#Ireon Roach

[moviemosaics]

Perpetrator

directed by Jennifer Reeder, 2023

[georgcfan]

[moviesandmania]

DEPARTING SENIORS (2023) Reviews of comedy horror and release news

‘Graduation’s a killer’ Departing Seniors is a 2023 American comedy horror film about a nerdy high school senior who develops psychic abilities which he must use to stop a mysterious serial killer targeting his classmates. Directed and co-produced by actress turned filmmaker Clare Cooney, making her feature directorial debut from a screenplay written by actor Jose Nateras. Also produced by Jose…

[gebo4482]

Departing Seniors - Official Movie Trailer (2024)

Dir: Clare Cooney Star: Ignacio Diaz-Silverio / Yani Gellman / Ireon Roach

[padmaddean]

Keisha & Jessica

4400 s01e04

[bonobochick]

Gals night out for Keisha, LaDonna, Claudette, + Shanice. 

4400, ep 1x05

[prettyfamous]

Ireon Roach | Vulkan | March 2022

[blackqueercharacters]

Ireon Roach as Keisha Taylor

Appears in 4400.

[milliondollarbaby87]

Candyman (2021) Review

Anthony McCoy a struggling artist is about to discover the legend and myth of the Candyman and it will completely consume not only him but his work as well. Say his name . . . ⭐️⭐️⭐️⭐️ (more…)

[thewizardofloneliness]

Jesse please don't jump! You'll make a mess down here and its already such a fucking mess down here! I'm not going to jump. I like the view. From up here I can see the highway in the distance. It’s really far but I can see it. I need to know there’s a way out of this place.

Knives And Skin (2019) dir. Jennifer Reeder

[junghwwwa]

Quand on découvre “Knives and skin”, on ne peut s’empêcher de penser que Jennifer Reeder a vu Twin Peaks tant la disparition de Carolyn Harper fait écho à la devenue mythique disparition de Laura Palmer. Elle ajoute à cela un fond féministe dans-l’air-du-temps et des fantaisies esthétiques mi clippesques mi girly. Le film intrigue parfois, peut-être parce que son début lynchien nous allèche et que son côté féministe nous retient et puis les looks des jeunes filles sont assez formidables et/ou improbables et quelques scènes font leur petit effet. Malgré tout, l’ensemble ne tient pas tout-à-fait la route. C’est trop clinquant, trop maniéré, trop appliqué, trop démonstratif, trop froid. Comme une “publicité” contre le viol un peu trop longue et non une oeuvre filmique à part entière. On retiendra quelques scènes de chant, de reprises désenchantées enchanteresses, mini clips oasiens au milieu de ce mirage qui nous laissait présager mieux mais nous laisse un peu sur notre faim. 

[genevieveetguy]

Knives and Skin, Jennifer Reeder (2019)

[rickchung]

Knives and Skin (dir. Jennifer Reeder) x VIFF 2019.

Set in an unnamed American midwestern town, Reeder’s teen movie take on Twin Peaks’ sense of weird storytelling unravels an amusing horror genre style mystery.

[vintagewarhol]

[themovieblogonline]

Perpetrator Review: A Promising Premise That Falls Short

Perpetrator, directed by Jennifer Reeder, is a film that attempts to blend elements of supernatural transformation with a mystery surrounding a series of teen girls' disappearances. While it offers an intriguing premise and a few commendable performances, it ultimately falls short in several key aspects, resulting in a movie that struggles to engage its audience effectively. https://www.youtube.com/watch?v=EvkVyZPKhEs The film's plot centers around Jonquil 'Jonny' Baptiste, portrayed by Kiah McKirnan, a troubled teenager sent to live with her estranged Aunt Hildie, played by Alicia Silverstone. On Jonny's eighteenth birthday, she undergoes a radical metamorphosis due to a family spell called Forevering. This transformation sets the stage for the supernatural elements of the film, which could have been a fascinating exploration of identity and power. The Good: One of the film's strengths is Kiah McKirnan's portrayal of Jonny. She delivers a compelling performance, capturing the character's inner turmoil and the physical changes she undergoes effectively. McKirnan's ability to convey the emotional complexity of Jonny's journey adds depth to an otherwise uneven narrative. Additionally, Alicia Silverstone as Aunt Hildie delivers a noteworthy performance, providing a sense of gravitas to her character. The cinematography and visual aesthetics of Perpetrator are a mixed bag. While some scenes are visually striking, with creative use of lighting and composition, others feel uninspired and lackluster. The film's attempt to create a sense of foreboding and mystery through its visuals falls short, as it relies too heavily on clichéd horror tropes. The Bad: The film struggles to maintain a consistent tone and pacing. The first act, which establishes Jonny's troubled past and the mysterious Forevering spell, shows promise. The audience is introduced to a world where supernatural forces are at play, and there is a sense of anticipation regarding Jonny's transformation. Unfortunately, the film fails to capitalize on this potential as it transitions into the mystery surrounding the missing teen girls. The mystery element of Perpetrator is where the film begins to unravel. The pacing becomes disjointed, and the narrative lacks cohesion. The introduction of Principal Burke, portrayed by Chris Lowell, as a potential suspect in the disappearances is underdeveloped and feels forced. The film fails to provide a convincing motive or backstory for the character, leaving the audience disconnected from the central conflict. Furthermore, the supporting characters, including Jonny's family members and her schoolmates, are one-dimensional and lack depth. Melanie Liburd as Jean Baptiste and Ireon Roach as Elektra are given limited screen time and are relegated to background roles, preventing the audience from forming a meaningful connection with them. This lack of character development weakens the emotional impact of the film and diminishes the stakes of Jonny's quest to uncover the truth. The film's supernatural elements, including Jonny's transformation and the Forevering spell, are intriguing concepts but are underexplored and poorly explained. Viewers are left with numerous unanswered questions about the rules and limitations of this magical world, resulting in frustration and confusion. The film misses an opportunity to delve into the psychological and emotional consequences of Jonny's transformation, making it difficult for the audience to fully invest in her character arc. The cinematography and visual aesthetics of Perpetrator are a mixed bag. While some scenes are visually striking, with creative use of lighting and composition, others feel uninspired and lackluster. The film's attempt to create a sense of foreboding and mystery through its visuals falls short, as it relies too heavily on clichéd horror tropes. Additionally, the film's soundtrack is unremarkable and fails to enhance the overall viewing experience. A memorable score could have added depth to the film's emotional moments and heightened the tension during critical scenes, but this potential is left untapped. Overall: Perpetrator is a film with an intriguing premise and a few commendable performances, particularly from Kiah McKirnan and Alicia Silverstone. However, it falls short in several crucial areas, including pacing, character development, and the exploration of its supernatural elements. The disjointed narrative and lack of cohesion make it challenging for the audience to fully engage with the story. Ultimately, Perpetrator leaves viewers with more questions than answers and fails to deliver on the promise of its premise. Read the full article