#Including supernatural

[crowned-clown-rising]

Honestly I think we as a fandom are... pretty entitled.

And I'm including myself in this, really it's a group dynamic thing, but yeah it's always been "They should have done this" or "It's so wrong that they did this..." instead of the normal, commonly used by a fan "I wish..."

Like we have opinions, cool. Most of the complaints have a point don't get me wrong, but I've never seen a fandom more entitled to the creators work. I mean we don't move in fanon, we straight up try to change and debate canon like it's ours. This probably comes from the game being a small business compared to other media with more traction.

(And yes, I could talk about reasons beemov is greatly responsible for that and how they could have avoided such drop, but then again... case in point)

Like, we are allowed not to like stuff. We really are. And to express it. But there's this attitude hovering over us in which we talk about the characters and the story like it's ours. Like our take on the story counts as anything other than a player's opinion. No one there really owes nothing outside of common courtesy and legal handling of the purchase systems. I mean what they give is what we get and that's it. We can ask for stuff, sure. And they might just comply if they can and want to, but they don't have to. Yes, we are the ones playing the game and our feedback is important but... we are not their boss? but it feels like that sometimes?

And I say this as someone who is literally overwriting the story to my likings as a fanfic, and even then I'm still taking almost everything from the canon so far. The main plot, entire dialogues... If that's not entitled idk what is.

So yeah, there's that. I don't mean to prosecute or defend anyone, I just wanted to point that out.

[mjbythebay]

ok weird idea someone has probably already had, but what if Derek hale (teen wolf) and Rosalie hale (twilight) are distantly related???

Anyway imma go look for fanfic peace out loves

[anassemblageofpassions]

[strawlessandbraless]

Omg WING kink not wink kink

Click here for Part 2 of this poll

Reblog to stray further from gods light

[sailorsally]

Nothing beats the feeling I get when seeing men I have admired since childhood be supportive 🥺🤲💗🌈

[5sospenguinqueen]

Y/N: Whenever Dean is about to use the shower after me, I turn the temperature to scalding.

Sam: Why-why would you do that?

Y/N: To make him think I am capable of withstanding that pain. I take normal showers, but I want Dean to be a little scared of me.

Sam: (sighs) You’re both idiots.

Charlie: (in awe) That’s genius.

[1mlostnow]

HEY! Hey. hey. hey..

If you’re an mlm shipper. Listen to this…

It is blatantly homophobic. To always make. One of them. The twink. And one. The bear. It is homophobic. To always make. One of them. Feminine and sub. And one masc and top. Quit doing that. It’s. Just. Homophobic. To always want one to be the ‘woman’, and another to be the ‘man’.

Yk how most gays hate being asked “who wears the pants in the relationship?” Yeah? Think about it. That’s exactly what you’re doing. This goes out to many different communities. And also applies to wlw/gnc relationships.

Will Graham is not as feminine as fics and Art like to make him seem. Neither is Castiel. Or James Wilson.

There doesn’t always have to be a ‘man’ and a ‘woman’ in queer relationships. That’s the whole fucking point. RB if you agree because I am so mad rn.

An edit to the original post : please check out all additions and reblogs. I have made multiple edits and adjustments through rbs after receiving feedback on this post :))

Another insert : key word is always. We see it less recently, but it’s still prevalent and still a harmful stereotype to push queer relationships into.

Third and hopefully final addition : please don’t explain your kinks to me. I’m a minor.

[seasononesam]

3x02 // 4x10

Why are you following me? I'm interested in you. Why?

[angel-fruitcake]

i cannot believe that to this day jensen and misha will still basically do whatever you want them to do in photo ops, no matter how insane or gay or insanely gay

[shanastoryteller]

SHANA HAVE YOU SEEN ARCANE? IF NOT GO DO THAT AND JOIN ME IN MY INSANITY WITH JAYVIK. Otherwise its dealers choice and some happy valentines chocolates for you 💕💋

Castiel has gone rogue, has torn down the wall keeping the cage at bay, and Dean is going to have to face him alone if Sam can’t figure out how to get out of his own head.

Absorbing the memories of what he’d done when he’d been soulless had hurt. To know that any version of him was capable of that kind of callousness, of the kind of ruthless efficiency he’d always turned up his nose at, was a blow.

But absorbing the memories of the cage may very well kill him. Everyone seems to expect it to, if it doesn’t drive him outright insane. It’s likely the most he can hope for is that it leaves him cationic, that he stays in this safe little place in his mind that Lucifer can’t touch and leave the rest of the world to rot. He already destroyed himself to save it once, why should he have to go through that again?

For the same reason he did it the first time.

The world still has Dean in it. He can’t leave his brother to suffer if there’s anything he can do about it.

When he finds across the version of himself that knows the cage, he has to clamp down on the urge to tremble. He’s standing there, half hidden in shadow, leaning against the wall like he can’t hold up his own weight.

He’s covered head to toe in blood.

“Hey,” he says then swallows. Soulless had been aggressive, had been angry, hadn’t hesitated to engage with him. Cage seems like he can barely keep breathing.

It’ll make him easy to kill, easy to reintegrate, but he doesn’t know what that will leave him as when he’s done.

Just killing the guy after everything he’s been though doesn’t seem right. He licks his lips. “Look, I don’t know how aware you are of everything that’s going on, but I – we – I mean.” He swallows. “Dean’s in trouble and I can’t help him without remembering. Everything. And I know I’m not strong enough to deal with everything you’ve delt with-”

“Why do you say that?”

Sam startled. Cage’s voice is raspy, but not weak. There’s no fear, no tears, just simple curiosity. “I – what?”

“Why do you say that?” Cage repeats.

“I,” he thinks back on Soulless’s memories, of how he’d been on board with getting his soul back up until he’d found out what it would do to him, of how they’d described the tattered remains of who he used to be. “They said it would destroy me. You don’t – you don’t look to be in great shape.”

Cage shrugs. “People have always underestimated us, Sam. You know that. They didn’t think we’d be able to take control of Lucifer and we did that.”

“What?” he laughs incredulously. “It was just a hunky dory time in there with Lucifer? You look like shit.”

“And you think Lucifer did this to us?” Cage smiles, Sam can see the white of his teeth against his blood covered face. It should be disturbing, a sign of a cracked mind, a cracked soul, but it just looks like a normal smile. “You know us. You know us better than I do at this point. When have we ever stopped fighting?”

“We fought the devil,” he says flatly. “In the cage.”

“Do you know what powers angel’s grace? Demon’s abilities?” he asks.

Sam shakes his head.

“Human souls,” he says. “It’s the greatest source of power on any of the three planes. And if you know Enochian, you can harness that same power. It took a while, but eventually we learned.” He tilts his head to the side. “I won’t lie, Sam. Lucifer put us through things that no person should experience, a type of hell that broke us more than once. But we were in that cage a long, long time. Souls heal. Grace disconnected from heaven just runs out. I’m thankful to be out, but given a few more centuries, well. Lucifer wouldn’t just be in the cage. He’d be gone.”

Sam doesn’t understand, doesn’t believe it. “So you used your own soul to fight the devil? With the angel’s language? That’s–”

“What did we have to lose?” Cage interrupts. “Michael and Lucifer distracted each other occasionally, and Michael keeps Adam unaware. All we had was fighting and surviving. If we could kill Lucifer for good, what did it matter what state it left our soul in?”

“Then why hide?” he challenges. “Death and Castiel put you away. Why hide even now? If it’s not that bad, why let yourself be walled away?”

“It is that bad,” Cage says softly. “You’re just that strong.”

Sam swallows.

He used to believe that about himself.

“I’ve spent centuries in the cage,” he says. “Some days I barely remember life on Earth. I’ve changed. I had no reason not to.” He looks away for the first time. “I did it for Dean. I never forgot that. And Dean got me out, he saved me, but,” he meets Sam’s eyes. “I remember what it was like to have Dean look at me like he didn’t recognize me. I didn’t want to go through that again. You, he knew. You, he recognized. I thought it was better. You didn’t need the person you became in the cage once we were out of it and I wanted,” he cuts himself off again.

It's okay.

Sam knows.

“You wanted to be someone Dean would be willing to sell his soul for,” Sam says.

He’d never wanted what Dean did, but he’s always felt crushed under the weight of being worthy of it, of the loss and fear when he felt he wasn’t. It’s such a fucked up metric to measure love against, if someone would be willing to go to hell for you, but Dean’s the one who set it. He’s just following suit.

He’d do anything for Dean.

“Dean needs our help,” Sam says. “Castiel-”

“I know,” Cage says. “Even a juiced up Cas isn’t Lucifer. We’ll be able to take care of him. You need to know what I know and there’s no way to teach you Enochian without everything you had to go through to learn it. I’m sorry.”

“We’ve got a year of fresh memories,” he says. “A year of our life on earth front and center. It’ll help. They won’t feel so far away from us after.”

Dean will still love them after.

“You hope,” Cage scoffs.

Sam smiles and lifts a shoulder in a half shrug. “Yeah. It’s all we’ve ever had, right?”

Cage smiles again, pushing off the wall to stumble forward. Sam catches him when his knees buckle, looking into his own face, his own eyes. They are different. But not unfamiliar.

Souls heal. Whatever Lucifer did to him, whatever he did to himself in there, it’s not irreversible. There’s a difference between scarred and bleeding.

“You’re going to be okay,” Cage says, offering him a knife that Sam hadn’t even noticed him carrying. “You can do this.”

Sam swallows, giving a nod before taking the hilt and plunging it into Cage’s chest. He holds him through it, hearing the wet gasp against his hear. “Yes,” he says softly. “We can.”

When he opens his eyes in the panic room, all versions of him settled into one, into just Sam, he doesn’t waste time mourning the people he used to be.

Dean needs him.

[soullessjack]

is this anything

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[morganaconda]

[5sospenguinqueen]

(At the fair)

Sam: So, which ride do you want to go on first?

Y/N: (points at Dean) I want to ride that.

(Dean chokes on his hot dog.)

[beatsheetromanroy]

EVANGELICALS, FANATICS, AND ZEALOTS, OH MY!