#It helps writing this all down

[owlsie-hoot]

ACGAS series 5 in general.... (thoughts about 5.6. later)

Where to begin? (that I said I would write no more essays?)(beware this is not really positive)

Maybe with this: The writers seem to have completely forgotten the entire character development from four previous series. I don't get how you can come up with such a series after series 4 (and I mean series as in "season") ?

Harsh words, sorry, but I am annoyed and frustrated and after episode three I had sadly lost faith in series 5. Slowly, but for reasons I try to explain in this very lengthy text post (not everyone will agree with me of course and that's ok).

So far ACGAS has really managed to keep up very high quality writing for four consecutive series. There was the odd episode that I didn't like that much but there was never such disappointment involved.

First: usually the episodes feel well balanced, the storylines are all interwoven in a way, all characters have an equally strong story arc for each individual series and continuous character development. There is also a good balance between heavy and light topics. ACGAS is very good at giving us meaningful quiet scenes that show a character's depth without overdoing it. To me almost all of this was missing in series 5. Mainly because they changed the structure and therefore also the balance of the episodes. Instead of connecting the characters, each episode featured and focused heavily on one couple, giving them a lot of space with one long storyline and the other characters were pushed into the background.

Episode 1 focused on James with an almost 20 minute long sequence of scenes that only featured him and his crew. Usually (and this applies to all subsequent episodes) the show switches back and forth between the different storylines and never lingers too long on one character. That creates a good balance. Because you feel that all characters are treated equally even if the main focus in an episode is only on one character.

Episode 2 focused on Audrey and her new role as warden. The main focus were her and Siegfried in this episode.

Episode 3 put the focus on Tristan's return but also had the christening and Helen's struggle with Hannah and until after the christening the episode felt well balanced to me. But then we didn't see Audrey anymore for almost 15 minutes and focused only on Helen and Hannah as well as on Tristan and Siegfried.

Episode 4 made the same mistake episode 1 made: a very long sequence of scenes that only features Tristan and Carmody. Siegfried was not seen for about 25 minutes.

Episode 5 introduced a potential "love interest" for Siegfried, something I absolutely hated and was extremely annoyed at. After the first two episodes, Audrey and Siegfried's interaction in episode 3 and the couch scene in 4 it felt like a huge step backwards and an ignoring of Siegfried's reaction to Audrey's entire series 4 storyline. Convinced that nothing would come out of this I tried to brush this away as a misstep. A plot device to show Siegfried how important family is for him. This episode also pushed all other characters, except him and Carmody, into the background and although it felt better balanced than ep 1 and 4, the other characters didn't move forward.

Episode 6 was actually the one that stood out from the others and felt like the episodes I love. There was a focus on two couples this time (Tristan and Siegfried / Helen and James ) and they balanced it really well with a fun and a very emotional storyline. Suddenly they remembered how to do it! But only in episode 6. But the entire "love interest" plot was a bit too much through the Tristan and Siegfried scenes, which feels like a disservice to the entire fandom after series 4 when we saw how important Audrey is for Siegfried and when even the press finally realised that these two should be more than friends. The ending sadly felt unfinished to me. No conclusion, no real denouement at all. It felt like it needed two or three more scenes to finish the episode.

I have never complained about an entire series of ACGAS before and I hope this will be the first and last time I am doing this. As much as I love my ship and have of course also watched series 5 from a shippers point of view, it also failed to deliver for James and Helen (until episode 6) and also for Tristan. We knew James was struggling, we saw glimpses of that every now and then but everything felt rather shallow and was not given that much depth. Mainly because this heavy topic was buried underneath a lot of fun and happiness and laughter and silliness that seemed to be the main theme of series 5 (as opposed to the more angsty series 4). Yes, that topic was resolved in episode 6 and also in a good way but the way towards it felt a bit half-heartedly.

Same goes for Tristan. I was so looking forward to his return and they did a great job with that in episode 3 and also in 4 (although episode 4 dragged a lot, and felt a bit repetitive in the end) but after that I would have loved to see the cracks in his mask, see how he really struggles, see him in quieter moments, unobserved by others. This is what made ACGAS so good in the last 4 series! And it was totally missing. Siegfried and Tristan's talk did not really get to the bottom of his troubles at all. I felt that Tristan was not really telling the truth here.

Take Helen. She's a new mom, we saw her struggle a bit with her new role at the beginning but then they did not give her a storyline for herself at all. Throughout series 5 she was mainly used as a plot device to crack single cases. Like the poisoning of Bingo, the poodle incident in episode 3, Frisk's death and resurrection. We only really saw her shine in episode 6.

Audrey had an amazing start with episodes 1 and 2 but from episode 4 onwards she was more or less degraded as housekeeper, busy in the background. Of course there was the "bomb" incident in episode 5 which was fun but in previous series they would have connected that story with the other storylines of the episodes, used it to show what a strong woman she is, how no one can tell her what to do. In interviews it was hinted at that she would get a storyline that tests her mental health. We have not seen any of it at all. Nor have they managed to use her role as Warden to bring the reality of war closer to Darrowby. It was funny, even ridiculous in episode 5. The seriousness of her war effort was wasted almost entirely. And the other major failure was the complete omission of Edward. Which further underlines my main complaint about series 5: lack of depth, lack of character development, lack of meaningful progress. What bothered me most about her storyline was that they separated her completely from Siegfried in the last two episodes. The scenes they shared were mainly her working in the background, except for that moment about going to the Drovers. Suddenly they felt like employer and employee again. And she was a housekeeper. Not a family member. This is something that I really cannot take. Sorry.

And at last Siegfried. We saw him struggle here and there, we saw him embracing his found family in the first 3 episodes. He was the most emotional in episode 3 but after that his character development also kind of stopped and even went backwards with the "love interest" storyline they forced him into. Throughout the last four series, Siegfried has slowly moved from overcoming his grief to testing the waters again with Dorothy and Diana, then his focus slowly shifted back to Audrey. And especially in s4 we saw how much she means to him in more ways than housekeeper/friend. All this was now disregarded in the Miss Grantley storyline which would have fitted into s3 when Audrey and Gerald were not yet a thing but serious enough for Siegfried to react to it every now and then (the "not date" and his reaction to the kiss). At the beginning of the series, the interviews made us think that Siegfried felt left out, as if his work was not important enough. We saw very tiny glimpses of that but only if you look closely. This was another storyline and development left floating on the surface instead of really delving into it and developing it properly. (and I might write an entire essay about Siegfried + Audrey soon) In the end he felt very far removed from Audrey and the married banter was completely gone in the last 2 (maybe 3 episodes) as if the writers decided to extinguish the slow burn all of a sudden.

So overall s5 started well with the first 3 episodes but then started going downhill (for me) halfway through episode 3. A lot of potential was wasted. The focus was mainly on making sure everybody had something to do but they forgot to go deep, to show us what makes this new adaptation of ACGAS special:

It's the much more real, rounded characters, their feelings, their experiences, the way the storytelling goes much deeper and makes the characters more relatable than in the old series.

And when you take that away, you lose bits of the soul, you lose what makes this version of ACGAS so special. It was still there, partly, but not in the way we have seen it in series 1-4.

Now: We still have a Christmas special and it was written by a writer I really trust. However, I have always trusted the writers and they have let me down this year so I am now sadly really anxious about the final episode of series 5. I never thought I would feel that low about a favourite show and my ship again after Downton s6. But I guess there is no escaping that in fandom. Ever. I just want my "giddy anticipation" back :(

[systemic-stupidity]

*deep breath in*

*deep breath out*

Let AAC users say fuck!

Let them swear, let them say fuck and asshole and anything else they want.

Let them program their devices to say ‘fuck off’ instead of just ‘leave me alone, please’. Let them have language that’s adult or even offensive! Give them the ability to communicate the same as anyone else- let them have the option to be abrasive and even rude for when people are being assholes, let them swear casually so they can joke with their peers and say shit like ‘can you pass the damn ketchup’!!!!!!!!

Let disabled people say fuck!

[sttoru]

“c’mon, megumi. tell me what’s botherin’ ya.” satoru pouts at megumi, his arm thrown around the boy’s shoulders. you watch the scene unfold with a tense smile.

megumi was exhausted from school, training and so much more. the teenager’s patience was wearing thin. especially with satoru almost pressuring him into telling you both what’s weighing on his mind. when all he wants is to be left alone at the moment.

the tone satoru’s using to talk to megumi only pisses the high schooler off more and more. it’s fatherly. like he’s still the little child satoru took in and cared for. it pissed megumi off, along with everything else;

“you’re not my dad, so stop fucking acting like you are!”

you freeze. satoru freezes. megumi freezes. time freezes. the silence was deafening. no one was moving. your eyes flicker over to satoru’s and your heart shatters in a million pieces.

satoru’s hurt. so hurt. it’s visible and he’s not hiding it — not hiding it like he usually would behind a wide grin. his blindfold and glasses aren’t there to hide the way his face falls either.

“i know.” satoru whispers. his voice lost its cheery tone, his eyes have lost their spark. the sorcerer slowly distances himself from megumi. a bitter chuckle leaves his lips. a futile attempt to hide his shaky voice, “i know.”

all you could do is stand there in shock. megumi doesn’t know what to do after his little outburst either. and satoru. . . well, satoru is the first one out of the room. you hear his breath hitch as he walks past you. you see his eyes twitch. the strongest, in tears.

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[jethrowest]

let me see you stripped down to the bone…

- stripped by depeche mode

congratulations! you’ve been hired as homelander’s entire glam squad! what an opportunity! now let’s try real hard not to let the fumes get to you, okay?

pairing : homelander/afab reader

word count : 5.6k

warnings : homelander in and of himself, toxic workplace environment, something akin to stockholm syndrome, fingering, smut. 18+, mdni

special thanks to @blindmagdalena @sehtoast @homeb0ys and @clockworkzeppelin for letting me scream at you about this!

writing tag

gif credit

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Homelander is an asshole.

That doesn’t bother you much. You’ve dealt with plenty in this field, which means you’ve learned how to make life easier for all parties. That particular learning curve includes when to stand out and blend in, at times concurrently depending on what variety of asshole they happen to be.

As a whole, the makeup artists and hairstylists at Vought take care of The Seven and go where they’re needed. And as a cosmetologist, you were hired to provide both services for Homelander and Homelander only, which you consider to be one of the most prestigious stamps one could add to their professional passport.

Before you became official, you were colorfully threatened by a Ms. Ashley Barrett, who, after the fact, had no qualms throwing you into the lion’s den to figure your own shit out.

In no uncertain terms were you told that if you fucked any part of this up, your sparkling resume would look best as something to sit her smooth, bare ass on while getting fucked on top of her desk. No lube or protection. It would then be tossed exactly like her salad.

Not an image you could have ever predicted crossing your mind. Honestly, you should have stopped her right there and walked your happy little ass out of her office toward pastures that might have not been greener (you were being handsomely compensated), but certainly not as toxic. While the red flags were a color you couldn’t quite ignore, you were also curious about why they stood out so much more than they did regarding previous employers.

None of this is to say you live under a rock. Anyone who has access to the internet is ambushed daily by these Supes’ personal lives. Homelander’s track record as far as choice in partners went hadn’t been ideal, so you understand that made him less popular at the time. That of course has nothing to do with you or your capabilities.

You opt to wear gray-colored glasses, seeing everything with a neutral blend of black and white. As much as possible anyway.

Nevertheless, curiosity killed the cat. But hopefully not your career.

The first day was awkward to say the least. Immediately, you knew you weren’t going to like your coworkers.

Glints of sympathy changed how they perceived you. A target, whether they intended for this to happen or not, was nailed to your forehead, and it made them buzz around you like avid, greedy wasps keen on seeing how rapidly the honeybee will be brutalized. You didn’t much care for going cross-eyed while staring at that target whenever you crossed paths. They didn’t know you, yet because of who you were working under, deemed you helpless. They didn’t give you a chance to establish yourself before branding you a victim.

Why should you respect them?

Small talk wasn’t entertained either, as their judgment tarnished any future encounters. They ostracized you once you showed no interest in engaging with them. That didn’t disappoint you. You weren’t here to make friends.

You do wonder how those before you fared: if they were jaded when they arrived or if they couldn’t help but succumb to the pressures of being at the top rung of a very unstable albeit sought after ladder.

Ms. Barrett quickly introduced you to Homelander, her parting gift before leaving the two of you alone.

You weren’t completely nervous in his presence. He wasn’t any different to you than the other celebrities you’d worked on, except he could rip you in half like a piece of paper if he was so inclined. But he’s the hero of this country’s story, so really, you should have nothing to worry about.

His demeanor, you noted, suggested arrogance, annoyance, and boredom. All things you’re used to. So you offered your hand to shake, which he eyed with a slightly upturned nose before grabbing, told him it was a pleasure to meet him and got straight to business.

Looking back, he was clearly expecting more out of you. Maybe not a display as excessive as getting on your knees and professing your undying love, but close enough. Somewhere in the middle, perhaps.

Part of you believes he might have also counted on fear. To you, he’s not anything or anyone unknown. Another big name in a fancy suit with impossible demands.

You were given a routine to follow and products to use. You did as you were instructed and found the process to be simple and, as Homelander’s expression revealed, uninspiring.

While you were utilizing a face brush to apply powder, he must have decided he was done enduring your lack of enthusiasm, because he suddenly asked, “What are you wearing?”

You stopped for a split second, no longer than, and continued. “The name of my clothing designer, you mean?”

He scoffed, waving his gloved hand at you, almost knocking the applicator you held to the ground. “No, your perfume. What are the top notes?”

You laughed and that seemed to confuse him. “Why, you want a bottle?”

“I don’t like it.” He sniffed sharply and cleared his throat. “Smells like you should be on the corner selling your used body parts.”

Ding ding ding. Alarm bells and red flags galore. You enjoy a challenge, however, and are a bit of a masochist, so you persevere.

“Well, what doesn’t smell like a cheap hooker to you? I’ll start wearing that instead.”

He cocked a brow, studying you. Trying to figure out if you were being serious or mocking him.

“It’s your first day.” A warning. “Are you on your best behavior, or can you do better?” He leaned forward in his chair, forcing you backward. “You should be working harder to prove yourself. Prove your worth.” He sat back again and shrugged. “Or maybe you really are worth as much as that dumpster juice you doused yourself in.”

At this point, he more than likely envisioned your happy little ass getting offended and storming out of the room. Breaking down, sobbing. Questioning why he was being so rude. One of those or, better yet, a nifty combination.

You’ve heard worse, unfortunately for him. Not always directed at you, but that doesn’t matter. You can handle it.

“You’re absolutely right,” you stated calmly, folding your arms across your chest. He looked at you with pretentious, petulant intrigue. “It is my first day, and I want to make a good impression. Which is why I’m asking you what you would like me to wear so I can continue to keep that good impression intact and, as our professional relationship develops, stay on top of it.”

Homelander’s mouth twitched. He sighed deeply and slouched in his seat, staring at the wall to the left of him. Then he deigned to cast his gaze back at you, resting his cheek on his index and middle finger. He tapped the arm rest with his other hand.

“Ugh, fine. Whatever.” A pause followed that lasted longer than necessary. Were you meant to guess? “Just wear something, I dunno, less. If you would have done your homework like a good little peon, you’d know I have super senses. Highly developed. Can you even imagine what that entails?”

Finally, he freed the canvas you were nearly finished with, and you flicked the soft bristles across the bridge of his nose. You smiled, more to yourself than him.

Felt rather on the nose, as the saying goes.

He didn’t comment on your grin. You didn’t give him time to. But he did huff like you were being obtuse on purpose.

“I can try. And my imagination is giving me some less-than-ideal scenarios,” you replied. Another pause. At least he was letting you do your job again.

You don’t know what compelled you to keep going, but something about his lack of a real answer made you carry on. “Do you have a favorite flower or baked good? Maybe a spice?”

Homelander almost glared up at you. You say almost because, for whatever reason, it didn’t seem like he was directing that harshness at you, though former words and actions proved otherwise. Something inside, perhaps. Or outside of this enclosed space.

“I already told you what to wear. Don’t make me repeat myself.”

You took the hint and remained quiet the rest of your session. Soon, you were done.

As you were packing and tidying up your station, he took it upon himself to stand behind you. He lingered over your shoulder, watching the scene play out like he was director and star and you were barely an ant on the sidewalk he acknowledged before squashing.

The heat radiating off of him was impossible to dismiss, a wall of it barricading your backside. He clasped his fingers underneath his cape and inched closer. You thought he was as close to you as he could get without touching you. He was that warm.

When you glanced up, he was staring at you through the mirror. As absurd as it was, you managed to get chills. Goosebumps broke the surface of your skin.

“Fresh chocolate chip cookies. Straight out of the oven. Like mom used to make.” He flashed an unnerving smile before turning to exit.

From there on out, even after you bent to his will and found a gourmand scent that matched what he described, Homelander tested you. Your work ethic, clothing choice, eating habits, and most of all, patience.

Your parents would ask how you were liking your job, how it was working alongside the Supes- not to mention the most famous of all- and you’d lie through your teeth. You felt you had no choice, Ashley’s threat ringing in your ears.

Resume, bare ass, tossed salad...

Oh yeah, it’s going great! They’re all super flexible. I couldn’t be happier!

At least that pun made you feel a little better about hiding the shame of what you’ve allowed yourself to take on.

This was all in the first few weeks. It started to get a little easier after that, which is surprising considering more was added to your to-do list.

You should have moved on before starting. But, for whatever asinine reason, you didn’t.

Every time you go back to your apartment and assess your appearance in the bathroom mirror, you wonder who’s making who up here. He’s changing your looks more than you are his. You’re like his human doll.

You’ve put up with a lot over the years, but this takes the cake and shoves it in your face. As fucked as it is, the flavor is growing on you. Like a fungus. Growing, nonetheless.

You can’t stop thinking about him.

It’s innocent enough, you try convincing yourself. Making sure you have the right outfit laid out the night before, the right lunch (no onions or fish or anything “freaky”!), etc. He is your superior, after all. You shouldn’t be viewing him in any other light.

He’s the most frustrating aspect of your existence these days, but he’s also the one you’re around the most. His penchant for workplace gossip and how unintentionally funny he is tends to make him palatable, which has regrettably become an understatement.

Months go by. You’ve witnessed how alone he truly is. How he has nothing outside of performing his tricks on Vought’s all-encompassing stage. And when he begins asking for your input, starts doing things for you that are so blatant it’s perplexing, you find your stress and vexation melting into cumbersome fascination.

It’s embarrassing. You don’t have the courtesy of enough time to dwell on your feelings toward the situation either, from beginning to whatever end you might be met with. You suppose that could be beneficial in the long run.

It also hits you when you least expect it; when you really don’t want it to.

Your body doesn’t wait until you finally have a moment alone. It decides, while you’re helping Homelander with his skincare routine that he insisted upon because you know more than these vacuous corporate douche-bags, to heat up without warning and slither from your head to your heart until it grasps you unfairly between your legs.

You try not to step into momentary paralysis. You understand to what extent his powers reach. It’s not like he doesn’t go on and on about them. About himself.

Whatever he notices, it’s not right away. A palpable tension fills the air between the two of you eventually. But it takes a more significant amount of time than you would have anticipated to permeate the natural flow of things.

Fuck, you can’t even be safe inside here, where your thoughts, whatever they may be, are yours. You can’t even have yourself. He has every part of you, and you are willingly relinquishing that control.

Your evening, once you can have it, consists of combing over every decision you’ve made leading up to this strange, disorienting space you find yourself occupying. All it does is leave you exasperated in a much different way than before and with an unsettling observation (or hallucination):

Was that the tail end of the American flag outside your window?

You are unacceptably late.

Rushing around, you throw on the first top and bottoms you see from your closet and spritz some perfume on your neck and wrists. You don’t check your phone. You’re afraid of what will pop up on your screen. And, frankly, you don’t have the time.

Your only option for transportation is the subway, as you’re sure the special vehicle from Vought is long gone. Why would they wait for someone like you, even if you’re practically Homelander’s personal assistant? One of his only friends. You doubt he has more than Black Noir, and that isn’t as perfect as it appears to the casual viewer.

You dread what kind of explosion you’re without a doubt walking into once you show your miserable ass up. You’re going to smell like everyone on this train. He’s going to go ballistic.

The question remains: why are you continuing to put yourself through this? It’s not your circus, yet somehow, the monkeys have become your liability.

You know, deep down, what keeps you going back. It’s simply too ridiculous to admit aloud.

Making your way past security, hurriedly presenting your badge, you realize you forgot to brush your teeth, or at the very least, gargle some mouthwash. You thank your lucky stars when you open your purse to a pack of gum tucked away in one of the compartments.

It will have to do.

When you open the door to Homelander’s dressing room, you see a couple of employees standing near the counter where the bag of supplies has been opened and rifled through, looking like they might soil themselves, a frantic Ashley, and an extremely pissed off Homelander in the middle of it all.

Reflexively, you cringe. You attempt to wipe any trace from your features, but it’s too late. Ashley is glaring daggers at you and Homelander can hardly bring himself to look in your direction. The others don’t matter to you. They never did.

“I’m so sorry I’m late. I know there’s no excuse-”

“You’re goddamned right, there’s no excuse! I don’t give a shit if god and his whole fucking choir of angels came down from heaven and divinely called you to give them a makeover! What were you thinking?!”

You’re about to answer, though you comprehend her query is more or less rhetorical. She interrupts your slightly open mouth while gesturing wildly, proving your point.

“Oh, that’s right! You weren’t thinking at all, were you?! But I do believe you’ve thought long and hard about what’s at stake here. And you know damn well we at Vought don’t tolerate this kind of sloppy behavior. Not to mention the way you’re dressed! It’s adding insult to injury!” Her hand swipes at the air, the length of your outfit, and you glance down, recognizing how comically mismatched you are. Her correct observation affects you more than it would have months prior, stinging your ego- one of the many things that’s been shelved in order to accommodate the person who won’t even grace you with a glance.

A dramatic groan cuts short any further commentary from the redhead, perpetually stretched thin between her absurd duties.

“Jesus Christ, Ashley, why are your big fucking horse gums still flapping?” Homelander’s booming voice slices through your mind like a jarring, dense migraine. He pinches his brow between middle finger and thumb, eyes closed. “I want you and Tweedledee and Tweedledum t’get the fuck out. Now.”

Ashley is plainly dumbfounded, struggling to see where she went wrong (a pattern when it comes to dealing with the volatile leader of The Seven), mouth agape. She shakes her head. “But sir, are you-?”

“You don’t know what the fuck you’re talking about or doing. Clearly.”

Ms. Barrett turns a shade paler, staring at Homelander and blinking owlishly before snapping herself out of her stupor. She hurries her lackeys out of the room, shooing them along like a pair of misbehaving toddlers. She doesn’t give a final look, no further warning. She merely shuts the door behind her.

You also hear it lock.

What the hell does she think is going to happen?

You should have stopped this while you had the chance. You should have never taken this job. You should have stood up for yourself and walked out. You should have you should have you should-

“Who the fuck do you think you are?”

His caustic tone sends shivers down your spine. It’s unlike anything you’ve heard come out of him. And you’ve heard enough.

Again, you open your mouth. It fills with blood, thick and metallic and more potent than the mint from your gum. You’re silenced by it.

He stalks toward you and grabs you hastily by the shoulders, swiveling you around so you’re face-to-face with the choices you’ve made. Your mirrored image is reflected back at you, exhausted and searching for any last shred of who you might be beneath his heavy palms.

“Look at yourself! Do you even recognize who’s staring back at you?” No.

“What kind of game are you playing, hmmm? Is this… humiliating spectacle you’re putting on for the money? Your pathetic career? Like it’s goddamned rocket science to pick up a can of hairspray and use it. Monkeys have hands.” He makes a noise that’s akin to a snorting horse, exhaling forcefully past his nostrils. “I mean, did you really think you could pull a fast one on me?” He clutches your jaw, squeezing it between middle and thumb. Every muscle in your body tenses, your heart picking up rhythm.

“Spit that fucking gum out. Don’t think I can’t hear you grinding it between your molars like a dumb animal. You aren’t a mama bird, are you? Y’don’t have cute little baby birds t’force-feed your regurgitated leftovers, do you? Eugh, gross.”

You take a deep breath and exhale through your nose. It presents you with a false sense of security. You do as you’re told, and it lands on the floor in front of your shoe, saliva dangling on a thread as withered as your sanity.

Suddenly fresh breath seems like the most insignificant issue, when Homelander himself once made it out to be something earth-shattering.

You’re such a fool.

He leans in and sniffs your throat. Your fingers lengthen and bend.

You’re so many things at once. Confused, angry, nervous, scared. And, to your dismay, warm. God you’re so fucking warm. He’s heating you up from the inside out. You clench your jaw, still held in place by a firm bind.

“Get rid of those ugly clothes. I don’t care what you have to do. I can’t stand the sight or smell of them.”

You shut your eyes. When you open them, all you see is red. The other emotions are smothered in favor of that brand of heat. What happens next is a blur. You temporarily leave yourself.

“Fine. Have it your way, Homelander. You always do.”

Breaking free of his fluctuating hold, you start tearing at what you’re wearing, tossing everything- including your bra and underwear- to the ground. Your shirt winds up with the gum sticking to its loose fabric. You even take your shoes and socks off, not paying any heed to where your belongings go. Just that they’re gone.

You don’t process the glaring fact that you made yourself naked in front of your boss. In front of the most powerful man this country, and possibly world, has known. You don’t care that things have escalated this far. That they shouldn’t have. They shouldn’t have. But guess what? They did. And these are the consequences you both have to deal with.

“You wanna know what game I’m playing?” You turn around, forcing him backward. “It’s funny, I thought you’d be able to answer that for me, considering all the hoops I’ve had to jump through to not only save my ass, but make sure you had someone to talk to at the end of the day! Who on your team can you say goes above and beyond like that for you?!” He blinks at you now, eyes wide. Features fall to the floor where your clothes reside. You have his full and undivided attention.

An impressively dangerous thing to have.

“What more do you want from me, Homelander? I practically live with you without any of the benefits that usually includes! You’re really going to stand here and berate me like I haven’t given you fucking everything you’ve ever asked me for? Because I made one mistake? I gave up my entire world, which I know doesn’t mean shit to you. But it does to me.”

You fold your arms over your chest. Nothing covers it. You have to know before you lose all dignity. So you ask once more, hoping it won’t get lost in this bizarre mess.

“What do you want from me?”

Nothing. He can’t stop staring at you. You aren’t aware enough to be ashamed, but you are aware enough to be upset.

His infuriating silence compels you to bend down and gather what was a barrier between the two of you. You are no longer needed if he can’t do what he does best, which is spout off, leaking bottled words everywhere like a broken faucet. It’s a pretty simple question, you think.

That’s when the glass behind you shatters.

You flinch, pause what you’re doing and slowly stand. Cautious in whatever your next approach will be.

Surveying the aftermath, you’re relieved to find that you’re far enough away from the mirror so no injuries were inflicted.

When you finally lock eyes with the source, you see red. The atmosphere surrounding you heaves like the distended belly of a rotting corpse; hisses like an overflowing tea kettle; pierces you like lightning.

Homelander’s expression is rigid. His jaw quivers. Irises are a bright, shining scarlet. If you try anything rash, you might be next. But, having been around him for so long, you’re more inclined to believe he’s having trouble processing his own emotions. And that might have been one of the only ways to release them.

You drop the top and pants you managed to reclaim. Your brain hasn’t fully recovered from the constant devastating hit it’s taken, so you don’t want to put a name to what’s pushing you forward. You don’t stop until you’re directly in his line of vision.

Swallowing, you carefully extend your hand. The ruby color begins to crumble and give way to the vast ocean you might have drowned in one too many times. You lost track, blocking what you could out. Too real and intimate to accept for a realm that thrives off of inauthenticity and misfortune.

Homelander inhales harshly and you retreat, pupils hooking themselves to his. Searching for any sign you shouldn’t be right where you are.

Of course there are several; unfortunately, you are currently blind to them. Blind to everything but him.

That’s how it’s been for awhile, hasn’t it?

He has a habit of not granting you the luxury of time.

Quickly, he snatches your wrist and brings your palm flat against his cheek. He exhales, eyelids fluttering, nuzzling into you.

It’s so simple, yet it disarms you in ways you aren’t accustomed to.

Homelander basks in this chaste display of affection, and so do you, in awe of how enraptured he appears. Soaking you inside of his pores.

In turn, your cognizance reappears. You nearly topple over, realization infiltrating every part of you.

You’re not wearing a stitch.

A knock at the door startles you both. You glance over in that general direction and hear from the other side, “You’re on in fifteen, Homelander, sir!”

Gazing back up at him, you witness that same fire expand at a rapid rate. You use your other hand to bring him back down to reality, to ground him. It rests against his chest, delving into and cracking his ribs, flaying him open.

What strikes you is how vigorously his heart is beating. How you can feel it through his uniform.

This is how much you affect him. (Can you fathom that you’re only privy to a fraction?) Having evidence of the tiniest reciprocation drains you of any unwanted discomfort.

His fury subsides. You breathe out. He does, too.

“Go sit in your chair. I came here to do my job, after all.” The tenderness with which you speak seems to ease him further, his shoulders deflating with each word.

That aside, you’re playing with a lit match. You’re unsure who’s going to set who ablaze, but you’re willing to go down with this entire building to find out.

He does as he’s told, watching you the whole way like a mutilated mixture of a snarling cornered animal and a man fervently in love. He almost trips into his seat, not an ounce of grace in his gait.

Sacrificing his entire image just to get a glimpse of you.

Whipping his cape to the side, he sinks into the cushion. You get things ready as you typically do, your movements a bit jittery from the adrenaline sending haphazard jolts to your limbs. Despite this, you’re focused. You are more focused than you remember ever being.

You work efficiently, keeping in mind the limit that’s been put on your time.

Homelander bores holes through you. He doesn’t need lasers for that. You’re exposed and vulnerable and he pries what he fostered apart until it’s distinguishable by no one else but him.

You relearn his perfectly manufactured features. Different lights shape shadows you either haven’t seen before or feigned ignorance of. You commit to memory how he looks, smells, feels, the side of your hand grazing his cheek and hanging on.

He’s invigorating, your excitement building to a crescendo you can’t neglect. The heat in your core disperses, most of it congregating low in your belly and behind your expanding rib cage. His pupils drink you in, urgently and violently.

Your arousal is heady. He licks his lips. A hint of a whine caresses your ears and it makes you dizzy.

How could you have ever denied yourself?

You decide to take further control, testing the waters to a greater extent.

It’s your turn to watch him the whole way down. You straddle him, easing yourself atop his taut thighs.

After a few moments of humoring yourself, of pretending to concentrate on your work, dusting his nose with powder, you straighten. Eye contact has not been severed.

You motion toward his hands, balled into tense, repressed fists at his sides.

“Take off your gloves.”

Initially, it feels like maybe you said the wrong thing, or said it the wrong way. He doesn’t budge. You’re patient, however, so you wait like you’ve always done, the warmth from your cunt mingling with the hardness beneath you. Your mouth waters.

At last, Homelander nods and removes his gloves, tugging on the index of each. He places them on the armrests and transfixes himself to you once more.

“Do you want to touch me?” you ask, voice and body staying impossibly still in spite of your nerves.

Immediately, he shakes his head, “Yes,” the first time he’s spoken since your outburst, and without hesitation, reaches for your chest. You close your eyes, falling into his snooping lifts and tugs and squeezes, giving yourself permission to become possessed by the inhibited imaginations of how selfish, how rapacious his touches might be. How smooth his bare hands are, how ardent each digit is.

Leaning into you, he sucks one nipple into his mouth and palms the other, moaning and vibrating against your flesh. He digs his fingers into the pliant softness of your hip, steadying you with disciplined pressure. You squirm, attuned to every minuscule shift.

The lit match is tilted toward you now, swift and stunning. Your fingers release the brush you’ve been holding. It aligns with the slit of the cushion, forgotten and purposeless.

You wrap your digits around the hand on your curves and guide him toward your throbbing center. He doesn’t fight you. Doesn’t stop your movements. Doesn’t scold or challenge you. Instead, he curls his fingers in a way that makes you unabashedly moan, cupping your folds and pinning his thumb to your clit, adapting to your anatomy.

Your wants.

It seems like breaking away from you is a daunting task, but he does for a moment, brow furrowed, more engrossed and invested than you’ve ever witnessed.

“Fuck.” The curse sounds downright edible, your new favorite flavor. Your name tumbles from his lips like he’s been practicing, a sweet, rich icing on top. You gasp, his tongue adhering to you again, swirling around your peak before lightly biting it.

Rocking your hips back and forth, side-to-side, you grind hard into his palm. He strokes you like he’s studied what pace you prefer, how much friction you crave. You’re so wet, even you’re thrown off by it.

Once he’s finished with your chest, he’s back against the seat, unable to peel his gaze from you. Your full, swollen, glistening breasts.

His mouth hangs open, obscene, desperate whimpers slipping from it. Pupils are like whirlpools that drive you under. Drive you mad.

Homelander adeptly slips two, three digits inside your sopping cunt, unrelenting in his intentions to make up for lost time. The voracity of his actions propels you forward, balancing against his chest. He grasps and pulls at your other hip, groaning loudly in your ear, confirming his approval of how close you are to him.

It’s still not enough.

Pulling you even tighter to his blinding sun of a body, he encloses his free arm around you and desperately bucks his waist. “I want… I want… I want…” he chants. Your nails drag up his neck and along his scalp, overwhelmed by his warmth, his scent, him. Your lips ghost the sliver of skin above his collar, making him growl.

You anticipate and dread and yearn for what’s been building for so long. You clench and release, clench and release, clench and release, body chanting with him.

You’re intuitively thankful for the chair’s sturdiness; however, if it would have collapsed, you’re honestly not sure you would have noticed. Or cared.

You hear him come first. Feel the temperature rise temporarily. It’s so sudden and all-consuming that you naturally follow, his name an instinct you can’t help but divulge. You haven’t come down from the turbulent emotions rushing through you earlier, and that combination catapults you over the edge.

Your orgasm draws more deliberate, vehement grunts and sighs of satisfaction from him, as if your pleasure is inexplicably the same or worth more than his.

You can’t crumple into a boneless heap like you want to. You just can’t. You have to look at him. Look at his bliss; the glazed, barren-yet-so-full-of-you expression, of what these months of working in close quarters have done to him.

What you uncover is not what you were picturing. There’s a mixture of that haze with something almost apologetic below the teeming surface. Clouds of red to skies of blue. Destructive in and of themselves.

Sliding his fingers from your wetness, he wraps his lips around each one that was inside of you and spreads them apart. Your slick sticks to his glossy skin and stretches between digits, a generous amount. You whimper at the loss- the emptying, hollow feeling- and watch, mesmerized and delirious as he savors you.

Swallowing you whole, Homelander sweeps his knuckles across the apple of your cheek and presses his lips hard against yours. He wastes no time inhaling your gasps and moans, licking your mouth and the faint taste of mint, stealing it from you. You ingest what you can of him as well, exploring what was open to you longer than you realized.

He then seizes your wrists. It’s a rough gesture that evaporates into gentle circles along your pulse points. Still, you know you’re going to bruise where he turned the key and locked you into place: wherever he is.

A visible sheen coats his lips.

“I want you to tell me I’m good. Great. The best.”

His breathing is labored. So is yours.

He kisses the inside of the wrist smeared with perfume, your fluids, his saliva; ends with your hand and rests his cheek against the slope of it.

“I want you to be mine. All mine. Mine alone.”

You’re shaking. He moves forward and pets your hair, twirls it; grabs your nape and holds his thumb to the front of your throat. Securing you. Keeping you there.

“You have to stay. Be mine and stay.”

You thrum with an ache he forced upon you. He’ll claim you were starving and he was the only one who could satiate.

You nod. You were never going to leave to begin with.

Homelander made you his. And you thanked him for it.

[bluerosefox]

Possessed Pearl's

You know how in some ghost stories sometimes its not a person or a land that's haunted but the items?

Well what if, when looking for a mother's day gift for his mom, Danny is looking around a pawn shop and finds a necklace, it's missing some pearls but it's just enough to pass off as a decent gift. Danny humms but decides against it and goes to leave it....

That was until he gasped out blue frost and spots a ghostly woman appear out of the necklace with a somber smile. She isn't as seeable as the other ghosts in Amity though, meaning she doesn't have enough ectoplasm on her own (that might change the longer she's in Amity and around Danny though) and that right now only Danny can see her.

And Danny well... hes been doing his hero gig for a bit now, might go and ask if there was anything he can do to help.

And later Danny's good deed... bites him back. Oh boy. Because now he has the Bats looking into Amity Park... Wait what do you mean Martha is now strong enough to be seen?!

[lilybug-02]

You’re making a lot of promises there Chara…

Part 24 || First || Previous || Next

—Full Series—

I enjoyed doing this little Flashback scene. We’ll be back to our regularly scheduled freakout session soon. Having monochrome color is very nice.

Here is a gif of Chara spilling their water because YES. And I spent way too long on it :)

Wow technology is so cool.

[starmocha]

tag, you're it Sylus/Reader | 2423 words | AO3 Sylus loves playing games. A/N: He can teleport from places with his evol? The hide-and-seek comment???? I know what I must do. MDNI

This was so unfair. Absolutely unfair!

You looked around the expansive room of wide space and high ceiling. The carpeted floor masked the sound of your heels, so all you could hear in the space was pure silence, adding further a sense of dread in the pit of your stomach. You breathed in uneasily, truly feeling small, alone, and insignificant in the large overwhelming space. As you walked through the room cautiously, eyes darting to every nook and cranny, every corner and possible hiding spot, you realized they were nearly nonexistent.

There was no place to hide, so then where—

“Gotcha.”

You gasped as you found yourself pulled into a tight embrace, the residual swirls of black energy and his deep, sultry voice were your only initial indications of his sudden presence. You looked up frowning.

“Sylus, this is such an unfair disadvantage to me!”

He smirked at your outcry, tilting his head to the side in amusement. “I prefer to think of it as a challenge for you, my dear. Makes the game all the more entertaining.”

He pushed you up against the closest wall, towering over you as he kept you trapped there by his imposing form. He leaned down and brushed his nose against yours teasingly. “What’s the matter? This little kitten no longer enjoys playing games with me?”

You glared at him.

“Don’t glare at me like that, sweetheart,” he said, his hand cradling your chin as his thumb brushed over your cheek. He laughed, pretending to sound hurt, “I might think you don’t like me anymore.”

“What if I don’t?” you countered defiantly, unperturbed by his dominating presence.

He laughed again. “Petulant little kitten today, aren’t you?” His thumb continued to rub little soothing circles on your cheek as he peered down at you with a devilish smile. “You have no problem sneaking up on me and poking me in the side, but when I have my fun, suddenly I am the bad guy? Sweetheart, aren’t you being unfair as well?”

You sulked, hating how he was calling you out like this.

“Such a little hypocrite,” he teased, amused and unbothered when you glared back up at him.

He leaned in closer, stealing your lips in a quick surprise kiss. “Let’s play again,” his warm breath brushed over your lips, his voice a soft, seductive whisper, “I’ll make it more enjoyable for you this time.”

His words and voice filled you with a sense of anticipation, a warm feeling creeping up in your belly replaced the earlier trepidation. You looked up at him questionably, your voice barely holding steady as you questioned him, “Like…how?”

He hummed to himself, his hand smoothing over your hair. He pecked your lips again and whispered, “Catch me if you can.”

Before you could react, he disappeared from view, leaving behind a trail of black swirling energy and dark feathers as the only evidences of his earlier presence. You caught a single feather in your hand, caressing it softly and curiously before it disappeared.

You looked around the room, finding yourself alone again. You sighed, “Sylus…”

You explored the room again with a renewed sense of purpose. You searched the area, trying to sense his presence before he caught you. It was easier said than done, you realized hopelessly. Catching lightning in a bottle would be easier than catching him.

As you turned around, you gasped when your eyes met his torso. When you looked up, he kissed you, commenting quickly, “One.”

And then he disappeared.

Your cheeks burned up.

You started running around the room, calling out to him. You nearly fumbled when he appeared suddenly in front of you, his quick reflex catching you by the waist before you could stumble back. He leaned over you, bending down to capture your lips once more, and whispered, “Two.”

He steadied you back on your feet before disappearing again.

You flustered as the residual black feathers drifted around you. “Very funny!” you yelled out, your voice echoing in the room.

Your stomach did flips when you heard his dark laughter echoed back in the room.

This game of chase went on for several minutes with you failing to catch him or dodge his advances, but the more kisses he left behind, the more excited you felt, briefly forgetting your earlier annoyance and aggravation with him.

“Oh!” you cried out, feeling a sudden firm grasp around your wrist, and a tug that pulled you backwards. You looked up just as Sylus leaned down, kissing you once more. He whispered, “Six…”

And then he was gone, leaving you standing there bewildered. You wondered if there was any significance behind his counting other than the number of times he had caught you. You walked forward, distracted by your thoughts and unaware that he had been standing just a few feet away waiting for you.

You gasped when you walked straight into him, hearing a deep, amused rumble of laughter above you.

This time he leaned down and kissed the top of your head. “Seven,” he said, hushed, “Concentrate.”

And then he was gone.

It didn’t matter what you did, because he quickly secured his eighth and ninth kisses, leaving you befuddled each time he disappeared. By this point, you had given up on trying to catch him, and was just letting him come to you.

“Hm?” You looked up and saw a black feather drifting down in front of you from above and you smiled, turning around just as he pinned you back up against another wall. You laughed when he stole another kiss. He murmured against your lips, “Mmm, ten,” he pecked you again, “You’re it.”

You looked up at him with exasperation. “That’s not how you play tag,” you scolded him.

He shrugged. “I like my version more,” he answered dismissively with a roguish grin. “Do I get a prize for winning?”

“For winning a nonexistent game with your own made-up rules?”

He nodded unabashedly, smirking when you sighed in annoyance. He laughed and leaned down, nibbling on your neck. “Mmm,” he hummed again as he covered your neck in kisses. His voice was a lazy murmur, “I am not hearing a ‘no.’”

You relaxed against the wall, the feel of his heavy body against yours was welcoming as were the sweet kisses he left behind. “Fine,” you conceded, eyes averting his, “You win.”

He chuckled, surprised. “What? No more protests? No more tantrums?” He leaned back and looked down at you amused. “I was enjoying your little petulant attitude today.”

You looked up, pursing your lips at him, and for a brief moment, he seemed to soften before his usual domineering temperament returned.

“What’s with that doe-eyed look?” He tucked strands of hair behind your ear. “Makes me want to be a bad guy and ruin you.”

Your mouth remained shut and your demeanor stayed the same. Sylus raised a brow in curiosity when you didn’t react to his latter comment. He leaned down again and nibbled on your bottom lip. “Your silence,” he murmured, “Can I take that to be…an invitation then?”

Your cheeks tinged a faint shade of red, and his own crimson eyes darkened with desire.

“Sweetheart,” he murmured again, “Answer me.”

“Yes…” you admitted softly.

There was a brief instant of surprise on Sylus’ face before it disappeared. “So docile now,” he said more to himself. “I asked for a prize, but perhaps I should also reward your sweet behavior.”

He lowered himself, getting down on one knee to your confusion.

“Sylus?”

He shushed you, and gestured for you to lean back against the wall, guiding your hands to his strong shoulders to steady your balance. He trailed his hand down the long slit of your black dress, slipping in under the fabric to find the lacey hem of your underwear. He made quick work of sliding the undergarment down, and you startled, gasping.

“Steady,” he murmured, as he guided it down, making sure you don’t stumble in your heels. “Don’t trip, sweetheart.”

“Sylus…what are you…”

He looked up, smiling with a suggestive raise of his brow after tucking it away in his pants pocket to your sheer embarrassment. “Isn’t it obvious?” The deep, sultry tone stirred something within you and your cheeks took on another darker shade of red. He continued, “I am rewarding this sweet little docile kitten, of course.”

“I…”

“Stay still, sweetheart,” he cut you off, and brushed the skirt of your dress aside. He settled between your legs, his hand cupping your sex.

You gasped from the sudden contact.

He calmed you with another shush. “Let me reward you,” he crooned, and then his tongue drove into the darkness between your legs, and you had to grip his shoulders again to hold steady.

“Sylus!”

He ignored your cries, his only focus was on you, tasting you and giving you the pleasure that he knew only he could bring. He lapped eagerly, greedily, taking in the sound of your moans above him, one hand finding your hip to grasp it firmly, keeping you in place.

Your fingers dug into his shoulders and you cried from each stroke of his tongue. You rocked against him when his thumb found your clit, circling it teasingly and drawing out more of your needy cries.

“Sylus…ah…” Your knees buckled, and he pulled away and looked up, seeing your flushed face looking back at him. He licked his lips.

As he stood up, your eyes drifted to the large bulge between his legs and you swallowed slowly, feeling yourself throbbing with a growing need for him. Your eyes skirted up to meet his knowing gaze and he mouthed to you: “Help me.”

Without a word, you helped free him from his confine, and just as quickly he scooped you up into his strong arms, keeping you pressed back into the wall, your legs slipping from the slit of your skirt to hook around his waist. You gasped as he aligned himself flushed with your wet, waiting entrance, and then with a movement of his hip, you held on tight as he slid inside you.

Your breath hitched. “Sy-Sylus…!”

He groaned as your walls stretched to accommodate him as more and more of him filled you. He leaned down to press a kiss into your shoulder, and then he pulled out, slow, deliberate, before he thrusted back in, the movement causing you to tighten your hold around him as stars filled your vision.

“Taking me so well,” he mumbled. Dark, crimson eyes pierced into yours as he continued, “The only one I want…the only woman I need…”

You bit down on your lips, feeling a moan threatening to slip.

Sylus noticed the gesture, and he growled softly in disapproval. “Don’t hold back,” he ordered, “I want to hear that pretty little voice of yours.”

You shook your head, unwillingly letting a moan escaped when a powerful thrust caused you to cry out this time. “Someone…ahh…will hear us.”

“Oh, sweetheart,” he sighed against your lips. His right index finger twitched behind you, and then the sound of several locks clicked all around you in the large room. Sylus continued speaking, “No one is coming in here. This will be our private playground for hours to come.”

Your head lolled to the side with another moan. You looked up at him with half-lidded eyes, a smile emerging as you allowed yourself to fully surrender to him.

“Scream all you want,” he said, kissing your forehead, “It’s just you and me.”

All other meaningless thoughts escaped, being replaced by a deep haze of pleasure, the only thing on both of your minds was each other. The feel of him deep inside you, the mingled moans that seemed to echo in the large room, and the state of euphoria you were both chasing.

“Oh, god,” you whimpered, “M-more…ahh…Sylus…ahh…”

He answered you with a deep hum, his movements steadily increasing, his grip on you tightening, threatening to leave bruises on your skin. You leaned down, your forehead pressed against his, and you couldn’t help but admire how handsome he looked, almost ethereal, even, perhaps more so than normal now that he was also losing himself in this state of pure arousal.

“Ah—” Helpless, you peered into his eyes, your voice coming out in needy little whines and whimpers as you felt a familiar feeling rising inside you.

“Gonna cum for me?” he murmured, thrusting up into you steadily faster, harder.

You whined in response, unable to form any coherent word, only able to let him know through the needy little sounds you were making. You tightened your hold around his neck. He groaned as he felt you were clenching around him.

“I want to see you cum, sweetheart, want you to cum all over my cock,” he said, his movements growing more hurried, more graceless. “Look at you, ah, such a sweet pretty little thing—oh, fuck…—ah, and all mine...”

You buried your face into his shoulder, crying out your release as he continued to drive into you with graceless abandon, his own climax was nearing. You held onto him desperately, letting him used you for his own pleasure now. He groaned when you dug your nails into his back, feeling it through the fabric of his shirt.

“Sy-Sylus…!”

He panted, and then, he stilled, groaning as he emptied into you, filling you with ropes of his cum.

“O-oh…”

You felt your back touched the wall, Sylus letting all of the weight dropping forward, as he held you in his arms. You leaned forward, your head resting in the crook of his neck as you felt him softening inside you.

As both of your breathing evened out, you felt him slide out of you, a pleased groan leaving his lips as he watched his seed dripped down your thighs. He helped steadied you to your feet momentarily before sitting down against the wall, drawing you into his lap, the skirt of your dress draped over the both of you.

You lay against him, your head resting on his chest. Sylus hummed softly and pressed a kiss to the side of your head. His hand gently held your head close to his chest, fingers moving in gentle, soothing strokes. He looked down at you on his lap, curled up so sweetly against him, and he smiled, feeling a sense of fondness for you.

“Game over,” he murmured as he allowed you to rest in his arms, and he, too, closed his eyes briefly to rest.

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[barblaz-arts]

As someone who ships Chaggie as well, I want your opinion on this.

Someone made a kinda good point about Charlie and Vaggie’s relationship; the point being that there’s a power imbalance between them. Charlie is the princess of hell. She wouldn’t physically loose anything or be hurt physically if she breaks up with Vaggie. But Vaggie would loose both the love of her life and her home and friends if they break off. And so they see this toxic dynamic because Vaggie is “walking on eggshells” in order to stay in Charlie’s favor and not getting on her bad side.

So….thoughts?

The problem is people who say these things treat the terms "power imbalance" and "toxic" and "unhealthy" as the same things when they are not.

There is a power imbalance, yes, definitely. I constantly make jokes about the fact that Charlie and Vaggie have a forbidden love story in a Boss/Employee HR violation kinda way for pete's sake. It's just a lot more funny thinking about the fact that that probably has more weight than the demon/angel situation.

But the thing is, no matter what Charlie will ALWAYS have a power imbalance with whoever she dates because she is literally the princess of Hell, as they have said. Even if she dates a fellow hellborn royal, the fact that Charlie is in a higher position of power will always be a fact because her parents are literally the only ones above that. So what? Should she just not date anyone??? Also, isn't the one has a higher position of power but still loves the other a super popular ship trope? Rich x poor. Royalty x commoner. Goddess/immortal x normal human. Popular in school x the social loser. The list goes on. So why is it a problem now?

The fact that they think Vaggie "walks on eggshells" around Charlie is a bit...? I'm just a little confused you know? Vaggie is definitely not afraid of Charlie. When they had their fallout, she wasn't afraid of losing the things she was dependent on Charlie if they ever broke up(i.e. a home, her safety, money etc) because Vaggie damn well knows Charlie wouldn't do that. Everyone in hell knows Charlie goddamn Morningstar wouldn't do that. Vaggie was merely afraid of losing their relationship, which is a perfectly normal thing to be afraid of. Vaggie's dedication to Charlie isn't rooted in fear, it's rooted in devotion in the name of what she thinks the person she loves deserves.

The thing that makes Chaggie so great despite that power imbalance is the fact that Charlie is an absolute sweetheart. She isn't the kind of person who would take advantage of that power and Vaggie, as someone who knows her so well, is perfectly aware of that. Vaggie is safe with Charlie in every way that matters, and this is where toxicity and the unhealthy elements come into play.

Charlie and Vaggie as individuals have all the ingredients for an unhealthy relationship. As Husk so plainly pointed out, Charlie would rather fix everyone else's problems than help herself. Meanwhile Vaggie has deep self-hatred that seeps into how she feels about everyone but Charlie. They're both the type of people who would rather think about others rather than themselves. This is the root of their codependency, and why their relationship can be quite unhealthy. It's extremely evident with Vaggie, which makes perfect sense since she probably never saw herself as a person before Charlie.

Those flaws can so easily be taken advantage of in a relationship, but the thing is, do they do that? Do either of them think the other ever would? As Rosie did say...

While Charlie likes to shoulder everyone else's problems, Vaggie looks at the love her life and decides she'll take some of that load so she doesn't get crushed under the weight of the world. Vaggie reels Charlie in by being the realist to Charlie's dreamer. Vaggie used to essentially be Heaven's living weapon, but she has now sworn to be the armor for someone who looks out for everyone but herself.

On the other hand Vaggie's self-worth is shrewed because she's an ex-soldier who thinks she should always be under someone's service to be deserving of anything. But here Charlie is who constantly calls Vaggie her partner and blatantly treats Vaggie as an equal and still loves Vaggie "more than anything" and doesn't doubt that Vaggie loves her in return even after finding out Vaggie's lie and true origins.

So are they good for each other? Maybe not, but there's still more of the show to see. They can be unhealthy, but not to the point that being together damages each other in any significant way. Their relationship is imperfect, which is fine. No relationship is. Especially not in fucking HELL. And perfect for a story because, yunno... They are still in an ongoing story. They aren't a lost cause yet. It's something they can develop from, something we can get to SEE them develop from.

Are they toxic though?? Are they harming each other physically, emotionally, sexually, or financially? Definitely not. Because although whether they're good FOR each other still remains to be seen, it is an undeniable fact that they are good TO each other, despite all the ways they could not be. The unhealthy elements are due to how they treat themselves, but their relationship can't be deemed toxic because of how they treat each other. And for now, that's what matters and that's why I love this ship.

[momokodaisy]

Extremely Late Umbrella Academy Textposts That Have Definitely Been Done Before (13/?) prev|next

[cirnogaming]

artemis is one of the best characters ever created i think. she likes to feel like a cobb salad when shes having sex. she serves cunt at all hours of the day. shes bisexual. shes jewish. she's always serving a look. she is constantly on psychedelic drugs. she fucks nasty in the dumpster behind wendy's. shes perfect

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[measurelessdreamer]

One of these scogan Post-X-Men: Days of the Future Past fics where Logan changes things so everyone from the original timeline is alive and he’s back at the school and about to find out somehow that he and Scott are a thing in this new timeline, but first, after Logan is done explaining himself to Charles, Scott is charged with showing him the way to his room and they talk sort of but not really and all of a sudden they both hear a very happy “Dad!” screamed through the hallway and they both turn and there is a little girl of age four (or more), smiling and running towards them and Logan doesn’t get it because he hasn’t seen her before and he had no idea a child so young could even be at this school and someone here is her father but who? Cyke himself? And he’s about tu turn to see if someone else is standing behind them when all of a sudden the girl slams herself against his legs with such force that it wavers his stance for a moment and surely she hurt herself just now because there is adamantium on his skeleton and there isn’t any on hers and she is only a child after all but then he looks at her and not only is she completely okay, she is also staring at him and she is smiling and as much as it doesn’t make sense, it slowly dawns on him and just as he is about to accept it, the girl lets him go and then hugs Scott, more gently but with no less amount of affection and Scott is affectionate right back but he is also trying to send her away. Only for a moment, though, so he can talk with Logan, and the little girl frowns and doesn’t like it but caves in when he promises to get her some ice cream and Logan doesn’t get it yet again and as if it wasn’t already bad enough, the girl finally smiles again and nodds and then she says, “Thanks, papa!” and runs back where she came from, leaving Logan so awestruck it feels as if he’s a mere breeze away from losing his balance.

Part II | Part III

[kitten4sannie]

THE VOICESSSSSSSSSSS

[canisalbus]

Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?

Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]

I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.