#It's a studio and there's not a lot of space for 3 people
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Tonight Luisa and I booked our airbnb for when she comes to visit next month and I am extremely hype 🥹
#It would have been cheaper for her to just stay in my apartment but#It's a studio and there's not a lot of space for 3 people#Plus we have no air conditioning and it'll be the middle of August so. Lol. Lmfao even#Still it'll be so cool to finally meet my internet best friend in person. You bet there will be pics
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so what is squidcraft 3?
this is a yearly twitch rivals minecraft event hosted by a spanish speaking streamer from el salvador called komanche. with the additional help of eufonia studio who are video game developers. this is a twitch event based off of the netflix drama squid games. and last year it held about 200 content creators both spanish and english speaking. this did start as a spanish creator only event and then the second became international if i’m correct. generally though this is a huge twitch rivals event especially in the spanish speaking content space it’s one of the biggest. its also pretty competitive but that can depend on your pov for the event since its also just a space for a bunch of creators to interact. and so this will be the third one held and they’re currently announcing participants every day! this event lasts multiple days and the people competing will have to do multiple challenges every day whether they’re individual or team based and slowly as the days go by people will die and be eliminated. whoever survives last gets the grand prize i know that last year it was 100k. this year the event will be on november 12th so in three days. here is the official trailer for this years event
this year there are a lot of familiar faces for those who watched the qsmp
as of right now they have officially announced (also like i previously mentioned they are still announcing people so we could get more qsmp members): rubius, spreen, quackity, luzu, maxo, mariana, roier, carre, missa, rivers, foolish, bbh, tina, bagi, fitmc, lenay, tubbo, etoiles, pactw, aypierre, philza, kameto, and germán
for those that watched purg 2 you may recognize in this event the following: seapeekay, natalan, axozer, soarinng, barca gamer, crystal molly, aldo geo (the great winner🏆)
some english speakers here may already be familiar with this event as tina and foolish have played in it before and this is where they got to interact with mariana and roier for the first few times before the qsmp was a thing!
i’d also like to mention that i believe this is the first time theres brazilian creators apart of this event. additional correction shadoune is the first french speaker to take part in this event.
its a cool event but as a reminder people can die on the first day and you know not be able to partake in the other days so be a good sport, watch another pov if your fav dies, and just enjoy it. its an event that means a lot to the spanish speaking community so just have fun with it !!! and be fucking nice !!!!!
#squidcraft 3#qsmp members#rubius#spreen#quackity#luzu#agentemaxo#elmariana#roier#missasinfonia#riversgg#foolish gamers#badboyhalo#tinakitten#bagi cattuzzo#fitmc#lenay#tubbo#etoiles#carreraaa#pactw#aypierre#philza#kameto
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sk8er boi — park jisung ᡣ𐭩
summary : he was a punk, she did ballet. what more can i say?
warnings : none...? just y/n looking down on herself a lot </3
wc : 3.2k
a/n : reader uses she/her pronouns!! skater!jisung & older brother!chenle ^^ kind of enemies to lovers...? crush culture pt. 2 SOON, enjoy this for now pls <3
Neo Academy was a world of polished marble floors and perfectly pressed uniforms, where every student moved with precision, like chess pieces in a grand game. The academy prided itself on excellence, and the students knew they were part of that polished image. The neatly ironed white shirts, forest green blazers, and plaid skirts or trousers were more than just uniforms; they were symbols of control, a constant reminder of the high standards expected of them. Everything had to be immaculate, pristine. Perfection wasn't just encouraged, it was demanded.
This was your life. You had mastered the art of composure, keeping your head down and excelling in everything you touched. Academic success came naturally to you, but ballet was your refuge. The dance studio was the only place where you could truly express yourself without the weight of expectations, where you could shine as an individual, not as someone's sister. On stage, you were known for your grace, gliding as though you were weightless, every movement precise and deliberate. Yet outside of those studio walls, you were often overshadowed by your brother; Chenle, the basketball captain and student council president, beloved by everyone.
Chenle was the golden boy, effortlessly charming with a smile that could light up a room and a natural confidence that drew people to him. You, on the other hand, preferred the quiet precision of ballet, a world far removed from the chaotic cheers of the basketball court. You were reserved, focused, content with being in the background while Chenle basked in the spotlight.
Then there was Jisung. He was the anomaly, the skater boy who seemed to break all of Neo Academy’s rigid rules just by existing. He never looked like he belonged in this polished world of straight lines and structured schedules. His uniform was always wrinkled, his tie forever loose, and his hair tousled as though he had just rolled out of bed. His skateboard was a permanent fixture, hanging off his backpack or tucked under his arm, and more often than not, he'd skate through the marble hallways with little regard for the disapproving glares of teachers. If Neo Academy was a meticulously ticking clock, Jisung was the hand that moved out of sync, wild and unpredictable.
Despite how much you tried to ignore him, Jisung was impossible to avoid. He was always around, especially since he was close friends with your brother. Wherever Chenle went, Jisung followed: at the lunch table, at basketball practice, and loitering in the hallways between classes. He had a habit of slouching with his hands in his pockets, flashing that lazy, confident grin that always seemed to irritate you. He didn’t follow the rules, and worse, he didn’t seem to care. You couldn’t understand him. How could someone so messy and carefree survive in a place like this?
Your friends didn’t share your disdain for Jisung. To them, he was refreshingly different from the other boys at school, someone who wasn’t afraid to stand out. But to you, Jisung was a nuisance, someone who disrupted the perfect world you had carefully constructed. As much as you wanted to pretend he didn’t exist, he was an enigma you couldn’t quite shake. He was everything you weren’t: spontaneous, carefree, and utterly unconcerned with rules.
The day was winding down, and the sun was beginning to set. You had finished your classes earlier but decided to stay back, hoping to find some quiet time in the dance studio to practice without distractions. It was a space usually occupied by various dance clubs during the day, but in the evening, it was often deserted — perfect for the solitude you craved. You walked through the empty halls, your pleated skirt swishing lightly with each step, ballet shoes in hand. The school’s bustling energy had faded, leaving behind a tranquil silence.
The dance studio was your sanctuary, where you could shed the role of Chenle’s sister and the burden of perfection. As you entered the room, the familiar scent of polished wood and resin greeted you. Sunlight filtered through the tall windows, casting a golden glow on the mirrors that lined the walls. You set down your bag, exchanging your uniform for the leotard hidden beneath, and tied your hair into a tight bun. Your reflection in the mirror was calm, determined, ready to lose yourself in the rhythm of the music.
The first soft notes of a piano filled the room as you began your warm-up. The movements came easily, your body remembering every pirouette, every plié as though you were born to dance. In the studio, you were in control. Here, nothing could distract you from the elegance of the routine you had perfected.
Or so you thought.
The sound of wheels rolling over tile echoed through the hallway outside, breaking the quiet peace of the studio. You frowned, your brow furrowing in irritation. It didn’t take much to guess who it was. The door creaked open, and without needing to turn, you already knew who stood in the doorway.
Jisung.
He leaned casually against the doorframe, his skateboard under one arm, his blazer slung over his shoulder. His shirt was untucked on one side, his tie hanging loosely in that signature careless way of his. “What, no applause?” he smirked, sauntering into the room with an air of nonchalance, as if he owned the place.
You sighed, your exasperation barely contained. “Can’t you find somewhere else to skate?” you asked, your voice sharp with annoyance.
Jisung grinned, kicking his skateboard forward so it rolled across the wooden floor before coming to a stop near the ballet barre. “Why would I? This place has the best view,” he said, his eyes sparkling with mischief.
You shot him a glare, folding your arms over your chest. “This is where I practice. Alone.”
“Alone’s boring,” Jisung shrugged, moving to sit on the floor, leaning back against the wall as if he had every right to be there. “I’ll be quiet, I promise.”
You knew better than to believe him, but arguing was pointless. You turned back to the mirror, determined to ignore his presence, even though you could feel his gaze lingering on you. As you began your routine again, the elegant movements came less easily. His presence was like a shadow you couldn’t shake.
You tried to focus, but it was impossible to block him out completely. Each leap, each spin felt heavier under the weight of his eyes, and soon enough, your rhythm faltered. A misstep during a pirouette sent you stumbling, your frustration boiling over as you heard Jisung’s barely stifled laugh.
“You’re distracting me,” you snapped, shooting him a withering look.
“Maybe you just need to lighten up,” Jisung replied, his tone teasing but not unkind.
You clenched your jaw, turning back to the mirror with renewed determination. But no matter how hard you tried, the tension wouldn’t leave your body. Every movement felt stiff, and the control you usually held so effortlessly was slipping away. Finally, you stopped, admitting defeat. It was pointless to continue with him there, his presence an unshakable distraction.
Since that night, he’s been a fixture at your late practices, an unexpected yet oddly consistent presence. You’ve gotten used to him lingering in the dim studio as you rehearse. But tonight, everything seemed to be testing your patience — even Jisung.
After multiple failed attempts at the same turn, you finally let out a frustrated sigh and dropped to the floor, stretching your legs out in front of you. You leaned back on your hands, staring at the ceiling as your chest heaved from the effort of hours of practice.
Jisung was still leaning against the barre, watching you with an expression that somehow only deepened your irritation. He pushed off, sauntering over with a lazy grin before plopping down beside you. “That rough, huh?”
You shot him a look, though there was little actual venom behind it. “Why do you keep coming here?”
He shrugged, tilting his head as his gaze shifted toward the mirrored ceiling. “I dunno. It’s kinda fun watching you try so hard.”
Your eyebrows shot up. “Try so hard?”
“Yeah,” he replied, a half-smile tugging at his lips. “You’re always so serious, like you’re chasing some kind of impossible perfection.”
You scoffed, though his words hit closer to home than you’d admit. “Maybe that’s because I have to be.”
Jisung was silent for a moment, his gaze drifting back to the ceiling. “You know, you don’t always have to be perfect. It’s okay to mess up sometimes.”
You shook your head, your voice quieter. “Not if your older brother is the Zhong Chenle.” You let out a hollow chuckle.
He turned to you, his usual playfulness replaced with something more serious. “Why not?”
For a moment, you hesitated, the unspoken truth heavy on your lips. But somehow, with Jisung beside you, the boy who seemed to defy every rule you’d built your life around, it felt easier to say. “Because if I’m not perfect… then what am I?”
Jisung didn’t respond right away, his gaze thoughtful. Then he leaned back on his hands, his voice soft but unwavering. “That’s not true.”
You glanced at him, surprised by the unexpected gentleness in his tone.
“You’re more than just a dancer or Chenle’s sister,” he continued, a sincerity in his eyes that made your heart race. “You’re a whole person, y/n. It’s okay to be a little messy, to make mistakes. It doesn’t change who you are.”
His words slipped through the walls you’d spent years fortifying, the weight of your carefully curated life suddenly feeling suffocating. For the first time, you wondered what it would feel like to let go, just a little.
With a wry smile, you raised an eyebrow. “What would you know about being perfect? You strut around like you own the place, and half the time, you can’t even wear your uniform properly.”
Jisung chuckled, the sound light and unguarded. "Exactly! Life’s too short to worry about following every rule. Sometimes you just gotta do what feels right.”
You studied him, intrigued by the ease with which he moved through life, so unburdened by expectations. It was like he existed outside of the pressure that seemed to govern every aspect of your own life. There was something strangely appealing, almost liberating, about his attitude.
“Maybe you should come skate with me sometime,” he said, tilting his head in a way that felt like an invitation to his world.
“Skate?” You echoed, the incredulity evident in your voice. "Chenle’s the athletic one. I’ve never even tried skating.”
He grinned, his excitement infectious. “Then it’s about time! I’ll lend you my helmet and sweats, if that’s what it takes.”
You rolled your eyes, but a reluctant smile tugged at your lips. “How generous of you.”
“Seriously,” he insisted, leaning closer as if to emphasize his point. “Just one time. You might actually enjoy yourself. Skating’s all about balance, just like ballet. And I’d love to see Ms. Perfect let loose.”
Your heart skipped, caught between amusement and curiosity. The thought of stepping out of your rigid world, even for just a moment, sent a thrill through you. “I don’t know…”
“Come on, y/n!” he urged, his voice earnest. “Give it a chance. Who knows, you might surprise yourself.”
You took a deep breath, the possibility of freedom, even fleeting, enticing. With a slight nod, you found yourself agreeing. “Fine. But not today. Maybe next time. And don’t let me fall.”
Jisung’s face lit up with a grin, his energy radiating encouragement. “Deal! And don’t worry, I’ve got you.”
Days melted into weeks, and your late-night dance practices transformed into a shared ritual. Every evening, Jisung would wander in, his footsteps echoing in the empty studio. His laughter would fill the space as he leaned casually against the barre, teasing you about your relentless quest for perfection. But his presence grounded you in a way you hadn’t expected. His playful comments, his occasional encouraging words, They chipped away at the tension that had been your constant companion.
Tonight, you were so absorbed in practice that you didn’t notice Jisung until his exaggerated yawn broke your focus. “y/n, if you keep this up, you’re going to turn into some ballet statue,” he teased, the corners of his mouth quirking up.
You shot him a mock glare, though you couldn’t entirely suppress a smile. “Maybe that’s exactly what I want, to be a perfect statue.”
He raised an eyebrow, a playful glint in his eyes. “Statues don’t get to live. Come on, let’s go skate. I promise, just this once, you won’t regret it.”
You hesitated, glancing around the familiar studio. This space, with its mirrors and soft lighting, felt safe. Leaving it felt like stepping into the unknown. But the idea of an adventure beyond the careful precision of ballet was intriguing. After a moment of internal debate, you nodded, dusting off your leotard. “Alright... let’s do it.”
Jisung’s face lit up with excitement, and he handed you his sweatshirt and sweatpants. The oversized hoodie hung loose around you, and Jisung couldn’t resist teasing you, a slight blush creeping up your cheeks. Seeing you in his clothes seemed to stir something in him, a quiet connection that neither of you dared to name.
The two of you stepped into the warm evening air, the school grounds washed in hues of orange and pink as the sun dipped low. Jisung led you to a nearby park, where skate ramps rose and fell in smooth arcs, casting long shadows in the evening light.
“Alright,” he said, digging a helmet out of his bag and tossing it to you. “First rule of skating: safety first.”
You caught it, eyeing it with a mixture of amusement and skepticism. “You’re serious?”
“Absolutely,” he said, flashing a mock-serious look. “Wouldn’t want anything happening to that pretty head of yours.”
Rolling your eyes but smiling, you fastened the helmet. “Fine. Now what?”
“Now, you stand on it,” he instructed, placing his own board beside yours and demonstrating with an easy balance. “Just relax. It’s not as scary as it looks.”
You took a deep breath and cautiously stepped onto the board. It wobbled beneath you, nothing like the stable, polished studio floor. “Whoa!”
In an instant, Jisung was by your side, his hand steadying your waist. His laughter rang out, his eyes full of warmth. “See? Not so bad.”
You narrowed your eyes at him, but his gentle encouragement washed away your nerves. “Easy for you to say.”
With a grin, he nudged you forward. “Just try gliding a bit. I’m right here.”
Your heart raced as you pushed off, the board gliding forward. The rush of wind caught in your hair, and for the first time in what felt like ages, you felt exhilarated. Jisung kept pace beside you, his cheers filling the air.
“That’s it! You’ve got this!” he shouted, his excitement infectious.
You found a rhythm, shifting your weight, and began to grasp the delicate balance it required. This thrill was nothing like the graceful control of ballet, it was freedom, raw and untamed.
“Now try turning!” Jisung called, demonstrating a smooth arc with ease. “Just lean, like this.”
Emboldened, you attempted to mimic him, shifting your weight to one side. But the board wobbled violently, throwing you off balance. In an instant, Jisung’s arms caught you, steadying you just before you hit the ground.
For a moment, you both froze, and then laughter erupted from both of you, filling the quiet park. You were clinging to him, and he was holding you up, his face just inches from yours.
“Thanks for the save, skater boy,” you said, breathless.
Jisung grinned, ruffling your hair. “Told you I wouldn’t let you fall.”
As the night deepened, the two of you took turns gliding along the path, Jisung’s hand guiding you each time you wobbled. Your laughter echoed under the stars, mingling with the soft sounds of the evening, and for the first time, you felt like you’d let go of the weight you carried.
Eventually, you both collapsed onto the grass under an old oak tree, the night air cool against your skin. Breathless, you glanced over at Jisung, his chest rising and falling as he lay sprawled out beside you, a mischievous sparkle in his eyes.
“Okay, fine,” you admitted, a grin creeping across your face. “That was... actually fun.”
He turned to you, triumphant. “See? I told you. You should let loose more often.”
You laughed, feeling something warm inside, a feeling that had nothing to do with skating. “Maybe you’re right. It’s just... sometimes it’s hard.”
His expression softened, and he propped himself up, looking at you with a sincerity that took you by surprise. “It’s okay not to have everything figured out. You don’t always have to be the perfect dancer or Chenle’s perfect little sister. You’re allowed to just... be.”
His words struck a chord deep within you. For weeks, you’d built something with him that you hadn’t fully acknowledged until now. Beneath the tree, it felt like the walls around you were beginning to fall, bit by bit.
“Thank you, Jisung,” you whispered, your voice barely audible. You didn’t expect him to understand the weight of those words, but they felt truer than anything you’d said in a long time.
You turned to face him, cheeks heating when you caught him looking at you with a grin. A comfortable silence fell between you, the world around you quiet, still. Slowly, he began to lean in, and you closed your eyes, your heart pounding in your chest.
When his lips met yours, it wasn’t fireworks or butterflies. It was something softer, more comforting, a feeling you wished would last forever. His touch was gentle, grounding, and you felt safe in a way you hadn’t before.
Pulling back, Jisung chuckled softly, his playful grin returning. “After that, I definitely expect a front-row seat at your next ballet recital.”
You froze, momentarily overwhelmed. You’d never invited anyone to your recitals; your parents were always away, and Chenle had his own responsibilities. The idea of someone wanting to be there for you, just for you, was both thrilling and terrifying.
“I’ll... think about it,” you replied with a shaky laugh. But a part of you knew that Jisung had become that someone, someone who saw beyond the perfect façade.
And yet, a quiet fear lingered. He was Chenle’s best friend, the carefree guy who never followed rules, while you were the perfect poster child. Your worlds were never meant to collide. Whatever was happening in these stolen nights wasn’t supposed to be anything more than friendship.
As you looked up at the star-strewn sky, a quiet ache settled in your chest. You didn’t know what would come next, and that uncertainty scared you. It was rare for you not to have a plan, and yet, with Jisung beside you, maybe you didn’t need one. A new world was unfolding, one where you could be the dancer but also explore a life beyond the stage. And as you glanced at Jisung, you wondered whether this was the beginning of something new — or the last taste of freedom you’d allow yourself to have.
#anyone down for a pt. 2?#going through an avril stage rn dhmu 💔#nct#nct dream#park jisung x y/n#park jisung x you#park jisung angst#park jisung fluff#park jisung imagines#park jisung x reader#nct dream x you#nct dream x reader#nct dream fluff#nct dream imagines#nct x you#nct angst#nct fluff#nct x reader#nct imagines#jisung angst#jisung x reader#jisung fluff#jisung imagines#nct jisung#park jisung
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Pride Backlighting Tutorial
A few people have shown interest in replicating the pride backlighting I did, so hey, here’s a quick tutorial below the cut.
Enjoy, and happy Pride Month. 🏳️🌈
STEP 1 — SETUP
First thing you’ll want to do is find a suitably dark background to bounce the light off of. I use the White Screen housing item dyed Soot Black, available from the Housing Merchant or Apartment Merchant in any of the housing zones for 3000 gil.
I line up 2-3 of them for coverage, but one will do if you're trying to be frugal.
If you don’t have an apartment or an FC room to use, try asking friends, FC mates, or even folks you share a Discord server with. You might even find someone who already has a studio space set up and is willing to let you use it!
Lighting in your studio space should be 0 (though you might have success at 1 as well), so make sure to adjust that or ask the studio owner if they can make that change before you start posing.
STEP 2 — GPOSE
Position your character(s) just a little ways back from the edge of the screen. You want some space between them and the screen so that the lighting can float there without casting a weird circle on the wall.
Hop into /gpose and bump up the “Manual brightness adjustment” to about 120 or whatever level allows you to see your character well enough to pose them. Pose to your heart's content.
STEP 3 — LIGHTS
Here’s the fun part. In the Light tab of the Gpose menu, switch all of your Light sources to Type 1, which has the shortest falloff radius (meaning it doesn't reach as far as Type 2 or 3). I also set all of my lights to one strong color to differentiate them while I worked on lighting—red, green, and blue, all maxed out at 255 (for now).
Swing your camera (still on all default settings) around to your character’s back and up above their head a little ways. This is where Light 1 (red) will go.
Now pan your camera down at about mid-back height and set Light 2 (green) there.
Pan your camera down one last time until you have a nice shot of your character’s butt and set Light 3 (blue).
Spin your camera back around and enjoy this nice little macaw-colored gradient.
STEP 4 — CAMERA
Set your camera angle.
The way FFIXV’s lighting works is partially dependent on how much light is in a shot. It will adjust a lot like your eyes do when you’re entering a dark room from a bright room, or vice versa. Your zoom level and camera angle are going to directly affect the lighting, so set this before you start messing with light strength and color. Sometimes this means weaker lighting will actually light your character better.
I ended up bringing my lights down to around ~160 and boosted the "Manual brightness adjustment" up quite a bit to get lighting I was happier with.
For a straightforward vertical shot, I like to have my Field of View (FOV) at 200 and of course my rotation is set to 90. Zoom in or out as needed. Remember to save your camera angle if you plan to pan around and fix things!
STEP 5 — COLOR
Make it ~queer~.
Take your flag of choice and pick out 2-3 “main” hues. Generally these will be the strongest hues in the flag, if not the only ones. Some flags, like the Pride/Progress/Intersex-Inclusive flag itself, are difficult to replicate for the sheer number of colors that are in it. You can loosely represent a rainbow with some adjustment to the RGB colors, if you’re determined to have a whole rainbow in there.
Shader Note: I recommend picking a shader preset that doesn’t mess too much with color so that colors are represented correctly. You may need to adjust light strength and “Manual brightness adjustment” to be compatible with your preset of choice. Bloom will also heavily affect the way your colors are showing up, so you may need to tone down the bloom FX or toggle it off entirely. This all depends on your preset, however.
If you’re not into RGB math, here are some cheat sheets! Not every flag is represented here of course, but I tried to cover as many colors as I could so that you could grab a color from another flag as needed! Please note that colors will need some adjustment for your own screenshot, presets, and preferences.
And that’s it, y’all! 🏳️🌈
(Open this image up in a new tab for more detail.)
These were taken using a heavily customized shader for that nice glowy effect.
#ffxiv#ffxiv screenshots#[ ooc ]#[ tutorials ]#i didn't actually have a tutorial tag but#now i do#enjoy ❤️
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Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, I’m straight, but yeah, it’s like, homina homina homina."
May 01 2006 | By Maureen Ryan
Do you watch the show much?
"I can't watch it. I mean, Hugh doesn't watch it because he's anal and … eight years old. [laughs] And by the way, I don’t buy it, I think he does watch it.
“I watched in the first year. We live in New York and [my fiancé] was in California] and she likes it because I’m on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Maker’s Mark and a shotgun away from shooting myself. [much laughter] So I haven’t watched it all season. But when I have watched it, I’ve been mildly confused and Hugh is appropriately grumpy."
I have this theory that a lot of my favorite shows aren’t even about what they’re supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but they’re secretly not even about that. Like, “House” is really about ethics and morality.
“Yeah, sure, I think that’s true.”
But you can’t pitch that show to the network. “Hey, we have this great show that examines personal morality!"
“‘It’s based on “A View from the Bridge.”’
Right! They’re really going to for that.
“Yeah. [laughs] I think it’s good, and when it’s right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know what’s wrong with [the patients]. And it is interesting, the turns and twists that get you there. And there’s always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And that’s it at its best. And I guess that could be true of any show.
“It’s tricky, you’ve got a lead character [who’s different from the TV norm] and you’ve got to be careful because those characters can be one-note. He’s the cranky guy, he’s the Australian guy, I’m the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.”
So this two-parter on May 2 and 3, I think the unofficial subtitle is the “Festival of Foreman.” I guess they’re his Emmy episodes, and that’s fine. But you’re hardly in them, what’s up with that?
“Honestly, I’m okay. I don’t want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, ‘The Iceman Cometh,’ seven years ago. I saw him five years later, and I said, ‘Geez, Skip, where have you been? I don’t see you at readings anymore.’ He said, ‘I’ve been on “Third Watch.”’ It sounded familiar but I’d never seen it. He said, ‘I’ve been doing it for five years.’ I said, ‘Holy crap!’ And he was back doing theater. That’s my dream.
“And it’s happening. I walk down the street and people say, ‘Where are you?’ and I say, ‘I’m on this show called “House.”’ My friend Lewis Black [from 'The Daily Show'] said, ‘What is it called? “Head”?’
“I’m okay. I’ve never been happier than where my career is now. And I don’t want it to change necessarily. Money’s good, and I’m glad I’m getting that, and I’m putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, I’m great. I don’t mind working two days a week.
“Because those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying ‘tachycardia, lupus, blablahdeblah.’ Honestly, I’d kill myself if had to do those scenes for that long. I’m very happy with the size of my role, I don’t want it to get any bigger. I’m happy.”
So we won’t see the very special “House” episode where Dr. Wilson almost dies?
“That might be how I get off the show.” [laughs]
Well, you could die and come back as a ghost. Then it would be the “House Whisperer.”
“Yeah [laughs]. The hair makeup people were saying one day, ‘Oh, I love those scenes with you and Hugh, there should be more of that.’ And I’m like, ‘Shhh! Don’t say that!’ I’m the luckiest man in Hollywood. I work only with Hugh, pretty much, who’s great. And I work two days a week.”
Do you fly back and forth to New York then?
"No, not really. They don’t let me because they need me around, the schedule changes so much. I’m going to try to get away with that a little more [in the upcoming season]. Now that [my fiancé] is here, I really will kill myself if I’m out there as much as I was last year, without her.”
So five days a week you’re doing what – Botox injections? Going to the mall? Watching “Maury”?
“Rob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, ‘I recommend pajamas by 4:30 p.m.’”
What’s interesting about this show is that they’re taken something that could be a very formulaic procedural and quite often turn it on its head.
“I didn’t know anything about TV, I’d never done [a TV show], but I now know very well that there are procedurals and character-driven shows. ‘Law & Order’ is a procedural and ‘Grey’s Anatomy’ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on ‘Law & Order’? If the answer is ‘I don’t give a [hoot], I want to know the next element of the case,’ then it’s a procedural.
“Our show is weirdly, and there must be precedent for this, but it’s weirdly equally both. I think it’s very much a procedural, and without that sick patient every week, we wouldn’t work. And without the character stuff it wouldn’t work. And weirdly, people do care if House sleeps with one of our characters, and also care equally what’s wrong with this person and how they’re going to solve the case.”
I guess I like the character stuff better, but you’re right, it probably wouldn’t work without the suspense of the weekly case and somebody being critically ill.
“No, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.
“I’m more like … the only way I’ve found to define it, and it’s so pretentious that it makes me want to jump out a window, is like King Lear’s fool. I’m like the only one who tells him the truth. And [Wilson] has nothing to lose. I don’t work for him and he doesn’t work for me. I’m the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.”
I think her role is to say, "No! Bad House!"
“Have you talked to Lisa Edelstein [who plays Cuddy]? She’s so great. This Japanese woman once said to her, ‘You on “ER”!’ And she said, ‘I have been on “ER,” but now I’m on “House.”’ And [the woman says] ‘Oh yes, “House.” You say, “No, you don’t!”’ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, ‘You say “No, you don’t!”’ That’s the entire definition of Lisa’s character. Not completely, but we laugh [about it]. We have the same dilemma. We’re on this show that we’re … kind of on. Crew members say, ‘How long have you been on the show?’ ‘Uh, since the pilot.’ They really don’t know what we’re doing there.”
So in terms of the other stuff going on in your career, that’s going well, all the theater stuff?
“I’ve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.”
I’m not entirely sure you’re not.
[laughs] “But the thing is, I got it [i.e. his goals]. I’ve done 14 Broadway shows and got a Tony award, and now I’m making money and no one even really knows. I’m getting away with murder. If I come back to New York in two years and nothing’s changed, I’ll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I don’t really want to do movies anymore. I’m pretty tired of camera acting.”
Why are you tired of camera acting? Is it the repetition of it?
“No, no, quite the opposite. We don’t rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.
“It’s true of films too. I don’t know. I think I’m fine on film, but … I have walked offstage and thought, ‘Wow, no one has done that better. People may have done it as well, but not better.' I’ve actually had that feeling after ‘Long Day’s Journey Into Night,’ or a Shaw play or whatever. I’ve never felt that way with film. I always feel like, ‘Boy, Donald Sutherland would have done that a lot better.’ [laughs] I just don’t think it’s what I do best. I think I’m fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], that’s how I feel about my work on stage. I really do feel that I’m gifted at it.”
Just to change gears completely, what happens in the finale?
“Well, I think the finale is a bit of a cliffhanger. Something very exciting happens. It’s extremely exciting and freaky and I think it’s great. I can’t say what it is. You end this season very curious about how the next season is going to start. It’s a great final show and a big cliffhanger.”
So it seems like Hugh Laurie is so disparaging of his own talents. But he’s so good as House.
“Some people ask me, ‘Oh, why does Wilson want to hang out with House so much?’ and I’m like, ‘You idiot.’ [laughs] House is designed to be attractive! He’s brilliant, he’s self-deprecating, he has a limp. But yeah, Hugh hates himself and he’s very funny about it. There’s no better combination in my book. Like Lewis Black.”
But as an acting partner, he’s good to work with?
“Oh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isn’t our problem. We as the audience don’t have that problem, because what he doesn’t know is that he does it perfectly. But of course he doesn’t hear that. That’s why he can’t watch the show.
“When you’re doing an accent, you don’t feel like you’re interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I don’t know how he’s going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, he’s wrong.”
And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.
“Yeah, he hates that stuff. And even more than the ‘sexy’ stuff, he hates the ‘you’re brilliant’ stuff. Of course there’s a part of him that likes him, there’s a part of all of us that likes that. [But him being hard on his performance], it’s not false vanity.
“I think Hugh does work he’s proud of and does work he thinks is good, I’m just not sure it’ll ever be this [show]. Having an accent… acting is letting go and forgetting yourself, it’s the opposite of ego. It’s flying away and getting away from yourself and forgetting. And when you’re doing an accent, it’s virtually impossible to do that.
“It’s hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actor’s nightmare. I’ve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, that’s hard stuff.
“And can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]… I miss that voice.”
Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.
“As we know, I’m straight, but yeah, it’s like, homina homina homina.” [laughs]
---- [source (part 2)] | part 1 | part 3 ---
it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!
i should be on those ethical hacking competition things
#house md#hatecrimes md#gg.txt#robert sean leonard#rsl#interview#source hunting success#hugh laurie#james wilson#gregory house#i nearly went insane#trying to find this thing#part 3 is an interview w katie jacobs#part 1 is general quotes#muted
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Arabesque
Pairing: Natasha Romanoff x Female!Reader
Word Count: ~1.7k
Warnings: fluff
Summary: Being a ballerina is everything you've ever wanted and more but after a major injury, you had to stay a step back. Now you're able to get back into it, so you ask the one person on the team who has taken ballet if she can help you.
Squares Filled: “you better have a good excuse for being late again.” (2021) for @blackwidowbingo
Author’s Note: any and all comments are appreciated <3
x
The mansion is so big that you have to split up from your team in order to cover most of it. You hate being on your own on a mission but this calls for you to be alone. You’re not much for violence but the team needs a sharpshooter, which you are. You’re highly skilled on your feet, very flexible, and light as a feather. You can sneak into a room and not make a sound even if there are fifty people in it.
Someone with that skill is useful on a mission like this one. Someone stole black market weapons that they want to sell to the highest bidder, and you’re here to stop him before they leave. You’re not sure who is behind this but if those weapons get out, a lot of people are going to die.
Your earpiece connects you to Steve, Clint, and Natasha so even though you’re not in the same room as them, you still have them by your side. Your steps are very light as you enter one of the back rooms and there is a man in the back by a table of weapons. It’s the stolen merchandise. If you play your cards right, you can do this without alerting him.
The man takes apart the big guns to be packaged easier in the boxes by his feet. As he is turning to package the guns, you panic thinking he is going to see you and start shooting. You do the first thing you can think of and haul yourself onto a high cabinet soundlessly. The man turns and doesn't see you as he continues to pack the weapons.
You jump from high cabinet to high cabinet as you make your way across the room silently. The space is small and compact but you’re very flexible. You’ve been training all your life to be where you are, and it comes in handy for missions like these. When you get right above the guy, you jump onto his back and tighten your legs around his neck. The man doesn’t have any time to react and begins flailing about trying to get you off him.
You take your knife out of the arm holster and stab his hands that try to pry you off him, and he falls to the ground in a fit of choked gasps. As soon as he is passed out from the lack of oxygen, you step away from him and clean your blade on his jacket.
“I got the weapons. Back room, west wing.”
“On our way,” Natasha says. Your teammates meet you in the back room and see the man sprawled at your feet. “You took him down without alerting the alarms. Impressive.”
One word from her and you’re a blushing mess.
“Thank you,” you smile.
Steve grabs the man while you, Natasha, and Clinbt grab the weapons. SHIELD has been looking for these weapons that will keep them in their inventory while keeping the man hostage to gather more information from him. Everyone wants to celebrate the successful mission but parties were never your thing. Nothing against your friends but you’d rather spend time in the gym than be mingling with all of them.
Tony made a section of the gym to mirror a ballet studio for you to practice in. You’ve taken ballet ever since you could walk since your mother was one. You’re just following in her footsteps, trying to make her proud. The dream is to one day be on stage in front of an audience but you have a long way until you get there. You face the mirror and grab onto the bar so you can do your stretches. You squat down and bend your knees outward for ten seconds before standing up and doing it all over again.
For your next stretch, you turn away from the mirror and bend backward until your head is at the same length as the low bar. You grab onto the bar and lean forward while still holding onto the bar so that your body is in a backward ‘7’ shape. You’re holding this position for thirty seconds when you see Natasha walk into the gym through the mirror. You stand upright and give her a kind smile.
“Nice form. Looks like it feels good.”
“Yeah, especially after a long mission.”
“Little tip? Try using the wall for that stretch and walk your legs down the wall.”
“Have you ever taken ballet?”
“We did it as part of our training.” You open your mouth to ask her something but decide against it. “No, what were you going to say?”
“I was going to ask if you wanted to be my teacher. I could use some help with my form even though I’ve been doing this all my life. I took a long break due to an injury and I’m just now getting back into it. I’d like you to teach me only if you’re okay with it. I understand if it’s too painful for you to, though.”
She chuckles. “Had you asked me fifteen years ago, I would have said no but I can be your teacher now.”
“Great,” you grin.
You two meet four times a week, three times if you have a mission to go on. She is teaching you so much, stuff that you didn’t know about or have forgotten about. While this has been helpful for your ballet career, it’s bad for your thoughts and feelings. It’s no secret that you have a thing for Natasha. How can anyone not have a thing for her? She’s gorgeous, has an amazing personality, is sweet and funny, and puts everyone before herself. She might know based on the looks you’ve been giving her but you haven’t outright told her you like her.
“I appreciate everything you’ve been doing for me,” you say to her.
You’ve learned so much in the coming weeks that brought you closer to her, which is why you two are sitting on the roof overlooking the city below. Tony built the Avengers Tower right in the center of Manhattan so on nights like these, you can see the nightlife.
“So, have you always wanted to be a ballerina?” Natasha asks.
“For as long as I could remember. My mother was one. Maybe that’s why I got into ballet classes at such a young age. I was actually really good until I graduated high school. I got injured on stage which left me unable to perform for years. By the time I could do it again, I lost my way. I started to pick it up over the years but it wasn’t the same. What about you?”
“What about me?”
“I can’t imagine going through Red Room training was fun, but did you like doing ballet? Can you see yourself doing it again?”
“No,” she shakes her head.
“What did you want to do in life? You know, if you weren't an Avenger?”
“I never thought about it. I was taken at such a young age, that I didn’t think I could know anything outside of that training.”
That hurts your heart. She was taken and forced into a life she never asked for. She better off now but at what cost?
“What do you want to do?”
“I don’t know,” she shrugs.
Moments like these are precious because they don’t last forever. The training sessions after this got better because you two found a way to work well together. She’d help you with your form and you’d try and perform a number for her. It’s working well for you two except your feelings for her are increasing. It’s the way she presses her body against yours to make sure you’re in the right position or her hand on your body guiding you to where you need to be.
It’s driving you insane.
She’s gonna kill me. Fuck.
If you’re late one more time, she is going to kick your ass. You rush down to the gym in hopes she isn’t there. You yank open the door and sigh in relief when you don’t see her in the corner. To make it seem like you’ve been here for at least thirty minutes, you quickly put your shoes on and do some quick stretches.
“You better have a good excuse for being late again.”
You look up and see Natasha by the entrance to the gym.
“Okay, listen, my alarm didn’t wake me up.”
“It’s one in the afternoon.”
“Your point?”
“If you’re late again, I’ll have you on the floor in seconds.”
Damn, why’d that turn you on? Those are delicious yet dangerous thoughts.
“Yes, ma’am,” you nod.
She walks over to you just as you stick your left leg into the air behind you. The only thing you’re balancing on is your right foot on your toes. You arch your back slightly and raise your arms to look like you’re flying. One of the things you’ve had trouble with since getting back into the art is balancing. Natasha puts her right hand underneath your leg to keep it up as soon as she sees you wobbling.
“Don’t think. Clear your mind.”
She moves her hand from your calf up to your inner thigh, raising your leg as she moves. She grips your hip to get you to stay still, but the only reason why you’re going to crumble to the ground is because her hands are on your body. Her hands are so close to the place where you want her the most even if she doesn’t know it. She must know what she’s doing to you otherwise she wouldn’t do it. You look at her through the mirror and see the slight smirk on her face. That motherfucker. She knows exactly what she is doing.
“Like that?”
“Just like that. Good girl.”
Those two words are what cause you to fall back into her. She catches you in her arms and you put your hands on her shoulders to steady yourself.
“Sorry,” you whisper.
“It’s okay,” she whispers back.
Your body acts before your brain can think. You press a kiss upon her lips but quickly pull back in shock that you actually did that.
“Shit, I’m sorry. I didn't mean to do that.”
“Do it again,” she says.
This time, you kiss her confidently. Ballet practice just got a whole lot more interesting.
x
Follow my library blog @aqueenslibrary where I reblog all my stories, so you can put notifications on there without the extra stuff :)
#natasha romanoff#natasha romanoff x reader#natasha romanoff fic#natasha romanoff fanfiction#natasha romanoff fanfic#natasha romanoff fluff#natasha romanoff fiction#natasha romanoff fan fic#natasha romanoff fan fiction#marvel#marvel fanfiction#mcu#marvel fan fic#marvel fluff#marvel fanfic#marvel fan fiction#marvel fic#marvel fiction#mcu fanfiction
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why do you continue to watch gmmtv shows when you clearly don’t enjoy them?
This is the kind of rude, cowardly anonymous ask that I would typically just delete, but I’m in the mood to be generous so I will respond and use it as an educational moment.
I have to start by rejecting your premise. I enjoy plenty of GMMTV shows. My favorite Thai bl of this year is Cherry Magic Thailand. I wrote quite lovingly about it on this hellsite for 12 weeks. I was also a big fan of Cooking Crush and The Trainee this year, Kidnap is giving me joy weekly, and I’m currently in the midst of a really interesting discussion with people far more mature than you about Peaceful Property. GMMTV is also responsible for some of my all time favorite Thai shows including Bad Buddy, 3 Will Be Free, Midnight Museum, Theory of Love, Moonlight Chicken, and Dark Blue Kiss, and many more besides that I liked a lot. You don't know me. You have made the mistake of assuming that because you’ve seen a small fraction of my posts about specific things, you know what I think about all kinds of things. But as my beloved departed grandfather loved to say, when you assume you make an ass out of u and me.
So with that out of the way, let’s get to the real question underneath your logical fallacy: why don’t I keep my mouth shut instead of posting about the flaws I observe in these shows? There are a number of reasons for that.
First, I am extremely open about the fact that I am interested in the art and science of narrative storytelling, and I often post about it from a critical lens. This is all in the pinned post at the top of my blog, but I doubt someone with your lack of manners bothered to look there before sending me this ask.
Second, I don’t believe in the popular fandom idea that all meta discussion of shows should be positive and centered on stanning for actors or pairs and their shows. That's a fine pursuit for folks who enjoy engaging with media that way, but I personally find that boring and intellectually empty, and have very little interest in it. I like to learn from the things I enjoy, and you can't learn if you're not willing to think critically about why something in a story may or may not be working.
Third, my favorite thing about watching media is discussing it with like-minded people, and the way to find like-minded people is to share your honest feelings about what you're watching. I have made some of the best friends of my life by posting my unfiltered thoughts about whatever I'm watching in various social media spaces, and having people come and say "hey, me too" or "I don't quite agree but what an interesting thought." We connect with others through sharing our thoughts and feelings. If you censor yourself in fandom spaces, you will not find your people.
Fourth, on the specific topic of GMMTV: they are the largest and best resourced ql-producing studio in the biggest ql-producing country, and part of a giant media conglomerate that controls much of the media in Thailand. Their shows matter in terms of the influence they have over the rest of the industry, and so the messages they send with their shows also matter. I will never ignore them completely even when I choose not to watch some of their shows, because where they go, the larger ql industry follows. When I see a trend in their shows that is harmful, like, say, the repeated use of marginalized identities for marketing their shows that they then disrespect in the way the stories are executed, that needs to be pointed out and examined, and I am hardly the only one doing so.
I'll end by asking you a question, anon: what did you hope to accomplish by sending me this ask? Unlike many of the other folks who have been engaging in critical discussion with me over the last couple days, you had nothing constructive to say. You didn't put forward an interpretation or share your own feelings, you didn't contribute to the collective analysis process, and you didn't offer any commiseration or even a clear disagreement with anything I said. From where I'm sitting, your only intent was to attempt to shame me for speaking. You will never be successful at that, and it's a pretty ugly impulse that you should examine in yourself. When you find yourself being awful to real human beings because you can't manage your emotions about fictional media, it's time to think about what you're doing here. I hope you'll reflect on that, and take good care.
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Propaganda
Toshia Mori (The Bitter Tea of General Yen, Blondie Johnson)—i think Toshia Mori is a great example of someone who clearly had the makings and charisma of a star & who its easy to imagine thriving in a less white supremacist system than 20s and 30s hollywood. she began acting in silent movies in the late 20s, and in 1932 was selected as a "WAMPAS Baby Star" which was an annual promotion of promising up-and-coming young actresses by the Western Association of Motion Picture Advertisers, becoming the first Asian woman to do so. previous baby stars included Clara Bow, Joan Crawford, and Joan Blondell, and another 1932 honoree was Ginger Rogers. this likely led to her most sizeable role in The Bitter Tea of General Yen (unfortunately a movie with a lot of orientalism going on and white actors in yellowface). she was well received but the studio seemed to lose interest in her career and she largely continued to get bit parts; her last appearance was in a Charlie Chan movie in 1937. she deserved better!!
Veronica Lake (I Married a Witch, Sullivan's Travels)—her look is so iconic they used her as a visual model for jessica rabbit in who framed roger rabbit and a bunch of other femme fatale types in cartoons and live action alike. i didnt think i liked women and then i saw her in sullivans travels and said gee i hope this doesnt awaken anything in me! every role ive seen her in she absolutely oozes an aura of "i know people would ask me to step on them" and her EYES bro every photo ive looked at for this submission its like shes piercing thru time and space to judge me <3
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Toshia Mori:
Veronica Lake:
Her HAIR, her FIGURE, her VOICE, the way she wore LEATHER AND SANG SONGS FOR NO REASON.
I don't believe there's a person on earth who can watch Veronica Lake in I Married A Witch and not be struck by how gorgeous she is. She had that youthful wonder about her that almost every Hollywood starlet was trying to achieve. Her hairstyle (peekaboo bangs) became an iconic Hollywood style after she popularized it, and made her signature look all the more suggestive. Also, witches are tumblrs favorite!
ICONIC hair sweep
The US government literally begged her to change her hairstyle because it was TOO HOT to handle and women who copied it were getting their hair caught in machinery
Her hairstyle was so iconic and popular that the war department had to come out with a PSA instructing lady ironworkers with ways they could pin their hair up to avoid it getting bound in machinery. [https://veteranlife.com/military-history/veronica-lake/]
She played a lot of femme fatale roles but my favorite is Sullivan’s Travels opposite Joel McRea, which is a comedy. She became famous for her hair style at the time—she wore it long and parted on one side so it would fall over half her face in a very sexy way. They called it a peek-a-boo I think. You’ve definitely seen Bugs Bunny dressed up like her, so I think if she’s being honored in such a way she’s very cool.
look at her
she's GORGEOUS in her little witch outfits that she wore for promos and also in the oversized coats and pajamas she wore throughout the movie...she's got RANGE
My Grandpa supposedly dated her in high school, he drove her to school in his car every day. This is legend in the family.
She has gorgeous hair, has got the smouldering look over the shoulder down PAT, and is just drop-dead gorgeous too!
Schizophrenic icon, popularized the peekaboo hairdo long before Jessica Rabbit
She’s just so prettyyyyy
So much hot in such a tiny package. She was no more than 5 feet tall, and some reports claim as small as 4'9"
If you picture a femme fatale in your head, almost certainly Veronica Lake had a hand in shaping the image you think of. She came to embody the look of the noir leading lady as well as the sound and the performance. Certified Noir Baddie.
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Hello, everyone!
In light of Neil Gaiman's comment that Amazon is close to officially renewing Good Omens but hasn't done so yet, I think those of us who can should start sending physical postcards to Amazon Studios!
The TL;DR of this post is that you can easily send a postcard from MyPostcard.com for about $3 (USD, I'm sure other currencies can vary). The Web site will print and mail it for you, so you don't have to do any printing or mailing yourself. The postage is included in the $3.
If you don't already have an image or card you want to use, you can just use one of mine above. Some of them are small because of small source images, but the site seems to resize them appropriately for the card. There are bigger versions in a Google Drive folder that you shouldn't have to be logged in to see.
You can send the postcards asking for a third season of Good Omens addressed to Jennifer Salke and Vernon Sanders, co-heads of Amazon Studios, at:
AMAZON STUDIOS 1620 26TH STREET, SUITE 4000N SANTA MONICA, CA 90404 USA
@fuckyeahgoodomens was the first to post this contact information for Amazon, so thank you, Ixi.
If it's something you don't mind, I would very deeply appreciate reblogs on this, since it works better if lots of people see it! No pressure if you don't want to, though.
And if you have Questions, click through below for my reasoning on all this.
Why should we send postcards to Amazon Studios?
We've made lots of noise online about renewal, and we've done a lot of streaming Good Omens. But I haven't seen much discussion of sending physical mail or, specifically, postcards.
Mail takes up space in the real world. It's slightly harder to ignore than email. It's way more attention-grabbing than posts on X or Tumblr or any other social media site. Because postage is required, physical mail can also appear more "committed."
Postcards specifically are great because of their convenience for the recipient. No one has to open them to read them. All it takes is a quick glance to see what we're asking for, and realistically, a quick glance is the best we can ask for in a corporate office. That's why I'm emphasizing postcards over regular letters (although really, anything helps).
Is sending postcards really going to motivate Amazon to make more Good Omens?
Postcard and letter-writing campaigns have helped get shows renewed in the past. Star Trek: The Original Series is a good example of a series that got another season after a letter-writing campaign. This article has more examples.
We don't actually know what's going on in Good Omens's case. Maybe postcards would make a difference; maybe they wouldn't. We can only make our most determined effort at making sure we're heard, and sending mail is part of that.
The cost of sending a postcard is too much for me.
I understand that sending a postcard will not be an option for many of us. This post isn't intended to try to push you into spending money you don't have. If you still want to find a way to participate, you can also send an email to [email protected] with your comments about wanting Good Omens 3. It's not physical mail, but it is still a personal message from a customer.
In fact, people who are sending postcards might want to follow up with an email, too.
Do we have to use your postcard designs?
No! Not necessarily! You can use anything.
As long as the message you write includes how much you want Good Omens 3, your postcard's image doesn't necessarily have to relate. You could send a souvenir postcard that says "Greetings from Los Angeles, CA / Tadfield, England / etc" from your local post office and just write your message on the back.
Technically, even a plain index card should be thick enough to mail as a postcard, at least by USPS standards. Just write your desire for Good Omens 3 on it, put a stamp and Amazon's address on it, and make sure it's at least 90mm x 127mm (3.5in x 5in).
Isn't Amazon Studios going to notice a bunch of postcards being mailed from the same Web site?
I'm sure they will. But the messages will each be unique, and again, they'll know each card represents a person who had to order the card and postage themselves.
Speaking of unique messages, what should I write?
One sentence is enough. Definitely indicate that you want Season 3 of Good Omens. If you want to add more, you could also write a sentence or two about how much you love the series so far.
Above all, be polite and straightforward! Remember that sarcasm and jokes often do not come across well in print, so it may be best to stick with simple statements that can be taken at face value.
What address should the cards go to?
The co-heads of Amazon Studios appear to be Vernon Sanders and Jennifer Salke; you can address them by name, although I'm guessing it will be someone else who does the reading/glancing.
Amazon Studios's address is:
AMAZON STUDIOS 1620 26TH STREET, SUITE 4000N SANTA MONICA, CA 90404 USA
Where did you get these images?
The images for the nightingale postcard and the Crowley postcard are screencaps from directedbypiper.
The Please Do Not Lick the Walls and Fell the Marvelous posters were downloads from the Amazon X-Ray feature.
The Nice and Accurate Prophecies postcard was adapted from cover art I did for A Nice and Interpretive Fanzine. Most of it is my own, although the mottled background is an extremely blurred version of a free stock texture from Pixabay, users chrisfiedler and/or humusak.
The bookshop postcard is a promotional image from Amazon used in a Den of Geek article.
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University AU where Hob is one of those people that writes notes to himself all over his arms and hands. Digital reminders are too easy to dismiss and sure he's tried notebooks but they get left on a desk or in his dorm or in the grocery store produce aisle that one time, so it's not really a sustainable system. He has the bandwidth to remember his phone, his keys/wallet, and his laptop, and everything else is chance. He really is one of those types of people who would lose his head if it wasn't attached to his neck, at least his arms are more than likely going to stick with him.
Hob has a colorful pile of pens that write well on his hairy skin and the hard won ability to write semi-legibly with both hands to double his writing space. His assignments, grocery lists, personal to-dos, that one song a friend mentioned all get written on his skin so he doesn't have to remember to remember them.
It's all nicely contained until the day he is talking to one of his classmates about books and grabs their arm to write down his recommendation. Hob notices that Dream doesn't really object to the touching or the writing, and from that point on the floodgates open.
At first he just writes ideas and such for Dream on the other's skin but when Dream keeps coming up with reasons for Hob to write on him it quickly evolves into Hob writing himself reminders on Dream just to have the excuse later to grab his wrist and “check” the reminders by running a finger over them. Dream starts to regularly sport t-shirts under his jacket and arms covered in colorful scrawls in contrast to his otherwise monochromatic pallet.
When they start dating, Hob starts writing love notes on Dream’s skin. Little things like “remember: Hob loves you.” “date tonight 6pm” or “looking gorgeous” alongside the doodles and more day to day reminders. Dream might have a phone album full of snapshots of the notes.
When Dream proposes, he steals one of Hob's pens and takes the other man's hand to write “say yes to marriage proposal” on the back of it under the current to-do list. Hob doesn't even let the ink dry before he is trying to kiss the breath out of Dream while simultaneously saying yes.
-💥
This is the cutest thing ever, actually.
Dream is perfect for writing on (although he complains about it, just to keep up his unapproachable goth vibes). He's smooth and paper white, and honestly Hob could save so much money on notebooks and just write on Dream instead. Truthfully, most of what Hob writes is cute sappy stuff, or little inside jokes, or occasionally "drink some fucking water, you are just a houseplant with emotions".
On of Hob’s wedding presents to Dream is a lil trip to a tattoo studio, where Hob gets his marriage proposal permanently inked onto his skin (he didn't wash his hand for a week to preserve the message, and Dream is both disgusted and impressed). In return Hob writes a special "hob loves you" message for Dream to get tattooed as well. Its very schmoopy and Dream is secretly soooo pleased with it.
Yes, Hob also draws a lot of dicks on Dream, by the way. Sometimes the dicks have lil smiley faces. Sometimes they are semi accurate representations of Hob’s dick. This is all fine and good until Dream goes for his first fancy job interview after uni... with a massive, only slightly faded, cartoon penis on his hand. He still gets the job, but Hob has a lot of grovelling to do when he gets home...
He lets Dream draw all over him in bed, that night, to make up for it. And when Dream writes "MINE" is a few specific places on his body, Hob discovers a very specific kink. There may be a few more tattoos coming down the line... if he's a good boy and earns Dream’s writing on his skin <3
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We Are Ep. 11
Part 2
Hello again!!!
Here's part 1 of this post. It's not necessary to read that, but this does follow directly from there.
Warning: long post 😊😅
And again, we see Phum coming here for no reason but to drop Peem off.
Also, he usually just stayed in the car previously, but now he's walking with Peem all the way.
I reckon we'll be seeing much more of Phum appearing in front of the Fine Arts building for nothing but to drop off or talk to his boyfriend Peem, in a slight reflection of all the times he came here to take Peem off somewhere to make him do something for him.
And I can't wait for it. <3
Q: something very gay is going on here hmm 🤨
Be glad it's Q (who has enough tact to ask you about it in private) and not Toey who'd immediately call y'all out 😭
He played in water all day with Phum and then they cuddled all night. Next question.
Poor Peem 😭
You just confessed you woke up together 😭
And you think someone as smart (most of the times) as Q wouldn't catch on?
[Also, just an observation: Peem is painting a scenery with water here too.]
Beer knows everything. 😌
He's the only one in their combined friend groups with two braincells, and he has no difficulty calling out his friends (Phum) when they're being idiots.
And again 😭
I see it's not your turn with the braincell yet, Peem
Also, the chicken sounds in the background I was dying 😭😂
Phum's backstory was painful to hear, but I kind of expected something like this. It would explain his attachment to plushies, his fear of losing people and behaviour that might seem "childish".
SO CUTE OH MY GODS
Q gives his beloved pencil case to his beloved nong Toey to draw on, and what does Toey do? Make the most adorable doodle of his beloved P'Q 😭👍🏼
Seriously though, this is really good, and it also probably has a beautiful symbolism that I'm too lazy to go into right now 😭
Coming from Q that means a lot. And Toey knows that very well.
Again, what secretly, you're both about as subtle as the glaring sun on a hot summer day.
And it's time you two idiots (affectionate) get your shit together and kiss as boyfriends (gods know you've kissed as... whatever you are right now more times than I can keep count).
Yeah! You're talking nonsense, Phum, it's obvious you fell first!
*sigh* honestly though, at this point, I don't know how, but they managed to be worse than even ChainPun.
Jokes apart, I know they're both a bit insecure, and they didn't get off to the best start. But I hope that in the next ep, they'll realize they're both head over heels for the other and finally start dating.
Also, about time Peem finally accepted Phum as his personal driver <3
That scene in the shop was very sweet too, and most PhumPeem scenes in this ep had me going all gooey and mushy hehe
This show I calling me out 🥲
But I'm even worse because I can only make Maggi (with or without added condiments) 😭
Do y'all see the importance of this moment?!
Phum in the painting studio?!
This painting studio is Peem's safe space, and he's allowing Phum in there willingly.
Slowly, but surely, he's letting Phum in, and starting to accept that yes, this guy is an idiot, but he's an idiot Peem really really likes.
I knew this was coming but that didn't mean I was ready for it 🫣😳
TanFang are absolutely slaying
Love them. <3
This scene is a goddamn masterpiece. It rendered me speechless. What am I supposed to say to that?
Peem's soft little "You did a great job, getting through those times." has me in a chokehold. The nose boop, the kiss- I'm screaming crying rolling around on the bed.
Tried to do a confident walk away but the gate was in his way 😭
Peem is me though, I bump into things like thrice a day at the least.
He- 😶
I gasped at this scene, because you realize what this means right?
This painting, that was ruined due to Phum, that he had to painstakingly repaint while having to obey Phum's whims, this painting that represents his comfort (I don't know shit about art interpretation, but in grade 12 I had friends who'd taken art and I learnt a couple things from them), that represents himself, and in this painting, he adds bright red roses, for the ones that Phum gave him when he was driving him back because he was absolutely wasted, the roses he didn't have the heart to throw out.
And he's drawing these red roses to represent Phum, to show that inexplicably, but undeniably, Phum is a part of his life now; a part he likes enough to embed in one of his most prized paintings (as assumed from various context clues and such along the series). And when he does, he thinks of how Professor Po said "Every work you create contains a piece of you".
If this doesn't show that despite his caustic and sarcastic exterior, Peem is a sappy mushy romantic at heart (he is a Fine Arts student after all), I don't know what does.
This moment felt so poetic (I literally could write a poem about it and it still wouldn't be able to capture the raw beauty and vulnerability and love of this scene.)
Update: I really did write a poem about it 😭
I really like this scene.
Apart from not leaving Kluen hanging, and making sure he knows, this moment is also about Peem admitting to himself aloud, that yes, he does like Phum. He's slowly getting out of De Nile.
He didn't have to say this, but he did. To gently reject Kluen and tell himself that there was no going back now.
Matt: what in the gay chicken-
Toey: ooh this seems interesting. will they kiss? 👀
Poor Chain 😭
Let him enjoy being shipped with his husband bestie!
And all the while these two are having a staring contest to decide who'll tell their friends.
Beer knows exactly what's going on.
This moment is everything to me (other than the one in the painting studio of course).
Peem tried to muster the courage to tell all his friends that he and Phum were... well, more than enemies or friends at least, but he couldn't.
And Phum, my beloved, while more than a little emotionally constipated, he has consistently tried to tell Peem what he feels. And now, he's the one outright saying he likes Peem in front of everyone. He's the one saying "okay, if you can't, I will." And I love him for it. He does it while staring right at Peem too.
Live Reactions of Friends Who Just Found Out that the Guy Who Ruined Other Guy's Painting and The Other Guy, Who Kicked Him In The Balls For It, Have Fallen Victim to the BL Laws and Are Now Very Much In Love.
Beer: knew it 😌
Fang: my little brother?!
Tan: YOU AREN'T SWORN ENEMIES?!
Matt: I have to deal with another couple?? 🥺🥲
Q: I'm not drunk enough to deal with this shit.
Toey: wait... I WAS RIGHT?!!
That freaking cliffhanger though 🥲
It's better now but at the moment I wanted to commit homicide 😭
I'm sorry, I couldn't help myself, Q's "RIGHT IN FRONT OF MY SALAD?!" expression is just too hilarious 😭😂
So that's all for ep 11, see you next week!
And if you made it this far, thank you so much for reading! 😊
Here, have a burger and some fries 🍔🍟
[If you want, my previous posts: Ep. 8 Ep.9 Ep.10]
#we are the series#we are#we are series#thai bl#watching bls: we are#let's talk bl#phumpeem#qtoey#tanfang#chainpun
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Love on Tour: The Documentary, Part 2
we all know harry is working on a documentary, so this is my take on how young dad!harry would approach it!
and now a little key:
bold and italics: camera directions, or what you would be seeing as a viewer of the documentary in person
just italics: interviewer questions, or people who are speaking off camera
Young dad!Harry x Young mom!Reader universe
Part 1 Part 3
In the interview room with Harry.
“There are some pretty heavy songs on Fine Line.”
Harry scratches his chin and looks away from the camera. “Yeah.”
“You’ve said in the past that you write from personal experience. Where did songs like ‘Cherry’ and ‘Falling’ come from?
“Uh...Not the uh…not the best time of my life.”
Cut to Y/n’s interview.
“Harry is…the most hard working person I’ve ever met. He wants to do everything he does with a hundred and ten percent. Almost to a fault, and there—there were moments where I felt like he was choosing his career over his family. You know, once One Direction went on hiatus, I thought things were gonna be different. I thought we would have more time together as a family, but we started falling into the same cycles. Write, promote, tour.”
Cut to Harry.
“Were you choosing your career over family?”
“I know how Y/n felt back then, and we’ve talked about it at length since then,” Harry says. “I think…I think at the time I only knew one way of having a music career and providing for my family, and it worked, so I almost felt like I had to keep that momentum. After the first tour ended, I came home and we spent time together, but…All I’ll say was it was tense.”
Cut to Y/n.
“I often think the pandemic was a blessing in disguise.”
“Really? Why?”
Y/n looks down at her lap before answering. “Because I was done.”
Cut to clips of Harry in Japan and in recording studios with his team.
Harry’s voiceover: “I’d never felt truly alone until we separated. To some it may seem odd because I was touring so much anyway, but I spoke to my family every day. I don’t think a day had ever gone by that I didn’t speak to Y/n. I wanted to give Y/n space, and I felt so lost, so I just kind of…stayed away. It was so hard. All I kept thinking was, ‘I did this. This is my fault.’ I eventually started writing down how I felt, but…yeah. Not something I look back on with pride.”
Back to Harry’s interview.
“Why talk about any of this at all?”
Harry’s eyes are red and watery, as if he had just been crying. “It was part of this whole journey. It wouldn’t be authentic of me to only share the good parts. Fine Line is introspective. It’s an album about high highs and low lows, so it only makes sense to kind of…express what I was going through to make me feel a certain way while writing.”
Cut to Y/n’s interview.
“What was it like to hear Fine Line for the first time?”
“Jeff told me H jetted off to Japan to write songs for the next album, and I didn’t see him until after it was nearly ready to be released. I wanted him to fight for us, but he just left. It solidified for me how much we needed to take a little time apart and figure out what we wanted. I was…resentful going into it. It felt like his music was tearing us apart, and he went to write more. But…”
Y/n wipes a tear from her eye.
“He…He was hurting as much as I was, and I was partially to blame.”
When asked to elaborate about the children during that time, both Harry and Y/n refused to comment.
Cut to an interview with Jeffrey Azoff, Harry’s long time friend and manager.
“I have a lot of respect for the both of them,” Jeff says. “What the two of them went through together, what Y/n endured all those years. Being a parent is hard enough, add everything else they put up with on top of that?”
Jeff shakes his head.
“But Harry went on a huge tour under your management.”
“An error on my part. And his,” he says. “I think we were so excited to start his career, and as a manager who has a client who loves live performances, it felt like a no brainer. I could tell that H was going to be someone explosive in the music industry, and I let that kind of cloud my vision.”
Jeff also reveals that he has since apologized to Y/n and that they are on good terms.
“So how did you go about promotion for Fine Line?”
“It was tricky, you know, because to the outside world, why wouldn’t H be doing all the talk shows and interviews and things like that? To everyone who didn’t know what was going on, he had all the time in the world and no obligations, but that obviously wasn’t the case.”
“Were there ever conversations to reveal his family to the public?”
Cut to Y/n and Harry in an interview room together.
“We talked about our options moving forward,” Harry says. “But we decided the best way to protect the kids’ privacy was if no one knew I had a wife and kids.”
“Definitely not easy,” Y/n says, but not impossible.”
Clips of Harry on various talk shows (Late Late Show, Ellen DeGeneres, Graham Norton) and at the Jingle Bell Ball, and One Night Only at the Forum appear. Some are of him performing, others are of him rehearsing, and one in a green room with Y/n, Simone, and Collette sitting on a couch.
Harry’s voiceover: “We decided on a couple talk show appearances in places where I could drive home afterwards, and longer breaks between tour destinations,” he says. “I was prepared to hold off on the album release so that I could spend more time at home, but Y/n wouldn’t let me.”
Back to Y/n.
“Keeping him from doing what he loves was never the goal,” Y/n says. “I just wanted there to be a balance. The kids were getting older and had more things going on, and I didn’t want their earliest memories of their dad to be that he was gone all the time. H wouldn’t be the same person if he didn’t have his music, but he also wouldn’t be the same without us. I never wanted him to give up his life for us, but things needed to be different.”
“Global lockdown was certainly different.”
She nods. “I think H saw it as an opportunity to…make up for lost time. It was difficult for obvious reasons. Online learning, keeping the kids entertained all day, staying inside, the toilet paper thing, but we’d never been the kind of family that spent so much time under the same roof before. It was strange, but also really nice.”
Back to Harry.
“You know, obviously I was bummed that I put out this album that I was really proud of and couldn’t perform it the way I wanted to, and there were already so many fans who bought tickets. I felt like I was letting them down too. But at the same time, it forced me and Y/n to share common space after so much time apart. I wasn’t about to take that for granted.”
This was all Harry and Y/n were willing to talk about concerning their separation. They did not say how long they were apart or when they officially mended things.
*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.
In another interview room are four children.
“Can you state your name for the interview, please?”
“Simone Styles.”
“Nicoletta Anne Styles.”
“Maeve!”
When the fourth child doesn’t answer, Maeve does it for him.
“And that’s JuJu.”
“No it’s not!”
“Then say your name!”
“My name is Julian.”
“Do you know what your dad does for a living?”
“He travels a lot,” Maeve says. “Sometimes we get to go with him!”
“Daddy sings onstage,” Julian says.
“And on the radio!”
“He’s a musician,” Simone says.
“Do you have a favorite song that your dad sings?”
They all begin to talk over each other.
“I like Adore You!”
“As It Was!”
“Only because you were in it.”
“Baby Shark!”
“I like his One Direction songs,” Collette says.
“So you know who One Direction is?”
“Yeah,” Simone says while the rest nod.
“Simone, do you remember anything about your dad being in One Direction?”
“Not really. But Mom likes to tell stories about all the cool places we got to go together.”
“What is the coolest thing about your dad?”
“Did he tell you to ask us that?” Maeve asks.
The whole crew laughs.
“No, he didn’t.”
“I like when he plays with my toy cars. Sometimes we make a really big racetrack with, like, loops and stuff,” Julian says.
“I like when he plays tea party with me!”
“I like it when Dad picks me up from school early so we can go shopping together,” Simone says.
Back to Harry and Y/n’s shared interview.
“You do what?”
“It was only a couple of times!” Harry says in his defense.
Y/n gives Harry a stern look before she says, “Okay.”
“Okay?”
“Mmhm.”
Harry looks at the camera. “She does this to scare me. Pretends like everything’s fine and then grills me later.”
Back to the interview with Simone, Collette, Maeve, and Julian.
“What was it like being in lockdown together?”
“It was really fun!” Maeve says.
“We played lots of games and did campouts in the backyard and stuff,” Simone added.
“I learned how to ride a bike!”
Collette tilts her head to the side. “Well, it was mostly fun. When Mom and Maeve got sick it was not so fun.”
“I think Daddy was in over his head,” Julian says.
Cut to Harry and Y/n’s interview.
“I was not ‘in over my head.’ We were fine. Better than fine, even.”
Y/n looks at the camera, clearly amused. “He called me crying several times.”
“How did you and Maeve quarantine while you were sick?”
“We took our bedroom,” Y/n says, gesturing between her and Harry. “And they would bring us meals and everything. I was a little worried because GiGi was only a couple months old, but we made it work.”
“Why were you crying so much, Harry?”
“It wasn’t so much. But…I think we’re all used to having Y/n around, and sometimes Simone and Collette would argue, and Julian missed having Maeve around, and you know, was looking after a newborn during all of it. Y/n is truly the glue that holds this family together.”
“He got really good at braiding my hair!”
Everyone laughs at the little voice off camera, which turns away from Harry and Y/n to where Collette is sitting in a director’s chair. Then the camera swivels back to Harry and Y/n.
“She’s right. I am a master at the French braid.
Cut to a home video of Simone and Collette with Harry filming.
“Welcome to our home!” Simone says. She spreads her arms wide as she presents the front room of the house to the camera.
Both Simone and Collette proceed to give a tour of the whole house. They show a kitchen, a home theater, what they call “Daddy’s office,” which appears to be a converted recording studio, and the twins’ bedroom.
“This is my room. I share it with Simone,” Collette says.
Simone shows off the bedroom, which has white walls with pastel accents. Lots of stuffed animals on two beds with princess canopies and a small sofa. There are two rugs on the floor, a white one with a textured pink and purple smiley face and another white one with an orange pattern. A teddy bear bean bag chair sits by one of the beds. There’s a bay window with a small mattress and curtains with hand-stitched cherries on them. “A project completed by yours truly,” Harry says about the bay window bed. “I’ve become quite the handyman during lockdown. And an interior decorator.”
“Dad!” they both cry.
“Sorry, sorry. I’ll keep quiet from now on.”
The “tour” ends in Harry and Y/n’s room, where Y/n lays on the bed. Her belly is big, clearly several months pregnant. She smiles as Simone and Collette approach.
“What’s going on here?” she asks.
“We’re giving a house tour!” Collette says as she jumps on the bed. “This is our last stop.”
“We’re gonna send it to Nana and Auntie Gemma and…”
Simone rattles off all the names they plan to send their video to.
“Wow! And I see you have your own cameraman,” Y/n says.
“He’s good, but we have some notes,” Collette says, and Simone agrees.
“That’s it. No more cameraman. I’m the tickle monster,” Harry says.
Simone and Collette scream and run away, and the video ends shortly after that.
#harry styles#young dad! harry#young mom! reader#harry styles blurb#harry styles x reader#harry styles fanfic#harry styles oneshot#harry styles imagine#harry styles fanfiction#harry styles x you#harry styles fluff#harry styles writing#harry styles one shot#harry styles fic
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Bringing Bendy Home Headcanons
Inky's note: I'm so bored that I wanted to write some headcanons of the reader living with Bendy.
Warnings: Bendy's mischief.
Gender: Neutral
♡ 𝐵𝑒𝑛𝑑𝑦 ♡
When Bendy steps into your home, his small stature makes everything seem larger than life to him. His eyes widen as he looks around, practically craning his neck to take in the taller furniture and shelves. He seems a bit awestruck, like he’s just entered a new, giant-sized world.
You guess it's because he's been staying in the studio for 30 years he hasn't gotten a chance to see different colors and new things besides the old yellow sepia and black ink everywhere. Poor thing.
Depending on how big your house is he might end up knocking over a few things with his tail. You saw him knock over a picture frame and it tilted slightly out of place, and he gives you a bashful, toothy smile, almost as if to say, “I didn’t mean to!”
With his small size, things seem more fragile around him, but he’s quick to shake off any little mishaps.
You gave him a tour around your house, showing him where everything was at. He even touches everything with curiosity in the middle of the tour.
When you both reach the kitchen, he has to stand on his tiptoes to open some of the drawers. He manages to pull open a cabinet door, peeking inside with wide eyes.
You find yourself stifling a laugh at how he has to reach just a little higher to grab things. When he spots the fridge, he’s practically dwarfed by it, looking up with awe as the light clicks on when he opens the door.
In the living room, when he spots the TV he’s transfixed as he moves closer to the screen, looking at it with awe and tentative pokes. You turned on the TV with the remote and watched him jump back a bit, his eyes huge as he takes in the moving images. It’s clear he’s both mystified and excited by these strange “moving pictures” in your TV.
A lot of people seem to forget the fact that he's practically made out of ink due to the machine so he's bound to leave some ink stains and trails here and there.
You saw a couple of ink stains on your counters so you gently handed him a cloth. You showed him how to wipe things down, and he watches with wide eyes before mimicking you.
He ends up cleaning the counters and they are spotless. He gives you a subtle smile and making a mental note to be careful—or at least to try to be careful.
Eventually, Bendy finds his way to the couch making it his new favorite spot to lie down on or sleep. He plops down, making the cushions creak a bit under his weight, and gives a relaxed sigh, practically sinking into the couch with satisfaction. He looks up at you with a happy smile.
Although he might slither into your bed with you while you're sleeping. You'd wake up to him tickling you.
You'd be the one to cook Bendy all different kinds of food and he is absolutely in an ecstatic state after each taste. The food tastes like heaven, or maybe it's because you're the one cooking it. <3
You teach Bendy how to make desserts and other sweet food because he does well when making those. He can make soup though!
After he settles in and gets comfortable, Bendy has already begun to think of this place as his new home away from the old abandoned studio. He gives you a warm hug, his tail curling in contentment, clearly thrilled to be in a space that feels warm, safe.
#bendy x reader#bendy and the ink machine#batim x reader#batim#batim bendy#moving in#bendy the dancing demon#bendy the demon#headcanon#romance#platonic#fluff#fluff headcanons#wholesome
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blue side of the sky (lmh) | sixteen.
♡ spotify playlist | series masterlist
—summary: waking up after 3 months with no recollection of your past, your friends do what they can to help you remember. except, they omit an important piece to the puzzle - afraid you would remember the heartbreak and hurt all over again.
—pairing: lee know x f. reader
—genre: (18+) exes to lovers, bestfriends to lovers au | fluff, angst, smut
—word count: 5.0k
—chapter content/warnings: cussing, minho x oc have a big conversation and everything gets laid out, flashback to the hospital, flashback to that night, crying, yelling, arguments, brief mention of the accident but nothing too descriptive, this chapter is big sad and i'm truly sorry in advance 😞
You sit at your desk and look at the pictures hanging on the wall above, everything finally settling in your head and clicking for you.
You don't have pictures of Minho because of this falling out.
Because of whatever happened.
You still don't know the details, and you still feel a bit afraid. But, after a few days, you feel like your head is clear enough to talk. You shift your attention back down to your phone, reading the unread texts from your friends. Your heart drops a bit when you see Jisung's texts, reassuring you that they never meant to hurt you. He apologizes time and time again for not pushing on this right away, and he promises he'll work to fix everything.
It's the next text that gets to you, making you let out a soft sigh as you slowly grab your things and mentally prepare for your day ahead:
jisung: i know minho hasn't texted you, but he's only doing that because he wants to respect your space until you're ready. i know he's worried about you, and he wants to fix this however he can. we all do, cielo.
When you gather the courage to step out of the house, you find your uncle watering his garden— picking at a few cherry tomatoes and blueberries. He tosses them into a silver mixing bowl, completely turning over his shoulder when he feels your presence behind him.
"You're home?"
"I'm just working from home for a bit."
"To watch me?" You tease with a playful tone. Your uncle chuckles and shakes his head, slowly setting aside the hose in his hand.
"Yes and no." He chuckles.
"Well, I'm glad you're home for a bit." You give him a small smile, holding your bag close to your side.
"Are you heading out? Pottery studio?" You shake your head and sit on a nearby chair.
"No. Not today."
"Mrs. Pak?" You shake your head again.
"I see her tomorrow. She closed up shop to attend a wedding." You subtly nibble on your bottom lip before following up. "I'm gonna see Jisung and them. To talk." He nods slowly and places his hands on his hips.
"Well." He sighs. "I'm glad you're going to. I just want you to know that they never meant to hurt you by doing this. It might be a lot for you, but take your time with it, okay? Your friends care a lot about you, and I know they will understand."
"Mm, yeah." Uncle Adrian watches as you comfortably look up into the sky, daydreaming while the clouds drift by. He remembers the night this happened, the night that Jisung came to him— basically pleading for him to just give you time with this, all of this.
That they would help you and take care of you.
He was hesitant. But, he let it happen.
☁︎ FLASHBACK | A NIGHT AT THE HOSPITAL
Jisung steps outside and takes a breath, letting the cold air seep into his bones. He digs his hands deep into his pockets, sitting on the closest bench right outside the main hospital entrance. It's been a few days since you woke up, but Jisung still hasn't been able to process everything that's been happening.
You don't remember him.
You keep him at a distance.
You want nothing to do with him.
And it hurts. He knows it's not your fault, but it hurts. It hurts to see you this way, it hurts to see how much everything has changed in the blink of an eye.
He sits, quietly watching the people that pass him by— wondering what their stories are like, and what they could possibly be here for. Who were they here for? What were their loved ones here for? Were they okay? Jisung could ask all the questions plaguing his head; anything, really, to keep his mind distracted.
"Hey." Jisung is pulled out of his own mind game when Uncle Adrian takes a seat next to him on the bench, also letting out a small sigh just as he gets comfortable. "You doing okay?"
"Uh, yeah." Jisung looks at him with a tiny, toothless smile. "Sorry. I just needed to get some air."
"That's okay."
"I'm trying to process everything, truthfully." Jisung rubs his hands together, staring ahead. "It's alot."
"I know."
"She doesn't remember me. I'm not sure how I'm supposed to move forward with her." His head falls, and Uncle Adrian can't help but feel his heart drop. He can only imagine what he's going through and how lost he might feel— Jisung was glued to your hip, and knew you better than anyone [even more than your family]. Having his bestfriend be his other half to suddenly having a severed connection; it must be awful, painful.
"Give her some time, she will get there."
"But, what if she doesn't?" He's afraid to ask because he would never doubt in your ability to overcome this, but he does have to fairly consider every path here. What if you don't? What if this just remains the same and you will continue to treat him differently? The last thing Jisung wants to do is force you into anything that will make you uncomfortable.
"She will. She will take some time, but she will. I know she will."
"I don't know what I'm supposed to do." Jisung digs his face into his hands when he feels the tears beginning to prick his lids. "I'll be there for her every step of the way, but I don't know what I'll do if she doesn't want me there. She's the only thing I've known, you know? She's my bestfriend and I feel so stupid for letting her leave." He mumbles but Uncle Adrian is able to catch on. Jisung finally looks up at him as the tears continue to stain his cheeks, eyes tired but soft. "I'm sorry. This is all my fault."
"It's not your fault, it's not Minho's fault. It's no one's fault. Unfortunately, this is just life. Things happen, and it isn't easy."
"Still." He says softly. "I'm sorry. We never meant to hurt her."
"I know."
"I'm going to do everything I can to help her get better."
"I'm sure she'd really appreciate your company either way." Jisung shifts his attention to the night sky for a moment, wondering how else he could really be of help to you. The last thing Jisung wants to do is hurt you, so he plans to avoid it. He plans to make sure that doesn't happen.
"Uncle Adrian, I don't wanna hurt her more than I feel like I have. I really don't. I feel like I didn't do enough to protect her or anything, and I need to do better." Jisung returns his attention to him. "I don't think I should tell her about all of this right away."
"All of this?"
"Her and Minho. Their fight, the accident. Kat." Jisung sighs and runs his hands through his hair. "Everything about them. I just don't want to hurt her. Not when she's adjusting and getting used to the world again." Uncle Adrian sighs and slowly nods, his attention now on the two children being playful and walking alongside their mother. It almost reminds him of how sweet you and Jisung used to be, how attached, fun. He knows Jisung means well, and he knows he would do anything to keep you safe. But, he wasn't sure if this was the way to go.
"I understand. But, don't you think it would be easier for her to know earlier than later? I mean, I know you mean well. I'm just afraid that it'll be harder after she's gotten used to you guys again."
"No, I know. We'll tell her eventually, I don't plan to keep it from her for a long time. I do plan to tell her. I just—" Jisung sighs. "I just want her to feel okay right now. That's all." Uncle Adrian's hesitancy continues, he sees the way Jisung is pleading through his eyes and he knows he can trust Jisung to help you, take care of you.
Chan, Seungmin.
Even Minho, though he has his reservations with him after everything. He would never hold a grudge against him, and he knows he is only human. He hopes he will learn from this and do better with you overall.
They will take care of you.
"What about everyone else?"
"I'll tell them."
"Okay, Ji. But, please take care of her. I'm trusting you to take care of her. All of you. Don't wait too long."
☁︎ END
"Need a ride?" Your uncle chimes in again, pulling you away from your daydream.
"No." You smile. "I'll be okay. I think." You stand to your feet and shrug. "Should probably get going."
"Text or call me if you need me to pick you up."
"Okay. Love you!" You call out as you turn on your heel and start walking out.
"Love you too." Uncle Adrian continues to watch you until you walk out of the side gate, letting out a worried sigh as he tries to imagine how everything will go down. He knows you'll be hurt, there's no doubt about that. He knows you'll be hurt because you had just been settling with everything, everyone, Minho. He knows you'll be hurt because of the love you have for him, because of everything you two have been through.
He hopes the only answer from here on out is growth.
He knows you'll navigate this well, though. And he knows Minho will, too. As with any guardian, he was upset with Minho for hurting you. But, he too, doesn't hold grudges. And he knows how much Minho means to you — accident or not. He believes in the opportunity to grow, he believes in the opportunity to learn from mistakes.
It will all be okay. Even if it takes time.
He knows it will all be okay.
To give yourself a little more buffer time, you take the bus down to Jisung's place. It's a bit of a ride, quite the detour, but you figured it could help you gather yourself together before arriving to their place. You plug in your headphones and silently listen to the music for the entire ride over. No matter what, you promised yourself you would give yourself time to process everything alone. You promised yourself you'd put up your boundaries until you were ready, you promised yourself you would let things fall into place how they should.
But you also promised yourself you'll cry, you'll feel the sadness, anger. That crying was okay, that your feelings were valid— no matter how many times you'd go through the cycle.
Once you've reached your stop, you hop off the bus and head further down the street before turning the corner and spotting the house. All cars seem to be out front and it suddenly makes you feel anxious. Maybe you shouldn't have told Jisung you were gonna come and talk about everything. Maybe you needed another day—
No.
You needed to do this instead of pushing it off. It was time to rip the bandaid, time to deal with re-opened wounds.
You dust yourself off before knocking on the door a few times. You hear Jisung coming down the steps, doing a light jog to the door before swinging it open.
"Cielo." He says softly with a smile. He welcomes you into his arms and you take the hug— admitting that you did miss your bestfriends.
"Hey." He gives you a silent nod.
"You okay?"
"I think so."
"You sure?" You nod.
"Mhm." You look around the house. "Where's Minho?"
"He's out back." Jisung looks at you. You give Jisung a tiny smile of acknowledgment before walking out to the backyard. Minho is sitting on the outdoor couch, leaning onto his knees as he looked out into the backyard. He's pulled out of his thoughts when he sees you step beside him, giving him a small smile.
"Hey you." He reciprocates the smile.
"Hey." You say lowly as you take a seat next to him, legs brushing against each other and Minho continues to lean onto his knees.
"You doing okay?" He shifts in his position and keeps his eyes on you, patiently waiting for your response.
"Mm, I'm not sure. What about you?" He shrugs.
"I'll be alright."
"So.. can we get to the bottom of this and what Kat meant? Can you tell me what happened between us?" He lets out a heavy sigh before nodding. You silently sit as Minho begins telling you everything— starting from when you guys met in high school and got close through Jisung. He talks about how he started really developing feelings for you during your junior year in high school, shyly chuckling when he rencounters how he blurted it out and told you at the mall. It starts off sweet, and it really becomes difficult to imagine Minho hurting you. When that part finally comes, you feel yourself crumble— bit by bit, piece by piece.
"And then came a time where I thought we had run our course." He looks at you, shaking his head as he bites his bottom lip. "I was wrong, clearly. But we had been arguing and fighting about so, so many things. The smallest of things that never used to matter, mattered. And I was so confused, we didn't feel like we were going anywhere except backward. For the longest time, I wasn't sure how to fix us. And it frustrated me to the point where I gave up trying to figure it out. I got tired. You seemed tired. It all went to shit really quickly." He returns his attention to the grass, the tree. "I got close to Kat and—" He shrugs. "Truthfully, I was infatuated by her. I caught some feelings for her when we were going through it. And I just.. ended up leaving without thinking much about us. I called you and asked if we could talk. I told you I felt like we ran our course at first, but then you knew something else was up. So, you asked and asked about Kat until you finally got it out of me."
"Oh." Is all you say, your head dropping a bit as the information settles. Yeah, you were not expecting Minho to hurt you this way.
"After that, we broke up. Kat and I had a thing going on for a bit. Jisung was mad at me for a long time, rightfully so. I stupidly realized how much I couldn't be with her, no matter how hard she tried to keep me there. I tried to give it time, but I couldn't do it. She ended up being someone who was there for me, but that's all it came to. Someone who filled the void, I guess." He shakes his head. "I ended things with her, we slowly worked on us over time and we got back together after you felt like things were okay between us and until you were ready."
"Hm." You hum, fiddling with the hem of your top. You're not really sure what else to say right now. But, it sucks. It sucks because this entire time, Minho has made you feel like you were his number one, his top priority; his main priority. Which, sure. That's probably how he feels after everything. However, there was once a point in life when you clearly weren't— when you were second choice, the next best option; a priority at convenience.
"I'm sorry, Y/N. I could tell you all about how I was wrong and how shitty it was, because it was wrong and shitty of me. I'm still learning from it, but you also needed to hear everything as it happened. Without any bias whatsoever."
"Yeah. It does hurt, I'm not gonna lie. And I can't even imagine you being the one person who could hurt me like that, who could treat me like that after all those years. I just.." You sigh. "I opened myself up to you, I laid my feelings out. I gave myself to you. You were safe, like home. And I'm not sure what I feel anymore. That's probably what hurts the most now." The tears are stinging, pricking your eyes, as you stare at him. Minho feels like a dark, cloudy day, and it hurts to look at him. You can't even imagine all the things you felt in that moment, how Minho could easily dispose of you [and Kat] like nothing. "What happened that night of the accident?" You ask him, quickly wiping at your tears. He lets out a shaky breath and licks his lips, not responding to you right away. "What happened that night, Minho?" You repeat more sternly. Minho feels the tears pricking his bottom lids the more he stares at you, but he licks his lips and lets out a sigh— tackling this head on.
"We got into a big argument over Kat." His voice wavers. "You saw her name pop up on my phone and asked why Kat was still texting. I tried to tell you that we weren't really talking, she was mainly asking for advice on something. I—" He pauses before he rambles on. "We blew up on each other, and it didn't help that we had been disagreeing again recently. You pretty much told me you were done. Which, at the time, I didn't really understand why it was a big deal. I let you leave even though I knew I should've tried harder. I'm so sorry, Y/N. I shouldn't have done that knowing how you felt about her. I was stupid for it, and I'm sorry. I never meant to make it seem like I chose her, and I was so stupid for it." He repeats.
"Were you officially seeing her after I woke up? I remember seeing her in the café upset, and it's all starting to make sense now."
"We weren't officially together, but I had been seeing her."
"Since when?"
"You were in the hospital." You nod just as he pauses, letting out a shaky breath just as the tears continue to heavily flow. "B-but, I cut her off for good. I'm done with all of that—"
"It doesn't matter because you're still wrong." You pause to barely look at him. "You're still wrong because you did choose. You did choose her, Minho. You don't even realize how loud your actions speak." Before you know it, the tears are steadily streaming down your cheeks and your first reaction is to cry into your hands.
You cry, you cry, and you cry.
☁︎ FLASHBACK | NIGHT OF THE ACCIDENT
You sigh as you finally plop onto Minho's bed in his shirt, fresh out of the shower. You cross your legs and begin to scroll through your phone, with Minho walking in shortly afterwards— running a towel through his wet hair. He tosses his phone onto the bed near you before grabbing the remote to flip through the shows on Netflix, internally debating on what he could put on for the rest of the night to keep you two occupied.
"Anything you wanna watch?" Minho continues to flip through Netflix while he sits on the edge of the bed.
"Mm, nothing that I can think of. I'm down for whatever." You continue to scroll through your phone, eyes shifting to Minho's when it lights up. Of course, you can't help but pay a bit of attention especially after Minho and Kat had their fling. It still leaves a little sting when you think about it, but you've finally found it in your heart to forgive him, them. Though, it doesn't mean you'll forget.
You won't.
But, all that growth, all that slow healing, entirely goes out the window when you see her name pop up in his notifications again. You immediately see red, your palms instantly getting sweaty— anxiety bubbling in your gut. It doesn't matter what she says because you feel sick, and it doesn't help that you two hadn't been on the very best terms lately.
You want out.
"Baby, did you hear me?" Your eyes slowly flicker and meet his when he turns over his shoulder to look at you. Minho instantly catches onto the shift in your mood, the vibe in the room suddenly feeling cold, distant. His eyes dart to his phone when another text pops up, making you stand from your place on the bed and dash over to his closet where a few of your own clothing items sit. "Babe, what are you doing?"
"Don't talk to me." Minho quickly grabs his phone and glances at the texts, letting out a heavy 'fuck' when he realizes why you're acting the way you are.
"Hold on." He stands, gently grabbing your wrist just as you grab a change of clothes. "Wait, listen to me. Please. Y/N."
"No." You snatch your wrist out of his grip and brush past him, changing in another corner of his room to create some distance.
"I can explain—"
"Can you?!" Your tone slightly raises as you turn to him with a glare. "Kat is texting you and you think you can explain that?"
"Yeah, I can." Minho matches your tone, following by a low groan. "I swear, it's not what it looks like. She was just—"
"You sound really fucking pathetic right now."
"Just listen!"
"I'm leaving. I don't have time for this." You grab your things after throwing on your jacket, rushing out of his door and into the hallway.
"Y/N, don't jump to conclusions right now—"
"I don't care!" You turn, raising your voice even more. "You know how I feel about her, Minho! Why the fuck is she still coming up on your phone? After everything that we've been through, you think an explanation is supposed to make me feel better?"
"She's the one texting me because—"
"You didn't think to block her? Cut her off completely?" You cut him off again and scoff.
"Can you stop cutting me off? You're so fucking stubborn."
"I'm stubborn?" You chuckle. "Yeah, okay. I'm done with this. I'm not doing this again. You told me all this shit about trying and fixing—" You babble on, incredibly angry to the point where you just want Minho away from you, to the point where you don't want to be in a relationship where your anxiety is constantly bubbling because of her.
You want out.
"What the hell is going on?" Jisung comes out of his room, confused over the two of you getting into an argument in the hallway.
"I need to get out of here."
"It's storming outside, Y/N."
"And?"
"Can you not be like that? It's not safe."
"Don't really care." Minho sighs again and runs his hands through his hair.
"Alright fine, whatever. Do you then." Minho throws his hands up in defeat.
"Of course." You scoff again as you slip into your shoes.
"Y/N, he's right. Can you just stay? It's raining pretty hard. You can stay in my room if you want, I'll sleep downstairs." Jisung adds.
"I don't think so."
"Why are you so angry?"
"Why don't you ask him, Ji? Maybe him and Kat can tell you more." Jisung gives Minho with a certain look before turning back to you.
"Let me at least drive you if you really wanna go home."
"It's fine, Uber is already outside." You throw your hood over your head, not sparing the two another look as you swing the door open. "I'll just text you tomorrow, pachi." You lowly respond before slamming the door shut.
"Dude, seriously?" Jisung turns to Minho. "What is she talking about?"
"Kat texted me but it really wasn't anything. She was just asking for help on something."
"Okay, but doesn't she have friends she can ask? Why is she still texting you?"
"I swear I never initiated it or texted her first. Y/N wouldn't let me explain. I wasn't going to respond." Jisung sighs heavily.
"Look, just give Y/N some time to breathe."
"Maybe I should just go to her house."
"No, give her the night. You two need to talk with clear heads. I'm sure it'll be fine once you explain to her, but for real. Do better and just delete her number. Block her. Anything is better than nothing." Jisung replies just as he pulls his phone out to try and text you.
jisung: text when you get home pls. it's really bad out there. you should've just stayed.
You sigh at the text even though Jisung played no part in this. Truthfully, you're just mad at Minho and projecting it on everyone and everything right now. You're almost home, and the driver has been taking good care of you on the ride home so you don't find yourself being too worried in the storm.
But, you do feel like you should have stayed.
You bring the phone back up to text Jisung back. You start typing away until the driver starts to obnoxiously honk his horn before swerving.
"Sir, i-is everything—" You try to ask when he swerves, the oncoming headlights blinding you and cutting everything to black.
☁︎ END
"Y/N. I'm so sorry." Minho tries to reach out for you, but you shake off his grip and step back; not wanting to be in close proximity to him right now. "I should've told you sooner. I should've done so many things differently. I shouldn't have let you leave. I should've just been honest about Kat from the beginning." He repeats as he continues to race after you.
"That doesn't matter now. Why didn't you just tell me?"
"I was afraid to. I was afraid of losing you again. But I know that was—"
"Minho." You cry with a slight whine, hands going up in defeat. "Did you think I was too weak? I could've handled this, you should've thought about me first." You point to yourself. "I wouldn't have thought of you any differently if you had just been honest with me from the beginning. Things might have played out differently, but you are still my bestfriend. We don't do things like that to each other." You look at him, then Jisung. "You should have told me. I should've had the chance to move on, on my own."
"Y/N, you just woke up. I didn't want to ruin it for you.. I-I-" Jisung stutters a bit as he feels the panic settling in. "I don't mean to add onto it, but I just wanted you to be okay, I didn't want too much to be thrown at you at once."
"Jisung, you don't get to make those decisions for me—"
"Y/N, please. This all happened because of me and stupidity, Jisung was just—" Minho tries to chime in.
"No." Your eyes shift back to Minho when you cut him off. "None of you get to make these decisions. None of you. You don't get to hide things from me. Not when they matter the most. Don't you get it? I've trusted so much of myself into the both of you— all of you— after the accident." The tears start flowing again and you feel like the ground is about to cave in below you; like you'll continue to fall into a black hole, continue to sink to the unknown depths of the ocean water. "I trusted you because I felt safe." Minho feels deja-vu hearing you say this because it's not the first time you've said it.
And it's not the first time he failed you.
"I'm sorry. It's not his fault. It's all because of me." Minho's eyes are red even though he's been trying to hide the fact that he's been crying. "I'm sorry that I couldn't keep you safe, and I'm sorry I put you through this. Y/N, if I could go back in time and change all of this, I would. Just know that I would do anything to fix this, no matter how much time and space you need." You shake your head, bottom lip trembling as the tears threaten to spill again.
"Maybe I really can't do this at all. I can't be here, around you two." You respond before rushing out the front door. Now it truly feels like deja vu because this reminds everyone about that night in particular. The only thing that's different is the fact that it isn't raining, and Jisung rushing after you once you've stepped out of the door.
"Y/N, no. No." He gently grabs you by the wrist. "You're my bestfriend and I'm not letting you slip away again." You look at Jisung and somehow, some of the anger dissipates. Part of you truly does understand why Jisung might have done this, but the rest of you wishes he could've given you a chance to learn and grow on your own. Who knows what you might've felt in the beginning? Maybe you would've been a bit upset, but you don't think you would have looked at Minho any differently. Or, maybe you would've, but you would've been able to act appropriately, figure things out on your own. At least [in a sense], you would've taken the proper time to grieve and say your peace to that part of your past— move on accordingly, however that looked like.
Instead of this. A mess.
Now, you don't even know what you feel for any of them.
For Minho.
Maybe it was a sign from the universe that you two didn't belong together after all, and that kinda fucking sucks. You have so much love for him that runs deep; you're not even sure where to begin processing this.
Minho was the last person you expected to hurt you like that.
"Pachi." You say close to a whisper. "Please let go of me. I need some time away from you. From all of you. Please let go of me and at least give me this." Jisung pauses before you feel his fingers unwrap from your wrist, head dropping as he lets out a defeated sigh.
"You know I'm only a text or call away if you need me." He says. "I really am sorry, cielo. I never meant to hurt you or make you feel this way." You don't really respond to him. Instead, you tug on your bag and run to the bus stop— one that can take you to the only safe place you know of right now.
"Hello?" The voice on the other end picks up after 2 rings, the tears still streaking your cheeks.
"Can you meet me?" Your voice trembles as you try to keep your sobs to a minimum in the back of the bus.
"Let me know where. I'm leaving right now."
⇢ 16.5 [cloudy days]: here
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Do you think The Great Arthurian Movie To Rule Them All will ever be made? I know many think that it's Excalibur but we do really need for this century a movie (or perhaps a 2/3 movie saga, but no more) that covers Arthur and his world from his dark begetting at Tintagel to his last travel to Morgan's realm Avalon.
Ohh how I would love it. Unfortunately, I do not think so. I AM SORRY THIS IS GOING TO BE SO LONG
It looks like the movie industry in general is not doing so good, and I do not see them investing in a movie saga on King Arthur after the past flops. I do maybe have more hopes for smaller movies (smaller in scope/plot) like "The Green Knight", so nothing that comprehensive but maybe themes used here and there.
But yeah, I feel like it could only happens if/when we first have a very big success now. Merlin BBC was very successful I feel and it kind of gave rise to a bunch of movies and attempts, but after Camelot Starz, Cursed, the Winter King, the 2017 Guy Ritchie movie - it looks like it is failure after failure.
It is a pretty harsh space nowadays. People have been "trained out" from going to the movies during the main years of the pandemic, with studios sending their movies to digital very early (and sometimes directly). And old small tv-trashy movies are in such small number, because the competition is so high - you cannot throw it on some tv channel and force people to watch it because now people choose. Movies, shows, videogames - it is harsh out there.
Regarding tv shows, I have a bit more trust, but the streaming model also killed the old build up. Now it is one season or you get the axe, and with the competition it has to be a very good show or a very big name attached to it, or someone who insists on insuring that they will have multiple seasons (thank you "The Dragon Prince: Mystery of Aaravos", I had no doubt it would have been axed on s2 without an agreement).
I do have small hopes for tv series and maybe a new Camelot musical movie still. Maybe my hopes are silly, but if Wicked is a success it would be another in a series of movie musicals that were successful or well received. And regarding tv show, if there is a popular enough novel or series of novel in the future maybe we will have one. They really dropped the ball with the Winter King.
BTW, I just wanted to say, these last few years are a on the side of the less-arthurian-media (movies and shows) years. These are the last arthurian movies, all from 2021-2020:
We have three moves in the Fate series, which is the one successful arthurian franchise, alongside Kaamelott movie (another successful arthurian franchise), then we have two animated movies that are just arthurian-themed, then "Arthur and Merlin" which is from a smaller studio, and finally "The Green Knight" which is the one big studio movie there and it was also a success (it made a few million more than what it spent).
2022-2024 no arthurian movies.
If we look from the 60s till now we usually have at least a movie a year with sometimes a year being skipped. The other longer time was 1985-1987 where we had no movies, so we only have these two gaps.
For series, I have more hopes. I actually also hope for a full arthurian anime too. We had a lot of arthurian popular stuff from Japan: Nanatsu no Taizai, the whole Fate franchise which has multiple movies and series, plus there have been two arthurian musicals in the past few years.
So who knows! Maybe the next big arthurian "full on Arthur story" might end up being an expanded Camelot musical movie, or an anime!
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Hi everyone >:3
The Yone lover anon is here again!!!
OMG PARANOIA IS SO AGKSHSKABSHSHJSJSKS *convulses*
I have been analyzing every detail of the video clip and I have seen the statuses and tweets from the official platforms, it is always a pleasure to see our favorite swordsman interact <3
Well, getting to the point, I have already asked for this request but I wanted to see your execution cause, wow girl, I love your writing, it is exquisite :')
The request is this: Maybe a Yone x fangirl!reader?
Buuut, but but!! That their first face-to-face meeting was a surprise, I explain, she and Yone had met on Discord and had been interacting a little, when the two agreed to meet then she gets a BIG surprise, I hope I make myself understood
Sorry for the amount of text, I have expanded here
Anyway, I hope you take care of yourself and enjoy the new content that is coming out as much as I do
-🍄
Omg hi 🍄 anon!! ♡ Thank you so so much for your very inspirational Yone musings, I hope that me spacing out on the wordlbuilding a bit will not influence the pure fangirling that is going on in our heads!
In this universe Yone strikes me as someone who actually knows a lot about technology and i'm sorry... he produces music for rythm games. And yes he does those extremely complicated and highly detailed songs that are like the hardest charts in the game.
·:¨༺ ♱✮♱ ༻¨:·- Yone's career as a producer and DJ has not been the easiest one, the genres that fascinated him the most were usually not appreciated by a wider audience. The busy notes of electronic samples overlapping one another weren't designed to appaise the need for easy listening music in convenience stores or to climb the charts by becoming viral on social media, in fact the most recognition Yone's music had gotten before heartsteel was in the small niche of rythm game players.
·:¨༺ ♱✮♱ ༻¨:·- It was never the big game developers that contacted him, they had collaborations with world renouned producers and famous idols that voiced their characters. On the other hand smaller studios would often ask him to make one or two tracks for their games, which Yone would gladly accept to do. Despite the limited reach the producer was still proud of his work, always buying a copy of the games where his music appeared and keeping in touch with the communities that formed around them with a discord account that would't reveal who he really was.
·:¨༺ ♱✮♱ ༻¨:·- You were just a casual player of one of those games, sometimes coming into its dedicated discord servers to chat with like minded people. When people asked you about your favorite songs in the game you would most likely reply with one of the songs Yone produced, often going into detail about what made them resonate with you so much and what made them so unique in your opinion.
·:¨༺ ♱✮♱ ༻¨:·- Under the guise of anonymity Yone would sometimes join the conversation, asking questions and indirectly getting some feedback from you, even finding it helpful with his writer's block sometimes. It was enough for the man to send you a DM to discuss more of your shared music tastes, hoping you'd reply.
·:¨༺ ♱✮♱ ༻¨:·- Your discussions quickly settled into a developing friendship, you knew the man had an extensive knowledge in music theory as he would sometimes ramble about it with you and he also told you that because of a new job offer he would become more and more busy as time went on. You'd still keep recommending songs to each other but the conversations would be less and less, you missed your friend but you knew that his work was more important than chatting about music.
·:¨༺ ♱✮♱ ༻¨:·- That was until Heartsteel's debut was announced with a small teaser, showing all the members and a small snippet of their new single. You immediately recognized the familiar electronic sound of the songs that made you and Yone bond in the first place, the nostalgic feeling making you smile. You decided to send a link of the teaser to him, asking for thoughts and sharing the hype about the new band.
·:¨༺ ♱✮♱ ༻¨:·- Yone had never felt so guilty yet glad that he never revealed that he had produced those rythm game songs to you. You were so familiar with his style that you spotted it immediately, you could've uncovered that he was actually part of the band! He tried to stop himself from asking more of what you thought of the members, thought of him, but quickly surrendered to the fact that hearing you gush about how much you liked his music gave him even more reasons to keep going.
·:¨༺ ♱✮♱ ༻¨:·- When he asked who your favorite member was he almost spit water on his midi keyboard, causing Aphelios to turn around to see if he was alright. Yone composed himelf quickly, yet the message you wrote kept resonating in his mind. "Oh I'm totally in love with Yone, looking at him and his interactions on twitter he sounds like a bit of a band mom and I find it really endearing! He looks like a really calm person who surrounds himself with a ton of unhinged friends! Too bad he hasn't revealed his voice yet! "
·:¨༺ ♱✮♱ ༻¨:·- Of course all of this didn't go past Aphelios, Kayn, Sett, K'Sante and even Alune. They realized he was spending more time than normal on his phone, reading your thoughts on the new promotional materials that were being posted. Kayn was the one who confronted him first and could not stop laughing when he realized Yone had started to develop some feelings for you, scrolling trough the messages the younger man could also see that you were starting to feel the same way for him.
·:¨༺ ♱✮♱ ༻¨:·- As much as the Kayn was amused at the absurdity of Yone falling for his online friend turned fangirl, he alsoknew he had to help his fellow bandmate, barging into the common room to tell everyone what was going on and fill Ezreal in as he was oblivous to the whole ordeal. It took all of them a good half hour to concoct a plan to make a meeting between you and Yone happen, then another half hour was needed to convince the producer that this was indeed a good idea and that you would not take it as badly as he imagined.
·:¨༺ ♱✮♱ ༻¨:·- When Yone said he wanted to voice chat with you out of the blue you were a bit confused but excited. You were happy to hear his voice after one year of being friends and made sure to reserve a few hours just for him, as you went about your day your mind started to wander a bit about what it would sound like and if your conversations would flow just as smoothly as they did via text.
·:¨༺ ♱✮♱ ༻¨:·- You were starting to feel a bit nervous when you picked up the call, timidly muttering a "hello?" and waiting for any sort of reply. "Oh Hello, it's nice to finally be able to associate a voice to the person." You could not help but squeal a little on the inside, who would have known that his voice sounded so rich and felt so mature? The two of you talked for a while about how long overdue your call was and how time had flown since you first met, it truly didn't feel like your first conversation at all.
·:¨༺ ♱✮♱ ༻¨:·- You finally gave into the curiosity and asked him if there was any particular reason for Yone to have wanted to voice chat now and his reply almost left you speechless. "So... I'm know that you're very excited about the debut of Heartsteel, one of my coworkers managed to get two VIP tickets and backstage access. The thing is that the person they bought the other ticket for cancelled last minute and they gave it to me." A carefully crafted lie exited Yone's lips, all to give you an excuse to go meet him.
·:¨༺ ♱✮♱ ༻¨:·- You couldn't help but feel a slight pang of jealousy for how lucky your friend was but you wanted to be supportive and expressed your joy for him and how excited he must have been. "Wait, you've got it all wrong. I wasn't planning on keeping the ticket." You froze for a second, all sorts of possibilities racing trough your mind. Then you heard it the notification of a discord message from Yone, he had just sent you the ticket. "Wait... so you want me to go?" You heard him chuckle as you were slowly realizing what this would imply, your heart couldn't race more than this. "You deserve to go and see them, you've kept an eye on them for a long time now. I don't want to impose it onto you so think about it for a while and let me know, will you?" Useless to say that you spent a very long amount of time asking him if he was sure about it and then thanking him profusely, this truly was one of your dreams come true.
·:¨༺ ♱✮♱ ༻¨:·- During the day of the debut concert the Heartsteel's members grand plan was put into motion: security was well aware that as soon as your ticket number was checked in they would have been able to identify you. Security notified their manager Alune and gave her a detailed description of your looks, she too felt happy about what was going on in Yone's life and told him and the other boys to concentrate on the performance while she took care of things in the background and made sure to give you and the producer ample time to talk.
·:¨༺ ♱✮♱ ༻¨:·- You had the time of your life at the concert, seeing how much energy and stage presence Heartsteel had in real life made their music video pale in comparison. The stage felt electric and once it was over you couldn't help but feel dizzy and overloaded but also oh so happy, seeing Yone and Aphelios playing alongside the other members was the highlight of the concert for you.
·:¨༺ ♱✮♱ ༻¨:·- So many things were going to your mind when you were queued up for the small meet and greet that was beeing held backstage, you were one of the last people and when it was your turn you couldn't help but feel like Sett, Kayn and Ezreal were all treating you like they somehow knew you already... and they were all hiding something. You felt their gazes following you as you finally approached Yone and even he looked like something was amiss.
·:¨༺ ♱✮♱ ༻¨:·- You tried to ignore the feeling, you were about to meet the artist that managed to capture your attention so easily and always kept you wanting for more. You would not let this special occasion be ruined by your gut feeling! You took a few steps and prepared to greet him, hopefully having enough time to tell him how good his performance was and how much you enjoyed rooting for his success. Before you could even say a word he anticipated you and for a second you thought you had misheard everything he said.
·:¨༺ ♱✮♱ ༻¨:·- "Wait... how do you know my discord username?" You heard a few of Heartsteel's members chuckle, you did not realize how quiet the room had become as you were the last of their fans there, the laughter was interrupted by Yone speaking again. "Cut her some slack everyone, it's normal for her to be confused right now." Yone could see your eyes widen in realization you recognized his voice, he was your online friend! The one who would always listen to your rambles about the latest chart topping songs and give you his insight on what would make them so popular, the man who somehow knew your taste better than you at this point and was able to always give you spot on recommendations... ·:¨༺ ♱✮♱ ༻¨:·- The grounding touch of his hand on your shoulder snapped you back into reality, you blinked at him in disbelief and confusion... and then realized about how much you fangirled about him while being unaware of who you were talking to. "There must be many questions running trough your head right now and I don't blame you if you're angry at me for never revealing who I really was. If I hadn't been under such a strict NDA at the time maybe things could have been different..." ·:¨༺ ♱✮♱ ༻¨:·- You gave the man a reassuring smile, you understood why he did what he did and suddenly him asking you what you thought of all the new trailers and promotional materials made sense. You were kind of honored to have been able to give feedback -although unknowingly- to a talented artist such as him. "Maybe I could clear some things up for you over dinner... I was too nervous to eat anything before the concert." You gave him a quick nod and he motioned you to follow him, you saw him gather his laptop and headphones and haistly put them in a sleek looking backpack and then taking out the keys to his car. The rest of your time spent backstage was a blur, his hand around your back was swiftly guiding you through the various areas and muttering to security guards that you were with him if they happened to enquire about you. Once in his car he could finally drop the persona and relax a bit more, the Yone you had met online was starting to show himself more and more. "Do you have any particular preferences for food?" He asked while making his way through the still packed streets of the city. "Mmh... I think I'll leave the choice to you, after all you just performend in front of thousands of people on an empty stomach." You replied, smiling at how kind he was being to you even though he must have been starving for hours. "Fine, I saw a ramen small ramen place on my way here before the concert. It will give us enough privacy for me to finally make things up to you."
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