#It is written in the sky

[ovegakart]

Hylia is a Lake

[bonefall]

Clear Sky is a Monster.

Of all the characters in Warrior Cats, I think Clear Sky was the most heavily mishandled.

At every turn, the narrative begs you to sympathize with him, to "understand" the "misunderstood." To this end, his brother Gray Wing is used to "keep faith" in his inherent goodness, his abused son, Thunder, is forced to go back to him over and over, and his second dead wife is completely lobotomized in death to absolve him of all sin.

Because of this, of all this set-up for the "redemption" arc they're trying to tell in the last three books, DOTC is Clear Sky's story. Everything primarily exists to benefit and serve his arc. Thunder and Gray Wing might have POVs, but HE is the character who truly drives the plot. So in order to HAVE conflict for that back half, two evil foreign cats, Slash and One Eye, are summoned to act as contrast.

Their narrative purpose is to display "true evil" to make Clear Sky look less bad in comparison. Unfortunately, Clear Sky is the most malignant, deadly character who has ever blighted Warrior Cats.

The "pure evil" examples they summon aren't effective contrasts because they're flat. Clear Sky is what real abusers look like.

His rhetoric is what it sounds like when a cult leader is trying to keep control over a group. He lies when it benefits him, justifies his actions with his tragic backstory to assuage his guilt and manipulate others, and violently lashes out when his feelings are hurt before blaming his victim for making him angry.

He only made "some mistakes" in that SOME of his actions were accidents-- the vast majority of them were malicious, self-absorbed, intentional choices to punish, hurt, and kill others.

I've spoken about Bumble. I've tallied his body count next to Tigerstar. I've talked about how his infant son's death was his fault in sequel books, and called attention to the infected wound face shoving scene that no one talks about. I can't fit every detail into a single post-- because he's so rancid that I would practically be posting entire books.

So what I want to do here is tackle the heart of Clear Sky. Everything he does, everything he's motivated by, is absolute and utter control over other people. He leverages his "trauma" to evoke empathy from his targets to make them easier to manipulate. He's a dirty liar. He breaks down to physical violence when all other tactics stop working.

He's one of the most severe and realistic abusers I've ever read about outside of very adult literature-- and when I read the reasons why he's attracted to Star Flower, my stomach immediately lurched.

The Killing of Misty

Starvation Rhetoric and the Memory of Fluttering Bird

Aside; a question

Hunger as a punishment; he doesn't care about starvation

Exoneration arc

Predation: Star Flower is a replacement for his son.

I think that index is an evocative content warning. But to say it again; this post contains child and domestic abuse, physical assault, public humiliation, incestuous grooming implications, and a lot of murder.

I need to start with the death of Misty. I see a few people saying that Clear Sky killed her for "being on his land" or trespassing, but this is actually a misstatement that I feel is important to correct.

Misty and her children were on their own land. It was her house. Clear Sky killed her to take it.

This is one of the most important details to remember about Clear Sky, that this is the consistent end point of his obsessive need for power and control. By harassment, by violence, or by death, he will brutalize anyone who does not give him what he wants, or who makes him feel bad, and find some way to justify it.

This territory expansion was for no logical reason. There was plenty of food and plenty of land. Any aggression that's happening on this territory is in response to how he's been stealing land and mauling people.

When it's found out she was fighting to defend her children, Clear Sky's immediate response is to slaughter them too.

Petal doesn't have milk either. It wasn't about the logistics. He wanted to kill the kids, because looking at them made him feel bad, and she just managed to stop him.

Starvation Rhetoric and the Image of Fluttering Bird

It is often said that Clear Sky is doing this because he's "traumatized" from how his little sister, Fluttering Bird, starved to death in the mountains. That the emotion came from wanting to feed people. That's incorrect. It wasn't about food. Fluttering Bird's death, and all the "starvation" he's faced, are used as manipulation tactics to guilt, influence, and control other characters, particularly when he might meet resistance or be held accountable for something.

It was always, ALWAYS, about control.

He does not care about actually helping people; "Starvation Rhetoric" through Fluttering Bird is an image he can invoke to justify the actions that are as bloody and cruel as the one this post starts off with. Either in his own mind, or in the minds of the cats he's manipulating.

He does this to Falling Feather, before slicing her face open in anger when she doesn't buy it. He does it to Rainswept Flower, before he strangles her to death. And he does it in the chapter just before Misty's murder, both to his Clan and then to Thunder,

Clear Sky climbed up in front of an entire crowd and gave a grand speech about hunger and "adjusting" the borders around territory he plans to conquer. When he gets to "forgiveness" he feigns pain to make his point because he is performing. If the sentiment is not a total lie, then at bare minimum, he is intentionally playing this up for the crowd.

He is rallying the Clan to support his violence against the cats whose land he wants to steal, and selling it with his life's hardships.

The audience is clearly well-trained, because several cats recognize the cue, particularly Frost who is praised for loudly comforting him. This signals "loyalty" because showing your sympathy towards his "suffering" is how this type of emotional manipulation works. It creates a persecuted, righteous in-group.

He's also apparently used this tactic before, since this entire crowd knows what "I Would Never Forgive Myself " means.

He's made sycophants out of his followers. Like a cult leader.

His abused son, however, hasn't been fully indoctrinated yet. Seeing Thunder uncomfortable with the idea of expanding the borders for no reason, Clear Sky calls him over for a personal propaganda session.

Clear Sky begins the exchange by calling this a "duty" and a "great honor." Immediately framing what he plans to do as righteous.

He puts on the act when Thunder shows resistance, dramatically pausing to let the guilt trip sink in.

"Thunder waited, realizing that he said the wrong thing."

And then Clear Sky launches into infantilizing Thunder, talking down to him like a child who's too inexperienced to see the "signs of starvation," acting like he's being "patient" in "explaining" it.

And then we get it. "I know what starvation looks like (so stop trusting your own eyes) because I have been through more than you (so shut up and do what I tell you), and I'm being a HERO for what I'm about to do (so opposing me would make you a bad person)."

Thanks to these crocodile tears, looking "moved," the act works. The victim is immediately wracked by guilt because the abuser seems genuinely emotional.

He even lovebombs him over the corpse of Misty in the next chapter, making Thunder feel threatened.

Thunder doesn't have the words to describe what is happening to him, but he knows that this sudden snap to praise isn't natural. That something is very wrong.

A Question.

Before I move on to show that this IS an act, and that he is lying about how important avoiding starvation is to him, I will ask a question. Please think about it, because I promise I mean it genuinely;

Why does it matter if Clear Sky actually believes this or not?

The victims are just as dead either way, yes? Thunder is just as abused and guilt tripped. The entire Clan has been driven towards violence while coddling and cooing at their Supreme Leader. Clear Sky is slowly annexing the entire forest. If you have ever accepted that he had "good intentions" as an excuse for the harm he did, or that abuse and murder was what he imagined was "the right thing," or that his trauma justifies the way he leverages his own pain to make cats do what he wants... why do you think that?

Why does that make it morally better, as the narrative concludes? Would you accept the same for every other WC villain or antagonist? Tigerstar? Slash? Tom the Wifebeater? Brokenstar? Rainflower?

How could you tell the difference, if you couldn't read their actual thoughts on the page? ...are there any other "good intentions" you've accepted, somewhere else?

Don't share that answer with me. It's a question for you. Sit with it.

Hunger as a punishment; he doesn't care about starvation.

...but, regardless, Clear Sky is not deluded about starvation. It's a justification for his obsessive need for control, and always has been. There was no shortage before stealing Misty's land and kits, he is fully aware that there's more prey than they can eat.

He punishes Falling Feather with hunger and harassment for thought crime, by briefly thinking of leaving. But first, he invokes Fluttering Bird at her like he did before, flying into a screeching fit of rage when she doesn't buy it,

"I'm sorry I hurt you... BUT" is THE wifebeater phrase. THE stereotypical line of a domestic abuser. "I'm sorry I hit you... but it's your fault for making me so angry."

She went through the same exact starvation he did, calls out that he's just framing his greed as being for the collective benefit of his subjects, and is assaulted for that.

When we're in his head, we see his REAL concerns are not about hunger. He invoked Fluttering Bird to try and make her shut up and bow down to him; what he's focused on is her "gossiping" and "whining" about the open wound he left on her face. He's still furious at Fircone and Nettle for how Thunder QUESTIONED him. So he will "strengthen their commitment."

When "starvation" DOES enter his thoughts, it is to assuage his own guilt and JUSTIFY what he already did. What he already WANTS to do. It's post-hoc.

He had to suppress his own guilt at how his greed and ambition made these children into orphans, completely unable to admit that he's ever been wrong or has a change to make, so he invokes the starvation rhetoric at himself to excuse it. So he feels less bad.

Everything, EVERYTHING, in this confrontation is about his pleasure at being able to torment his subordinates. To continue the abuse when the initial confrontation is over. If it isn't pride in his power and control over them, it's plain sadism.

He invokes starvation in front of the crowd, again, after being pleasured at the guilt in her eyes, hoping that everyone sees her writhing with shame and embarrassment. Fear wasn't at the root of why he assaulted Falling Feather; rage was, and now he feels better that he got to humiliate the person who offended him.

Starvation Rhetoric is a manipulation tactic.

It goes RIGHT BACK to his twisted idea of "loyalty." Obedience.

A cat who's actually, primarily concerned about starvation wouldn't encourage other cats to steal her food if they feel like it. He wouldn't be using it as a weapon to retaliate against her because she hurt his feelings.

This is paired with the fact he restricts and monitors the diet of his cats. They eat when he allows it, and only what he gives them, in spite of there being piles of dead animals rotting, going to waste.

We then find he personally doles out food from these piles, plucking carcasses off them and flinging them at his cats, one by one. Probably so he can watch how grateful they are to him and make sure they stay a little hungry-- and definitely because it means he can control WHO gets to eat at all.

If Clear Sky chucked a mouse at Falling Feather and someone took it? She would have gone hungry. For not groveling to him. Like when he decides to starve her brother; a hostage who he promised to feed and care for.

He's a dishonest snake. He lied about abandoning baby Thunder, calling it a "test of strength," he lied about Bumble's death, he lied about keeping Jackdaw's Cry fed.

And he lied about starvation to Thunder, because he was just making up an excuse to steal more land.

He wasn't "seeing the signs" of starvation when he moved to "adjust" his borders. Even FURTHER into this so-called "delusional slip" into tyranny, he's freely admitting that it takes months for a person to starve when it benefits his sadistic need to punish undeserving cats.

"Dumb moor cats, always expecting more than they DESERVE."

Not need. DESERVE. It's not a delusion about starvation and it never was. STARVATION is how he CONTROLS SkyClan, and once again he's angry that his pleasure has been sullied.

The massacre at Fourtrees was started over Jackdaw's Cry catching a bat after being starved, on land that Clear Sky has decided RIGHT NOW that he also owns, because it mades him think about being disobeyed.

The bat is forgotten as Clear Sky pivots into a tantrum, wanting to make his family HURT for being 'disloyal' and 'ungrateful.' For leaving him. He LIKES seeing people grovel, cower, and beg, getting PLEASURE from watching how he can hurt and command other cats, and if you don't give him what he wants he will kill you.

Which, make no mistake, is what the "First Battle" actually is. Clear Sky attempting to murder those who don't worship him or swear their undying fealty to him and his twisted dictatorship. Particularly his own son, the most prominent victim of his emotional abuse.

It's not about the bat. It was never even about food or starvation. It's about retaliation for any perceived lack of control.

Once again he breaks out starvation rhetoric to try and manipulate someone, and when Rainswept Flower doesn't buy it just like Falling Feather didn't, he murders her in another fit of entitled rage.

Exoneration arc.

At the end of this battle that was entirely his own fault, we're introduced to the hollowed-out ghost of Storm. She has been flushed of all personality, so that she can be the perfect narrative mouthpiece.

She accepts yet another Fluttering Bird Invocation in spite of how we saw it's not sincere. He was lying the entire time and using starvation rhetoric as a manipulation tactic to get control over his victims.

And that's it.

That's the consequence. Storm's a little mad at him until he says "Buttering Flird" and she swoons.

He doesn't have to be ""afraid"" anymore because the cats just invented an afterlife to believe in. He keeps all of his power and influence and gets off scot-free, because "guilt" (which we SAW him repressing anyway) is supposed to be the best consequence for murder, abuse, and tyranny.

The husk of Storm even materializes again at the end of book 5 to say it outright; he "never drove anyone away." Not even after Book 4 where it's also his fault One Eye took over his Clan for 5 minutes. It was just destiny.

His "redemption arc" is just an exoneration arc. The narrative doesn't think he really did anything wrong.

EVERYTHING about Clear Sky has ALWAYS been about making grabs at power, but since the narrative didn't see a problem with him extorting his personal tragedy and the death of a child, his own sister, he continues doing it. As if these behaviors are normal personality 'traits'.

Even when that sister COMES OUT OF HEAVEN TO YELL AT HIM DIRECTLY,

He finds a way to COMPLETELY miss the point, so he can interpret her words in a bizarrely specific way that will conveniently end with him being the supreme dictator of the entire forest. Just like he ALWAYS does.

It's the entire 5th book. Clear Sky trying to convince everyone, including himself, that it's Fluttering Bird who wants him to grab at power, NOT himself and his own ambition, that THIS time, he promises, for realsies, it's actually about keeping everyone safe.

But just like ALWAYS, because he does not change, when this tried and true tactic manages to work on Thunder, during ANOTHER exchange where he's dramatically pausing and using the cold shoulder to make his pitiable act land harder,

He lapses right back into bullying his child, creating situations where Thunder will have difficulty or be put in pain, so that he can have an excuse to mock and belittle him.

And this all comes to a head when Clear Sky takes romantic interest in Star Flower, his abused son's previous romantic interest.

Predation: Star Flower is a replacement for his son.

Direct parallels are drawn between Thunder and Star Flower. Star Flower contrasts her loyalty to her father to Thunder's "disloyalty" to his own, in an appeal to Clear Sky.

Clear Sky brushes it off for now, citing that he cannot accept her because of who her father was.

But then, Thunder makes the connection between himself and her, because he knows what it is like to be a victim of parental abuse and correctly clocks that they have this in common,

On his vouch, Clear Sky accepts her into the group. She starts trying to offer himself to him; hunting twice as hard as the others, self-imposing harsh conditions like taking a wet sleeping spot. In their second interaction, Clear Sky begins to take interest in her.

Thunder himself points out that Star Flower is seeking an abusive tyrant to replace her own father, which reads like he's deflecting the stress of how his father is abusing him to deny a connection he already made. As if Thunder sees so much of himself in Star Flower that it makes him (rightly) feel sick that his father is romantically invested in her;

Thunder then goes on to follow his own advice and form his own Clan, because Clear Sky IS like One Eye... while Star Flower remains here. At Clear Sky's side. Because she feels like this is what she "deserves," that she "understands" him, truly believing that her crime (warning her father that Clear Sky brought an ambush in case he lost the 1 on 1 death match he requested, which he did) are on the same level as his abuse and murders.

Clear Sky is attracted to Star Flower because, in his own words;

She is young.

She will not betray him.

She won't question him,

and she obeys him.

We've seen what "betrayal" is to Clear Sky-- not taking his excuses or his beatings. To "disobey" is betrayal. To "question" is disobedience.

These are ALL things he's tried to drill into Thunder. We saw him happily exploit their difference in age to tell him he can't have an opinion. He constructed humiliating games in retaliation for ever being questioned. He tried to murder Thunder and his friends for their "betrayal." Even now, being disobeyed causes explosive reactions.

He was previously grooming the things he now identifies as attractive in a young woman into his child.

If your body becomes too useless to serve him, like Frost and Jagged Peak, you're thrown out. If you don't unquestioningly follow his bloody commands, like Falling Feather or Thunder, you're subjected to abuse and public humiliation. If you're in his way, like Misty or Rainswept Flower were, you die.

If you meet all of his expectations...

You will be in a horrific position where you will never have agency over your own life ever again. Every move, every word, will have to be carefully crafted so that he feels like you're "loyal" to him by the arbitrary standard he feels that day. Never step out of line, never doubt his decisions, never live for anyone except him and the children you will give him, not even for a moment, because then you will not be "worthy" of his grace.

Star Flower would be in serious danger if this series wasn't written by abuse apologists. They accidentally wrote a perfect reflection of how child abuse victims often find themselves in unsafe and toxic romantic relationships with large age gaps which mirror what they went through as kids; but this team doesn't clock it, playing this relationship as wholesome and genuine.

He finally has someone who ""understands"" him. Because they think the character they wrote is misunderstood.

but reality is plain to see.

Clear Sky is a monster. The most realistic monster in all of WC-- far, far closer to real life predators and domestic abusers than the "born evil" rogues like Slash and One Eye. The Erins seem to believe that what separates Clear Sky from One Eye is "fundamental" good and "fundamental" evil, when the truth is that they'd be separated by very, very little.

If they had realistic motivations, they would be exactly like the character their existence is meant to excuse.

Slash and One Eye HAD to be kept flat and one-dimensional. If the book was more earnest, the only difference between Clear Sky and One Eye would have been that One Eye is stronger. So strong that Clear Sky needed to manipulate the other groups into helping him.

While anyone can change, not everyone will, and Clear Sky has no reason to. He sees no consequences. He has everything he wants; power, a pretty and obedient young mate, and unchecked authority over a brainwashed forest cult. There is always a victim on a leash, a naive enabler, or a bunch of desperate and gullible marks somewhere in his proximity to bully into doing his dirtywork

Whether his "intentions" were sincere or not (evidence points towards not) at its root it was always about control. Power is something he perpetually keeps, and continues to violently use.

[hellsite-hall-of-ex-girlfriend]

[sapphicseasapphire]

Thoughts to ponder.

Tears of the Kingdom spoilers (and lots of rambles) under the cut

When I started the Chain as Cryptids au, I didn’t really think I’d be able to work Tears of the Kingdom in, seeing how much I had changed Wild’s story. He’s a spirit with no memory of the Hylian he once was. He’s a force to be reckoned with but can be easily spooked- much like a wild animal. He avoids Flora like the plague since she’s his connection to the life he used to have. The life that isn’t his anymore.

But then… I had an idea. Flora would be desperate to find her Link again after discovering that he’s still alive (or… not really alive. Not quite a Poe but not quite a Hylian either). Regardless, after the events of Breath of the Wild, she’d start a search party and scour every corner of Hyrule to find him.

She never would. When spirits don’t want to be seen, they aren’t. But… this whole time, I imagined that Korok Forest acted as a sort of home base for Wild. Wild cannot speak verbally but can communicate telepathically with other spirits and spiritual beings. The Koroks and Blupees would be like siblings to him, the Deku Tree being like a parental figure since he basically started life over when he died. (Two Links raised by the Great Deku Tree. He and Time can bond over that later).

ANYWAY. Wild used the Master Sword for about half of the events of Breath of the Wild. But when it would need to recharge, he’d place it back in the pedestal in Korok Forest where it could become stronger under the watchful gaze of the Great Deku Tree. Then he’d be off, never staying in one place for too long, wandering the sandy shores of Necluda or the lava banks of Eldin.

This pattern would stay in place for years after the defeat of Calamity Ganon: Wild stopping at Korok Forest to reunite with his family and let the Master Sword heal and then disappearing into the wilds once more. And over the years, Flora’s search party would shrink until it was just her scouring the continent for her missing knight. Okay, yeah, maybe she’s a little desperate, but she can’t bear the thought of him alone out there. Not when he died because of her. Not when he’s all she has left.

And… when the Master Sword is recharging, that’s when Flora would finally take her search to Korok Forest. She finds the sacred blade but her knight is nowhere to be seen. The Deku Tree allows her to take it, urging her onward, warning her that eventually, she’ll have to use it. She heeds his wisdom, pulling the sword from her resting place and securing it on her back. Then she begins her search anew.

She doesn’t find him.

She trains with the Master Sword while she travels Hyrule. She starts to rebuild. She gets to know her people. And from the cover of countless trees and stone, a certain spirit watches her and his sword.

During her travels, Flora encounters a strange red-black mist that makes her people ill. They call it ‘gloom.’ And, what’s worse, it seems to pour out from under Hyrule Castle. The castle has laid untouched for years now, ever since the Calamity was sealed away and she set out on her search. But now, it would seem that she’s needed once more at the site of her greatest battle. The subject of her nightmares. The place where she los the last piece of her home.

Without her knight at her side, she makes her way to the forgotten foundation of her old life. She’s alone when she travels through the caverns, alone when she follows the melancholy most past murals and carvings that she itches to explore. Flora is alone when the Master Sword glows in warning. Alone when she battles monsters waiting for her in the depths.

The princess is all alone when she discovers a mysterious mummy being held in place by a single glowing arm. She watches as the appendage falls away, a stone falling to the rocky ground with an unassuming click. As she reaches to pick it up, the corpse reanimates. It stands tall, more alert and aware than any Gibdo she’s seen on her journey, and fixes her with a stare that she’d crumble under. She drops her torch and draws the Master Sword, holding the unfamiliar yet warm stone to her chest, and the mummy laughs at her.

It knows her name.

And it attacks.

Flora is alone when the gloom ravages her arm. She’s alone when the Master Sword is the first to crumble under that pressure. She’s alone when the very ground beneath her gives in to that same pressure.

She’s alone when she falls, pain lacing through her arm and golden light enveloping her.

But Flora is not alone when she wakes.

For the purposes of this au, Flora’s time in the past is going to be very similar to canon. She still meets Rauru and Sonia. Still meets Mineru and the Sages and Ganondorf. She still trains to control her secret stone. However, Rauru fixes her arm almost as soon as she arrives in this strange world. He doesn’t give her his, not like he does for Link in TOTK, since he needs it to seal Ganondorf away. But he and Mineru work together to combine construct parts and their own light and spirit magic to make her new muscles and machinery to aid in moving her own ruined arm.

The Imprisoning War is the same.

Sonia dies. Rauru sacrifices himself. And she still has no idea how to get home. How to heal the Master Sword and destroy Ganondorf in her own time. She still speaks with Mineru… and she comes to the same conclusion that she did in canon. This time, though, she’s taking much more of a risk. She can survive the centuries as a dragon, she can heal the sword. But she can’t be sure that her Link will be there to take it and finish things. She hasn’t even seen him in years.

… she doesn’t have a choice.

From Wild’s perspective, it happened in moments. He blinked and suddenly there were islands floating in his skies. Hyrule Castle floats ominously, red plumes of gloom branching out from underneath. Massive sinkholes give way to more of the poison, seeming to drop forever. His forests are ravaged once again, the climate in corners of the continent changing drastically.

And the princess he’d been following is gone.

While trying to get a grasp of what changed so suddenly, he figures out a way up to the Sky Islands. And to his surprise, he discovers a new dragon.

Now, Wild is familiar with all of the dragons in Hyrule. Farosh, Naydra, and Dinraal are just on the threshold of Spirit and Mortal, but they definitely qualify as spiritual beings. Meaning that Wild can speak telepathically to them. Their thoughts are always muddy and jumbled up, so he never gets much out of conversing with them. But he can tell that they enjoy his presence. So he rides with them in the skies of Hyrule for hours at a time.

This new dragon is smaller than the three he knows and flies much higher. Its ears are shorter, hair golden, eyes stunning. Instead of six legs, this one only has five. A scarred stump at its front and a glowing object on- no in- its poor head. Wild makes his way over as fast as he can, desperate to learn more about the beast.

The new dragon’s thoughts are just as jumbled up as he’s used to but he’s caught off guard by how miserable it feels. No. She. How miserable she feels. Wild places a glowing hand on her snout and tries to calm her, but it’s no use. Her thoughts may be chaotic and disorganized, but he senses her distress. She wants- sword. Knight. Link Link Link. You must find me, you have to save them all!

Wild takes the Master Sword from where it was buried in the dragon’s golden mane and is nearly thrown off by her shock at the action. But when his sword is once again in his capable hands, he feels an overwhelming gratitude from the dragon. It’s gone as soon as it came, replaced again by misery. Dread. Grief.

During the events of Breath of the Wild, Wild did not fight to save Zelda. He did not fight to save Hyrule. He fought for the land. For his fellow spirits that were being destroyed by malice. For the forests that were burned down by guardians. For the water that was poisoned by monsters. He defeated Calamity Ganon for his family.

He fights Ganondorf for the same reason. Except… maybe this time, he’s extra motivated by that strange new dragon. She seemed… so sad…

THIS IS GETTING WAY TOO LONG. But suffice to say that after the events of Tears of the Kingdom, Flora does not 100% recover from being a dragon. She keeps her telepathic connection to Wild and her immortality. She keeps her horns and scales and SHE gets the Master Sword. She’s a Cryptid as well, and she’s closer to Wild than she ever was.

. . .

Uhhhhh that was super long I apologize. But rambling like this is so much easier than trying to be coherent and careful when I write. I might to it more often if you think it’s legible haha. Feel free to ask questions haha, I love any excuse to talk about my Cryptid boys and their relationships with people in their worlds.

Wild’s Origin!

[primarinite]

oh yeah i finished the designs for my heroes and partners this morning. was originally gonna upload each of them with my npc redesigns from their respective games but ehhh might as well post them now.

rescue team (team fable): mayar (skitty, she/they) and newlin (mudkip/seadra hybrid, he/him)

explorers (team saviour): asta (eevee/sylveon half evolution, she/it) and dustin (shinx, he/him)

gates to infinity (the eden): nadine (snivy, she/he) and kazuki (oshawott/palafin hybrid, he/him)

super (the vagabonds): zaya (fennekin, she/her) and dalia (treecko, she/her)

[labyrinthdancer]

Y’all I startled playing Skyward Sword recently and I’ve learn that sky is a fricken gremlin and I don’t think we write him that way enough

This man causes problems ON PURPOSE

“don’t make the chandelier fall” makes it fall

“don’t give my letter to the toilet hand” gives letter to the toilet hand

mans literally hits one of the little kiwi guys(or rolls into the tree) and makes him fall out of a full grown tree and it says that it hurt!

all that being said dude is actually a sweetheart just look at him in any cutscene but he got one hell of a gremlin side

[shima-draws]

OOUGHHH been thinking about Grovyle lately and how much I just *clenches fists* love him. Listen to me. Listen,

He is the character of all time. He’s introduced as a wanted criminal stealing something SO forbidden that even the worst Pokemon criminals won’t even touch. That immediately shoots his coolness factor through the ROOF. And the fact that nobody is able to catch him;; AND we see that he’s ridiculously clever and smart and can worm his way out of just about any situation with a bit of quick thinking. And he’s always surrounded in this air of mystery and intrigue and you’re set up to think well yeah he’s stealing Time Gears and stopping time everywhere OBVIOUSLY he has to be an asshole. Except during your first encounter with him he’s very calm and collected and shockingly polite, and even apologizes when he attacks you?? Basically just the opposite of what you’d expect from a criminal. And then to top it off you find out he’s from the FUTURE?? Which is SO sick. And he’s got some secret history with Dusknoir. And when he’s finally captured and being brought into Treasure Town all tied up he doesn’t even act out UNTIL Dusknoir mentions the planet’s paralysis. Which is the first hint you get that things are a leetle sus.

And when you get taken to the future and are about to be executed…he helps you? He has literally zero obligation to do so, esp since you’ve attacked him before. And there’s another subtle hint that maybe deep down he’s got a soft side, that he’s actually not a bad person. And it’s heartbreaking bc he finally knows someone else who is a common enemy of Dusknoir, and he clearly wants to team up with you, bc all this time he’d been by himself in the past and having people he can trust would make things so much easier (and it’s startling how easy he trusts others, too, especially considering everything he’s been through). But your partner isn’t having it and you can FEEL the disappointment he feels that he’s not able to convince you, that you aren’t going to work together, that he can’t have someone else to rely on besides himself. But that little spark, that glimmer of hope comes back when you catch up to him and you’re like yeah we’re going to decide for ourselves what we think about all this. And you find out from Celebi that Grovyle’s always been hasty, always hurrying ahead to try and achieve his goals, and it’s admirable but also regrettable bc he doesn’t ever have time for anything else.

And THEN you discover the truth…that he’s been your partner all along…and he speaks of you so fondly and has such faith in you that he’s totally fine leaving things to you and letting himself get captured because he trusts you SO much. And the despair right after when he finds out you’ve been traveling alongside him the entire time. His precious partner is also going to get captured and executed and the world is doomed to fall into disrepair. But then your partner ignites that spark of hope again and it’s enough, and you make it back to the past, and suddenly things are different but in a good way because Grovyle suddenly has someone to rely on again, even without a memory to go with it. But he can also tell that because of your amnesia he’s no longer important to you, not by choice of course, but you’ve found someone else, a partner suited for you that brings out the best in you. And that’s fucking heartbreaking because everything the two of you shared is gone now, and you’ve moved on, and even though you’re THERE you’re also so far away and so different from the person he once knew. But he knows he has to let you go, had to from the start anyway, because of the sacrifice you were prepared to make. That BOTH of you were prepared to make. And despite the fact that you have no memory he still. Trusts you. Completely. Enough to sacrifice himself to take Dusknoir back to the future. And believe that you’ll follow through with the vow you made and prevent the planet’s paralysis. And he KNOWS you will so he doesn’t know how much time he has left but it doesn’t matter because he’s been prepared to disappear, to die knowing that he’s saved the future, that he made his mark and was able to shine in his finest moments. He can leave this world knowing he did what he set out to do and he made a difference and things will be better for everyone he’s leaving behind. Shut up. Shut UP. I care about him so much I am GOING to explode. THE character ever. You don’t understand,

[whollyjoly]

hot in the day, hot in the night, hot as the coal coming to tread, light on your bed, here we go oh, listen whistle roll (baby the, the sun is getting low)

the bucktommy cowboy au nobody asked for part two (part one) (part three)

(song insp.)

[iknowicanbutwhy]

wait. did one of the loops actually become a red giant? petition to call that one Loop-king (like looping. get it. hahah. ill see my self out.)

Haha yeah!! Loop-king, King of Loops, figurehead of the universe, constellation formed by the collapsing stars and wishes that bind them, that define them, a responsibility and love born of generations of dying stars and supernovas and stardust and new stars - or something like that!

A Loop, certainly. We're all Loop in these parts.

[loudclan-clangen]

Alright, now I'm curious, what are the rules of StarClan's Oneway Dunktank? Are there cats who can't touch it (mediators for sure but anyone else?) Do healers meet there every half moon? They can sacrifice a life to speak directly to StarClan but what about other times?

(Also you're not gonna believe this, I looked up effects of crude oil exposure and studies indicate it may cause Anemia and low white blood cell count, so maybe she got a bleeding disorder because she can't stay out of the Forbidden Jacuzzi).

VERY LONG, LOTS OF TEXT, SORRY I GOT EXCITED TO LORE DUMP

The rules/powers of the Black Water Pool and Starclan are intentionally very nebulous. 1. Because I think starclan is more effective as a mysterious force than a clearly designated entity, and 2. Because I would like to have some flexibility going forward in the comic regarding the powers/rules of starclan. Here's what's clearly defined:

Any cat can touch the oil, like physically speaking. They will not just drop dead unless something else is going on that is worsened by the experience. But something may be worsened by the oil, especially if they are deeply exposed to it, like swimming in it or ingesting it the way one might if they weren't specifically trained in how to interact with it safely (like a healer or a leader). This leads to rumors of cats being cursed with terrible visions (hallucinations), disease (coughs caused by respitory damage), or wounds (chemical burns from prolonged exposure) because they touch the Black Water without permission. These could be actual curses from starclan, or they could be biological reactions to the oil, but that doesn't really matter because the cats believe that they are curses. (If that makes sense). For this combination of reasons, (religious belief and biological evidence), cats with open wounds, bad coughs, or who are actively pregnant are absolutely not allowed to touch the oil and are encouraged not to be near it. (Excluding dried oil worn by healers, we've covered in an earlier post that that is a stable form that isn't going to pollute others). This is justified by the healers as being times when one does not want to tempt death, and that being near the pool brings one's spirit closer to the dead, which is good for communing with them or asking them for favors, but bad when you are fighting for/actively creating life.

All of the leaders and their leadership teams have meetings staggered throughout the moon. Leaders and deputies meet on a full-moon, healers meet on a half-moon, and mediators meet on a new moon. (Gatherings also happen on full moons, just later in the day/night. The clans meet the leaders at the gathering place.) Healers might meet at the Black Water Pool but they do not always. Specifically, the Freezingclan healers refuse to meet at the Black Water, so if they want all of the clans' healers to meet they have to pick another place, usually the gathering place for simplicity. Since the healers can only commune with Starclan by sacrificing a life, they don't do it on a monthly basis and not meeting at the Black Water isn't inconvenient for them.

The healers (and leaders) can only speak directly to Starclan by sacrificing a life period. One of my biggest issues with the actual books is that speaking to Starclan is so casual that they constantly have to justify the cats not being able to in order to maintain any form of mystery or miscommunication, or risk making beloved characters look like jerks for not telling the living cats something important/make the entirety of Starclan look less powerful by claiming that they just "didn't know". My very simple solution to this is to put a layer of separation between them. In order to talk to the dead you have to die. This means that characters will only do so if they feel it is VERY important and they are certain that Starclan will give them a helpful answer, which they will not always do. (Why doesn't Wildfirecry ask Starclan how to cure Rosehippaw? Because he knows that there is a very high likely hood that the answer is "you can't" and then he'll lose both his daughter and a life that he could have used to help his clan in a more effective way).

Circling back to how normal cats are meant to contact starclan if they aren't allowed to touch the Black Water Pool by themselves, we finally get to talk about Loudclan burials! (This idea has been rattling around in my brain since the bonus art for Moon 18!) Okay, so: When a cat dies, the ground on the mountain is too hard and shallow for them to really be effectively buried. Due to this, the body is placed into a shallow dip dug into the ground and then covered by a pile of heavy stones in a make-shift cairn. The cairn discourages larger scavengers, like foxes or ravens, who might carry pieces of the deceased away, but allows smaller scavengers like mice and insects to eat away the fleshy bits. After a few moons, (during which family and friends are encouraged to keep their distance and learn to live without the deceased) when the scavengers are finished and all that is left are clean bones, the body is exhumed and repositioned so that the skull is left exposed outside of the cairn that covers the rest of the body. This is meant to allow cats to speak directly to the spirit of specific dead clan mates, though there is, of course, no expectation that the spirit speak back. (This is what we see Fiercestripe do in the Moon 18 Bonus Art). All burials happen in a field of forget-me-nots (small, blue. five petal flowers) as they cover the scent of decay, and therefore the cairns/graves are often decorated with them, along with other flowers or plants that may have been special to the deceased. Less commonly, a family member may ask to take a piece of the deceased from the cairn, such as a small tail bone or claw that they will wear to "carry the deceased with them". This is only allowed if the cats are known to have a close relationship, and is very frowned upon if the requestor is not a close family member or lifelong mate.

The major exception to all of this "Starclan is nebulous and distant" stuff is when I draw ghosts (like Bluepaw talking to Owlstar, which, admittedly, I drew before I had a good grasp of what I wanted to do with spirits and starclan). I know that it sort of negates that distance but... I just think it's fun. I think it's more fun to see what the spirits have to say (on occassion) than strictly sticking to never seeing Starclan outside of the Black Water Pool. So for those instances just remember that you, as the audience are getting sort of a third person omniscient view. You can see the ghosts but the characters in the story cannot (unless it is stated that they can due to like ghost sight or something).

Of course, as I said at the beginning, I'm trying to remain flexible, and I'm sure I'm going to break all of these rules at some point, but if I do my job correctly, then moments when these rules break should be important, and not just because I'm disregarding or forgetting them.

On a completely different note: You're not gonna believe this but I actually did know that! I did a decent amount of research into the effects of oil exposure when i was thinking up the Black Water Pool and yeah! It absolutely has played a part in Eklutna's condition. She's had hemophilia since birth, (which very simply means that her blood doesn't clot very well (for all of you biology nerds out there yes i know that it is rare for a cis female to have full hemophilia but it is possible if both of her parents had it)), but that has 100% been worsened by her love of swimming in "the forbidden jacuzzi". As long as we are sharing fun facts: exposure to crude oil while pregnant, while not always, can occasionally cause birth defects like weak lungs!

[shootingstarpilot]

Last Line Challenge

Got tagged a while back by the brilliant @theredscreech and @hawthornsword (thank you both!!), and today I had a good few hours to block out for writing, and, well, since I got tagged twice, I feel it only makes sense for me to share a longer section...

When he turns around, plates in hand, Cody is smiling. Obi-Wan nearly drops the dishes. He has a list of Cody’s smiles by now. He’d thought he’d known them. There was the I have a reputation to maintain smile. Mostly in his eyes, with only the barest angling of the lips. The this is so not funny, can’t you tell how not funny it is smile, usually accompanied by a twitch of a muscle in his cheek. The really, sir? smile, usually accompanied by a proffered lightsaber and/or a roll of his eyes. The okay, maybe this is a little bit funny smile, with his lips pressed together in a thin line that curved upwards despite his best efforts. The I can’t believe we’re still alive smile– shattered with shock, bared teeth and cracked eyes.  His favorites, though, have always been the unguarded ones.  Mostly surprised, at the beginning. The first time Obi-Wan had called him by his name. The first time Cody had called him by name instead of title. The first time Obi-Wan had brought him caf, and the first time he’d asked for his opinion on a new flavor of tea. The moment he’d realized Obi-Wan’s tentative offers of library log-ins and rec equipment and holomovies for the rest of the battalion weren’t carefully-set traps.  Then, later, as trust had been earned and given and shared– The exhausted ones. Broad and uninhibited, too tired for restraint. The kinder smiles, too, the ones saved for shell-shocked shinies and wary civilians, filled to bursting with confident reassurance that he would never save for himself. Soft smiles that shone like a lantern in the dark, the memories of which Obi-Wan kept tucked tight and bright behind his ribs. This one, though– Peacetime smiles, he decides, might be his new favorite.

No-pressure tags for @themonopolyhat, @aquaticflames, @bumbledees, @foreverchangingfandomsao3, @shadow-pixelle, @knittedgauntlets, and anyone else who wants to participate!

[nouns-are-bad]

Soap would love to say that he was good enough at keeping his human form under control, that is, until ghost gets hurt badly on a mission gone wrong.

And everything around soap seemed to die instantly, the grass, the people, anything near him dies with no real cause as he runs to his very human lieutenant to try and save him.

And when soap grabs his lieutenant, simon sees soap for what he truly is, not human, but not a true monster. Simons seen monsters before, and none of them have shown such care and worry towards him as Johnny’s hundreds of captivating eyes do.

[jl-11037]

What is the Fruit Fight snippet about?

Sky decides to ask what everyone's favorite fruit is and this leads to chaos

Warriors says that his favorite is oranges and Wind says that lemons are better. So those two are arguing about that

Legend says that his favorite is apples. But not the green ones because the only greens ones he has had have been very sour. Wild says that green apples don't exist (because there are none in botw). Legend says green apples do exist and that they're commonly called granny smith apples and that he doesn't like them. Four mishears Legend and thinks that he's talking about his grandma, so Four and Legend start arguing. Wild says that apples aren't green just like how tomatoes aren't a fruit so Four starts arguing with Wild

Sky is regretting asking the question after seeing the chaos it brought and Hyrule's trying to reassure him that it's not his fault

[wayfayrr]

Ughhh the thought of a Link becoming aware and trying to get out of the game but the game crashes.

Imagine have that lingering feeling that there's something else beyond during his journey but focused more on saving Hyrule. Maybe it's just because of the whole ordeal, right?

When the game ends, it's at that moment he feels something pulling him. He reaches out but a sudden force pushed his away. What was that? He already defeated his enemy. Was there more?

Link would go through wondering once in a while what was that until one day he meets Reader and feels that same feeling again.

YO????????

oh the angst that could come from that, they're back to a normal life not knowing any better besides this empty hollow feeling that no matter what they can't seem to fill, like a puppet cut loose from their strings. It could be a trick from ganon or any other villain but he's dead dead and gone. so why does he feel worse for killing him?

there's two different paths that could happen after that I reckon, one where they're suddenly back at the start of their adventure and everything comes back to them (new game+) Or Linked universe starts, only this time the link that was aware finds that he's the only one (or maybe not) that feels like he's missing a driving force behind his actions but maybe he's just imagining it and should take zelda up on her offer of therapy, until you fall into hyrule, and suddenly it all comes crashing back and they're like a puppy being reunited with their owner never to be separated from you again, they'd sooner see Hyrule burn.

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

[khattikeri]

yue qingyuan is actually quite the anomaly when it comes to airplane shooting towards the sky's projection onto his own characters.

airplane's projection onto shen jiu is obvious: shen jiu lashes out cruelly at others and is extremely bitter about being abandoned. even when he has no malicious intentions he is misinterpreted; he passively accepts others' perception of him as an irredeemable, unworthy person because he thinks it's futile to defend himself and does not take action to change those perceptions out of pride and intentional detachment, continuing the cycle that brought him pain.

yue qingyuan does share some of airplane's own traits (namely being evasive, passive about harm that comes his way, and heavily self-pitying) but something about his role in shen jiu's life... honestly makes me wonder if yue qingyuan is meant to represent how airplane's parents acted towards him.

yue qingyuan (airplane's parents) and shen jiu (airplane) used to be family but now treat each other more like colleagues if anything. on the rare occasion yue qingyuan does talk about more personal matters with shen jiu, he never addresses the elephant in the room and can only say "sorry"-- which infuriates shen jiu, who views those 'sorries' as completely useless, empty words that don't answer his actual question of why he was left behind.

shen jiu and yue qingyuan offer startling insight into how airplane and airplane's parents respectively might've acted prior to the transmigration, especially in light of airplane's extra chapter where we find out his parents divorced, remarried, started new families, and cut off all contact and financial support from him.

it makes me wonder how badly airplane craved their affection and attention that his PIDW drafts included a backstory for yue qingyuan where

he actually always intended to come back to shen jiu

he was tragically unable to come back because of circumstances out of his control

he never gives shen jiu closure or clarification, not out of apathy , but because he cares so much that he feels sickeningly guilty.

it is honestly really sad how that real life trauma ended up twisted and projected onto yue qingyuan and shen jiu, and especially how yue qingyuan's hidden connection to him is more like wish fulfillment on airplane's part, wanting a world where that's the answer his parents refuse to give him.

so yeah, airplane does project himself onto yue qingyuan as he does with many of the PIDW characters, but the connections between yue qingyuan's role in shen jiu's life and airplane's parents in his own also share a lot of telling similarities.