

does everything to impress you stoppp 😭😭!! pony is trying harder in school, using less hair grease, wearing darry’s cheap cologne when he’s not looking, etc.

HE’S SO SILLY I LOVE HIM!!!

Sodapop Curtis

delusional king!!! yes soda, let the voices in your head tell you that she wants you so bad!!🫶🫶

swear to goddd he thinks y’all are meant to be. you tipped him when he was working at the cash register and he was sooo in love

sorry in my head he’s a hopeless romantic

cause a) you were gorgeous, b) kind enough to tip him, and c) most likely rich💯💯

when he seen you at random places with your friends—soda would get so excited LMFAOOO

STOP HE’D HOUND PONY FOR YOUR NAME

“bro they probably go to your school—just lemme look at your yearbook!”

“no??? you weirdo???”

“please??!! i’ll do the dishes or something!”

“….get me a pack of cigarettes and i’ll tell you.”

“OKAY🥰🥰”

stole them but pony never said how to get them so who gaf!!!

SODA WOULD TOTALLY WRITE YOUR FIRST INITAL + HIS LMFAOOAOAOAOAA

or he’d see who’s last name went best with curtis or your last name!!!1!1!1

he’s crazy insane over you did i say that already

whenever you come by the dx—he’d give you shit for free while you insist to pay.

“jus’ take it.”

“i can’t—i’d feel terrible.”

“it’s alright, no one has to know. right?”

he’d flash his million dollar smile, pushing your coke and chips close to you, inciting you to just take the food.

WAJENEDKD he wants u so bad it’s. so terrible.

steve hates his rambles

“YOU SHOULDA SEEN THE WAY ME AND HER WAS TALKING—SHE’S SO INTO MEEEE”

“yeah, she wants you!!! shut up now!!”

Darry Curtis

nobody knows. it’s like a top secret only darry knows. the gang has their suspicions but they can never really know why darry is suddenly so adamant on going to go get him, soda, and pony’s hair done at the salon.

they alllll can see that he only really talks to you—but at the same time he does that weird ass dad stance where they stand with their arms crossed and legs far apart LMFAOOOOO

darry thinks you’re like…model fine btw.!!!!!

BROOO WHEN YOU LIKE UNCONSCIOUSLY MASSAGE HIS HEAD WHEN YOURE CUTTING IT—HE’S SOO READY TO JUST ASK YOU OUT

darry doesn’t know what it is but goddamn!! you have him in a spell!!

“c’mon—we gotta go to the salon again.”

“….we just went?”

“TWO WEEKS AGO. it’s about time we go AGAIN.”

does in fact work a little extra just so he can see you. he’s that much of a loverboy i fear.

HE DOES ACTUALLY NOT WAIT TO ASK YOU OUT

like, among all the gang, he’s the only one mature enough to actually flirt with you properly & to ask if you’re single.

darry’s fucking down like that.

AWWHHH HE TOTALLY BUYS YOU FLOWERS AS A ‘THANK YOU’ GIFT LOL

flexs his strength around you to prove he’s worthy !!! DARRY LOVEEESSS SHOWING OFF WHEN YOU’RE LOOKING

megara + hercules methink…..

you two probably started hanging out as ‘friends.’ …yeah right!!!!

he’s driving you around as you be his pretty little passenger princess, he’s offering to buy you things when you two are out, etc, etc.

darry might not know how to show that he likes you, but trust me, the second that you look a little too far into his actions—it gets obvious.

like maybe too obvious idk.

Steve Randle

HELLLOOOO??? HE IS TOTALLY SHOWING OFF HIS GYMNASTICS MOVES AROUND YOU

“bro, bro! (yes he’d call you bro. idgaf.) watch what i can do!!😊😊” “wowwww, steve that’s so cool.”

geeks out near you. when you aren’t around the average person would see him and go ‘jesus christ, he literally might beat my ass.’ but when you’re around, they might think, ‘why is that scary looking guy talking about cars and comic books rn??’

you bring out the nerd in him in the best way possible🫶😊 BECAUSE THAT MEANS HE LIKE LIKES YOUUUUUUU

and it’s so obvious to the gang bc wdym steve told you all about DC comics while all they got was a ‘yeah, it’s alright.’ …hm…..

soda NEVER shuts the fuck up and him and his little girlfriend. NEVERRREE

“why’re you so pouty today? y/n ain’t say hi?”

“bro, shut up!”

steals for you and gives them to you all proud like he paid for it LMFAO

tries to be sooo cool around you but the second you bring up the latest batman comic he’s all “OMGOMGOMGOMG IT WAS SOO GOOD!! DID YOU SEE THE-“ he’s a loser what can i say.

dallas totally flirts with you in front of steve just to piss him off LOLLL like when he sees dallas twirling your hair around his finger steve is just all “???🤨🤨😡😡”

and then becomes your knight in shining armour and swoops you away as he glares daggers at dally!!!!<3

Two-bit Mathews

he becomes the funniest man on the planet i’m not joking

he says jokes that anybody and everybody will laugh at. just because he wants to see you laugh at what he says for his delusions

two-bit thinks like ‘she laugh=she likes me’

he’s not the brightest but it’s okay

HE MAKES IT SOOO KNOWN THAT HE LIKES YOU LFMAOOOOOO

“you’re lookin’ pretty? who’s the fella?” / “gee, i didn’t believe when they said they seen an angel walkin’ around until now.” / “well, now you owe me dinner.”

shit like that

two thinks he’s soooo smooth…smh.

DALLAS AND PONYBOY SO BADLY WANTS HIM SHUT THE HELL UP ALREADY ABOUT YOU LMFAOOO

they keep on telling him just to confess already but then two gets all giggly and shy and goes “omg guys noooo🤭🤭🤭🫣🫣”

just coincidentally runs into you everywhere you go!!! (literally has eyes everywhere. he’s weird. he’s odd.)

follows you around like a lost puppy and lowkey kinda gossips. idk.

[gghostwriter]

Hey can I request something? Maybe something where Spencer comes home to find his partner passed out on the bathroom floor?? Perhaps due to a hot prolonged shower? No serious ailments just a little bump on the head and a worried spencer hehe. Thank you!!! I love your work!!

Spencer Reid x Fem! Reader Trope: Established Relationship; Fluff! Just fluff Warning: Medical inaccuracies A/N: This is a little bit shorter than my first request but still cute nonetheless. Hope you like it anon! Main masterlist

Blackout. // Spencer Reid

It was late into the night—10:30pm, to be exact, when Spencer arrived back home from a case in Dallas. The team had spent four grueling days catching the unsub and sleeping in highly questionable hygienic motels. The thought of the stale smell of cigarettes and grimy countertops made him shudder. All he wanted to do now was take a deep shower, kiss and cuddle with you, and crash into a deep sleep. 

He entered the threshold quietly, knowing your on-call schedule at the hospital for the whole month was taxing. He expected you to be passed out on the bed—dreaming of sunshine and rainbows but imagine his surprise when he noted the bathroom light open and the door slightly ajar. 

“Y/N, sweetheart, I’m home,” he called out. 

A muffled groan answered his call. 

That alarmed him enough to drop his satchel and coat on the floor, feet clad in mismatched socks sliding across the wooden floor. The sight of you sitting on the bathroom floor, back against the wall, stopped his heart from beating—thirty second full stop—before it started beating again at twice the normal speed. 

“Y/N. Are you alright—“ he bent down to peer into your fluttering eyelids. “—did you hit your head? Is your vision blurry? What—” 

You raised your hand to stop his spiraling. “I felt faint from the heat, Spence. That’s all.”

His eyes widened in alarm as he tried to spot any external injuries. “Did you faint? Are you sure you didn’t hit your head?”

You shook your head, causing him to gasp with worry. 

“Don’t shake your head! Sudden movement can stretch and further damage brain tissues—we should, we should get you to the hospital!” His voice cracking at the end.

“No hospital, I’m alright Spence. I sat down when I felt dizzy so no head injury to worry about,” you smiled, taking in your boyfriend’s fussy hands, touching your face and head, and his face showcasing a variety of looks, all painting worry. “Plus, I’m a doctor. Pretty sure, I know what I’m talking about.” 

He sighed. “I’m a doctor, too, and your boyfriend, I have every right to worry.” Wrapping his arms around your waist, he brought you up to a stand. “Lean on me, let’s get you to bed.”

You hobbled to bed where Spencer fussed to situate you in. Having spent all your working hours doing the opposite, it was amazing to be the receiving end—especially from someone as dedicated and caring as Spencer. 

He rushed to bring you a cup of water. “Drink slowly. It’s possible that you’ve been dehydrated and it was exacerbated with your hot shower. Did you drink enough water today, Y/N?” 

“Yes, Dr. Reid. I drank plenty of water during my breaks,” you teased. 

“I sense you’re starting to feel better. The sarcasm is back,” he jested with a smile before replacing it with a look of seriousness. “I know you like your hot showers but do you think you could lower the temperature to prevent the fainting spells from happening again? I worry about you, especially when I’m out on a case. A study found that hot water increased heart rates by 32% and blood flow by 44%, which isn’t bad in itself but combined with your fatigue and resistance to drink lots of water, there’s a higher possibility of you fainting again and again.” 

You caressed his cheek before nodding your head. “Alright, I will, Spence. Y’know all this worrying for me will give you premature grey hair and that—“ ruffling his wavy locks “—would be a travesty.” 

He laughed, giving you a peck before stepping out of his work clothes. “I’ll take a quick shower, be right back and please, stay where you are.”

You watched as he entered the bathroom, leaving the door open just in case you’d call and he’d come running. Sliding down under the covers, you felt your exhaustion pulling you under to a state of in between reality and dreamland. 

Your last coherent memory was Spencer sliding next to you, cuddling you to his chest, giving you a kiss good night, and his sweet murmurs of ‘I love you.’

My inbox is currently open for any more fluff requests! Comments and reblogs are greatly appreciated!

[listofwhyyouloveher]

Hey, could I request the gang Jealous that their s/o is getting close to one of the other guy in the gang. And keep up the good work 🥰

Summary: The gang getting jealous that you're growing close to others.

Warnings: jealousy

Author's Note: None

PONYBOY looked up to you so much. He loved your ideas and wits and your gorgeous face. He knew you'd be hard to resist. So that's why he got so damn nervous when you stated hanging out around Johnny. He knows that although he and Johnny may seem like he has a lot in common with him, Johnny can be really different. He overthinks everything, wondering if Johnny standing out would make you like him more, or if you're actually spending time with Johnny to get away from Pony. He won't stand up or confront you for it though, he just watches from the sides, a big pout on his lips.

JOHNNY was so scared that Dallas was gonna steal you from him. Dallas was really Johnny's idol, so he thought you'd adore him the way Johnny adored him and leave him. It doesn't help that Dallas is a chronic asshole and will openly try to flirt with you. Sometimes he gets so scared you're going to leave him that he just dissassociates while staring at your face, trying to remember all the details in case you go. He's debating on whether or not to confront Dallas, and he settles on simply telling him to not try anything funny with you. Dallas laughed and said that he was proud of him for sticking up for himself.

SODAPOP is really scared of you falling for Ponyboy. He knows how important it is to have a smart guy with actual potential, especially with someone of your stature. He knows that a drop out who works with cars doesn't exactly fit that standard. He tries so hard to engage with you about school, asking if you need help with academics or anything even though he probably couldn't help you. Your refusal each time makes him feel so bad and seeing you go to Pony for help makes him feel even worse. He starts treating Pony roughly, getting curt and snippy until either you or Pony realize what's going on and explain that you two are just friends.

STEVE is really afraid of losing you to Soda. Soda's a notorious charmer, and he's conventionally attractive, which Steve thinks he isn't. He's still trying to love you normally and doesn't let it affect him but he sometimes thinks that you'd be so much happier with someone like Sodapop. He's actually trying to get closer because of this instead of distancing himself. He wants to see if you'll say something about Soda or him that makes it crystal clear who you really want. That comes in the form of you telling him that you wanted him to come on a special roadtrip with your family rather than telling Soda.

TWO BIT is scared to lose you to Steve. He's trusting of Steve and you but he knows things happen and that one day you might decide Steve is better for you. Two isn't exactly all masculinity, he has to have some softer spots to take care of his sister, but he wonders if you want someone like Steve and that's why you both are hanging out so much. He doesn't think he gets insanely jealous but it drives him nearly crazy thinking of possible situations that could lead to the demise of your relationship with Two. However, he realizes in the moment when you're unmatchably happy is when he's showing you his softer spots and he realizes that you truly love him.

DARRY's been suspicious of you and Two Bit's relationship for a long time. It started around 2 months ago and now you two are always hanging out, secretly giggling and whispering about him. He wouldn't say that it was akin to bullying but rather he felt like it should've been him. He trusts you a lot, and knows that these circumstances shouldn't change that, but he wonders if you'd prefer a guy who could make you cry of laughing than him, he feels boring and not good enough. Until, he comes home on a random day to his suprise party! You explained that you and Two helped structure it and all his worries melted away and he immedietly kissed you.

DALLAS tries to be cocky and arrogant but he knows that he's certainly not the best boyfriend, that you could and SHOULD leave him. Leave him for someone like Darry, who you've been spending time with recently. Darry is hardworking and kind, Dallas is not, and he's stuck in a loop of comparison but he never knows how to act more 'hardworking and kind'. He tries everything, from being ultra nice (to an extent) to being ultra mean, but nothing stops you from chatting and smiling with Darry. He's so insanely jealous that his suspiscions don't even clear up when you tell him that you've been talking because you need him to redo your roof.

[coyote-with-a-keyboard]

Past, present, future

a/n: well, writing creativity hits me at the worst times. Including when I have a concussion! This one is for my silly moot @fortheb0ys

Minors DNI

Phillip was stressed. If stressed was even the right word. He was tired, and bored, and yet constantly busy busy busy. It was starting to make his head swirl so damn much that he decided to toss off his work and jobs to his poor second in command and go back to his little home town in the middle of nowhere Texas

He wasn’t there to see family, hell no. He had put his parents in a retirement home in Dallas years and years ago. He was going just to fish where he used to fish and enjoy how little that town changes- as if time was slowed there. He pulled up to his hotel happy as a clam and practically running to the local bar, enjoying as many drinks as he wanted to calm down, until he saw you walk in. Oh fuck

he hadn’t seen you since high school, since he left the whole backwater town to try his luck in the military, and told you by note. By note! He really did regret that now, how he had probably shattered you. Sure you two never ‘dated’, his parents would have slaughtered him for something like dating a man- but you two sure did everything a couple could. Nights spent together hidden away in a camping tent, secret kisses and hickeys littering him in the morning… he had really felt like shit having the nerve to show up here now, feeling wheezy and sick to his stomach.

he sat nervously next to you at the bar, letting you look him up and down as he drank a shot of whiskey, then two, then three. And a conversation started between you, about how your lives had ended up and how you’d stayed in the little country town and definitely flourished- calloused hands and well built figure filling in where you once were younger and softer, and the more he drank the more comfortable he felt around you, chuckling at your jokes and leaning into you as if he was head over heals again.

Four shots, five shots, six,

he was feeling real sick now, he wasn’t a lightweight by any means. But he had definitely lost track and gone above any standard he usually had. He felt Ick all over, barely wanting to walk out the door let alone leave you and go to his hotel- not that he could walk that far in the state he was in. He needed you in more ways than one, so he begged you pathetically to carry you home. Your grip and warmth grounded him enough that he got a grip while you carried him, softly nuzzling into your chest and hoping you’d stay just a little longer and indulge him just a bit more.

he didn’t deserve you, he knew that. You were his a long time ago and he had royally fucked up- but he missed everything about you, every little detail was making his mind spin with old memories he had thought he had forgotten. He let you carry him into your house without a single protest- too in bliss and too drunk to bother you with the idea of carrying him back to his shitty hotel, especially when your house smelt of your cologne and safety.

he almost melted in your bed; whining and pulling you next to him before utterly dozing off, and clinging to you as if you would disappear if he let go

he woke up with an utterly pounding headache and a hangover worse then death himself- sitting up with a groan before remembering where he was, and that he was in your jacket from the bar… he has definitely made a fool of himself in front of you. But he supposed it was better then being alone in your apartment- he laid practically on top of you, feeling your even breathing as you slept. He had missed the feeling of being oh so close to you, but he still wanted to be closer- okay sure, it might be a bit wrong but he couldn’t help himself but kiss down your neck softly, his hands wondering and his body slipping down a bit, in no hurry to wake you up- just wanting to feel you.

he mouthed at your boxers a bit, shaking you awake enough to get a groan out of you and a tired nod as you tossed your head back on the pillow tiredly, still half asleep as he tugged your boxers down your legs and wrapped his pretty lips around your cock-head, taking you inch by inch slowly and choking a bit until he had every inch in his mouth, little gasps coming out of his stretched lips as he breathed you in, tears and spit dribbling down his face. He was focused on solely you, only little grinds of his hips against your leg giving himself physical pleasure

he hummed softly at the feeling of your hand grasping in his hair, before getting thrown off rhythm at a rough tug from you, pulling him off- a small drop of pre-cum and spit connecting his lips and your soaked member before you forced him back all the way down. You had gotten a lot rougher, and it felt so so good to be gasping as those big blue eyes of his poured with tears- looking like a mess. But he was your mess again. Yours.

he choked and gagged every so often, but worked you up until you were grasping his shoulders tight enough to bruise, painting his throat white as he swallowed every drop down, cumming in his own pants untouched before he pulled himself away and rolled beside you

“missed you, sugar.” Was all he could mutter as he caught his breath