#It was truly SO hard to pick
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erisenyo · 2 years ago
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What are five of your most favorite scenes you've ever written in your fics?
This was really hard to pick! Which was a nice way to realize I like so much of my own writing haha, and that so much of it was so fun to write. But I will go with, in no particular order...
The First Azula-Sokka Scene in Ch 11 of To Open Every Door to Night, To Meet Each Rising Sun
This scene was such a blast to write and was so cinematic in my mind, complete with super zooms and lighting effects and backing soundtrack. Trying not to spoil anything but I'm really proud of the way the tension rose across it and finally broke, and the way all the misdirection and revelations started to become clear. And fights are always really hard for me and I was really pleased with the way this one came out.
The Last Scene of To Be Named, To Be Known (To Be Loved)
I am really happy with how this last scene of the 5+1 turned out with all the callbacks and threads of earlier parts coming together. Zuko hearing all his titles in order again on his way to getting his new one, his people all around him, and then the ceremony itself was so soft and fluffy and warm to write and think about and I loved the mix of teasing and love the two of them manage to bring even to their own wedding ceremony.
The Sokka-Katara Conversation in Ch 4 of To Cleave These Roots We've Made
It was REALLY hard for me to pick a single scene from this one because honestly, I am so happy and proud of basically this whole thing and how it came together. But Sokka finally hitting his breaking point and dumping all the angst he's been bottling up and realizing his own feelings, and the way Katara alternately supports him and challenges him and prods him along in the conversation, was so fun and so cathartic to write. And I love how this huge fic-hinging moment was also so much about their sibling bond and the ways they step up for each other.
The Conversation at the NWT Gates in These Things Written
It was so hard to pick one scene from this fic, let alone from the series, but I am really proud of how Sokka and Zuko's conversation turned out here. I think I wrote it four or five different ways and I really like the end result. They finally achieve some understanding of each other and get some of their hurt into the open, and it was really important to me that both of their POVs carry equal weight and feel equally valid. It's easy to write S1 Zuko as just needing to realize he's on the bad side and then everything will be fine, but I really wanted to do justice to how valid Zuko's view of the world is to him from where he stands and given his experiences, and for that to come through even though the scene is from Sokka's POV, and I'm really pleased with how it turned out and then set up Zuko's journey in These Things Known.
The Opening of (With Wonder and Care) Reach for Far-Flung Dreams
I really love how the dialogue came together here! There are five people talking, sometimes on top of each other, bantering and telling jokes and interrupting and also setting up the story and what's going on, and it was a lot to juggle but I think it turned out really well. I was really pleased with how the comedic timing translated into writing, how distinct everyone's voice felt, and how all the interpersonal setup came through in the way people were interacting with and reacting to each other. It ended up just being really fun, which is exactly what I wanted before walloping Sokka with an emotional overload of being cared for haha
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bookburners · 2 months ago
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If Bruce had the option to get his parents back but one of his kids would die he’d choose his kids every time.
But what if one of his kids had the option to get their parents back but Bruce would die?
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please gimmie eduardo i need eduardo art i am eduardo starved
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just went through all of @jeffrrandell's blog and BOY eduardo has grown on me. absolutely LOVE their hcs on this guy. still figuring out my takes on the neighbors, but since i'm here...
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Hahaha ONE!!!
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theloveinc · 11 days ago
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I do think it pisses people off how … good… your relationship with Togame is
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katiefratie · 1 month ago
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Man.....taz balance is truly one of the most spectacular things ever made, nothing will ever top it or frankly even come close, I listen to and love a lot of dnd ap media and taz balance was the first so it will always be special to me but also it's so incredible and beautiful and funny and heart wrenching and warming and just I love these characters with my entire heart
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mamawasatesttube · 15 days ago
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i went down a brief rabbit hole earlier about horribly embarrassing pet names for timkon fake marriage fic possibilities (more on this in a few days). now i present to you: the highlights from a couple of lists i found on dating websites that, yes, really, were suggesting these as potential names to call your actual real-life partner.
binky
sexy beast
mcdreamy
mcsteamy
tater tot
love professor
macho mack
schmoopy
cookie-kiss
nutter butter
hubba bubba
pickle
num nums
sheriff
sir loves-a-lot
hunk-a-lunk
little muppet
ms. luscious lips
goofo
and my personal favorite,
captain hottie pants
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cybertron-after-dark · 2 months ago
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Being constantly surrounded by the presence of a loving God sounds great until you realize you never know when his freaky fuckin eyes are gonna show up to check on you.
And man. They do it a LOT.
#primus please let the mech breathe#what i want to emphasize most with this iteration of optimus is the inherent fucking terror of being made a prime#really pick at those little threads of how fucked the matrix as a concept is. same with the staple tropes of op himself#the idea in tfp that it can entirely change your personality. and that if you lose it you cannot remember your time with it#those implications send me spiraling. to what degree is optimus the same being as orion pax? do you forfeit your soul to be a demigod?#do you fucking die to become a conduit for the higher being that made you? letting it puppet your mind and body like a parasitoid?#if death in transformers is simply rejoining the allspark; if the soul is something splintered off from the whole;#and if to die as a cybertronian is for that fragment to merge with the whole once again. is a prime not fundamentally a dead mech walking?#a prime stands with one pede in the afterlife and one in the land of the living and has to keep up with both at once#constantly seeing visions from a plane his processor was never meant to comprehend with optics that were never built to see it#forced to adapt into an elevated being as much as a frame that still has silly things like wants and needs and emotions and base coding can#how does a mortal live when his body is no longer just his body; but a vessel fir something holy and a tool fashioned to heal the world?#when he can never truly be alone again and he has to simply live with the ever present knowledge that he is being watched#both by his god and by the world#how does one live knowing not even their thoughts are private? when your god may be living but man he does not get the idea of boundaries#guess it must be hard to grasp personal space and all that when youre an ocean of souls that left it behind#maccadam#transformers#wayward sparks#optimus prime#art tag#sometimes i feel kinda bad for putting this bastard through The Horrors. if ws gets made all the way he will be thrown so many bones#only sometimes tho >:3
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abirddogmoment · 4 months ago
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when all your toys are in the washing machine so you have to occupy yourself with a sock you found on the floor instead
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dayabot · 3 months ago
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i love staring at my own gifs. hello ms betty
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cookinguptales · 1 year ago
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Do me a favor, okay? Next time you have a chance, close your eyes for a minute and take a deep breath and imagine someone loving you.
Imagine someone who gets excited just thinking about you. Imagine someone who loves the things you say and do and who genuinely enjoys spending time with you. Imagine someone who feels lucky every moment they get to be around you.
It can be a real person or someone you just made up. You can imagine them praising you or laughing with you or touching you or whatever love means to you. It can be romantic or otherwise. Take your pick.
And if you had a hard time doing it?
Do it again. And again. And again.
I read once that it’s important for us to visualize being loved. That your brain needs to be trained like a muscle, and like a muscle, it can become weak from disuse. Your brain can only do the things that you practice doing, and if you never, ever visualize someone loving you, it becomes difficult to even imagine someone loving you. You get stuck in a rut. And once it’s impossible to imagine someone loving you, it becomes impossible to believe you will ever be loved.
I think… sometimes it can become easy to stop believing that we’re worthy of love. And I think sometimes we have this fantasy of someone making us believe that we’re worthy of it again. Or that somehow we’ll just — earn it, one day. Being worthy of love and desire, respect and affection.
But I think the truth is that we can only start believing that we’re worthy of love if we’re capable of imagining it. And it becomes much, much easier to imagine it if you practice doing so.
It may feel awkward at first. Embarrassing. Silly. Maybe even painful. But think about it like this, maybe: your first day in a dance class, you’ll fall. You’ll look ridiculous. It’ll feel like your body will never be able to do this fluidly. But by the end of the class, you’ll be able to move in a whole new way. Maybe not perfectly, but… better, y’know?
Learn to waltz with your own mind, and try not to cringe too hard at your first awkward movements. Start small and work your way up if you have to. Someone liking you, then someone liking your conversations, then someone liking your presence, then someone purposefully seeking you out. Someone putting time aside for you. Someone thinking about you when you’re not there. Someone being with you because there’s nowhere they’d rather be.
It may feel self-indulgent, but… I mean, we all deserve to be indulged sometimes. And we all deserve to feel worthy of love.
So… indulge yourself. Take a moment and have a silly little fantasy. Get into the habit of imagining love, and imagining it for the you that exists right now, not the you that you wish you were.
Learn to speak the language of love as it applies to you, even if you think that it doesn’t, and one day you’ll realize how to use those syllables to say your own name.
It’ll come one day. In the meantime, let’s learn to dance together, okay?
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euclydya · 1 month ago
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i don't. understand. why. people here. are so nice. to me.
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icewindandboringhorror · 3 months ago
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I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently
#facebook always does that 'here's a post from this day 8 years ago' thing. and I see old comments interacting#with people and it's so like.. OOOOO~~ where are they now?? what's going on? how much have they changed as people?#how much are they the same? this is fascinating. i should contact them!!' but then it's like... take that to it's logical conclusion though#you would contact them and then IF they even responded it would take you 80 years to respond and then they would#think there was something wrong or that you were trying to be insulting or something. To contact anyone I need to include an 85 page#disclaimer of all of my social issues & mental illness things. 'If i take 3 weeks to reply I promise it has nothing to do with u' etc lol#THIS is why more people need to be into phone calls/voice calls/some form of audio real time communication/etc.#I think one of the main things that's hard about messaging through text for me is it's so unscheduled and open ended#(plus it takes forever if you're talking about anything in detail and gets very long very quickly)#because like you can send a message and then just get a reply whenever. and then you're expected to reply back whenever#so it's like you never know when the response will come or when a new obligation to reply can come up? so it's like this sudden thing with#no outline?? if that makes sense. whereas a phone call is very like 'hello let's schedule a call from 10am - 2pm on thursday'. And you know#EXACTLY when the interaction will start and EXACTLY when it will end and you can plan around it in your schedule easily.#I have the reverse thing of a lot of people (how people don't pick up phone calls/hate calls/only text)#I would literally talk on the phone with a stranger. I would have a discord voice chat with someone I barely know.#if someone I hardly even remember from elementary school asked to have a voice call with me out of nowhere I would do it.#but if a stranger MESSAGED me?? or someone I barely know sent me a TEXT or something?? I will never reply probably#It's just too vague and weird. and you can't read voice tone over text. and the interaction could last forever with no clear end#point and etc. etc. But a call is like. set. established. clear boundaries. you can read the flow of conversation better. rapport. etc. etc#I get that I guess people feel more anonymous or distanced over text?? but you can have fake phone numbers on the computer. or do like disc#rd calls. or zoom without a camera or etc. etc. Also the distance that's present in text is BAD distance because it just means that tone is#not conveyed properly and you will never truly get a sense of the person's conversational vibe or mannerisms or how well you really click.#ANYWAY ghgjh...... I'm so so so interested in concepts of like.. How did that one kid I used to talk to in elementary school#but then they moved away in 5th grade - how did they end up? what are they doing now?? etc. etc. Like despite the severe social anhedonia#and general lack of connection with others I'm just really fascinated in like.. idk. the human development of it all and like#the concept of how we're actually a million different people through the course of our lives ever evolving in different iterations and etc.#PLUS again. i love nostalgia. sometimes old peple you know might remember a shared memory or can tell you about something you forgot#or etc. like it's SUCH A COOL THING in CONCEPT but I am too socially inept generally speaking lol. which people I still talk to today are#familiar with my 'phone call once every few months' communication style. but strangers would just be like... wtf. And I don't blame them#Sure I literally cannot change the physical health + brain issues i have - but also I know enough to not put others through that lol
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gentlebeard · 3 months ago
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thanks for tagging me @blakbonnet ❤️ i'm gonna tag @xoxoemynn @sherlockig @marbledwings @spirker @monksofthescrew @stedesearring and whoever would like to list their favorite books so we can click some buttons! 😌
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honestlyvan · 6 months ago
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What is dendro and who are your blorbos in it? :o
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Infinite Dendrogram is a web novel/light novel series written by Sakon Kaidou that began publishing in 2015 that has a 12 episode anime covering the first five volumes and an ongoing manga adaptation by Kami Imai. It takes place inside a virtual MMO of the same name, filled with fully sapient AI NPCs called "tians", and all player characters, "Masters", are equipped with adaptive AI companions called "Embryos" that range from non-sentient weapons to fully sapient partners that are born from a profound desire their Master has, and evolve to fulfill their wishes, justified as them "adapting" to the Master's preferred play style.
It's bonkers good, has extremely tight power scaling and a well thought-out magic system, intriguing lore and absolutely stacks and stacks of the best girls in shonen. I haven't actually ran the numbers but I feel like the supporting cast is majority female and out of all of them only two could reasonably be considered love interests for the protagonist, the major recurring ones being either his peers or his mentors.
It fucking rules, nonny. I am spoiled by this series. I'm never gonna be able to go back to manga. Dendro has so many well-written, strongly characterised female characters who are nothing like one another and in fact occupy a lot of the archetypes male characters would in other stories.
Anyway! Onto the blorbos! Unmarked spoilers for volumes 1-21 and the entire anime from hereon out!!
Ray Starling & Nemesis
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"Protagonist-kun? Really, Van?" Yes, really. Listen. Ray fucking rules. As a Maiden's Master, he is mechanically identified as giving way too much of a shit, and a lot of his personality is shaped by his attempts at harnessing the compassion that is too big for his body to good ends. Ray is very clear-headed about his strengths and weaknesses, and yet he still develops into a suicide bomb of a PC because he just really fucking hates people getting hurt.
He's humble and good-natured, engagingly intelligent without dipping over into annoying smart guy territory, and Kaidou's Girl Respecter streak has rubbed off on him a lot because Ray is chill about having female friends in a way that is startlingly grounded. He's a good ridealong character. He's sweet. He is a good lad.
But also! I did say my blorbo was Ray with Nemesis. And that's because Nemesis helps bring out nuance in Ray and also explain the core idea behind Embryo's so strongly I don't think it makes sense to read Ray without the context Nemesis provides for us. While Ray is chill and humble, Nemesis is exuberant and positively radiates self-esteem. While Ray is passionate and driven by his compassion, Nemesis is calculating and goal-oriented.
All of Ray's features that could be a hindrance to his need to do good, to be good to other people, are cleverly externalised in Nemesis, who is reined in by Ray's mastery but also made charming, relatable and loveable through her. She is gluttonous and hungry for praise, but she is also bold-hearted and principled. She's fearless in battle, but she is also very committed to Ray's safety.
The two of them truly do feel like two halves of a complementary whole, like she is a shard of his soul externalised and given a voice of her own -- many features Ray has that he suppresses or doesn't feel comfortable revealing about himself like his need to do things, be involved and take up space are expressed in her, and then given space to breathe through Nemesis' development as a character. She is herself, but she is also Ray -- and through their love and respect of each other, we understand both of them better.
Shu Starling
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We very quickly discover that the reason Ray is so relatively hinged is because all the batshit protagonist perks went to his older brother. Shu is introduced as a chill and deeply unserious dude playing in a bear-shaped mascot suit, explained away by him forgetting to change the presents on his PC and thus it making it look just like him -- a real problem for a guy who IRL is both a former child actor and singer, as well as a known junior league martial artist and a genius level intellect whose career was being followed with bated breath during his university years.
To say that it doesn't come as a surprise that Shu is secretly one of Altar's (his and Ray's starting kindgom's) Big Three -- both a holder of a near-mythical Superior Job and a seventh form Superior Embryo -- would be an understatement. Shu Starling is a slacker genius with the power to punch reality so hard it shatters like glass.
However. Just like how Ray manages to be grounded despite being mechanically identified as giving too much of a shit, Shu is very relaxed for someone set apart by his skills from other people. He's not conceited about his own intelligence, but he's also not overly humble about it, and while he does try to keep a low profile and avoid expectations, he's has his own gentle and caring side too. You'd think a guy with narrative weight like him would be an albatross around the plot that would invalidate major parts of it but in practice Shu's power set limits him to circumstances where the power to punch reality so hard it shatters like glass is actually needed. For a guy that can solve almost any problem with his fists, he would really prefer not to.
Shu is mostly utilised as a comic relief -- his overwhelming genius contrasting with how little seems to be going on between his big fluffy ears being played for laughs pretty much constantly -- but as the stakes are raised, Shu reveals himself to be the "reluctantly reliable" sort. He's a piece of shit bear, but heroic kindheartedness runs in the family, and you can really tell where Ray got a lot of his habitual do-gooder streak from.
Xunyu
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Speaking of the best girls in the fucking series -- Xunyu is introduced in the first arc as a Superior from the faraway kingdom of Huang He and a real goddamn troll who in her first proper appearance is already picking a fight with Shu even though she's a specially invited guest of the Altean royal family in the Arena in Gideon. Despite her irreverence and mischievousness, Xunyu is quite calculating and farseeing -- a "ludo" player who enjoys Dendro on a primarily mechanical basis, and likes to antagonise her opponents just so she has an easier time pulling off her multi-step, preparation-heavy strategies on them more easily.
Her player character is also a giant fuckoff eight-foot jiangshi while her actual player is a nine-year old girl. She's one of the first "oh Kaidou is a gamer gamer" characters, because her behaviour and mind games while she's in dueling mode are so reminiscent of pro wrestling trash talk, it's super delightful.
Outside of combat, Xunyu is cheerfully mischievous, and loves teasing people, but despite her bluntness she is genuinely very sweet, being both a graceful loser as well as a committed friend. She ends up becoming one of the many mentors for Ray, as well as being good friends with a fair few significant characters -- including many tians, despite her being someone who mostly thinks of Dendro as a game. She's not overly precocious, but being one of the Masters who are less emotionally invested in the world she ends up having a real grounding presence. I love her so much.
Figaro
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Kaidou loves doing a thing where a character is introduced in a very sinister way through the rumours being told about them, and then their actual appearance contrasting with that, as you realise that a lot of the gossip is the result of tians not knowing how to read player motivations. Figaro is one of the first examples of this -- we hear that he is the Over Gladiator and one of Altar's Big Three, and that he really left them in a lurch during the war that happened just before Ray started playing because he didn't want to fight beside anyone, making him come across as haughty and blood-crazed. When we finally meet him, he's solo-raiding one of the hardest dungeons in the kingdom.
The reality behind the legends is that Figaro is, in fact, just extremely awkward. He's very sick in real life, and turned to Dendro for some escapism, but it hasn't helped much with his awkwardness because he ended up extremely invested in the mechanics of the game, and loves nothing more than throwing himself at crazy hard challenges to the point where he spends most of his time either dueling people in the arena or raiding hard-ass dungeons solo. He is, despite the intimidating appearance and the occasional blood rage, very kind-hearted and soft-spoken, and his friendship with Shu is genuinely very sweet and humanising for both of them.
(He also gets one of my favourite romances in the genre ever.)
Tsukuyo Fuso
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The last of Altar's Big Three, Tsukuyo Fuso fucking sucks<3 She's childish, greedy and manipulative, and the leader of an actual fucking cult called the Lunar Society both inside Dendro and out in the real world. In real life, Fuso is Ray's upperclassman at TokyoU, and while there are some shenanigans to be had there, her influence within Dendro is so large that she kind of stays on the outskirts of the plot, causing problems for everyone. She is awful in every way and I love her.
But don't let this give you the impression that Fuso is a villain, though -- she is also a Maiden's Master like Ray, mechanically identified as giving way too much of a shit, she does authentically want good for her people and everyone else (which, y'know, she thinks would be easier if they just joined Lunar Society! :D) and her machiavellianism... well, I can't say it's exactly reined in by her better angels, but she does also do a lot of good in her own deranged way. She's both an antagonist and an ally, and she's not above getting in the line of fire if it accomplishes a greater good. We love a good morally gray girlboss in this household.
Kaga Jubei
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Jubei is much less significant than almost any other character on this list, but she gets to be here because she is the platonic ideal of a blood knight. She fully gives Figaro a run for his money, and I cannot tell you how much I love that that particular archetype of a blood-fevered warrior went to a female character. She is the principle antagonist of volume 17, hailing from the kingdom of Tenchi, and over the course of the volume she keeps challenging Ray and his team because she's his biggest fan, and fucking loves the idea of the two of them physically tearing each other to pieces, to be challenged and to defeat or be defeated by someone she considers an inspiration. She just really wants to have fun, and has a powerful competitive streak that is fed by the fact that inside Dendro, Masters are functionally immortal, allowing her to throw herself with violence at problems to force them into giving her what she wants with her bare hands.
Outside of a blood rage, Jubei actually has a quite mellow, calm personality, but while this gives her a bit of a calculating streak, as far as the physical fighters in the series goes, she's one of the more instinctive and unfettered ones. She's also extremely remorseless and willing to play dirty with people who won't give her a honest fight, and will only resort to using her words where she doesn't think her swords can get the message through on their own.
On top of me just really, really loving a violent fight baka character, and thinking that this series is good at writing fight baka characters (there's also B3 who just barely missed out on being on this list), I love that the most fight-baka of them all in the series so far is a girl, and I love that she gets to be almost a dark mirror of Ray. I can't wait her to show up more in the next big arc. Teenage girls should be allowed to cut things with their swords just because they want to, forever and ever.
Sechs Würfel
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Last but very much not the least, Sechs is a major antagonist and Shu's main rival, and he makes me lose my goddamn mind. We hear repeatedly about both his criminal escapades and the legendary duel that finally sent the worst criminal in all seven kingdoms into the gaol, and then when he finally appears in the plot, Sechs turns out to be the platonic ideal of just some guy, to the point where near damn everyone makes the mistake of assuming his soft-spokenness and aversion to conflict make him harmless. Even his allies are a little bit disturbed by how comfortable and proficient at violence Sechs is, in contrast to his unassuming personality.
This is because Sechs' whole deal can be most easily explained as him being an extreme hardcore never-drop-character roleplayer who just happens to be playing a villain. His way of embracing the infinite possibility of Dendro is to take it upon himself to deliberately break every rule and do every bad thing enabled by the mechanics, a task which is greatly eased by his Embryo making him into a slime monster polymorph that renders him functionally immortal and gives him extensive shapeshifting powers. His system of ethics is effectively upside down as applied to himself, which creates the absolute funniest contrast with the way he remains polite and accommodating towards other people, and commands a surprising amount of both loyalty and admiration from the people of Illegal Frontier, his guild made up exclusively of criminal Masters.
As befitting of a shapeshifter and a guy living and dying by his own bit, Sechs' sense of identity is actually extremely fractured, which is the driving force between his rivalry with Shu. Sechs does, after all, spend the majority of the time defining himself through violating the rules made by other people, whereas Shu will do no less than what he wants to, ever. The way their IRL circumstances -- fate's favourite little guy and the Unfavourite of his whole bloodline -- contrast giving them common ground and the way the roles they choose to inhabit in Dendro clash makes for excellent drama. The Weird Friendship between Shu the player and Sechs the player in contrast to the bitter rivalry between the King of Destruction and the King of Crime is genuinely my favourite feature of the ongoing myth arc, and I can't wait to see where it goes in the future.
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masterfuldoodler · 7 months ago
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Put your four favorite characters from four different pieces of media and have your mutuals decide which best fits your vibes, then tag four people.
Thanks for the tag @theworldoffandoming
Tagging: @granny-griffin @creatively-storm @honrupi @thetwilightroadtonightfall @and anyone who wants to. go wild!
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rollercoasterwords · 1 year ago
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hi! thank you for the kind words, i'm happy you're enjoying the fic. but i also want to use this message as an opportunity to talk about something/set a boundary that i haven't really known how to discuss, and i've blocked out your name because even though i'm not angry or upset with you, i want to make sure i'm not sending any hate back your way. 
i know that this message is well-intentioned, and i know you likely think it's nothing but a compliment to ask me to write more--after all, you're only asking me to write more because you enjoy the story so much! shouldn't that be a nice thing for me to hear? 
and like. i think that's why this is difficult for me to talk about. i don't want to come across as ungrateful or overly sensitive or like i don't appreciate the compliments, because i do. but at the same time, hearing someone say, "please write more of this fic for me, i love your writing so much!" is still hearing someone say "please write more of this fic for me!" like. 300,000 words is incredibly long. most novels are between 70k-100k words. a 300k word book usually takes years to write--years, and hundreds of hours of labor. maybe you chose that number randomly, or you're exaggerating for emphasis; but no matter how nicely you're phrasing it or how facetious you're being, ultimately this sort of message still puts pressure on me to produce a massive amount of writing in a short period of time. and even if you meant it as a compliment, it doesn't feel nice to me. being pressured to churn out hundreds of thousands of words makes me feel as though i'm being seen as a content-creation machine for the entertainment of others, and i don't like that. writing is a labor of love for me, but it is still labor--hours of time and effort that i'm putting into these works which i share for free, with no expectations of anything in return except maybe a few kind words from those who feel like reaching out. when i get messages or comments like this pushing me to write more, to write faster, it makes me feel as though my time and labor are not respected at all; as if there's absolutely no consideration for the amount of effort it takes to write the stories. which, again, makes me feel like i'm being viewed as some sort of fic-writing machine that can just pump out hundreds of thousands of words on demand for others' entertainment.
and none of this is helped by the tongue-in-cheek comment about how you're "suffering" waiting for updates. again, i understand that this was well-intended and maybe even a playful exaggeration that's supposed to be complimentary. but there are ways to tell me you enjoy my writing and eagerly wait for updates without telling me how much you dislike waiting between chapters. posting once a week is already a difficult schedule for me to maintain, and it's entirely possible that i'll need to take another break in the future or skip a week or something. i've been very clear about the fact that my update schedule is subject to change since i started writing the fic; that's just part of reading a wip. but when i get messages or comments like these with people telling me how they don't like waiting for updates, or comments directly asking me to post more than once a week, or--back when i did take a break--comments begging me not to take a break, it all adds together and builds up and creates this pressure to write more, write faster, post the new ch now now now. if you were the only person making this type of comment, it probably wouldn't bother me and i'd just respond and go "thanks lol" and move on. but the problem is that you aren't the only one--since more people have started reading the fic, i've consistently been getting comments like these, where the backhanded pressure to write more or write faster is couched in compliments. it's just so hard to wait for updates because i love your writing so much! i just want you to write more and post now and write faster because i love your writing so much! i know it's all well-intended, but none of it makes me feel good. it just makes me feel a mounting pressure to produce produce produce.
i feel like there are so many conversations happening in this fandom about how we need to treat writers better, where people go "the fandom is so shitty" and everyone goes "yeah!" but no one ever thinks they're part of the problem. and i think it's because everyone thinks the problem is like...really blatantly rude and entitled messages. and like, i get those too--people telling me they don't like a certain characterization and asking me to rewrite the fic; people repeatedly demanding that i write a certain fic for them; people just outright shitting on things i've written because they don't like it and for some reason think i want to know that. but none of that is super common. what is super common is the steady stream of comments and messages like this one, where they are so well-intended and don't see anything wrong with what they're saying because they think they're giving me a compliment. but all these "compliments" build up and create this pressure that hangs over my head to be constantly producing and writing, which is ultimately what leads to burnout and also makes me feel like i'm not being seen as a person so much as a machine. 
so like. idk. i'm not gonna try to speak for every writer in the fandom; maybe there are people out there who do appreciate this kind of message, who feel like it motivates them to write. but for me, i want to make it clear: i really don't appreciate being asked to write more or write faster or to write a certain trope/ship/etc; i am not a waiter taking your order at a restaurant. writing fic is not a service i'm providing for you that you pay me for in comments or kudos or messages or any sort of attention, because i am not writing for that attention in the first place. so when it comes to interacting with me, i'd ask that you reevaluate the way you give compliments and think about what sort of pressure you're putting on me, regardless of how well-intentioned your message is. again, no hard feelings towards you--like i said, this message probably wouldn't even register as pressuring to me if not for the fact that i get so many little comments like it, all from equally well-intentioned people who think they're just giving a compliment, all of which builds up together. 
anyway. all that being said. to answer your question: the fic will likely be four parts, not three as i originally intended. it will probably end up somewhere between 100-200k words based on the fact that we're already at 80k and i've only just started part iii, but i am not going to put pressure on myself to write a certain amount of words or hit a certain length. i'm just going to write what i want to write when i want to write, and share it as i want to share it. i'm happy to have you along if you want to be here, but if the cliffhangers or waiting for updates becomes too unenjoyable for you then there's no pressure for you to stay, yknow? no hard feelings on my end either way :•)
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