#Innovate Now

[apna04counsellor]

All Scholarship Details for Maharashtra Students

State-Level Scholarships (Maharashtra): Rajarshi Chhatrapati Shahu Maharaj Shikshan Shulk Shishyavrutti YojnaApplication Link: MahaDBT PortalDeadline: Generally open from August to December 2024 (check the portal for updates). Dr. Panjabrao Deshmukh Hostel Maintenance AllowanceApplication Link: MahaDBT PortalDeadline: Same as above. Post Matric Scholarship for Minority CommunitiesApplication…

[ilovedthestars]

A thought I’ve been having: While it's important to recognize the long history of many current queer identities (and the even longer history of people who lived outside of the straight, cis, allo “norm”) I think it's also important to remember that a label or identity doesn't have to be old to be, for lack of a better word, real.

This post that i reblogged a little while ago about asexuality and its history in the LGBTQ+ rights movement and before is really good and really important. As i've thought about it more, though, it makes me wonder why we need to prove that our labels have "always existed." In the case of asexuality, that post is pushing back against exclusionists who say that asexuality was “made up on the internet” and is therefore invalid. The post proves that untrue, which is important, because it takes away a tool for exclusionists.

But aromanticism, a label & community with a lot of overlap & solidarity with asexuality, was not a label that existed during Stonewall and the subsequent movement. It was coined a couple decades ago, on internet forums. While the phrasing is dismissive, it would be technically accurate to say that it was “made up on the internet.” To be very clear, I’m not agreeing with the exclusionists here—I’m aromantic myself. What I’m asking is, why does being a relatively recently coined label make it any less real or valid for people to identify with?

I think this emphasis on historical precedent is what leads to some of the attempts to label historical figures with modern terminology. If we can say someone who lived 100 or 1000 years ago was gay, or nonbinary, or asexual, or whatever, then that grants the identity legitimacy. but that's not the terminology they would have used then, and we have no way of knowing how, or if, any historical person's experiences would fit into modern terminology.

There's an element of "the map is not the territory" here, you know? Like this really good post says, labels are social technologies. There's a tendency in the modern Western queer community to act like in the last few decades the "truth" about how genders and orientations work has become more widespread and accepted. But that leaves out all the cultures, both historical and modern, that use a model of gender and sexuality that doesn't map neatly to LGBTQ+ identities but is nonetheless far more nuanced than "there are two genders, man and woman, and everyone is allo and straight." Those systems aren’t any more or less “true” than the system of gay/bi/pan/etc and straight, cis and trans, aro/ace and allo.

I guess what I’m saying is, and please bear with me here, “gay” people have not always existed. “Nonbinary” people have not always existed. “Asexual” people have not always existed. But people who fell in love with and had sex with others of the same gender have always existed. People who would not have identified themselves as either men or women have always existed. People who didn’t prioritize sex (and/or romance) as important parts of their lives have always existed. In the grand scheme of human existence, all our labels are new, and that’s okay. In another hundred or thousand years we’ll have completely different ways of thinking about gender and sexuality, and that’ll be okay too. Our labels can still be meaningful to us and our experiences right now, and that makes them real and important no matter how new they are.

We have a history, and we should not let it be erased. But we don’t need a history for our experiences and ways of describing ourselves to be real, right now.

[oof-ow-my-bone]

twiddles my thumbs uhh umm.. started watching gravity falls ahah…

[avelera]

I can't believe my silly little "slice of life" early days fic for Jayvik actually predicted a major theme of the last act of Arcane

Hell, I can't believe it almost predicted an actual fucking line

[timetravelstudies]

This got long and annoying so its under a cut now

The way in the fight w the museum director insul gets the same big injuries he has given trianon (so far), aand particularly the ones that T thinks back on often as specific sources of fear/humiliation/control (pepper sprayed in the eyes; kicked in the balls; choked with smth small and thin ((wire / car window)))….. im too tired to formulate a proper Thought abt this but the fact this all happens right in front of tjat one painting of dante & virgil in hell + insul and the director are in the exact same pose right as insul is about to die* is obviously so meant to evoke the idea of contrappasso….. at this stage trianon isnt “””strong””” enough (doesnt understand Insul enough and most importantly doesnt fully inhabit himself and his own strengths) to be able to pay back Insul’s violence (as he does later, though not in such a literal way anymore) so tje director will do for now🥰 bc they both need to descend into hell they both need to be subject to physical and psychological violence in order to strip down layers……. so its cool how the director serves that purpose for this phase 1 both in story for insul himself (who eats shit in this fight) and also as a sort of alert for the reader like make no mistake they are BOTH gonna get put thru the ringer. even the top has to wade through cocytus! or smth

[assorted-biscuits]

FUNKTASTIC EVERYWHERE SYSTEM

[ophanim-vesper]

An hour and 17 minutes into Defunctland's new video. It's crazy to think that the first person to basically say "we should replace artists with robots/AI!" was... Walt Disney himself.

[around 1:17:14 in the video]

Defunctland's new video, you should watch it.

[shalom-iamcominghome]

Jews in my phone, I have a confession: I hate xmas, but there is one (1) xmas song which I unironically love.

If we could all get together for the combined chanukah and xmas party and play this song specifically (and it has to be this one), I would die happy:

[Video Description: Anuc Atittawan's rendition of "The Christmas Song." He stares directly at the viewer and his very thick accent makes it difficult to understand parts of his song /End of Description]

[f0point5]

[ikjun]

Mr. Hades is a mighty king Must be making some mighty big deals Seems like he owns everything

PARK SUNG-WOONG as KIM MYEONG-GIL BLOODHOUNDS / 사냥개들 dir. Kim Joo-hwan

[bumblingbabooshka]

It's impossible to write a TOS x Any other Series crossover [for me] without having to think about whose lens it's going to primarily be from because the vibe of TOS is so distinct and I think quite different from all series that follow it. The way the characters speak and are presented is so theatrical and of course steeped in the past that I find myself considering if this is, say, Janeway meeting Kirk (through a VOY perspective) or if I should write Janeway as she would appear if she stepped through a portal and was in TOS' universe.

[aj-lenoire]

for a supposed genius anna really is a dumbass, falling for this exact trick twice in a row

[lady-raziel]

actually every pundit is wrong about who the Democrats should choose to replace Biden. There's only one right answer.

That's right--

HOWARD DEAN FOR PRESIDENT 2024 REDEMPTION ARC

[danikoshi-doodles]

Beloved snake oil horse scammers!

[identityquest]

some rapo girlies 💖

[bonesandpoemsandflowers]

honestly, I feel like Dave McKean's work elevated Neil Gaiman way more than the other way around and we don't distribute credit for that properly. I truly don't think--and, critically, never have thought--the early Sandman writing was so good that it would have gotten far without the heavy hitting art lending it such an air of respectability. McKean's work is so visually distinct still, let alone 20 years ago, let alone 30. "This is serious art for serious stories for serious people," those mixed media paintings say when they're surrounded by pen and ink put out on a brutal schedule. "I am a serious person with sophisticated tastes," the buyer says, given permission to be pretentious and smug as hell, which is very alluring to many people.