#It's a little tragic that Descendants wasn't just awful
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I never was into Monster High and the younger-demographic reboot appeals to me even less tbh, but honestly I have half a mind to seek it out in the faint, vain hope that it might encourage Mattel to reboot Ever After High. But on the other hand Ever After High's original design was so charming because of the elements which are now becoming charmingly dated to the early 2010s, so I just know an official redesign would just always be disappointing even though fan redesigns are always super cool. And the whole fairy-tale fad is over, I guess -- I bet there are still little kids who love it like I did, but the market is saturated (and apparently Descendants is still active, and I know they're still publishing their Disney fanfiction AU books...) -- so there's little hope on that front. But I'm bringing Ever After High back into my life myself anyways. Wayback Machine saves of the old website and my books will suffice <3
Edit: wait something is GOING ON right now?? something peculiar and iffy but SOMETHING!!
#AI songs?????#mattel#EAH#ever after high#It's a little tragic that Descendants wasn't just awful#I mean it stole from EAH and it's inferior to many of the other fairy-tale mashup-retellings and#EAH will always be the best of the genre (though the Lunar Chronicles is a strong contender...#it's very actually original though and targets older -- I usually don't think of it as part of the fairy-tale fad)#but Descendants had good aesthetics too (SOMETIMES) and the lore had its moments#I said this#like i'll be real 'we put them all on one island. one generation' is marginally better than 'ummm they had kids b4 dying and this cycle#lasts forever but also um the parents all have the OG names...'#as a kid i came up with the headcanon that every-other generation they had to use the original storybook names to explain that lol#(the ever after high lore just barely dodging incest at all times...)
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Rotating Midam in my mind.
You have Michael, who is the biggest baddest bitch Heaven's got. A literal archangel, someone who killed his own sibling without flinching, someone who was ready to kill one of his once closest brothers, even though he still loved him. The guy who said that free will was an illusion, and that fate was inevitable.
And then you have Adam, who is... some guy. Sure, he's Sam and Dean's brother, and they're the main characters, but ultimately, Adam was never meant to be important. He was introduced in S4 as a gimmick, as a way to cause the brothers man pain. He's a Midwestern teenager, raised by a single mom, his lofty goal was becoming a doctor, but he was never fated to be anyone important, anything big.
And then Michael - the guy who said that there was no other way but for Dean to become his vessel - took Adam. He was under time pressure, sure. Dean just wasn't saying yes. But this archangel, who believed so much in his father's commands that he was going to kill his baby brother for him, chose to use Adam, the clammy scrap of bait, instead of his fated vessel.
And we don't really see them interact in S5. We don't know if Michael pressured Adam into this, if he scared him into compliance. We do know that Adam looked at the bright light descending onto the room, presumably Michael's true form - which had previously burned out people's eyes, in that bar Zachariah sat in - and he didn't look scared. If anything, he looked awed.
We don't know what they talked about. How much they talked. If Adam was conscious for that fight in Stull cemetery. We are led to believe that he is not, because Michael tells Dean that Adam isn't in right now, but he might as well just mean that Adam isn't in control, that he's Michael right now.
So we really don't know anything about their dynamic in S5, but we are led to assume from what we know about Michael that it isn't a good dynamic, we are made to see Adam being possessed as an unfortunate tragic. This poor bastard just won't stop being used by angels.
And then, ten years later, Michael and Adam come out of the cage, and we are once again led to assume the worst, because Lucifer said that Michael was insane, and everyone is scared of Michael, everyone still remembers the other Michael who brought so much death and terror upon the world - and when we see this world's Michael for the first time in ten years, when he's out of Hell and could have been anywhere in the world, or outside of the world really - he's sitting in a diner, smiling fondly at the just some guy, who is eating a burger.
This archangel, who would have killed indiscriminately for the sake of the plan, to fulfill his duty - he's chilling with this guy from Minnesota, who came out of the cage with more chill than when he went in, and whose first instinct on returning to the world was... greasy diner food.
This archangel - this eerie, dangerous entity, is smiling fondly at the guy he just spend over a thousand years (local) time with in Hell. And they talk openly, like friends, about their plans for the future. Michael mentions that he has nothing, and so does Adam, and they decide to stay together, and to maybe get a little job.
The biggest baddest bitch that Heaven had. And he doesn't even go back to Heaven. His closest brothers are dead, the apocalypse can't happen anymore with Lucifer already gone, and Michael just... doesn't care anymore. He seems a little melancholy, but ultimately he is content. Content to stay with Adam, content to sit with him in some random diner in a random American town, and content to stay with him, and let Adam show him what it's like to be human.
This archangel, who has never cared about humanity, or any human. This archangel looks at the gimmick character, the forgotten brother, and he is content. Adam is enough for him.
The guy who was dead before we even met him. And he's enough for the archangel who wanted to end the world.
Adam is everything he has, actually. And Michael is content.
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