#International Intrigue Con Artist | Explore Tumblr posts and blogs

denimbex1986 · 7 months ago

Text

'If I had to pick one piece of advice to give someone who’s on the fence when it comes to watching Ripley, it would be to savor it. Savor it the way that Tom Ripley (Andrew Scott) relishes the Caravaggio paintings displayed among each of the glorious Italian locales he absconds to so he can maintain his freedom and the identity he’s snatched away. Over eight roughly hour-long episodes (the delicious finale clocking in at a hefty 76 minutes), we see Tom spin endless explanations and dance around the many inconsistencies nimbly enough to cast just enough doubt on his guilt to allow the eyes of the police, and others, to look away long enough for him to shimmy out from underneath them and start the process all over again. He’s a con artist, an unrepentant murderer, and wildly overestimates his intelligence, yet I want nothing more than to see him win.

That’s the beauty and power of a character who commits objectively terrible acts with panache: their fictional status gives free license to cheer on their progression in the story. I winced when Tom delivered the killing blow to poor Richard “Dickie” Greenleaf (Johnny Flynn), both for its cold cruelty and Dickie’s utter defenselessness, a man whose biggest crime was being a terrible painter (and a bad judge of character). But my resulting feelings were never in the vein of “I would like to see that man punished for this heinous crime,” but rather, “oh no, the cat killed another mouse, such a brute,” only to allow said cat to rest at the foot of my bed later that evening.

I felt substantially less compassion for Freddie Miles’ (Eliot Sumner) violent end, not because he deserved it—I confess his smugness contributes to the lack of sorrow—but because when it comes to vying for the average audience member’s affection for imaginary characters, a mentally unwell murderer who makes me laugh is going to win out over a snobby rich kid, especially one who’s threatening to put a stop to the good time being had on screen. “Funny” probably isn’t the first, or even the tenth, word to come mind when describing Ripley, but I found myself laughing far more often than I ever would have imagined, whether it was Tom forcing himself to repeatedly confront the punishing number of Italian stairs, the disastrous dumping of Dickie’s body, or the obvious internal debate over whether or not he should kill Marge (Dakota Fanning) for little reason other than the fact that she makes for an annoying roommate.

Admittedly, much of the fascination towards a covetous snake-like Tom Ripley can be laid squarely at Scott’s feet. It’s a pitch-perfect performance, elevated even further by the careful balance he maintains between being an awkward creep and a master manipulator. I’ve heard people liken Tom to an alien, like a creature infiltrating our species, whereas I find Tom to be remarkably human, a refined version of the toddler impulse to take what’s appealing or deemed necessary. Swindling people out of their money is a necessity (arguably), but taking Dickie’s life, in every way that matters, is too appealing to resist.

But if Tom’s horrific actions hook us, his ever-shifting plans afterward keep us on the line. What makes it all the more intriguing is that, although clever, Tom is more fallible than the perpetrator of multiple homicides has any right to be. What’s truly amusing (yet sadly holds true for many real life criminals) is that Tom’s success relies heavily on luck. Some instances are simply a failure when it comes to powers of observation (hotel clerks who neglect to take notice of the mismatching passport photo) while others are a hasty assumption (Marge becoming convinced that Dickie chose to kill himself). Tom’s fortune does strain belief at times—most notably when donning a beard and wig is enough to fool the otherwise sharp investigating detective (Maurizio Lombardi as the often hilarious Inspector Ravini) into believing he’s speaking to someone he’s never met before—but it keeps the suspense humming along nicely.

However, Tom is just competent enough that most of his victories feel earned. It’s the sort of cat and mouse game that I feared would come to an end all-too-soon, lest I’m no longer regaled by the misadventures of this odd but, deep down, slightly relatable man; who among us, after all, has never imagined ourselves possessing something that belongs to someone else? Maybe that’s where the appeal of this breed of villain ultimately lies. As valuable as the one-two combo of writing and performance are, what makes it work beneath it all is the fact that we’re being invited to ask ourselves what we’re capable of in the pursuit of our desires. Maybe it’s less about having sympathy for the devil and more to do with sympathizing with ourselves. Of course, it could simply be that watching people behave badly makes for a hell of a good time.'

#Ripley #Netflix #Andrew Scott #Caravaggio #Marge Sherwood #Dakota Fanning #Dickie Greenleaf #Johnny Flynn #Freddie Miles #Eliot Sumner #Maurizio Lombardi #Inspector Ravini

0 notes

fallonmaree · 11 months ago

Text

CHAMELEON STREET

This 1989 drama film "Chameleon Street" directed by Wendell B. Harris Jr, is a captivating exploration of identity, deception, and the complexities of the human psyche.

"Chameleon Street" tells the story of Douglas Street, a charismatic and mysterious con- artist who masterfully assumes various identities to navigate through different social circles. The film is based on the true story of William Douglas Street, who successfully mimics professionals, intellectuals, and even a surgeon.

One of the most striking parts of "Chameleon Street" is its unusual narrative structure. Wendell B. Harris Jr.'s direction and screenplay create an interesting and non-linear storytelling experience. The film jumps between different periods in Douglas Street's life, offering glimpses into his motivations, struggles, and the consequences of his actions.

The performances in "Chameleon Street" are exceptional. Wendell B. Harris Jr. himself delivers a captivating portrayal of Douglas Street, capturing the character's charm, intelligence, and internal conflicts. The supporting cast also shines, bringing depth and authenticity to their respective roles and enhancing the overall believability of the story.

Visually, "Chameleon Street" is visually incredible. The cinematography effectively captures the different environments that Douglas Street finds himself in, from upscale parties to hospital operating rooms. The utilization of lighting and outlining adds to the film's climatic and vivid quality, drawing the crowd further into the universe of the hero.

Specifically, "Chameleon Street" explores the complexities of identity and the masks we wear in different social contexts. It brings up interesting issues/questions about the nature of truth, authenticity, and the blurred lines between reality and fiction. The film challenges perceptions and forces, us to go up against our own presumptions about others and ourselves.

The screenplay of "Chameleon Street" is sharp and clever, filled with clever dialogue and subtle social commentary. It capably balances moments of humor and drama, keeping me engaged and invested in the story. The film's intelligent writing adds depth and layers to the narrative, making it a rewarding viewing experience.

Overall, "Chameleon Street" is an intriguing and compelling drama that dives into the involvement of identity and human nature. Wendell B. Harris Jr.'s direction, exceptional performances, and unusual story structure make this film an unexpected, yet invaluable treasure worth investigating.

Overall I rate this film 7/10.

0 notes

knewtoday · 1 year ago

Text

Throughout the annals of history, tales of cunning, audacity, and illicit wealth have captured the imaginations of people worldwide. Among the many intriguing figures that have emerged are notorious thieves who have become legends in their own right. These individuals, often possessing extraordinary skills, have pursued lives of crime, leaving a trail of stolen treasures, audacious heists, and daring escapes in their wake. From the fictional exploits of Arsène Lupin to the real-life escapades of outlaws like Jesse James and Bonnie and Clyde, their stories have fascinated and captivated generations. Join us as we delve into the world of notorious thieves, exploring their audacious feats, their indelible legacies, and the allure of their rebellious lifestyles that continue to captivate us to this day. Throughout history, there have been several notorious thieves who have gained infamy for their criminal activities. Here are some of the most notorious thieves of all time: Arsène Lupin: A fictional character created by French writer Maurice Leblanc, Arsène Lupin is a gentleman thief known for his cleverness and masterful heists. He appeared in numerous novels and short stories, captivating readers with his wit and audacity. Robin Hood: A legendary figure in English folklore, Robin Hood is known for robbing the rich and giving to the poor. Although the historical existence of Robin Hood is debated, his exploits as an outlaw have become an enduring part of popular culture. Jesse James: An American outlaw and bank robber during the 19th century, Jesse James led a gang that targeted banks, trains, and stagecoaches. He became a legendary figure in the Wild West and was known for his charisma and violent nature. John Dillinger: Active during the Great Depression era in the United States, John Dillinger was a notorious bank robber and leader of the Dillinger Gang. He gained notoriety for his daring jailbreaks and public shootouts with law enforcement. Bonnie and Clyde: Bonnie Parker and Clyde Barrow were a criminal couple who gained notoriety in the early 1930s. They robbed banks and killed several people during their crime spree. Their story has been romanticized in popular culture. Carlos the Jackal: Ilich Ramírez Sánchez, also known as Carlos the Jackal, was a Venezuelan-born terrorist and international criminal. He was involved in numerous bombings, hijackings, and assassinations during the 1970s and 1980s. Frank Abagnale: A former con artist and check forger, Frank Abagnale posed as an airline pilot, doctor, and lawyer while committing fraud and identity theft. His life story was depicted in the film "Catch Me If You Can." Valerio Viccei: An Italian criminal, Valerio Viccei was known for his audacious bank robberies. He gained notoriety in 1987 after robbing the Knightsbridge Safe Deposit Centre in London, making off with an estimated £60 million worth of cash and valuables. These are just a few examples of notorious thieves from different periods of history. There have been countless others who have left their mark on the annals of crime. Arsène Lupin Arsène Lupin is a fictional character created by French writer Maurice Leblanc. He first appeared in the short story "L'Arrestation d'Arsène Lupin" ("The Arrest of Arsène Lupin") in 1905, and later became the protagonist of a series of novels and short stories. Lupin is a gentleman thief and a master of disguise, known for his wit, charm, and audacious heists. Character Description: Arsène Lupin is portrayed as a dashing and enigmatic figure. He possesses a sharp intellect, impeccable taste, and a mischievous sense of humor. Lupin is a master of disguise and deception, able to assume various identities to carry out his elaborate schemes. He is known for his confidence, resourcefulness, and ability to outsmart his opponents. Modus Operandi: Lupin operates outside the law, targeting the wealthy and powerful. He is known for his elaborate and meticulously planned heists, often stealing valuable artwork, jewels, and other priceless treasures.

Lupin uses his intelligence and knowledge of human psychology to exploit weaknesses and manipulate those around him. He leaves behind calling cards and taunting letters to challenge the authorities and establish his legend. Character Development: Over the course of the series, Lupin's character evolves from a purely self-serving thief to a more complex and morally ambiguous figure. He displays a sense of honor and occasionally assists those in need, particularly when it comes to protecting innocent individuals or solving injustices. This adds depth to his character and creates a complex dynamic between his criminal activities and occasional acts of heroism. Legacy: Arsène Lupin has become an iconic character in literature, beloved for his wit, charm, and daring exploits. He has inspired numerous adaptations in various forms of media, including films, television series, and even video games. Lupin's influence can be seen in subsequent fictional characters, particularly those who embody the archetype of the suave, intelligent, and morally ambiguous thief. Robin Hood Robin Hood is a legendary figure in English folklore, known for his actions as an outlaw and his commitment to social justice. The stories and ballads of Robin Hood have been passed down through generations, and his character has been portrayed in various literary works, films, and television series. Character Description: Robin Hood is depicted as a skilled archer, adept in combat, and an exceptional woodsman. He is often portrayed as a nobleman who becomes an outlaw due to political or social circumstances. Robin Hood is known for his distinctive green attire and his loyalty to his band of Merry Men, including characters like Little John, Friar Tuck, and Maid Marian. Robbing from the Rich, Giving to the Poor: One of the defining characteristics of Robin Hood is his commitment to robbing the rich to help the poor and oppressed. He is often shown as a champion of the common people, taking from corrupt officials, unjust nobility, and greedy merchants to redistribute wealth and ensure justice prevails. Sherwood Forest and Outlaw Life: Robin Hood and his Merry Men are typically depicted as residing in Sherwood Forest, using it as a base for their operations. They live an outlaw life, engaging in ambushes, rescuing prisoners, and engaging in acts of defiance against unjust authority. Their exploits often involve encounters with the Sheriff of Nottingham, who becomes Robin Hood's primary antagonist. Popular Stories and Adaptations: The tales of Robin Hood have been adapted in numerous forms of media over the years. From ballads and plays to novels, films, and television series, his character, and adventures have captured the imagination of audiences worldwide. Notable adaptations include the classic 1938 film "The Adventures of Robin Hood" starring Errol Flynn and the more recent television series "Robin Hood" (2006-2009). Symbol of Justice and Heroism: Robin Hood has come to symbolize the ideals of justice, heroism, and the fight against oppression. His selflessness and commitment to helping the less fortunate have made him an enduring and beloved figure in popular culture. The image of Robin Hood as an outlaw with a bow and arrow, fighting for the rights of the common people, continues to resonate with audiences today. Robin Hood's legendary status as an outlaw hero who fights for justice and defends the oppressed has made him a beloved figure in English folklore. His adventures in Sherwood Forest, his skilled archery, and his unwavering commitment to social justice have ensured his place in the hearts and imaginations of people throughout history. Whether through traditional ballads or modern adaptations, Robin Hood's story continues to inspire and entertain audiences around the world. Jesse James Jesse James was an American outlaw and a prominent figure in the Wild West during the 19th century. Known for his criminal activities and notorious

exploits, Jesse James and his gang carried out numerous robberies, train heists, and acts of violence throughout the American Midwest. Early Life: Jesse James was born on September 5, 1847, in Kearney, Missouri. He grew up in a divided and turbulent society during the American Civil War. The war heavily influenced James and his brother Frank, shaping their attitudes toward authority and leading them toward a life of crime. The James-Younger Gang: Jesse James formed a gang with his brother Frank and other notable members, including Cole Younger and his brothers. Known as the James-Younger Gang, they were involved in various criminal activities, primarily targeting banks, trains, and stagecoaches. The gang's operations spanned several states, including Missouri, Kentucky, Iowa, and Minnesota. Robberies and Infamy: The James-Younger Gang gained infamy for their bold and audacious robberies. Their targets often included banks and trains carrying large sums of money. Notable heists attributed to the gang include the 1873 robbery of the Gad's Hill train robbery and the 1876 raid on the First National Bank in Northfield, Minnesota, which ended in a shootout and the death of several gang members. Public Image and Mythology: Jesse James achieved a certain level of notoriety during his lifetime. Despite his criminal activities, he was often portrayed as a folk hero by some segments of the public, particularly in the Southern states sympathetic to the Confederate cause. The media of the time contributed to the mythologizing of Jesse James, further enhancing his status as an outlaw legend. Death: Jesse James's criminal career came to an end on April 3, 1882, when he was shot and killed by Robert Ford, a member of his own gang. The circumstances surrounding his death remain a subject of debate and controversy. Ford's betrayal and subsequent trial added to the mythology surrounding Jesse James and the Wild West era. Jesse James left a lasting impact on American folklore and popular culture. His outlaw persona, the romanticized image of a rebel fighting against perceived injustices, continues to captivate audiences. Jesse James has been the subject of numerous books, songs, films, and television adaptations, cementing his place as an enduring figure of the American West. John Dillinger John Dillinger was an American bank robber and criminal during the Great Depression era. He gained notoriety for his string of bank robberies, escapes from law enforcement, and public shootouts. Here are some details about John Dillinger and his criminal career: Early Life and Criminal Beginnings: John Dillinger was born on June 22, 1903, in Indianapolis, Indiana. He grew up in a lower-middle-class family and had a relatively normal childhood. However, as a young man, he started getting involved in criminal activities, including petty theft and auto theft. His criminal behavior escalated over time. Bank Robberies and Escapes: In the early 1930s, Dillinger and his gang began a series of daring bank robberies across several Midwestern states. Their robberies were marked by their speed, precision, and audacity. Dillinger became known for his charm and charisma, which attracted both accomplices and public attention. Escapes from Jail: Dillinger's ability to escape from jail made him a legendary figure. He escaped from prison twice, once from the Allen County Jail in Lima, Ohio, and later from the Crown Point Jail in Indiana. These escapes captured the public's imagination and earned Dillinger a reputation as a cunning and elusive criminal. Public Enemies and Shootouts: Dillinger's criminal activities and escapes earned him the designation of Public Enemy Number One by the FBI. This notoriety led to intense media coverage and a nationwide manhunt for his capture. Dillinger was involved in several violent shootouts with law enforcement, including the infamous "Little Bohemia Lodge" shootout, which resulted in the deaths of innocent bystanders.

The End: Dillinger's criminal career came to an end on July 22, 1934, when he was shot and killed by FBI agents outside the Biograph Theater in Chicago. His death marked the end of an era of notorious criminals during the Great Depression. Cultural Impact: John Dillinger's life and exploits have had a lasting impact on American popular culture. His notoriety during his lifetime and the sensationalized media coverage contributed to his status as a legendary figure of the criminal underworld. Dillinger has been the subject of numerous books, films, and other media adaptations that have helped perpetuate his image as a charismatic and daring outlaw. John Dillinger's criminal career, bank robberies, escapes from jail, and confrontations with law enforcement made him a notorious figure during the Great Depression era. Despite his criminal activities, Dillinger's charm and audacity earned him a certain level of fame and even admiration among some segments of the public. His legacy as one of America's most infamous bank robbers and Public Enemy Number One remains an enduring part of criminal history. Bonnie and Clyde Bonnie Parker and Clyde Barrow were an infamous criminal couple who gained notoriety during the Great Depression era in the United States. They were known for their string of bank robberies, car thefts, and violent encounters with law enforcement. Here are some details about Bonnie and Clyde and their criminal escapades: Early Lives and Meetings: Bonnie Parker was born on October 1, 1910, in Rowena, Texas, and Clyde Barrow was born on March 24, 1909, in Telico, Texas. They met in 1930 and quickly became romantically involved. Bonnie, who was married at the time, left her husband to join Clyde in a life of crime. Bank Robberies and Criminal Activities: Bonnie and Clyde, along with their gang, engaged in a series of bank robberies, store robberies, and car thefts across multiple states, including Texas, Oklahoma, New Mexico, and Missouri. They often used stolen vehicles to facilitate their getaways and were known for their bold and swift robberies. Media Attention and Public Image: The couple gained significant media attention due to their criminal activities. Newspapers of the time sensationalized their exploits, creating a public image of a glamorous and rebellious couple. Their photographs, often posing with weapons, circulated widely, further fueling their public persona. Violent Confrontations and Escapes: Bonnie and Clyde were involved in several violent encounters with law enforcement, including shootouts. They were known for their willingness to use lethal force against pursuing officers. Their ability to elude capture for an extended period added to their legend. Death: The criminal career of Bonnie and Clyde came to a violent end on May 23, 1934, when a group of law enforcement officers ambushed them near Gibsland, Louisiana. Bonnie and Clyde were shot and killed in a hail of bullets. The ambush turned them into legendary figures and solidified their place in criminal folklore. Cultural Impact: The story of Bonnie and Clyde has had a significant impact on popular culture. Their criminal exploits, romantic relationship, and violent demise have been the subject of numerous books, films, and songs. The 1967 film "Bonnie and Clyde," starring Warren Beatty and Faye Dunaway, further popularized their story and cemented their place in criminal history. Legacy: Bonnie and Clyde's legacy is one of a romanticized criminal duo who defied societal norms during a tumultuous time in American history. While their actions were criminal and often violent, they have been portrayed as anti-establishment figures who captivated the public's imagination during the Great Depression. Bonnie and Clyde, as a criminal couple, left an indelible mark on the history of American crime. Their daring bank robberies, violent encounters with law enforcement, and tragic end turned them into legendary figures of the Great Depression era.

Despite their criminal activities, their story continues to fascinate and intrigue audiences, perpetuating their status as symbols of rebellion and outlaw romance.

0 notes

drcpanda12 · 1 year ago

Text

Despite their criminal activities, their story continues to fascinate and intrigue audiences, perpetuating their status as symbols of rebellion and outlaw romance.

0 notes

thebandcampdiaries · 1 year ago

Text

ConFunkShun presents: Smooth

October 2023 - The track stays true to its title, offering an explosive groove with a strong focus on dynamics. The beat is enticing, with an electronic drum backdrop over a brass section and a soulful melody. The vocals are beautifully layered, echoing the flow and vibe of early 2000s R&B music. The song tips the hat off to the heyday of the genre, but there is also a lot more to it than that. “Smooth” also offers some modern appointments, which make the sound all the more intriguing and varied. For example, the tuned effect on the vocals at some pivotal points in the track is truly well-executed, allowing the main vocal hook to take off. Overall, the production has a warm and vibrant tone, matching the uniquely soulful sonic aura that makes ConFunkShun so special.

As an award-winning ensemble of quality musicians, ConFunkShun knows what it takes to create music that connects with the audience on a deeper level. This song is a prime example of that, as it brings the audience a classic vibe with a healthy dash of innovation. People who enjoy listening to artists such as Prince, Bruno Mars, Anderson.Paak or Miguel will most definitely enjoy grooving to “Smooth,” as well as many other songs from this critically acclaimed ensemble of modern R&B titans! Like the best artists and groups in the game, ConFunkShun brings an extra flow of emotion and appeal to the audience while staying true to their formula and authentic vision. In other words, this is music you can immediately internalize and vibe with!

Find out more about ConFunkShun, and do not miss out on “Smooth,” which will be available on streaming services soon.

#indie #soul #funk #rnb #Spotify

0 notes

influencermagazineuk · 1 year ago

Text

Exploring the Unknown: Unveiling China's Lesser-Known Developments in the West

China, with its rapid economic growth and expanding global influence, has become a subject of curiosity for many. While its domestic developments are widely discussed, there is a lesser-known aspect that often goes unnoticed - China's presence and initiatives in the Western world. In this article, we shed light on some of the intriguing Chinese developments that have taken place in the West, highlighting their significance and impact. One notable area where China has made significant inroads is infrastructure. The Belt and Road Initiative (BRI) has extended China's influence through investments in transportation networks, ports, and energy projects in various Western countries. These developments not only strengthen China's economic ties but also reshape the geopolitical landscape. Chinese companies have also made substantial investments in Western technology and innovation. From acquiring tech startups and companies to establishing research and development centers, China has sought to gain a competitive edge in emerging sectors such as artificial intelligence, biotechnology, and renewable energy. These initiatives not only drive technological advancements but also foster collaborations between Chinese and Western researchers and entrepreneurs. In the realm of culture, China has been actively promoting its rich heritage and contemporary arts in the West. From hosting exhibitions of ancient artifacts to organizing cultural exchange programs, China aims to showcase its cultural diversity and foster cross-cultural understanding. These initiatives not only provide a platform for Chinese artists and performers to gain international recognition but also encourage cultural exchange and dialogue. Chinese educational institutions have also expanded their presence in the West, establishing partnerships with prestigious universities and offering educational programs to attract international students. This enables knowledge sharing, cultural exchange, and the opportunity for students to experience Chinese education firsthand. Another area where China has made significant strides is in the renewable energy sector. Chinese companies have invested heavily in wind and solar energy projects in Western countries, contributing to the transition towards a more sustainable future. These investments not only create job opportunities but also foster cooperation between China and Western nations in tackling climate change. China's influence in the Western media landscape is also growing. Chinese media companies have expanded their reach through strategic acquisitions and partnerships, enabling them to broadcast Chinese perspectives and narratives to a global audience. This development raises questions about media diversity and the impact of Chinese media influence on public discourse. Chinese tourism has seen a remarkable increase in Western countries, with more Chinese tourists exploring destinations outside their homeland. This surge in tourism not only contributes to the local economies but also promotes cultural exchange and understanding between China and the West. However, it is important to acknowledge that China's growing influence in the West has sparked debates and concerns. Critics argue that China's involvement in Western countries may pose challenges in terms of economic dependency, intellectual property rights, and potential political influence. Balancing the benefits of cooperation with the need for vigilance and scrutiny remains a complex task. While China's domestic developments are widely known, its activities in the Western world have received less attention. Through infrastructure investments, technological advancements, cultural exchanges, and educational collaborations, China is expanding its influence in the West. These developments offer opportunities for cooperation, cultural exchange, and economic growth. However, they also raise questions and concerns that necessitate careful examination. Understanding China's presence in the West is crucial for fostering constructive engagement and shaping the dynamics of global partnerships. Read the full article

0 notes

hostel-qhawaq · 2 years ago

Text

About Cóndor Q'hawaq

(English version on top, Spanish below) Condor is a quasi-immortal being who lives and is bound to a magical hostel called "El Q'hawaq" that arbitrarily changes location within the Andes by a design of something yet to be discovered. The hostel receives particular passengers, such as spiritual beings, stars in human or anthropomorphic form, deities, itinerant "magical" artisans, humans from the story, and an endless number of visitors (other streamers) that enrich Condor's daily life.

The story in the present is about Cóndor's day-to-day life at the hostel. We get to know that he is a reserved figure with a tormented past but with a calm and somewhat irritable and cynical facade. He helps his visitors to solve personal issues that have to do with their spiritual path or purpose in life, and beings from the Andes' cosmogony and other planes that might require his hidden powers.

The people of the native villages know that he is a shaman, the closest ones even know his condition of (quasi)immortal and servant of the Pachamama. But everyone treats him with respect for his position, his abilities, and the help he usually provides.

He tries to be self-sufficient (emotionally) given his immortal condition. However, He fails because he still retains his human essence and the internal struggle of both occasionally generates personality and mental disorders. Internally, he wants to belong and forge meaningful bonds with human beings but given some of his personality traits, he tends to unconsciously avoid contact.

Concept

The design was made by the artist Blazemaléfica, a very good friend of mine with whom I have been working for about 10 years on several projects.

When working on the design, we wanted a character that felt modern but at the same time had apparent relation to the Andean mysticism, that felt unique, but not alien to its culture, and finally, that felt intriguing, but without too many hidden references that would impede its quick interpretation.

As this project receives collaboration from several people, we also avoided adding several details to the model, the reason is that the character needs to be simple enough for animators or other illustrators to reference.

Clothing

Some of his garments mimic the color palette and shapes of Andean condors. The open poncho with Andean motifs, sleeves, and collar is a free design by the artist. The shawl is made with alpaca wool and cotton fibers. It has chacana motifs carefully hand-embroidered by the Great Achachila of the Aconcagüa and given to him as a gift.

His long, loose-fitting black sweater is made from a blend of cotton, llama, and merino, while the light gray shirt he wears underneath is long, linen, and has a triangular front bottom tail.

The boots are hiking boots and are black. The laces are red. =====

ESPAÑOL

Cóndor es un ser quasi-inmortal que vive en un hostel mágico llamado Q’hawaq que cambia arbitrariamente de ubicación dentro de los Andes por un designio de los dioses. El hostel recibe pasajeros muy particulares. Espíritus, estrellas con forma humana o antropomórfica, deidades, artesanos “mágicos” itinerantes y un sinfin de visitantes (otros streamers) que enriquecen el día a día de Cóndor.

La historia en general trata sobre el día a día en el hostel y de cómo Cóndor, una figura reservada con un pasado atormentado pero con una fachada tranquila, algo irritable y un poco cínica, ayuda a sus visitantes a resolver cuestiones personales que tienen que ver con su camino espiritual, seres de otros planos, mitologías andinas y afines y propósito en la vida.

La gente de los pueblos originarios, saben que él es un shamán, los más allegados inclusive conocen su condición de (quasi)inmortal y de siervo de la Pachamama. Pero todos lo tratan con respeto por su cargo, sus capacidades y la ayuda que suele brindar.

Intenta ser autosuficiente (en el plano emocional) dada su condición de inmortal, pero falla, porque aún conserva su esencia humana y el enfrentamiento de ambas cosas ocasionalmente le genera trastornos de personalidad y mentales. Internamente quiere sentir que pertenece y forjar lazos significativos con los seres humanos, pero dados algunos rasgos de su personalidad, tiende a evitar inconscientemente el contacto y la construcción de relaciones interpersonales.

Apariencia de Cóndor en el presente. Algunas de sus características actuales son obtenidas luego del desenlace de la novela, adquiriendo mayor significado y creando pequeños guiños a quienes están más involucrados con la narrativa del personaje.

Concepto

El diseño fue hecho por la artista Blazemaléfica, una muy buena amiga mía con la que vengo trabajando por alrededor de 10 años.

A la hora de trabajar el diseño, queríamos un personaje que se sintiera moderno pero al mismo tiempo tuviera toques del misticísmo andino, que fuera original, pero alienado a la cultura andina, y también se sintiera intrigante, pero sin referencias demasiado escondidas que impidan su rápida interpretación.

Vestimenta

Algunas de sus prendas, imitan la paleta de colores y formas de los cóndores andinos.

El poncho abierto con motivos andinos, mangas y cuello son un diseño libre de la artista. La chalina está hecha con fibras de lana de alpaca y algodón y posee motivos de chacana cuidadosamente bordados a mano por parte de la Gran Achachila del Aconcagüa, como regalo.

Su sweater negro, largo y holgado está hecho con una mezcla de algodón, llama y merino, mientras que la camisa gris claro que lleva debajo, es larga, de lino y tiene una cola inferior frontal triangular.

Las botas son de montaña y negras. Los cordones son rojos.

#original character #vtuber lore #vtuber #vtuberes #andes mountains

0 notes

homebrewsno1asked4 · 3 years ago

Text

Background: Private Investigator

Yeah, I know there’s already an Investigator variant on SCAG’s City Watch background. But oh well I made a this!

Private Investigator

Many of your kind are either lapsed criminals or lapsed lawmen. Now both types sneer at the mention of your name. To the cops, you’re a crook who catches other crooks. To the cons, you’re a sellout with a get-out-of-jail-free card. But you have and need contacts on both sides. Whatever your distant past, your new vocation defines you. You bring lawbreakers to justice – sometimes by less-than-legal means.

You have an eye for detail, a nose for trouble, and a taste for vice. Why aren’t you part of an official police force? Or – why did you turn a new leaf? Or maybe you have another reason for plying such a dangerous trade.

Skill Proficiencies Investigation, and one of the following: Insight, Perception, Persuasion, or Stealth

Tool Proficiencies Disguise kit, Thieves' tools

Equipment A set of dark common clothes including a long coat, a set of manacles, a pack of smokes, a belt pouch containing 10 gp, a "Wanted" poster (possibly your own), and (choose one) a disguise kit or thieves' tools.

Feature: Shakedown

Sometimes people just won’t talk. You know how to loosen those stubborn tongues.

You can roll Persuasion or Intimidation checks with advantage; but if you fail, your target immediately turns hostile, no matter their usual temperament. You may use this feature a number of times per day equal to your Proficiency Bonus.

The Mark That Got Away

Rare is that PI with the perfect record. Maybe you were still green when you tried to bring them in; maybe you were double-crossed; maybe you brought the perp to trial, but they slipped away on a technicality. Whatever the case, you have that one case you never closed, that one jailbird that you never caged.

d10 Perp

A corrupt CEO

A serial killer

A phantom thief

A spy

A slaver

A smuggler

A con artist

A poacher

A cult leader

A robber baron

Suggested Characteristics

You’re nosy, suspicious, and probably dour. But you have a good excuse for your abrasive tendencies; after all, you’ve seen the worst of people in all walks of life. That changes a person.

d6 Personality Trait

I have a constant melodramatic internal monologue. Sometimes, that internal monologue becomes an external monologue.

I assume everything’s a conspiracy.

I keep a dossier on literally everyone I meet: friends, enemies, family, some strangers.

Sometimes I’ll give a fake name out of habit.

I need to blow my earnings on debauchery between cases. If you don’t, was it really a success?

Never knock when you can look for the back door instead.

d6 Ideal

(Justice) There’s a difference between what’s legal and what’s just. You can’t always do what’s right if you stick too close to the letter of the law. (Good)

(Money) A job’s a job. I just happen to be good at this one. (Neutral)

(Judge, Jury, Executioner) Good and evil’s totally subjective. I’m just here to make sure people get what they deserve. (Chaotic)

(Leverage) It’s nice to have dirt on people. (Evil)

(Thrills) Untangling knots of intrigue is the only thing that breaks through my ennui. (Chaotic)

(Vigilantism) Royals, guards, merchants – they can all be paid off. If you have a problem, you need to take care of it yourself. (Chaotic)

d6 Bond

One of my marks played me for a sap – and I’m still head over heels for them.

I’m in this business to atone for my past mistakes.

One of the jerks I put away escaped some time ago. I caught them once; it’s up to me to do it again.

I used to have a partner. We may have gone our separate ways, but I still hold them dear.

This one cold case gnaws at me every day.

I’ve lost touch with my family… but I still love them. The rift grows steadily wider and more painful, but I have no idea how to close it.

d6 Flaw

I’m gloomy. Irrepressibly, sometimes laughably gloomy.

I’m a slob.

I sneer in the face of authority – even when we’re on the same side.

I avoid forming attachments.

People are guilty until proven innocent.

I ask way too many questions – even when I’m not working.

#d&d 5e #d&d homebrew #5e homebrew #background #private investigator #i spent way too long on this lol #sorry i'm working on like 100 other things #i might plug them here later #if i ever finish them D:#film noir #i always underestimate how much work goes into making a background #it's a whole lot of flavor #no math #generally

86 notes · View notes

misscrawfords · 3 years ago

Note

Get To Know Me Asks: 15, 52, 81, 83, 97

Thank you! <3

15. Do you have a green thumb or a black thumb?

Black, for real. My garden is an absolute disaster and embarrassment and I kill all my plants. It's actually something that really bothers me and feels like a symbol of my ineptitude at living alone and "adulting" that my garden is so terrible. ANYWAY, after 3 years of hating everything to do with it and being stressed out about it, I finally called a gardener today and he's coming around on Tuesday to discuss redoing it and designing it and turning it into something nice and more manageable for someone as incompetent as I am. (I sort of feel that people might expect me to be green fingered from IDK the sort of interests and vibes I give off but... I am very much not.)

52. Hot or cold weather?

Hot weather, probived I'm in a climate that understands hot weather, i.e. has air con and where the food is suitable for hot weather and the day is structured suitably. Hot weather in England is the worst because our buildings are designed to keep heat in not keep it out, but heat in Singapore, Bangkok, Israel is much more doable. I mean, I'm not talking about 40+ degrees, but yeah, give me some sun and heat and pretty dresses and no coats and long days. I'm rather devastated by the onset of autumn. Soon winter is coming with darkness and cold and misery. I don't get why people are happy about this.

81. What books influenced you most as a child?

Hmm, Laura Ingalls Wilder's Little House series, Pride and Prejudice, and the Tintin books probably.

83. What’s your favorite piece of jewelry? (or other accessory if you don’t wear any)

I have an opal necklace I bought in the opal mines of Cuber Pedy in Australia and I love it because it's so pretty and because it reminds me of that extraordinary place. A couple of years later, once I'd got my ears pierced, I bought some stud opal earrings from a village in Provence while on choir tour that could honestly be part of a set with the necklace they match so well and I love them too for the memories and the prettiness as well!

97. Are you more of a planner or a spontaneous adventurer?

A bit of both really, though erring on the side of caution. I get stressed out if I don't know what I'm doing so I would always plan my travel and accommodation in advance and have a reasonable idea what I'm going to do when I'm there, but then I leave flexibility to fine tune the details with what I feel like at the time. I once went to Greece with some friends and we rocked up into a village by a lake without having booked accommodation in advance and they were fine with it but I was hiding my deep stress with that until we found somewhere! And if I have complicated travel arrangements to deal with, I plan that meticulously in advance so I know all my timings, exactly where I need to go and when and how I'm going to get there. It ends up meaning I'm a very calm traveller no matter the complications because I've done my research in advance. (I love planning travel - it's something I've really missed in the pandemic. And I've led and organised school trips in Britain and abroad so this travel organisation thing is really built in! A while ago I interned in a music agency and a lot of what I had to do was make travel bookings for the artists so I learned a lot there.)

However, over-planning every activity also stresses me out. Obviously, if there's something specific I definitely want to do like a particular exhibition that requires advance booking or a museum that is crowded if you arrive after 9am then that requires thought and preparation. But I think regimenting everything spoils a holiday. Some of the best moments in travel are just wandering aimlessly round a beautiful city or taking a break to read a book in a cafe or seeing a sign for something intriguing and following your nose to something you hadn't previously known about. If you're on too strict a schedule to see too much too quickly then that's not relaxing, that's hard work and defeats the point IMO.

Thanks for letting me rabbit on about travelling. :) Gah, I miss it!

Get to know me asks

#i need to get on a plane and go somewhere that isn't britain #soon pleeeeeeaaaaase

0 notes

the-dust-jacket · 5 years ago

Photo

The news that Leverage is slated to return to television rocked my social media feed last week, but it’s anyone’s guess when we’ll actually get new episodes. So I’ve assembled a crew list of books about heists, hi-jinx, the rich and powerful who take what they want, and the bad guys who are sometimes the only good guys you get.

The Heist, by Janet Evanovich and Lee Goldberg: a determined FBI agent, a charming con-man, and a motley crew of crooks and wannabes team up to take down a corrupt investment banker.

Razor Girl, by Carl Hiaasen: Carl Hiaasen’s riotous and irreverent novels of corrupt and scheming businessmen versus eco activists, small time crooks, and down-on-their-luck detectives offer a lot of scope for Leverage fans. But Razor Girl might have the most criminality and conning per page.

The Con Job, by Matt Forbeck: I know IP tie-ins can be dicey, but the first book of the Leverage novels takes place at Comic-Con International, and I’m intrigued.

Immoral Code, by Lillian Clark: Physics prodigy Bellamy is getting screwed by the system. It turns out her absentee dad is loaded, and Bellamy doesn’t qualify for the financial aid that will send her to MIT. Nari isn’t about to let some deadbeat billionaire cost her friend her dreams, so with her hacker expertise and a band of ambitious adolescents, she hatches a plan to steal the money that Bellamy’s dad won’t pay.

Catch Me If You Can, by Frank W. Abagnale: the action-packed memoir from the famously prolific con artist.

The Holver Alley Crew, by Marshall Ryan Maresca: A couple of retired rogues find their aboveboard new life shattered by a terrible fire. But as they assemble a crew to rebuild their fortunes, they discover that the fire was no accident. This crew of crooks has wrongs to right.

The Thousand Dollar Tan Line, by Rob Thomas and Jennifer Graham: welcome back to Neptune, a town ridden with corruption, class tension, spring breakers, and murder.

The Long Way to a Small, Angry Planet, by Becky Chambers: if found family, competence porn, unconventional but tender relationships, and derring-do just on the other side of the law are your jam, then this spaceship’s for you.

Death Prefers Blondes, by Caleb Roehrig: a California socialite and a team of teenaged drag queens pull off high-risk heights, until their double lives cross.

Six of Crows, by Leigh Bardugo: Criminals, runaways, and exiles meet magic and high finance in the fantasy-heist favorite.

Hoot, by Carl Hiaasen: how are a few middle schoolers supposed to stand up to the pancake giant threatening the local owl habitat? Pranks. Sneaking. Anarchy.

Heist Society, by Ally Carter: Kat thought she’d pulled off her biggest con: getting into an exclusive private school and leaving the “family business” behind. But there’s always one more job.

#Leverage #Ally Carter #Carl Hiaasen #Lillian Clark #Janet Evanovich #Lee Goldberg #Matt Forbeck #Frank Abagnale #Rob Thomas #Jennifer Graham #Becky Chambers #Caleb Roehrig #Marshall Ryan Maresca #Leigh Bardugo #tv #Love That? Read This!#Rosalind recommends #fan art

52 notes · View notes

haich-slash-cee · 5 years ago

Text

Is the print publishing world picking up online/fandom terms? How they are using them? How do we feel about this?

So this is... attention-getting, for folks who like to follow publishing and meta stuff.

https://twitter.com/sapphicxrey/status/1215065948677443584

https://twitter.com/TorDotComPub/status/1233391556750647299

(2nd tweet -- TW, mentions of non-con)

Are we seeing the beginnings of book publishers directly borrowing from online/fandom culture in promoting their books? How do we feel about these examples?

More below cut.

Exhibit #1: screenshots of Bonds of Brass promo from Jan 8 2020. (Which is probably going to have reactions of “haha, cute” at most.)

Transcript of blurb:

“If you like...

forbidden romances, “there’s only one bed”, cityships, weaponized umbrellas, powersuits, secret princes, best friends, best friends PINING, fake dating between PINING best friends, tactical streaking, the minivan of starships, cigar-chomping cyborg ladies, scary empress moms, galactic-level bisexual disasters, LEGACY (WHAT IS A LEGACY?), rooftop hopping, golden trios, rumblin’ drums, bootleg fireworks, BIG SPACE BATTLES PEW PEW, a surprisingly functional public transit system, mob trouble, one hell of a pilot, the inherent DRAMA of empire, a nice interlude in a river, smoking a joint that’s been on the floor, sick stunts, slick grifts, hiding in a dumpster, or any combination of the above,

Then you might like

BONDS OF BRASS”

The Twitter responses seem to be generally enthusiastic. (And also, “FinnPoe! FinnPoe!”)

Personally, I’m intrigued from a meta-view of “oh so that’s definitely pulling from online world and fanfiction world, interesting. I wonder how much fanfiction culture is starting to influence print book culture and promotion.” Maybe I’ve got some questions like, “Ok so moneymaking companies such as Penguin are now using culture developed by the not-moneymaking-world of fanfiction? How do we feel about this?” Anyway, the book looks cute, I’m interested enough and I might get it from the library.

I suspect many people’s reactions are along the lines of “hm, interesting”, “sounds like a lark”, or “haha they’re using AO3 tags as promo”, etc.

Exhibit #2, screenshots of DOCILE promo, from Feb 28 2020 (today is March 1 2020), and screenshots of Twitter responses so far:

(*CW, non-con discussion)

Tweet transcript:

“DOCILE by @KMSzpara:

-Dubcon/Noncon

-Dramatic Trillionaire Content

-BDSM and then some more BDSM and then a lot more BDSM

-Hurt/comfort and hurt/no comfort

-Cinnamon roll of steel

-The most scandalous kink: love

-Courtroom, bedroom, & Preakness drama

[Tor book website link]”

So this is getting mixed reactions on Twitter. All dozen or so reactions, so far. Here’s text transcripts and bio info from repliers, below. I’m being a little obsessive, mostly to show that there’s a mix of queer, book-ish people in the replies (including the author).)

Noncon is nonconsentual sex, rape. Even in fandom it's a content tag, not a promotional term. I can't imagine being a rape survivor and seeing this come across my TL. -- @WriteSomeGood [queer rainbow] [Cis queer homemaker, aspiring author, maker of incredible cinnamon buns. She/her] [has a Tumblr page]

I’m not a survivor but it was an instant “no thank you” from me. And I was sincerely looking forward to this prior to. This is the most immediately off-putting marketing push I’ve seen for a book in a long damn time. -- @AGAWilmot [Author, editor, artist. Co-EIC of @anathemaspec. @SFU alum. The Death Scene Artist/W&W 2018. Ace/enby. They/them. Horror is my comfort food.]

Whichever intern wrote this tweet, deserves a full time job. With benefits. -- @simeontsanev [Aspiring writer, post-aspiring musician, and overall geek He/Him /[queer rainbow]/ To the world we dream about, and the one we live in now! http://simeontsanev.com]

Idk why everyone thinks it’s always an intern writing copy and not a team comprised of extremely skilled social media experts, editors, publicists and marketers, and their assistants I worked on those tags with my editor and a good friend!! -- @KMSzpara [Kellan. [queer rainbow] Speculative fiction writer. Queer agenda. Hugo & Nebula finalist. DOCILE 3/3/20 from Tor Dot Com Publishing. He/him. Rep @suddenlyjen] *The author, bio page and twitter page.

this is CUTE! -- @MSSciarappa [queer rainbow] I do books. he/him.

I am Extremely Ready for this content thank u -- @JessicaBCooper [Journo ☽ Writer of faerie, villain fuckery & cruel desires ☽ Lestat & Loki's love child ☽ Aleksander Morozova's side-hoe ☽ Rep'd by Kate Testerman @ktliterary]

I’m listening -- @MerynLobb [Government worker. Weightlifter. Nihilist. Aspiring cult leader. Avid user of words, often bad ones. #AMM R6 Mentee. she/her]

Soon! Soon!! -- @castrophony [Geek. Gamer. Cosplayer. Bibliophile. Scientist. She/Her.]

[happy reaction gif] -- @TorDotComPub [Providing a home for writers to tell SFF stories in exactly the number of words they choose. All our titles are available globally in print and DRM-free ebook.]

[throwing stuff in dumpster, unhappy reaction gif] -- @cursedgravy [name's xavi, im a transman and i like to daydream about making content]

For more context, here’s the blurb from the author website. Below is the blurb from the publisher’s site:

“Docile

K.M. Szpara

K. M. Szpara's Docile is a science fiction parable about love and sex, wealth and debt, abuse and power, a challenging tour de force that at turns seduces and startles.

There is no consent under capitalism.

To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future.

Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him.

Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.

Content warning: Docile contains forthright depictions and discussions of rape and sexual abuse.”

So that’s a lot of info and reactions.

Personally: at first glance, I absently skimmed the tweet and “hurt/comfort” popped out, and I was like “What? Mainstream publishing is cool with this now? I was wondering if ‘hurt/comfort’ would one day become commonly used in publishing [related post]. But this is way sooner than I thought.” And then I read the rest of of the tweet and thought, “Wait, what?”

And then I started reading through the tweet replies and thought, “OK, at the risk of getting a bunch of Tumblr drama, I want to bring this to the whump community and see how people feel."

As for myself, one of my squicks is non-con, and I’m not really interested in hurt/no comfort. So just from the tweet, I know the book is not for me. The official blurbs confirmed that. In this sense, this is like skimming Ao3 tags on a fic and saying “pass” on a story.

However, I have questions about the specific promotion of the book. So the official blurbs are pretty standard. What about that tweet, which Tor (and the author, who helped put it together) put out? Because I think an official publisher’s Tweet comes with different context than Ao3 tags.

First, the different internet spaces. You can filter tags on Ao3 and Tumblr. I know you can mute words on Twitter, but is that the same thing? Also, would people be expecting these tags on Twitter? Compared to Ao3 or Tumblr or Tumblr Whump spaces?

Within the Tumblr Whump community, from what I’ve browsed, the community attitude (guidelines?) seem to be “Write and discuss what you want. Be sure to tag it, use content warnings, or otherwise clearly communicate if you have things that may be triggering. Respect people’s squicks/triggers. Walk away from what you don’t like.” Like, tumblr whump has a very specific culture of trying to balance discourse/stories about potentially very dark stuff, but also wanting to make sure the IRL people and Tumblr users are okay. There’s always posts going around about how to do this, are we doing this in the right way, ethics, so on. Also -- and people can correct me -- the whump tumblr space might be where tags are content warnings for people to stay away, and also what people might actively look for. So if any space is going to discuss if this promotional tweet checks out, I feel like it’s this space.

Also, to note again, Tor Tweets are in the money-official-publisher-world, not unpaid-tumblr-people or unpaid-fanfiction-fandom-world.

Maybe I just want to ask, “Hey those first two tweet responses, does they have a point? Tor using ‘noncon’ as official promotion? On Twitter?” I mean, I’ve previously written, “The CW and TW tags that Ao3 writers use, I really wish those were used with published books as well.” But somehow, the Tor tweet was not quite what I was expecting. Maybe for reasons similar to that first tweet response. (I guess one could debate if a tweet is really promotion or just information... you know what someone can correct me, but I’m gonna say that a Tor.com tweet is promotion, compared to information like Ao3, and that tweet was there for promotion.)

Those tags operate within specific Ao3 and Tumblr cultures and infrastructure. I don’t hang around Twitter for whump stuff, IDK what the culture is. Anyway, does dropping these tags into a promotional tweet from Tor.... translate?

The tweet is evidently gathering the people who are there for it, and the people who aren’t there for it are quickly realizing that they are not there for it. But personally, the Tor website blurb does a better job at that, using writing that I’d expect from a publisher for communicating fictional non-con situations. (Maybe the blurb content warnings are what I wanted more of, when I said I wished for CW and TW in books.)

Anyway, there’s no huge drama about that Docile book promo on Twitter, as far as I can tell. So this is a niche thing, right now. But. The promo for Bonds of Brass and for Docile might be the beginnings of a trend of well-known book publishers borrowing from online writing / fandom culture and terminology in order to promote or categorize their books. These two promos might set a precedent or have other significance.

So if anyone has discourse on the tweets or potential future trends...

#meta #discourse #publishing #bonds of brass #Docile #publishers #future trends #maybe #non-con #trigger warnings #content warnings #fanfiction #ao3 #tumblr #whump #hurt/comfort #hurt/no comfort #books

30 notes · View notes

loveforpreserumsteve · 5 years ago

Text

End of the Line (Pre-Serum Alpha!Steve and Pregnant Omega!Bucky Modern Bus Trip A/B/O AU)

Six:

Once the items were paid for, Steve took the bags and welcomed the way Maisie took his hand in hers. Fondly smiling down at the little girl while giving her hand a squeeze. Bucky knew that his heart shouldn't be stuttering the way it was from such a casual act of kindness, yet he had no control over the way his body reacted to it. Instead, Bucky directed his attention to his son. Biting back his grin, Bucky took Noah's hand and followed the alpha to the bus. They weren't the first ones to return, and with every passenger they passed, the more self-conscious Bucky became.

When they finally reached their seats, Bucky leaned towards Steve and quietly asked, "Can you hand me the concealer?"

"Oh, yeah!" Steve assured, searching through the bags until he found the item and discreetly handed it to Bucky with a sweet smile on his handsome face.

Handsome? Bucky internally questioned himself, blushing as he took the makeup to the bathroom in the back of the bus.

Opening the packaging, Bucky removed the tube and took in a deep breath. This was nothing new. Sure, Brock usually tried to keep his blows to areas that weren't typically visible, like with the bruising on his left shoulder. But there were always times when he lost all control over where his hits landed. Especially after Bucky stopped working and focused on being a stay at home father. Especially whenever Bucky interfered and attempted to protect his children.

Using the small wand applicator, Bucky swiped the makeup on the bruise. It wasn't too tender, but Bucky still had to fight from wincing. Making sure to blend it in the best he could. Did it hide the black eye completely? No. But it did make it less noticeable, and that was all Bucky could currently ask for.

Reaching for the door, a sharp pain struck through his abdomen. Bucky's hands immediately dropped down to his baby bump as he gasped for a breath. Having been through this twice before, Bucky knew that his body was preparing for the upcoming birth. But did it have to be so shocking and uncomfortable as it did so? Couldn't he get a pass since he'd been through this already? His body knew what to do, it'd be nice if it acted like it.

Inhaling and exhaling a bit too shaky for his liking, Bucky finally exited the small restroom. Rubbing his hand soothingly over his belly, Bucky carefully made his way down the aisle to his seat. Surprised to find his babies sitting quietly, buckled in, and coloring in the learning coloring books.

"You gotta teach me that trick," Bucky teased. Easing himself into the aisle seat across from Steve's and beside Maisie, watching as she held crayons in her left hand and a half-eaten granola bar in her right. Content pup wafting in the air, causing Bucky to breathe a little easier.

"They're good kids," Steve shrugged, eating a granola bar and offering one to Bucky as the bus started moving.

Gladly accepting it, Bucky decided to try and learn some more about this odd alpha. "So, why bus? Why not fly?"

"Afraid of flying," Steve effortlessly confessed before amending, "Well, fear of falling. You?"

"Too pregnant?" Bucky giggled, rubbing over his baby bump. Although it was true, Bucky was sure that Steve could understand that a plane trip would've been far too expensive for Bucky and his pups. "What's in New York for you?"

"Home," Steve answered, glancing over at Bucky, "You?"

"Sister," Bucky replied. Wondering aloud, "What brought you to Phoenix then?"

Blushing, Steve crumpled up his empty wrapper and confessed, "A comic book convention."

"Really?" Bucky widely grinned, growing even more fascinated with this man by the minute. Especially with them having something in common. Teasing, "Did you dress up?"

"Uh, no," Steve good-naturedly scoffed, fidgeting in his seat. Looking embarrassed, but Bucky couldn't be completely positive. Plus, he might enjoy how cute Steve was when his ears were red and he bashfully kept his gaze off Bucky. Especially when he decided to look over at Noah's picture in an attempt to not look at Bucky.

"Why that con? Surely there had to be one closer," Bucky asked, taking a bite of the mixed berry granola bar.

"It was, um," Steve thickly swallowed, glancing at the passengers further up in the bus, "It was for work."

"For work?" Bucky's brows furrowed, finishing off the bar and melting when Steve handed him another one without either having to speak.

Steve nodded his confirmation, but didn't say anything else on the matter. Deep down, Bucky knew that he shouldn't push. Steve had been good to him and his children so far, and he didn't want to ruin a good thing. But, he clearly still hadn't learned his lesson as he asked, "What kind of work?"

Worrying his lower lip, it was obvious that Steve was debating over answering. Then, with a deep sigh, Steve ran his hand through his golden blond hair. Mussing the strands attractively, Steve admitted, "Press. I'm a comic book artist."

"No shit?" Bucky questioned, intrigued. Before, of course, remembering that his very impressionable pups were there. Glancing at each of them to make sure that they weren't paying attention, and glad that they weren't, Bucky returned his gaze to Steve. Grinning, "Anything I've heard of?"

"I guess that depends," Steve softly chuckled, relaxing in his seat. Looking over at Bucky, and causing the little one to kick at his insides as Steve teased, "You a comic book fan, Buck?"

"You could say that," Bucky bit back his grin; perhaps enjoying the nickname a bit too much for just meeting this man and essentially knowing virtually nothing about him. Wanting to know more, Bucky lead into the aisle and pleaded, "C'mon, spill."

Rubbing his impressively large hand over his face, Steve finally shared, "Striped Crusader."

"Shut up!" Bucky exclaimed a little too loudly. Earning some glares from the other passengers and a quiet, "That's a no-no phrase," from Maisie, Bucky attempted to hide away in his seat.

"So, you've heard of it," Steve mocked, fighting a smile, and failing.

"Heard of it," Bucky good-humoredly scoffed as he looked over at Steve. One of the most talented comic book artist of their generation, and Bucky's personal favorite artist of his favorite comic book was sitting across from him. He couldn't believe it, and, in an attempt to convince himself, lamely stated, "You're S.G. Rogers."

Playfully, Steve brought his finger to his own lips and winked conspiratorially. Utterly star-struck that he was having a conversation with his -- dare Bucky say it -- idol. More than that, finding that such a talented and influential man was kind and charitable, was the cherry on top.

But of course, S.G. Rogers would be the compassionate human being that sat across from Bucky. He did, after all, draw for a comic book series that dealt with social injustices with care while offering hope for the future. Not to mention that the lead character, Nathan Hale, the Star-Spangled Avenger, was an alpha who fought against Nazi scientist. Growing up, that character meant a lot to Bucky as a Jewish boy in Indiana. Made him want to be just like the inspiring alpha. Even after he designated as an omega, because he looked up to Nathan's omega partner, Willie Samuels, even more. And even though Steve was relatively new to that series, Bucky could confidently say that the last five years was the best run yet.

"I'm just a regular guy," Steve wearily reminded.

"Right," Bucky agreed, but shook his head as he corrected, "You're not though. You're better."

Steve's grin softened around the edges as his sky-blue eyes locked with Bucky's. Chest clenching at just how thankful he was to be traveling with Steve. Not because he was the award winning artist, but because he was a good alpha, a good man. And a little twinge in the back of his head didn't want this trip to end.

14 notes · View notes