#Indiewire

[alfredo-zauce]

"There is no corner of my heart I would not turn over to the world for five points" husband

vs

"Let me give birth on camera for points" wife

Article linked below:

[drewstarkley]

Drew Starkey at the Venice Film Festival

[b-skarsgard]

“He’s terrifying, it’s not Bill,” Hoult told IndieWire at the Toronto International Film Festival premiere of “The Order.” “That’s what’s so worrying about it. He gives a truly transformative performance where there is not anything of Bill left and it’s scary and intimidating. His voice, his physicality, I mean the makeup he has, it’s really a wonderful character and he did beautiful character work with it.”

[randomluck-ofthe-universe]

I can’t wait 😍😍

[notesonartistry]

“I think the biggest misconception is that there’s a giant machine behind her, or like a big factory or massive team of people,” Wilson told IndieWire at the 2020 Sundance Studio. “What I was so struck by is that she’s the sole creative force behind everything in a way that I found incredibly inspiring.”

Lana Wilson on Taylor

[brian-in-finance]

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Remember… there’s a loving relationship with his partner and former trainer Caitlin (Caitríona Balfe, convincing if woefully underserved in a typical “concerned spouse” role), running their own gym where they offer lessons to kids, and having enough local hero clout that there are still younger students begging their moms to snap pictures with him. — IndieWire

[ilovetheideaofu]

Nicholas Hoult teases Bill Skarsgård’s "transformative" role Count Orlok in Robert Eggers' latest film Nosferatu out Christmas 2024.

[🎥: Indie Wire Instagram at TIFF 2024]

[pedropascal24-7]

[sarahshachat]

I haven't done any posting on social media almost all year and so the fact that I went and hunted down my Tumblr login should tell you just how THRILLED and GRATEFUL I was to cover the making of Dimension 20 for work. All it took was explaining to The Bosses™ that Actual Plays are not things where viewers... actually play... that was a new one. 😅

Anyway, please go read about how Rick Perry is a genius and the D20 team collaborate in ways that uplift the art they all make. Aabria Iyengar said so. It must be true.

[czech-hunter-reject]

Winona Ryder is so real for this!! 👏👏👏

She's right, and she should say it

[jbaileyfansite]

On June 6, the 2024 IndieWire Honors ceremony will celebrate 13 creators and stars responsible for some of the most stellar work of the TV season. Curated and selected by IndieWire’s editorial team, this event is a new edition of its IndieWire Honors event focused entirely on television. We’re showcasing their work with new interviews leading up to the Los Angeles event.

Ahead, “Fellow Travelers” star Jonathan Bailey writes about the many qualities that earmarked the collaboration between our Wavelength Award winners, showrunner Ron Nyswaner and star and executive producer Matt Bomer.

When it comes to celebrating the collaboration of Ron Nyswaner and Matt Bomer, I have to acknowledge how both of them influenced me long before I came onto “Fellow Travelers.” Their work on both sides of the camera has permeated in the same way.

Ron’s writing has always been so significant to me because of his ability to provocatively Trojan-horse brutal truths with tender, human experiences and romances. And this has sculpted my understanding of how to be and how to love. Matt Bomer is someone who visibly made me understand what was possible as I grew up in a world where it seemed that being an out gay actor wasn’t going to be an easy task. There he was — brilliant and visible, a lighthouse.

Now, to see the two of them come together and shine so bright in and around the work of “Fellow Travelers” and to understand the journey it took them both to get to this place, is remarkable. They really are warriors in the same way as Tim and Hawk.

When I first spoke to Ron, he said to me, “This project has been 10 years in the making. It might be my life’s work.” And I replied to him, “Well, whoever you invite to play Tim or any of these characters, it will be their life’s work as well.”

With Matt, we started in Gold Struck Coffee on Cumberland Avenue (the jokes write themselves). The two of us had an hour-long conversation about how we felt, our apprehensions, the opportunity, and the thrill we felt seeing the stories of Tim and Hawk on the page. He led the whole company of actors with such elegant grace and intelligence. He’s a force for good on set and a brilliant friend.

It has been extraordinary to see the work of “Fellow Travelers” celebrated, and that is a reflection of so many people in so many different capacities, but all of whom are being led by these two amazing people, Matt and Ron. And as a society, as a community, and as people who love television, we should always be grateful to them.

Source

[pinktwingirl]

Wait I thought Loki season 2 is getting good reviews everywhere, could you cite some examples?

I really can’t stand what they did with Loki in season 1 and it still feels the same..

Here are a couple of examples that I found. Basically, the general complaints are that the show isn’t focused around Loki, it’s filled with way too much exposition about the multiverse and timelines, and Loki is boring and completely unrecognizable from his previous appearances… which, again… did y’all watch S1??? This isn’t new. Also a decent number of reviewers are clowning on the show for basically becoming a McDonald’s commercial (and rightfully so)

[jocia92]

The inside story of how an American animation company laid it all on the line to make the English-language version of Hayao Miyazaki's "last" film a devastatingly beautiful must-see event.

This article is a really fascinating look into the process of dubbing 'The Boy and the Heron'. I really recommend reading the whole thing.

Dan Stevens mentions:

“Earwig and the Witch” alum Dan Stevens is such a devoted Ghibli fan that he agreed to come back and deliver a few lines as one of the many different henchbirds that do the bidding of Dave Bautista’s Parakeet King (“It’s very cool to get a sneak preview of a new Miyazaki movie,�� he told me, “and to be in the mix for what might potentially be the last one is just epic”).

...

Fukuhara didn’t have any frame of reference for what the rest of the dub would sound like when she stepped into the booth (when she and Stevens spoke to IndieWire over Zoom for this article, it was the first time the two of them had ever met)

... there’s a fable-like quality to “The Boy and the Heron” that serves the moral dimension of Miyazaki’s latest and possibly final film. It speaks to the timelessness of a story designed — in the most explicit terms — to outlive its author. A story designed to be transformed by the people who tell it, even though its essence is singular in a way that no one would ever be able to erase altogether. It’s the story at the heart of a movie that will stand as a monumental achievement for as long as we can imagine, even as the world continues to turn its back on beautiful things, and the infrastructure that allows for their creation continues to crumble. “The Boy and the Heron” tells us to build our own tower, and GKIDS, with its bold and deeply personal English dub, has done just that.

[b-skarsgard]

Bill Skarsgård attends The Crow after party in NYC.

via @/indiewire on IG

[notesonartistry]

"There’s something Swiftian in everything she creates, even when she is not explicitly discussing herself. Her works reflect emotional honesty, specificity, and a desire to be seen. Obviously people care deeply about seeing her, but she knows how to channel that energy into creating a compelling story."

Erin Strecker, Indiewire on Taylor's directing/creativity

[brian-in-finance]

Image: Punch Drunk Critics

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