#Iranian Animation Industry

[writingwithcolor]

Hey folks!

It has been a while! Well, we wanted to announce some big things coming your way!

WWC Askbox: Soft Re-Opening

Wednesday, Nov 1, 2023 to Thursday, Nov 30, 2023

In light of the recent attention WWC has received by the writeblr community, and the reception to our Guide to Academic Research—the mods have decided that we will temporarily reopen to your questions and test some important changes to the site! As you may have noticed, we've taken a much-needed break to catch up on our personal lives and restore our inspiration to answer the hundreds of Q&A that we receive. 

Once the submission window is up on Nov 30, we will evaluate how our new system is going, tinker some more, and reopen once again once the construction dust clears.

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Read the masterpost here and ask your question!

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Want to submit an ask? 

The below are topics of asks that we will get to right away, based on the mods who are currently active. 

Black 

Chinese

Colonialism

Iranian/Persian 

Japanese (INCLUDING: Anime fanfic questions! Only Mod Rina will be answering anime questions, and only if she feels that the ask would make for an educational post.)

Jewish

Mixed race

South Asian: Hindu, Indian, Punjabi, Sikh (please remember that when asking about South Asia you must indicate region & time period) 

Taiwanese 

Writing/Publishing industry 

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[humansofnewyork]

(16/54) “When the children were old enough I started reading them Shahnameh before they went to sleep. The stories of Rostam were too violent. They’d cry and cry. So I started with the stories of Iran’s mythic kings. These were the first kings of Iran. They discovered fire, language, and law. Some of them spoke to animals. Others lived for hundreds of years and sat on floating thrones made entirely of precious stones. It’s not known if Ferdowsi intended to name his book Shahnameh. The Book of Kings. But the title fits. For as long as there has been an Iran, there has been a king. In 1967 Mohammed Reza held a coronation ceremony. By that time he’d already been king for twenty years. But he’d wanted his coronation to wait, until Iran was prosperous. And now it was. The Shah had come a long way since that day I’d first seen him in the shrine. He’d tightened his grip on power, and his popularity was at an all-time high. The White Revolution had been a massive success. Iran was rapidly industrializing. Millions of Iranians were lifted out of poverty. Hundreds of new schools and universities were built. And it was a time of great freedom. Iranian women had more rights than anywhere else in the Muslim world. They could vote, obtain a divorce, own property, and run for office. In the words of Saadi: ‘The homeland is where no one disturbs the other.’ In Tehran you could see women in mini-skirts standing next to women who were fully-veiled. On the day of his coronation The Shah rode to the palace in a golden carriage pulled by eight Hungarian stallions. As he passed the streets were filled with shouts of ‘Long Live The King!’ Trumpets blared. Guns fired. The Air Force dropped 17,532 roses from the sky. One for every day of his life. At the coronation a crown of diamonds was placed upon his head, and he took his seat on the famous Naderi throne. It was decorated with carvings of lions and dragons. And it was covered with 25,000 precious stones.”

 هنگامی که بچه‌ها به سن دبستان رسیدند، شب‌ها خواندن داستان‌های شاهنامه را پیش از خوابشان آغاز کردم. بسیاری از داستان‌های رستم پر از خون و‌خشونت بودند. آنها را به گریه می انداخت. بنابراین از داستان‌های پادشاهان افسانه‌ای ایران آغاز کردم. آنها نخستین پادشاهان ایران و جهان آشنای آن روزگار بودند. آفریننده‌ی آتش، زبان و قانون. برخی از آنان جانوران را رام و با آنان زندگی می‌کردند. برخی دیگر سدها سال زنده می‌ماندند و بر تخت‌هایی که از سنگ‌های گرانبها درست شده بودند، می‌نشستند. روشن نیست که آیا فردوسی می‌خواست نام کتابش شاهنامه باشد یا نه. ولی نامی زیبنده‌ی کتاب است. از نامه ی شهریاران پیش سخن می‌گوید: من این نامه‌ی شهریاران پیش / بگفتم بدین نغز گفتار خویش. پادشاهی از ایران برآمده است. در سال ۱۹۶۷ مراسم تاج‌گذاری‌اش برگزار شد. تا آن هنگام بیش از بیست سال از پادشاهی‌اش گذشته بود. ولی او تاجگذاری‌اش را تا رسیدن به پیشرفت ایران به عقب انداخته بود. و اکنون پیشرفتی به دست آمده بود. شاه از نخستین باری که او را در حرم دیده بودم راه بلندی را پیموده بود. او بر قدرت سیاسی‌اش افزوده و محبوبیتش به اوج رسیده بود. انقلاب سفیدش موفقیت‌آمیز بود. میلیون‌ها ایرانی از فقر رهایی یافته بودند. سدها مدرسه و دانشگاه نوین ساخته شده بود. ایران به سرعت در حال صنعتی شدن بود. و دوران آزادی‌های بزرگ فرا می‌رسید. زنان ایرانی نسبت به دیگر جاها در جهان اسلام از حقوق بیشتری برخوردار بودند. آنها می‌توانستند رأی بدهند، درخواست طلاق کنند، صاحب دارایی شوند و نامزد انتخابات گردند. سعدی چنین گفته بود: وطن آنجاست کآزاری نباشد / کسی را با کسی کاری نباشد. در تهران، زنانی را می‌شد دید که با دامن‌های کوتاه در کنار زنانی با چادر و حجاب کامل ایستاده‌اند. در روز تاجگذاری شاه سوار بر کالسکه‌ی سلطنتی زرین که به وسیله‌ی هشت اسب مجاری کشیده می‌شد به کاخش رفت. در طول راه، خیابان‌ها پر از مردمی بودند که فریاد «جاوید شاه!» سر می‌دادند. شیپورها نواخته شدند. تفنگ‌ها شلیک شدند. و نیروی هوایی ۱۷۵۳۲ عدد گل سرخ از آسمان رها کرد. یک گل برای هر روز زندگی‌اش. در آیین تاجگذاری، شاه تاجی با ۳۰۰۰ قطعه الماس بر سر نهاد و بر تخت نادری نشست. تختی آراسته به ۲۵۰۰۰ یاقوت کبود، زمرد و یاقوت سرخ

[ashuribbon]

Ashur! How do you feel about Devsisters' racism in TOA? To me, as an African American, it is foul 😭

Apparently the GC Kingdom was close to getting misrepresented as well

In short, me @ Devsisters:

In long... (More under the cut)

I feel you, anon. I really don't blame you for being resentful about TOA's racism and how the Golden Cheese Kingdom was the closest we got to actual representation.

Trust me, being someone who is an indigenous SWANA (Iranian and Bakhtiari), it just felt really godawful that Devsis would just up their racism to 11, especially after the multiple Yogurca instances. I have close friends who are African American, one of whom not having played any CR games in years and just got back into CR through TOA, it just felt... unsettling that of all the things they did, they had to be that insensitive and stoop an all-time low. It's not my place to speak about either of these, but even I know that it's damning and insulting when you add Native American outfits as a prop for aesthetic (especially given how they were talking about why it shouldn't be treated as such) and depicting Africans as monkeys and demonizing voodoo. Also, Plaintain Cookie's design... yikes... /vneg

I'm even hearing about some people on Twitter mentioning that the people in the TOA Discord were literally downvoting any criticisms involving the racism in the game. The amount of ignorance I'm seeing is just so heartbreaking, especially since the CR community is extremely diverse. The whole "Devsisters didn't know!" and "They're just cookies!" shtick isn't going to save them from this one, especially considering they have made racist depictions in the past.

If I were an executive at Devsisters, I would actually go to people who ARE Native, SWANA, African, etc. and just ask them for advice and help on the do's and don'ts. Hell, I even recall having to go to people I know who are from cultures they represent for help on a character I am designing or get research. Even one of the people I know in the animation industry commissioned me to help redesign his DND character since he knows I'm SWANA. I can name different video games and movies that did a better job in doing the task of researching things and getting help from the minorities representing the culture than did Devsisters.

Now, I'm not discouraging people from playing any Cookie Run game. I've played the games for years and still find it to be a piece of comfort since it saved me during my lowest point in life, so it means a lot to me as a whole. However, it's important to understand the issues and listen to affected minorities when we discuss about the racism in the Cookie Run games, and TOA is one of the games that we have every right to criticize. People shouldn't throw hissy fits when we say that Devsis shouldn't depict voodoo in a bad light, or depict those who are African as monkeys, or treat Native American clothing as an aesthetic.

As much as I love Tower of Adventures, I am begging that we take action and slap some sense to them and realize their mistakes.

[primeministerofantarctica]

*trips* oh oops i heard we were talking about our a3! ocs

Name: Lemon

Age: 13 (year 1)

Flower: Water Lily

Quote: "I knew it! You're the one who murdered Mrs. Ingle... oh, wait. Sorry!"

(picrew)

Citron's younger sister. She had a very sheltered upbringing due to being a princess so she can be a little naïve and airheaded. She learned how to play the Iranian barbat as a child, then later on guitar and ukelele, and has a video channel where she uploads covers of popular songs. LOVES murder mystery books and gets really into them to the point she forgets she's not actually in one sometimes.

---

Name: Moe Sakisaka

Age: 22 (year 1)

Flower: Primrose

Quote: "Don't be ridiculous, who *doesn't* carry around an industrial crowbar?"

(picrew)

Muku's older cousin on his father's side of the family. She's an EMT, currently in training to be a paramedic, and crazy-prepared, carrying around a backpack that somehow always has what you need. When she's not working she likes rollerskating and learning how to do cool tricks.

---

Name: Shio Takuma

Age: 24 (year 3)

Flower: Aster

Quote: "Hey, you! Can you open this umbrella real quick? I wanna try something."

(picrew)

Recently graduated from Veludo Arts University, where they majored in computer animation. Really big believer in occult-ish type stuff like healing crystals and used to ask Banri if they could "observe and study" his "luck-granting spiritual energy~". Post-graduation, now they're living in a one-room apartment downtown and trying to make a living running a blog documenting the existence of aliens. They have a hearing service dog named Rocket, a Bernese Mountain Dog that's best described as a 100-pound puppy whenever he's not working.

[ashitakaxsan]

The Value of  “The Heroic Legend of Arslan” Manga.

   Just recently the news got: Hiromu Arakawa's(the mangaka of Fullmetal Alchemist,Silver Spoon) “The Heroic Legend of Arslan” Manga is getting the great preparations for its "final,decisive battle". Namely the  outcome of the upcoming Fierce battle will certainly judge the life of Prince Arslan,and of all of the kingdom of Pars.Of course this,in one or other way, will have a Great Impact on its avid supporters in Iran.

Physician Yoshiki Tanaka created the Light Novel series Amir Arsalan,this is the basis for Hiromu Arakawa’s  action-fantasy manga through Kodansha's Bessatsu Shōnen Magazine.

The story is:

ECBATANA IS BURNING

   In the prosperous kingdom of Pars lies the Royal Capital of Ecbatana, a city of splendor and wonder, ruled by the undefeated and fearsome King Andragoras. Arslan is the young and curious prince of Pars,who despite his best efforts doesn't seem to be qualified for a proper king, like his father. At the age of 14, Arslan goes to his first battle,but loses everything as the blood-soaked mist of war gives way to scorching flames, he’s in pain witnessing the demise of his once glorious kingdom. However,Arslan is  destined to be a ruler, and despite the trials and hardships he faces,he has to reclaim his fallen kingdom.

The anime adaptation is set in ancient Persian-inspired fantasy world.

The comments for The Heroic Legend of Arslan are largely positive: "Thank you Japanese for portraying Iran's history," or "You have brought pride to the country's history and culture."

Many netizens were surprised that Japan would make an animation about Iran. One fan thought that Japan "pitied" Iranian history and that "the world is gradually coming to understand our culture and ancient stories." Many regretted how much ancient Persian history was passed over in Iran in favor of Islamic themes. "Iran only makes movies about Islam and Arabs," the above fan wrote. "Our country has many glories and stories, but it doesn't make movies or dramas about them. There are countless religious movies and dramas, but the settings and characters aren't Iranian," another lamented, going on to compare Arslan's depiction of ancient Persia favorably to Hollywood portrayals like Prince of Persia, 300 and Alexander.

Some commenters were pazzled why Iran doesn't have an active animation industry,why Arslan wasn't made in Iran. "I think the country should make animation about our own history" is a typical remark. "Those who think this anime is worthless, why don't you make a better one? This is a very good anime. If you don't like it, you don't have to watch it," huffed another commenter. An animation student defended Iran's animators and pointes out that one, Rasoul Azadani, had worked on films of the Disney Renaissance, albeit opportunities to study animation and broadcast it were severely limited.

A few comments took issue with the anime's so called immorality, especially since the priestess and formidable archer Farangis (above) is dressed immodestly. "The Japanese have certainly made a story based on Iranian civilization, but there must be ulterior motives behind this," one poster assertes. "It becomes clear when you look at the women's clothes. It's true that at that time Iranian women did not cover their heads, but they wore clothes that covered their bodies. Before others recreate Iranian history for us, why don't we study our own virtuous history?" Another viewer went further and claimed the anime was a plot to deceive Iranian girls. "The opinion that Farangis is virtuous, even though she doesn't wear a hijab, is ridiculous. There is a direct link between feminine virtue and the hijab... [but] Iranian girls are wise and the enemy is misguided."

Yet there are netizens perceiving  that Japanese animators were attempting to corrupt Iranians,or due to the anachronism of judging pre-Islamic Iran by Islamic standards of morality. "Unfortunately some people in our country think of other countries as against ours, and don't want to think that the expression of thought and speech in newspapers, animation or film is free." Another fan noted that "anime these days is full of [women dressed immodestly]. There are no Zionists or puppeteers behind the scenes. Why do Iranians question others so much?" Others pointed to ancient wall art showing nude women, or recommended the anime for its incorporation of elements from the national epic, the Shahnameh, like the stories of Rostam, Farangis and Siyavash. "You won't be able to say it has nothing to do with Iranian history and culture," a history aficionado asserted.

Below:the main cast of the series9art Hiromu Arakawa):

My say:

Both Japan and Iran have ancient history and civilization.tanaka sensei,Arakawa sensei too took this bold decision due to their fondness for iran.And the Japanese animators went along well with the decision for this anime,which is Higher than Game of Thrones.No offence,the point is GoT is lame, compared to Arslan Senki.

Either Arslan will have a solid win either will fall into the battle will make Impressions domestically ,and in Iran too. the Iranian fans of manga,anime are waiting to see...

[rabbitcruiser]

World Wetlands Day

World Wetlands Day is observed on February 2 to recognize and celebrate the importance of wetlands to the world, and the diversity of life that they support. Wetlands can be a very small or a very large area where the land is saturated with water throughout the year.

Wetlands are one of the most misunderstood ecosystems. They have a lot of biodiversity, and large numbers of animals, plants, and birds live there. They are also very beneficial, preventing soil erosion and offering protection against flooding, among others.

HISTORY OF WORLD WETLANDS DAY

World Wetlands Day, popularly known as World Wetlands Day, was first organized by a group of environmentalists who wanted to celebrate and protect wetlands. The date, February 2, also marks the date when the Convention on Wetlands was adopted in the Iranian city of Ramsar.

This day is all about celebrating the importance of wetlands to the earth and everyone living on the planet. Environmentalists use this day to spread information about Wetlands, and what people can do to protect them.

Wetlands are areas that are flooded with water for the majority of the year, where life has evolved to exist in these flooded, oxygen-less conditions. Every single continent has its own wetlands. They perform a number of vital functions for the land.

Wetlands are the main source of groundwater refills. They are also the first line of defense against storms and typhoons. Wetlands purify water, and in some places, they are artificially constructed to purify industrial runoff water.

Wetlands are teeming with life, and are home to unique plants, fish, reptiles, mammals, amphibians, and birds that can’t live anywhere else. However, wetlands are also extremely ecologically sensitive. They are the most easily affected by environmental changes and climate change. Even minor changes can prove catastrophic for wetlands, and all the life that is dependent on them.

The main aim of Wetlands Day is to spread information about how valuable wetlands are, and encourage people and governments to take action to prevent their loss. Recognizing this, the U.N. decided to formally institute World Wetlands Day on the day it had been celebrated by environmentalists, February 2.

WORLD WETLANDS DAY TIMELINE

1971

The Convention on Wetlands is Signed

This convention, one of the older environmental agreements on a global scale, is adopted at the city of Ramsar in Iran.

1975

The Ramsar Convention Comes into Force

Countries that had signed the convention now begin to adopt the measures listed in the agreement.

1997

The First Wetlands Day is Celebrated

A group of environmentalists comes together to celebrate wetlands, spread information about them, and work together to protect the wetlands of the planet.

2021

The U.N. Institutes Wetlands Day

Recognizing the efforts of environmentalists and the importance of protecting wetlands, the U.N. formally institutes a global day, February 2, to celebrate wetlands.

WORLD WETLANDS DAY FAQS

Who is responsible for wetlands?

The people, governmental agencies such as the E.P.A., and the United States Army Corps of Engineers are all responsible for wetlands.

Can wetlands be farmed?

If part of your farm is a designated wetland, you can continue to farm as long as you don’t alter the drainage systems of the area.

How long does it take to restore wetlands?

Depending on the damage, wetlands can be restored in three to four years.

HOW TO OBSERVE WORLD WETLANDS DAY

Make a poster or brochures: An important way to celebrate wetlands is by spreading information about them. Put together a poster or some brochures with information about wetlands and educate people!

Take some photos for competitions: Wetlands are found everywhere, so drive down to your nearest wetland and take some photos. There are lots of photography competitions for wetlands on this day, so submit your photos for first place.

Organize an event at your local school: Work with teachers and community leaders to organize a kid-friendly event that celebrates all things wetlands. Informs the kids about how they can help!

5 FACTS ABOUT WETLANDS THAT YOU PROBABLY DIDN’T KNOW

The U.S.'s wetlands have decreased: Since the 1700s, there has been a steady degradation of wetlands all over the country, and it’s believed they have decreased by half.

A lot of endangered species live there: In the U.S., one-third of the country’s endangered and threatened species live in wetlands.

Alaska has the most wetlands63% of the country’s wetlands are found in Alaska.

Buying stamps can help: Funds from the purchase of federal duck stamps go towards wetlands acquisition so they can be protected.

You can adopt wetlands: In New England, an Adopt-A-Wetland program has been set up to help save the wetlands.

WHY WORLD WETLANDS DAY IS IMPORTANT

We think they’re beautiful: Wetlands are the most biodiverse places on the planet and have the most variety of life. What could be more beautiful than that?

We want to save the wetlands: Spreading information about what they do and how important they are is the best way to help protect the wetlands, which do so much for the planet.

We love nature: We want to do our best to make sure that we support natural systems and do our bit to stop the effects of climate change on the planet.

Source

[influencermagazineuk]

Acclaimed actor and UNHCR goodwill ambassador Cate Blanchett is to lead a revolutionary initiative in support of refugee film-makers. A new grant scheme, the Displacement Film Fund, will see five directors awarded up to €100,000 (£84,000) each, all with personal or professional experiences of displacement. The fund will allow these film-makers to create short works that explore the realities of displacement, giving voice and telling the stories of the displaced. The initiative, which was launched as a pilot, is expected to expand into a long-term project under Blanchett's leadership. Funded by the International Film Festival Rotterdam and supported by the UNHCR as a strategic partner, the fund aims to amplify the creative potential of displaced film-makers or those with a deep connection to refugee narratives. Kevin Payravi, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons This is at a critical time when global displacement has reached unprecedented levels. According to the UN’s 2024 figures, 122.6 million people have been forcibly displaced due to war, persecution, or human rights violations. This staggering number equates to one in every 67 people worldwide, with 71% of displacements occurring in low- and middle-income countries. Against this backdrop, the Displacement Film Fund aims to humanize these statistics by fostering intimate, personal stories that resonate on a deeper level. "Film has the unique ability to immerse you in the texture and realities of someone's life like no other art form," Blanchett said. "Working with UNHCR, I've been privileged to see the big picture of forced displacement on an enormous scale, as well as the personal, individual stories of those affected. This fund is about creating personal, intimate touch points that connect audiences to the human experiences behind the numbers." The longlist of candidates will be finalized by a committee chaired by Blanchett. This panel comprises British actor Cynthia Erivo, Syrian journalist Waad al-Kateab, and Afghan activist Aisha Khurram. The selected film-makers will be announced at the Cannes Film Festival in May, where they will be given a global platform for their work and stories. Majid Adin, Iranian refugee film-maker, said he was excited by the initiative. Adin himself came to the UK in 2016 in the back of a refrigerated van, following a perilous journey. He knows the struggle of the displaced artist well, having won a competition to make a music video for Elton John's Rocket Man in 2017.". Refugee film-makers face a unique set of challenges in bringing their stories to the screen," Adin said. "Society and the film industry often fail to recognize them as capable creative artists, limiting their opportunities to take on leadership roles like directing. There's a tendency to see them as subjects in front of the camera rather than as creative forces behind it. The Displacement Film Fund seeks to change this by giving the refugee film-makers the power to take charge of their own narratives. This initiative provides them with financial support and a platform for their work, shifting the focus from the refugees as passive subjects to active storytellers who can shape their own stories. The fund also underlines the transformative power of film as a medium for fostering empathy and understanding. These films, by showing the lived experiences of displaced people, can bridge cultural divides and challenge stereotypes. As Blanchett said, the goal is to create "intimate touch points" that allow audiences to connect with the human stories behind the headlines. The initiative rests on a growing recognition of how art and culture can be engaged to address some of the issues facing the globe. From documentary films to animation, creative work has the capacity to humanize complex topics in a way that inspires action. For instance, the animated film Unstoppable Beat is part of an exhibition in which migration stories are told in comics and animation, with a focus on Haitian street costumes and parades in Port-au-Prince. The Displacement Film Fund is a great step forward in the support of refugee voices within the film industry. It is going to provide resources and opportunities that will help break down barriers and create a more inclusive creative landscape. For Blanchett, it's not just about funding films but rather creating a deeper understanding of displacement and its impact on individuals and communities. As it progresses, it's bound to face logistical challenges and the complexities of working in an industry as vast and complicated as cinema, but its potential to do positive change is unmistakable. Through the empowerment of refugee filmmakers sharing their stories, the Displacement Film Fund has the ability to replace stereotypes and challenge perceptions into a more empathetic world. In such a world torn apart by uncertainty, such a project reminds us of the needs of increased empathy and creativity applied in action. By film, the Displacement Film Fund has created an opportunity to raise the voices of people whose time largely goes unnoticed, and celebrate their resilience and creativity through displacement. As Blanchett and her crew try to bring this to life, the world will be looking and listening to the stories that blossom. Read the full article

[marwahstudios]

Screening of “Dolphin Boy” - A Celebrated Iranian Animated Film at Marwah Studios

Noida, 20th June – The Indo-Iran Film and Cultural Forum, in association with the Iran Cultural House and the Embassy of Iran, proudly hosted a special screening of the award-winning Iranian animated film “Dolphin Boy” at Marwah Studios. The event was graced by the presence of the film’s renowned director and writer, Mohammad Kheirandish, who was accompanied by his wife, Parastoo Tajik.

The screening was attended by an enthusiastic audience, including film, television, and media students from AAFT, who eagerly participated in the interactive session following the screening. Dr. Sandeep Marwah, Chair of the Indo-Iran Film and Cultural Forum, emphasized the importance of cultural exchange between India and Iran. He highlighted the significant growth and potential of animation as a medium in both countries, encouraging students to explore and innovate in this dynamic field.

Dr. Faridoddin Faridasr, Cultural Counsellor at the Iran Cultural House in New Delhi, also addressed the gathering, expressing his appreciation for the collaborative efforts in strengthening Indo-Iranian cultural ties through such events.

Mohammad Kheirandish, the distinguished filmmaker, shared insights into the making of “Dolphin Boy,” discussing the creative process and the themes explored in the film. He answered numerous questions from the students, providing them with valuable knowledge and inspiration.

The event concluded with Dr. Sandeep Marwah honoring the dignitaries with life memberships to the International Film and Television Research Centre, recognizing their contributions to the world of cinema and cultural diplomacy.

The screening of “Dolphin Boy” not only showcased the brilliance of Iranian animation but also reinforced the bond between India and Iran, paving the way for future collaborations in the realm of film and cultural exchange. The event was supported by International Chamber of Media and Entertainment Industry.

[zooterchet]

Injustice Society Van Meter (UMass-Amherst)

David Charlebois: Assassinations of major figures supporting Iranian-Mullahs, the Shah of Iran; the pre Civil War movement, militia leaders of the South, however defrauded by Jefferson Davis; not contacted by regiment, to call up, for hostilities against Abraham Lincoln.  All militias, deployed.

Jenna Williamson: Duplication of Sisak death camp, among African migrants, "Jews for Jesus", new Beta-Israeli movement; patronage of Ethiopians, in killing the retarded, those Germans of improper fate or faith to attend school bus, wishing special privilege instead.  Call contact, Army POW, test training, for American forces.

Allison Haimes: Training as defense counsel, for international military tribunals of enemies of United States; use of "Dragonball Z" cartoon animated feature, to place foreign defense counsels to test, as CIA, not MI-6, after having analyzed cartoon produced at own hand, while in North Korea.  On loan, from Bill Clinton, after having sexual fantasies about "female vulcans", of Star Trek fame.

Andrew Brooks: Defense attorney, federal narcotics Canada, and FBI agent, specialist in premitigation of male serial killers, at hands of female debutantes, those arranged in marriage in violation of Appomatox codes of marital bliss.  Having analyzed Robert E. Lee, Jefferson Davis is determined to be shamed by Papal Nuncio, at being offered Jesus's throne crown, as well as Bible and memoirs, to prove as failed business offer; Jesus Christ, wine debts of police industry per sportsmanship.

Calvin Williams: Cook and special police clerk liaison, UMass-Amherst confidential informant commander, Central Intelligence Agency; placement of communications program, as management of floor, for mass downsizings and firings, having floor committed ear worm advertising haze of American, NATO, or Israeli forces.  The common lessons, submitted per plot of act, to Massachusetts schools, to fire teachers in coercion with "Swift Nick" protocol, common refusal of students their own success, at having been too poor to afford a car or motorcycle.

Matthew Lennox: Hopkinton Sheriffs envoy, to Germany and Harmony Korine, through Werner Herzhog and lover "Ellen Page", Elliott Ledger; the shutdown, of abusive fathers, having struck their children upside back of head, or encouraged child to do so for another, "Sgt. Pepper's Lonely Hearts Club Band"; lesbian identity, for daughters or gay men struck, and if refusing, thrown from abates, having used sensei training strategy "between french and koreans", actually Arabs and Asians of Chinese Triads, to refuse Tong; the abuse of Asian women via labor, the Tong, for the shutdown of independent black music, at the hands of Jewish converts.

Kevin Conroy: The claiming of own father, of Batman: The Animated Series, per art stifles and scruples, on the print of DC Comics CIA; the defrauding of the De Salvo family, those serving Army interests of reforming Jewish Holocaust survivors, and German Totenkopf thereof during World War 2, the shutdown of the "Crime Syndicate of America"; blocked by American soldiers desiring a fat, ugly, pork skin rhino wife for American soldiers, so the tradition of the death camps wouldn't spread, and Islam would spread instead.  Islam, being the German Holocaust, and for 12 centuries prior, every slaughter of police indemnified on slave conscript draft, by insurance brokers, homosexual men.

Nicholas Maynard: Renaming of patents, to suppress Kurdish identity, for betrayal of Saddam Hussein and desire of own regime in Turkey; the pressure, against those incompatible with Islam, homosexual identities as established under Muhammad for Marine Corps and molestation of little girls, from boys purchased and sold through youth adventuring clubs, for gender queer children, to operate as banker's finance; Arab mercantile clans.  The end to freedom of internet rights, under Israeli Ayatollah orders, the merger between the Jewish post-War Holocaust Nazi identity, and the Iranian Jewish pre-Phillistine identity, out of Benjamin Netanyahu, a terrorist responsible for 9/11 through French External Security; the Bin Ladens, the blood of Mahatma Ghandi.

Ryan Lewis: The print of "Thrift Shop", off of bassline played by Dave Charlebois, applied to trumpets and endorsing Barack Obama, through "economies of scale"; jazz music and failure of accounting records, to support Obama Care, the Afffordable Care Act, and the failure of farms and numbers overseas, to finally defeated the United States on behalf of Canada; Canada desiring the molestation of children, by teachers unions, the British method, an end to the United Nations sought; the exploitation of British schools, Russian labor, and Chinese pharmaceuticals, all of which used as slavery on local populace; a return to slave numbers of poor, per Canadian socialized medicine, the pointless return to space of childhood, to be fed vegetables and soy, not meat and beer.

Greg Connolly: The refusal of incense, marijuana, tobacco, charcoal, and pork, instead eating Chinese cuisine made from cats instead of pigs; the "Truth Orange" movement, enslaving common culture against the lessons of 9/11, that the world is filled with ignorant people, and for America to survive without terror attacks, America will have to be ignorant too; following public lies, and private policy contradicting, of Ronald Reagan, the slaughter and genocide of African-Americans for siding with Baptists, the Catholic Church of the greater South; having refused children per molestation by Iranian-Jews, the Rabbis, and having sought a brighter future for children, refused by gay men, those stroking beards to point out power at having removed the testicles of an African, Asian, or Mestizo child, all three the work force of America.

[actors32]

Mohsen Bahrami: The Multifaceted Talent of Iranian Cinema and Theatre

Dive into the captivating journey of Mohsen Bahrami, a luminary in the Iranian entertainment realm, born on March 25, 1982, amidst the vibrant streets of Tehran. With a career spanning over two decades, Bahrami's portfolio shines with his prowess as an actor, presenter, and voice artist.

Early Life and Career Beginnings From a tender age, Bahrami's passion for acting ignited. His inaugural role in the television series "Friend's Footprint" back in 1994 marked the genesis of a remarkable odyssey. This early exposure laid the groundwork for his future triumphs, allowing him to fine-tune his skills amidst the limelight.

Breakthrough and Theatre Contributions In 2001, Bahrami etched his name in the annals of theatre history with his captivating portrayal in "Lost." This pivotal role not only garnered him professional acclaim but also solidified his stature as a powerhouse in Iranian theatre. With a string of stellar performances in acclaimed productions like "Cherry Orchard" and "The Father," Bahrami continues to mesmerize audiences with his versatility and dedication to his craft.

Television and Film Bahrami's talents transcend the stage, gracing both the small and silver screens with his remarkable presence. From fan-favorite series like "City Lights" to critically acclaimed films like "The Asphalt Jungle," his performances resonate with depth and authenticity, showcasing his versatility as an actor.

Voice Acting and Radio Beyond the visual realm, Bahrami's voice reverberates with excellence. His contributions to voice acting and radio have garnered him widespread acclaim, with his ability to breathe life into characters earning him numerous accolades. Whether narrating audiobooks or lending his voice to animated characters, Bahrami's storytelling prowess knows no bounds.

Streaming Media and Digital Presence Embracing the digital age, Bahrami seamlessly navigates the ever-evolving landscape of streaming media. His online presence not only expands his reach but also underscores his commitment to engaging with diverse audiences across various platforms.

Awards and Recognition Bahrami's illustrious career is adorned with accolades that mirror his talent and dedication. From prestigious awards to heartfelt applause, his contributions to theatre, television, and radio continue to inspire aspiring talents within the industry.

Conclusion Mohsen Bahrami's journey epitomizes the essence of versatility and passion within the arts. From his humble beginnings in television to his triumphant strides across theatre and film, he remains an influential figure in Iranian culture, captivating audiences with every performance.

For a deeper dive into Mohsen Bahrami's illustrious career and achievements, explore his Wikipedia page.

[kimyoonmiauthor]

I have the benefit of anthropology degree, food geekery, cooking skill enough to make kimchi and soy sauce from scratch. TT So hard. I'm currently trying to make yellow corvina fish sauce from scratch. And I've done the wrong ways to do recipes on purpose to figure out why the "right way" was engineered as the way it does pretty much from Middle school-ish. I also invent recipes.

I also garden and know what farm to table to farm again roughly looks like. And also the philosophy of nothing goes to waste. (Permaculture, intercropping, Chaos gardening. Done them. I know what works and doesn't.)

You do not need a fancy magic system for this. All you need is the techniques that people have done for a thousand or so years from these temperate regions:

Take my hints in the doc:

Greenhouses

this one is a bit tricky. Glass and metal can be expensive in a pre-industrial society. Even in an early industrial one. Look up pineapple in Europe and probably regency. Clear glass is hard to make. And there are special pests that come with greenhouses. You know this if you garden.

Preserved meats in the dead of winter.

This is hard tack, jerky, salted&preserved, dried, freeze dried on purpose (this is pretty easy to achieve without magic or machines. Look it up. It's a plot bunny and a half. You're welcome.). Remember, there are migratory and hibernation patterns for animals too. Bears sleep. Also, remember that you don't want to deplete too much of the original stock. That's called endangered and extinction. Even chickens slow down laying eggs.

Long preserved vegetables- dried. Or things like potato. Sweet potato. (As I said in other posts, Indigenous peoples were ingenious at these sorts of things.)

Fermentation- What is winter kimchi? What is kim jang?

Just saying, but the masters of fermentation are Koreans. All you Europeans should have worked on preserving food better. I mean we have 350 year old soy sauce. (I already listed the best cultures for various things). Korea being mountainous with limited farmland in most regions meant higher rates of preservation. (I said this a thousand times, work with a world map first, and one that makes sense).

If you want to experience masters of the craziest fermentation on the planet, then Koreans are your best bet.

And believe me, I've done preservation techniques from every other part of the planet. No one is as passionate and fearless as Koreans in this area.

Have a character who can refrigerate food for you on the regular. Even as a "rags and bone" type of character. (You'd have to look up rags and bone and what that means, if you don't have the historical context.)

And lastly TRADE

Rich people traded all of the time. That's why they are rich. But I've said many times on this blog there are implications to trading too. (though not point by point, but you should intuitively know them. China was brought up and Europe too).

People have to stop forgetting about anything outside of temperate zones and imagining a force field around your little zone. Oranges, which I alluded to, preserve fairly well. I tried to dry out a small one and it took over 2 months. [AKA things that I do to write fantasy.] Obviously Pommelos? Effing good for a while because of the thicker skin.

If you were going to die from a nuclear winter, and you had a team of people you wanted to help you survive it, I would nominate:

An indigenous farmer who knows all of the old, old farming techniques from those who grew potatoes, etc. You're looking at Andes, Bolivia, etc. I might add one from Southern China too. Fujian province style. Maybe Iranian farmer. I talked to a water engineer from there once. Fascinating conversation. Useful for worldbuilding.

Korean(s) who knows all of the old preservation techniques and why (I'm probably making it onto that team. I'm almost up to beef jerky.).

Aboriginal hunter. ^^;; I admit I love the hunting lore. Maybe a Bush Hunter from Africa in addition.

Polynesian sea navigator. Also knows extra farming techniques.

Maybe a French chef. Maybe.

250-500 general population of humans and 250 each per animal except livestock. The best being the ole chicken. Kill the horses and cows. Contemplate goats. Probably not the sheep. (Sheep need vast grazing land). Pigs will be in competition. Pigs were traditionally killed before winter if they weren't breeding stock.

Water engineer to clean up the water supply. They should also know basics of fluvial mechanics in different environments.

Sanitation and sewer engineer expert and a biochemist.

Probably need a nuclear engineer too

Doctors.

If you eff up the farming, BTW, the whole population is going to die in this scenario. So as I said, the government effing up trade deals, etc should get them killed or at least taken off their perch. Temperate zones aren't locked. Some of them survived by virtue of the trade deals they made or running the government like China, where Southern China was often controlled by Northern China until Northern China was taken over and the government fled south.

Read History, kids, it helps?

You don't need magic. You need to know something about world history and give up the notions that Europe was a white haven which never traded in its life and rather die of starvation than trade with anyone. Didn't I go over why this is a terrible idea? I did. A post called Europe Without Trade, A World Building Exercise (link)

While you're at it

I wrote that reaaaaallly long post (50 pages) on Subsistence Systems and Worldbuilding so you can think about how to get your characters through winter. (I'm saying TRADE. !@#$ A million times what the hell is it with people who write temperate climates and are like unh, trade isn't important. No, it's effing critical and stop dreaming of a 100% white country with magically no Gulf Stream and somehow agriculture as far north as 60 N- 90 N. WTH man, science does not back it. Later Tolkien would have fits with you.)

There's a pretty good argument on why Europe went to conquer the world is that they were running out of wood (BBC Doc on colonization) due to laws the gentry had (easy to look up, BTW), the subsistence system being in a strange location (Europe is weird. Like really odd. Probably the worst example for worldbuilding if you don't know basic fluvial mechanics), and man, they were running out of food. (But oddly in the long term effed themselves over with the industrial revolution now effing up the fluvial mechanics of the streams, because the Gulf Stream is about to be royally fucked. I hear complaints about the effects from friends across the pond.) The reason Europe isn't currently going completely under is because of trade agreements, etc. Though England kinda fucked themselves there with Brexit, but ya know, still got trade agreements. (I also have a post covering how Europeans became white and racial aspects Physical Anthropology as part of the Worldbuilding series.)

The thing with trade is that you can acknowledge it without doing a whole worldbuilding exercise on the other countries. You saw a few brown people at port one day and it wasn't a big deal. They must have brought in new and "exotic" goods. But white supremacists do make a huge deal of it like they are dying and seriously what better way to say fuck you when writing a temperate climate than to mention Black and Brown traders being critical to the survival of your peoples?

Anyway, the point is that a *tiny* bit of acknowledging a long term plan for important and critical dishes and seasonal variability in your writing can help.

It's easier to think about the people who don't have magic and use the real world a bit before you magic things up.

Also another tip:

Refrigeration is critical to industrialized foods

and often the snobbery around food is about 50% about the refrigerator, though you don't realize it. Fresh seafood, for example. There is a pretty good doc series from the History channel on Modern food. And it has one on freezing and the invention of freezer trucks. This is how you are able to get fish inland without dying.

In our contemporary world,

the other percentage is basically historical amnesia on imperialism "OMG, your country eats RATS." (After we decimated all your farms, killed all your livestock, bombed you with chemicals, and then stole a large percentage of your children and killed your elders who had any chance of preserving any info then put embargoes on you and then said YOU had to pay for the war usually for some stupid reason like you were refusing to let our soldiers r*pe your women in an organized fashion [See all of Asia. Yes all, not just East Asia. I found this out in the most depressing way possible. Ah, Madame Butterfly, the gift that makes you want to hurl.], you wouldn't give us the secret of black tea [Opium Wars], you wouldn't give your spices for free, etc) "how utterly PRIMITIVE you are."

People get snobby about poverty around food, but what is poverty around food but trying to use everything you have in front of you, and not having enough to have the fancier meals? (Jewish-ish rhetorical question) Is it awful or offal?

Slight note about the system of food.

'cause adding it to the large doc might crash my computer?

I've realized that though historical fiction minds this more when set in pre-industrial times, that often fantasy set in agricultural societies doesn't seem to do this, though it should.

So I'll give you an example...

Almost everything in Korean food is centered and bred for two things: Kimchi and soy sauce.

But what you don't realize in your industrialized state how freaking long it takes to make these things and how much planning is involved and how much you have to mind the seasons in order to make it correctly.

Kimchi:

Baekchu (or other vegetables) that's often harvested in fall.

The salt, which was traditionally sea salt was harvested in the spring and summer months.

Garlic is a spring to mid summer crop.

The sweet rice that goes into winter kimchi takes a ton of work to make and can take from Spring to fall.

The fish sauce that goes into Kimchi that helps preserve it for over a year, takes and ENTIRE YEAR to make. Yes, a year. You really, really have to plan on that. And what do you do if the fishing is poor for that year?

Spring onions are faster to grow, but you still have to time it for the fall kimchi making.

The fish are seasonal. For example, Yellow Corvina is taken in Korea in the spring. Shrimp in the summer (June), and anchovies in early spring to fall.

Your timing has to be impeccable and you need an entire year to plan this one dish.

Meanwhile, you, industrialized person, take for granted that you can get fish sauce any time you like and can pour it over kimchi.

In fantasy this could add flavor to your fantasy make up, if your character can only get this dish once a year. It can add political unrest (What do you mean the salt harvest was poor and we're left with the shitty metallic salt), because your characters in an agricultural society will be subject to weather changes, which you get when reading historical fiction and so on. Three seasons of poor harvest, daaaamnn... the people might overthrow their government. There might be new religions that pop up, there might be uprisings because the King and Queen are eating feasts every day while the peasants are eating things that are empty calories.

What I'm saying is that you can't be too entrenched into industrial mindset if you're not writing an industrial setting.

That orange is seasonal and only comes about in a connected system that has winter and a warmer climate.

Maybe there are key foods for your climate that are highly treasured or sought after. Mandarins once were. Cacao. Think a bit about those things and how it might interact with the larger world. When does your plant mature and when can it be harvested? is it different from different climates? There's wars that have been fought over food. (Tea, famously, at least a few times).

A staple crop failing is going to have devastating consequences.

And yet, often in fantasy, I often see people going, ya know what I can eat in the dead of winter, strawberries. Do we have greenhouses? No. Did we have freezers? No. But you know what my character is eating? A strawberry. Yeah, think about that. Strawberries don't preserve well. So plan out the timing of your dishes a bit (to the climate and subsistence system) and it can give a bit of background worldbuilding to your dishes and food.

I do have to say that the small mentions from Rings of Power n what's in season or not and why kinda made me feel like the world and the traveling was more "real" with the Harfoot. There's small references to fall v. spring crops.

[shopsofiacollection]

The Splendor That Endures With Time: Italian silk || ShopSofia

Throughout antiquity, Italy has been renowned for its culture and art, which have revealed many remnants of earlier civilizations and a touch of its past that is inextricably intertwined with modern culture. It doesn't take long to recognize the main sector of the Italian economy as you stroll through the streets of Italian cities. Some of the best silk textiles and clothing in the world are being sold in window displays that are stuffed with materials in vivid red, blue, and orange hues.

 Following the arrival of weavers from Constantinople, Italian silk industry flourished. The people's inventiveness and the resources at hand were the keys to their success. Italy exports silk fabrics to all of Europe, primarily through the cities of Lucca, Venice, Florence, and Genoa. The primary location for producing silk fabrics that are sent to some of the best fashion companies in the world is Como. Due to the abundance of mulberry trees, which are essential for raising silkworms, and the widespread availability of water, which is crucial during many stages of silk production, it is referred to as the "silk city" in popular culture. While other procedures like weaving, dyeing, printing, and design are carried out in Italy, raw silk is also imported from China.

 Lucca silk

The city of Lucca in Italy was obviously well-established and a significant hub for the silk trade. Strong eastern influences can be seen in the designs of Lucchese silk fabrics, which feature roundels, birds, and single Persian animals. Their fabrics, especially those from the 12th century, have modest repeating designs in narrow decorative bands woven with silk and gold on a plain or geometric backdrop. Even now, these designs are fashionable, and they are used to adorn clothing. Lucca textiles are renowned for their variety and high quality. A weave of Iranian origin that resembles a damask and has a woven pattern that is lifted in relief from the backdrop is another prominent design. Gold is woven into the wings or heads of the majority of animals and birds that are woven.

 Special fabrics known as dropping auroserici, constructed from a combination of silk and gold or silver threads, are produced from silk in Lucca. They combined Islam and Chinese patterns in the fabric designs. Styles developed in a more complex and lively way. These fabrics' primary Italian design elements include vine leaves, flowers, and naturalist motifs like eagles, lions, wolves, foxes, and other animals. There are also Romanesque scenes, hunting scenes, vine shoots, and palmettes. Economic growth in Lucca is the result of the rising demand for luxury textiles in Western Europe. The economics of Lucca's silk business has a significant impact on Europe, mirroring the organization of the London and Lyon textile industries.

 China vs. Italy

When fashion was starting to become a big deal, in the 1980s and 1990s, the Italian silk dress business prospered greatly. The nation benefited from the increase in the mass consumption of fashion. In contrast, it is now more difficult to serve the luxury goods market because pricing is now a point of competition. But, in terms of innovation, quality, and design, Italy outperforms China.

 Italian fashion designers and producers continue to concentrate more on the high-end market while also looking into possibilities with other, less expensive options and retail brands. Italian silk weave gives its materials a seductive sheen and a dramatic light-catching appearance, adding a delicate and refined touch that makes them crisp and well-structured.

 The market for luxury goods is global. As people's mindsets change and they start to have a special preference for luxury and style as well as wanting to set themselves apart from others, the market will get more prosperous and larger in the next years. Italy provides a diverse selection of works of art, its expertise in textile design, and an engaging trip through time from the time of the ancient Romans and Greeks to the present.

To reach us out in offline mode do not forget to visit

Sofia Collections

2515 Washington Ave #1502, Houston, TX 77007, US

Email: sofiacustomerservice@gmail.com

Visit Our website - https://www.shop-sofia.com/

[persian-handicrafts]

The most popular handicrafts of Iran

The most popular handicrafts of Iran

dorontash handicrafts magazine

Wherever you go in Iran, you can see male and female artists who  produce examples of the best and most popular handicrafts of Iran with their heart and soul. The diversity of these handicrafts is so high that it is not possible to introduce all of them completely, and therefore we have to name examples from each province of the country that are known as the most popular handicrafts of Iran.

1.  Metal crafts

Among the metal handicrafts of Iran, we can point to various items, the most famous of which are brushwork,  engraving on metal , and mesh work. In other words, the shaping and decoration of metals to make decorative and practical objects by means of different tools and methods in a volumetric and flat form is called the art of metalworking.

The diversity of traditional metal works and objects is caused by the three factors that make up handicrafts, namely, the type of use, appearance and method of making them.

We can call this art a metal hand art, which in the past was generally done on silver, copper and gold dishes. Painting is one of the practical and decorative handicrafts in Iranian handicrafts, during which various arts are performed on a container made of different metals.

These days, we can generally see the art of writing on metals such as copper and bronze. The art of calligraphy has a very long and strong history in Iran. This art was so popular and valuable that the artists themselves made a container or a device on which they wanted to paint.

2.  Pottery handicrafts | The most popular handicrafts in Iran

These characteristics and the brilliant record of pottery art in Iran show that we can have a significant activity in this field and by developing this industry in different parts of Iran, we can build a better country in many ways.

Currently, the “Laljin” area in Hamedan is one of the areas known as pottery in Iran, and many workshops have been operating since the past. Of course, other cities such as Meibod Yazd, Mand Gonabad, Mazandaran, Semnan, Gilan, Golpurkan (Baluchistan) and… are also active in this field.

3. Wooden crafts

Carving (traditional wooden sizes):

Wood carving is one of the branches of wood handicrafts, in which the carver designs the general anatomy of the human body, birds and animals in different situations, and transfers various designs to the wood using suitable tools and wood. He sculpts and leaves behind magnificent historical works.

Maraq: One of the most beautiful arts and delicate works on wood is Maraq. Beautiful wooden designs are created through cutting with a needle, which is then oiled to make it shiny.

Khatam Kari: Khatam is the art of decorating the surface of objects with small triangles, the various designs of which have always been regular geometric shapes.

Carving: Carving  is one of the arts and handicrafts of wood, which depicts patterns and designs in a prominent form and is obtained from carving on wood.

Lattice work with wood: One of the practical handicrafts is called ((wood lattice)). Lattice work is often associated with other arts related to wood (especially inlay). To implement mesh work, after implementing the desired design on the wood, the negative parts of the design are removed with the help of a tool such as a hacksaw and a hacksaw, so that the original design remains in the form of a mesh.

Sash:  It is a type of wooden window that has various designs and dimensions and includes colored glass, which is now less manufactured and is produced only for beauty and decor and on a smaller scale than before.

Fuel on wood: In the art of fuel on wood, different molds are made of steel or brass, which have the desired traditional motifs. By heating these molds on fire and pressing it on wood and transferring the effect of this burn, beautiful works of art are created.

4. Handicrafts of mat weaving

Along with countries like Japan, Korea and Mexico, Iran is one of the sixteen mat producing countries. The historical background of these products in Iran shows that the use of mats by ancient Iranians was not limited to underlays, and they also used mats to make dishes. Even today, unlike the main use of mats, i.e. mats, wicker containers are more popular among handicraft enthusiasts.

5. Leather crafts The most popular handicrafts of Iran

The traditional leather embroidery profession  (Saraji)  is  one of hundreds  of Iranian handicrafts . This art is an original art from the  Kermanshah region  , which   has recently been registered in the national register .

It should be noted that  the leather industry and the fur industry  are different and this difference is the importance of  the raw materials  used in each of them. The raw materials used in the leather industry are the by-products  of the meat industry  , and the meat is more valuable than the skin, but the raw materials   used in the fur industry are more valuable than the meat. Meat is considered as a side product. There are several ways that the result of them is that the skin of the animal turns into a flexible and strong material called leather. Leather has various uses in making  clothes  such as  pants, ties, gloves, coats, jackets and shoes and accessories such as bags and key chains  .

6. Textile crafts The most popular handicrafts of Iran

–  Textile industries (traditional textiles):  one of the valuable arts of Iran is the types of traditional handicrafts that Iranians have been engaged in for a long time.

Net weaving:  using nets to weave rugs and pads and nets. (Fishing net is also called weaving net)

Shawl weaving:  It is one of the traditional activities of Talash and the summer residents of Gilan. Shawl is a kind of coarse and monochromatic fabric made of sheep’s wool, which is woven in a shawl weaving machine. The best shawls are woven in Kobolan village, which can compete with foreign coats. But alas, this art is being forgotten in the region.

Zarbafi:  It is one of the authentic Iranian arts. Zari fabric is a fabric woven from gold whose warp and weft is woven from silk and glabton fibers. Glabton is a thread with a narrow strip of gold, silver or gold-plated silver, made in a spiral. In traditional zari weaving, both the warp thread and the weft thread are made of silk.

Wave weaving:  It is one of the traditional arts of the Kurdish people, which is mostly seen among nomads and nomads. A cloth made of woven sheep’s wool. It is used as a bed, blanket, back, etc.

 Woven Cashmere:  It is a fabric made of fluff and wool or silk. Delicate and delicate fabric that consists of two series of warp and weft threads. The weft on the back of the fabric is loose and dense in the weft.

Woven velvet:  Velvet is a fabric made of silk or cotton yarn, one side of which is smooth and the other side has short, dense and soft piles. These villi are close to each other and lying on one side. It is used in various designs on the top of sofas, chairs, tablecloths, bedspreads, cushions and clothes. This art is also being forgotten.

Silk embroidery:  sewing different designs with silk thread on fabric.

And …

7. Weaving crafts

In Iran, very beautiful handicrafts are produced using the art of weaving. Knitting crafts are generally divided into three categories. 1-Machine weaves 2-Dari weaves 3-Straw weaves

For the texture of all three models, they use thread or mat for warp and weft and create a very interesting texture with knots and a kind of interweaving. Next, we will examine the types of texture. Stay with us.

8. Enamelware

In enameling, natural and chemical elements are combined with the powder of precious stones such as gold, copper, tin, iron, etc., and produce enamel color. Any surface that we want to enamel on is first glazed, and then, according to enamellers, seven colors are used on the surface, which is the same as the enamel decoration stage.

9. Khatam work

Today, in some special works, inlay is used to show as much as possible. Due to the relatively reasonable price of inlay, this Iranian art can be found in many Iranian homes, and of course, apart from many applications in decorative and necessary accessories such as: page Chess pieces, jewelry boxes, chocolate containers are also widely used and welcomed outside homes.

Buying handicrafts

10. Turquoise Kobe

In Europe, turquoise was called “Turquoise Stone”, which means Turkish stone, and the reason for this name was that Iranian turquoise was exported to Europe by Turkic speakers. In Italy, smooth blue turquoise, which is known as ” blue gem “, is used as an expensive jewel, and in the necklace of the Queen of Egypt, turquoise obtained from the Sinai Peninsula (about 4000 years ago) was used. Is.

11. Carpet weaving

12. Felt handicrafts

The handmade felt products of Iran-Zamin artists have a wide variety. We can see felt underlays, padri, all kinds of felt clothing, coats, coats, hats, works of art, paintings, etc.

13. Leather craft

Fur is one of the oldest forms of clothing, all or most of which is made directly from the skin of woolly animals.

Leather embroidery is one of the most popular handicrafts in Iran, which dates back to the time when people used the first thing they thought of to warm themselves, and signs of the use of leather can be found in the paintings on the walls of old paintings. Different classes of society used leather according to their social rank and ranking. Wealthy people wore the skins of more valuable animals such as tigers and leopards on their shoulders.

The leather embroidery industry has been passed down from our ancestors to today’s men and women from the past, and today Khorasan Razavi (Shandiz region) is one of the main production centers of this art.

14. Traditional clothing handicrafts

15. Woven crafts

Knitting handicrafts are one of the most famous and popular handicrafts in Iran, which are as old as the history of several thousand years of Iran. The main material of these handicrafts is yarn. In these handicrafts, various products are woven. Weaving handicrafts are done both by hand and by machine. These industries have a long history, but since their main material is yarn, they have disappeared over time, and the exact date of their origin cannot be estimated.

16. Kari tapestry

17. Writing

18. Embroidery

The art of penmanship caused a huge change in the Achaemenid regime. In fact, it can be said that this art was seen more than before.

Some of the Aryan calligraphy works were lost during the invasion of Alexander and the Mongols. Although this art is not only related to Iranians and the Romans and Greeks also benefited from this art, calligraphy in Iran has been and is more prosperous.

19. Copper work

Coppersmithing is one of the most popular handicrafts of Iran, very old in the country. Copper objects and containers have been observed in various museums for a long time. When the name of Mes is spoken, the names of cities such as Zanjan, Qazvin and Isfahan also come to mind.

The production of all kinds of copper utensils and consumables, which today is considered one of the handicrafts of Zanjan and Isfahan, has gained many fans again for nearly a decade. Copper dishes have had a prominent presence in Iranian kitchens since the past. Copper sunbed and basin are among the oldest copper items in Iranian homes. Over time, however, things changed. Switching to teflon and cast iron removed copper from the competition for a while.

For several years now, the benefits of using copper have been talked about a lot. In addition, the producers of this group of handicrafts have made many changes in their products. Copper tools and utensils became more diverse and practical day by day. Due to the re-acceptance of copper dishes, not only in Iran but also in other countries, this industry has taken on a new life.

20. Wooden crafts

[ashuribbon]

Welcome to the blog of Ashuribbon!

Howdy there!

My name is Asher (he/him and it/its)! I am an Iranian-American (Bakhtiari) animator making my way up in the industry who yaps a lot and hates oranges! I am an old guy born from the late 90's, and am a huge lover of all things animation!

I am also a huge Cookie Run fan, and have been part of the community for over five years! While I mainly post about Cookie Run, I also post other things on occasion! I do have a secret blog dedicated to Rain World/Beauty and the Beast, buuuut I won't reveal it... yet. c:

My reblog (and main) account is @ashureblogs, where I mostly reblog other things besides Cookie Run! I follow back under that handle since the art blog is just a sideblog!

Additional links and tags under the cut!

MAIN LINKS:

Discord server - PG13+ SFW server!

Youtube Channel - The main thing! Cookies and cats in this channel (and OCs if I'm lucky)!

Patreon - For more exclusive content, WIPs of big pieces, and sneak peaks of my PMVs!

Ko-Fi - A lil' place for donations! Mostly use it for donation request streams!

LinkTree on where else to find me!

Strawpage - Just for any doodles you want to send to me!

MAIN TAGS:

Ash Pone Arts - The main tag my art and animation that I've done!

Shush it, Asher! - Tag for my general ramblings!

ADDITIONAL TAGS AND LINKS:

Born Evil AU - Cookie Run AU where Pure Vanilla Cookie is the reborn version of Shadow Milk Cookie! For any Shadow Milk Cookie fan out there. c:

Sea Beasts AU - Powerwolf-inspired Cookie Run AU involving the CR Captains taking the role of the Beasts.

Brotherhood Archives - Digital Horror/ARG about a CRK bootleg from Iran!

More TBA!

NOTES:

My content is always and forever will be SFW, so it's safe for everyone of all ages to follow! I do tend to swear on occasion, sometimes!

Obviously, no bigots, Zionists, nasties or prosh*ppers allowed!

Not much to add! Just enjoy my old man antics!

[maan-is-done]

Alright I'm here with sk8 the infinity Farsi dub fam

It's been like a month that it has been out and the dub studio is not the best we have. But since the news about English dub and stuff hasn't been the best either i thought I'd cleansing things a bit

The lines are pretty much the same, except:

In 1:03 Reki called Langa's board his "kid" (bacham) which i thought really suits him :")

Ad*m is creepy no matter what language or dub it is and when in 1:17 he wants to touch Langa's leg he said "It's ok if i touch, right?" And then Reki went "dude hit the pause button..." LOL

In the famous 1:31 scene when Cherry approaches Joe he goes "You're GOOD at it, huh😏" which made me losing it

As u can see in 1:33 Ad*m calls Langa "azizam" which means my dear/my darling and unfortunately he says it in Farsi version A LOT.

And the most heartbreaking one so far is in 1:47 that teen Ainouske tells Kaoru "you are special to me" unlike the sub, which was "you guys are special to me"

And in 2:00 Langa says that he hadn't known that Reki was this "aziz" (dear/precious) to him before losing him :")

[ashitakaxsan]

“Romashka, the Pilot”is a new animated movie

The Iranian 80-minute adventure, comedy animated film “Romashka, the Pilot” co-directed by Hossein Saffarzadegan, Meisam Hosseini, and Hossein Panahi Dorcheh has been screened in Kazakhstan.

Synopsis:The main character's dream of flying and the collective efforts of friends to achieve it. A young sheep dreams of flying, but she lives in a world where only birds can fly airplanes and soar the skies. With the world and her father against her, she and her friends follow in the footsteps of her favorite heroic character, Super Owl, fighting against all odds to join a flight school and enter the race that will change their lives forever.

This marks the first public screening of an Iranian animated film in Kazakhstan and can be a beginning in bilateral cooperation in the cinema industry of the two countries, IRNA reported.

“Romashka, the Pilot” premiered at IMAX Esentai Mall in Almaty last week, with Iran’s Consul General Mohsen Faghani and Cultural Attaché Hossein Aghazadeh in attendance, and received high praise from Kazakh audiences for its quality.

Faghani expressed his delight at the screening of the first Iranian animation in Kazakhstan and said, “These activities not only introduce Iranian culture and art but also strengthen the relations between the two countries.”

For his part, Aghazadeh said: “We seek to strengthen the historical ties and enduring friendship between the societies of Iran and Kazakhstan, and foster the growth of cultural economy between the two countries by building on these cultural relations.”

The animation has been shown in Kazakh cinemas since August 29 and will remain on screen until September 12, marking a significant step in Iranian-Kazakh cinematic collaboration.

A production of 2023, “Romashka, the Pilot” is an 80-minute adventure comedy animation for kids. Also known as “Woolina and the No Birds,” it premiered in Iran at the 42nd Fajr International Film Festival in February.

Source: https://www.tehrantimes.com/news/503362/Iranian-animation-on-screen-in-Kazakhstan