#Indra Kumar

[theflixdiaryproject]

"a flame does not start by itself.. unless there is someone to ignite it" - Dev

Priya (Manisha Koirala) wins a cruise from Singapore to India, where she meets Dev (Aamir Khan), a casanova painter. despite being engaged to other people, they fall in love during the voyage. at the end of the cruise, they promise to meet again after 6 months on Valentine's Day to get married.

read my review below (may contains spoiler):

rewatched January 25, 2018 on putlockers

I first watched Mann as a little kid, sitting with my parents who were there for the songs. but for me, it wasn’t about the music - it was the story. it’s romantic, heart-wrenching, and full of emotions. back then, I believed in the dreamy kind of love this movie shows. it planted this unrealistic idea in my mind that love can conquer everything. I thought love was simple, and if you loved someone enough, nothing else would matter. but now, as an adult, my views have changed. love feels more complicated and painful. love hurts, love disappoints, and yet, it’s still beautiful in its own way. watching Mann again, I see how flawed and idealistic it is, but that doesn’t stop me from loving it. there’s a charm in its imperfections. the movie pulls me in emotionally every single time. even though I know what’s going to happen, I can’t stop myself from feeling everything the characters feel. the cruise scenes are my favourite part of the movie. they’re funny, sweet, and full of emotions. I see the connection between Priya and Dev growing naturally, and their chemistry is magical. this is the first movie where I watched Aamir Khan, and I was completely swooned by him as a kid. I even wanted to fall in love with someone like Dev, thinking he’s the perfect gentleman. little did I know back then that a casanova is not the same as a gentleman! I laugh at my childhood self now ahaha.

but the movie shifts into a darker tone after the intermission. it’s like a different world. the emotions feel heavier, and the challenges become more relatable. it’s no longer just about love but also about life’s struggles and sacrifices. this part of the movie always leaves me drained emotionally. I feel so attached to the characters that I forget I’m just watching a movie. it feels like I’m living their story, not just seeing it on screen. one of the best things about Mann is its poetic quality. the dialogues are so lyrical and meaningful. they touch my heart in ways that most movies don’t. even though I’ve heard them countless times, they still feel fresh and moving. there’s some controversy about plagiarism on the songs used in this movie, but that doesn't ruin the movie. the story and emotions make up for it. by the end of Mann, I’m always emotionally spent but satisfied. I tell myself I won’t cry next time I rewatch the movie, but I fail every time. this movie isn’t perfect. it’s overly idealistic and sometimes impractical, but it has a charm that’s hard to ignore. it's one of my favourites, and it’s definitely worth watching at least once in your lifetime.

final verdict: I totally loved it!!

maturity rating: 13+ genre : romance, drama, musical duration: 2h 40m (160 mins) country: India language: Hindi screenplay: Aatish Kapadia, Indra Kumar based on : loosely inspired by the movie An Affair to Remember major cast: Aamir Khan, Manisha Koirala, Anil Kapoor

[bolllywoodhungama]

Throwback: When a section of the industry speculated that Hrithik Roshan’s Kaho Naa Pyaar Hai and Aamir Khan’s Mann were based on Titanic

The much-loved Kaho Naa Pyaar Hai completed 24 years yesterday. It was released in cinemas on January 14, 2000, and was the biggest hit of that year. Debutant Hrithik Roshan became a superstar overnight and continues to rule even today. Though the actress opposite him, Ameesha Patel, was also a newcomer, the film was in the news even before its release. In fact, more than 25 years ago, there were even rumours that the Rakesh Roshan-directorial is based on the Hollywood blockbuster, Titanic (1997)!

This interesting bit of information was mentioned in Komal Nahta’s magazine Film Information dated June 27, 1998. It mentioned that as per rumours in the film industry, not just Kaho Naa Pyaar Hai but also Aamir Khan-Manisha Koirala starrer Mann (1999) was Titanic’s remake. The article debunked the myth and also said that the only similarity between the Hindi films and Titanic was that they were being shot aboard a ship. Since Titanic was also set on a ship, probably some people put two and two together and spread the speculation. A major section of Kaho Naa Pyaar Hai was set on a ship in the first half. The film was the story of Rohit (Hrithik Roshan) and Sonia (Ameesha Patel) who meet in Mumbai and later on a cruise ship. Due to an interesting turn of events, both are stranded on an island where they fall in love. In an interview to Komal Nahta’s Film Information magazine dated December 5, 1998, Rakesh Roshan spoke in detail about why he chose the Star Clipper ship of the USA and the challenges he faced in shooting on board and taking the aerial shots mid-sea. Bollywood Hungama published excerpts of this interview on January 14.

Mann, meanwhile, directed by Indra Kumar was about Dev (Aamir Khan) and Priya (Manisha Koirala). Both meet each other on a cruise and though they were engaged to their respective partners, sparks flew between them. The musical entertainer was shot on Sun Cruises in Singapore.

As for Titanic, it was directed by James Cameron and told the story of Jack (Leonardo DiCaprio), a poor artist and his love affair with Rose (Kate Winslet) aboard an ill-fated ship in 1912. It was based on accounts of the sinking of RMS Titanic though it was also extensively fictionalized. The disaster film was a blockbuster across the world. In India, it stunned one and all as it did exceedingly well despite not being dubbed in Hindi for almost a year. As per the Film Information issue dated August 22, 1998, Titanic was the first ever English film to have completed 25 weeks in more than 10 centres in India. It recorded footfalls of nearly 2.5 crores which is higher than many of the big hits of today. The report stated, “It has also been the first English film to have run to full houses for its first 10 weeks. What is more remarkable is the fact that Titanic achieved such a huge success despite having only 86 prints in circulation, and all in the original (English) version! In fact, the collections of Titanic in India are the fourth highest in the whole of Asia, after Japan, South Korea and Taiwan.”

[zeherili-ankhein]

I just figured out that Mahalaya technically spreads Mita-Varuna propaganda subtly

The "Aham Rudre" thing is basically Devi explaining how all the Gods and the entire Universe exists with Herself. The Rudras, Vasus, Adityas

There's specific mention of: MitraVaruna, IndraAgni and the Ashwins at the very beginning itself

Here's the part:

ahaṃ rudrebhirvasubhiścarāmyahamādityairuta viśvadevaiḥ

ahaṃ mitrāvaruṇobhā bibharmyahamindrāgnī ahamaśvinobhā

YOOO

GUYS GUYS ADI SHAKTI HERSELF SAID MITRAVARUNA AND INDRAGNI ARE CANON

So when we make Mahalaya we can spread this more right? Not just hidden in the lyrics

@h0bg0blin-meat seeeeeeeee

[theomenmedia]

Aman Indra Kumar To Make His Bollywood Debut With "Tera Yaar Hoon Main"!

Aman Indra Kumar dances into Bollywood with his debut film 'Tera Yaar Hoon Main'! With stars like Ajay Devgn & Aamir Khan giving their blessings, this is one premiere we can't wait for!

[newwallpapershd92]

Aarthi Agarwal Indian-American Actress Wallpapers

Aarthi Agarwal (March 5, 1984 — June 6, 2015) was an American actress known for her work in Telugu cinema (Tollywood). She passed away on June 6, 2015, at the age of 31 at Atlantic Care Regional Medical Center in Atlantic City, New Jersey. Aarthi had been dealing with obesity and underwent surgery six weeks before her death. According to her manager, she died due to a heart attack. At the time of her death, she was living with her parents in Egg Harbor Township.

Early Life Aarthi was born on March 5, 1984, in New Jersey, USA, to a family originally from Gujarat, India. Her father, Shashank, worked in the hotel industry, and her mother, Veema, was a housewife. She had two siblings, including her younger sister, Aditi Agarwal, who also acted in movies.

Acting Career Aarthi began acting at a young age. At 16, she made her debut in the Bollywood movie “Paagalpan.” Later, she became popular in Telugu cinema, even though she didn’t speak Telugu. Her notable films include “Indra” (2002), “Nuvvu Leka Nenu Lenu,” and “Allari Ramudu.” She won several awards for her performances.

Personal Struggles and Challenges Aarthi faced personal difficulties throughout her life. In 2005, she attempted suicide due to rumors about her relationship with a co-star. In 2006, she was hospitalized after suffering head injuries from a fall. In 2007, she married a software engineer named Tasval Kumar, but they divorced in 2009. After that, she lived in New Jersey with her parents and struggled with health issues, including weight problems. She returned to acting in 2014.

Untimely Death Sadly, Aarthi passed away on June 6, 2015, after suffering a heart attack. She had undergone liposuction surgery six weeks before her death and had experienced breathing problems afterward.

Notable Films Some of Aarthi’s well-known movies include “Nuvvu Leka Nenu Lenu,” “Indra,” and “Andala Ramudu.” She continued acting until her final film, “Aame Evaru?” was released posthumously in 2016.

Though her life was short, Aarthi Agarwal Indian-American Actress Wallpapers left a lasting impact on the Telugu film industry. Her beauty, talent, and determination are still remembered by her fans.

Profile:

Full Name: Aarthi Agarwal

Date of Birth: March 5, 1984

Date of Death: June 6, 2015

Occupation: Actress, Model

Spouse: Tasval Kumar (2007–2009)

Relatives: Aditi Agarwal (sister)

Notable Films: “Nuvvu Leka Nenu Lenu,” “Indra,” “Andala Ramudu”

Cause of Death: Heart Attack

Aarthi’s fans can find her pictures and wallpapers online to celebrate her legacy and memory. Her presence in the Telugu film industry and her unforgettable performances continue to be cherished.

[iimtcollege]

IIMT College of Law has successfully conducted an International

Conference on the title "Sustainable Development: Socio-Economic Dimensions and Legal Framework". The Conference was conducted in hybrid mode and 80 participants took part in the event. Mr. Kang B Winde was the Chief guest and Prof. Ajay Kumar Bhatt was the Guest of Honour in the Conference. Dr. Indra Kumar Singh, Dr. Dimpal Vij, Dr. Satyajee Srivastava

and Ms. Chandini Malhotra were the resource persons.

.

Call Us: 9520886860

.

#IIMTIndia #IIMTian #IIMTNoida #IIMTGreaterNoida #IIMTDelhiNCR

#IIMTLawConference #SustainableDevelopment #SocioEconomicDimensions

#LegalFramework #InternationalConference #HybridEvent #IIMTLaw

#GlobalDiscussions #LegalExperts #SustainableFuture #AcademicExcellence

#IIMTPride #LawAndSociety

[inside-the-m1nd]

Lost but Found Masterlist | Last Updated: 7/20/23

Summary

Humanity in the face of annihilation is a topic that has piqued the interest of many. Who would have thought it would become a reality? 

Indra Kumar was an average man visiting his family when he was suddenly thrust into the apocalypse. What will happen when all he wants to do is take care of his family and watch his younger brothers grow up, but the cruel reality of the world has other plans? 

This story will follow Indra as he navigates this new world and tries to do something with his life that the infected and many others yearn to see the end of.

-----------------------------------------------------------------------------------------------------------

This story will contain original events that lead up to the HBO version of The Last of Us in addition to the events from the show.

This work has been beta read by @groggygrogu​ on AO3 and Tumblr

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Chapter 1 | The Day Everything Fell Apart (4.5K words)

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] 1. Aye Qatib-e-Taqdeer Mujhe - My Sister - Pandit Bhushan - Pankaj Kumar Mullick 2. Babul Mora Naihar Chhooto Hi Jaye - Street Singer - Arzoo Lucknowi - Rai Chand Boral 3. Diya Jalao - Tansen - Pandit Indra - Khemchand Prakash 4. Do Naina Matware - My Sister - Pandit Bhushan - Pankaj Kumar Mullick 5. Ek Bangla Bane Nyara - President - Kedar Sharma - Rai Chand Boral 6. Gham Diye Mustaqil - Shahjehan - Kumar Barabankavi - Naushad 7. Hat Gayi Lo Kaali Ghata Lagan - Lagan - Arzoo Lucknowi - Rai Chand Boral 8. Jab Dil Hi Toot Gaya - Shahjehan - Majrooh Sultanpuri - Naushad 9. Karun Kya Aas Nirash Bhai - Dushman - Arzoo Lucknowi - Pankaj Kumar Mullick 10. Main Kya Janu Kya Jaadoo Hai - Zindagi - Kedar Sharma - Pankaj Kumar Mullick 11. Mere Sapnon Ki Rani Roohi Roohi - Shahjehan - Kumar Barabankavi - Naushad 12. So Ja Rajkumari - Zindagi - Kedar Sharma - Pankaj Kumar Mullick Language ‏ : ‎ Bengali Product Dimensions ‏ : ‎ 32 x 32 x 32 cm; 550 g Manufacturer ‏ : ‎ Inreco Entertainment Pvt Ltd Item part number ‏ : ‎ 3418-8006 Studio ‏ : ‎ Inreco Entertainment Pvt Ltd ASIN ‏ : ‎ B0DSVRJKNP Country of Origin ‏ : ‎ India Packer ‏ : ‎ Inreco Entertainment Pvt Ltd Item Weight ‏ : ‎ 550 g Item Dimensions LxWxH ‏ : ‎ 32 x 32 x 32 Centimeters Net Quantity ‏ : ‎ 1 count Generic Name ‏ : ‎ K.L. SAIGAL - SUPER HIT FILM SONGS [ad_2]

[arnaultcavalcanti]

Once more, I found myself returning to a book I had concluded long ago, during the waning days of a year—a juncture marked by transitions, where endings seamlessly give way to beginnings. This particular text appears to encapsulate the intriguing notion of the past engaging in a dialogue with an even more distant antiquity, as though bridging epochs. It presents a fictional meeting between the Indian poet Kalidasa and the ancient Greek philosopher Aristotle, prompting speculation about the nature of their exchange. Might they deliberate upon the merits and shortcomings of their respective eras, reflect critically on their works, or perhaps exchange sagacious advice? One cannot help but ponder whether they could transcend the barriers of language, culture, and time to truly understand one another.

Such imaginings give rise to the vision of other historical and mythological figures entangled in timeless dialogues. Picture Dhritarashtra, the blind monarch from the Mahabharata, sharing a contemplative moment with Oedipus, the ill-fated king of Thebes. Could they, in this imagined encounter, dissect their profound guilt or confront the moral quandaries of their lives? And what role might Tiresias, the seer whose prophecies hold the potential to rewrite fates, play in such an assembly? Would his revelations act as a catalyst for divine intervention or a profound moment of self-realisation, compelling them to eschew the errors of their past? Perhaps, through this hypothetical convergence, they might chart a path of redemption, thereby offering a cautionary paradigm for those who delve into their stories and endlessly debate their implications.

Turning to the archetypal figures of seduction, one encounters Paris of the Iliad and Indra of Hindu mythology, whose actions resonate across cultural canons. Paris, infamous for his elopement with Helen, the wife of Menelaus, unwittingly precipitated the Trojan War and wrought untold devastation upon humanity. His narrative parallels that of Devraj Indra, king of the Hindu gods, whose infatuation with Ahalya, the wife of his spiritual guru, culminated in a deceitful seduction and a consequential curse. These figures compel us to question whether they possessed even the faintest awareness of the ramifications of their hedonistic pursuits. Do they, as embodiments of unchecked patriarchal privilege, serve as cautionary exemplars, their tales echoing as warnings against the destructive allure of unbridled desire?

Reflecting on these illustrious yet flawed figures, I am reminded of Sisir Kumar Das, whose intellectual oeuvre exemplifies the boundless potential of the human mind. His scholarly endeavours, characterised by a spirit of experimental inquiry, evoke the metaphor of an unfathomable ocean—deep, expansive, and resistant to simplistic understanding. Yet, his magnum opus underscores a vital principle: that the true vocation of a scholar lies not merely in the pursuit of profound thought but in forging connections that illuminate pathways for future generations. Indeed, scholarship, when approached as a continual process of trial and error, becomes a bridge that unites ideas across temporal and intellectual divides, fostering a legacy of enduring relevance.

[desicinema20]

"Laughter with a Dash of Masala: Top 5 Desi Comedy Movies That Will Leave You in Stitches"

Desi cinema has always been known for its unique blend of culture, drama, and unforgettable characters, but when it comes to comedy, Bollywood, and other regional industries bring a distinct flavor that is nothing short of entertaining. From slapstick humor to witty wordplay, desi cinemas comedy films have an unmatched charm. If you're looking for some good laughs, here are five must-watch Desi comedy movies that will have you rolling with laughter!

1. Hera Pheri (2000)

Director: Priyadarshan

No list of Desi comedy films is complete without Hera Pheri. This movie follows the misadventures of three hapless individuals who get entangled in a world of crime and confusion, all while trying to make quick money. The quirky performances by Paresh Rawal, Akshay Kumar, and Sunil Shetty have made this film an evergreen classic. From the unforgettable "Baburao ka style" to the hilarious situations they get caught up in, Hera Pheri delivers non-stop comedy.

2. Andaz Apna Apna (1994)

Director: Rajkumar Santoshi

Andaz Apna Apna is another iconic comedy film that continues to entertain generations of fans. Starring Aamir Khan and Salman Khan in the lead roles, this film is a delightful mix of slapstick comedy, absurd situations, and hilarious dialogues. The chemistry between the leads, paired with memorable characters like Teja and Crime Master Gogo, makes it an unforgettable cult classic.

3. Chupke Chupke (1975)

Director: Hrishikesh Mukherjee

One of the finest examples of subtle humor in desi cinemas, Chupke Chupke is a delightful farce about a newlywed couple who plan a practical joke on their family. With an ensemble cast of Dharmendra, Sharmila Tagore, Amitabh Bachchan, and Jaya Bhaduri, the film's simple plot combined with brilliant performances and clever dialogues makes it a charming comedy.

4. Dhamaal (2007)

Director: Indra Kumar

If you’re in the mood for a fun-filled, laugh-out-loud ride, Dhamaal is your go-to film. The story revolves around four friends who embark on a hilarious journey to find hidden treasure. The film’s no-holds-barred comedy, witty dialogues, and brilliant timing by the ensemble cast—Jaaved Jaaferi, Sanjay Dutt, Arshad Warsi, and Riteish Deshmukh—make it one of the most entertaining comedies of the 2000s.

5. Gol Maal (1979)

Director: Hrishikesh Mukherjee

Another gem from Hrishikesh Mukherjee, Gol Maal is a delightful comedy that blends humor with the theme of mistaken identity. The story follows a man who pretends to be someone else to impress his boss, which leads to a series of hilarious misunderstandings. Amol Palekar’s impeccable comic timing and the absurdity of the plot make this movie a must-watch.

Conclusion:

Desi comedy films continue to bring a unique blend of wit, humor, and relatability that resonates with audiences worldwide. Whether it’s the slapstick antics of Hera Pheri or the quirky misunderstandings in Gol Maal, these films are the perfect antidote to a dull day. So gather your friends, grab some popcorn, and let the laughter begin!

[odnewsin]

Ishq 2! Aamir Khan and Ajay Devgn to reunite? Filmmaker says, 'Why not'

Aamir Khan, Ajay Devgn, Juhi Chawla and Kajol’s 1997 rom-com drama ‘Ishq’ remains one of the unforgettable flicks. Helmed by Indra Kumar, the movie was a commercial success. The movie was lauded by the critics for the chemistry between the leads, comedy timing and music. Interestingly, the onscreen friendship between Aamir and Ajay was genuine as they bonded during the film. Recently, the duo…

[news365timesindia]

[ad_1] By Kumar Rakesh   GG News Bureau New Delhi, 7th November. For centuries, the concept of “33 Koti Devatas” has been misconstrued by both outsiders and some insiders to mean that Hinduism worships 33 crore (330 million) deities. This misinterpretation has fueled misleading narratives that paint Hinduism as a polytheistic faith with an overwhelming number of gods. However, a closer look at the etymology and ancient scriptures reveals that “koti” in Sanskrit can also mean “type” or “category,” not exclusively “crore.” In this context, the phrase “33 Koti Devatas” refers to 33 classes or types of divine forces rather than an exaggerated number of gods. This significant misinterpretation has persisted partly due to a lack of awareness, even among some prominent Hindu leaders and scholars. Correcting this narrative allows for a better understanding of Hindu cosmology and philosophy. Let’s explore what “33 Koti Devatas” truly represents and why the connection with the 33 vertebrae in the human spine provides a fascinating metaphor for spiritual alignment. 33 Koti Devatas: Types of Divine Forces The “33 Koti Devatas” encompasses four main categories of deities or cosmic powers in the Vedic tradition: 12 Adityas – Representing Solar Deities 8 Vasus – Embodying Elemental Forces of Nature 11 Rudras – Symbolizing Vital Energies and Spiritual Self 2 Ashvins – Representing Divine Healers or Twin Deities The 12 Adityas: Guardians of Solar Energy and Social Order The 12 Adityas correspond to the solar months and are personified deities, each embodying aspects of cosmic law and societal values. They include: Indra (the eldest, symbolizing strength and leadership) Aryaman (nobility and friendship) Mitra (unity and bonds) Varuna (cosmic law and fate) Surya/Vivasvan (social law and righteousness) Each Aditya represents a vital aspect of human existence and societal structure, closely tied to the solar months that mark time, seasons, and agricultural cycles, emphasizing their connection to natural and social order. The 8 Vasus: Elements of Nature The Vasus represent natural forces essential for life. These include: Anil (Wind) Apas (Water) Dhara (Earth) Anal (Fire) Prabhas (Light or Dawn) Soma (Moon) The Vasus emphasize the interconnectedness between humanity and the elements that sustain life, showing respect for natural forces as divine and sacred. The 11 Rudras: Primal Energies and the Divine Spirit The Rudras signify the ten pranas (vital life forces) within the human body and one spiritual self or Atman. They include: Five spiritual aspects: Ananda (bliss), Vijñāna (knowledge), Manas (thought), Prāṇa (breath/life), and Vāc (speech). Five names of Shiva: Īśāna, Tatpuruṣa, Aghora, Vāmadeva, and Sadyojāta. The Atman (spiritual self), representing the individual soul or consciousness. The Rudras embody the primal energies that drive human life and are essential to spiritual well-being. They reflect the Hindu belief in the unity of physical and spiritual forces, as well as the presence of divinity within each individual. The 2 Ashvins: Twin Healers The Ashvins, known as divine healers, are often depicted as twins and play a crucial role in restoring health and vitality. Their role underlines the Hindu emphasis on physical and spiritual healing as integral to human life. The 33 Koti and the 33 Vertebrae: A Spiritual Symbolism in Human Anatomy Interestingly, the concept of “33 Koti Devatas” finds a symbolic parallel in the 33 vertebrae of the human spine. The vertebral column is a crucial structure, supporting the body and facilitating the flow of nervous energy, which is central to movement, sensation, and overall health. The 7 cervical vertebrae align with higher faculties and intellectual abilities. The 12 thoracic vertebrae correspond to the torso and can metaphorically represent the solar Adityas as protectors of life’s physical structure. The 5 lumbar vertebrae embody strength and support, much like the elemental Vasus.

The 5 sacral vertebrae and 4 coccygeal vertebrae reflect a grounding connection to the earth and physical existence, resonating with the earthly energies of the Vasus and Rudras. The human spine thus becomes a metaphor for spiritual elevation, with each vertebra representing a step towards higher awareness and alignment with cosmic principles. Just as the spine supports the body’s structure, the 33 categories of devatas support the spiritual structure of the cosmos in Hindu thought. Dispelled Myths: A New Perspective on “33 Koti Devatas” The misconception of “33 crore gods” has been leveraged by those aiming to distort Hinduism’s complex theological framework, portraying it as a polytheistic belief system with an exaggerated multitude of gods. This misinterpretation undermines the nuanced philosophical aspects of Hinduism and diverts attention from its deep-rooted spiritual symbolism. Correcting this understanding sheds light on Hinduism’s reverence for the diverse, interconnected forces that sustain life and the cosmos. In essence, Hinduism’s “33 Koti Devatas” remind us of the unity in diversity within both nature and the human experience. This realization helps us appreciate the role of these deities as guiding energies in the Hindu cosmology, inspiring individuals to live in harmony with the divine principles that govern the universe and our very being.   The post 3 Koti Devatas: Misunderstood as ‘Crore’ Gods, Truly 33 Divine Types Aligned with Nature and Self appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link

[zeherili-ankhein]

I like to think Vasant had a lot of admirers in the pantheon.

So if that's the case who are the ones do you think proposed to him and got let down by him? (Also we know he obv was a beauty to all genders alike)

SKSJHKDHDBDHHFH ahhh yess he definitely had..

Apsaras: like definitely more that half of them were hardcore Vasant fans. So much so that they had a completely different fanclub for him.

Whenever he'd be there to deliver flowers, they'd like flock around him and just try to converse with him or just stare at him. He doesn't understand though, he thinks they're being friendly with him.

Some did tried to propose and got rejected, still they all stayed friends cuz eho wants to lose friendship with such a pookie.

Gandharvas: Same as the Apsaras, I think some of them too would definitely swoon at flower bois talks.

Like when Vasant would visit and sometimes when he'd dance along with the Apsaras or teach them all to make flower jewelleries.

They also definitely tried but got rejected sadly. But still all of them are good buddies who smile at eachother and talk from time to time..

(Indra whenever he found out about anything definitely kept quiet to not break anyones heart but at last Vasant still rejected them...)

Muni Rishi kanyas and Kumars: He's definitely a very big celebrity at most of the ashrams fs. Even Shukracharyaa's ashram. (That would mean some Asurs too... Like some young noble family Asurs idk..)

Thou I think very less of them would be bold enough to propose...

Neta/Neto (Manasa's bestie/assistant): Like this is shocking to many but I think he'd once maybe start to really really like Vasant.

And I imagine him and Manasa to be this mean girl and her friend kinda people, so like he'd kinda glare at Vasant with burning cheeks while still admiring him, all while flower boi just stares back with these big big innocent eyes.

Also imagine Manasa finding out and urging him to confess (cuz he's her friend and she supports him) lol chaos

This are my suggestions :33

(ALSO FUCK SORRY- I'm so shipping this two in an AU T_T)

[news365times]

[ad_1] By Kumar Rakesh   GG News Bureau New Delhi, 7th November. For centuries, the concept of “33 Koti Devatas” has been misconstrued by both outsiders and some insiders to mean that Hinduism worships 33 crore (330 million) deities. This misinterpretation has fueled misleading narratives that paint Hinduism as a polytheistic faith with an overwhelming number of gods. However, a closer look at the etymology and ancient scriptures reveals that “koti” in Sanskrit can also mean “type” or “category,” not exclusively “crore.” In this context, the phrase “33 Koti Devatas” refers to 33 classes or types of divine forces rather than an exaggerated number of gods. This significant misinterpretation has persisted partly due to a lack of awareness, even among some prominent Hindu leaders and scholars. Correcting this narrative allows for a better understanding of Hindu cosmology and philosophy. Let’s explore what “33 Koti Devatas” truly represents and why the connection with the 33 vertebrae in the human spine provides a fascinating metaphor for spiritual alignment. 33 Koti Devatas: Types of Divine Forces The “33 Koti Devatas” encompasses four main categories of deities or cosmic powers in the Vedic tradition: 12 Adityas – Representing Solar Deities 8 Vasus – Embodying Elemental Forces of Nature 11 Rudras – Symbolizing Vital Energies and Spiritual Self 2 Ashvins – Representing Divine Healers or Twin Deities The 12 Adityas: Guardians of Solar Energy and Social Order The 12 Adityas correspond to the solar months and are personified deities, each embodying aspects of cosmic law and societal values. They include: Indra (the eldest, symbolizing strength and leadership) Aryaman (nobility and friendship) Mitra (unity and bonds) Varuna (cosmic law and fate) Surya/Vivasvan (social law and righteousness) Each Aditya represents a vital aspect of human existence and societal structure, closely tied to the solar months that mark time, seasons, and agricultural cycles, emphasizing their connection to natural and social order. The 8 Vasus: Elements of Nature The Vasus represent natural forces essential for life. These include: Anil (Wind) Apas (Water) Dhara (Earth) Anal (Fire) Prabhas (Light or Dawn) Soma (Moon) The Vasus emphasize the interconnectedness between humanity and the elements that sustain life, showing respect for natural forces as divine and sacred. The 11 Rudras: Primal Energies and the Divine Spirit The Rudras signify the ten pranas (vital life forces) within the human body and one spiritual self or Atman. They include: Five spiritual aspects: Ananda (bliss), Vijñāna (knowledge), Manas (thought), Prāṇa (breath/life), and Vāc (speech). Five names of Shiva: Īśāna, Tatpuruṣa, Aghora, Vāmadeva, and Sadyojāta. The Atman (spiritual self), representing the individual soul or consciousness. The Rudras embody the primal energies that drive human life and are essential to spiritual well-being. They reflect the Hindu belief in the unity of physical and spiritual forces, as well as the presence of divinity within each individual. The 2 Ashvins: Twin Healers The Ashvins, known as divine healers, are often depicted as twins and play a crucial role in restoring health and vitality. Their role underlines the Hindu emphasis on physical and spiritual healing as integral to human life. The 33 Koti and the 33 Vertebrae: A Spiritual Symbolism in Human Anatomy Interestingly, the concept of “33 Koti Devatas” finds a symbolic parallel in the 33 vertebrae of the human spine. The vertebral column is a crucial structure, supporting the body and facilitating the flow of nervous energy, which is central to movement, sensation, and overall health. The 7 cervical vertebrae align with higher faculties and intellectual abilities. The 12 thoracic vertebrae correspond to the torso and can metaphorically represent the solar Adityas as protectors of life’s physical structure. The 5 lumbar vertebrae embody strength and support, much like the elemental Vasus.

The 5 sacral vertebrae and 4 coccygeal vertebrae reflect a grounding connection to the earth and physical existence, resonating with the earthly energies of the Vasus and Rudras. The human spine thus becomes a metaphor for spiritual elevation, with each vertebra representing a step towards higher awareness and alignment with cosmic principles. Just as the spine supports the body’s structure, the 33 categories of devatas support the spiritual structure of the cosmos in Hindu thought. Dispelled Myths: A New Perspective on “33 Koti Devatas” The misconception of “33 crore gods” has been leveraged by those aiming to distort Hinduism’s complex theological framework, portraying it as a polytheistic belief system with an exaggerated multitude of gods. This misinterpretation undermines the nuanced philosophical aspects of Hinduism and diverts attention from its deep-rooted spiritual symbolism. Correcting this understanding sheds light on Hinduism’s reverence for the diverse, interconnected forces that sustain life and the cosmos. In essence, Hinduism’s “33 Koti Devatas” remind us of the unity in diversity within both nature and the human experience. This realization helps us appreciate the role of these deities as guiding energies in the Hindu cosmology, inspiring individuals to live in harmony with the divine principles that govern the universe and our very being.   The post 3 Koti Devatas: Misunderstood as ‘Crore’ Gods, Truly 33 Divine Types Aligned with Nature and Self appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link

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Ayurveda: A Comprehensive, Sacred, and Extraordinary knowledge system that encompasses the science of life, revered as fifth Veda and an auxiliary to Atharvaveda

Dr. Narendra Kumar Bhatt, Founder, Sarv Dharma Nad Yog Sansthan

The knowledge obtained in relation to life is called Ayurveda. The principles of Ayurveda free patients from ailments and diseases. The source of Ayurveda’s origin lies in the ancient scriptures, the Vedas. Maharishi Sushruta referred to Ayurveda as an appendix to the Atharva Veda, Maharishi Vagbhata considered it a subsidiary of the Veda, and in the Mahabharata, due to the ancient nature of the Rigveda, it is also referred to as a branch of it. Ayurveda, being a significant part of the four Vedas, is also known as the fifth Veda and a marvelous divine science of medicine.

The greatness of Ayurveda has been known through its texts and practical aspects. A divine text of Ayurveda, known as Brahma Samhita, which had 1,000 chapters and contained 1 million verses, is no longer available. However, Maharishi Charaka, Sushruta, and Vagbhata compiled the scattered knowledge of Ayurveda from the Vedas to create Ayurvedic texts for the welfare of the entire world, reestablishing Ayurveda's prestige.

Lord Dhanvantari, an incarnation of Lord Vishnu, is considered the god of medicine. Among the earliest practitioners of Ayurveda were the three principal deities (Brahma, Vishnu, and Shiva), Ashwini Kumaras, Prajapati Daksha, Shukracharya, Garuda, Lord Indra, and the sages, who propagated Ayurvedic knowledge.

For thousands of years, physicians have prayed to Lord Dhanvantari on his birthday, Dhanvantari Jayanti, for enhancing the divine qualities and potency of medicinal herbs. The tradition of praying for the enhancement of the properties of medicines through mantras, worship, and rituals on Dhanvantari Jayanti has been practiced in India since ancient times. Dhanteras, celebrated on this day, is especially observed by all kinds of physicians and householders alike.

The three great texts of Ayurveda, Charaka Samhita, Sushruta Samhita, and Vagbhata Samhita, are highly renowned Ayurvedic scriptures. These texts reveal that India was the leading nation in medical science and the world's foremost guru in healthcare. In fact, the origin of all kinds of medical systems worldwide can, in some way, be traced back to Ayurveda.

Recognizing the significance and need for Ayurveda, the Government of India has been celebrating Dhanvantari Jayanti as National Ayurveda Day in recent years, yielding extremely positive results for the masses in India and across the globe. Ayurveda teaches the importance of living in harmony with nature, and it emphasizes daily routines (dinacharya), seasonal routines (ritucharya), dietary improvements, and the significance of the five elements.

Indian kitchens have become a hub of essential medicinal herbs, as introduced by the Ayurvedic sages long ago. However, today, even the use of these household remedies has been distorted, which is one reason for current ailments.

In Indian philosophy and scriptures, Ashtanga Yoga, Ashtanga Marga, Saptanga Yoga, and Ashtanga Ayurveda have been working for the welfare of humankind for thousands of years. Through their practical aspects, they protect us from physical, divine, and material suffering.

Ayurveda is the origin and repository of countless rare herbs, including the Sanjeevani herb, which can only be fully understood through selflessness and divine grace. Ayurveda describes the treatment of 80 types of vata disorders, as well as pitta and kapha disorders, according to the scriptures. The imbalance of vata, pitta, and kapha—known as the tridosha—is considered the cause of all diseases. However, while this is true, it is not the complete truth. The root cause of all diseases lies in the corruption of the mind. According to Acharya Charaka and Vagbhata, the corruption of the mind leads to the creation of the tridosha, which in turn gives rise to countless ailments.

The role of nutrition in maintaining health has always been emphasized in Ayurveda. As India celebrates Poshan Maah (National Nutrition Month) every September, Ayurveda’s approach to holistic nutrition is more relevant than ever. Ayurveda believes in balanced nutrition tailored to an individual’s body constitution (prakriti), taking into account seasonal changes and lifestyle.

This year, during Poshan Maah, the focus is on spreading awareness Anemia and 'Poshan bhi Padhai bhi'. Ayurveda teaches that food not only nourishes the body but also plays a crucial role in maintaining mental and emotional well-being. Foods rich in vital nutrients, when consumed in accordance with Ayurvedic principles of digestion and metabolism (agni), can prevent lifestyle diseases, improve immunity, and enhance longevity.

The role of Ayurveda into Poshan Maah highlights the importance of consuming natural, locally available, and seasonal foods, such as whole grains, fresh vegetables, and spices like turmeric and ginger, which have therapeutic properties. These practices are in alignment with the Government of India’s mission to eliminate malnutrition and promote a healthier society.

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Alok Kumar Agarwal, director Alankit Limited

Alok Agarwal is the director of Indra Dhan Agro Products Limited and is registered with the Ministry of Corporate Affairs (MCA) under DIN 00586047. He lives in North West Delhi, India.

Currently, Alok is involved with 10 companies, where he serves as a director for several, including Npar Drug Private Limited, Royal Buildwell Private Limited, Europlus Financial Services Limited, Makhni and Tyagi Private Limited, Rohilkhand Constructions Private Limited, Garg Polymers Private Limited, Indra Dhan Agro Products Limited, Surya Manufacturing Private Limited, and Euro Global Brokers Limited.

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