#Indian Tech Scene

[niveditainfosys]

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[stars-n-spice]

Bad Batch Food Headcanons:

Was having the meal of champions (soju, galbi, and buldak) and it got me thinking,,

So have this collection of random food headcanons:

Crosshair insists he can handle spicy food but he cannot. He's eating hot cheetos and he's fucking crying

Wrecker had to build up a tolerance for spice - he fucking LOVES spicy food ("It's like an explosion in my mouth!!") but couldn't handle it at first. Now he can handle buldak with half of the spice packet!

Hunter and Tech can handle their spice decently but Echo isn't too fond of spicy foods.

Like Wrecker, Omega built up a tolerance to spice, but also like Crosshair she's sensitive to it and will insist that she can handle her spice

Echo is a picky eater. That's like canon. He doesn't care that he's a grown man, he's ordering mac-n-cheese at the fancy restaurant. Deal with it.

Tech is another picky eater but he thrives off instant stuff like ramen or snacks like chips. Man can plow through a whole Costco-sized bag of tortilla chips in one sitting without realizing it.

Hunter has a stomach of steel, he'll eat anything and everything. It's only a matter of REMEMBERING to fucking eat. He'll stand up, nearly faint, then go, "What the hell?" and it's because he hasn't eaten since fucking yesterday.

No Crosshair, an ice coffee is NOT a suitable breakfast. How many times do we have to tell you? And aren't you fucking lactose intolerant???

Oh they love their dinosaur chicken nuggets though - especially Omega and Wrecker. They'll dunk them in ketchup and create a whole murder crime scene.

Omega LOVES soup. Any and all kinds! I think she'd really enjoy udon or 냉면 the most though. The slurp-ier the better!

I feel like Tech is a curry enjoyer. Indian curry, Thai curry, Japanese curry - he loves it all.

Rip Crosshair you would've loved flavored soju 😔

Rip Wrecker you would've loved Korean BBQ and all you can eat sushi

I don't think Hunter likes cold foods. His teeth are sensitive and they hurt when he eats cold stuff like ice cream (no I'm not projecting)

Crosshair likes mint ice cream. Echo likes rocky road. Wrecker enjoys strawberry or sherbert. Omega likes cookie dough. Tech likes caramel or coffee.

Ice cream is like the only kind of "dessert" that Crosshair likes (despite being lactose intolerant) - he doesn't really have a sweet tooth

WAIT CROSSHAIR WHEN I TELL YOU ABOUT BINGSU!!!

SPAM. SPAM. SPAM. Shut up they WOULD eat spam and idc what people say I fucking LOVE spam. Spam is the love of my life, they could never make me hate spam. I used to write parody love songs about spam as a kid. They would enjoy breakfasts of spam, rice, and eggs.

They'd devour the shit out of Mexican food. Like CMON-

Feel like Omega would like fiedo. And Echo too

Wrecker thinks breakfast burritos are godsend - he absolutely loves papas and chorizo

Y'know what would be funny? Echo being a picky eater yet LOVEING Mole. It's not for everyone (I personally like it) but he thinks it's good

Omega has a boba addiction. She has ro have it every week. Her favorites are Taro, Strawberry Matcha, and Honey Milk Tea

Only Hunter and Wrecker like boba; Echo, Crosshair, and Tech find the texture funny but they enjoy the drinks

I feel like Echo is a big bread eater. My sister reminds me a LOT of Echo and she absolutely ADORES bread (she's also a picky eater) - catch him at 85° or Paris Baguette

Hunter would love Soul Food and he also can work a grill

Rip Echo you would’ve loved soba and you would've loved 맥주

Tech actually secretly (not so secretly) has a sweet tooth - he really likes muffins and pies specifically

Omega and Wrecker record "Food Review" videos together

I have,, so many more ideas and whatnot but I'm leaving it here-

Ugh I just,,, I have so many foods I'd love to introduce them too-

[jupitersmoon167]

hey… about that cod x marvel crossover…….

— 🎨

🎨 anon, this was my genuine reaction seeing this:

Oh boy, where do I even begin?

Okay, so I have a few ideas plot wise, both of which have to involve extreme detailing, cause in my mind I (unfortunately) can’t just smush these two fandoms together just for the hell of it. It’s gotta make sense.

And as much as I’m into incorporating the CoD:MW timeline into the MCU timeline, that’s just not as fun. So, what better way of introducing these two fandoms than thru ✨multiverse✨shenanigans?

Fair warning, I’m also incorporating aspects from the comics (in regards to Marvel) and weaving some of that into a MCU AU/canon divergence of sorts. But overall, incursions play a big role in both of my ideas. It just depends on when it occurs.

Regardless of the plot, it’ll be set Pre MWII CoD wise and Post Endgame MCU wise (we’ll just ignore the obvious yearly difference)

Regarding the MCU, there’ll be a bit of canon divergence:

- Tony doesn’t die at the end of Endgame (but he’s retired)

- Steve doesn’t fuck off to the past and stays in the present (he’s also retired and works more behind the scenes when necessary, so Sam is still Captain America)

- The ending from Far From Home doesn’t happen (I also may just scrap the events from that film entirely for reasons I can explain later)

- Secret Invasion doesn’t happen (cause let’s face it that show was an absolute dumpster fire, and I think the Taskforce would already have enough to deal with besides a terror organization consisting of shapeshifting aliens).

And depending on whether I add a certain OC (one that I’ve already introduced in the past), the story would start off Post The Marvels due to one component that was introduced in that film (a gold star to anyone who can guess what that component is).

ENOUGH EXPOSOTION

Let’s get into the plots!

My first idea was this:

So do you remember in the Hawkeye show that stuff from the Avengers Compound was stolen after it was bombed and being sold on the black market? Well after that fiasco, Clint would make Sam, Bucky and the others aware of this so they can keep an eye out for anything shady. Fast forward, and the team (thru some sort of means) finds out that some of that stuff, whether it be Stark tech, confiscated tech from the Battle of New York/Thanos’ Attack on Earth, magical artifacts, whatever it may be, has been sent to another universe. And so, to risk the event of an incursion, they travel to that universe to get all of it back.

My second idea would be a sort of Secret Wars/Battleworld type scenario where the CoD:MW and MCU universes sort of just, merge out of the blue. One moment they’re their own universes, next thing you know, an incursion like event occurs, but rather than one or both universes being destroyed, they just merge together. People from the CoD universe suddenly wake up to find that superheroes exists, gods and aliens are real, half the population was dead for a few years before coming back, and there’s apparently the corpse of a giant celestial being who emerged from the Earth’s crust now just sitting in the Indian Ocean. Meanwhile, everyone from the MCU timeline is like “fuck it, this might as well happen”.

Regardless, the Avengers cross paths with TF141 (whether it be accidentally or deliberately) and shenanigans occur.

I’ve got a lot more I can share, but this is already long enough 😅

I also might reveal details on how I think the Avengers would interact with the TF141 and the dynamics between the canon characters and my OC’s (both of which I’ll make character profiles on eventually when I’m not so busy with college classes).

Speaking of college, it’s nearly 6am as I’m writing this and I have class in a few hours 💀 so imma head to bed

[manybackflips]

Zepp as a nation sounds insane.

First Indian billionaires fund a giant war-class airship, then the slaves in the country revolt, taking the airship by force and making it into an independent nation, the nation itself is lead by a leader of the slave revolt, and they don’t shy away from using black tech that almost summoned the Universal Will into the physical plane during the Dawn of Revival. AND they’re recognized by the World Leaders! Ex: the scene in Strive’s story mode in which the White House’s emergency phone goes directly to Gabriel, the leader of Zepp. Demonstrating that the United States and the nation of Zepp have a close bonds.

Also turns out the Potemkin was just born like that, no genetic modification whatsoever.

[mostlysignssomeportents]

This day in history

#15yrsago Best practices for economic collapse: Long Now talk https://cluborlov.blogspot.com/2009/02/social-collapse-best-practices.html

#10yrsago San Francisco police beat up and detain Good Samaritans who call 911 and perform first aid on accident victim https://medium.com/indian-thoughts/good-samaritan-backfire-9f53ef6a1c10

#10yrsago Dems appoints RIAA’s man in Congress to House Judiciary Subcommittee on Courts, Intellectual Property and the Internet https://www.techdirt.com/2014/02/12/another-friend-recording-industry-joins-house-subcommittee-courts-intellectual-property-internet/

#10yrsago Senator Rand Paul sues US government over NSA spying https://arstechnica.com/tech-policy/2014/02/us-senator-sues-president-obama-to-stop-nsa-metadata-dragnet/

#5yrsago Who can forget those scenes in Count Zero where they all stand around eating soup? https://memex.craphound.com/2019/02/14/who-can-forget-those-scenes-in-count-zero-where-they-all-stand-around-eating-soup/

#5yrsago Bossfight: Allstate Insurance enters the Right to Repair fight, loans its lobbyists to fight Apple https://www.vice.com/en/article/nex3dz/insurance-giant-allstate-buys-icracked-phone-repair-company-joins-right-to-repair-movement

#5yrsago Installing a root certificate should be MUCH scarier https://www.eff.org/deeplinks/2019/02/powerful-permissions-wimpy-warnings

#5yrsago Ex-NSA whistleblower says she and other US ex-spooks targeted Americans on behalf of UAE https://www.reuters.com/investigates/special-report/usa-spying-raven/

#5yrsago LA Times demands that reporters sign away rights to books, movies and other works they create while working at the paper https://latguild.com/news/2019/2/12/press-release-los-angeles-times-guild-pushes-back-against-managements-proposed-intellectual-property-policy

#5yrsago Even without explicit collusion, pricing algorithms converge on price-fixing strategies https://cepr.org/voxeu/columns/artificial-intelligence-algorithmic-pricing-and-collusion

#5yrsago Most adults are incapable of understanding most online terms of service https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3313837

#5yrsago How Epson’s patent trolling is killing the EU market for replacement ink https://www.openrightsgroup.org/blog/patently-unfair-epson-takedowns-continue/

#5yrsago The Final Version of the EU’s Copyright Directive Is the Worst One Yet https://www.eff.org/deeplinks/2019/02/final-version-eus-copyright-directive-worst-one-yet

#5yrsago Beyond GIGO: how “predictive policing” launders racism, corruption and bias to make them seem empirical https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3333423

#1yrago Nathan J. Robinson's "Responding to the Right: Brief Replies to 25 Conservative Arguments" https://pluralistic.net/2023/02/14/nathan-robinson/#arguendo

[gayathreya]

kanguva fixit fic time

okay i've seen it multiple times now and while i don't hate it, i think it's mediocre-below average and it is filling me up with sooo much frustration cos.. it doesn't have to be. there are relatively easy fixes for the script when this much effort has already gone into the production design and setting! i don't mind waiting 2+ years for a suriya film, but i just hate it when i do that and it's bogged down to be another loud action entertainer, a genre i thoroughly despise more and more these days as i age. i say i don't hate it, but tbh... the more i think about this film, the more i'm starting to dislike it.........

SO... I'M JUST GONNA WRITE SOME BULLETPOINT PARAGRAPHS ON FIXING IT THE WAY I AS A FAN WOULD DO i think it will help process some more of my frustration with it after my lbxd reviews. the 3 biggest problems i have with the film are direction+editing (i consider these together, and by extension, the lack of patience and fleshing out given to the worldbuilding which deserves it), the sound and screaming dialogue (also, really, part of a director's failing) and the abhorrent cameo, so my points will seek to address that most.

we open with the present, yes? actually, i think the fact there's this timeline is fine, unlike quite a few saying it wasn't needed. i disagree because if your main plot is about reincarnation, you MUST have different timelines, because the whole mythos and trope of reincarnation is the unfulfillment in a past life coming back to haunt you in the next. there is something that needs to happen, and the related souls cannot rest until a wish is met. if you don't want the present portion, the core plot itself has to change, which meh, i don't want to put in this much effort into thinking about this film cos it irritates me.

i don't want or need to change the entire story cos idc about this film to put in that energy, but one of the first marketing failures is that they seemed almost embarrassed to admit it was a reincarnation story, which i don't get at all. reincarnation themes are one of the biggest and most easily acceptable ideas in indian mythos and storytelling.. why would u be embarrassed about it? there were actual interviews where the background crew involved kept saying it was an ''interesting'' connection and straight up lied that it wasn't reincarnation, which is the main reason why so many fans were coming up with different thoughts on what the key plot was; namely, an immortality curse/boon affecting hero and villain directly and how the elements of faith and the kid tied into that. none of this is true, ofc, and that's fine, i won't slam the film for not giving me what i myself thought. but if they had said this from the start, which isn't even a spoiler cos it opens with that instantly, people would have had a clearer mind going into it. false marketing is worse than no marketing, and i'm still seething about all the bullcrap they uttered about it

my issue with the present timeline really is just the sheer dogshit idea of their jobs and conflict. we didn't need francis as a bounty hunter, he could've just been some guy working a normal job with his ex-girlfriend and he stumbles across the kid, who also didn't need any of that science fiction biomedical shit ripoff to happen. he literally could've just been A RANDOM CHILD who is abused or used in some bad fashion, whom francis accidentally meets and wants to save, cos their bond doesn't let them go. idk, i think these are simple things that could make any movie better, cos it wipes away the unnecessary shit and over the top bs with tech, we don't need that. i have no idea why directors do not want to keep their films simple to focus on the core emotion, instead wasting so much time and money to have hired guns and soldiers in loud explosive action scenes. action sequences and soldiers btw, which were reeeally bad cos the english dialogue writing was horrible

just think about how this portion in the intro and climax could've been soo much better if it was stripped down. none of the aeroplane nonsense and high tech trucks and guns and random white thugs like what is the fucking reason!!! only shitty directors who can't write hide behind needless extravagance. and siva is definitely a shitty director who can't write. i would much rather the kid be a child who is under a kidnapping ring, no matter how cliche it sounds, cos it's still miles better than uhhh *checks notes* giving him mutant superpowers after his brain has been operated on. wowz so cool da. is this 1990.

like this just makes me so angry thinking about it, this artificial inclusion of a sci fi trope, when the film already looks so ugly in that horrible ai intro which looks so ghastly and obviously fake. for that alone, i'm almost at the zone of saying i'm happy this flopped. on top of obviously using ai to ''enhance'' suriya's voice in other languages as they said... like bro.... FLOP DESERVED. if an actor can't even be fuckin arsed to learn the dialogue and DUB IN A FUCKING STUDIO FOR HIS OWN MOVIE??? then piss off. if i were a fan of his from telugu lands or something i'd feel honestly deeply cheated and hurt. what's to stop anyone from saying he doesn't even need to dub in tamil anymore? we have his fake voice coming from a computer that they clearly believe is acceptable to throw into other languages, thinking that emotion and inflections are worthy of their audience. do the same in tamil then. how about it. such lazy, horribly unethical filmmaking deserves to be thrown to the dogs. fuck gen ai use in art and fuck studio green and fuck everyone who agreed to that shit

the period portion... where do i start, man. what a mess. why wasn't there any breathing points.... why didn't we have any lull in the screenplay. that's the first thing i would change, and anyone disagreeing cos they want to make it ''racy'' or ''crisp'' needs to be kicked to the curb. you are not a child. have some patience. horrible filmmaking style that does nothing but induce a headache. i just mentioned this elsewhere but even slow paced 3 hour films would get fans, because there'll be something in there to warrant a revisit. but fast paced vomit spat out onto a script won't, cos there's no rewatch value at all. i have very minimal interest in sitting down to rewatch this cos the scenes are all just blurring together and i can't even catch a breath to analyse anything. imagine if we just had suriya in pain, suffering, a film exploring his psyche about his guilt, betrayal, both physical and emotional hurt, perhaps a disability from the stab wound... just nothing. fucking give me 10 mins of suriya crying or having his wounds tended to, it'd be better than this trainwreck garbage of scenes whizzing by that i can't even separate. i really... HATE!! editing like this. i haven't seen worst editing in a suriya film except in singam 3. this is almost on par imo

there were so many things mentioned in interviews by suriya/the team that never happened on screen. suriya for example, talked so much about the aspect of faith and their deities, how the different clans operate with different economics, worship, even their disposition in relation to their worshipped elements.... sorry, these are either flat out lies or more likely, things told to him in passing that siva never bothered to fuckin put in script. they never had any prior script reading, btw. suriya legit said siva writes his dialogue early morning at 4-5am, and at 7am or so he's given the papers and thrown into set to act. well of course this film is gonna be shit, brother. what else did anyone expect!!! no practice, no script reading, no chemistry between actors to act out and perform, no voice modulation and testing that's why every other scene it's him shouting alternately and pissing all of us cos we can't even watch a movie in peace.... saying ''they're tribals'' as an excuse for the constant shouting is also such a poor understanding and dehumanisation of our ancestors, who also had calm, peace, quiet love and contemplation, in their longings or beliefs. this actually isn't a movie. it's a reels fest for instagram and tiktok wanker teens. it's clear siva didn't think of his whole as a film, but merely events and moments to stitch together, cos there's no way in hell any competent director would create a film like this otherwise. can't stand films crafted solely for events and spectacle, cos where is the character drama and arcs of highs and lows? even an amateur writer would know this.

speaking of breathers... what i really want in films is vulnerability and fragility of the hero to be depicted. i legit couldn't believe my eyes after what happens in the interval, cos i was so sure once that betrayal happens, we'd be spending the next 10-15 mins of suriya hurt, in both physical and emotional pain at his failure in taking care of the boy and convincing him of his good will. i thought we'd see kanga struggling to walk or fight, one of his arms useless to him now, but... notHING EVER COMES FROM THIS!!! we just continuously get pulled into narrative plot point after narrative plot point. there is no time at all to be spent on exploring kanga's psyche.. a better writer-director would certainly think about this. siva didn't. even the present timeline when francis dislocates his own thumb, i thought it would come up - the idea of casting self-injury on himself this time to save a boy who stabbed him in the past, it's almost poetic. but... nothing. just fucking nothing. where is the literary value and tension and poetry that all this potential has???

this obviously extends to all the other moments the movie could have slowed down and added more dialogue or atmospheric tension - the burning at the stake, the rock of justice, any of the worship and politics and economic push and pull these clans have with each other... instead, we get literally nothing apart from ''evil blood clan'' who hates ''good fire clan'' BRO WHAT ARE THEY EVEN FIGHTING FOR!!! what is their conflict? there's no point of moral or philosophical discussion point at all between these clans in the film. this also ties in to the first crime - koduva killing 100 (-99, really) men, and the fallout from that. why not just make him kill 1? then wouldn't there have been an actual avenue to discuss capital punishment and revenge, and eye for an eye vengeance or rehabilitation? where's the conflict point in executing a piece of shit who murdered ONE HUNDRED PEOPLE?! this could've so easily been turned into commentary on how one views justice and crime against the backdrop of tribes. the audience is given nothing for us to think about their sides and who to root for, what mistakes or crimes they may have committed against each other, or any kind of conflict in their faiths or ideology that one goes against. just typical one-dimensional bad guy who hates the typical one-dimensional good guy. you spent almost 3 years making this.. this is what you came up with?? fucking juvenile. even a beginner writer would be embarrassed to put this out. obviously, this happens when your whole team is just thinking about how to make hero mass entry and cOO0llLL YOuTh gEN Z moments, rather than expanding upon the world and potential themes to flesh out. there is no point saying in every interview siva has great knowledge in tamil literature. so fuckin what. none of that shit matters cos his writing isn't literary at all. this looks like a grade school paper a child puts out for what makes a ''cool'' hero and nothing more cos they do not have the capacity for literary analysis.

the cameo.... watha i'm pissed as f. i cannot tell u how angry i was watching that shit first day. sooo stupid and unnecessary, completely spoiled the expectations of waiting for rolex/dhilli clash on screen just cos siva had a stupid idea to make this into 2 parts which didn't need to be. FUCKKK YOUU, MAN!!!!!!!!!!! this should've just been a single, longer movie, and with kanga failing both his promises (protecting the boy like he promised his mother, and letting himself be killed by him), should've just killed himself in the climax. it would've been a great ending for him actually as it intercuts with the present (i did like the intercut of both timelines in the climax actually, i think this is the only portion where the editing is done decent), where in one time we see him throw himself to the sharks to be ripped apart after his failure, and in another time he manages to save the boy from whatever it is, and maybe even inadvertently dies in the process because of the kid due to a past sin of his own in the role of the present kid's harsh life, but dying happily so, creating a bittersweet tragedy of broken promises mending itself in another lifetime. this could've easily been made up to be a tragic literary piece on reincarnation and promise, and it would've worked. idk. i'm just spitballing. it's not that i've had a long time to think about this, these are very basic things i already thought of almost immediately after my first show, and i'm just stumped no one else in that whole shit team bothered to take a step back and think to make this more compact into 1 solo film. if everything just has to be about milking money from the audience and dsp blaring shitty loud music every second, then fuck you.

i think this got longer than i intended. there're still so many other problems apart from direction and editing, pacing, but these above things are the biggest ones for me. cos even with the extremely painful and poor quality bgm by dsp, i also believe it could've been naturally avoided if given a slower film, and he wouldn't have made this so loud for no reason. it'd be very natural for a md to provide quieter moments if the scenes themselves are softer with more intimacy and atmosphere, not stitched together from all high moments, which ofc would only make his job louder.

so many dumb fight scenes... the opening francis fight and editing style with coloured words and childish intercuts (sorry idgaf i am a thallumaala hater because i am not 12 years old thinking this is cool).. the croc fight.... which served literally ZERO PURPOSE. no really. they even dared release a video on that making, to show how much HarDWOrK they put in for it, making a river and animal from scratch, painting and animating it, and it's like ??? tf for???? the only bit that served was to make the boy injured, and to make kanga take care of him leading into the mannippu song. this could've been achieved in soo many other ways... poruva could've been bitten by a dangerous insect. he could've eaten the wrong fruit. he could've slipped and fell down a bad ravine or cliff that looked inviting but is actually deadly. LITERALLY ANYTHING else would've saved them so much time and money, and yet still prove and highlight the same idea to the audience that the forest they've been exiled to is dangerous and not easy to survive in. nothing though.... just nothing.

i can't believe i'm still talking about this given how frustrated it makes me and how lazy i feel these scenes are written in for what they think is mass appeal. spectacle, scale, budget, visuals.. NONE of this substitutes good, calm pacing and editing and story. man, i'm tired. ok whatever i'm done

[sharktankindiaproducts]

Everything You Need to Know About Shark Tank India and Its Judges

If you’re a fan of entrepreneurship, innovation, and exciting business deals, you’ve probably heard of Shark Tank India. The show has taken India by storm, giving budding entrepreneurs a platform to present their business ideas in front of successful investors, also known as "sharks." It’s the perfect mix of business education, entertainment, and inspiration. In this blog, we’ll take a deep dive into what Shark Tank India is all about, the role of the shark tank india judges list, and how this show has inspired millions across the country.

What is Shark Tank India?

Shark Tank India is the Indian version of the popular American reality TV show Shark Tank, where entrepreneurs pitch their business ideas to a panel of investors in the hopes of securing investments. The show gives these entrepreneurs a chance to present their startups and ideas to well-established businesspeople, who can either invest their own money in the businesses or pass on the opportunity.

The show isn't just about securing investments; it’s also about learning. Viewers get to see how deals are negotiated, how investors think, and what makes a business worth investing in. Shark Tank India has quickly become a favorite among viewers who are interested in entrepreneurship, providing a rare behind-the-scenes look at how successful businesses are built.

Who Are the Shark Tank India Judges?

The Shark Tank India judges are a group of highly successful entrepreneurs and business leaders from different industries. These sharks bring their experience, knowledge, and capital to the table, looking for innovative ideas and promising business ventures. Let's take a look at some of the notable Shark Tank India judges who have appeared on the show:

Aman Gupta – Co-founder and CMO of boAt, a leading electronics brand, Aman Gupta has played a key role in making boAt one of the most popular brands for headphones and other electronic accessories in India. His business acumen and marketing skills are highly respected, and he has been a fan favorite on the show for his friendly and down-to-earth approach.

Anupam Mittal – Founder and CEO of People Group, Anupam Mittal is best known for his pioneering work with Shaadi.com, one of India’s largest matrimonial websites. His deep understanding of technology and marketing gives him a sharp eye for identifying promising startups in the tech space.

Ashneer Grover – Former Managing Director of BharatPe, Ashneer Grover is a well-known figure in the fintech space. He has a keen interest in tech-driven businesses and has been known to make quick, bold investment decisions on the show. His straightforward and no-nonsense attitude makes him one of the most intense judges on Shark Tank India.

Namita Thapar – Executive Director of Emcure Pharmaceuticals, Namita Thapar brings her vast experience in healthcare and pharmaceuticals to the panel. She is passionate about mentoring young entrepreneurs, especially those with ideas in the healthcare industry. Namita is also known for her calm demeanor and nurturing personality on the show.

Vineeta Singh – Co-founder and CEO of SUGAR Cosmetics, Vineeta Singh is a leading figure in India’s beauty industry. Under her leadership, SUGAR Cosmetics has grown into one of the fastest-growing beauty brands in the country. She is always on the lookout for startups that combine innovation with strong branding.

Peyush Bansal – Co-founder and CEO of Lenskart, Peyush Bansal has revolutionized the eyewear industry in India. His focus on tech-driven businesses and customer service makes him an insightful judge. Peyush is known for giving practical advice to entrepreneurs, helping them grow their businesses with a customer-first approach.

Ghazal Alagh – Co-founder of Mamaearth, Ghazal Alagh is an entrepreneur who has made a name for herself in the personal care space. Mamaearth is known for its natural, toxin-free products, and Ghazal’s passion for clean beauty shines through in her work as a judge. She often provides valuable insights to entrepreneurs in the beauty and wellness space.

How Shark Tank India Works

On Shark Tank India, entrepreneurs come onto the show with a specific business pitch. They present their business ideas, products, or services to the sharks, who then decide whether or not they want to invest. The entrepreneurs usually ask for a certain amount of money in exchange for equity in their company.

Once the pitch is presented, the sharks have the opportunity to ask questions, dig deeper into the business model, and assess the potential for growth. Based on the entrepreneur's answers, the sharks either make offers or decline to invest. Sometimes, multiple sharks show interest, leading to negotiations where the entrepreneur can choose the best offer.

The sharks bring more than just money to the table. They also offer mentorship, business connections, and strategic advice. Getting a deal on Shark Tank India can be a game-changer for startups, giving them the resources they need to grow their business quickly.

How Shark Tank India Inspires Entrepreneurs

One of the most significant impacts of Shark Tank India is the inspiration it provides to aspiring entrepreneurs. Watching the show, viewers get to see real people turning their ideas into successful businesses. The show encourages people to dream big and teaches them the importance of perseverance, creativity, and hard work.

The show has also helped break down the stigma around failure in business. Many entrepreneurs who don’t get a deal still receive valuable advice from the sharks, which helps them improve their business models and try again. It’s a great reminder that failure is just a stepping stone to success.

Shark Tank India Products

Many businesses that have appeared on Shark Tank India have gone on to achieve great success. From innovative tech products to eco-friendly solutions, these businesses have captured the imagination of both the sharks and the viewers. Shark Tank India Products has become a platform for promoting these entrepreneurial success stories.

For those interested in discovering products featured on the show, Shark Tank India Products offers a wide selection of innovative and unique items. Whether you’re looking for new gadgets, health products, or sustainable solutions, the businesses that have appeared on Shark Tank India are some of the most creative and forward-thinking in the market.

Conclusion

Shark Tank India has not only entertained millions of viewers but also played a crucial role in promoting entrepreneurship in India. With its panel of expert judges, the show provides invaluable lessons for anyone interested in business, innovation, and success. Whether you're a startup founder or simply someone with a love for great ideas, Shark Tank India is a must-watch.

[lifewithaview]

Peter Sellers in The Party (1968)

Dir.Blake Edwards

Blocked from Hollywood after unwittingly levelling the set of General Fred Clutterbuck's latest war epic, bumbling Indian actor Hrundi V. Bakshi can now kiss his brief career in the movie industry goodbye. Having burned his bridges, Bakshi instead mistakenly receives an invitation to Clutterbuck's exclusive dinner soiree at his magnificent, hi-tech mansion. As the welcome intruder merrily rubs shoulders with the unaware host's hand-picked guests, Bakshi has his first-ever sip of alcohol and soon picks up where he left off. Now, only God knows how this well-thought-out gathering will end. But one thing is for certain: this will be a night to remember...

*During the scene in which Peter Sellers wrecks the upstairs bathroom, the band downstairs can be heard playing 'Meglio Stasera' ("It Had Better Be Tonight"), which was originally written for and used as both a vocal and instrumental score in The Pink Panther (1963). Both movies were scored by Henry Mancini, directed by Blake Edwards and starred Peter Sellers.

[pcttrailsidereader]

How Your Backpacking Meals Are Really Made

By Emily Pennington (excerpted from the July 14, 2024 article in Backpacker)

A faint whiff of cumin and cracked black pepper serenades my nostrils, reminiscent of the Indian spice markets I once visited in my mid-twenties. Only, I’m not in South Asia, or even the back storeroom of a hip Thai restaurant; I’m in my hometown of Boulder, Colorado, touring the massive factory where Backpacker’s Pantry meals are made.

My host for the morning is Soraya Smith, the company’s president and recipe-development chef. Smith, who had always been involved on the recipe side of American Outdoor Products (the parent organization of Backpacker’s Pantry) took over as president after her husband, Rodney, died in a tragic ski accident in 2020. She’s been the face of the family-owned corporation ever since.

“I’m from a foodie family,” explained Smith. “My mom is Spanish-Italian, and my father is from Iran, so we’re very multicultural. I also went to Culinary School of the Rockies before stepping into this role.”

Our first stop was the test kitchen, where Smith pulled different dry ingredients together to experiment with new recipe ideas. To be totally honest, the various plastic bags she grabbed out of a large bin looked more like the Parmesan cheese packets you’d get for free with your pizza delivery than high-quality foodstuffs. But therein contained the secrets to my favorite post-hike meals: proprietary flavorings and mixes, which Backpacker’s Pantry makes with freeze-dried ingredients.

As we entered the factory’s enormous storeroom, I asked Smith for a refresher: What exactly is freeze drying?

Freeze-drying technology was used extensively by NASA during the space boom of the 1960s. Since freeze-dried food retains more than 90 percent of its original nutrients, it’s the best way to keep astronauts stocked with nutritious food. Better yet, the food can last for years without going bad.

When an ingredient is freeze-dried, it’s brought to an inhospitable -60°F, then back above freezing multiple times while inside a vacuum chamber. That way, only the ingredient’s water content is removed. “Some companies make a large sheet of, say, lasagna, cook it, and then dehydrate it,” Smith said. “We, on the other hand, mix each of our freeze-dried ingredients into the bag, so that when you add that boiling water, most of them are getting cooked for the first time. It’s fresher, and I think it has a better texture.”

Once workers grab individual ingredients from the palettes in the store room, they go to the dedicated mixing room, where seasonings and starches are stirred together in large tubs. The room looks like a sterile, high-tech scene out of Willy Wonka.

Here, Smith points out that the brand adheres to a strict allergen separation system. For instance, a recipe with gluten won’t get run through the machines on the same day as a gluten-free recipe to protect customers with gluten intolerances. Ditto for dairy products. (Workers clean the machines thoroughly at the end of each day by passing them through a chrome-covered, bedroom-sized industrial dishwasher.)

After mixing, the meals are mechanically portioned out by category—sauce, starch, meat, and vegetable—then sealed by hand. Workers sample the meals throughout the day, preparing a baggie to taste-test at the beginning, middle, and end of each run. The goal is to ensure the flavors remain consistent throughout. Forks and counter space are set aside in the test kitchen for this specific purpose. If something doesn’t taste right, they ditch the batch and correct it.

The Backpacker’s Pantry factory produces thousands of meals each day. Once the day’s meals get sealed, boxed, and quality checked, they head into a gigantic storeroom, which then ships the products to big retailers, like REI, as well as directly to consumers.

As I closed the huge warehouse doors behind me and concluded my tour, I was surprised to feel tremendously better about all that just-add-water food I’d been eating. The ingredients were both fresher than I’d imagined and more rigorously quality-checked. Ninety percent of their original nutrients, huh? Heck, maybe I’ll toss a couple under my desk to eat in the office.

[techtalesandvisuals]

Rising Giants: The Indian Tech Startup Revolution,  "Revolutionizing the Tech World: A Journey Into India's Thriving Startup Scene"

[goddamnwebcomics]

My Not-so-Brief Review of Gene Catlow (Part 4)

It's Day 2 of my Gene Catlow review! In this part we'll talk about rest of the Family members, Canovians, Guest Characters and Furriston citizens.

Characters (Part 3)

Another human in the Family of Intelligent Life is Charles Horowitz or “Mickey Rooney”, he is pitiable fragile old man who eventually becomes an overly 1930’s cartoon character type character after he is “adopted” by a bunch of salamanders, and he gains a love interest in form of an indian woman whose name I forgot. We know nothing about Horowitz’s past, he seems to be more like a child in the body of an old man, even before joining the Family. Like I said before, he is fond of “stinkybutt” as an insult. He becomes the programmer for the Family alongside his hindu waifu, and insults The Hosts and then kinda loses relevance. Lastly let’s talk about someone decent and kind of underused, Ernie. Ernie is a bunny who is on a wheelchair due to crippling disease. He is not only Gene’s first bunny friend before Cotton, he is also an intellectual and he is the first one to break Gene the news about his tech master abilities. He later joins the Family and becomes researcher for the group. Ernie is decent but despite being in the comic since the beginning he is barely used. His status as a researcher and being Gene’s longtime friend could have had some interesting effects in the comic like, maybe he is the one who tells Gene to learn to control his other self instead of Catwhis, or maybe he was an old friend of Matt’s? Idk. We never really get anything with the guy but instead we get like a million scenes with Treeka Birds doing stupid shit so that tells you where Albert’s priorities are. Let’s end this with two original characters the introduction of Family created, Cyberfly and Simmy. They suck. Moving on.

The Canovians basically become the side cast for most of Cotton’s post-first arc adventures. These Ancient Canovians have been stuck in a timebubble for eons, and as such they live really boring lives, which Cotton and Tavatiana slowly realize. There’s Big Bunny leader guy who is another character without a proper name, he’s oddly enough the only First Triber in the group who doesn’t look like a weird immortal alien ghost rabbit thingy. All we know about him is that Michelle tells him to not be mean, and he’s been at war with Felin Family for years without knowing what their leaders look like. Also he seems to disappear completely halfway through the comic. The rabbit mentor characters who are more prevalent in the comic are Old Doe and Old Buck, two really old rabbits who can build self-aware puppets like Dorzoi and Forzoi. Old rabbits coincidentally not only are critics of Canovia order but also they have strong connections with both Forzoi and Friendship Island. I would argue they’re the 456th mentor archetype in this comic, but since they’re mortals and not Gods, spirits or puppets, they’re more human-like, and they actively help Cotton, Tavie and Michelle with their problems. There’s some shit to them that make them shady though, and it’s implied they were present at the birth of Jesus??? We also have the demmmmons, a cabal of evil bunnies who have lived in Canovia for a long time, only two demmmmons survive to the end of the comic, Gimpo and One-Eye, they’re probably another example of a well-executed redemption. They actually feel guilt for their actions, and feel that they don’t deserve cheap forgiveness from the bunnies they hurt. Of course they’re forgiven because them biting the father bunny helped the bunnies to develop a cure which eradicated the demmmmons. Honestly the demmmmons are such a dumb concept they shouldn’t have been introduced in the first place, but even I think that’s an overkill. Gimpo and One-Eye however are decent and should’ve had more screentime even if their names suck. Lastly there’s Clayton, the bunny traitor who joined Felin Family because he felt Canovians couldn’t do “change”. Clayton is an interesting concept of a character who gets redeemed almost instantly, mainly because of his creepy relationship with Michelle. Clayton actually turns out to be a chosen one who can bring Canovia to present day. This brings out an interesting aspect of his personality where he seems to become cocky when he returns to Canovia, seemingly becoming a rival for Cotton and undermining his achievements. This is either never followed upon, or maybe it would have been had Albert not died.

Then we have all sorts of guest characters, not counting the ones Albert created under a pseudonym like Catwhis, Burlington, Moonlight, C-Eagle and so forth. We see a shitton of them during the Grandville Festival section of the first arc, and they’re all pretty hideous, though one of them seems to foreshadow the existence of “Other selves” in this comic’s universe. There are two prevalent guest characters after this arc however, the first one is Jack, yes, Dave Hopkins’s Jack. Jack takes the role of Death, and for a character created by an actual rapist he is a massive pushover. He has no issue with Dawn and Dusk healing people and destroying the natural order of life and death. He doesn’t allow certain characters to die if they still have something to do, but “everyone will meet him eventually”, but that just seems like he’s granting every important character a plot armor, of course Bob does eventually die, but he doesn’t allow him to die until he has talked for a bit, but I’m getting ahead of myself. Another guest character is Oliver Simons’ Jamie Abrams, the driver of the dimension hopping cab. He works more like a plot device than a character not to mention he is sort of a plothole as well, but at least he sticks to doing his own thing and doesn’t really want to be part of the World of Friends.

Then we move on to Furriston’s citizens, many of which didn’t really get any prominent roles after the first arc. There is Mayor Donald Horseface who only plays a big role in the first arc and then disappears, and then returns to do a quick MLP:FiM reference and disappear again. There is the rhino guy, Gene’s boss, who seems to also disappear, even though he is stated to be behind the Family of Intelligent Life’s second skins. He never appears after the second Friendship Island arc though. Another member of Gene’s company is Edd, the joke is he sucks at his work, but unlike other characters in this comic he gets a happy ending as he gets Gene’s job after Gene joins the Family. We never see him again, and we can all be happy for him. Then there’s Bev, the owner of the cafeteria our protagonists visit a lot. She is an asshole who almost kills Cotton due to saying confidential information, and she abuses Eubie and even forces her to work for free. I have no sympathy of any kind for her, even with her brief role in the furry-human war. The three bodyguards have also been prevalent since the beginning of the comic but I don’t have anything to say about them, besides the Big Dog’s stupid sudden redesign. Another characters that I want to talk about are the Original Animen, AKA Stagglers. Haha, I remember when I was frustrated about how it took FOREVER for this comic to reveal the true nature of these guys. The Original Animen are the ancestors of both humans and furries, the missing link that connects them. Naturally animen are being hunted by both parties because their existence pretty much makes all of their racism meaningless. Michael Alan Avariss had a child with their leader, The Elder Mother, and had a son, Stephen. I have to say the reveal of Stephen as Elder Mother’s daughter is still one of the best plot twists in this entire comic. It’s a decent mystery that isn’t too vague, but also not too predictable and the reveal really pays off. However after their establishment, the Stagglers move to Friendship Island and they really don’t matter anymore. Stephen also does some stupid shit in the background, constantly bitching about his daddy issues. I guess even Albert forgot about him. In my opinion, the strongest part of Furriston is Bob. Bob was a radio host crow who while on camera and radio had the personality of a psychopathic TV host, but behind the scenes he was a grumpy smoking miserable asshole who wanted to use Cotton to eradicate humans. Bob was a great character and his redemption was well-executed, he ends up joining the Stagglers and bonding with them as he decides to take down the Avariss billboard in hopes of redeeming himself. He then gets shot by Michael Alan Avariss, and after brief visit with Jack, he comes back from the dead briefly and then dies for good. I wish we got more characters like Bob through the comic, those who were willing to die in order to have a positive impact on the world, it would’ve made this comic just a bit more real.

[spider-xan]

Do you think it makes sense for Nemo to have joined the League at all?

I think you can definitely write entire essays on this topic with regards to both the comics and movie, but I'll try to keep my answer to this short and maybe return to write a more detailed post later.

From a Doylist perspective, even though Nemo is neither British as a character nor Victorian by virtue of being from French rather than British literature (the term 'Victorian' is technically only applicable to Britain between 1837 to 1904, not the entire world or the 1800s as a whole), if you're going to have a 19th-century character as your Victorian superhero team tech guy, Nemo is the most famous and obvious answer, plus the Nautilus makes sense as both a means of transportation and war machine, and as far as Western literature from the era, you're not going to find many characters of colour who are as famous and well-characterized if you don't want the team to be whites only and need someone to more explicitly comment on British colonialism, at least in the comics where that was overtly critiqued to varying levels of success and failure.

As for Watsonian explanations for Nemo joining the League within the universe, I think this is where the movie had a more plausible reasoning for his involvement, even if I think it softened him a little too much in terms of his attitude towards the British and wanting to atone for his actions against them - a world war that would threaten everyone, including the oppressed, and would eventually reach the sea itself has no borders and isn't an issue that would solely play to British interests, so I can see where Nemo would go along with the plan, even if it's not out of concern for the British Empire; the film novelization actually takes it further with a scene where it's noted that M (falsely) offered the possibility of negotiations for India's independence if Nemo joined, which may be a deleted scene, which also works and keeps his anti-imperialism and anti-colonialism beliefs.

By comparison, I never liked the comics' reasoning of his wanting another adventure and feeling so disconnected from humanity that he no longer considers himself Indian (though we later see that while he claims that, it's not really true), which feels flimsy and weak when he doesn't need the League to go on adventures and they ultimately didn't really do much in the way of adventuring anyway, especially Neko himself; with the cavorite plot in Volume 1, there is the pretence of an enemy of Britain stealing it to wage war against the British specifically if the League doesn't recover it, but I can't really see Nemo giving a shit about that.

[vaibhavi-01]

India as an Emerging Power: Challenges and Prospects- Part 1

Table of contents

• Introduction

• India's Potential on the Global Stage

• Challenges Faced by India

• Prospects for India's Growth

Introduction

India, the land of vibrant culture and spicy cuisine, is emerging as a formidable power on the global stage. With its massive population and diverse resources, India has the potential to become a force to be reckoned with. The country has made significant strides in economic growth and technological advancements, paving the way for a promising future. However, India also faces numerous challenges such as overpopulation and resource management, social inequality and poverty, and the omnipresent corruption and bureaucracy. Despite these obstacles, India's prospects for growth are bright, fueled by the demographic dividend, investment in infrastructure, and expanding global influence. India is not only making waves in the global economy with its rising middle class, booming tech and startup scene, and thriving service sector but also leaving its mark on the political landscape and foreign relations with its democratic values, nuclear power, and strategic alliances. India's journey towards becoming a global power is indeed an exciting one, full of opportunities and challenges.

India's Potential on the Global Stage

Oh, India! The land of elephants, spices, and colorful festivities. But, wait! There's more to it than just that. India is not your average Bollywood-loving, butter chicken- eating country anymore. It has started to emerge as a global power, giving other nations a run for their money.

First things first, let's talk about the rise of India as an emerging power. Gone are the days when India was seen as a mere spectator on the international stage. With its booming economy and massive population, India has managed to grab the attention of the world. From being known as the land of snake charmers to the land of IT wizards, India has come a long way.

Now, let's dive into the economic growth and technological advancements. The Indian economy has been growing at a steady pace, flexing its muscles and challenging the likes of China and the United States. With sectors like information technology, pharmaceuticals, and renewable energy on the rise, India is definitely making its mark. And let's not forget about its skyrocketing space exploration program. India is literally shooting for the stars!

India's potential on the global stage is undeniable. It has managed to overcome numerous challenges and showcase its strengths. But, as we'll explore in the subsequent headings, there are still hurdles to overcome. So, hold on tight and prepare to delve deeper into the challenges and prospects of this incredible nation! India is ready to take on the world, one samosa at a time!

Challenges Faced by India

Ah, now let's dive into the juicier part of the blog, shall we? Brace yourself, my dear readers, as we explore the hurdles that India faces on its journey to becoming a global powerhouse. It's like watching a thrilling episode of a suspense-filled drama! First on the list is overpopulation, India is bursting at the seams with people! The sheer number of individuals packed into this country can make your head spin.

Seriously, it's like every person on the planet decided to take a vacation in India. And managing the resources for this enormous crowd? Well, that's a biggie! Resource management is like trying to catch a runaway train with your bare hands. With limited land, water, and energy, India has to play a never-ending game of resource Tetris. And let me tell you, it's not an easy job. It's like balancing on a tightrope while juggling flaming swords,

Then we have social inequality and poverty. Picture this: a few people living in palatial mansions while the majority struggle to meet their basic needs. It's like a diamond-studded necklace encircling the neck of a beggar. The gap between the rich and the poor in India is wider than the Grand Canyon.

And let's not forget about corruption and bureaucracy. Ah, those two amigos that seem to be stuck together like glue. It's like trying to solve a Rubik's cube while blindfolded. The bureaucracy can make even the most patient person lose their cool faster than a melting ice cream cone on a hot summer day. And as for corruption. well, it's like playing a rigged card game where the house always wins.

But fear not, my discerning readers, for I shall not leave you hanging without a glimmer of hope. In the next section, we'll explore the prospects for India's growth. Think of it as the light at the end of the tunnel, except this light isn't just a mirage. Stay tuned, dear readers, for an exciting journey awaits us!

Prospects for India's Growth

India, the land of diverse cultures, bustling streets, and vibrant festivals, is not just known for its rich history and breathtaking landscapes. It's also emerging as a global power with enormous potential for growth. So, let's dive into the prospects that lie ahead for this incredible nation.

First up, let's talk about the demographic dividend that India possesses. With a young and dynamic population, India has a workforce that is ready to take on the world. This demographic advantage provides the country with a great opportunity to capitalize on its human resources and drive economic growth. It's like having a whole army of young, talented individuals who are eager to make a mark on the world stage.

Moving on, investment in infrastructure is another key factor in India's growth prospects. The government has recognized the importance of building a solid foundation for sustainable development. From modernizing transportation networks to revolutionizing digital connectivity, India is investing heavily in infrastructure projects. This has the potential to attract both domestic and foreign investors, boosting economic growth and creating job opportunities.

But wait, there's more! India is also expanding its global influence in various sectors. From space exploration to renewable energy, India is making its mark internationally. With its growing presence in the global market, India has the chance to strengthen diplomatic ties and enhance economic cooperation. It's like a Bollywood star making it big in Hollywood, only on a much grander scale.

So, amidst the growth prospects, India seems to be on the right track. However, challenges remain, and it's important to address them to fully unlock India's potential. But let's save that discussion for another time.

India, with its demographic dividend, investment in infrastructure, and expanding global influence, is gearing up to write the next chapter in its success story. It's like watching a cricket match where India is batting with full power, hitting boundaries and sixes left and right.

With these promising prospects, India is poised to shine on the global stage. As the world eagerly watches, it's on the cusp of transforming into a true powerhouse. So, fasten your seatbelts, folks, because India is about to take off and soar high like never before.

[publicmediasolutionpr]

Elon Musk and the Art of Public Relations: Lessons from Tesla’s Brand Evolution in India

Elon Musk is a name that resonates globally, synonymous with innovation, controversy, and success. Beyond being the CEO of Tesla and SpaceX, Musk has mastered the art of public relations (PR) in ways that redefine traditional methods. His approach blends personal branding with corporate storytelling, making him a case study in modern PR strategies. Tesla's journey into the Indian market further exemplifies these principles, showcasing the challenges, adaptations, and triumphs in building a global brand.

This article explores Elon Musk's PR strategies, Tesla’s brand evolution in India, and the lessons businesses can learn from their unique approach.

Elon Musk’s Personal Brand

Public Persona

Elon Musk’s public persona is a cornerstone of his PR success. As a visionary entrepreneur, he positions himself as a thought leader in technology and sustainability. His bold statements and disruptive ideas consistently grab headlines, keeping him in the public eye.

Visionary Entrepreneur Image

Musk’s branding aligns him with innovation. Whether it’s colonizing Mars or popularizing electric vehicles, his vision inspires people worldwide. This aspirational image enhances Tesla’s brand, making it more than just a car company.

Controversial Statements

Not all PR is positive, and Musk’s controversial remarks often stir debates. However, these controversies generate buzz, keeping Tesla relevant and fueling discussions about the brand.

Social Media Presence

Twitter Engagement

Musk’s Twitter activity exemplifies direct communication with audiences. From product updates to memes, he uses the platform to humanize his brand. Notably, his tweets often impact Tesla’s stock prices and shape public perception.

Instagram Influencer

While less active on Instagram, Musk leverages visual storytelling to highlight Tesla’s innovations. Sharing prototypes, launch events, and behind-the-scenes content reinforces his image as a hands-on innovator.

Tesla’s Brand Evolution in India

Market Entry Challenges

Tesla’s entry into India was fraught with challenges, including:

Regulatory Hurdles: Stringent import duties on electric vehicles (EVs) posed financial challenges.

Infrastructure Limitations: India’s nascent EV charging network hindered adoption.

Localization Strategies

To overcome these barriers, Tesla implemented:

Pricing Adjustments: Tesla explored ways to make EVs more affordable in India by advocating for reduced taxes.

Product Customization: The company considered designing vehicles tailored to Indian road conditions and consumer preferences.

Influencer Marketing

Tesla used influencer marketing to penetrate the Indian market. Celebrity endorsements and micro-influencer campaigns boosted awareness among tech-savvy audiences.

Digital Outreach

Social Media Campaigns

Tesla’s digital campaigns emphasized sustainability and cutting-edge technology, engaging Indian consumers through relatable content.

Online Community Building

By fostering online forums and engaging with EV enthusiasts, Tesla cultivated a loyal customer base even before launching its products in India.

Public Relations Tactics

Media Engagement

Tesla’s approach to media involved:

Organizing press conferences to announce key developments.

Providing exclusive interviews to influential media outlets.

Crisis Management

Musk and Tesla demonstrated effective crisis management by:

Addressing controversies head-on with transparent communication.

Issuing timely responses to regulatory challenges and public criticism.

Grassroots Initiatives

To connect with Indian communities, Tesla explored:

Hosting educational workshops on EV technology.

Collaborating on local sustainability projects.

Brand Positioning

Luxury Electric Vehicles

Tesla positioned itself as a luxury EV brand, appealing to India’s growing affluent population. Premium pricing reinforced its aspirational value.

Sustainability Leadership

By championing green technology, Tesla aligned with India’s environmental goals. This positioning resonated with eco-conscious consumers.

Impact on the Indian Market

EV Adoption Trends

Tesla’s entry sparked increased interest in EVs, influencing adoption trends and setting benchmarks for competitors.

Sales Growth Trajectory

Although Tesla is yet to establish local production, its pre-launch activities indicate potential for significant market share.

Charging Infrastructure Development

Tesla’s Supercharger network plans highlight its commitment to addressing infrastructure challenges in India.

Competitive Landscape

Tesla’s entry prompted rival EV brands to accelerate innovation and marketing strategies, contributing to India’s EV ecosystem.

Lessons from Tesla’s PR Strategies in India

Leverage Personal Branding

Elon Musk’s personal brand amplified Tesla’s visibility. Companies can replicate this by aligning leadership personalities with brand values.

Adapt to Local Markets

Tesla’s localization strategies underscore the importance of understanding market-specific needs.

Prioritize Sustainability

Positioning as a sustainability leader can create long-term value in markets like India, where environmental concerns are rising.

Engage Proactively

From influencer marketing to grassroots initiatives, Tesla demonstrated the power of proactive engagement in building trust.

Case Studies in Public Relations

Several industry leaders have leveraged similar PR strategies:

Media Engagement: Regular press briefings to ensure consistent messaging.

Crisis Management: Quick, transparent responses to controversies to maintain public trust.

Community Outreach: Collaborations with local stakeholders to foster goodwill.

These examples illustrate how tailored PR approaches can drive brand success in challenging markets.

Final Words

Elon Musk and Tesla exemplify the transformative power of strategic public relations. From leveraging personal branding to overcoming market-specific challenges, their approach offers valuable lessons for businesses aiming to expand into complex markets like India.

Ravinder Bharti, CEO of Public Media Solution, India’s number one public relations agency, approves the above thinking and agrees with these insights. As a seasoned expert in PR, he emphasizes the significance of innovative strategies and localized approaches in building impactful brands.

[jranimator]

India’s Role in the Future of Music Streaming

India on the Rise

In recent years, India has emerged as a major player in the global music streaming industry. With a population exceeding 1.4 billion and rapidly increasing internet penetration, the country has witnessed an unprecedented surge in the consumption of digital music. Affordable data plans, widespread smartphone adoption, and an ever-growing base of tech-savvy youth have contributed significantly to this trend. This transformation is not just reshaping the Indian music landscape but also influencing global streaming trends.

In this article, we’ll explore why India is becoming the world's biggest streaming market, how musicians and platforms are leveraging this growth, and what this means for the future of the music industry. We’ll also highlight the importance of tools like streaming music platforms, YouTube SEO, and Spotify Canvas in this evolving space.

India: A Growing Power in Music Streaming

India’s foray into the music streaming industry has been nothing short of phenomenal. Leading platforms like Spotify, Gaana, JioSaavn, and YouTube Music have recognized the immense potential of the Indian market. The country’s diverse culture, with its plethora of languages and regional music genres, creates a fertile ground for streaming platforms to cater to unique user preferences.

Several factors contribute to this growth:

Affordable Internet: The introduction of low-cost data plans by telecom giants like Jio has made internet access more affordable than ever. This has democratized access to digital platforms, allowing even rural areas to tap into the world of streaming music.

Regional Content: Indian audiences are increasingly inclined toward regional content. Music platforms that offer vernacular playlists and support local artists are seeing higher engagement.

Youth-Driven Market: India’s demographic dividend, with a majority of its population under 30, makes it a prime market for music consumption. Younger users are more inclined to explore new genres, follow trends, and adopt digital streaming platforms.

The Importance of YouTube in India’s Music Scene

YouTube remains one of the most significant platforms for music in India. With over 500 million active users in the country, it is the go-to platform for streaming free music videos. For independent artists and major labels alike, YouTube provides a cost-effective way to reach a massive audience. However, standing out on such a crowded platform requires optimizing content with YouTube SEO for music video techniques.

These techniques include using relevant keywords, crafting engaging titles, and creating thumbnails that capture attention. In a competitive market like India, where new content is uploaded every second, understanding YouTube's algorithm can be the difference between a video going viral and getting lost in the crowd.

Spotify’s Role in the Indian Market

Spotify entered the Indian market in 2019 and quickly became a favorite among urban listeners. Its ability to curate playlists tailored to individual preferences, coupled with its sleek interface, has resonated with young Indians. The platform also allows artists to create visually captivating experiences through tools like Spotify Canvas.

Spotify Canvas, with its short looping videos, enables artists to enhance their tracks with engaging visuals, making them more memorable. Indian musicians, particularly in genres like Bollywood, indie pop, and folk fusion, are leveraging this feature to connect with audiences on a deeper level.

Challenges and Opportunities

While India’s music streaming market presents immense opportunities, it also faces unique challenges. One of the primary hurdles is monetization. Unlike Western markets, where users are more accustomed to paying for premium subscriptions, Indian consumers often prefer free, ad-supported models. Platforms are experimenting with creative ways to balance profitability with affordability.

Another challenge lies in catering to the diverse linguistic and cultural landscape. While regional content is a strong driver of growth, platforms must continuously adapt to meet the expectations of users from different states and backgrounds.

On the flip side, these challenges also open doors for innovation. Platforms that successfully address these pain points have the potential to dominate not just the Indian market but also influence global trends. As India grows to become the world's biggest streaming market, it will set benchmarks for accessibility, affordability, and diversity in music streaming.

Tips for Musicians to Tap Into India’s Streaming Boom

Localize Your Content: Whether you’re an independent artist or part of a global label, creating content that resonates with Indian audiences is key. This could mean producing tracks in regional languages or incorporating elements of Indian music styles.

Leverage YouTube’s Reach: With its massive user base, YouTube should be a central part of any artist's strategy. Using tips for growing your YouTube channel, such as consistent uploads and engaging with your audience through comments, can significantly boost visibility.

Optimize for Streaming Platforms: Understanding how streaming algorithms work can help artists position their music better. Creating catchy album art and using tools like Spotify Canvas can make tracks more appealing to listeners.

Collaborate with Regional Artists: Partnerships with popular regional musicians can help artists break into new markets within India.

Engage on Social Media: Platforms like Instagram and Twitter are great for building a loyal fan base. By sharing behind-the-scenes content, live performances, and engaging directly with fans, artists can create stronger connections.

The Future of Music Streaming in India

India’s dominance in the music streaming industry is set to grow even further. As technology continues to evolve, new features like AI-driven recommendations, virtual reality concerts, and enhanced interactivity are expected to become mainstream. These innovations will not only improve the user experience but also open new revenue streams for artists and platforms.

Moreover, India’s influence on the global music industry is likely to expand. International artists are already collaborating with Indian musicians, recognizing the country’s potential as a cultural and commercial powerhouse. This trend will only accelerate as India continues to shape the future of streaming music.

Conclusion: A Promising Future

India’s journey to becoming the world’s biggest streaming market is a testament to the power of technology and cultural diversity. By embracing digital platforms and adapting to the unique needs of the Indian audience, both local and international artists can thrive in this dynamic environment.

For musicians, the key lies in understanding the preferences of Indian audiences and using tools like YouTube and Spotify to reach them effectively. As the industry continues to grow, India is not just participating in the global music streaming revolution—it is leading it.

What strategies do you think will define the future of music streaming in India? Share your thoughts in the comments below, and don’t forget to spread the word by sharing this article with your network!

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Choosing the Best Website Design Company in Delhi

If you're a business owner in India, you already know how crucial it is to have a strong online presence. Your website is often the first place potential customers interact with your brand—can you afford to make a bad first impression? Investing in professional website design is no longer optional; it’s a necessity. A beautifully designed and user-friendly website can significantly improve your online visibility, drive engagement, and convert visitors into loyal customers.

But how do you choose the best partner to bring your online vision to life? Especially in a tech-savvy city like Delhi, where website design companies are abundant, how do you find the right fit? This guide will walk you through everything you need to know about website design, the hallmarks of effective design, and how a Delhi-based website design company can help your business thrive.

1. Key Characteristics of an Effective Website Design

Before jumping into comparisons, let's explore what makes a website genuinely effective. Whether you're revamping your current site or starting from scratch, these principles should guide the project:

User Experience (UX)

Have you ever clicked away from a website because it was difficult to find what you were looking for? You're not alone. A well-designed website should offer a seamless user experience, enabling visitors to access information with minimal effort. Clear navigation, fast loading times, and a logical site structure are essential.

Think of your website as an online storefront. Imagine customers trying to find their way through a cluttered, disorganized shop—they’d probably leave frustrated. Similarly, a website that's intuitive and organized keeps visitors engaged longer and increases the likelihood of conversions.

Mobile Responsiveness

According to Statista, more than 90% of internet users in India access the web via their smartphones. If your website isn’t optimized for mobile, you risk losing out on a massive chunk of your audience. Responsive design ensures your site looks and works great on any device, from desktops and tablets to smartphones with varying screen sizes.

SEO Friendliness

A stunning website means little if no one can find it online. Search engine optimization (SEO) should be integrated from the design phase to ensure your website is discoverable on search engines. Elements like fast load speeds, clean code, and optimized images contribute to better search rankings

2. Why Choose a Website Design Company in Delhi?

Delhi isn’t just India’s capital—it’s also a hub for top-tier tech and creative talent. The city boasts a wealth of website design company delhi that cater specifically to the needs of Indian businesses. Here's why partnering with a Delhi-based design firm might be your best decision:

Understanding Local Market Needs

A Delhi-based team understands the unique preferences of Indian consumers and can tailor your website to reflect those cultural nuances. Whether it's color preferences, design sensibilities, or integration with payment methods popular in India, their local expertise is invaluable.

Cost-Effective Services

Compared to international design firms, Delhi-based companies often offer competitive pricing while maintaining high-quality standards, making it a budget-friendly option for small and medium-sized businesses.

Access to a Talent Pool

Delhi houses some of the best developers and designers in the country, providing you access to well-rounded teams capable of delivering cutting-edge technology paired with compelling aesthetics.

3. Tips for Choosing the Right Website Design Company

Delhi’s dynamic tech scene presents you with plenty of choices—but not all website design companies are created equal. Here’s how to evaluate your options:

Look for a Proven Track Record

Check portfolios and client testimonials. Have they worked on projects similar to yours? Are their past clients satisfied with their work? Don’t hesitate to ask for case studies to understand the tangible results they’ve delivered.

Assess Their Technical Expertise

The digitechniques india company is proficient in modern web technologies like HTML5, CSS3, JavaScript, and content management systems like WordPress.

Prioritize Communication and Transparency

Your website is a collaborative effort. Choose a team that values your input, provides clear timelines, and offers regular updates. Miscommunication can lead to delays and unmet expectations.