#Is there any filler arcs I can skip?

[orcelito]

ok so today i watched episode 393 of shippuden. and i find it SO FUNNY how they're doing this. left off with a Massive cliffhanger (oh no!!! theyre both gonna die!!!!) in order to do a fucking Twenty Episode Long filler arc. which actually im excited to watch it so i can see more of Fu, but it's still SO FUNNY to do it like that. like these episodes came out one per week. can u imagine what it mustve been like for anime-only fans who had to wait like Five Months before they saw more???? it'd be Agonizing!!!!!!! lmfao.

also tho, in rambling about this to the group chat, i also went looking thru all the episodes to the end of shippuden & noted whether they were filler/backstory or main plot episodes based on what it looked like on crunchyroll previews, and. results under the cut.

394-413 is filler arc

414 and 415 are main arc

416 and 417 are backstory

418 main arc

419 backstory

420 and 421 are main arc

422 and 423 are backstory

424-426 is main arc

And then *427-458* is circumstantial filler (as in it's technically caused by the main arc, but has no actual relevance to it besides that) and/or more backstory.

459 is main plot

460-463 is backstory

463 is main plot

464-469 is backstory

470 is main plot

471-473 is backstory

474-479 is main plot

And that's the end of the main story.

480-483 is backstory

484-488 is sasuke side story

488-493 is shikamaru side story

And then 494-500 is side story for Naruto and Hinata getting together

WHICH IS TO SAY--

of the last 107 episodes of naruto, only 17 are actually directly focused on the main plot. which really makes the inflated episode count make sense lmao. like i do love the added character context that filler and especially backstory episodes have, but also. *wow* it gets to be a Lot of lore dumping in these last episodes, it seems.

AND ALSO!!!! (major spoilers for the end ahead)(also copy-pasted from the server lol)

in 459 they introduce this alien princess who was ACTUALLY at fault for all of this (just trust me bro). 460-462 is backstory for her?? I guess?? 463 they're fighting her 470 they're prepping to seal her 474 they manage to seal her. Everything in between those is backstory and/or filler. WHICH IS TO SAY. This ~Secret Big Boss~ who is ACTUALLY at fault for everything (just trust me bro) is only actually around for 7 episodes, 3 of which were backstory?????

naruto sure is a fuckin show.

[lecliss]

I want to watch Naruto but I don't want to start from the beginning.

[ominous-horse-noises]

still shaking over last night’s episode. now it’s this close to debut time, the gloves have come off for mnet, and it’s obvious they’re doing everything they can to push the k trainees over the g trainees.

the only g trainee to get a proper good edit in these last two episodes was haruto (and if it had to be anyone im glad it was him), and that was mainly because he was doing EVERYTHING, mnet had no choice. everyone else? evil edited or erased from the edit entirely (this is also the second time mnet has teased an episode with haruto’s hilarious antics and then NOT SHOWN THEM).

[tyrantisterror]

I've seen Utena and Evangelion get compared to each other for both being 1. dark coming of age stories that get increasingly surreal as time goes on and 2. supposedly deconstructing their respective genres. And I think there's a good basis for comparison in there, definitely, and they've both become anime I've made a point to revisit because they struck a very strong chord with me.

I think what gets me when comparing them, though, is that Utena gets to do what Evangelion sets up but never managed to finish - and some people inexplicably criticize Utena for it?

Cause Evangelion was clearly meant to be a longer series. They establish early on that there are eight Evas and eight teenage pilots for them. In the series itself we see four - well, five, technically, since an angel posing as a human named Kaworu tricks everyone into letting him pilot an eva, but still. There three side character teenagers introduced early, one of which pilots an eva (to disastrous results) while the other two remain supporting cast. It's possible they were intended to eventually be eva pilots too, but it's also possible the mystery pilots might have been foreignors like Asuka.

Either way, it's clear the story was meant to become bigger, but because of various behind the scenes reasons it didn't - it ultimately remains focused primarily on Shinji, Gendo (the true antagonist), Asuka, Rei, and to a lesser extent, Misato. And don't get me wrong, that still makes for an incredibly engaging show - I wouldn't trade any of the episodes and scenes focused on those cast members for the world, the depth to which those characters are explored is a huge part of what makes the series meaningful for me.

But Utena, while being a similarly character-focused series, does get to expand its scope in the way Evangelion set up but never paid off. The cast of Utena does get larger, and while the focus remains primarily on Utena, Anthy, the true antagonist Dio, and to a lesser extent Touga and Nanami, it finds time to shine the spotlight on a very rich supporting cast of characters. The Black Rose arc in particular is great for this, because it gives the supporting cast members introduced in the first arc - Juri, Miki, Nanami, garbage boy Saionji, and Wakaba - their own arcs and, in many cases, their own relationships with characters outside of Utena and Anthy's direct orbit. The lives and relationships of all these characters become really rich and interesting, with their own quirks and problems to overcome.

And, like, I've seen some people say this is a flaw - that these are "filler" episodes, that you can skip the Black Rose arc entirely, and it's baffling to me. The way all of these characters interplay with each other, how their struggles and arcs mirror and complement each other, is what makes the world and story of Utena so rich. It's still about Utena and Anthy in the end, but Utena and Anthy's arc is also made so much more meaningful by how it reflects the arcs of everyone around them - that ultimately all these characters are sharing facets of the same struggle, and if there's hope for Utena and Anthy at the end (and there is, especially in the movie), then there's hope for all these characters and, indeed, everyone in the audience who sympathized with them.

One thing that'll plague my imagination till the end of my days is the concept of what Evangelion would be if it could have broadened its scope the way they originally planned, and the way Utena broadens the scope of its narrative only fuels that wonder more. I'd kill to see Evangelion's Black Rose arc, and I'm so glad Utena got to have its world grow.

[i-am-grell]

What anime do I watch next?

No clever title, just poll. If you're new here, this is my background in anime, and I run polls to decide what to watch. I'm gonna finish up season 3 of Blue Exorcist today, and I'll be watching season 4 as it continues to air, replacing MHA (since I finished season 7) as my in the background ongoing series.

As always, propaganda* (*or something) will be below the poll. You can reblog if you wish to influence your followers or rant in the tags. You do not have to know me, follow me, like me, or like anime to vote.

Propaganda:

Pokemon - We all saw the leaks. Anyway, to recap, years ago I watched a straight shot of Kanto-through-Sinnoh and gave up the second Cilan appeared on my screen. This poll option counts for Season 14 (Black and White) and any movies that take place chronologically within that season.

Free! - Free! has been in the polls before, so I don't have much to say about it beyond the disclaimer (which shouldn't influence your vote) that the longer it stays in the polls, the more 50% Off! quotes I get to use in the buttons (and I've got a lot stored up).

Horimiya: The Missing Pieces - Izumi needs to put those piercings back in. They un-emo-ed my boy which is, in fact, a downgrade. He, however, is a green flag.

Death Parade - Wild that the only spoiler I've ever even seen about this show is an easter egg. And I know it's not Death Note canon compliant, but let me be funny on the internet.

Fire Force - "I thought you were kidding! I thought it was a joke! I even wrote it down in my diary!" Look, everyone said it's a prequel to Soul Eater, but it wasn't until I was looking up the voice actors for something else and saw DEATH SCYTHE in FIRE FORCE that I learned it was real. Anyway, smash Benimaru.

One Piece - Weebs bully me on TikTok for not being able to accurately rank One Piece characters in anime men ranking filters. Also, the thing in the button is something I heard on TikTok as well, so don't come for me if it's misinformation. This poll option will count for the East Blue Arc of One Piece. (And yes, I know I can skip filler, but I love filler, so I will not skip filler.)

[innershoesuitcasebiscuit]

When I watched One Piece with the 1000+ episode I thought I wouldn't be able to finish it. The odd thing is that when I watch other anime or k-dramas, tv series from HBO, even though they have lesser episodes I would get bored and just skip it till the ending. But in One Piece even the Opening Song I dare not skip it. This is why the One Piece is GOAT. I didn't even skip any filler arcs 😂😂😂.

However this post is not actually me gushing about how far I have come in One Piece.

Now we head straight for the main topic:

Upon seeing the scene where Sabo met some of the crew in Kyros house. I've got this enlightenment regarding a certain scene in Thriller Bark arc.

Remember this? Robin eavesdrops on the conversation Sanji has with Lola's crew. Curiosity is Robin's nature after all, she's curious as to why Luffy has recovered miraculously while Zoro is in worse condition. Her curiosity I think stems from the worries she has for Zoro, I think on her mind she has this question 'what happened?' , 'why did he become like this?' . I mean at this point Robin cares about her crew mates unlike before when she first joined.

But this scene might connects with the scene in Dressrosa arc.

After seeing this scene you can see that Zoro is alerted by Sabo's presence and ready to take him down but caught off-guard when Sabo threw the booze to him.

He was just caught off-guard, he didn't lower it. The booze is also not a peace offering from Sabo to Zoro. Remember Sabo can take Zoro head to head. Sabo is not weak especially now that he has Ace's DF.

I think that Sabo gifted Zoro the booze as a way to thank him for the sacrifice Zoro has done at the Thriller Bark arc and the loyalty shown by him.

Also after they've done talking Sabo gave Zoro, Luffy's vivre card.

Now the question is why not give it to Franky? Or Robin? Which was closer to him. Why trust a person you've just met when there's someone you have known for two years.

The reason is within those two years time skip. Robin might have been the medium why Sabo held a debt and trust towards Zoro (with him paying that debt with a booze and giving Zoro the vivre card). She might have also told Sabo about the events at Thriller Bark especially what she has heard when eavesdrops on that conversation that Sanji has with Lola's crew.

Well I think this is enough. I would also like to gush out with my shipping but I'm holding it in for now. I'm going to enjoy watching and reading One Piece first before rewatching it again to drown in my ships.

I'm holding my Zorobin heart for now 💜💚.

But just for a freebie: I don't think Zoro would lower is guard even if you gave him a booze. Zoro's first priority is Luffy and at that time Luffy was still in a bad condition. He lowered his guard though when Robin shouted Sabo's name.

Notice the way he stands straight when he asks Robin "You know him?"

[startrekprodigyfan]

Okay yeah… I binged the whole season in one day.

It was actually surprisingly easy to do so. And while that means my planned slower recaps and speculation are basically out the window, I also now just don’t have to worry about spoilers for weeks on end.

I’m still going to keep spoilers under a cut though. Even if you block key hashtags, stuff can get through, and just making the spoilers further down a text post you have to scroll past to continue browsing tumblr doesn’t help either. Hide that content behind a cut, please!

Non-spoiler thoughts:

It was so good. It was honestly more Trek than I could’ve possibly expected. And to all those early naysayers who were confused by the Protostar and where it was supposed to be in the timeline after the first episode of season 1, all of that gets answered and put into context by the end of season 2. Thank GOD! Every single plot point people brought up and thought was a “plot hole” gets filled and explained.

It’s not as emotional as the first season, but the situations and events definitely still have a lot of weight and the stakes are so high for so long too! There’s a surprising number of dark events that happen throughout the series. Way darker than even I’m used to watching the animated shows that I do. Kudos for not skimping on the peril and stakes of the mission for the sake of kids being traumatized lol

And while there is the potential for more, if we never get a season 3 this would still be an extremely satisfying ending all the same. I am very happy there aren’t any loose ends here.

Prodigy is without a doubt the most reliably consistent Star Trek show that’s ever existed. Not a single episode feels like filler. Not a single episode wastes time or characters. Even the goofy episodes have character development and callbacks later, and I genuinely don’t think there’s a single episode that I would skip or not watch again. That’s an amazing feat in and of itself, but as a Trek fan that’s just unheard of! Kudos all around!

Now for my longer spoiler thoughts under the cut:

Okay…

How the HELL did you guys make Wesley Crusher’s time traveling arc sooo good? As a TNG fan I was always annoyed with the “traveler” storylines and with Wesley’s character in general. Even as a kid I never really liked him. But this storyline makes him interesting and gives a lot of weight to his powers. He’s almost like The Doctor from Doctor Who, someone who has so much going on in his head that he’s sort of lost it.

That honestly was the biggest surprise to me. I was convinced that Hologram Janeway (and the construct) were somehow manipulating time and events because of the wormhole. Janeway would be trying to help them, while the construct was trying to stop them. That was my working theory for the start of the series. Imagine my surprise when it turns out it’s Wesley Crusher! wtf!?

I do like that he gets to reunite with his mom finally. And that he learns he has a brother.

Incidentally that’s something else I was not expecting. How MUCH of this series was going to be timeline connected to the events of Picard and Lower Decks respectively. Like, wow… they connected the Mars Shipyard explosion and the Romulan evacuation plot points that made sense for the story. Like holy crap, then FINALLY getting into Starfleet only for the shipyards to explode and Starfleet is severely crippled. I did not expect that to happen, and it’s sadly realistic too.

I still hate the Romulan evacuation storyline from Picard, but as a matter of keeping things consistent it makes sense for it here. And while I don’t like it being a canon event, it’s overall good for the consistency of “prime” trek.

I do like that Dal became a second in command. I’ve always felt like Dal was never really destined to be the captain and that he’s always been better at helping others be their best selves. So it makes sense for his character arc that he learns he doesn’t need to be in charge to make a difference and that there’s no shame in being second.

Overall I am still reeling from how much Trek happened in this season. There’s never a dull moment. Unfortunately I am not optimistic about a 3rd season. Netflix picking up a mostly completed series to broadcast on their streaming service is far FAR cheaper than paying for an entire season to be created outright. And sadly, as much as I want more Prodigy, I have a feeling it’s just not on people’s radars enough for it to do gangbuster numbers enough to convince Netflix to pick them up for a 3rd season. I hope I am proven wrong, but I will not get my desire for more season unrealistically hyped up.

I do want to rewatch the entire show now, because there were clues left in the first season that only get answered at the end of season 2. And I love closed loop time travel storylines like that! I can’t wait to go back and connect the dots knowing what I know now.

An excellent series. Probably one of Trek’s best in decades. A true love for the material and the characters and the legacy of Trek lore all rolled into an amazingly animated package.

[feministsouthpark]

South Park Filler Guide - Season 10

Link for Seasons  1  2  3  4  5  6  7 8 9

You know the drill by now, I'll judge whether an episode has all the qualities of a canon one, or is it just shameless filler. S10E1 The Return of Chef is CANON

When it comes to separating canon material from filler, you really come to notice a lot more secondary characters die in a shorter span of time. Anyway, here's Chef's farewell in a scientology follow-up episode. S10E2 Smug Alert! is FILLER

Kyle moves. He comes back. Stan has a hit song. Never mentioned again. S10E3 & S10E4 Cartoon Wars Part I & II are LORE

I was so conflicted on this one, no consequences come from this two-parter, expect Trey and Matt's interest in the portrayal of Muhammad, and since these got banned on streaming sites, I'd encourage everyone to watch them! S10E5 A Million Little Fibers is FILLER

I'd never make anyone watch this episode. Except that one time when I did a South Park marathon with my step-father and I made him watch it. But no, even if Towelie's career would be mentioned, there's no need for this one to exist. S10E6 ManBearPig is CANON

ManBearPig IS real. Al Gore warned y'all. S10E7 Tsst is FILLER

Every now and then in these posts I feel like I have to explain myself and the fact that I'm excluding iconic episodes of South Park. However based on the feedback I received, everyone seems to get the shtick and I was too anxious, that's why I toned the introduction down. A great Eric episode that's more about telling us the possibilities this character could have, but does not actually have. S10E8 Make Love, Not Warcraft is CANON

Because Randy's role is another turning point in his mid-life crisis, Jenkins will return later and you need an episode that showcases the strength of the four boys' friendship despite all their differences, since you'll see them coming back to it every time after they start growing apart. S10E9 Mystery of the Urinal Deuce is FILLER

Kyle is getting bullied again and this time STAN is the bad guy? Interesting concept, can't say it's important. S10E10 Miss Teacher Bangs a Boy is FILLER

Kyle's brother is getting molested and this time ERIC is the hero? What's up with S10 and these bizarro concepts in its fillers? S10E11 Hell on Earth 2006 is CANON

Not THE most plot-heavy one, but Satan's character development is important to us. S10E12 & S10E13 Go God Go & Go God Go XII are LORE

You don't NEED these for context, however the Garrison arc feels more complete with it. S10E14 Stanley's Cup is FILLER

It's a divisive one for sure and I wouldn't touch it for personal reasons. The one thing you can state is that without it you'll still understand every episode going forward.

SPOILER-FREE RUNDOWN

Again, CANON means you should watch it, FILLER means you can skip it, LORE is somewhere in-between, any episode with the LORE label will have an explanation that helps you decide if you should include it or not. S10E1 The Return of Chef is CANON S10E2 Smug Alert! is FILLER S10E3 & S10E4 Cartoon Wars Part I & II are LORE* S10E5 A Million Little Fibers is FILLER S10E6 ManBearPig is CANON S10E7 Tsst is FILLER S10E8 Make Love, Not Warcraft is CANON S10E9 Mystery of the Urinal Deuce is FILLER S10E10 Miss Teacher Bangs a Boy is FILLER S10E11 Hell on Earth 2006 is CANON S10E12 & S10E13 Go God Go & Go God Go XII are LORE** S10E14 Stanley's Cup is FILLER *If you are interested in banned Muhammad content **If you are invested in Janet Garrison's love life

CANON counter:

S1: 9 out of 13  S2: 3 out of 18  S3: 6 out of 18  S4: 10 out of 17  S5: 8 out of 14  S6: 11 out of 17 S7: 6 out of 15 S8: 4 out of 14 S9: 8 out of 14 S10: 4 out of 14

Overall: 69 out of 154

[moltensmusings]

Time to rant about the Alvarez arc and issues I had with it once more now that I've posted some spriggan redesigns. This might be long.

The largest reason Alvarez and anything following Tartaros fall so flat is because you can almost tell Mashima was checked out by that point. That his excitement for the series had dwindled.

I have this theory that Tartaros was meant to be the last arc of the series but there were still things unanswered meaning that he was forced into adding more on. Now I don't say this as someone who thinks tartaros should've been the end, but because none of the villains after this point have any weight to them when honestly they should. All the reveals feel like they're done to surprise the audience more than flesh out the story.

I'm someone who always hated the Irene as Erza's mom plot because we really didn't need it. It was a trend of "villain is a blood relative" twists mashima kept throwing in and by that point it was honestly more annoying than anything. Erza never had questions about her family. She was never focused on her past so introducing her mother felt so out of left field. Irene literally could've just been the person who was in charge of creating the tower of Heaven, maybe she was even the on who corrupted Jellal, and that would've done far more towards making me invested in a showdown between her and Erza than anything in canon.

In general the Spriggan 12 being set up as characters involved in the various arcs would've been so beneficial because it would've given readers actual reasons to be angry or upset. What if Invel was the one who created Deliora and consistently tried to create new ice demons to impress Zeref. What if Layla's death was originally believed to be an accident but as time goes on Lucy uncovers more deaths and incidents connected to her mother that eventually lead back to Brandish. The tartaros group answering to August, who is still devote to Zeref, giving us a more solid reason to believe him as a Wizard king and actual tangible terror at the thought of facing him if tartaros itself would bend to him.

And this isn't even getting into how all their designs seem so slapped together causing them to look more like mid level/filler villains than actual final arc antagonists. Compare them to any of the tartaros characters and it just instantly becomes so obvious which ones Mashima actually cared about. By that point he knew he just had to make the women scantily clad and his die hard fans would ignore everything else. Jacob Lessio is one of the first Spriggan I think of whenever I get angry over how rushed their designs are.

Even Zeref himself felt so disappointing as a villain because any hype built for him really peaked during the tartaros arc. I was sure he'd be the one to appear instead of Mard Geer. It felt like that's what tartaros was building to. But instead we someone new and Zeref was pushed back. We could talk about him torturing Mavis and how Mashima still wanted to paint things between them as romantic because heaven forbid Mavis actually be a human with emotions who gets mad and vengeful when she's hurt, but we'll move on.

Beyond just this, Alvarez kingdom could've been so very interesting to have in the background, mentioned every now and then off handedly by side characters or guild members when discussing the world around them. This idea of it always existing but just never seeming important to our leads who aren't thinking about the political side of things. Us getting Alvarez hints early on and Alvarez only increasing in importance would've been something for fans to hold onto and engage with.

Mashima really dropped the ball on the series following Tartaros from the gray villain arc that amounted to nothing, a 1 year time skip setting up Natsu and Lucy collecting guild members that ended with everyone miraculously back at the guild with no persuasion necessary, to his final antagonists carrying non of the weight he wanted because titles don't create fear. And it makes me so incredibly furious because all it would've taken was actual care and interest in his own creation.

[shinneth]

My souring sentiments on Sailor Moon's manga

It'll be a surprise to no one who knows me even remotely that Sailor Moon was my everything back in my childhood. From the age of 9, I was utterly obsessed with it.

That was just a couple of years shy of 30 years ago.

Since then, I've often revisited the series. I watched the entirety of the Viz dub of the classic anime; all 200 episodes.

And I loved it all the same, if not more so than before. Because now I have context for why exactly the anime was the way it was, including its gradual diversion from the manga source material. And I respect the hell out of the staff who poured their life into this work, while concurrently running with the manga and doing whatever it could to not completely outpace it in the narrative.

Are there a lot of fillers in the OG anime? Yes. Too many? Well, not so from a functional standpoint (this show had to run weekly for 5 years), but there are definitely some fillers you could skip and miss nothing in doing so.

But a story like Sailor Moon honestly needed some breathing room in order to properly flesh out the cast.

Pretty Guardian Sailor Moon, the live-action reimagining of the show, was phenomenal back then (despite looking low-budget even by 2003 standards), and having re-watched the whole series recently, I can safely say PGSM more than holds up and deserves way more love and respect than it gets. It's THE perfect example of reimagining the story of Sailor Moon while still respecting its roots and maintaining the soul of the franchise.

Which is exactly why I couldn't stand Sailor Moon Crystal. We knew from the off that it was supposed to be completely faithful to the manga, but one look through @crystalvsmanga will show you Crystal took shitloads of "creative liberties", and the amount of changes I could dare to call "good"? I could count them on one hand.

The animation is low-hanging fruit, because everyone and their dog knows how godawful it was for the first two story arcs. But more than that, I actually loathed the general art design. Yukie Sakou's style DID NOT closely resemble Naoko Takeuchi's. People kept saying it, but I couldn't really see it. The eyes especially are a far cry from Takeuchi's style. And Sakou's style did NOT facilitate the OTT cartoony expressions that were definitely present in Takeuchi's manga; everyone looked so goddamn soulless, like overly-expensive porcelain dolls.

My biggest gripe with Crystal was the story, of course. While a great deal came from just being from the manga (which I'll get to in a bit), the changes they made went a long way to actively make the manga's story worse. My main takeaway from Crystal S1-2 is that it took itself waaaaay too seriously.

That being said, I did like Crystal's third season a lot better BECAUSE Chiaki Kon had way more competence and held a lot more respect for Sailor Moon. Like, my god, for once it felt like there was a soul in this show! It can actually take the piss every now and then!

Some silly things kinda broke my immersion (such as the Senshi just being able to fuckin' fly and Chibi-Moon in particular was literally sky-stepping), but most of that can be blamed on the source material it was adapting. While I was fine with Crystal3, I definitely didn't feel it was anywhere near as good as Sailor Moon S. Outside of Hotaru/Sailor Saturn having more of a presence, there wasn't really much in Crystal's take on Infinity that I liked better than S.

But most of that comes down to the fact that I liked S more than manga's Infinity arc to begin with.

Which is a good segue to talk about the manga proper.

I have not yet watched Eternal or Cosmos. the movies that adapted the last two manga arcs, but it'd be redundant since I know ahead of time what they're going to be about, and so far I haven't heard about any of them deviating from the source material, so it'd be moot to talk about them even if I had watched.

When I first got my hands on the manga, which was when I was around 12-13 and thus got the crappy MiXxZine translations, I was fine enough with it. Thought it was too fast-paced and didn't care for 99% of the villains being one-and-done jobbers, but I was also reading it with my impressions of the 90's anime characters still intact. I was reading the manga like an extension of the anime, rather than the other way around.

It wasn't until many years later when I grew older, when the manga was properly translated, when I acquired the wisdom my teenaged-ass self lacked, and learned to look at the manga as a completely separate entity that I started to see the cracks in the manga's narrative.

Further rereads have left me in something of a mindfuck, as I experienced the manga the proper way. And I realized:

The more I read the manga, the more I disliked it.

The manga is lauded for having an infinitely better depiction of Mamoru, as well as his ~Miracle Romance~ with Usagi.

Objectively, the manga definitely spends lots more time giving UsaMamo attention as a couple than any other aspect of the story...

I'd say they're also more developed as individuals in the manga too, but usually the beats, uh...

... let's say they usually ring hollow, when these two (and sometimes their daughter) are the only ones who consistently get shit done across the series. Hell, on the rare occasion that the Inner Senshi weren't rendered into street pizza, Neo Queen Serenity basically told them to fuck off and let her daughter, past self, and past hubby take on motherfucking DEATH PHANTOM/NEMESIS BY THEMSELVES.

It's likely because my first exposure to Sailor Moon was via the 90s anime, which had more of a focus on friendship and comradery between Usagi and her friends than it did her romance with Mamoru. I mean, romance was DEFINITELY a prominent thing even in that iteration of the story, but that wasn't where my interest lied. I was, am currently, and always will be more interested in Usagi's galpals than I'll ever be interested in her love life.

And, well, I'm sure this qualifies as a hot take, but...

This one moment with Usagi and Mamoru in the elevator (hell, their interaction across this entire episode was great) resonated with me far more than any ultra-romantic declarations of eternal devotion that Usagi and Mamoru kept regurgitating at each other in the manga.

Granted, the manga had a FEW moments early on where their dynamic was more playful, but they were pretty much confined to the early chapters and this element of their chemistry pretty much died not long after this.

Some say 90s anime Mamoru was far too mean-spirited in his teasing of Usagi. And I mean, sure, he was kind of a douche at times, but he usually got some karmic blowback from it (I remember one time he made Usagi cry without even really meaning to, and she cried so loud in public that randos nearby were giving Mamoru the evil-eye or a scolding). But honestly, after R, Mamoru kinda became a bland, generic love interest, just as he almost always was in the manga. The only difference was that anime Mamoru was never granted powers that were literally equal to Usagi's. The manga gave him a GOLDEN FUCKING CRYSTAL.

There was that infamous break-up arc in R that, yes, was shitty in concept and execution. But if I had anything positive to say about it, it at least shook up the status quo. It didn't make him immediately fall into the bland, generic love interest he would soon become. And it gave us some of the most emotionally-charged Usagi moments in the entire anime.

Conversely, in the manga, we had THIS shit for our UsaMamo "drama":

(the former incident with Usagi literally accusing her boyfriend of falling in love with a kid, by the way, happened while MOST OF HER FRIENDS WERE KIDNAPPED BY THE ENEMY AND COULD'VE BEEN DEAD FOR ALL SHE KNEW AND YET SHE FUCKING HAD TIME FOR THIS STUPID SHIT)

Everything seemed to revolve around Usagi and Mamoru (sometimes Chibiusa too). It lowkey came off that way at times even in the 90s anime, but in the manga or Crystal? You'd be hard-pressed to find the girls engaging in their stated hobbies at most points in time, because they're usually all together and talking about their prince and princess.

Hell, even Haruka - Sailor Uranus herself - seemed much more interested in Usagi than she ever did in Michiru, her actual girlfriend.

So... am I just missing something? I've seen people say that as they grow older, they prefer the manga/Crystal to the 90s anime. But I've never seen anyone other than myself express the opposite sentiment.

But it's true - unless I completely leave my brain at the door, I have a hard time enjoying the manga for what it is. The characters I'm most interested in or attached to quickly get swept aside for the characters I have the least interest in. No more does that ring true than the Stars arc of the manga, where Naoko Takeuchi basically speedruns killing off literally the entire cast until Sailor Moon's the only one left standing. Most characters don't even get to go out in a blaze of glory or anything - it's got nothing on the finale of the 90s anime's first season in that regard. If you're lucky, you'll get a single panel where your entire existence is ripped to shreds - but sometimes you'll be killed literally off-screen!!

There's a number of questionable manga-exclusive aspects that rubbed me the wrong way as well, such as poor Sailor Pluto being assigned as a child to guard the Door of Time in complete and total solitude. While I appreciate more Silver Millennium lore that the manga provided (the anime hardly mentioned it past the first arc), it was more than a little uncomfortable knowing the OG Queen Serenity conscripted the Inner Senshi as small children to become Princess Serenity's guardians. Really casts Queen Serenity and her Moon Kingdom in a much darker light - like maybe Queen Beryl and Queen Nehelenia had a point in trying to take them down (though the manga I believe retcons all past villains as incarnations of Chaos, so that arguably removes all prior villains' agency?). Lots of little things that I didn't think twice about, but now that I look at them again, I'm wondering WTF Naoko Takeuchi was thinking.

Though I don't want to be too hard on her. Poor girl was working under stress far longer than she'd planned to (she'd intended on ending the story either by the Dark Kingdom or Black Moon arc), so it's no surprise there's a lot of clunk and clutter in the narrative.

I often wondered if Naoko Takeuchi really wanted to make Sailor Moon with a Super Sentai-esque setup in the first place. After all, her first big hit was Sailor V, which was exclusively Minako and Artemis fighting evil with Minako having her own masked love interest she ended up being at odds with and he eventually died. With a scant few secondary characters here and there.

It led to me thinking about what Sailor Moon would be like if Naoko kept the cast to a more Sailor V-like size. That, perhaps, the Sailor Moon she really wanted to make would be quite a different beast from how we know it to be today.

So this lengthy diatribe about my personal conflicts with my waning fondness for the manga versus my strengthened love for the OG anime and live-action show was actually a preamble to a bizarre AU I wrote an outline for over a year ago but never posted in public. I had considered posting it to Sailor Moon's Reddit back then, but I (probably wisely) held off, as my musing went way off the rails.

But I figured now's a good time as any to share it here, at least. Though it'll need to be its own post since I wrote so goddamn much in this post alone, wow.

On that note, I'll end with this: The only iteration of UsaMamo that I unironically enjoyed and rooted for is...

[quirkwizard]

Keystone-Ranking My Hero's Academia's Arcs

To All my Friends and Followers, I am proud again to announce another double milestone. Not only have I reached over 10,000 total posts on this blog, but I have reach over 3,000 followers. Who would have guessed this little blog I made for fun would have made it this far? Because I am frankly flabbergasted that this blog has made it this point. I thank all of you for your support and truly wish that I can make this blog something worthy of your dedication. For this momentous milestone, I once again decided to do a massive project. This time, it will be ranking all the arcs of My Hero Academia.

So before I begin, let's cover some ground rules:

-What I will be considering an arc, as well as where it starts and ends, will be defined by the Wikia, making for a total of twenty one arcs.

-This will mainly be focusing on the manga. While I will mention the anime here and there, it will not play any major role in how I rank these arcs.

-This ranking will be relative to the rest of the series. So if I put an arc lower on the list, I'm not saying it's the worst manga as a medium has to offer, just not up to the standards of the series.

-This will be a series of pros and cons covering each of the series with some notes. This will involve a lot of generalizations and summarizations of points, as well as maybe skipping out on what I don't have much to say, but is the easiest way to get my thoughts across.

-This will be looking at the arcs without the context of later ones. I will review the arcs on their own and will only consider what has happened before in the story when that arc came out. That means that certain events will not "ruin" arcs retroactively, but can be held against the arc they happen in.

-The Final War Arc will not be covered here. Not only because that arc is not completed at the time or writing, but is far longer then any other arc in the story and has so much to cover with it, feeling like there are several arcs going on all at once. Even if it was done, I would still cover it on it's own.

Without further ado: the ranking of My Hero Academia's Arcs.

Stars and Stripes Arc: (0/10)

-This entire arc is built around Cathleen, a one note character that doesn't have any interesting traits or arc. She was never established before, even when she should matter to characters like All For One and is suddenly the most important hero currently active.

-My worst fears are confirmed that Tomura is nothing more than a meat puppet for All For One. All his unique traits and character is under lock and key for this entire arc, leaving us with a very bland villain that I have no interest in reading.

-The whole fight is a forgone conclusion. Tomura can't lose because he's the main antagonist who is next to unkillable and he can't get "New Order" because then he would be way too powerful to beat, robbing the arc of any tension it tries to have.

-The fight itself is not interesting, which is a problem when most of this is a fight. It's Tomura getting ragdolled over and over again while Stars and Stripes keeps using her Quirk in a lot of empty spectacle. No real cleaver plans, just slapping each other back and forth.

-All these factors together rob any emotional investment a reader may have had in the story. So in spite of it only being seven chapters long, it feels like a total slog to get through, simply waiting for canonical filler arc to be done with so we can move on.

-"New Order" is a slap in the face to the entire power system. It's such a vaguely defined ability with what it can actually apply with its rules. It felt more like Tomura was fighting a wizard from a whole other series, adding on to the various frustrations in this fight.

-The main consequences could have been replaced with a single chapter. Just have Tomura writhing in a cave over his body rejecting "All For One" and have Nezu analyze and pick up information on him from the footage of the PLF War. It would have been so simple.

-The actual consequences of this arc are minimal at best. You could honestly skip this arc and not really miss much in the grand story of the series. Again, making it feel like a filler arc. It makes this whole outing seem wholly pointless in the broader narrative.

=I've said my peace on this arc many times over. I struggle to think of anything good about it. It was a chore to read the first time and it took so much willpower to not turn this into another giant rant. I honestly hope I never have to go through or think about this arc again.

Tartarus Escapees Arc: (1/10)

+I like the idea of this arc. Having Izuku regress into his self-destructive tendencies and isolating himself is a really good way to go with his low point. And this is well conveyed in the art, both in and out of costume, which I just want to is really solid this arc.

+Uraraka's speech was certainly a highlight. It's a great moment in her own arc about understanding and wanting to truly save people and gives her the relevance she has so desperately needed. Ending it with the narration of everyone being a hero was a good bit.

+I liked a lot of the bits with Stain, especially his talk with Toshinori. Having Stain, the man who misunderstands All Might the most, gives him the peep talk he needs to get out of his funk.

-The reaval of "Fa Jin" was such a massive miss for me. Not only does it not add anything to Izuku's arsenal outside of hitting even harder, it undermines one of the most interesting fights the series has had thus far by overpowering his enemy rather than outthinking them.

-There is little lasting consequences for some of the characters. Endeavor is an abuser that made a serial killer and Hawks killed a villain in front of everyone. They both say they're getting work done and everyone kind of moves on from it without issue.

-The concept of Izuku cutting off everyone around him, while interesting, wasn't anywhere near fleshed out enough. It's only a single chapter of him on his own before he's saved by the rest of Class 1-A. Kind of makes the arc's name feel like a misnomer.

-Bakugou's apology feels rather hollow given the actual phrasing and the lack of any kind of real response for Izuku. This extends to All Might, but to a lesser degree. These two are the most responsible for Izuku self-destructive mentality and it is quickly brushed to the side.

=Another arc that I've talked about before, but none of the good parts of. I think it's well above something like the Stars and Stripes up, but it's lack of real payoff for so much that was set up really shoots this all the way to the bottom of the list.

Quirk Apprehension Test Arc: (1/10)

+Aizawa has a solid character introduction and effectively sets him up. What seems to be a lazy bum actually hides one of the most strict and dedicated heroes in the entire series. A seemingly rough, pragmatic disciplinarian with a secretly good heart underneath.

+Having Izuku need to work under Aizawa was such a good move for his first day. He really learns just how much of a problem his power is going to be and how much personal responsibility a hero has. It's a good splash of cold water to Izuku's relentless optimism.

+This is the arc where we get Izuku taking on the name Deku. Not only is the moment around it cute and gives us his official nickname, but I like how it starts the trend of Izuku redefining his life, taking the mocking nickname, and making it the name of a real hero.

-The arc is strictly business, for lack of a better phrase. We don't get much expansion on the characters we know about or understanding of the other characters or their powers in spite of the fact that this test would have been the perfect place to introduce them to us.

-All it really has going for it is the one moment of Izuku throwing the softball with his finger. The ultimate, emotional climax is a character flinging a ball really far. I know that sounds like I'm being facetious, but there isn't a lot else happening in the arc worth talking about.

-We do get the early main trio of Izuku, Iida, and Uraraka interacting, but there isn't enough to go off of to get a real sense of their dynamic and characters outside of the basic traits we already established. Maybe how they view each other as people, but that’s about it.

-While the threat of expulsions is threatening for the characters, it's pretty empty from a meta perspective. We know that if Izuku was expelled, the series would be over. The reveal of the test being a ploy does give Aizawa some character, but makes it feel a little pointless.

-In the end, I'm not entirely sure what the point of the arc was. At least, enough to make it its own standalone story. Sure, Izuku develops the finger flicks, but that could have been shuffled to one of the other two arcs after this one and it would be fine.

=An arc that's ultimately a victim of its length. If it was tied into the arc proceed or succeeding it, it would have been fine. On its own, it doesn't really offer much value. I still think it has its points, but not enough to reach past this lull in the series.

Remedial Course Arc: (2/10)

+The interaction between All Might and Endeavor was great. Yeah, a lot of people forget that happened this arc. Endeavor is uncertainty of what to do and turning to his rival is good in it's own right and works as a good springboard for Enji's arc going forward.

+The other character work was fine as well. Bakugou learning to be less of jerk to people as he learns to deal with a younger version of himself is nice. The Shoto, and to a lesser extent Inasa, stuff wasn't as prevalent, but I think it's a good steppingstone in his character.

+I like the one-off chapter with Aoyama and how he connects himself to Izuku and how much their Quirks can cause issues. Giving a minor character like this a one-off chapter like this is a good way to flesh out these characters without taking up too much time.

-Speaking of important stuff, this arc introduces the Quirk Singularity. For what turns out to be such an important idea, I don't think it does the best job building the groundwork. Like there wasn't enough set up to it before or in this arc for it to make sense.

-This arc is very much removed from the rest of the story. I wouldn't mind that but doesn't really give us much in its place. Outside of the few bits I mentioned before with Bakugou and Endeavor, it doesn't feel like it adds much else to the world or story.

-A lot of this arc is more comedic. If the comedy doesn't work with you, it's going to wear down on you fast. Outside of one or two bits, I found myself stone faced at a lot of the gags. Which is really odd because I do think Hori can do comedy, but it's not done well here.

-These two issues create this odd back and forth with the arc. The interesting moments are either small or side pieces while the actual meat of the story feels superfluous. So it can be frustrating to read through this when all the good feels so buried under everything.

-Which I think leads to the biggest sin of the arc: it's so forgettable. Out of all the arcs I went over, it's the least I remember about, not even long after rereading it. Despite having some pretty important moments, I just mentally gloss over it.

=This arc gets a lot of hate, and I get it. It does feel like a pretty low stakes arc where a lot of aspects can grate on people. I can't muster much bile for it, and I still think that there are some redeemable moments here, but certainly earning a spot this low on the list.

Joint Training Arc: (2/10)

+I really liked a lot of the new Quirks on display. I think a lot were pretty neat, or at least unique enough to be intriguing. Plus seeing some of the Quirks interact across both classes makes for some fun moments and dynamics between the various characters in play.

+I do like some of the minor pieces of character we do get. Tokoyami's flashback about controlling Dark shadow, Shoto using both halves of his power, a beat in Momo gaining confidence again, and Monoma's backstory reveal are all solid parts of this arc.

+Round 3 is a major highlight of this arc. A tense battle where it feels like each character is giving it their all with sheer power or clever planning. It feels like such a big battle that is constantly changing, ultimately ending in a surprising, but satisfying payoff of a draw.

-This arc is too long for its own good. Over twenty-four chapters of characters engaging in a consequence free training exercise where the plot isn't really developing outside of a handful of moments. It really wears down on you fast, especially week to week.

-As for these fights, I think a lot of them are pretty mediocre. Whether it be because of the low stakes, the lack of real emotional moments, or simply how the Quirks are used, I found it difficult to really invest in the fights. That is a big issue when most of the arc is fighting.

-Outside of Monoma and Juzo, there is very little in the way of meaningful development for Class 1-B in this arc. And if there was any point in developing these characters, this would be the time. It feels wasted, making the characters feel more like vessels for the powers.

-I really don't like the Round 4 fight. What comes across as Bakugou's big development rights hollow. Not only is the other side kneecapped to make Bakugou look better, but it doesn't really feel like Bakugou learned how to actually work with other people on this.

-To this day, I still have mixed feelings on the "Black Whip" reveal. I don't mind the concept of Izuku with multiple Quirks, but it wasn't built up enough to make this a worthwhile pay off. It seems more like Hori did this in because he ran out of ideas for what to do with Izuku.

=While I certainly don't think this is the worst arc, I can wholly understand why people are so frustrated with this arc as it was happening. There's very little in the way of plot or characters, so it ends up feeling like it drags out too long for its own good.

Provisional License Exam: (3/10)

+I like a lot of the world building in this arc. This whole rescue operation part of the test really shows just how important the non-fighting parts of hero work are, like how you act around civilians, which helpfully sets up how things are headed post All-Might.

+I liked Inasa. His design is great, his power is cool, and he has such a fun personality that you can't help but want to see him. His role is interesting as well, having Shoto's worry about being like his father externalized in someone who sees him only as Endeavor's son.

+I enjoy a lot of the development with the class. Things like the Super Moves, the dorms, and the bits spread throughout the arc does a lot to flesh them out. Obviously, the biggest bit is with Izuku and Bakugo, their battle showing how much them and their dynamic changed.

-The arc is not paced that well. This section is twenty-three chapters long, but it feels so much longer with how everything drags on and not a lot of interesting stuff is happening in them until the very end of the story, whether that be with the fights or the characters.

-The fights aren’t that amazing. It’s not that interesting to see 1-A fight a bunch of jobbers. And when they do fight more prevalent characters, I don’t feel engaged with it. A lot of the action are resolutions to the fights aren’t clever or have a lot the emotional impact they usually do.

-The new characters aren't that well developed, even as far as one-off characters go. Aside from Inasa, there's barely anything to go off of for them. It feels less like an expanded cast from all these schools and more like bloat that Hori didn't know what to do with.

-As much as I like Inasa, I think his whole thing with Shoto is kind of dumb. Like Inasa somehow carries this undying grudge against Shoto and his father because both of them look angry at him. And the resolution ends up being rushed in spite of the focus it gets.

-While I do praise Izuku vs Bakugou, I recognize that it's focused way too much on Bakugou. This feels like it should be doing something for both of them, but a lot of the attention in and out of story is on Bakugou, making it feel incomplete and diminishing Izuku's role.

=For all the buildup of these characters becoming heroes, them pulling it off seems… underwhelming. Which honestly feels like a good way to describe a lot of this arc. A lot of potential for something big and impactful that just didn't stick the landing.

UA Traitor Arc: (3/10)

+The traitor reveal was handled so well. The reveal and backstory were great and I think adds a lot to Aoyama's character. He wasn't an evil pawn, but a terrified kid who was forced into a deal outside his control, now horrified over the safety of himself and his family.

+The villains had some good moments. A lot of it is set up for next arc, but Toga and Spinner especially had the most interesting bits here, with Toga expressing her complicated past and feelings while Spinner is pushed into a role he never wanted for his friend.

+I enjoy the bit with Izuku and Urakara near the end of the arc. It honestly refreshing see these two connecting with each other again and what they talk about is solid stuff, trying to come to terms with their own conflicts feelings about wanting to save the villains.

-In spite of my liking of the reveal, it's far too late. Aoyama's actions as the traitor haven't been a factor pretty much since Kamino onward. So when this reveal comes, it doesn't have the emotional weight it feels like it needs, especially for such a minor character.

-There's very little fall out for Aoyama being the traitor. Besides how it's entirely beneficial for the heroes, no one else really reacts to it and there isn't any fallout. Not even Bakugou, the students most affected by it. It makes 1-A feel like a hive mind rather than their own people.

-In fact, a lot of this arc relies on the reader still being invested in the arc, Aoyama as a character, and there being this powerful bond between whole of the class. There's a lot riding on the emotional core which hasn't been set up as well throughout the rest of the story.

-There are some residual frustrations from the Dark Hero Arc. In spite of all the major moves the last arc did, there is barely any follow up on most or anything with the characters taking a break. We're skipping all that for more training and getting right to the next plot point.

-The villain stuff was good but did suffer from some clunkiness. I didn't really feel like it told us anything new and what it did add felt confusing at points. Did you know that Tomura and Spinner were best friends? I didn't know Tomura liked the guy.

=So I feel like I'm one of the few people that actually like how Aoyama was handed, which elevates the arc above a lot of the later parts, but I still think it's mire by the same issues of this part of the story. It had its moments, but that's all it really had to offer.

Final Exam Arc: (4/10)

+I think the idea of the arc is pretty strong. Not only do we get to see more of the teachers in action, but it’s a cool watching the students go up against the worst opponents possible, with each one needing to overcome some kind of weakness in order to nab the win.

+The fight with Deku, Bakugou and All Might was good. It's their low point, with the two literally and metaphorically trying to overcome All Might, and only able to do so by learning from each other, effectively pushing the both of them forward in their own development together.

+The Momo, Shoto, and Aizawa fight was pretty good. While not as well established in the manga, I do like the confidence issues between the two and how it ties into their leadership abilities. Again, it's a good example of the two learning and growing from each other.

+The ending scene at the mall was well handled. It's such a great one eighty from the tone and really raises the tension. Then there's the set up with Izuku and Tomura's clashing ideals, ending with Tomura truly realizing his goal. All around good stuff.

-The structure of this arc is a mess. All the fights are happening simultaneously and there is constant cutting back and forth between them. This means that all the fights struggle to build up any momentum before quickly cutting away at the most jarring of times.

-On that note, the fights aren't that impressive barring the two I mentioned before. They don't really have anything to offer in either story or spectacle. It's a bunch of pretty basic fights where we are given focus to some of the blandest characters in the series. -While this arc is built around the students going against their worst opponents, there isn't a lot of interesting growth or dynamics. Of all the side characters, we got Mineta and Koda, who aren't that engaging to read about, nor are they developed in engaging ways.

-In spite of the greater focus on character and having tangible threat of loss, this still suffers from a lot of school arcs suffer from. An educational setting like this doesn't have much tension to it. All we really have are the fights, which aren't that good.

=Yeah, this is quite the rough patch between a lot of stellar arcs. I hoped that it was merely a victim of placement, and it had its good points, but that arc is such a mess that it's hard to get much out of it. Not the worst, but not one that I am eager to revisit.

MLA Arc: (4/10)

+The MLA is an interesting concept. A political cult wanting to give power back by letting people use their Quirks without oversight. There's a lot of interesting perspectives for that topic, both in and out of the MLA, for why people may or may not want this to happen.

+Tomura is easily the MVP of the arc. His speech to Garaki was good, but his backstory with the highlight. Seeing the sheer lengths that the world, his family, and All For One poisoned Tenko into this being of pure hatred was equal parts engaging and tragic.

+Toga's backstory was good as well. While I have my issues with how nebulous Quirk Therapy is, that ultimately doesn't detract from it. It sets up the ideas of love and it's the expression and repression that prevail in her character and their importance going forward.

+I like Re-Destro in this arc. He parallels Tomura as a rage-fueled heir to a criminal legend, but contrasts it by being someone who is totally in control of his feelings and power, as well as being successful as running the empire that was left behind by Destro.

-This arc introduces Awakenings. I have never liked this concept, even when it is first revealed. It felt more like a lazy way to give characters power ups when it was convenient. This was especially the case with Toga, even if it fits with her whole love theme.

-The MLA Executives aren't interesting villains. They're one note obstacles to the LOV. I get not every character will get focus, but you think the heads of this massive group of would be given some depth, especially with a basis of the MLA has so many angles to cover.

-The barely functional LOV somehow beating and taking over the biggest group of villains in the country is such a massive leap in threat and scale. For them to survive the fight, let alone totally dominate, feels like Hori needed to hand them the win for the story.

-Following that, this is where a lot of the rushed pacing. It seems as though that the story and characters are trying to rush the story as fast as possible to get it to the point where it needs to be rather than taking its time to make sure all of the steps are set up beforehand.

=I know this arc is a fandom darling, but I really don't care for a majority of it. For me, it's few strong moments to hold up this ultimately weak arc. Especially since it's where a lot of the flaws of the later half of My Hero Academia came to the forefront for me.

Battle Trial Arc: (5/10)

+The arc does a good job of establishing the weight of heroics in the world. While Aizawa laid the foundation, showing how the students failed in the trial in their own ways shows just how much pressure that goes into hero work. The recap of all the flaws and mishandling of the training exercise is really neat.

+This does a great job of showing off Izuku's value as a fighter and as a character. In spite of having the strongest Quirk around, his brain is his most valuable weapon, able to plan around somehow who vastly outclasses him. His vocal declaration of Deku being the name of the hero is such a simple yet powerful moment for him.

+In fact, that fight itself is super neat. Izuku has a limited ace in the hole, but Bakugou has a massive advantage in skill and a psychological edge. Meanwhile Uraraka has to deal with the villainous Iida. It makes for a fun dynamic in the fight on how everyone plays off each other in personality and powers.

+All the character establishment is well handled, something hard for any series. We get a solid mix up of the dynamic between Izuku and Bakugou, good understanding of Iida and Uraraka while having foundational moments for Shoto and Momo. Plus, Ojiro and Hagakure had a cute little moment in there as well.

-None of that is extended to any of the other characters. Again, with all of these characters together, it would have been a really good chance to establish more about them as an ensemble cast. Even if it was only in minor ways like the previous examples it would have helped a lot going forward and made them feel less like cut outs.

-By extension, we only got the one fight out of the arc. Look, I'm not asking Hori to make five extra chapters here. All I'm saying is that I think that it would have been a good chance to get a better showing of the characters’ abilities and personalities by having them fight and bounce off each other before moving forward.

-Look, I know I keep harping on the art, but its flaws become a lot more apparent when trying to do action scenes. It can make certain motions seem a lot more awkward than cool. Again, this may just be hindsight, but it was pretty distracting coming back to read this seeing how much the art hindered the experience.

-The structure of this arc is so bizarre in how it's laid out. The actual order of the panels seems like things are happening oddly or even out of order. Seriously, go back and read the lead up to Izuku confronting Bakugou at the end. It's janky as all get out. This is not helped by the pretty sloppy artwork with the characters.

=The first real fight of the series and it goes off with a bang. I do think this fight is a highlight of the early series, delivering powerful emotional moments and unique dynamic, both in combat and character. Though the series is still green and the early flaws of the series being the most prevalent here really holds it back.

PLF War Arc: (5/10)

+Izuku has some of his strongest character work here. Push to the brink, he regresses back to that totally destructive mindset and constant doubt of his early series version. And having the arc resolve with him having empathy for Tomura after everything he did is just great. No issue with how he was handled this time around.

In fact, I think a lot of the character stuff is pretty strong. Bakugou gets a nice moment by saving Izuku, Enji has to go through some of the harshest development when faced with Tomura and Dabi, and Uraraka is confronted with the most moral complexities of villains. And hey, the arc actually got me to like Miruko.

+The rest of the villains were solid as well. I really like the stuff with Hawks and Double. It works as a nice microcosm of a lot of the conflicts about heroes and the world's inability to understand villains and their issues. Toga's growth and confrontation Uraraka over understanding hero’s savings villains is all around good.

+The Dabi reveal was amazing. What was such a predictable plot point was turned into this amazing reveal, doing a total one eighty and Dabi's character for me. You take this melancholy loser and make it so he dances and reveals in all the suffering he is causing Endeavor. It's great to see it pay off in such a bombastic and impactful way.

-This arc continues the unfortunate trend of Tomura's power creep. His already insane level of power has skyrocketed without any sort of in between. And Tomura getting possesed is one of the dumbest things to happen in the story, robbing Tomura of all his character and agency in favor of someone else stealing his spotlight.

-Not everything is great on the heroes' side. Midnight's death is one a terribly handled aspect of the story, made even worse by Gran Torino somehow surviving and is the only notably causality on the hero's side. And while I get it's supposed to be Kirishima's moment, having Mina set up and undermine like that feels mean spirited.

-Some of the villains in this were let down. All of the relevant MLA members get off screened. I get they aren't the most important, but you think there could be someone more. Then there are the High Ends. You introduce a squad as dangerous as Hood, have them be an issue with one hero, and then kill them all. What was even the point?

-Aside from the Dabi reveal, all the other ones fall flat. Mr. Compress' backstory is here and gone. Oboro is a literal who that requires supplementary material to know who he even is. Mirio comes back with little fanfare and contributes next to nothing in his fight. And Best Jeanist's return raises so many questions, and not in a good way.

=I get this arc is super popular, but for me, it's one of extreme highs and extreme lows. When it's good, it's really good, but when it's bad, it's pretty awful. It's like for every positive, there's an equal negative in the same field. I ultimately believe that the good outweighs the bad, but not enough to make me rank it any higher.

USJ Arc (6/10)

+This arc goes zero to one hundred real quick and it's great. We go from low stakes practice to everything going wrong. The villains are attacking, the adults are out of commission, and All Might is nowhere around. It does a really good job of making this tension situation with real danger, making the pays off that more powerful.

+This is where we get more from the UA characters, doing a surprisingly good job of characterizing a lot of them in spite of having such a short time span, giving a lot of their characters their own moment to show off. Same with the teachers, with us getting more layers to the teachers, like Aizawa genuine care of the students.

+This is where a lot of Izuku's major character traits come about, really show off how much of natural leader he is and just he proficient he is in planning. What's more is the self-image and self-destructive issues come to light, such as giving up the president spot and when he tries to save All Might, adding a lot more to his own character.

+All Might is handled really well in this arc. Not only does it give us a deeper glimpse into his character, but just how he's handled thematically. It goes a good job of showing All Might's power with how he and how hopeless things are without him yet gives us a reminder that power is fading and is one a time limit.

+This may just be hindsight, but I like Tomura for this arc. He's the big bad but is almost constantly undermined and humiliated at every other turn, both physically and ideologically. It's a subversion that's hilarious in the moment but does set him up well for further development and helps parallel him with Izuku's own growth.

-Again, a lot of the early series flaws are present here. It legitimately feels like there are panels missing from the pages or that the panels are really awkwardly structured, such as a having a big moment in a tiny panel or panels not flowing well from one to another. It can make it a very jarring read and takes a lot from the experience.

-Man, for being the climatic fight of the arc, the actual battle with the Nomu and All Might feels super underwhelming. It may just be that the anime spoiled me, but it lacks a lot of impact a fight like this needs, the art doesn't convey the action, and is over pretty quickly. It makes the ending feel pretty flaccid, especially for the first big arc.

-While the main players of the villains’ side are cool, it does feel like a lot of minions leave some to be desired. Seriously, outside of Izuku's group, it doesn't feel like any of the students are under real threat from the horde of minions. It can make it seem like a lot of initial villains were pretty empty outside of the three heavy hitters.

=A big arc that finally expands the world and threats outside the school. Which it does a pretty fine job of. It's not exactly the same high of the anime, but it isn't too bad either. I think it works best when you see it as the punctuation to set up for the greater story. Now that it's done, we can start moving on to the real meat.

Endeavor Agency Arc: (6/10)

+I like the opening chapter about interviews. Besides the fact that most of the gags land and how I've really wanted to see the kids learn stuff like this, I really like the world building behind Super Moves. That they aren't just aces in the hole for a hero, they are a means of brand recognition that help solidify a hero's image.

+The Christmas part was just plain cute. I'm all for the characters doing non-plot stuff like this and I like a lot of the gags with it. All the different gifts people get, the background gag of Mina trying to dress Bakugou, and Eri getting all the holidays mixed up. It's a fun little break that doesn't mess up the plot or pacing too much.

+The family drama was well handled. I think it's interesting how Hori handled the family dynamics of the Todorokis. He gave each of the members their own perspective on a complicated situation, but doesn't invalidate any of them, nor does he try to quickly redeem Enji or say that any one of the family members needs to accept him.

+In fact, Enji is great this arc. Besides the small ways he is humanized on a more personal level and the natural dynamics he has with the characters, it does a great job by trying to separate the ideas of atonement and forgiveness in the arc and what the two really mean, something I believe is key to understanding Endeavor's story.

+The pacing of the arc is near perfect. Everything gets the attention it needs in the time it needs and nothing feels like wasted time or out of place. It goes a great job of setting up the next arc with Hawks' spying and Tomura's growth without detracting from the current plot.

-For an arc called the Endeavor Agency, there isn't a lot of time spent at the agency. The trio isn't learning about being heroes or having their characters really bounce off each other, whether it with their Quirks or overall personalities, skipping right to the end of it. It feels like a lot more could have been done with these three together.

-There are some worrying trends that come with this arc. Like how instead of getting anything with the agency, everything was frustratingly skipped over in a time jump. Then Izuku learns how to use "Black Whip" way too fast, mastering this wild power in a week. It contributes a lot to the rushed feelings of the later arcs.

-Ending is super lame. His design is middling, his power isn't that great, and his whole motivation is just worse Stain. I wouldn't harp on him as much if he were a bit villain, but Hori could have done more with him considering his importance to this arc. Heck, Starchild was more interesting and he's barely in this story.

=An arc that is often lost and forgotten by being sandwiched between two larger, series defining arcs. Which is a real shame because I think it offers quite a bit with all the drama doing on with the Todorokis and the levity of the early chapters. All around a pretty solid arc and does a lot to set up the next big arc well.

Entrance Exam Arc: (7/10)

+If I was rating solely on chapters, Chapter 1 would get a perfect ten. It does such a good job of setting up the world, the characters, the themes, the tone, and the conflicts in the amount of time it has. It's such an amazing foundation for everything going forward. It's honestly impressive all the leg work it does this early on.

+The exam is set up really well. Having there be Hero Points and the Level Zero robots was a smart way for Izuku to have his cake and eat it. He still gets to have his moment of heroic sacrifice, but it was that noble spirit was what got him that spot in the first place. Him finally getting in is such as powerful emotional moment as well.

+The whole reveal of "One For All" is such a good endpoint and hook for the series going forward. Izuku may have been gifted the greatest power in the world, but now has to deal with some of the most dangerous drawbacks in the whole series to limit it, still keeping the stakes giving him plenty of room to develop his power.

+The arc does emotional moments really well. All Might telling Izuku he can be a hero, Izuku triumphantly standing on top of the trash pile, to him rushing to the forefront to save Uraraka. Again, in spite such a limited amount of panel time, it makes each moment feel so much bigger and more impactful then it has any right to be.

+On that note, it does a great job of endearing and connecting you to characters. Izuku's position as an underdog is immediately sympathetic, as is All Might's unenviable role as the top hero. Which I think is a real achievement given how early we're into the manga and how hard it can be to establish characters in the beginning.

-As for the rest of it, most of it's just Izuku training and doing the exam. That's it. It's not terrible and it really goes to show Izuku's dedication to being a hero, but it's not something to really write home about. This could simply be that the first chapter was that good, but it's not as exciting going forward.

-Some of the early art is kind of rough. This could just be because I'm more used to the cleaner style of the later chapters, but it comes across as rather jagged for a lot of the characters. This doesn't feel like a intentional style choice, more of a series finding its footing and with the art style and designs needing refinement.

-This extends to the major players of this arc. Again, benefit of hindsight, but it they seem more like exaggerated versions of themselves. All Might comes across as a lot more callous, and even with the worst version of himself, Bakugou telling Izuku to jump off a roof seems really out of character for him.

=Ah, back in the days that My Hero Academia was the little manga that could. First impressions are equal parts important and difficult, so it really is an accomplishment that the arc is as well put together as it is. It all works as a great foundation for the story. With such a strong start, it's no surprise that it got pick up for more chapters.

Pro Hero Arc: (7/10)

+While the last few arcs did some leg work, the Pro Hero Arc did a lot of the heavy lifting when it comes to Enji's character. It takes this one note antagonist and actually makes him the underdog hero while still acknowledging all the bad stuff he did. It's honestly impressive how well this was pulled off given its starting point.

+The fight of Hood was great. Not only does it involve two of the most visually interesting and versatile fighters we've had thus far, giving a lot of ways to mix up the fight, but it manages to pull out some really strong emotional moments. This mixed with the pitch perfect pacing, and stellar art makes for an enjoyable experience.

+Hawks is such an enjoyable addition to the cast. Not only does he have an amazing design and power, but he’s also such a fun personality to hang around with. What seems like a total slacker, goofball is one of the most perceptive and skill heroes around. You're just interested in seeing what he does and how he bounces off Enji.

+And then it all gets flipped upside down by the end of the arc. Hawks was a kid raised to be a hero and is now going to infiltrate the League. Not only does this raise a lot of intrigue for the upcoming story, but it feels like such a massive upset from what we've seen of Hawks and the hero world as whole to have this happen.

+The out of battle stuff was nice as well. Besides Izuku getting his first fan in Kota, the fall out of the Todoroki's was well handled. In spite of his attempts at redemption, Enji's still hurt people and they aren't going to forgive him. It would have been so easy for quick forgiveness, but this makes Enji and Shoto's story all the stronger.

+The flash backs we got at the end with Izuku were pretty cool. It's interesting to see All For One in his younger years and how his empire camp to be. In the frightening world of Quirks with desperate people, his power to give and take power made him a king. It's a unique way to put him in power while still fitting within the world building.

-The other pro heroes have… neat designs. Look, for an arc that's supposed to be about the top heroes of Japan, there is shockingly little shown outside of Hawks and Endeavor. While they are the main characters, you couldn't have thrown a bone to the other characters? Maybe even revealed their Quirks or show off their personalities?

-Hood isn't that amazing of a villain. He's certainly a physical threat, but the fact that he's an intelligent Nomu doesn't really factor much into his character. He wants to fight, but that doesn't really give us much to work from. It feels like Enji is fighting some reflection or contrast and just something he needs to set on fire.

=Yeah, this was surprisingly good. The fact that Hori was able to turn around Enji’s to this degree is really impressive, but I do think that there is a lot more going on with the arc. It’s a good break from the main cast to flesh out the world and develops a lot of interesting ideas and plot points with the introduction of Hawks.

Culture Festival Arc: (8/10)

+Gentle and La Brava are great. They're so wonderful and different from everyone else. Their status as total jokes, both in and out of the series, betrays the fact that both are competent in their own ways and have a lot of care for one another. They're good set up for the later humanization of the villains of the series.

+I like the fight between Gentle and Izuku. Gentle's power is so cool to see in action and leads to an interesting fight dynamic. He isn't stronger than Izuku, but he's so tricky to deal with that it gives him an edge. It feels less like a brawl and more of the two trying to outfox each other, making it more distinct from other fights.

+This works as a good breather and much needed break from the more dower tone for the last few arcs, making for a comforting read. On that note, this is hands down the funniest arc in the whole series. Gentle and La Brava alone would qualify this arc for it, but a lot of the students have some good gags sprinkled throughout.

+I like a lot of the character bits we get. Not only does this arc actually develop Jiro and Eri, but it ties well into some of the general themes of the series. With how everyone is battered after the raid. It shows the kind of pressure that heroes go through and the importance of other kinds of heroics like Jiro's music.

+Not only does the arc establish the point of heroes saving people without fighting in Eri and Jiro's storyline, but the humanization of villains I mentioned before. La Brava and Gentle are both sad victims of circumstance who found strength outside the system in each other. It's affectively a microcosm of the major villains of the story.

-As much as I like this arc, I can admit it goes through kind of a whiplash plot and tone wise. Going from the Shie Hassaikai Arc to this is still pretty jarring to have everything stop and be light on both. I still like it, but I sometimes get the feeling of looking at my watch and wondering when things will be moving forward.

-There really should have been more exploration of the students. If you're going to do a plot light arc based around the school, it would have been a great time to see more of the students. If not from Class 1-B, who are major focuses of the next arc, then at least some of the lesser seen students could have had something going on.

=Probably one of my more controversial picks. I know this arc gets dogged on a lot by the fans, but I think that is wholly underserved. I thought it had a lot of value, even beyond its lighthearted story. And hey, I'm fine with taking breaks from the plot if I believe what's happening is worthwhile, and I certainly think it's worthwhile.

Sports Festival Arc: (8/10)

+In spite the low stakes of sport events, the arc manages to keep the tension up and mix things up with all the strategy and powers at play. Sure, running an obstacle course or doing a cavalry race isn't that cool on paper, but actively fighting against a horde of another students all with their own powers keeps it interesting.

+This arc really shows off some of Izuku's finest qualities. It was interesting seeing Izuku try and plan his way around the events given his huge disadvantages and amazingly shows off his character. Everything from his planning abilities, his skill in leading other people, and his genuine desire to save other people.

+Shoto was certainly the dark horse of the arc. While set up to be important early on, I don't think anyone could have predicted just how well his character and back story was done. That backstory really starts to delve into the darker themes of the story with his father, one of the top heroes, being an abuser that used his kids as tools.

+Of course, the Shoto vs Izuku fight is amazing. There is no contesting this. This is one of Izuku's most defining moments, effectively throwing away at chance at winning just to save Shoto. It ends in an emotional climax of Shoto regaining his power and Izuku losing, making for an subversion that makes sense and is satisfying. +The other side character work is done well, giving us more layers to them. Like hints of Iida's more vengeful side, Uraraka having this frightening amount of drive, and Bakugou showing some real respect to other people. It helps to subvert and expand on the characters, all while delving into more of their motivations and goals.

+This character work extends into more world building, especially with the new side characters. Shinso do a lot to build up the unfair the world can be in regard to Quirks while Mei introduces other aspects of the school and heroism as a whole. And this is all while they're both still fun characters to read about in their own ways.

-As for what happens in the rest of arc… it's pretty good. If you remove the highlight moments, most of the arc doesn't stand out as much in terms of what actually happens in it. I don't think it's bad by any means, but it's not something as amazing or exciting as the few highs of this arc and tends to skew a lot of people's perspectives.

-This extends to the other fights as well. Outside of the one standout I mentioned before, there isn't anything that spectacular to me brings up some frustrations like how Izuku was saved from Shinso by a Deus Ex Machina. Heck, the impetus of Momo's whole character arc is relegated to a single cartoonish panel summarizing the fight.

=I know this is a fandom darling and I feel a lot of that comes from the anime adaptation. To me, when looking at the manga, it's an arc of some extreme highs, but was above average to good with the rest of it. Certainly not my favorite but still a good arc.

Forest Training Camp Arc: (9/10)

+As someone who really likes to explore the mechanics of Quirks and hero work, I enjoy the various ways these Quirks can be trained and evolved and what kind of roles and pressures they would have to handle. Sure, cooking isn't something we really think about with heroes, but it makes sense to know that for disaster work.

+It's really satisfying to see Tomura use all the lessons he's used thus far, putting aside his short-sighted schemes in favor of a more thought out goal with a plan to turn the narrative against the heroes and capturing Bakugou. That mix with the inherent threats of the villains makes the League seem like a serious contender.

+A lot of the villains are pretty good. They don't have a lot of depth right now, but they don't really need to for the purposes they serve. They are all established enough in their own ways that they are interesting to see and makes you want to know more about them, leaving things open for use to learn more about them later.

+I like a lot of the minor stuff we got with the students. A lot of the pre battle antics are good at fleshing them out, but they really start to shine in the second half of the arc. Whether it be as active players in the arc, like Tokoyami and Shoji, or setting up for their own stories, like with Uraraka and Aoyama, it's all good stuff to read.

+Izuku vs Muscular fight is great. There's some real tension with Kota being threatened, we see Izuku being more emotionally and physically broken than any other point in the series. Only for him to overcome it with one of the most emotional panels in the series. The Million Percent Smash being such a perfect punctuation with the whole battle.

+I appreciate the arc ending on such a dower note. In spite everyone's efforts, the villains won. They kidnaped Bakugou, a huge portion of the students are in critical condition, and there is a potential mole within the walls of UA. It works as an affective low point for the next arc to build off of for the story.

+And in spite of the dark tone, the arc still manages to be really funny, like all the small interactions between characters, like Shoto subtlety throwing shade at Bakugou. And I standby that Izuku suddenly getting punched in the nuts is still one of the funniest moments in the entire series. I will die on this hill.

+This arc hits a perfect balance of pacing. The first half of the story is full of fun antics and lighter moments between the characters while the latter half is full of highly emotional action with a new gallery of rogues. And when it hits the ground, it hits hard and fast, never letting up on the fights and intrigue with the characters.

=While not as groundbreaking as some of the higher ups, I still hold this arc in a special place. Everything from the characters, to the fights, to the emotional beats are all handled so well that I often consider it the best of arc of the series. Even if you twist my arm, the only fault it has is that I simply like the other arcs more than it.

Stain Arc: (9/10)

+The art style drastically improves this arc. While I certainly saw a leap in quality once we got to the Sports Festival, the manga really starts to hit its stride once we reach Stain. The characters have more detail to them, the backgrounds pop a lot more, and the paneling is handled a lot better, making for a stronger experience.

+I like a lot of stuff with hero names and internships. Agian, it's a quick and easy way to help us understand and endear ourselves to the character while still developing the bigger ones, such as Iida's uncertainty as a hero after his brother’s injury or Bakugou trying to learn more about the social nuances of being a hero.

+The Full Cowl was such a good idea. The bone breaking was a neat gimmick to start with, but ultimately unsustainable concept. This offers a good side grade that still fits within the power. It gives Izuku far less power but grants him more control and a way to measure his progress throughout the series.

+Tomura and Izuku get some much-needed development. This arc sees them both growing beyond their world view when faced with an outside force, with Stain acting as their reality check. It sets up how the two will grow opposites throughout the series and further reinforcing the two parallels of our two main leads.

+Shoto and Iida get some time to break out of their original shells. While it's nice to see Shoto being far less cold to people, Iida going on a revenge quest is such a drastic yet believable turn for him. Having his righteous vengeance turn on its head and how such a thing would only sully the family name is all great stuff to read.

+Stain is such a great villain. He commands every single scene he's in and always remains a real threat in spite of his lackluster ability. Though the real meat is how much he's able to challenge the world and characters we see. The man has an iron clad code, one that makes he ready to lift up or deconstruct anyone he comes across.

+The fight with Stain is great. Stain is outgunned and outnumbered, but never outmatched, having much greater skill and what amounts to a one hit KO. That mixed with the closed off arena gives him a massive advantage. It's such a uniquely balanced fight and leads to a lot of interesting back and forth, yet still makes Stain a real threat.

+It feels like there were some real consequences to this arc. Stain wasn't some one-off villain, he changed everything, inspiring more villains and building up for the next big arc. Then there are hints to All For One, the who harmed All Might, being behind everything. It builds up a lot of intrigue for the rest of the story.

=Yeah, there is a good reason everyone talks about this arc. While Stain is the standout figure of this part, I do think it does a disservice to the rest of the arc to only bring up him. It's able to balance so much so well with how each of the characters grow and all meet up in fight. So yeah, it's well worth all the hype it gets.

Hideout Raid Arc: (10/10)

+This handles a lot of the aftermath of Forest Camp Arc well. All the students emotionally handling things and the teachers dealing with the fallout being well done. Giving Izuku a very real threat of damage to his body if he keeps pushing himself too far, set up some real stakes for his training and any future battles he has.

+I like a lot of minor moments between the students. Things like the debate at the beginning of whether or not to save Bakugou helps flesh out the class a lot. Then the bit of Momo and Iida keeping their friends from rushing in are good moments for them while still establishing just how big of a threat All For One is.

+And this is the arc where I think Bakugou clicked for me. We got hints of his depth before, but this is where it comes together. It gives us such an interesting peek into his headspace, like the view we got of his home life and getting his perspective on the concept of heroism and how it ties into winning for him.

+All For One's reveal was handled so well. The shadowy man we've heard so much about comes out with a devastating attack, destroying any opposition and horrifying the nearby students. It's nothing truly groundbreaking, but It's all presented so well that it elevates so much in the eyes of the reader as an impossible threat.

+The All For One vs All Might fight is one of the highest, if not the highest peaks in the series. What else could I possibly say? The beats are simple, but the execution is nigh perfect. The back and forth of the two, the reveal of Small Might, the second wind of power, All Might learning from Izuku, and the United States of Smash. All amazing.

+And while many people remember the main fight, I think the aftermath is just as good. The conflict between Izuku, Inko, and Toshinori is so natural and gripping, with Inko wanting to protect Izuku in spite of his dreams and this in turn hardening's Toshinori to the resolve of his new mission of training Izuku.

+Said aftermath sets up some many interesting and exciting plot points. The fall out of All For One's capture, All Might needing to deal with his life after being a hero, Izuku having to bear the weight of "One For All", Bakugou feeling guilt over All Might losing his spot, and the still immature Tomura now being out on his own.

+The tone is really well handled here. It gets pretty grim, but it doesn't get so dark that it takes you out of the experience and hits all the hopeful moments just right. And again, the comedy is oddly strong here. All Might opening his big entrance with a pizza delivery line and the rescue gang trying clothes on in a thrift store.

=Now, I don't need to tell you why this is good. What you may be asking is why it's not at the top. While I do think that All Might vs All For One is amazing and a good chunk of the arc, but there's still the rest of it. Again, it's some good stuff that gets overshadow a lot, but it's another case of something so amazing elevating the rest of the arc.

Shie Hassaikai Arc: (10/10)

+Not only is this arc unique from all the other arcs thus far, giving us our first real look at the hero world, the arc is great technically as well. It's always keeping up my interest and doesn't drag on at any point. The art is really good, especially with the character designs. Everything is as long as it needs to be, and nothing feels awkward.

+I really like how Izuku is handled here. He has been defined by his self-image issues but tackling that as All Might's successor is interesting. It does everything in its power to make you question if he was worthy, yet is always showing you his merits, namely his relentless will to help people no matter the threat may be.

+Sir Nighteye and Mirio are both good characters as well. They do work to contrast's Izuku own feelings and his role but are still enjoyable characters in their own right. Mirio as a hard-working hero with a good heart and Sir Nighteye as a fatalistic naysayer are both great in their own ways.

+In fact, a lot of the side characters are good in it. Kirishima gets a lot of good development, Tamaki is fun to read as the shy dork he is, Rock Lock presents a unique perspective on hero students, and Fat Gum is Fat Gum. Even with the more minor characters, they stand out enough to be interesting in spite of their lack of panel time.

+To me, this is the arc where Tomura really hits his stride as a villain. Without any proper support, he grows into the leader needs to be the League. Not only does this lead to some of his best moments and sets up his story but adds some much needed layers to the burgeoning villain, showing some real care for his teammates.

+Overhaul is such a great villain. Not only is he a massive threat in power, resources, and overall abilities, he acts as a good foil not only to Izuku, but to Tomura as well while still being his own character. His plan and goal are so unique for the setting, yet offer a frightening endgame, effectively controlling the supply and demand of Quirks.

+By extension, I think this does a lot to characterize the rest of the villains. Obviously, Twice and Toga get the bulk of it, building them up as people beyond their gimmicks, but the rest of the League gets their own moments to shine. This extends to the yakuza minions, who I think are my favorite ensemble of villains in the series.

+This arc ends on such a great note. Sir Nighteye's death crushes the heroes' side in spite the reconciliation. Meanwhile, Tomura gets out like champ, getting revenge on Overhaul and leaving with a dangerous weapon in his hands. It's a good way to start the slow shift of the dynamic between heroes and villains going forward.

=So while this doesn't think this hits the same highs as the Hideout Raid, I think it does accomplish more with its scope. It has a lot more to juggle in comparison to the Hideout Raid and pulls it off with flying colors. It obviously doesn't hit the same peaks, but holds as consistently level of quality, making me prefer it.

[little-doggy-girl-kisser]

The bad kids and whether they would be into superwholock

(with supernatural info from @fatally-addicted-to-fiction)

so the bad kids all love doctor who and watch it together but imma be prescribing their fav doctor

Riz: 100% this man is into sherlock but just because he hates it so much. All the plot holes in the mysteries drive him mad and he has his own conspiracy board for the plot lines. For supernatural he would skip all the plot episodes and only watch the filler case solving episodes. He would then realize he needs the whole picture and watch the entire 15 seasons. His fav doctor is david tennents because he does the most mystery solving.

Fig: Only know about sherlock from Riz's deranged ramblings but ships Jonlock. Fig recommended supernatural to Riz but has only watched the earlier 'edgy' seasons. Her fav doctor would def be Tennant or Capaldi due to their "i don't wear my heart on my sleeve but i do" attitude.

Kristen: Again only know sherlock from Riz and Adaine but ships jonlock and makes weird edits of them to show Riz who hates it. She loves supernatural- the biggest destiel shipper ever and has frequent arguments with Riz over whether it's canon (Riz thinks it totally normal to be so devoted to your best friend you would go to superhell). The biggest Matt smith fan, buys a fez, won't stop wearing the fez, the bad kids have to stage an intervention

Adaine: Also into sherlock but just sorta watches it in the background while she does other stuff. Like to try and solve the mysteries with Riz and hates what a pretentious prick Sherlock is in the later seasons. Adaine watches supernatural with Fig, Kristen, Riz, Jawbone, Sandra-Lynn and Ayda at mordered manor and really connects with the found family aspect. Casual fan. Her favourite doctor is Jodie whittaker and hates her shitty writing but she says her favourtie is Ecclestone cause hes her second fav.

Fabian: Not into sherlock at all, thinks it's for nerds like the ball. Same with supernatural but after seeing a few of the fight scenes he watches a few episodes alone in his giant house so he can feel connected to his friends and know what they are talking about. His favourite doctor is matt smith and peter capaldi for reasons

Gorgug: Watched season one but didnt go any further. Really likes the mark of cain arc and sees a lot of himself in castiel. He's just sorta vibing with the others who watch it. His favourite doctor is Tennat as he has more gadgets.

[soleminisanction]

U know i do kinda find it weird how some make steph have camaraderie w the ppl that tim knows

Like outside of the generaal batfam sphere(excluding helena bc she is a outlier and maybe jason but even then they get paired up in fandom spaces)

She just not?? Amicable or a team player tbh

Like in yj19 all the sudden the c4(excluding tim) are cool w steph??? Like what? When did that happen???

(or even that arc that they went to evil alt earth where they are all evil but steph isnt??? Writer did u not even realize what you have said about the other steph???)

Idk i just think of all bat character, she is to be stricly gotham base

I give Brian Michael Bendis (the writer on YJ19) a pass because I was following him on Twitter from the point YJ19 and the Wonder Comics imprint was announced, all the way through the end of that series.

From the second the announcement was made, his social media was completely inundated with people demanding that Stephanie be included in YJ19, entirely because she'd last been seen leaving Gotham with Tim. He also got flooded with asks about whether Cissie would make an appearance, or Aqualad (because YJ animated was still at the peak of its popularity and there was a whole contingent of fans who had zero clue that Kaldur was created for that show and that Jackson Hyde looks like but isn't exactly him), but with Steph? He and his co-creators got full on harassed, and it only got worse because she happened to turn up in a flashback in Issue 4. There were Internet journalists who derailed interviews he was giving to hype up his new Black and gay heroines just to demand more Stephanie, it was bad.

And then there was this whole mess that's going to be hard to explain succinctly. But it boils down to: given the timing of when the series was announced, they almost certainly had issues #1-#3 fully drawn and either at or on its way to the printer, issues #4-6 at least partially drawn and colored, issues #7-9 completely scripted and possibly with pencil drafts under way, and issues #10-12 drafted, with an outline already prepared for the second year if they thought they were going to go beyond 12.

But then something happened after the announcement -- and it had to have been after the announcement, otherwise they could've pushed back their release dates -- that led them to rewrite the entire second half of the year, everything from the end of #5 on. You can tell because the covers, which get made ahead of the rest of the issue, start going really wonky from #6 on and don't match up with the contents of the story, plus there's disconnect in the early solicitations. Also they skipped a month between #6 and #7 while making #7 basically a filler issue with guest artists who happen to have very simple, quick-draw cartoony styles that are easier to produce in a hurry.

That kind of turn-around on a publishing project is nuts, it's not fun to deal with. I would be surprised if Bendis had time to give his artists more than a "shitty rough draft" to work off of. But like I said he was still getting this constant barrage of demands for Steph so, as long as he was doing rewrites anyway, he took the chance to drop her in, or maybe the editor insisted he do so to try to bring in more readers. Either way, he just didn't have the time to make it good or put any thought into it.

I honestly feel so bad for their whole creative team. That's such a terrible situation to be in, and the first five issues make me feel like they were really putting their hearts into it. It's so sad it got derailed so badly.

[mask131]

You know, I stopped regularly watching Doctor Who sometimes after the Silence arc, and I still kept looking casually and randomly at DW throughout all the following years, plus the Internet discourse one cannot escape. That's the kind of territory where you can't help but being spoiled all the big twist without knowing what any of the small or filler episodes are about.

But I didn't stop watching DW out of hatred or dislike or anything. It is just that, at the time, I didn't have time to watch it and you know, I needed a pause, so I did, and I never fully dedicated myself to it again. Yet now I feel I can do for one specific reason.

The Internet.

I watched Doctor Who back in an era I will call the pre-Internet era. Not that Internet wasn't there (in fact the Silence arc episodes I watched on DAILYMOTION back when there still was daily releases of subbed Doctor Who episodes ~ ah the glory days), but I wasn't involved in it so much, and in return Internet wasn't involved so much in shows, and it was long before the entire concepts of fandoms and hatedoms became like an actual thing in people's minds. So I had this very intimate, personal, directly me-to-the-show experience with Doctor Who, at first on TV, then on my computer screen but still without people's comments or long analysis posts or Twitter hot takes bothering me in any way.

And I am glad I "skipped" so to speak an entire Doctor Who era precisely because how insane and fractured and warfaring the DW fandom became, and how people who don't know two shits about DW suddenly declare themselves "expert reviewers".

The funniest thing I see is probably this endless cycle that keeps being repeated again and again: new Doctor comes out, suddenly everybody masses against them to hate it with all of their heart ; then another new Doctor comes out, and suddenly people look more fondly on the previous one and start saying "Okay, this season wasn't so bad, people really were too harsh, turns out there were very cool things in it!", only to throw all of their hatred onto the next Doctor... which then gets redeemed when the NEXT Doctor comes in, and this is a cycle that just KEEPS REPEATING ITSELF. For many it started with the Capaldi era, and then the cycle solidifed itself with the Whittaker and most recently Gatwa eras...

But trust me, it was there before. It was there with the Smith era - which I live through and myself felt a bit just because of how attached we were with Tennant Doctor ; and even before it was there with the TENNANT ERA. Not many people recall this because a lot of the outspoken people who "love" or "hate" the show today are from more recent generations of the show, but back when Eccleston was changed to Tennant, people thought it would be the death of this reboot, as many loved Eccleston and didn't have any hope or liking for Tennant - who wasn't back then as much of a famous and loved actor as he is today.

But that's another thing with the Internet as a whole - because yes, the way fandoms and hatedoms speak is like brainwashed cultists who somehow all share one hive-mind and I don't feel anything wrong with talking about the Internet as a whole in an era where individuality seems to be concept gone out of the window. Internet has a short-term memory. In fact you can clearly see it with a lot of plot points or tonal elements or character writing that people complain or hate about modern Doctor Who... AND WHICH WERE THERE IN OLDER DOCTOR WHO. People keep treating "old" DW as this sort of "ever-serious, extremely deep, dark and complex" thing, except they might forget that it was also very much seen as an extravagant, bizarre, nonsensical, corny sci-fi show. In fact, the way some people complain about the "good old days of DW" literaly feels like these people never watched the show and came up in their head with a whole different series.

And what is the "old" DW you ask? Literaly every DW season that is before, oh let's say Capaldi era, and even this one starts getting classified in the "good ol' classic DW" sometimes. There was a time, long ago, where the "old" DW was anything before the reboot. But now, with all the people that think the reboot is the only DW there ever was, "old DW" can literaly be all that came before the season you are watching now.

I remember complaining about the "fantasy" elements being brought up for example in more recent seasons, making it "unbelievable" "unlike the old classic DW". YOU REMEMBER WHEN THE DOCTOR WAS HEALED BY THE POWER OF LOVE, during his first great battle against the Master in the reboot? When Tennant's doctor literaly was rejuvenated by just enough people speaking his name? So much so for the "hardcore sci-fi DW" you're trying to sell us.

Sorry but I HAD to let this specific one be shouted because seriously a lot of people seem to have literal BLANKS over any part of the Tennant-and-before eras that doesn't fit their bizarre DW ideal, and I do believe that if one of the old seasons, even just the first season of the reboot, was aired today as the "next Doctor Who" a lot of people would complain about it not being as good as "before".

So anyway all of that being said in this unhinged rant, I think I have let enough years go by so that I can, once again, rewatch full seasons of Doctor Who absolutely unbothered by any Internet talk because that's the other beauty of the Internet - when something is more than, I'll be generous, two years old everybody just stops speaking about it, and it is SUCH a relief of mental pollution!

And in this day and age, when you are on the Internet, it is such a rare opportunity to be able to watch something without being flooded by other people's opinions who want to convince you theirs is the sole and only one, and shout in your hear until you have no place to think for yourself.

[totallybakedcake]

And back to JJK. Demon slayer? Unfinished anime and how I got into anime..

This is just pure dumb stuff, randomness, and even cringe stuff thrown here, so feel free to skip!

For starters, JJK was one of my first animes. I had been dying to watch it, but I could not watch it because my brother was against it. But eventually, I did watch every episode until the Shibuya arc, and after that, I stopped because there would be too much violence and all that.

This led to my biggest mistake: starting anime and watching spoilers

Spoilers

Naruto was actually my first anime, and I binge-watched so many episodes at once and cried so much. It was super fun, and I even watched so many fillers, but my brother eventually said that season 2 of the series has too much of a serious tone and did not let me. So, what did I do?

Spoil the whole damn anime for me

And then finally, I was going to watch. I watched about another 200 episodes, and then that was the end of my Naruto saga. I know what happens in the war: Boruto, Naruto marrying Hinata, and all the Akatsuki backstory, so I just gave up.

And the same happened with JJK. I saw way too many spoilers, and I still watch the later chapter spoilers too; even JJK ended with me.

I was just going to start the manga from the Shibuya arc yesterday, but then I started Demon Slayer, which I also know the ending of.

The reason I am so into Windbreaker, Kaiju No. 8, Sakamoto Days, Spyx Family, the Millionaire Detective, Buddy Daddies, and even Gakuen Babysitters is because I did watch any spoilers for them.

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The reason I even got into Quotev, or my first app where I read fanfiction,.

I had an obsession with Yuta from JJK, now that I think about it. I cannot help it; he is just too good, but writing fics about him is kind of awkward to me because of Rika.

It was from my grandmother's phone that I read my first anime fanfiction, It's Pure Love by Whale Crumpet. If you want a good Yuta fic, I would totally say to try this one out, but the author hasn't updated it since 2022, and I feel my heart breaking. Even though they said they would return to quotev, they never did.

The Yuta fic I loved the most was Cupid's Cursed Arrow by Strawberry Belle. Damn,  did I fall hard for this fic. I would tell everyone in my house that Cupid's arrow was updated as I read it; it would give me giggles each time. That fic also hasn't been updated for 5 months.

Honestly I am not a sucker for crossover manga. It has to be super specific to my liking but Euphoria by Sceretstarlight was just too cute. Made me fall harder. Even the author of that fic on quotev is like the real life version of Mitsuri. I love her a lot♥️♥️

It was then a random day where I suddenly got an idea to write a Yuta fic, and I wrote it, rewrote it again, and the rewritten one has ten chapters in my notebooks, which I still have for the memories. I did read it a while ago, and it was terrible, but I had no freaking experience, so what can I do for that?

If anyone does want to read and give me some opinions on that chapter 1, I did upload it in my random ideas thrown here as a quote. You can read that here.

The only original story I have made is Lost in Dreams, which is again on quotev.

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And for Tumblr, I clicked on the website once and was reading what I thought was a Yuta period cramp comfort, but it required me to sign up and all, so after a while, I did do that, but that fic was a Yuta vampire smut fic, and I ended up not liking it.

I just read fics, I have no idea how to make my own blog, about tags, dashboard, you could follow people and even like there works.

One thing I do know is I had a Sung jinwoo fic reading obsession like I loved reading about him okay. The first Jinwoo fic that stole my heart was by @catboyfics. Hunter is a series and it was the first Jinwoo fic I read and was so so in love with. It was my first non JJK fic I read and it felt different than the others if you know what I mean. I didn't understand how to save or like a fic on tumblr so I lost it and I was super devastated truly I was super duper upset and sad that I spent what 2 hours searching the Jinwoo tag on tumblr and when I did not find it I could have even started crying BUT I found it again and I saved the upload in my folder where I can easily read it and also followed catboyfics. I hope they are alright because they haven't been/ updated their blog in 2 months.. I also have no memory on how I got to know about tumblr but now it is my most used website..

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That is the current problem with JJK fics, imo; the tags and stories are just almost pure shit. I am not saying bad to the writers; they have fun and they do what they want to do, but seriously, we need more JJK fluff, comfort, taking care of female readers, and overprotective fics. I just stated what I like, but whatever.

I have so much to write, but will I write that? No

Will I write dumb, stupid, and nonsenseful things? YEAH

I feel so stupid writing this but whatever let me rant/write random things for compensation for this horrible day

[whereistheonepiece]

Big man i just started the anime (i mean im on ep 70 or smth) and id appreciate if you could point me towards the fillers with zosan content. Im trying my best to catch up quick so im skipping most fillers but id love that content

Ehhhh, I can only think of two. At least that stuck out enough for me to remember. And these are brief. You have to understand that I was at a level of brain rot when I first watched the anime where I was like "Omg, they're in the same scene together! :)" So I don't want to build up any expectations if you're skipping filler to save time, you feel me? What I'm saying is I'm biased lol.

So there's an episode in the filler immediately after Water 7/Enies Lobby where Zoro has to babysit some random kids. No spoilers if you don't want them, but it has an exchange that I think is a pretty iconic Zosan moment, even if it doesn't actually feature Zoro and Sanji interacting.

Then the other moment is so tiny that I hesitate to share, but I will so you can decide if you want to watch it. Actually, this is a filler arc I quite like. It's one where the crew gets amnesia, eps 220-224. Zoro falls into some water at some point and Sanji offers to help him up and that's it. Asdfhjk. Brief moments.

Most of the Toei provided Zosan content just comes in small moments sprinkled throughout the anime, in the midst of canon arcs.

It's not filler, but there's a movie where the boys talk positively behind each other's backs. It actually was the final push I needed to start shipping Zosan. It takes place after the Alabasta arc, which comes later for you. It's called Chopper's Kingdom on the Island of Strange Animals. I don't remember the movie itself being good but the Zosan moment in there makes it worth it to me lol.

If anyone wants to share in the notes their favorite Zosan filler content, please don't be shy!