#It's kinda of my first time actually being focused on animating(I give up a lot)

[nuggetpool-hi]

Guess who watched X-Men origins again

OK SO I got THOUGHTS of this movie but specially Wade's fight style because it's really similar to our current Deadpool's fighting style... so yeah I wanna yap about that hi

WELL FIRST OF wanna talk a lil about Victor, Logan and Wade's different styles... from a mortal's view point I am no expert on this just insane about these movies and I need to write my thoughts or i'll explode

Starting with Victor!! the ultimate kittycat girlypop

I love his kitty self I'm sorry ANYWAY EXAMPLES

OKAY SO VICTOR. Victor's style is obviously very animalistic but also stylized, he makes the fight a show for himself! He likes to hunt and he tries to always give chase or play around a bit before the kill, just like a cat playing with his food!

AND IF you pay attention to the start of the movie, this game he's got with his target isn't initially how he fought, he kinda developed it as the years went by and the eviler he got the more he played with his food. The first few wars he goes to he's fighting like a human soldier, then you can see him slip up some animal jumps and uses his claws more until at the end he's full on predator chasing his prey (just like when he captures Scott, my god I love that scene he's terryfing)

AND A BIG DIFFERENCE BETWEEN HIM AND LOGAN (that I will also talk about later I guess) is that with this play thing Victor has going on it SHOWS that he THINKS about the stragety when fighting, he's aware of his surroundings and his target's strenghs and weaknesses, he's good at coming up with solutions on the spot (see his fight with John, he can predict where he's going to teleport and catch him) and how to give a good chase without losing WHILE LOGAN WELL, at least in this movie he seems very lost when fighting?? he mostly just launches at his target and attacks, if the target runs away he chases, very animalistic but in a feral-based on instincts way... prolly why he coulnt win agaisnt Victor at first, because he was being blinded by his rage while Victor was quite literally playing with him lmao

ANYWAY LOGAN our favorite traumatized babygirl

and boy does he suffer in this one aughh EXAMPLES

Now you must be wondering why did I put the bathroom scene, well I feel like it represents Logan's general situation pretty well! (and its silly let me be), hes confused destroying everything and just keeps making it worse every time he tries to fix it.

The thing about Logan in this movie is that he's honestly just- confused and angry from the moment he killed his father, he runs away over and over again from EVERYTHING and he's constantly being manipulated BY EVERYONE!! Poor man has no idea what to do with himself of who he can actually trust but damn he tries, his enviroment is contantly changing and he's trying his best to adapt but he does it in a messy way.

The way he fights and acts in general is animalistic, yes, but more of the "scared dog attacks" kind of way, he's always acting on his instinct that it's mostly led by anger. When he fights he just throws himself and tries to slash whatever he can, he runs he hides and then when he gets the chance to he attacks again.

He constantly has little to no control of the situtation WHICH IS SPECIALLY SEEN pre-adamantium where he keeps losing to Victor because unlike him- he has no plan, he's being manipulated and kept blind of everything ON PURPOUSE which obviouly puts him in a disadvantage so yeah.

AFTER he gets the adamantium you can see his skills strengen with his knowledge, the more he lears about his situation the more focused he is and his fighting it's cleaner, he still moslty just launches himself head first into fights BUT he's not running away, he's able to evaluate his situation and adapt (See his fight with Gambit, he looks at him when running away and then destroys the stair so Gambit can't run away OR with Deadpool where he decides to gain height as a way to create the space needed to evaluate his enemy?? that one might be a lil bit of a stretch tho)

WADE WILSON THE ULTIMATE CUTIE PRINCESS

let's ignore how dirty they did him ok...

OKAY SO SADLY- The bullet scene is pretty much the only scene where we see him fight and it's honestly not enough to tell how his normal style is BUT I WILL SAY his general style is fancy to look at and scarily effective (which is mostly seen with our current Wade but you can see a bit in origins deadpool) he makes a show for everyone to see, which is also his stragedy to make himself even better at combat! He uses a lot of fancy movements and acrobatics that help him AND takes his enemies off-guard, confusing them as where they should attack or what he's going to hit?? anyway-

Comparison time yippieee THIS IS WHAT THIS POST IS SUPPOSED TO BE ABOUT LMAO

I did not get side tracked idk what you mean.... and now seeing it over and over I'm realizing not that noticeable.... so it's just not that much to talk about oops

LOOK AT THIS WADE, LOOK AT THE MOVEMENTS HE DOES WITH HIS LEGS!! HIS HANDS??? THIS MAN IS SHOWING OFF he's using all kinds of acrobatics and fancy movements while fighting, he attacks with his hands and dodges using mostly his legs, he's using all he has!! and it's making Logan lose BECAUSE LOGAN CAN'T FOCUS!! specially since he's so "target locked will attack", Wade makes it SO HARD for him to focus on a pose long enough to actually stab him also Logan ain't too good at dodging, I'm guessing it could be because he heals? dunno

now what inmediately came to my mind upon rewatch was THIS scene (maybe because I saw it recently who knows)

THE SETTING IS SO SIMILAR!! Wade is using a lot of fancy movements to get up, dodge and attack all way too fast for Logan to process, once again Logan is looking everywhere confused about where to aim bc this silly red guy it's dancing on his face and he's struggling to keep up JUST LIKE IN ORIGINS except well he IS able to get a hit bahah

Dodges like crazy, jumps over Logan (he did in origins too) just moves a lot between every attack

Actually now that I think about it Wade feels a bit less effective in the car, like yes sure he's putting up a good fight but Logan still feels like he's leading it BECAUSE WADE IS MORE EFFECTIVE WHEN HE HAS MORE SPACE!! he likes to be able to move around and do gimnastics while Logan it's a lot better the closer he gets to his target so omg yeah... ALSO LIKE WADE STILL TRIES TO MOVE AROUND he shoves Logan away from him, he gets out of the car choking logan with a seatbelt and gets to the back, he tries to create space because that's where his speciality WHILE LOGAN keeps trying to get closer to have him in his power, which he gets to do since the car isn't allowing Wade to move as freely as he would want to...

AND YOU CAN SEE HIS FANCY MOVEMENTS WITH FRANCIS TOO he's constantly circuling him, dodging and spinning while Francis is just trying to get a hit, Wade keeps his enemies chasing him when he fight THAT'S the way he controls it and gets it wherever he wants aughh

ANYWAY YEAH I think that's it, don't really know how much sense any of this does since I've been writing it on-and off the whole day lmao it's so messy but yeah feel free to add onto it I'd love to see opinions on this wahoo

Might keep talking about stuff I find interesting in the movies bahah this has been funn

[iloveacronix]

Learning how 2 animate, someone give me motivation to finish this wip </3

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[whencartoonsruletheworld]

Hey so like many of you, I saw that article about how people are going into college having read no classic books. And believe it or not, I've been pissed about this for years. Like the article revealed, a good chunk of American Schools don't require students to actually read books, rather they just give them an excerpt and tell them how to feel about it. Which is bullshit.

So like. As a positivity post, let's use this time to recommend actually good classic books that you've actually enjoyed reading! I know that Dracula Daily and Epic the Musical have wonderfully tricked y'all into reading Dracula and The Odyssey, and I've seen a resurgence of Picture of Dorian Gray readership out of spite for N-tflix, so let's keep the ball rolling!

My absolute favorite books of all time are The Haunting of Hill House and We Have Always Lived in the Castle by Shirley Jackson. Classic psychological horror books about unhinged women.

I adore The Bad Seed by William March. It's widely considered to be the first "creepy child" book in American literature, so reading it now you're like "wow that's kinda cliche- oh my god this is what started it. This was ground zero."

I remember the feelings of validation I got when people realized Dracula wasn't actually a love story. For further feelings of validation, please read Frankenstein by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. There's a lot the more popular adaptations missed out on.

Rebecca by Daphne du Maurier is an absolute gem of a book. It's a slow-build psychological study so it may not be for everyone, but damn do the plot twists hit. It's a really good book to go into blind, but I will say that its handling of abuse victims is actually insanely good for the time period it was written in.

Moving on from horror, you know people who say "I loved this book so much I couldn't put it down"? That was me as a kid reading A Little Princess by Frances Hodgson Burnett. Picked it up while bored at the library and was glued to it until I finished it.

Peter Pan and Wendy by JM Barrie was also a childhood favorite of mine. Next time someone bitches about Woke Casting, tell them that the original 1911 Peter Pan novel had canon nonbinary fairies.

Watership Down by Richard Adams is my sister Cori's favorite book period. If you were a Warrior Cats, Guardians of Ga'Hoole or Wings of Fire kid, you owe a metric fuckton to Watership Down and its "little animals on a big adventure" setup.

A Raisin in the Sun by Lorraine Hansberry was a play and not a book first, but damn if it isn't a good fucking read. It was also named after a Langston Hughes poem, who's also an absolutely incredible author.

Fahrenheit 451 by Ray Bradbury is a book I absolutely adore and will defend until the day I die. It's so friggin good, y'all, I love it more than anything. You like people breaking out of fascist brainwashing? You like reading and value knowledge? You wanna see a guy basically predict the future of television back in 1953? Read Fahrenheit.

Huckleberry Finn by Mark Twain and To Kill a Mockingbird by Harper Lee are considered required reading for a reason: they're both really good books about young white children unlearning the racial biases of their time. Huck Finn specifically has the main character being told that he will go to hell if he frees a slave, and deciding eternal damnation would be worth it.

As a sidenote, another Mark Twain book I was obsessed with as a kid was A Connecticut Yankee in King Arthur's Court. Exactly what it says on the tin, incredibly insane read.

If Beale Street Could Talk by James Baldwin is a heartbreaking but powerful book and a look at the racism of the time while still centering the love the two black protagonists feel for each other. Giovanni's Room by the same author is one that focuses on a MLM man struggling with his sexuality, and it's really important to see from the perspective of a queer man living in the 50s– as well as Baldwin's autobiographical novel, Go Tell it on the Mountain.

Agatha Christie mysteries are all still absolutely iconic, but Murder on the Orient Express is such a good read whether or not you know the end twist.

Maybe-controversial-maybe-not take: Lolita by Vladimir Nabokov is a good book if you have reading comprehension. No, you're not supposed to like the main character. He pretty much spells that out for you at the end ffs.

Animal Farm by George Orwell was another favorite of mine; it was written as an obvious metaphor for the rise of fascism in Russia at the time and boy does it hit even now.

And finally, please read Shakespeare plays. As soon as you get used to their way of talking, they're not as hard to understand as people will lead you to believe. My absolute favorite is Twelfth Night- crossdressing, bisexual love triangles, yellow stockings... it's all a joy.

and those are just the ones i thought of off the top of my head! What're your guys' favorite classic books? Let's make everyone a reading list!

[ms-dead-inside]

Okay, but hear me out:

Murder baby Damian, but for whatever reason, his first attempt at Tim's life is put on pause, so they never have that interaction. Instead, before Damian can come up with a new plan, Tim (who's kinda excited he now isn't the baby of the family) offers to train him in detective work for when Damian finally gets the mantle of 'Robin' as a way to bond with him.

"Why train your enemy, Drake?"

"We're brothers, not enemies. Besides, Robin has always been a mantle to pass down. I'm certainly not going to keep it in my twenties or thirties. And other than Bruce, I'm the best detective in the family."

"Very well, Drake, I shall accept your tutelage for the time being."

Damian accepts, of course. Not only can he study Drake for his weaknesses, he will also improve his own skill set. It's worth the wait for Robin. By the time Damian's done, there will be no doubt that he is the superior bat.

Unfortunately, he actually grows fond of Timothy. While he will inevitably get close with Richard, just like in canon, Timothy is a breath of fresh air for when Richard is being too overbearing, especially when it comes to things like 'socializing,' and 'making friends.'

When his father dies, and Timothy declared him actually lost to time, Richard doesn't believe him, can't believe him, because the hope is too painful. Timothy still gives Damian Robin, because, "I'm barely holding on as Batman as it is. I can't handle Robin being gone for potentially months at a time, halfway around the world."

During his partnership with Richard, truly becoming his brother-son, Richard introduces the ideas of pets to him. Damian loves animals, and having and taking care of a creature that could potentially survive on its own, but will have a much better quality of life under his care, speaks to him. He has Alfred and Titus and about half a dozen other stray animals that usually stay for about a week while he nurses them to health at any given moment, but he feels like he should officially have another pet.

Que the whole thing with his grandfather, and Timothy getting kicked out of the top of a skyscraper. He comes home with proof, and the Justice League brings his father home. And as Dick basically refuses to let anyone leave the mansion for the foreseeable future, Damian realizes several facts:

1.) Timothy is a human, and humans are animals.

2.) While Timothy has somehow survived until now, he wouldn't recognize self-care if it slapped him in the face.

3.) Timothy's quality of life will improve if someone is taking care of him because he cannot be trusted to do it for himself. (Is it a coincidence that he loses organs when he is away from the family? Damian thinks not.)

4.) Damian has gotten good at taking care of animals.

Ergo, Timothy is now Damian's pet. Tim doesn't know what to do and simply humors him. Besides, it's nice when someone actually bothers to give him a plate of foods that he likes when he gets hyper focused on work and forgets to eat. That, and while he is exasperated every time Damian tranqs him, those are still the best sleeps of his life.

Jason finds it hilarious. Damian doesn't understand Richard or his father's reactions.

"Damian, Tim can take care of himself."

"Barely. Father, now that I am in charge of his sleep schedule, there aren't as many dark circles under his eyes. Even Alfred has commented that Timothy consumes less caffeine."

"Damian, he can't be your pet."

"Why not?"

"Tim's your brother; he's family."

"So are you saying that Alfred and Titus aren't family?"

[inbarfink]

Okay, so I already wrote a bunch of stuff about how that scene, although it is really sweet, is also kind of a Bad Sign for Simon - how he refuses to learn the Obvious Lesson from the Winterworld adventure (that being the Ice King again is probably a really really bad idea). But I want to talk about it also a little more about what it means for Fionna’s character as well. 

Because while sitting around and wallowing in self-loathing is probably bad for Fionna, especially after being told that she shouldn't be allowed to exist, and Simon is right to try and get her out of her funk. It's also still worthwhile for Fionna to have some introspection about the Consequences of Her Actions. Because she and Cake really did not consider them at all at first. They have a sense of morality and an instinct towards heroism, but they also tend to kinda forget the fantastical worlds they visit don’t exist entirely for their fantasy and have kind of a Protagonist-Centered-Morality fallacy. 

Most obviously you can see it in the market in Ooo. How Cake, in her excitement, damaged and hurt and even killed

A bunch of innocent marketgoers without even noticing. And then Fionna immediately jumped to Cake’s defense against these ‘weirdos’, who were actually just normal kinda-righteously-angry Oooian citizens.

It’s actually very similar to the whole Winterworld situation. Fionna’s assumption that she’s automatically the hero and protagonist of the story and black-and-white view of the situation and her tendency to kick ass first and ask questions later meant that she just recklessly injured a lot of innocent people.

(It might’ve been worse actually cause at least in Winterworld she was at least manipulated by an evil Wizard)

Fionna and Cake clearly have a great potential for heroism, but they do need to be a bit more considerate of the situation and people around them. And it does make sense considering that from their perspective - they’ve been living a very ordinary life up until now (and Cake was literally an animal. A very clever animal, but still not bound by the same standards of morality as the talking animals in Ooo). Action and adventure and fantasy stuff has been purely the realm of daydream and video games for them - and Fionna literally speaks about it in these terms.

(also, Fionna's Main Character Syndrome was undoubtedly validated when God literally told her that she was created to be the main character of her universe)

So yeah, it takes them some time to really process how to be heroes - they need to grapple with questions that Finn and Jake already kinda dealt with seventeen years ago. And actually a lot of those; how to resolve a situation without necessarily using violence, when does a 'villain' actually deserve sympathy and kindness, the importance of the larger context of any given conflict... their confrontations with Ice King all played a big part in that. It was never just him, but he was still a very major part.

And for Fionna and Cake right now, learning these lessons require some amount of personal introspection. So while it was a sweet attempt at comforting, I dunno if Simon’s little ‘the only problem with that universe is that this Alternative Me was terrible because he didn’t even acknowledge or remember Betty as the love of our life and the light of my entire universe’ thing is actually Good. 

I’m not quite sure Simon is the best person to teach Fionna and Cake heroism 101, because he is so focused on the Crown Quest as the thing that brings back Meaning to his life, and because his fatherly instincts just kinda go “Sad Young Person???? MUST GIVE COMFORT!” and also on account of the kidnapping.

I’m sure Fionna is going to become the heroine she dreams about eventually, it’s just going to be a bumpy ride. The best we can hope for is that they accept Simon’s comfort, that she doesn't start believing that she is nothing but an Error for the entire universe like the Scarab claims, but don’t necessarily listen to all of Simon's his words either.

[tansyuduri]

Merlin Loregasm Rewatch S1E11

Hi Everyone! Welcome to my rewatch of Merlin focusing on the lore. I am a giant nerd so pretty excited about this. We’re on THE LABYRINTH OF GEDREF

Showing off hunting Trophies was a major thing in the Medieval ages. They were often used to decorate. Unicorn horns were especially valued. Especially considering the various ways they could combat poison. (An antidote if ground up, or making liquid bubble if dipped in it) What's that? Why of course there were unicorn horns all over in the middle ages. There was just one catch... These unicorn horns? They were actually Narwhal tusks

I find the categorization of magic creatures in Merlin interesting. Because there are some that need magic to be killed. (Griffin) Some that are rare and magical and DO NOT need magic to kill (Unicorn). Some who are tied to the spirit world (Manticore) and some that are created.(Afanc) And some that are not real world animals but do not seem to be magic at all (Serkets and wilddeoren)

There are also some that seem to be human-level or higher In inteligence. But it's not all of them. (Trolls, Sidhe, Dragons) COME TO THINK OF IT WHY ARE THERE ONLY DRAGON LORDS and not like lords of other creatures. This and the ability to give spells and bunish swords seem to imply dragons are the most magical of them all. HOW DID THE DRAGON LORD THING START. Were dragons bound to a bloodline or a few bloodlines? Did they accept it because before hand there were some kinda dragon civil wars? Was some human born with the soul of a dragon? Did a dragon turn human and have a child with another human and magic made that child the first dragon lord? I kinda like that one best. I should problubly have adressed this in the Balinor episode. I will again then.

Okay so from this I think we can conclude that killing a unicorn does not always curse an entire kingdom. It likely did this time because Arthur was a prince. My guess is that if a comoner were to kill it it would destroy their home, Perhaps in extreme cases their village (perhaps depending on what they identfy as) What would it do to someone who was a migrant I wonder? Just destory anything they use to travel? I'm assuming this because "very few" means there were a decent amount once. And unless Unicorns have a breeding problum SOMEONE had to kill them. And I don't think there are enough kingdoms for kingdoms always being destroyed

OKAY lets talk Medieval famine! While the Wealthy did indeed store some grain away, it was almost never enough to provide for the populace. Thus Medeval famines resulted in many horrible things. Besides rising crime and lawlessnes, Often children where abandoned and elderly people voluntarily starvedthemselves. While in the Merlin world welfare help seems to be on the royals, in the medival ages it was on the Church. The great famine of the 1300s actually underminded the church on the contenent because it could not keep up and everyone thought the famine came because god was angry. Interestingly in England People thought god was angry but decided it was with the king at the time and less the church, In Camlot it might lead to people thinking the same thing about the Pendragon Dynesty. (Especially since religon is not as big a deal) Ironicly in this case the people would be RIGHT thinking that. But Uther might be worried because the camalot people could very well ask themselves why the pendragons are being punished and go OH they were the ones who got rid of the old religion and banned magic. WHAT IF THAT IS WHAT THEY DID WRONG!

Yeah so at this point if Arthur and Merlin had not been able to cure the issue It was the end of Pendragon rule as people knew it. All your water turning to sand DOES NOT HAPPEN. even if they get water from other sources somehow. (Despite Arthur saying its the same thoughout the kingdom) God/Gods were VERY angry, or Sorcery caused this and is needed to fight it. (Merlin could not turn the sand back to water but might have been able to summon water like he does later)

First time we hear of a keeper or guardian of a magical thing. This will be a reocuring theme and I totally do not talk about it at all in any of my fanfics. ALSO Funfact "Anhorn" and "Anhorna" are old english words for unicorn. It seems likly his name is based on these.

Anhora: If you fail any of these tests camalot will be damned for all eternity. Okay does he mean just Camalot as a kingdom and if another kingdom took over the same spot it would be fine, or is this entire area of land doomed forever? Because it sounds like the later and if so ONCE AGAIN I MUST REPEAT MY EALIER THRORY ABOUT IT JUST BEING A KINGDOM DUE TO ARTHUR.

Historicly Tea is first mentioned in the third centery in China. It became Popular in the tang dynasty and spread to other east asian lands (618 to 907) This is after the time Merlin is set. So even if trade routes were much bigger (Like we explained might be the case in previous posts) It would not be a big thing yet. SOOO What Arhur and Gaius refer to as tea is likely an herbal infusion. (This is often ALSO refered to as Tea but doesnt have the actual Tea herb)

Arthur: They've come from the outlying villages in search of food. There is not enough rations to feed the people whoa re already here. Like I've said only the wealthy stored grain and not much of it. These outlying villages are likley the ones directly under Camalot's control and not under the control of a Camalot Lord.

Rats are actually consitered a delicacy of many cultures, some say they taste like wild game, others like Chicken, other say it has a taste all its own, In Asia especially you can find many rat dishes. Rat Pie was even a dish for both rich and poor in Victorain britain

Arthur: Ask the Neiboring kingdoms for help. They may be able to spare some food

Uther: Out of the Question. As soon as they realize how weak we are our enemies will strike against us

Arthur: You don't know that for certain

Uther: Besides I would rather starve then beg my enemies for help! What of our kingdoms reputation have you no pride?

Arthur: I cannot think of my pride while our people go hungry

I would like to point out that they can just rade valuables for food. Previous episodes have shown Camalot has a thriving trade network. They also have allies they can ask and not enemies but I expect Uther is too prideful to do that. And too afraid it would reveal things if there was a massive uptic in imported food.

No special info on this name.

Poppy was most likley used for this, Perhaps even Opium! Its also a respratory supressant and can explain why Merlin did not realize Arthur was still breathing. Another Possability is Dwale. (Lots of posionus herbs and bile used to not someone out if a limb needed to be removed) However it would have tasted so horrible that Arthur would have made a face. So I'm going with a mixture including poppy or Opium

[phoenix-fell]

Anti-Bumbleby criticisms answered with BB analysis - Big post

As expected, as Bumbleby gets more attention from the show, the anti-BB crowd have surfed in on their tidal wave of bitter lemons. So, I’d like to put my degree, job and training to use and compile my thoughts down in one place - a one-stop shop if you will - it’s long and will be largely unfiltered as I tackle the weirdest and most common criticisms and BB analysis. (I kinda miss Bumbleby analysis Megaposts, I might make one sometime to go alongside this as a point of reference as most I’ve seen end around Vol 6).

TIA for anyone who actually takes the time to read my ramblings and please feel free to give your thoughts/analysis and I’ll edit it in. FIRST EDIT - 8th Mar 2023 presenting labels and sexuality in Remnant - 4th from end.

Credentials: Double major 1st class grad in Literature and Creative Writing, specialising in fairy tales and WLW representation in media. Recipient of dissertation award exploring character psyche and the presentation of psychological themes. Literary critic, writer and content specialist. 

Let’s start off with a cracker from Reddit!

“Why couldn’t the BB scenes be more of a background thing? Why do they need to focus on them like they’re a main plot or something?”

Is... Is it stuffy under all that homophobia? I could easily rhyme off a string of sarcastic quips like ‘gee, I wonder why, it’s almost like it’s important to the development of two of the main characters or something.’ But it’s so lost on some people that I’mma spell it out:

We’ve seen Blake and Yang’s trauma painted across the screen from ‘Burning the Candle’ when Yang first confesses her abandonment issues, to the White Fang / Adam arcs that gave us a picture of the abuse Blake has endured - not just as a Faunus, but from her partner (“Adam used to get into my head, make me feel small.”), right through to their separation that dealt with their respective issues with running away/being abandoned and the shared trauma which has tied them both together indefinitely. They’ve been apart, they’ve repaired their relationship, they’ve grown together. In a current volume that’s so inherently focused on character’s individual development, seeing Blake and Yang together was almost inevitable as they’ve been so completely involved in one another’s development throughout the entire series. This is without going into their fairy tale allusions that tie them together which I’ll go into further down or the references to Yin/Yang and numerous romantic tropes that show how integral they are to one another’s characters. Contrary to belief, it’s not romance for the sake of romance - in this instance, the romance very much strengthens their development individually.

Asides from all of this, it was decided from the very beginning that Yang would lose her arm (foreshadowed in the Yellow trailer). The moment they decided that Yang would lose her arm protecting Blake, was the moment a decision was made to invariably tie these two narratives together on a very fundamental level.

But also, don’t clown yourself into thinking you’re not a homophobe if you think any LGBT content belongs in the background whilst also rejoicing any onscreen developments between straight ships.

“If BB was meant to be a thing then they wouldn’t have had Sun as a romantic interest.”

Is there a universe where love triangles and bisexuals are a foreign concept?

But in all seriousness, I think that certain corners of fanbases seem to struggle with any concepts that are non-linear; something I often see with anime. By ‘linear’, I mean: love interest introduced > build up > canon > together forever. As opposed to ‘non-linear’; a character that goes on their own journey of discovery and, through which, has more than one interest and path over time and has the ability to change their mind. The show was never a ‘romance’ as a primary theme; it’s an action/adventure which has some romantic subplots. But to honest, Blake changing her mind shouldn’t really be this much of a shock to the fanbase given that our FIRST ever interaction with Blake, in her TRAILER, is her changing her mind about her partner (and first romantic interest) and deciding to pursue a new journey. A scene which is actually referred back to in the Season 6 opener when Blake uncouples the train and sees what she believes to be a hallucination of a hooded Adam on the opposite carriage, foreshadowing the importance of that original decision later in the series (“you didn’t leave scars, you just left me, alone”). 

The arc that follows Blake thereafter is inherently tied to Adam (amongst other important themes), who is predominantly based off Gaston and the rose (or curse of the rose) from Beauty and the Beast. Blake and Yang are interchangeably alluded to as both Belle and the Beast throughout their character arcs from as early as the Red Trailer: “Black the beast descends from shadows / Yellow beauty burns gold.” and as recently as Blake describing Yang to the Hunter Mice in Vol. 9 Chapter 1. I can rhyme off these allusions until I’m blue, but again, I may save this for a master post.

The story that Blake is based on is a love triangle - she was never meant to have one set path from the beginning and romantic interests were always meant to play a huge part in Blake’s story/development; she was always going to have a romantic decision to make after conquering the curse / Gaston. Blake being haunted by her first romantic interest is foreshadowed in the ending of her trailer and first referenced in her conversation (with Yang) at Mountain Glen, and becomes an undeniable path of exploration once Yang loses her arm to Adam at the end of Volume 3. Let it be noted that Sun was present when Yang announced she was going to find Blake at the Battle of Beacon - a decision was made here for Yang to be the one to lose her arm protecting Blake, as was Adam’s poignant promise to take away everything Blake loves - “starting with [Yang]” or, otherwise, the solidifying of this romantic subplot. Which, again, is called back to with the infamous line: “What does she even see in you?” besides the obvious subtext, it’s setting the stage for these parallels between Adam and Yang, past and future, the previous love interest identifying something in Blake that used to be reserved for him, now directed towards Yang.

This season began with Blake declaring that Yang “seems scary, but isn’t”. Because, once Belle knows the Beast isn’t scary, she allows herself to fall in love (conveniently, this is said whilst walking through a fairy tale).

I could go into a big post about romantic foils and the ways in which Yang, Adam and Blake are all foils to each other but I might make a separate post instead for anyone new to the FNDM. Either way, I feel it’s worth mentioning as it’s Blake who directly compares Yang to a past love interest who was designed with semblances and characteristics that mirror each other. Point being, no one should be shocked that Blake has multiple interests given the character and fairy tale she’s based off and heavy allusions where Yang is concerned.

“Oh yeah, because Yang ‘literally purred at guys in their underwear’ Xiao Long and Blake ‘literally kissed a boy’ Belladonna are clearly bisexual because of [insert out of context reasons]” and “yes but Monty said...”

1. You mean... the one, and only one scene in 9 entire volumes where Yang shows any interest (albeit jokingly) in a guy, and the literal scene directly before she sees Blake from across the crowded room and proceeds to never express interest in men again? (Ignoring the very obvious implied trope here). And, in fact, only expresses interest in a woman from this point onwards? This is your frame of reference? Personally, I find it quite lovely that Yang’s perspective is never the same from the moment she sees Blake. Asides from this, while ‘bisexual’ is the label that these guys have gone with, Yang’s sexuality hasn’t been confirmed outside of being sapphic - it’s not outside the realm of possibility that she is, in all likelihood, lesbian. It’s important to note here that any young character expressing an interest in a man would not invalidate that same character being a lesbian. In fact, if we apply this to real life, it’s not uncommon for people not to realise that they’re queer immediately (I myself didn’t until I was 21). But in the opening episodes of the series especially, I’d very much chalk this up to writers exploring the characters.

2. As for Blake - there are, from what I remember, three kisses in the entire show so far. The one between Jaune and Pyrrha - on the lips after prolonged romantic allusions between the two (their romance is explicitly referenced by Nora - “practice what you preach, Pyrrha.” - almost fitting that it’s Nora to call out the Bees in Season 7 - A Night Off, no? Neat little parallel for y’all). The one between Ren and Nora after trying to work out the status of their romantic relationship - again, on the lips. And the one where Blake says goodbye (and thank you) to Sun by kissing him... On the cheek. (So hot, I know). Which is immediately followed up with Sun telling Neptune “it was never about that”. One of these is not like the other, can you guess which? I’ll wait.

As for referencing Monty - I could go on all day about this one, and the quote most notoriously used is ‘they’re a sisterhood’. Firstly, let me just say that I find it disturbing that anyone would use the show’s deceased creator as ammunition, whilst also disregarding his other comments on LGBT rep - specifically, ‘maybe there are LGBT characters there now / they’re just kids rn and figuring it out / it needs to be earned’. But also, it’s really disturbing and egotistical that anybody would pretend to know what Monty wanted better than the crew he handpicked, worked with, collaborated with and was friends with (special mention to the fact that his own brother is one of the cast). If you truly want to honour his legacy, then show respect to the people he put his trust in.

“I don’t have an issue with BB, but why does it always have to take away from Yang’s moments with Ruby?” / “All Yang’s feelings for her sister transferred to Blake.”

One from the hall of fame. The age old question of ‘can a girl have a romantic partner and still care about her family?’ I wish this wasn’t a serious question, but there are actual sides of the Fandom that seem to think that Yang’s forgotten about her sister that she raised because she has feelings for someone and that the sole purpose of Yang’s existence is to be her sister’s keeper.

I’mma address this on 3 fronts. 1 - Logistically, the episodes for RWBY, excluding the intros, are 15-20 mins long currently and typically oversee several different storylines particularly as the cast grows larger, leaving us with... What? About 5 minutes of team RWBY interactions? It’s not a lot of time to pack in character development, relationship development, plotline, strategy etc. so often if they’re wanting to develop more than one relationship, they will alternate between putting these themes in the background (such as the yellow in Blake’s sword, references from other characters etc.) and foreground, and some developments have to be shoulder-to-shoulder to fit them in. This isn’t an indicator of how much one character cares for one another and is more a demon created by people’s perception of how they ‘think’ a protective sister should act.

Additionally, it should be noted that Yang fawning over Ruby and not allowing her to develop other relationships outside of her sister, would actually offer us nothing from a development perspective for both Yang and Ruby’s characters and would, instead, steer these two strong female characters down a path of co-dependency. 

2 - It feels like a very easy excuse for Anti-BB folk to throw out there, conveniently forgetting how great of a sister Yang actually is (contrary to the number of RWDE videos I’ve seen arguing otherwise, as this is an essay I could write in itself). These very often take isolated incidents out of context and conveniently forget important information like Yang 1. Literally sacrificing herself twice to protect her sister 2. Sacrificing her entire childhood to raise her sister and 3. Importantly, the fact that Ruby is her (self-sufficient) Team Leader needs to be factored into their dynamic, as Yang gives her space to find herself as a leader and steps in when her sister actually needs her - not when the audience thinks she does. People hear ‘protectiveness’ and seem to think that this should mean that Yang should be overbearing. 

3 - Anyone who says this doesn’t have siblings. I have older and younger siblings and, having largely raised my younger sibling, I can safely say that I still love them even when I’m in a relationship. I also feel extremely secure in arguing/disagreeing with any of my siblings because I inherently know they will still be there at the end of the day - a sibling love goes deep (referencing ‘Fault’ from Volume 8). However, in a romantic relationship that is not established and very new... you will feel insecure, that’s normal, it doesn’t have the luxury of established stability that siblings do, and therefore you will overtly express more anxiety about this as a result. It’s a very strange concept that if you have a sibling, you need to give them all of your attention and ignore any love interests. Yang has gone through her own traumas, she has every right to care about others, heal herself, and have a life that isn’t defined by being a caretaker for her sister. ESPECIALLY as she already gave up her childhood to fulfil this role, unselfishly AND as the person she’s bonding with is best poised to understand Yang’s trauma. Yang as a character deserves to receive the love she constantly gives out. Again, this is a demon born from the fact that it either doesn’t reflect the relationship commentors have with their siblings, or the fact that they’re *imagining* how that relationship should be.

Bonus picture below: Yang putting aside her anguish for Summer Rose, who she considered to be her mother, to prioritise comforting her sister about that same loss.

“I hate BB shippers because they pass off BS interactions as platonic. BS made more sense, there was no build-up to BB until Vol 6 and they let the BS build-up go to waste to force BB.”

First off, there’s nothing wrong with BlackSun as a ship. Shipping shouldn’t be dictated by canonicity and people have the right to ship it and to their opinions. And while a few of these seem to have referenced BS, I don’t actually think that BS shippers are at fault for the hatred coming this way, but rather that the ship seems to get used as ammunition from the Anti-BB crowd - to summarise, Anti-BB and BS shippers are not synonymous. I personally don’t ship BS, but I do enjoy the debate and actually think that Sun is a very important part of Blake’s development and arc. There did seem to be some form of mutual attraction between Blake and Sun. Had they gone down that route, I wouldn’t have hated it, I just never felt excited by it, which seems to be a large consensus amongst BB fans. An appreciation whilst feeling there was a better alternative.

Believing all the development between Sun and Blake was ‘wasted’ is also very closed-minded given how much he helped Blake in the White Fang arc and also disregards the importance of their friendship. BS has the potential to be one of the best and most supportive friendships in the series, I stand by that.

That said, I don’t think it’s entirely wrong to acknowledge that a lot of (not all) interactions between BS were platonic from Blake’s pov while Sun’s feelings were more explicit. The only real hint I saw of Blake reciprocating was a blush at the Vytal festival. Maybe the dance at a stretch, but there’s hints at both BS and BB and I will fight you on it. Now, it might be a question of timing; Adam was still a prevalent threat during this time which will have been weighing on Blake given the resurgence of the White Fang, and is clear when Adam rocks up seeking vengeance in Volume 3. For this reason, I honestly think it would have been disingenuous to have explored Blake in a full relationship with anyone at this point given these loose ends, and Blake undergoes a lot of development over volumes 4-6 as a direct result of this.

Additionally, if BB didn’t begin until Volume 6 then that means that BS had 4-5 volumes to happen - 2 of which where they were in their own arc, separated from the main cast. It didn’t happen. What happens instead is Blake’s guilt over Yang weighs heavily on her while she deals with her arc and Sun helps her come to terms with this, ultimately redirecting her back to her team, and Yang, while Sun’s interactions with her become increasingly platonic from his side.

Lastly, the only way you don’t see build up for BB, is if you actively will yourself not to see build-up. If you replace Blake and Yang’s moments with Sun, I don’t feel there’d be any misunderstandings on how these moments are supposed to be interpreted. Take off the hetero goggles, and we’re cool. 

But on a sidenote and personal pet peeve of mine, the cries of ‘BB is forced while BS had build-up’ will forever irritate me - BB has a slow burn, a full arc, developed from a friendship and partnership as well as several tropes and allusions without going into too much detail. BS, firstly, never ended up happening, but it starts when Sun runs past, winks at Blake, magically knows she’s a faunus, then proceeds to follow around a girl he doesn’t know for two days who, at his own admission, didn’t speak that whole time. But... BB is forced? I’d say it’s subjective, but logic defies when this is the barometer for a natural introduction of a romantic pair.

“BB is ‘queerbait’”

Let’s address the ‘Goliath’ in the room, shall we? ‘Queerbaiting’ gets thrown around like a reflex at the moment by pseudo-fans who I don’t believe actually know the gravity of their statements or the meaning behind the word. I often see this slur paired with BB being strung out to keep the shippers watching. Now, there’s an essay in itself that could exist in this section, but are people really still clowning themselves that a show that’s explicitly shown that it wants to have queer representation in the cast and foreground is ‘queerbaiting’ it’s audience? Even weirder for me is the part of the FNDM saying that it’ll be baiting if they make BB canon. Please stop this nonsense and do some research.

Now, one thing I would like to tackle is that, sadly, some will still see pairings on the show through heteronormative glasses, so let me use that here. If the pair were a m/f couple and had several seasons of development and increasingly intimate moments, there would be no doubt in anyone’s mind that 1. It was heading in the direction of canon and 2. That it was a slow burn romance that’s building to its’ climax. Interestingly, the show actually does use the hetero goggles to frame BB on several occasions by paralleling this budding romance with several straight ships such as Arkos and Renora. Why? Because this is a narrative technique often used by writers to frame LGBT romances to separate them from ‘just friendships’ and, let’s face it, use an unconscious heteronormative bias to their advantage.

“BB is badly written, they barely interacted in volumes 1-3 then didn’t speak for two volumes.”

Tickle me pink. Volumes 1-3 are a very strange reference point for ‘in-depth’ development between characters. Crumbs, sure. The odd scene, absolutely. But let’s be real here - the show started as a low budget web series with an onus on cool fighting scenes and, most importantly, the episodes were around 5 minutes long whilst entertaining teams RWBY and JNPR, the White Fang, the Vytal tournament and several other plots. Nobody particularly interacted much but the writers did the best they could with what they had and the rest is left to us, the audience, to interpret that relationships are developing off-screen. Though from a critique POV in the interest of fairness, I would say the current season is a breath of fresh air by re-focusing the plot on the central characters as I think the show can sometimes be guilty of taking on too many plotlines.

As for volumes 4-5, while they’re in different continents, it’s obvious that they’re prevalent in each other’s arcs. Whether it’s Yang admitting she’s struggling with Blake’s abandonment - in the same episode the first lesbian character is revealed confessing their feelings to Blake (sidenote, all of team RWBY left Yang, and it’s Blake she’s mad at, this was always meant to be framed differently to her other teammates and IMO the struggle they go through is meant to frame the characters coming to terms with the depth of what they mean to each other), the parallels of them both getting onto the ship (named ‘Pride’ - wink wink), or Blake actively struggling to talk about Yang, yet referencing it when Sun is hurt (“Not again!”) showing it’s at the forefront of her mind. All of which culminates in their reunion in the Vol 5 finale.

Is it the best writing ever? No, nothing’s perfect. But they do explicitly use parallels throughout the series to drive the narrative forward as a foreshadowing tool to strengthen subplots.

“Blake being bisexual makes no sense - she was interested in Sun, it just seems so out of the blue, she and Yang just seemed like friends to me.”

Funny, because she and Sun seemed like friends to me too.

There are so many things I wanted to fire back at this, from the insinuation that if a woman first shows interest in a man then it’s out of the blue that she’s bisexual now that she’s showing interest in a woman... Like, how do you think it happens for bisexuals IRL?! Did you want her to burst onto the scene in Volume 1, announce she likes men and women, and then express explicit simultaneous interest in both of them? Start a harem? Proposition a throuple?

This particular take amuses me most of all as someone who is very openly bisexual. Yes, she and Yang seemed like friends. Great friends, in fact. That hold hands and blush and want to spend all their time together. And check each other out when the other isn’t looking. And make excuses for casual physical contact and flirt and giggle like a couple of giddy teenagers. Just like me and my ‘best friend’ did, before I realised I was bi. I’m sure that a lot of people thought it came out of the blue for me too. Blake being oblivious to being bisexual until it becomes too obvious to ignore is actually a very realistic scenario.

Bonus headline - just because you don’t understand/identify with something, doesn’t mean that it’s not good representation or realistic. I feel it’s also important to mention Blake’s VA, Arryn Zech, is bisexual and has spoken numerous times on the matter. The reason I bring this up is because it’s clear that the way in which the bisexuality of her character is presented on the show is actually something that’s incredibly important to Arryn - because good representation is significant. 

Presenting labels and sexuality on Remnant: A Theory and - “BB is a terrible representation of LGBT and your critique ignores the female and LGBT people that have spoken out against it.”

They say, to someone who is both female and LGBT. Credit to the Anon who charged into my inbox to accuse me of the above - hope you enjoy. Now, there’s a couple of things I’d like to cover before I go into how sexuality is perceived in-universe. The first is that if you use this argument against someone who is queer without seeing the belligerent hypocrisy of your statement, please check yourself as, clearly, you only care about LGBT voices on representation when it aligns with your own rhetoric and ready to dismiss any narrative to the contrary from that same community.

Secondly,  the queer/LGBT community is a vast and vibrant community of *individuals* with their own opinions and own voices. I didn’t nominate anyone to speak on my behalf, just as I don’t speak on the behalf of the rest of the community. Moreover, any art is open to interpretation. My opinion does not override theirs, nor does their opinion erase my own. And, believe it or not, it’s quite possible to have two or more differing opinions within one community without being at war with one another. I respect their opinion, just as I hope they respect mine.

We clear? Great. Onto the analysis! Huge shoutout to @crimsonxe​ for the brilliant discussion and assistance with the analysis in the comments that helped me construct this section! You’re awesome.

Let’s dive in with the headline - Homophobia doesn’t appear to be an issue on Remnant and labels don’t appear to exist, in the sense that it doesn’t appear anywhere in-universe. Now just to pre-emptively disclaimer: this may change, but in 9 volumes and however many supplementary materials, we’ve not heard any labels or had any representation of this type of discrimination. If that changes, I’ll happily remove this. 

So why is this important, you ask? Ultimately, when you take away the inherent ‘fear’ that a lot of the LGBT community face IRL along with prevalent ignorance towards the community and society’s insistence on labelling sexualities and gender identity, it creates a world divorced from our own and is, from a narrative point of view, a double-edged sword. On the one hand, it allows the characters to explore themselves in a non-discriminatory environment that is inherently more fluid and free, whilst the audience will inevitably want to compare that to their own experiences. But we can’t - not properly - due to the still very real stigma and discrimination that exists in our own world. Instead, what we see are characters who express an interest in other characters and find other ways to allude to their preferences or identity. A prime example of this would be May, canonically a trans character, who does not use this term in-world but instead says, “To the Marigolds that meant I wasn’t their son, and I made sure everyone knew I wasn’t their daughter.” This is a theme that is poignantly reflected in the accompanying media for the series - such as the books; for instance, Coco, canonically lesbian, referring to “breaking the hearts of many women.”

How does this tie into the relationship with Blake and Yang? Glad you asked. If you bear in mind that Remnant has a very fluid outlook on sexuality and more of a ‘love who you love’ ethos which is blind to gender norms, it immediately subverts the assumption that interactions between m/f are romantic while f/f are platonic. It’s an open field, if you will. BB is a steady build from partner/best friend (though I’d argue that at least Yang had an immediate attraction, with Blake figuring herself out) with interactions that become increasing more intimate. Eye rolls and jokes become winks and innuendo (“I love it when you’re feisty!”), nudges become intimate hugs (Burning the Candle), become hand-holding (it isn’t coincidence that these two have held hands more than any other pair in the series), becomes pining, blushing, forehead touches (BB and Renora - remember those parallels), which evolves into flirting and... More. And yes, some of their interactions will still resemble the friendship they built their foundations on. But in a world where labels don’t exist, that journey from friend-to-lover is much more subtle and embedded in a gentle upwards curve of increasing intimacy.

“BB is only happening because the horrible BB fans demanded it, the show caved and gave in to the toxic fanbase, it wasn’t planned from the beginning.”

I’ve seen this in so many places, like a broken record. I have no doubt that there are BB fans that are fanatical, and I’d never justify the behaviour of any so-called fan that resorts to death threats or violence in any way. I’m hoping this surely must be a minority that has, hopefully, shrunk over the years as the audience has matured. However, this also really isn’t how shows work... 

As many have pointed out in recent weeks, the show would be a very different landscape altogether if CRWBY were, in fact, that easily swayed by fans; namely, I’m thinking of Clover/Qrow, Pyrrha, Penny etc. While I don’t doubt that show-makers pay attention to the fanbase where needed and where it’ll be beneficial (seeing how fans react to developments, if allusions are clear etc.), sending death threats or whatever is actually much more counterproductive than anything else. But also... You’re not on the crew, you’re not part of those discussions. I feel confident that Miles, Kiersi and Kerry aren’t writing BB content with a gun to their head.

Lastly, the ‘it wasn’t planned from the beginning’ war cry is a tale as old as time. Like Beauty and the Beast. (See what I did there?) Asides from the fact that 1. Yang and Blake were actually the first created out of the team, and made with each other in mind, regardless of in what context (check out the original character designs/concepts) 2. Even if it wasn’t planned from the beginning, what difference does it make? There are tonnes of examples where the writers have felt the chemistry between two characters as the story’s gone on and decided to put them together (case-in-point from outside the anime world.. Chandler and Monica from Friends). In fact, while some writers like to plan every element of their plot from the beginning, there’s a great many writers who allow the characters to steer the plot as they grow - especially arcs with romantic undertones. The series was made predominantly for the action - it’s not a romantic series, so if they didn’t plan it from the beginning that wouldn’t be unusual, especially given that the episodes of the first few volumes are literally 5-10 minutes long. But regardless of whether the romance of the two was planned or not planned, it does not make it any less meaningful.

But let’s be real, the issue at heart isn’t that they weren’t sucking face in the first 3 seasons, it’s that they thought Blake would be with a guy, and she chose a girl. To which I say... Get over your bruised ego, and move on.

“BB fans deserve the hate they get because of x, y, z and cos it has toxic shippers.”

And you’re... Not... Toxic? If you’re an Anti-BB shipper and go out of your way to stalk and comment on BB tags/accounts just to harass shippers etc, then are you any better than the toxic fans you supposedly hate? To me, following BB tags and looking at BB content whilst being an Anti-BB shipper is so weird, why you trying to hurt your own feelings?

Also, saying that innocent shippers who are just living their best life should bear the burden of the toxic FNDM, is literally the definition of tarring everyone with the same brush. Some of us just want to eat our crumbs in peace, and from our POV, you’re the toxic ones being disrespectful. Bonus point: others being toxic does not give you licence to be hateful to anyone you come across that doesn’t agree with you.

“I’m no longer watching the show cos it’s trying too hard to be ‘woke’”

This ain’t an airport, you don’t need to announce your departure. But since you are, if your issue is the gay representation in the show then wake up and look around... We’re everywhere. The show is literally just reflecting the diversity you see day-to-day; but you keep sipping that haterade, my dude, we’re here to stay.

[wolvertooth]

wolverine pisces♓ sun + libra♎ rising

sabretooth aries♈ sun + virgo♍ rising

presenting -> an essay by somebody who doesnt really know shit about zodiac signs(other than my own), but tried researching em anyway. tbf, a lotta articles got conflicting views on how shit works too, so i just made my own sense for some of it(example being, some sites say the descendant should be the others sun, while some say it should be their rising. im going with the sun one, since that works best for the symbolism thing here, and it made most sense for their characters). most of this is just a bunch of notes.

for some context, ones sun sign is their core self. their rising is their outer character, kinda like a mask, what other people see first before getting to know them.

as i mentioned in another post, i hc their bdays as 2/21(logan) and 3/23(vic), logans coming from a lot of his bday fights being in winter and the numbers having significance(that i’ll explain later), vics coming from the random numbers on his mondo xmen the animated series figure box(no other figures boxes had numbers on them, just his)

gonna talk about sun signs first—

wolverine, the old soul dreamy romantic who spends all his time in his head, lost in himself.

sabretooth, the action taker, who gets shit done, actually is the best at what he does, climbing to the top. and, when given the chance(as shown in weapon x 2017 and exiles), a kickass leader.

2 sides of the same circle.

as an aries, vic lives in reality(if anything, hes forced to). while as a pisces, logan tries to escape it, focusing on his own reality rather than the one around him.

its a pisces instinct to escape and run away, to never be tied down to anything. aries can help ground a pisces when that urge kicks in. still, itd be an important part in their relationship for both vic learning to give logan his space, and logan learning to let vic there for him.

gonne go off the rails for a sec, but the dates of their bdays apply to their dynamic too.

2/21, 2 3(2+1). 23 is a reoccurring number in logans life, almost being like his symbol.

(Wolverine 1988, issue #66, being shown the number 23 by a guiding spirit) + (Wolverine 1988, issue #167, wearing the 23 bulls shirt) + (Wolverine 1988, issue #176, after being dead and talking to another guiding spirit for 23 minutes) + (Hulk vs Wolverine, X-23)

23 being a part of vics bday can be taken as vic being another key component in logans life, as well as parts of logan basically being a part of vics self. 323 is kinda like being the reverse of 23, while also including it, playing into the theme of them blurring into eachother.

23 being on its own for logan is reflective of his loner isolating tendecies(despite holding a lotta love, pisces can tend to drift off from others). logan can and does socialize, but he isolates his heart from getting too attached.

pisces, being the last sign, holds a bit of all the signs inside them. this can influence logans struggles with losing sight of who he is an individual, wanting to go against everything he seems to be in order to stay who he thinks he is. a constant search for self discovery thats disfigured by many layers of other influences, and pisces natural duality for everything(wanting to play both sides, contradicting himself, when really he doesnt know where he fits). what little logan does know about himself, he doesnt trust to know how to get others to understand. meanwhile, vic follows the mold of what others expect of him, and doesnt get a chance to really exist as himself, making up for that by being the best version of the negative traits forced upon him that he cant escape.

(Sabretooth: The Adversary)

logan tries to be what he thinks others want, while vic tries to be what others say. logan thinks hes escaping from his expectations, but really hes trapping himself in a cage of other peoples needs. vic thinks hes being better than other people in his situation by not escaping, taking choice in it, when really hes still keeping himself in a similar cage.

pisces escape themselves, aries push to be themselves. but in their own ways, theyre also doing the same as eachother.

even tho pisces can be loners, their relatablility to other signs draws a crowd to them. everyone knows wolverine(insert that classic post of ‘wolverine is there’, yall know the one). sabretooth can be good with people when he needs to be, but he doesnt have many friends…being the first of the signs, aries are kinda on their own.

unless, ofc, one was on a cusp.

vics 23 in his birthdate doesnt just tie him to logan, being on the cusp of pisces is important too.

it allows vic to truly know who logan is, underneath it all. his true self. since a part of him works the same way, inside.

talking a bit about the risings now—

libra rising doesnt seem to fit logan at first glance, as his quick anger tends to mess up a lot of his encounters with others, but i see him as someone who likes solving others problems. hes the guy others go to for help, despite his reputation. he fights for justice, or what he percieves as such, since his pisces nature kinda detatches him from reality. he can seem like a threatening guy at times, but people tend to somehow feel comfortable around him, even strangers. he claims he doesnt talk much, but hes the kinda guy to indulge in conversation if someone started it with him, and his libra rising energy draws people to do so.

and i could honestly write a whole thing about how the duality of pisces fucks with his life, like the duality of wanting to do good but continuing to fall back into doing what he wants, while also constantly seeking to know if either of those things are truly what he wants. he knows but doesnt know, acts but doesnt act, hides but shows himself loudly, playing the Bad Boy while hes secretly nice and caring. hes a mix of everything and nothing, wanting to be like the people around him, but also wanting to know who he is as an individual.

some sources for virgo rising were like 'they prefer fashionable clean wardrobe, and strive to rise to the top of their work, falling into perfectionism in both their presentation and reputation' like...as a rising, thats def his mask, to make up for who he is.

vics way of proving his worth to others is very much based on how helpful he is to them, doing things for them rather than himself(the chance of them being satisfied being enough to fuel his motivation). his whole career is based around doing shit for others in order to make a name for himself, his mask, what he thinks hes good at. but, he also primarily does acts of service for those he cares about, things he wants to do for them rather than being expected to do so, being unaware that hes good at THAT as well.

logans mask is what vic secretly excels at, and vics mask is what logan thinks he isnt good enough at.

while logan spends a lot of time striving to be the best in what he does, vic strives to be the best in who he is. which, according to their risings, they’d have more luck if they switched those goals.

(X-Men Forever 2009, issue #6) + (Wolverine 1988, issue #123)

i know a lot of this probably comes across as being a challanging relationship, but i think thats the kinda thing they both want. they both crave a good challange, something to fight for. and for once, they wouldnt just be fighting for themselves, theyd be fighting for someone else. for the same cause.

vic holds the answer to all logans questions about himself and the ability to know exactly how to take care of him, and logan holds the love and equality that vic craves. but vic wont be able to do so unless he realizes he can take care of others, and logan wont be able to do so unless he realizes how to care for himself, which includes also allowing others to take of him(and learning to hate himself less, which is blinding him from being able to accept vic)(typical twinflame shadow stuff)

vics signs make him a natural helper, and logan tends to be stubborn in letting others do that for him. a lotta their relationship is based around stubborness on both ends, in ways where they secretly want something but refuse to let themselves accept it. both signs like control, in their own ways. pisces like control in a more mental way, and aries like control in action. and thats just something they would have to work together on to get proper communication for.

aries could take pisces by the hand as they continue on, if pisces let him. and in turn, pisces could show aries the truest form of love and connection that aries lacks.

[spleelover06]

Why I prefer Yo-Kai Watch over Pokémon

I have mentioned before that I prefer Yo-Kai Watch over Pokémon, and if you're interested in knowing why, here are the reasons why I do:

1: It's interesting how the YKW anime doesn't always just focus on the main protagonist as it also focuses on what some of the other characters and Yo-Kai do more. Pokemon pretty much focused too much on Ash Ketchum for over two decades despite having different friends from different regions. We mostly never get to see what Ash's friends are up to.

2: The side characters in Yo-Kai Watch don't get replaced every couple of years, and it feels like the crew behind the franchise actually gives a damn about their characters, unlike the Pokemon franchise, where they constantly and commonly introduce new characters and rivals and then replace them with new ones every now and then, which I did find pretty cool at first, but now it's gotten old and annoying, and I just wish they'd stop with that.

3: I find the Yo-Kai Watch fanbase to be more sane and less toxic, and it isn't around the same level of how toxic and annoying the Pokemon fanbase is, which is why I left it and also kinda regret being in it. The shippings in Yo-Kai Watch aren't really taken as seriously as the shippings in Pokemon, and there isn't really any shipping wars happening in the Yo-Kai Watch fandom, at least from what I've seen. Plus the fanbase behind the YKW games doesn't seem as bad either.

4: Yo-Kai have more personality and can make more noises and say far more than just their name, which makes it easier for me to know what each Yo-Kai is individually like.

5: The episodes in the YKW anime feel more of my style as I have always personally preferred episodic shows over shows with a lot of ongoing storylines and with the whole to be continued thing which I can find really annoying.

6: The Yo-Kai Watch games, to me, are more enjoyable than the Pokemon games are because there's more exploration to do, there's lots of content in both before and after finishing the game, the cutscenes don't really take up space during my time playing it and they are at least more interesting (especially since there are ones where they speak with voices), and the graphics, soundtracks and settings looks great to me.

7: The storylines in the games and anime are better, plus I find Nate to be a better protagonist than Ash. Nate acts more like a person in the real world with actual personality and it's interesting to see how he can see creatures that other people can't in a non forced way. This goes for Hailey Anne as well because both characters are quite relatable for people in the real world. Ash on the other hand just travels through participates in Pokemon leagues over and over again, and the show can mainly suffer from having him as the main character since it's mostly through his perspective, and the plots mostly involve him and even have him there even if he's just there not doing much (what's the point of even doing that?).

8: There aren't as much gender stereotypes used in Yo-Kai Watch as there is in Pokemon. What I mean by that is the fact that Ash's female come out as either girly girls that participate in stuff that makes them wear dresses and do elegant/graceful stuff with their stuff, or tomboys that want to accomplish something strongly just like Ash. Not only that but all of Ash's' companion's personalities and traits in Pokemon can blend into one-another, resulting in them lacking true individual personalities. Meanwhile in Yo-Kai Watch almost every character is shown to have their own personalities even if they share some traits with each other, showing that there are no gender stereotypes overused.

9: Yo-Kai Watch isn't afraid to leave the status quo like how Pokemon mostly is because we get to see Nate go through different challenges and plots as the series continues, while before season 25, the Pokemon series was too afraid of leaving the status quo to the point where they had to keep Ash going to different regions while keeping him at the age of 10 with Team Rocket stalking him. There are no excuses why they had to keep on doing that other than being afraid to leave the status quo.

10: There's no overuse of clichés in YKW, like Nate having feelings for Katie does not become so forced for example as well as how not every episode plot has the good ending we'd all sorta expect to happen. Heck, the premise seemed pretty original to me also. While in Pokemon, it's about a new trainer becoming a champion and/or Pokemon master overtime and encountering/defeating evil teams in every single region, and this is one of the reasons why I left the fandom. The whole premise just seemed really clichéd to me and it's something that the Pokemon anime was too afraid to change it up more until the horizons series came (I'd say it's more tolerable than the original anime).

And that's me done with explaining things out about why I think this way. I've tried to think the opposite of this when I was younger but I fully failed to do so and went back to my original thoughts on the two franchises. There's just too many Pokemon, games, seasons/episodes, movies, altered storylines and characters from the Pokemon franchise for me to give a damn about them while Yo-Kai Watch gives out all of that stuff in a way where they're not overdoing it and that makes the series more interesting. If you think the other way around, then I can handle that opinion of yours. This pretty concludes what I wanted to say here and I hope y'all understand what I felt like saying here. If you do, thanks.

[coco-bee]

COCO'S REVIEW: LACKADAISY INGENUE (Ft. @thesilliestofallqueers)

Welcome to Coco’s Review! Where I review and breakdown episodes, movies and etc and overthink every tiny detail  and/or give my thoughts and opinions :D

Today I'm discussing Lackadaiy Ingenue (ft.Robin)

Yes I’m a fan of Lackadaisy! I haven’t been there since the start BUT I have been following the series ever since the animated pilot- I’ve also read a handful of the comics but I wasn’t able to read everything. But I have a good idea of the characters and their lore. I’m very happy to revisit this series through Lackadaisy Ingenue! So to start things off I want to define what ‘Ingenue’ means for those who don’t know (like I did). According to google, “An Ingenue is an innocent or unsophisticated young woman, especially in a play or film.” which makes a lot of sense since this short focuses on Ivy when she was a little kitten (I’m assuming she’s around 6-9 here), and I guess this short technically counts as a film. New word to add to your vocabulary ✨ So the short opens with Ivy’s father, Reuben Peppers showing off a car to Atlas (who is confirmed to be Ivy’s godfather in the description). Btw Reuben sounds INCREDIBLY young in my opinion, I didn’t even think he was her father- I thought he was her older brother or something but nope, that’s her dad. Confirmed in the description!

We aren’t even a minute in and I’m already asking questions- mostly with how close Ivy and Reuben are. With “I like it when it’s just you and me”, it got me confused since it IS just them traveling. I’m going to assume maybe she prefers private trips with her father over using public transportation where others can hear their conversations. Which really shows how close they probably are if Ivy really enjoys one-on-one time with him. 

So as Reuben greets Mitzi, Atlas, Viktor and “Joe”. Reuben and Mitzi have an interesting conversation… “What happened to New Years?” “It’s Effie, she's uh.. We’ll talk later” The look Reuben gives Ivy might imply that “Effie” is Ivy’s mother or just a relative of the Pepper family since Reuben doesn’t want to talk about it with Ivy listening. But that's just me- So that’s totally not suspicious :D 

I also just want to mention the nice hug Atlas and Reuben have- it really does seem like they’re very close. Which is probably why Atlas is Ivy’s godfather- Atlas seems pretty comfortable around Reuben too! From what I can tell Atlas was more of a “show more, talk less” kinda guy but that’s maybe because this is my first real introduction to him before he died (lmk if he appears in a flashback in the comics). He doesn’t have any lines in this episode too so I just thought that’d be interesting to point out. And that's why I came to that conclusion.

Upnext is Ivy meeting Mordecai for the first time I’m assuming. So this seems to take place when Mordecai used to work with Lackadaisy before switching to Marigold. This also confirms that he was the bookkeeper for the daisy cafe to which if you don’t know- a bookkeeper oversees a company's financial data and compliance by maintaining accurate books on accounts payable and receivable, payroll, and daily financial entries and reconciliations. They basically take care of the finances of the cafe. This scene also highlights the gun Mordecai was trying to hide, which I guess adds more evidence for Ivy to what these people actually do for a living. In the description it seems that Ivy is not very aware of what her father does for work. At least at the time. Mordecai having a gun despite being “just” a bookkeeper gives her an idea of what they might actually do other than running a cafe.

Also the “I subtract numbers too” line is fucking hilarious I’m sorry 😭 Now we have the scene where Ivy and Viktor’s bond seems to have started! I would eat up their interactions in the comics istg I LOVE THEM<33 Victor becoming that one chill uncle 

Viktor lying about how Mordecai broke his arm is fucking hilarious too- I’m now requesting a short comic of Mordecai trying to rollerskate but failing miserably! ANYONE PLEASE- TAG ME IF YOU DO THAT (Rob ik youre an artist pls /j)

I don’t have a lot to say about this scene- I just love Ivy and Viktor’s dynamic smm! I gotta talk abt them in one of my Dynamic Duos episodes! (getting ready to go through so many comics) After their interaction Ivy notices a broken car door with bullet holes on it. It looks very similar to the door Viktor was replacing while he and Ivy were talking. That’s when Ivy pieced it together, Mordecai’s gun and the bullet holes? Yeah it became obvious to her that these guys are criminals-

You can tell that was her conclusion with her asking Viktor directly if they were robbers or gangsters while also assuring that the secret is safe with her! 

I’d just end my breakdown here BUT YOU SAW THE TITLE! I would like to welcome my first guest ROBIN!!! Aka TheSilliestofallQueers :D I wanted to bring them in because they know more about the extensive lore of Lackadaisy so I feel like this’d be a perfect time to have them featured! SO I GIVE THE FLOOR TO ROBIN!! 

HELLO YES THIS IS ROBIN!! (@thesilliestofallqueers)

I’m not as obsessed with Lackadaisy as I used to be back when the animated pilot was just released (I had a friend who got me into it, thank you for that Breezy) but I still know quite a bit so I’ll be putting a few footnotes to this already extensive deep dive into the animated short

Apologies in advance but this is just going to be me analyzing / ranting about Viktor and Ivy’s interactions since Coco didn’t!! (ITS SPELLED WITH A K?? -Coco fixing her typos) (YEAH ITS VIKTOR LMFAOOAOAOAO -Rob) Now first of all, I found it so endearing that Viktor almost immediately warms up to Ivy and starts joking with her / trying to cover up what they actually do with lighthearted / white lies. 

As someone who has read the comics I always knew Viktor was fiercely protective of Ivy (He beat up her exes because he thought they were no good lol) but Ivy almost always responded to this by being annoyed with Viktor (specifically in the instance of the ex boyfriends, she got mad at Viktor for it)

So seeing her as a kid getting along with Viktor so well was refreshing and sweet (Also this short implies that these mfs are OLD AS HELL -Coco) (YEAH IT DO DUNNIT LMFAOAOAO -Robbobin)

Now they keep getting along until Viktor suddenly tells Ivy that she shouldn’t be there in the middle of her telling a joke, and you can SEE his expression shift from fond to worried as I guess he realizes that if he keeps being nice to her, she’ll want to stick around. Therefore putting her in more danger than if she was kept away

He slams the car door as he yells at her to go, and she does, but not before giving him one last angry look because dude WHAT THE FUCKK WE WERE SO CHILL LIKE 5 SECONDS AGO

And then Coco details the rest of what happened 

SORRY IF MY PORTION WAS SHORT I JUST WANTED TO EXPAND ON WHAT COCO DIDNT LMFAOOAOA (also there wasn’t much to go off of since it was short + coco covered most of it in detail already) THANK YOU ROB FOR YOUR INPUT!! Tbh I was struggling with finding words for Viktor and Ivy’s scene so thankfully Rob did the job! Please go follow Rob on their page! And that concludes our breakdown of Lackadaisy Ingenue :D  Huge respect to Tracy Butler and her team for their amazing work on this because the animation is GORGEOUS and the storytelling is super clever! I’m so excited to cover the future episodes of the series when it eventually comes out !!

This is Coco and Robin typing... thank you for reading!

[rimurutempest]

Hello.....If you don't mind me asking, can I ask, what are your top 7 favorite media (can be books/ manga/ anime/movies/tv series/etc) and your top 10 favorite (fictional) characters from any media? Why do you love them all? Sorry if you've answered this questions before......

Interesting specific.......

7 media huh?

SLC Punk - live action movie from the 90s about Punks in Salt Lake City during the 80s. As a trans person that grew up in Arizona in a region populated by a ton of Mormons I sorta related to it kinda and nowadays I feel like it's actually a really funny, really scary, and really beautiful movie that gets overlooked a lot.

The Shining by Stephen King (book) - it's not my favorite horror novel and it's not my favorite Stephen King novel, but it was the book that got me to enjoy horror. The story is so scary and good, the characters are fleshed out, and there's a whole underlying dialogue about abuse and alcoholism that's very scary. Which is part of why I don't like the movie, cuz the movie adaption (erases the usefulness of the titular "Shining") sorta erases the personal story about alcoholism and abuse. And, it's definitely there still, it focuses more of its efforts on just being a spooky haunted hotel, it's style over substance to me. The connection of the personal and horror made me sort of see the true story telling value of the genre, and now I'm like. In love with horror.

Inside Mari by Shuzo Oshimi (manga) - the best way to explain this is, what if Freaky Friday were more of a psychological horror. Reading Inside Mari has been a very important thing to me as an adult, I sorta see myself in it and there's so much trans emotions in this (there's a whole thing that Oshimi is probably trans), this work is so dear to me I refuse to read to watch other people's take or interpretations, which sounds bad but I just want my special thing that I interpret my way to be interpreted my own way. It's amazing and I love it. All of Oshimi's work has hit me in a personal place.

Wandering Son by Takako Shimura (manga) - one of the first portrayals of a trans person I saw in manga, and honestly still one of the best. There's a lot of criticisms we could give it, but I love it and I related to it so much. It was nice to see a story follow such a young trans girl (and boy) and see them grow. Probably part of why I decided to finally identify as trans.

Puella Magi Madoka Magica the Movie Part 3: Rebellion (anime movie) - this one is largely just emotional stuff that's coincidental. The original Madoka tv show (and thus first two movies) were great but I never thought it was perfect, but Rebellion emotionally murdered me and as everything else mentioned, it felt so relatable. Came out in a very important time frame for bonding when my husband, so I got to see it in theaters with him (twice technically, we went a second time with a friend) plus I got to see it with another friend (three times total) hehe. It's just like, a very big date for my husband and I, I remember it perfectly down to what I had for dinner (my first bowl of professional made ramen lmao). The movie just, really hit, and the circumstances around seeing it were just really important to me.

Lateralus by Tool (album) - I'm sure some people are gonna be like "whaaaa how edgy loser" or whatever about this. But Lateralus was an important album for me cuz it introduced me to larger intellectual concepts I'd never considered before, made me really fall in love with that brand of music, and was one of those things I would put on repeat when I felt very depressed (read: dysphoric). I know the members have sorta grown into shitty people (namely Maynard) but this album is just very important to me.

I'm just going to say The Green Knight (movie), there's a lot I want to put here, especially a lot about Arthurian literature, but I think the best way to just, placeholder all the Arthurian shit I'm obsessed with. The Green Knight is a fantastic adaptation that's incredibly beautiful and well acted. Love it.

tbh w/ you I don't wanna do characters rn so if you swing back by later I might.

[spectator-zee]

Hey there! I saw you've been starting to expand your own rewrite so I'd thought of a few questions or you! Now I'm not fully versed in your Wish AU, but I'm genuinely curious. So here we go:

How did you come up with the idea of your rewrite? Was it from watching the Disney movie or other people's rewrites?

How does SFTS!Asha interact with other Wish AU Ashas?

Same as #2, but with Apollo and the other Starboys. 😂

How long does your storyline go on?

Uhhhh.... Any Angst, I'm still new to it. 😅

How many songs are you including in your rewrite? Do they include A Wish Worth Making, or This is the Thanks I Get or perhaps an original song?

Is there a Flazino in your rewrite?

When can we expect the first chapter?

Are all 7 Teens included in SFTS, or is it reduced? Or are they just wiped from existence? 😂

Out of questions, but I want to give you a hug:

Good luck on your stuff! 😎

1. How did you come up with the idea of your rewrite? Was it from watching the Disney movie or other people's rewrites?

I got inspiration from both my mutuals, the movie, some tropes i love from watching different anime and reading multiple Webtoons.

So my little wish au was born. It was initially was just going to be my little secret, just drawing my own version of Asha and Starboy and writing down some ideas for the AU whenever I have ideas for it, but when @signed-sapphire tagged me to recreate my Asha and Starboy on this picrew they found, well-

I was forced to reveal my two kiddos 🤧

(Just kidding Saph ily platonically-)

ANYWAYS-

Lots of stuff changed compared to the first draft too.

I actually had two other wish AUs before the current one i have right now.

One is a sort of villain AU of Asha and Starboy, where i named that Starboy Alzir. (I can't remember why i named that guy like that tho)

And one where Asha is the thought to be dead princess of Rosas turned vigilante of some sorts, also with a Starboy (also named Orion). The guy was WAY less traumatized than the current Orion, Good for him!

2. How does SFTS!Asha interact with other Wish AU Ashas?

The Kingdom of Roses and Thorns 🥀(by @your-ne1ghbor) My Asha enjoys spending time with Neighbor's TKoRaT!Asha, they would probably talk about hobbies and what they do to alleviate boredom when confined inside a castle. Though my Asha mostly focused on her job of doing paperwork and castle finances and whatever the heck a princess's job is inside the castle idk. Imagine Navier from Remarried Empress, i definitely got inspired by her a lot when it comes to my Asha.

The Fallen Star 🌠 by @signed-sapphire She would probably not get along with Saph's Asha very much, she'd also try to reel TFS!Asha back whenever she's being rude to someone.

I feel there would be a scenario where TFS!Asha would be ranting to my Asha about the TFS!Seven teens for not appreciating their perfect and benevolent princess and my Asha would just be looking at paperwork and be like-

"Mhm" "Yes, that must be awfully tragic"

My Asha would NOT be listening at all LOL

Reach for the Stars 🌌 @oh-shtars At this point she's not surprised that there's an AU where she's a servant instead. She'd also be kinda akward towards her. since most of the castle staff in my AU knows of her existence but hasn't seen her personally or thinks she's intimidating/standoffish and she'd try her best to not "scare" RFTS!Asha.

Aled Wish au 🏙️ by @uva124 They'd bond over coffee and overworking maybe?

The Kingdom of Wishes 🌟 by @annymation She'd ask advice on how to draw other people, as she only knows how to draw herself, her surroundings and some animals.

Wish Granted @rascalentertainments She can't tell if WG!Asha doesn't like her or not because of her sarcasm. Though she thinks that WG!Asha probably already doesn't like her due to her being adopted by the Royal couple.

The Wishing Kingdom 🏰 @chillwildwave She'd relate on to her not being good at magic and both of their Magnificos berating them for not being good at it, she'd try to teach some of the spells she learned by herself to TWK!Asha tho.

The Assistant and the Star 📚 @tumblingdownthefoxden If she ever hears about TaatS! Asha was being stalked, she would have been pretty pissed and if she had the authority, she would have had them arrested and served prison time or community service.

Cause..im pretty sure that STALKING SOMEONE THAT IS THE KING'S APPRENTICE ARE PROBABLY GROUNDS TO SOME PUNISHMENT AT LEAST

3. Same as #2, but with Apollo and the other Starboys.

The Kingdom of Roses and Thorns 🥀 With Neighbor's TKoRaT! Star, Orion sees him as his first Starboy friend, his homie, his first partner in crime! Whenever he wants to hang out with someone (that isn't Asha), he goes to find him first...and drags him along with his shenanigans

The Fallen Star 🌠 With Saph's Cielo, he now has a pranking buddy! (Besides TKoRaT!Star of course) He does get concerned that he trusts so easily towards strangers. But good thing he's a living lie detector and he'll look out for any bad guy that wanna take advantage of him....aaand cue him shooting an arrow at TFS!Mag. Sorry Saph-

Reach for the Stars 🌌 Sueño my boy, Orion would play music for him whenever he sees Sueno is upset or uncomfortable to calm his nerves. When he heard about how he got imprisoned by Magnifico and got his magic drained for years...well, let's just say he had a violent reaction and RFTS!Magnifico is going to be a pincushion once Orion gets his hands on him--

Aled Wish au 🏙️ Wish Uva's Haedus, he had to do a double take cause he can sense that Haedus is pretty powerful. But after getting over that, he thinks that he's really cool to hang out with. Orion would also love Naos and Nembus, he'd try to teach them how to perform spells that they can do even with weak magic.

The Kingdom of Wishes 🌟 He'd be in awe over Aster's cool cape and question how the heck did he manage to defeat his Magnifico. He'd also applaud that Aster was ready to square up against his Magnifico too, i still remember the swords he made out of stardust, even though it didn't hurt Magnifico, it was still one of my favorite moments.

Wish Granted 💫 WG!Star!!!! i love this little bundle of Joy, Orion would have a bit of a hard time keeping up with Star's energy at first though. He'd also be pretty protective as Star doesn't seem to recognize how dangerous his royal couple is.

The Wishing Kingdom 🏰 I remember wave mentioning that Antares has a tendency to lie a lot. Due to a past experience, Orion manifested the ability to tell when someone is lying. Whenever Antares lies about something, Orion...would not call him out on it, in public at least. He'd first yank him somewhere private and ask if he's okay and that he's here if Antares needs someone to talk with.

The Assistant and the Star 📚 He can heavily relate with having healing powers yet not being able to save people who they needed to protect. (I love Altan's backstory btw) On a less angsty note, They'd bond over being the only Starboys having fluffy fur on their outfits. Orion would start a "Starboys with Fluffy fur on their outfits" club, only with two members at the moment :')

4. How long does your storyline go on?

In universe it would either be a few months or a year at most.

Cause I feel like it would be like an anime/cartoon(??) series with episodes in it to show dynamics of side characters with one another, or Asha and Orion shenanigans, The Royal couple shenanigans, even an episode dedicated to Asha's owl and Amaya's cat just having beef with each other. Asha and Orion needs time to establish trust with one another over time. Gain allies to stand against the King and Queen, Make the people doubt about the Royal couple, Arc where Asha gets to explore outside the castle walls!, Asha having her first public appearance, episode showing what happened to Rosas' previous King and second prince, Orion backstory, 7 teens POV, all that fun stuff.

(Disclaimer: I am NOT writing all that- I have NO writing experience whatsoever, my au is just a fun little concept that i would just either draw out or share little fun facts about whenever inspiration strikes)

5. Uhhhh.... Any Angst, I'm still new to it. 😅

Magnifico gifted Asha a crown made of thorny vines for her birthday, she still wears despite it being hurting because it's the only crown she has. And to remind herself that a princess's job is a heavy/painful burden.

6. How many songs are you including in your rewrite? Do they include A Wish Worth Making, or This is the Thanks I Get or perhaps an original song?

I don't really plan on Writing this au, it's more like a fun concept that i would share fun facts of or draw occasionally. But if there would be music in it, it would include most of the Songs that are already in the movie except:

• I'm a star • This is the thanks i get • Knowing what i know now

and i would replace them with songs like:

• Wouldn't you like

(Because i freaking LOVE Epic the Musical okay? and Orion would be the type to sing a happy tune with some sinister lyrics sometimes lol)

Here, Orion makes an offer of partnership between him and Asha, he'd be her ally in the quest of preventing Magnifico and Amaya's plans, he also sings some of their crimes during the song too

"She can turn you into an animal that would end up on a plate! "She can all but make you fall in love, like you're on your hundredth date! "He can turn into a monster! And he'll grind you to the bone" "They have all the ways to haunt ya, if you take them all alone!"

He sings these crimes that they they have done in a catchy tune so Asha won't get too spooked but he makes sure that she understands that those two are definitely dangerous and you should be very cautious around them. Because they have definitely done these acts, and would definitely do it again to any person who would oppose them.

• They're only Human

Here the Royal couple sings a duet, looking down on the people that are so far beneath them. Also I'd imagine them singing the Annapantsu and Caleb Hyles Cover instead of the OG version (I still love the og tho)

Not entirely sure what rebellion song I would replace "Knowing what I know now" though

And if there would be an Original song, it would be a song about Asha singing/comforting Orion because he's having a mental breakdown. Singing to him along the lines of- "Deep breaths" "Count with me" "And Repeat"

Idk I'm not a songwriter

And it would be named something like- "Don't blame yourself" or "Things that weren't your fault"

And at some point, Orion would sing this back to her, like a reprise of sorts when she's the one who needs comforting

p.s. I just realized that "Here comes a thought" from Steven Universe would be a perfect alternative instead oh my god-

7. Is there a Flazino in your rewrite?

Oh yeah he exists, Asha gave him a raise once, surprised that he didn't quit being Magnifico's magic apprentice since all the previous ones quit and was never seen again (She's secretly investigating where they are as she caught wind of their families being worried sick about them). Flazino didn't know why his salary increased and who did it, cause it's definitely not Magnifico or Amaya, but he's grateful to that person.

He also goes around Rosas to help with his magic, as he's one of the only people in the kingdom authorized to use magic. (Being Magnifico's apprentice and all)

8. When can we expect the first chapter?

I'm not really a writer, so i actually plan to show some happenings in my au with drawings once motivation strikes once in a while, or if some people asks me about stuff about my au cause i don't really talk about stuff unless someone asks me about it

9. Are all 7 Teens included in SFTS, or is it reduced? Or are they just wiped from existence? 😂

They exist! They help their parents who work at the castle, like an internship of sorts so they would take their places once they have come of age. (This might change in the future who knows)

10. Out of questions, but I want to give you a hug

❤️❤️❤️HUG!! ヾ(≧ ▽ ≦)ゝ❤️❤️❤️

[lakesbian]

Very curious to hear you elaborate on your thoughts of dungeon meshi anime sucking! Most of the folks I’ve seen talk about it have been pretty positive, and while as a fan of the manga I dropped out of the anime partway through I can’t really articulate why I stopped watching

this is gonna be pretty unformed but maybe @haunting-hole could add more if she wants. to phrase it to the best of my ability (unfortunately sans picture examples because i don't have time to dig them up):

it looks bad. or, well, the issue is actually that it just looks okay. the lighting is extremely washed out and sterile feeling. the manga has 1. gorgeous art and 2. extremely strong usage of light and shadow to convey tone, and the anime drops the ball both on fully conveying the atmosphere of those environments via their color (because the lighting is sterile and ubiquitous) and on using color in more subtle ways to convey the tone that the manga was initially striking for certain plot beats, whether that be horror or humor or emotional closeness. good example of this is comparing the first fawin fight in the anime vs the manga--in the manga, there's really stark use of light and shadow that adds an immense sense of emotional gravity, and the anime Does Not Have That

i think it in general lacks the artistic nuances that make the manga good...like first fawin fight as an example again. when she rips her shirt off in the manga, she's extremely bloodsplattered with a horrifyingly slackjawed, unfocused, animalistic look--she looks like a predatory animal. in the anime, the expression is altered in a way that makes her appear significantly more in control of her faculties than she actually is. or directly compare delgal's birth in the manga to delgal's birth in the anime--the one in the manga feels extremely personal and intimate and human, and the one in the anime has absolutely none of that weight because of how the scene is designed and drawn

i understand that things have to get cut out oftentimes in adaptations but i cannot fathom why they decided to cut namari explaining how resurrection works because it's literally Critical context for understanding the plot event of why everyone is so horrified when they find falin's bones. the sense of dread is so much more significant in the manga...i remember seeing a big post having 2 explain why this was a big deal 4 anime-onlies bc they were just straight up missing the critical worldbuilding detail that Resurrection Doesn't Fucking Work So Good when someone is just Bones. like please. that's importance.

the manga does comedy, horror, horror-comedy, extremely convincing character-focused emotional intimacy, etc. the anime has like. i don't fully know how to articulate it, it tries to recreate panels one-to-one but it ends up coming off as awkward and jarring instead. toshiro and laios' fight is particularly dire for this. i haven't watched the most recent episode myself but my friend whom i trust to be so right about dungeon meshi reported that it completely shits the bed on giving senshi's backstory the same compelling gravity as the manga. and also they put one of those overly cheery shiny yellow backgrounds over a group hug scene that's incredibly cozy and intimate and not at all humorously played up or lighthearted in the manga.

like, i think it really just boils down to the fact that the manga is a solid 5/5 with broad appeal, and the anime is a 3/5 mediocre sort of situation you just kinda drop without really thinking about why. just starkly milquetoast compared to everything the manga does. the anime being this popular is like watching people flock 2 outback steakhouse when a michelin star restaurant is right next door handing out free meals. it's Fine, it's Perfectly Serviceable depending on how distinguishing your taste is, but it's distinctly worse in comparison to the manga, and i don't care about seeing the same story rehashed in a diminished quality

[idleglowingpixels]

I kinda realised that Mr Komos' song, True Monster Heart follows the same beat as the Monster High Fright song, but the lyrics are like the corrupted version of the original.

Monster High Fright is about accepting

True Monster Heart is about rejecting

Kinda interesting when you think about it

AHHHHHH WHEN I SAW I GOT AN ASK RELATED TO THIS I FREAKED OUT DFGHNBGVFDSF TY FOR GIVING ME SOMETHING TO RAMBLE SOME MORE ABOUT ANON FOR REAL! (Also sorry for the late response, this post has been developing in my drafts for like at least a week now dfgfhng)

I absolutely agree with the conflicting messages between the two songs! I know the song focuses on the story of this universe's Dr. Jekyll and Mr. Hyde in the main verses, but the main focus of the song is that message of rejection of anything and everything human.

Also, because of the Jekyll/Hyde bits, it could represent the duality of where the story starts and ends in its interpretation of a "true monster heart." Instead of Mr. Hyde's human-ness making his heart "untrue," it was his utter rejection of & research into ridding himself of his Jekyll, as well as his hiding of the truth in the first place that caused him to be found out and exiled.

His heart being "untrue" had nothing to do with the fact he was half-human, because if it were, then Clawdeen and Komos's presence in and of itself within the school would've triggered its self-destruction. That was proven as a false interpretation by the story in the movie, so it's self-explanatory. A true monster heart is one of self-acceptance, despite one's flaws or differences. That's what Mr. Hyde, and Mr. Komos thereafter, had neglected to realize before Clawdeen proved the point.

Though, I've listened to both True Monster Heart and Fright Song a few times back-to-back, to try and get where you're thinking as far as the beat, but I don't hear it unfortunately (unless you meant the tempo of the song, then yes they do follow the same 120 beats per minute!).

The closest thing I can think of as far as melodic parallels between the songs is the chanting sections. The Fright Song chant is much quicker in the way it's sung compared to the chant in True Monster Heart, however. The whole of Fright Song's chant goes in 16 beats/4 measures, whereas True Monster Heart's chant takes twice as long at 32 beats/8 measures (I was a band/choir kid lol). It's mainly due to how the song kinda drags out the point, and it definitely feels like a nod to Fright Song for sure. Fright Song's chant is only there because 4/5 of the main ghouls were fearleaders, so it was sort of characterizing the cast before actually showing their characters in the webisodes.

---

Fun little headcanon/ramble that I forget if I ever mentioned about Fright Song, but with Holt Hyde being released in the 1st Signature wave with the rest of the the main ghouls and all, I think it was because he's intended to be the singer of the rap section before any subsequent content with the character was released (No offense but I don't think Holt DJs because he's a good singer sdfgbfds). This would line up with his current crush in canon with Frankie, as well as his former crush on Draculaura from either the diaries or books, maybe both? I forget. :'D Also I feel like Holt wouldn't hesitate to call Cleo vile immediately after saying she's charming either, he's very direct with his words. (I also interpret Jackson/Holt as bisexual because Deuce is included in the rap I DON'T CARE Y'ALL IT MAKES SENSE!)

Also I always interpreted the howl-like sound at the end of the rap as "Holt ran outta time/battery power for his music and transforms back to Jackson as it transitions to the rest of the song." It kinda works with how the beat kinda drops down with the howl, like a TV being shut off or something idk.

Ghoulia also debuted with Signature Wave 1 but she's only in like a second of the music video in the background, I figure it could've been budgetary reasons for the animation, to save on animating an extra character. Also I imagine flame-y hair wouldn't be very fun to animate in 2D, and Deuce's snakes moving on their own were bad enough I imagine to animate, so it begrudgingly checks out as to why Holt isn't in the animated bits with everyone else.

BUT I JUST WATCHED THE MUSIC VIDEO BECAUSE I WANTED TO FOR THE SAKE OF THIS POST AND THE GUY SINGING THE RAPPING BIT HAS, YOU GUESSED IT, A BRIGHT FRICKIN NEON RED LEATHER JACKET. He doesn't have the dual-toned shirt BUT IT'S WHITE AND THIS IS CLOSE ENOUGH FOR ME Y'ALL! XD

If any straws for these dumbasses can be found I SHALL GRASP THEM fr they're my blorbos :'D

[inksandpensblog]

The Box

I'm finally watching the episode! These are my stream-of-consciousness thoughts through my initial viewing. This isn't thought-out refined analysis, these are just the thoughts as I have them the moment they appear in my head.

They're getting better at the 3d running/walking animation.

Green being the one to notice details, like in The Village.

Civilization!

Green only drew one but then he just has three more? Cartoon magic or stickfigure magic? Or just saving time on a meta level.

This looks like a nice little toh that's a white-filled head, they're ALL white-filled heads (all look like freehanded circles though)

For a given value of "white," I guess, but they're all very light colors. And they all have head accessories. Interesting...

Okay it's kinda funny that nobody would talk to them and the truck is right there. Did they think the color quartet were giving handouts or something? None of them stopped to listen long enough XD

Ooh, so these are some kind of simulation chambers? Looks like they've simulated a desktop art program.

Hmm, so Orange's ability to just have whatever he wants manifest into existence with the stroke of a pencil is unique to him; these guys try the same motions and all they get are regular lines. (Also if Orange can do all that outside then why are they doing these experiments in the simulation chamber? Is it just for safety or can they not do it outside? Shady could use his toolbar outside just fine...)

Orange's drawings were alive, almost from the first line it seems. Before they even took their shape. These ones aren't.

I don't like how coldly they're treating my boy :(

you.

and then they don't even interact?? okay, so...Victim is pretty single-mindedly focused on whatever is about to happen with Chosen, and whatever it is doesn't involve Orange so Orange is irrelevant to him rn. Why bind him then? Where's he going? :(

he went in. by himself. I'm...not sure how to feel about that. surprised? it's not like the thing had a door. though looking at that control-display, it does look like there's something within the chamber itself that's also containing Chosen. Or is that just the bounding box? I think it's a bounding box actually. So this is also a simulation chamber. (this is giving me all sorts of questions about how the artboard recognizes the toolbar icons as graphics while the tools still retain their functions as tools and I'm gonna stop before I spiral)

oh, it did have a door

WAITAMINUTE why is Victim's bounding box 2d and Chosen's 3d???

...oh. so...Chosen's fire registers as a separate graphic from him, then. good to know??

wait what the- just altering the visual is enough to affect his ability in producing that power??

why did we just cut to the hunter sharpening their spear? don't like that. not while you're stealing all my boy's natural defenses.

that one lingering second after Chosen's lasers die out but before he turns around to face Victim is haunting. Bro's been trapped and depowered again.

Okay nitpick but Victim's head isn't changing shape every frame and it's driving me up the wall. Did he have some work done between the last installment and this one?

I can't tell if I'm supposed to laugh or not at Chosen just standing there and tanking all of Victim's hits, and honestly I like that I can't tell, the dissonance is fun. But putting that aside...Chosen just let the dude have at him like it was no big deal. He didn't actually fight back until he decided he'd had enough. I suppose he could've just been confused about why this guy was attacking him...but he doesn't even block or dodge. He doesn't defend himself, his hands aren't even up, he's not even really in a fighting stance, and it takes him a bit to even retaliate. Even after the first one, his body language is just "bruh why." Which. Is an interesting attitude to have when he's trapped and depowered and being punched by a stranger.

Chosen finally counters, and it cuts to the control panel outside, looks like they're about to raise some setting. I've gotta take a break for a meeting, here's my thought: Victim never left the art program, in AvA1. In a very literal sense, he spent his whole life in it. It's where he found all the things that enabled him to fight back. In a weird way, it makes sense that this is where he's powerful, that this is where he's comfortable fighting. (and I know my personal headcanons are about to get blown outta the water but I'm really glad that I was on the right track in regard to this idea. though something I hadn't ever imagined was that he'd rely on other people to supply those advantages instead of obtaining them himself)

Meeting over, back to the episode! (I wonder if the title of this episode refers to the white chamber Chosen is in or the actual bounding box. Given that the mere appearance of a bounding box in Wanted was enough for many of us to clue in to Victim's involvement, even before he appeared in-person at the end of the episode, I'm leaning that direction. Amazing that it only happened once in the series before Wanted and it was already enough of a legacy to make him recognizable. I'm now realizing that in AvA2 the first thing Chosen did even before attacking the cursor was destroy the bounding box. Also realizing that the bounding boxes in this chamber aren't visible, unlike in the test-chambers in the previous scenes.)

interesting...each of Vicitm's limbs are separate graphics with their own bounding boxes, which is how they looked in the Bloop animation course that Alan made, but it isn't how he was in AvA1. Though he was recognized as a single graphic just a few scenes ago, so that might not mean anything.

why, stop, dude we get it you're strong now you've proved your point stop beating him up-

oh good Chosen's still got his own strength, he's fighting ba- what- okay what, can't take what you dish out??

Ooh, I don't think we've seen Chosen actually throw fire like that (instead of just blasting and halting blasts) since the early episodes.

okay, nice to know that Victim actually can dodge on his own

...don't like how little time it took Chosen to start feeling exhaustion...

...don't like how much trepidation the lasso is giving me. that feels like one of the crueler things to use against Chosen; not because we've seen it used against him before (only Victim and Orange have used it themselves, and only Victim has had it used against him, and good grief Orange and Chosen still don't know how Victim is connected to Alan-) but just because...I really don't want him bound and leashed again, he's been through enough of that. still, I had predicted that we'd see him using the lasso at some point in AvA6. I'm not happy I was right. (man, back before we knew Victim would make a proper return to the series I used to love the idea of him using it again. it's like the clearest example of him outwitting the animator and taking his tools for his own use.)

NOT THE NECK- they've never gone there, I don't like this-

oh what they actually- I was not expecting that. whips haven't appeared in the series before. oh I really don't like this.

God he's crawling back- why-

I had to pause. either the group outside just did something with the controls that Victim wasn't anticipating, or...Chosen felt threatened enough to turn his powers on himself and encase himself in ice as a defense. fuck. someone get him out of there. no flight, can't fight, man was pushed far enough he literally resorted to freeze. The Chosen One. I don't think that's ever happened before.

Fuck, that's just too much, I can't even bring myself to feel excited about seeing the duplicates again. though it is good to know that my headcanon about him needing to be in an art program in order to duplicate himself ended up being accurate. we'll see if my headcanon about it being one Victim with five bodies (as opposed to being five Victims) holds up. if they even have a way to show any difference.

[sighs, pulls AvA1 up in another tab] yep, they're all there. lasso, hammer, extended thumbtack (though it doesn't look like a thumbtack here, which is interesting), whatever that chain-accordion thing is, and the ninja star. why are you doing this? man literally froze himself immobile to get you to stop torturing him, just leave him be.

...haHAHAHA! Oh that felt good, that made me smile. Hopefully this means Chosen has recuperated a bit.

the animation of Victim on fire was so nice I completely missed Chosen breaking the ice XD going back to catch that made me realize that the other Victim duplicates literally just...stood and watched the one burning...

don't let yourself get backed into a corner-

OH he escaped the hold, nice-

I didn't realize until the lasso came back that he'd gotten rid of it when he broke the ice :( but before that he actually uses his fire-breath again, which is always nice to see. interesting to see it concentrated in a thin stream instead of just roaring out like usual.

oh yikes why- him on fire-

...don't do it, man...

OH HE OWNED THAT, LET'S GO!!! Great thinking, Chosen! (heh, nothing about this situation remotely resembles that time Chosen grabbed the cursor and forced it to click him free, but I was reminded of it nonetheless. something about the tool being turned against the user, but in such a different way than Victim does it.)

OH HE- ...oh...I was gonna say oh he learned, he adapted enough that he predicted them flipping his fire and he used that- but then they just nullified it immediately...

Victim don't snap the rope like that, we don't need any more implications we already know you're planning to put him in a world of hurt, why can't you just leave him alone now, what are you trying to prove

hh, back to Orange I guess...

MATH SPOTTED, MATH SPOTTED-

oh! they're bringing him to the- okay that makes sense, if it only works when he does it then obviously the next step to figuring it out is gonna involve him.

wait was he- could he not move when the bounding box was picked up?? (also neat that he immediately got worried once he realized he's in a bounding box, dunno if that's because of what happened in the last episode or if it's just because...he spends a lot of time in an art program so he'd naturally be familiar with what they can do and what it means to be inside one)

...well, nice that they at least get his attention before picking him up

oh now you're being friendly, sure. yeah Orange ain't having it.

okay, [picks up pencil] [instant notetaking] was funny XD

aaw, it's swimming around him

oh it knows what the eraser means

...wait it wasn't an electric eel in the last episode-

hexagons- and the power flickered

okay Orange stumbling around trying to stay out of its way makes it clear that he isn't controlling this thing once he's finished drawing it, it's acting on its own. it...it really feels distressed.

hah, they're all cowering. losers.

oh, back to this.

...did you have to make it so personal, Victim?

a chair

...okay not sure why that happened, could Chosen not just...lean forward? I rewound to watch it again and realized he's exhausted again after the slow-mo ends (is that from the slow-mo itself or just his exertion from the fight before the slow-mo?) and he...doesn't even struggle when Victim lifts him by hand with a lasso to the neck. is...is he just ragdolling now? is he at the point where that's his best option for minimizing conflict?

...he is. he's ragdolling. fuck. (damn you cc!Alan for introducing ragdolling in a comedic short-)

...no? no what?? no, he doesn't know anything about the animator? (which we know isn't true, but why would he deny that?) or no, he isn't going to answer?

don't tie him up, please...

oh now he starts struggling?

...back to ragdolling. good grief, the way they animate his legs just swinging even though they can still touch the floor...

...heh, I appreciate his spirit, especially at this point, but...Chosen you kinda just put yourself in a worse position.

...oh, what is that? I don't think we've seen anything like that before. It's got the floppy disk that's used as the "save" icon in many applications, but it looks kinda like a headset.

...a VR headset specifically, I guess.

OH WHAT- okay rad animation, but WHAT

...oh fuck, I've always wondered if there was a way to see the data that would be a stick's memory. FUCK what are they gonna use this for

wait they're bring Orange here?! Or are they just passing on their way back to the cell? but why are they going back to the cell, was the eel too much for them??

...wait, what? signal lost, I assume because Chosen dislodged it enough to disconnect, and then...instead of picking up where it left off it jumps all the way back to Showdown?? was...was Showdown just on Chosen's mind? or is this the memory of him recalling it right before flying to alanspc to entreat Orange's aid? ...or...are memories from beyond the sky-barrier not compatible? that doesn't make sense...

what's with everyone's reactions to Second's powers?

...I forgot Orange's cell is in here. whoops.

oh this is how he finds out??

hands first ("I did that??") and then his eyes ("Chosen was right??")

...and of course. I expected they'd lock him down with extra security as soon as they realized, but. poor guy.

(dammit I purposefully refrained from making a "dark mode" joke, you didn't have to go and put it on the damn control screen)

...and even after that (which, judging by Victim's reaction, even he hadn't known about Second's powers), the animator is still Victim's priority.

oh, this isn't just any clip of the cursor's involvement in Showdown, this is specifically while Yellow was rendering the cursor in.

and then they immediately pan to Yellow which means that observation is actually gonna be relevant, FUCK-

OH FUCK THE WANTED POSTERS

("earnings growth," so they actually do have a business element to them)

aaand the security cameras caught them peeking out of the truck, they literally just started printing the posters and they've already located Yellow-

that fight is mesmerizing. we haven't seen one like this before, as far as direction and setting. plus it's really interesting to see how the four respond. I might look deeper into that later. also that was a cool transition.

and Yellow is dragged off. The story has never had one of the quartet singled out in-universe by the plot like this before. they aren't even apprehending the others.

...of all the sticks to have a lighter, I never thought it would be Victim.

to be continued. good grief.

I have to eat before work so I'll think on all this and say more later.