#Images of Ghosts

[xtruss]

Why Images of Ghosts Have Endured in Japan for Centuries

A New Exhibition at the National Museum of Asian Art displays Haunting, Colorful Woodblock Prints

— Roger Catlin | April 26, 2024

The Ghost of a Fisherman, Tsukioka Kogyo, woodblock print, 1899 National Museum of Asian Art

Oiwa’s husband wanted to remarry his rich neighbor, but his wife was still very much alive. He first tried poisoning Oiwa, but it disfigured her horribly rather than killing her. Then, he threw her into a river to drown, which was indeed successful. But later, when he returned to that river, Oiwa’s ghost rose from the water to haunt him no matter where he fled.

Foreboding depictions of this Japanese ghost story and others like it populate the “Staging the Supernatural: Ghosts and the Theater in Japanese Prints” exhibition at the Smithsonian’s National Museum of Asian Art.

Going back centuries, ghost stories carry great resonance in Japan. The over 50 works on display, created from the 1700s to the 1900s by Japanese artists, show the lingering power of woodblock print art and the stories that the art represents, which continue to flourish in Japan today. Coming out of the theater traditions of kabuki and noh, the prints proved equally as popular as the performances.

The story of Oiwa, the faithful wife who returned as a ghost to haunt her murderous husband, was told in the 1825 kabuki theater production of Ghost Story of Yotsuya on the Tokaido by Tsuruya Nanboku IV. Though the supernatural had long been part of Japanese culture, the Edo period (1603-1868) and this specific production gave permanent prominence to the genre, says Kit Brooks, co-curator of the exhibition. The production toured more extensively than earlier variations and featured the potent special effects of flames and actors spurting blood and flying via wires.

Artists reproduced images from this ghost play and others of the era for clamoring patrons who wanted a souvenir of the production and its specific actors, often identified in the prints, and to recall the stories.

Left: Tsuchigumo, from Prints of One Hundred Noh Plays (Nogaku hyakuban), Tsukioka Kogyo, woodblock print, 1922-1925 National Museum of Asian Art Right: Oiwake: Oiwa and Takuetsu, Utagawa Kuniyoshi, woodblock print, 1852 Oiwake: Oiwa and Takuetsu, no. 21, from the series Sixty-Nine Stations of the Kisokaido Road, Utagawa Kuniyoshi, woodblock print, 1852 National Museum of Asian Art

Kabuki, which originated in the Edo period, was known for its stylized performances and intricate special effects that made it a popular entertainment for broad audiences.

“Whether it was tricks on the stage in terms of trap doors, lots of props, synthetic blood, contraptions that would have characters on wires, flying through the theater—these things were obviously conveying the presence of ghosts,” Brooks says.

Productions featured “spirit flames,” or fire that indicated the presence of ghosts. “Kabuki is very overtly entertaining in terms of bombast,” Brooks says.

Thousands of prints were created and made available at surprisingly populist prices. In the 1840s, Brooks notes, someone could buy a single-sheet multicolor woodblock print for the price of a noodle lunch.

Such colorful, vivid examples rarely survive after nearly two centuries, especially the prints that involved paper flaps that lift up, meant to reflect complicated stage effects.

One such elaborate woodblock print in the exhibition, made in 1861 by Utagawa Kunisada, shows the body of Oiwa pulled to the surface with a fishing hook and, by raising the flap, the body of a second corpse, a servant whose fingernails kept growing after his death.

This trick is even more effective onstage, since both corpses were portrayed by the same actor, doing a quick costume change.

By the 1860s, the stage trick had been used for nearly 40 years, and in that decade, real water tanks were used onstage. Brooks says prints were created to commemorate the trick. The prints are rare, especially those that survived fully intact.

Ghosts had also been prominent in noh theater going back centuries and aimed at a more elite, discerning audience.

Shakkyo, from the series One Hundred No Plays, Tsukioka Kogyo, woodblock print, 1922-1927 National Museum of Asian Art

Noh started in the 14th century “but dates back much earlier to harvest rituals and entertainments at shrines and temples,” says co-curator Frank Feltens. Those rituals involved dances, chants and characters using elaborate wooden masks. Donning a mask meant “you are basically assuming not just the essence of that role—you’re becoming it,” he says. “It’s a kind of spirit transmission that happens for them.”

Noh may have died out, Feltens says, had it not been revived as a cultural currency when Japan was reinventing itself in the mid-19th century as a more modern nation-state.

The 19th-century woodblock artist Tsukioka Kogyo tapped into the growing interest in noh by not only documenting its fearsome characters, but also clearly indicating the actors beneath the masks to the point of creating behind-the-scenes images of the theater for the first time.

“This peeking behind the scenes is almost sacrilegious in a way because it takes the mythology of noh away,” Feltens says.

Noh stories may not have been as bombastic in ghostly reproductions as kabuki, but the form was instead “capturing stories of the distant past, and those stories are often associated with specific sites, specific locales scattered throughout Japan,” he says.

Those stories are told through spirits associated with the sites, and the spirits are conduits for local memory, he adds.

So why have ghosts endured in Japanese cultural traditions, and why the big revival in the Edo period?

Collector Pearl Moskowitz, who, along with her husband Seymour Moskowitz, gifted hundreds of prints to the museum, posits in the exhibition catalog that it may have been a way to reflect society in a changing time. “My guess is these tales of ghostly hauntings acted as forms of justice in a feudal society in which the authority of the ruling class was absolute,” she writes in her essay.

In such an unjust class system, “it was kind of a catharsis in watching these kinds of plays where ghosts could take vengeance in ways they weren’t able to, and get justice achieved through these revenge plots in a way that might have been very satisfying,” Brooks says. “And samurai were often villains in these stories as well, so that lent some credence to that theory.”

It’s difficult to know how many prints were made at the time, Brooks says, adding that people still make them with traditional methods, and a practitioner could make 200 in a morning.

Viewers can likely connect these images of specters to modern Japanese horror in films like 1998’s Ringu, and its English-language remake, 2002’s The Ring.

“Japanese ghosts are things that people know from Japanese horror films,” Brooks says. “So even if they’re not specialists in the subject, you can still see things that you’d recognize and be interested in.”

Originally set to open around Halloween in October 2023, the exhibition was postponed for almost six months following the discovery of a leak in a nearby stairwell.

“Even though nothing was in danger, you obviously have to have an overabundance of caution, so we took everything out,” says Brooks. “It meant the second installation went very, very fast.”

“Staging the Supernatural” will run until early October at the National Museum of Asian Art—closer to the Halloween connection it was denied last fall.

But people are encouraged to also contemplate the supernatural in the summer. “In Japan, summer is the ghost time period,” Brooks says. “People tell ghost stories in the summer because it’s hot and sweaty and humid, and they make you shiver, which makes you cold.”

— Roger Catlin | Washington, D.C. freelancer Roger Catlin has written about the arts for AARP The Magazine, The Washington Post and other outlets. He writes mostly about TV on his blog rogercatlin.com.

[wombywoo]

"smile!" 📸

[drgnflyteabox]

can't get much better

pairing: ghost / simon riley x fem reader summary: simon is forced to take some time off - he makes the most of it. tags/warnings: very soft, pregnant sex, size difference, softdom!simon- he's a masculine man who doesn't let his lady lift a finger :'), oral (f), one (1) butthole kiss, dacryphilia, daddy kink (sigh), minor minor foot stuff, allusions to injuries and chronic pain, title from an adrianne lenker song w.c: 2.5k

You try very hard not to think about it, but it's hard not to notice how massive he is.

Even shirtless, he somehow looks bigger, muscles flush with heat and exertion under the sun. He toils and breathes hard like an ox, working while you sit on the porch wrapped in his big flannel. Wearing his clothes is like being swaddled in a blanket straight out of the dryer, warm and nostalgic and syrupy with love. It leaves you feeling some type of tender. You're afraid of that feeling sometimes, of how soft it is and how soft it makes you. He could ask anything of you, and you'd yield like he was pressing his thumb into a bruised peach.

You have.

"How are you two?" Simon is so quiet when he wants to be. One would think he'd clomp like a horse with how big he is, but he can float like dust. It used to startle you, but you've been sinking deeper into the memory foam mattress of this life with him and it doesn't anymore.

"Tired, even though I'm not doing anything," you squint at him through the late afternoon sun. It haloes him like an angel.

"You're growing my baby in there, love. That's not nothing," his voice is rough, it always will be. But it's rough now like earth and soil rather than rough with pain and smoke the way he'd sounded when you met him.

You're feeling especially nostalgic, it seems, not like it's hard here. His hand is warm on your belly.

"I guess so," you let him pet you for a moment. Your stomach is swollen but not as big as it'll get, just enough to veto pants. A few months to go still. "How's your back?"

"Argh," Simon says, taking a heavy seat next to you. Dismissive and yet he groans a little when his muscles unclench. Classic.

You slowly reach up and nudge him until he's facing the field opposite to you, face toward the golden afternoon sun and his back to you. He's never asked you to do this, to take care of him, but it's your favourite thing in the world.

His back is always rock-hard no matter how many times you take your knuckles and fingers to it. Just a condition of a hard life lived for him, countless falls and impacts and pushing through injuries. There's a slight slant to his spine now that isn't there in the pictures he's shown you of his youth, but the stiffness is the same. You might've said he was born to be a soldier, had you not known him as a father. He could do both, but - you'd never say this out loud - you were privately grateful for this injury. It wouldn't take him out forever, but the recovery would be long. Long enough to get the homestead started, to get you pregnant.

Simon would never be completely still. This was compromise. Sweet compromise, a life started and time with him you could think back on the next time he shipped out. Making the most of things, he would always say. Making the time count.

"That feels good, love" he groans. Bending forward slowly, relaxing, he's like an aloof stallion finally accepting an apple from your hand. Acquiescing. Showing you his back. It's trust, and you savour it.

"I bet it does," you tease back, just a little. Your fingers are nimble and attuned to his specific aches and pains. "Are you hungry for dinner?"

"I'm hungry for something," he turns, slowly, hands reaching for your thickened waist. Huge, work-roughened hands. War-roughened hands, holding you like a delicate egg. Sometimes it feels like he's the only thing that holds you together; all your pieces, everywhere, until he's holding you.

Kissing him is a contact sport. It's his hands moving, cupping your breast and then your pussy through your panties, your own hands wrapping around his broad shoulders like he's the only thing keeping you from drowning. It's open-mouthed, breathing into each other. Impossibly, you get softer, melting like ice on a hot day. 

Before you can lean back on the bench, he stands and lifts you with him. He's still hot from the day, damp with sweat, pushing you into the house while kissing you still.

"Simon-" you start, with no goal in mind. "Please."

"I've got you, love," he murmurs. He always does. Before you know it, you're laid back onto the plush armchair in your living room. Simon knows this is the most comfortable place for your newly-aching body. Affection swells in your chest uncontrollably and comes out through your eyes leaking down your face. Sure, pregnancy makes people emotional - but you're still embarrassed, touched by how considerate he is.

"It's alright, shh," he thumbs the tears at the corner of your eyes. His cock tents his work pants, aroused by them. "Let me take care of you."

The next words he murmurs are into your cunt, right over your panties, tongue laving over the already-wet fabric. "Just need your daddy, don't you?" You clench in tandem with his words, hot all over, skin prickling. He pushes your dress up, bunching it right under your tits.

It's reminiscent of how you spent the first night with him, on the very first day you'd met. Hurried, his big head between your thighs and clothes hanging off you still while he made you fall apart.

He's fucking good at it, too. Pulls your panties to the side and builds up the pressure with which he sucks on your clit, softly and then harsher until you shake. You've been extra horny lately, always wet around him and always so swollen. The scrape of his five-o-clock shadow against the sensitive skin of your inner thigh is what tips you over, clamping his head tightly and shouting your orgasm into the heady summer air.

"That all it takes?" Simon grins, chin wet, fingers moving from your hips to your pussy to gently rub along your slit.

"Give me a second, please," it's humbling how quickly you come nowadays. Quick and intense. Fireworks.

You set your foot on his shoulder and he turns towards it, kissing your ankle. Patience is rare with him, something come about only since you confirmed your pregnancy. You miss being overwhelmed by him, miss the nights where he'd guide you over the edge one, two, three times in succession.

He pushes now, just a little, not waiting for your go-ahead but watching you intently. His fingers spread your cunt in a V and he puffs a breath on your sensitive clit. You jump. He grins again, leaning down to lick you, using one hand to hold both your legs under your knees and push them until they meet the soft bump of your belly.

"Hold them there," he says. It's spoken not to you, but to your hole, which he spears his tongue into. You obey as you're helpless to do, holding your legs up and giving him an unimpeded view. It's more than vulnerable, it's not only baring yourself to him completely but giving him the authority to do what he wants. What you need.

Simon eats you out like it's a kiss, slurping you down and letting you leak until the evidence of your weakness to him is all over you. Your legs are wet, and it drips down onto your other hole. He pushes a thumb into your cunt, dipping it in and out.

"Needed me, did'ya? Watched me all day," he's so smug, sometimes. His lips find your bare foot, kissing your sole. "Been wet like this all day?" His other hand finds the meat of your asscheek, spreading you open further, letting the split of you open to him. He leans down, kissing your inner thigh, then your other hole. You whine and clench your pussy around his thumb. 

"So needy," he murmurs, finally finally moving back to your clit. Flicks his tongue over it, something that might've been teasing before but is intense now. Your hands tighten against your legs, head thrown back.

"Oh please- Simon!" You shout again, abs drawing up, stars in your eyes. "Ahh- I'm-"

"I know, honey," his lips suction again around the hard little pebble of your clit, eating like a man starved. 

This is how he likes you. Losing control, coming apart, helplessly vocal against the onslaught of his tongue. No matter how many times you've done this, it never gets old. The release almost always makes you cry, especially intense like this. You're wet all over, face and cunt and legs. He is, too.

"You still with me, love?" He pets your flank like you're a horse.

"Yes," but that's not what he wants.

"Yes what?"

"Yes, daddy."

"Good girl," and fuck if that doesn't always fill you with warm fuzzy energy. Wipes your brain, keeps you soft and floaty.

He guides you up and out of the armchair, lifts you into his arms when your legs shake too much. That electric feeling is still coursing through you, tingles in your extremities as they come back to life.

The hand he strokes over you is half affectionate, half proprietary. You've been his since the first time he laid eyes on you.

He reminds you of it as he sets you down gently on the bed, your hair a halo around your head and hands reaching to his face where you pull him down for a kiss. Hands find his shirt, pulling it off you, and then the dress. Fingertips touch the headboard, your arms stretching up, making room for him. Slips your panties down your legs.

It's a lingering, indulgent kiss. Breathing each others air, gasping into his mouth, he puts his elbows by your head and lays as much weight down as he can without cramping your full belly. He's as vocal as you, groaning and rutting like a dog.

"Ready for me, sweet girl?" He leans out of the kiss, sitting back on his heels. You nod, desperate and pulsing between the legs again like you didn't just come twice.

"Daddy's gonna take care of you, don't you worry," he rearranges you like a doll, turning you to your side and getting between your legs. A pillow is tucked under your belly, and he tests your flexibility by holding your leg tight to the length of his body. Your hamstring burns a little with it.

A hand holds your knee, another to your waist. His jeans scrape against your sensitive skin.

You focus on little details. His scar, touching his eyebrow and splitting through his nose, ending down by his jaw. The knuckles on his fingers holding your knee, and how rough the pads of his fingers feel on your waist. This man has never had soft hands in his life. Those same hands capable of so much force, so much violence, the very same that hold you and guide you. A shepherd, you his lamb.

The weeping head of his cock kisses your hole, catching there and traveling up. He taps it against your clit until you're tensing, whining, needy again. Tears down your cheeks.

He steadies you, pets your waist, guides his cock inside and it feels like you can breathe again. His mouth laves hot kisses over your ankle, the sole of your foot again, reverent and controlling all at once. The stretch burns - it always does, and maybe always will. Simon is just so big, thick all around and the mushroom head of him could always bump your cervix if he's not careful.

He's careful now, but only just. You can sense his control fraying, his hips driving forward steadily but his thighs tensing and his grip getting meaner. This is your favourite part. Watching him sweat, breathe hard, taking his pleasure in you.

"Yeah-" he cuts himself off with a long, drawn out groan. Deep, from the bottom of his belly and out. "Already so full of me, aren't ya? Can't get full enough."

You plead with your sounds, words out of your grasp. Your hands clutch at the sheets but it isn't enough. He's solid, he's your anchor, but he's losing himself in your cunt and you're free falling.

"Play with your tits for me," he commands, pumping faster. You're reflexively tightening around him, clit jumping for attention, squeaking each time he lets himself in as deep as possible and touches the mouth of your cervix.

Sunlight slowly fades on the bed, the last golden rays escaping out the window as you're bathed in dusk. 

There's nothing to do but obey, hands finding your swollen breasts and squeezing. They've been sore and huge, like that week before you get your period only it's been a couple months. None of your bras fit anymore.

Simon appreciates it, he loves it. Has you cooking for him with your tits out, nipples peaked and pussy leaking. They bounce, now, stopped only by your hands pinching and twisting. It's insane - no one in the world could replicate the feeling. No artist, no musician. Electricity zips from your breasts down to your clit and shit - you might come just like this, untouched, just full of your man and fondling yourself.

"Fuck, I can feel you squeezing me. Fucking," he pants, leaning over you, bending your leg. "Pinching my dick, sweetheart. Your pussy's so fucking good."

The orgasm begins in your toes, tingling. Your muscles tighten, drawing up, up, towards your cunt, which is making obscene sounds around him.

Simon sees the signs, sees your eyes rolling and your body going taut. He abandons your leg in favour of rubbing your clit with two big fingers quickly, up and down.

"That's it, sweetheart, come all over my cock. Go on," his voice is a snarl, barely distinguishable as human, beastly. "Be good for daddy.”

It's like the crescendo of an orchestra, like a summer afternoon in august, like waking up without a clogged nose after being sick, it's - really fucking good. You're near sobbing, crying out his name, abandoning your tits to reach for him desperately. He meets you halfway, shuddering his own orgasm into you. The press of his hips against yours is better than buttered toast, the delicate press of his chest against yours as he lets your leg go is bliss.

"Si-imon," you slur, hands on his cheeks. He laughs and kisses your forehead.

"What's that, sweet girl?"

"I love you," you cry a little more then, feeling him pull out and lay next to you. You're boneless.

"I love you too," his arm reaches across you, pulling you into him. "Both of you." Hand on your belly again.

"That was insane," you pant. He barks a laugh against your hair. "I'm serious."

"I know you are, love," he kisses your forehead, petting your stomach. You can tell it's meaning, can feel the gratefulness behind the kiss. He's saying thank you, for staying with him, for making him a father. Your hand finds his, squeezing back a wordless reply. Of course, it says.

<3

[pomidaea]

The new summons reporting for gardening duty

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[tanked-up]

Canon.

Twitter//@soapsloverman

(permission to post granted)

[allurilove]

Yandere Ghost x you #2.

Rated 18 + — mature short content !

Includes: A continuation of very pretty and needy yandere ghost x gender neutral reader, not an established relationship— he's just delusional, one-sided pining, and he marks his territory.

Part one here !! ★ [tysm for 3k+ followers!]

Yandere ghost had slipped on a makeshift wedding ring onto your finger. He had spent days on it before hand. He made sure that it was perfect for his new beloved, and he created it out of the items he found around the house. He got the base of the ring pretty easily. In fact, he accidentally stepped onto it when he approached you in the kitchen. This invention that was bestowed onto him, apparently had been around for decades. It was called a "twist tie," and it was malleable enough for him to bend it into a circle. The ghost then found a gem stuck inside a welded trap, and after pulling it out with his teeth, and slamming it onto the counter a couple of times, the white diamond popped out. It was not too small or too big, but sparkly enough to look pretty underneath the lights. He didn't want to scare you away once you had noticed the jewelry— and the sudden stake of claim he had on you — so a white lie had to be told. To you, that ring meant a friendship between the living and the dead. To him, it meant that his soul would forever loyally be yours.

Yandere ghost appreciated the little moments of domestic bliss he had experienced with you. You came back home after a night out with your friends, and smelled like air freshener and puke. Your clothes were different from what he was used to seeing, oddly shiny, and skimpier. You snored a lot as well, your jaw lax as you heavily breathed in and out. The man next to you could see some sheen sweat on your neck, and he had an inkling that you had exerted yourself. Yandere ghosts tongue lolled out, worming its way over to your sticky skin. He tasted the salt after gently sucking, and left behind a lingering sensation. He liked to pretend that you two were honeymoon lovers-finally resting together on the bed after a lovely celebration of tying the knot. The ghost imagined that the smile on your face was because of your happy mood, and that once you had woken up from your slumber, you'll give him a big ol' kiss because that's what married couples do. You made him breakfast in the morning—even if he didn’t eat— because you didn’t want him to feel left out. After a wonderful meal, you graciously let him in the bathroom with you.

Yandere ghost had an excuse for almost everything— he was a bit of a guilt tripper. A reminder of his oh so tragic murder and the generation difference between you and him —he never understood your meme references— was enough for him to get a front row experience to you showering. Yandere ghost was lonely the moment you had previously tried to close the doors on him, but thanks to his pouty words, he can watch you rub the soap between the crevices of your intimates. The man looks at you lovingly. His body is hovering right above the closed toilet seat, his elbows resting on his knees, and his face would be in his hands. He listened to the songs you would hum, and you occasionally popped your head out of the curtain to check in on him. Yandere ghost was so pale that he nearly blended in with the steam if it wasn’t for his delicate yellow eyes.

Yandere ghost had you stuck in a trance with his titillating gaze. You couldn’t remember how he managed to slip into the shower with you, nor could you remember a rejection leaving past your lips. His slender finger caressed your warm skin, and gently tapped by your heart. “…your soul,” you heard the man whisper. The water made his silk robe stick to his body, the contours of his muscles on display. He then gestured to his still heart, looking down at you with lidded eyes, “Mine?” Yandere ghost formed his possessive nature into a softer, romantic question. Into a plead for your companionship, soul, mind and being. For a moment, you forgot you were fully nude. His eyes are locked to your face, taking in the sight of your blushed cheeks, and the gorgeous framing of your damp hair. The eye contact continued as his finger finds its way to your chest, caressing your beating heart before teasing your nipple.

“…pointy…” the man marveled to himself. His two fingers starting to pinch and slightly pull as he waits for your answer. Your soul. He wanted it. And he’s starting to think the trance wasn’t working. Though, he’s starting to think that you need more coaxing.

Maybe you needed a taste of him before fully committing for life. He slowly undoes his robe, letting it fall onto the floor with the rest of the forgotten items—like the soap you dropped. He then grabbed onto your hand, and placed it by his v-line. “…me…pointy…” yandere ghost hints at his growing cock. It’s pretty just like him, milky white with purple veins running down the shaft, and a light pink head glistening from the water.

You’re his soulmate, the only person til the end of times, who can see him like this. “…for you,” he offered himself to you, shifting his eyes down to your legs before subtly biting his lips.

“Please, love?”

Allure: It’s so cool to see my tumblr grow! I remember posting my first fic on a random whim and now here I am 😭 Thanks to all the people for sticking around and enjoying my yandere fics.

[ehlihr]

WHEN YOU DIE || OFF Animatic

here’s my silly animatic i did over yesterday and today. hope u enjoy!

[gamergenia]

inspo below

[solarwreathe]

happy 10th birthday to sock opera.

[toxooz]

a mimir💤

[mellounir]

I thought for a bit and decided that tumblr, too, deserves a spoiler of Ghost's ghoobs I'm working on rn so enjoy, folks

[drgnflyteabox]

red ochre [1]

series masterlist part one -> minium || part two -> woad and weld

pairing: viking goap x fem! nun reader summary: you become the unlikely treasure of two vikings who raid your convent looking for gold w.c: 4.3k tags/warnings: religious themes (DLDR), minor suicidal ideation, mention of viking raids (slavery, violence, death), kidnapping, threats, dubcon bathing + touching, mean simon (ish), established goap, reader is underfed and beaten in the convent (corporal punishment), difficult travel, some food description

Near the coast the wind scratches at you when it blows, full of sand and salt.

Once, you'd imagined this as your calling; committed to asceticism, married to God, serving under the abbess. Enclosed, you find yourself stifled more than devoted, pressing your face to the stone barrier that blocks the convent from the outside world.

Isolation, never being quite full, the slow and steady stripping of your identity. This is your life - hollowed out, like meat sucked from a crab, cracked open and used and hollow.

You couldn't have predicted Christ to be such an inconsiderate husband.

"Girl!" the voice is the crack of a whip in empty air. You don't jump, but the hair on your body raises, the welts on your thighs sting.

"Yes, mother?" you put your chin down to your chest, turning, pressing your back to the wall. Demure, submissive, utterly devoid of fight. And still, her grip finds you hard as iron and rough as the rock you'd just been touching, pulling you hard enough to make your shoulder ache back toward the heavy wood doors of the dormitory.

"You shirk your duties again, child? Leave your sisters to pick up your slack?" you didn't mean to, truly. It's only that you ache so deeply you're afraid you might never recover from the feeling.

"Please forgive me, mother, I lost track of time," you murmur. Your uniform is damp from the spray outside, and you relish in the scent and feel of it. Freedom, that's what it is. "Allow me to make up for-"

"Hush!" spit touches your cheek. You don't wipe it away. "You'll finish the tapestry tonight. No matter how long it takes you."

Desperately, you wish for God to strike you down. If you're there, father. You close your eyes. Please, please kill me now.

He doesn't listen, and the abbess pushes you to supper.

Dark bread, boiled turnips, fish and wine. Average, filling, but you'd hoped for more of the crumbly white cheese from yesterdays supper.

You know not to complain. And truly, you are grateful. With your family, it had been gruel upon gruel, often bear, and rarely flavour. Salt kisses your tongue now, and the wine makes your sore muscles relax.

The monks have it harder; you'd visited them once as a girl with your father to pray, but there was still labour to be done here. Cooking was often your job, as was doing the washing and the tilling for the vegetable garden.

Today sister Colette had assigned you weaving so that you wouldn't be out of practice. The muscles in your back and fingers ached from it already, and dread made your stomach sour to the food you ate at the thought of more work.

Mealtimes were quiet, as required. The other women eat mousily, looking down at their plates and pulling their food apart into small little bites, trying to make it last. Obedience, poverty. How silly it was now that you'd dreamed of this.

"Sister?" a whisper, next to you. Margaret was almost a friend, too pious to really confide in but so kind it was impossible to ignore her. "What were you doing?"

"I felt compelled," you shrug, lips oily from the fish. "I felt confined."

"Oh sister," Margaret pushes her bottom lip out, dark eyebrows pulling up. "You should never feel confined here."

You knew, and yet you did. It was like living in a stone coffin. All the work felt pointless since your heart had strayed from God. Even now, touching Margaret's elbow to comfort her in her worry for you, you're sick to death of even clearing plates.

There was one secret they hadn't found. None of the sisters, not even the abbess, had found your secret booklet.

Paper was more valuable than gold since the church needed so much to copy and produce texts. The writing room at the very top of the convent, where you were so seldomly asked, was full of it and guarded by lock and key.

Over months, you'd scrounged, stealing enough to make a booklet. In it, you felt sustained. Free. Titillated, sometimes, when your hand found its way beneath your soft worn blanket under your shift and you drew indecent drawings of men coming to save you. Of the farmboys from your village.

They were nothing like real art, not so detailed, but they lit inside you a spark of life. Without them, you'd be snuffed out.

Candles line the hallway toward the workroom, where you'll likely spend the rest of the night. It's near the very entrance of the convent, so that visitors may see the sisters hard at work and find reason to donate.

Really, it's a temptation. Those massive doors, ready to open and let you free.

But what could you do, really? If God were a kind man and Christ a good husband, they'd turn you into a horse so that you might run, might feel your hooves beating the earth and the coarse air on your skin.

Regrettably human, you sit to work on the tapestry. Curse the abbess and let the holy father hear your thoughts. This is worse than hell, you think. Your fingers cramp and the chair is hard, flat wood. It's made to be uncomfortable on purpose, everything is. After you finish you only have a thin mattress to look forward to, even thoughts of drawing hunky carpenters doesn't draw you out of the misery that is embroidery in the dark.

Is this string strong enough to hold you, should you hang yourself? You're being dramatic, but you feel you've earned the right.

Footsteps walk down the hall towards you. They're sure, heavy. Maybe sister Catharine, tall and splendid, is coming to release you from torment?

"Hello," you say jovially. Please be sister Catharine.

"Look what we've got here, Ghost," it's a male voice. You freeze. The accent is unfamiliar. Had you missed the visit of a monk, an abbot, a priest? "Darlin' little lass, all by herself."

Shivers overtake you. It hurts to straighten from your hunched position, but you have to do it to see properly.

You come face to face with a skull, towering over you from the doorway.

A scream builds, filling your chest, hanging off the tip of your tongue.

Stopped only by the glint of candlelight against a blade, and the quickness of the another man reaching you.

You shake, all sound stuck in your throat, feeling arms as strong as petrified wood circle your arms and pull you toward the door. The pressure, the scrape of rock against your feet, it's unreal and barely registered against the terror that builds when you look to your left and see the skull, sewn into cloth, with the soft clank of bones hanging from his waist.

His eyes find yours, dead and mellow in the eyesockets, piercing through you. Blood rushes through your ears, deafening you, until you leave the room and reality sets in.

Devils, come to sack the convent.

Who will likely kill you and all your sisters. Even the abbess, with her punishment cane and severe face, doesn't deserve that.

You shriek, finding your voice, twisting like a cat in a bag. Their hands tighten against you, growling orders at you to be still, girl.

It's then that you hear the cries, the crashes. Sounds of chaos, a cacophony of harsh voices and the search of the convent. Some of the women weep, some pray, you scream.

"Hey!" Skull snaps, shaking you hard. "Behave and we won't kill you." You comprehend that, but the animal urge to struggle for your life still has a grip on you.

The other man twists towards you, lips snarling. "Ye want to die, then? I'm not opposed to slitting ye open throat to cunt, if that's what ye prefer."

You still, sag, mouth turning downwards in misery. Sweat sticks to your skin, from fear and exertion.

"Good girl," Skull says.

The nuns have been crowded back into the dining room, cowed and cowering, trembling lambs against the storm of awful armoured men ravaging the sanctity of the space.

Some have already found gold, crosses and busts of saints and reliquaries. The abbess weeps to see the bust of Mother Mary, thrown so roughly to the ground that baby Jesus snaps off.

You watch it all happening, eyes wide, shaking despite yourself. Adrenaline makes your legs cramp in their position, curled, back to back with another sister.

"Cap," a younger man runs up, hands full with an ornate chest. "What'cha think of this one?"

"Lookit this one," the man from earlier is giddy, slapping the young one on the back. He holds St Augustine, gilded in gold and jewels. "Not too shabby, eh, Gaz?"

"Not too shabby at all," Gaz grins back at him, turning towards the third man.

"Good job, boys," he says. He's mustached, tall, steadier and calmer than the rest. A leader, clearly.

It smells of smoke, or blood, but you can't see anyone bleeding.

Maybe that's their natural scent, violence clinging to them cloying like they'd bathed in it before coming.

"Soap," Gaz calls. He's run through the library, tossing shelves to the ground, taking one or two books. Walked through the dormitories, throwing open the chests at the ends of each bed. "Take a look at this one!"

A little booklet. Your booklet, tiny in the hand of the devil.

Anxiety crawls up your spine. There's no way they'd know it was yours, but you're still afraid of another kind of raiding, should they discover your sin.

The men laugh, looking with hungry eyes, glinting, mouths stretched and wet.

Look at the ground, be quiet, be still. You want to survive, you want to draw again and feel the air against your skin. You're scared of these men, huge and muscled as they are.

They wear furs, leather, clinking chainmail, wrapped shoes. Weapons hang by their sides and are clutched firmly in hands, though no nuns nor abbesses have been harmed.

Yet.

"Gold ain't the only treasure, eh?" Soap looks down at you while others use pillowcases for bags, stuffing their bounty inside with loud clangs.

His foot nudges your thigh, and you shift away as much as possible, still looking away, still scared.

Skull comes back. Soap calls him over and calls him Ghost, so you switch the name in your head.

Ghost is big, but he glides through the air.

"See that, Ghost?" Soap nudges him, the way he nudged you. Eyes crazed.

"Mm," Ghost grunts. He hasn't looted, not like the others. Just walked through the halls and gathered one or two other stray nuns shuddering in various corners. "You want 'er?"

You blanch, breath leaving you.

"Can we?" He looks back at you and leans down, thick fingers finding your chin, tilting your face up. "Pretty little hen, so scared, aren't ye?"

"Take 'er."

With Ghosts permission, Soap moves his fingers from your face to the meat of your arms, dragging you up, using your stupor to help him.

"Dinnae worry, hen, we'll take good care of ye," it's not reassuring. You think you feel your knees hitting each other from the force of your shaking. "Awe, don't cry."

Two rivers have sprouted form your eyes, tracking searing hot salt down your cheeks, hands twisting in your habit.

The men regroup. You were right about the mustached man being a leader, and learn his name is Price. He commands them like any armyman you've ever seen, clearly holds a lot of authority.

You're the only nun that's a part of the spoils.

The only one tied with coarse rope around the wrists, chafing, tossed between Soap and Gaz through the convent until you reach those big wooden doors.

Those doors you'd dreamed about opening, those doors that you dread opening now.

"Keep walking," Gaz says. He's mellower than the others, but you'd be a fool to underestimate him.

Or ask him for help.

Reality hasn't set. You're in purgatory, stumbling across the wet grass in just wool socks, growing wetter by the minute from mist and dew. The men hoot and cheer and clank their gold, throwing fists and weapons in the air.

A bloodless victory, unless they change their mind and decide to kill you.

Soap jumps, accidentally pulling you forward in a jerk that brings you to your knees. The tears come back, and the pebbles nearing the beach digging into your knees makes you sob.

"Careful!" Ghost barks. Behind you, he reaches under your armpits and helps you up. His hands are still rough, but he lets go of you quickly to yank the rope out of Soaps hands. It doesn't help that it's still near-pitch outside, not yet morning, hard to see.

"Ach," he rubs a hand behind his head, watching you cry and walk like a deadwoman. "Got a little over-excited, darlin. Forgive me."

"I'll be better to ye, don't worry," he falls in beside you, using a knuckle to brush away your tears.

When you reach the beach, you see a few boats, supplies, but that's all. No camp, nowhere to sleep. Did they jump straight from the boats, marching up the hill to the convent to pillage?

God, they're so big. Warriors. Why just you?

"Right," Price calls them to attention. You're stuck next to Ghost, sniffling, shivering a little, praying mentally for the first time in a long time. Dear God, please help me, please strike these men dead and let me run back up the hill.

You miss what Price says, whispering under your breath with your eyes closed and palms together until Ghost puts his hand on your shoulder and pushes you forward again.

"Walk, then get on the boat," his voice is a growl.

"Dinnae worry," Soap chips in. "We brought meat."

They did - dried fish hangs like your laundry across each boats. The gold is loaded alongside you, stuffed to one side, and you're left trying to avoid the men tossing things in your direction.

Ghost ties your wrists to a wooden loop on the side of the boat.

It was built for this. For prisoners, slaves, taken in conquest.

"Ready?"

"Ready!"

Price shouts, the men answer. It's loud, a cacophony of voices and waves and the scrape of the boat against the sand.

You're going, going, gone. Floating. Adrift. Tied to the side of a viking ship with nothing but your thick, woolen habit and woolen socks. At least they provide some warmth, the air colder over the water.

Eyes look you up and down, not just from the two that took you. Gaz smiles to himself and punches Soap in the thigh, then they play wrestle.

You wonder what will happen to you- are you being taken as a slave? A prize?

The positive side to your time spend as a nun is that you know how to work, and you know that if something awful happens, you could find a way to meet God early and put yourself down.

Blood rushes in your ears again.

You register from somewhere outside of yourself that you're panicking again, caught wanting to run and having nowhere to do it. Tied down.

A hand touches your nape, and you turn with wild eyes and desperation all over your face to Ghost.

"Take a breath," he says, low enough that only you hear it, firm and commanding. "In and out, girl. Do it."

You do, if only to save yourself passing out. In and out, in and out, you breathe.

"That's it," he leans down, brown eyes finding yours. The skull is bleached yellow, old, but you try to ignore it. "You're alright."

"No I'm not," you shock the both of you by speaking, voice high and wavering. "I'm not, you're going to kill me or worse-"

"You think we'd take you just to kill you?"

"You're a heathen, aren't you?" you gasp again, wiping your face on the fabric of your sleeves. "Sister Catharine says heathens sacrifice virgins. Please don't."

He startles you by laughing, a ragged thing ripped from his chest.

"Not gonna sacrifice you, lamb," his hand squeeze your nape, his thumb rubbing the edge of your jaw where he can reach. "Gonna be a long journey, you'd better settle now."

It's hell. You were mistaken before, and you'd do anything now to go back to embroidery. You'd let the abbess cane you bloody, you'd kneel and pray with the passion of Christ himself if it meant you could come off the boat.

The boat, the men. The godforsaken fish, too-salty, not much better than the biscuits Soap insists on feeding you by hand.

"Your hands are tied, pretty lamb, how are ye gonna feed yourself?" He breaks it up, wiping crumbs from your cheeks.

You hope Ghost will step in, but he doesn't. He watches, a specter, still wearing that mask on his face. You wonder if it's because of you, or if he's just like that. Private, hidden. Intimidating.

"Open wide," Soap seems fond of holding your face, squishing your cheeks and puckering your lips. He's extra zealous since catching a sea-bird, keen on making you taste it.

The thought makes your stomach roil, despite being sick of the fish and biscuits. You turn your face, trying to avoid him, whimpering when he squeezes a little too hard.

"Come on, hen," he leans closer. "Fresh meat is good, no?"

"Johnny", Ghost saves you again, finally. Pulls on Johnny's shirt until he's sitting back on his heels. "Let her be."

"Awe, just wanna giv'er my catch, Si," if a heathenish, kidnapping devil could whine and pout like a child, it would look like this.

Horrific, is what it is. You tuck your face into your elbow and close your eyes.

You've been doing that most of the journey, closing your eyes and breathing deeply like Ghost taught you. Or Simon, what you've heard Johnny calling him.

Dread sneaks in every once in a while, wakes you up from fitful sleeps or seizes your ability to speak. Nobody else has spoken to you, not even Gaz who keeps glancing at you. Nobody but Simon and Johnny.

"Here," Simon says. You look up.

In his hand, an apple. Your eyes go wide, prickling, and you look even further up to him.

His eyes reveal nothing. Brown, flat.

"For me?" you ask.

"You see me offering it to anyone else?" from the corner of your eye, Soap is staring at you, smiling.

"I can have it?" an apple. You could dance. Days and days of travel after living in the same town and then the same convent to taken by force on a boar. An apple.

"Take it before I give it to Johnny," he grunts.

Suddenly, you feel a kinship with Eve.

Seasickness luckily doesn't affect you, and the melancholy is kept at bay by the apple. You think of it when you think you can't take anymore, remembering it's sweetness.

Simon becomes the safest person, and often if you feel scared your eyes find him.

When a minor storm rocks the boat, pelting rain, waves beating against the front, you tuck yourself close to his side and let Johnny take your hands into his.

Too easy to lean into them, to accept Johnny wiping your face gently with a cloth and eat fresh fish from Simons fingers. You're exhausted, and Simon doesn't push.

He just remains steadfast against chaos, even when Johnny fights with another one of the men and he has to pull them apart by their shirts.

"Si'down!" he barks, the loudest you've ever heard him. It makes you flinch, hiding again, until he sits heavily down beside you and you scoot as close as possible again.

"Not the smartest, are you?" he looks down. That hurts. You're just scared, is all. "Doesn't matter who's there, you'd cling right to them, wouldn't you?"

No, you want to say. But you just hide your face in your arms and cry again. You want to tell him the apple was special, that you know nobody else has one or got one, but you don't.

Your heart beats hard against your ribcage, that dread coming back again, feeling heavy and small under the weight of your predicament and his judgment.

"He didnae mean it," Johnny croons. He strokes your hair away from your face, thumbs finding your tense brows and smoothing them out. "We know you're a good girl. S'why we took ye."

You sniffle. The rocking of the boat has become both maddening and soothing.

You wonder when this journey will end.

Your clothes are stiff with salt, wetted and dried and re-wetted. Your skin itches, wrists burning, welts unhealed from before when the abbess has caught you sneaking mead.

She had accused you of indulgence, of trying to get drunk. Truthfully, you'd just liked the taste of honey and missed it.

Nuns didn't eat honey, at least not there. Cheese and wine were already over the top, God forbid anyone ate anything sweet. That's why you loved the apple, had held each bite long on your tongue, letting the sugars sit there a moment to savor them.

"Hey," someone nudges you, bringing you out of your half-sleep. Easier to be less conscious, less aware, trying not to feel your anguish and your physical pain. "Come on, get up. We're here."

"Hmm?" You're so tired, hissing and whimpering when your wrists are jostled.

Untied. They're being untired. Your head lifts too quickly, making you dizzy. Gaz is squatting in front of you, holding your leash.

"You awake?" he squints, tilting his head. "You look rough, sorry 'bout that. You good to stand?"

Too many questions. You're forced to lean on him heavily to try to stand. He's as solid as the others, just leaner. Kinder, honestly, as he mostly carries you off the longboat.

Muscles like a new foal, you take a seat on the soft wet sand and slump onto a crate. It's a struggle to walk on solid ground.

Men move around you, dumping and lifting and talking. Less excited than the last time they were on the beach, but there's still a buzz aflutter.

"Can I bring'er up?" Johnny is looking at you, his hand on Simon's forearm. Their affection is the quiet kind, something you only noticed the last couple days of the journey. Small touches, murmurs.

"Go ahead," Simon touches him back, moving towards Price when Johnny comes towards you.

"Awe, lamb," he coos, hauling you up with an arm around his shoulder. His other arm goes to hold your waist, squeezing. "Dinnae worry, I'll get ye in a bath soon 'nough."

He's not lying - after a painful, difficult walk, you make it to a wooden cabin. Looking around, there are a few of similar make, a little town.

"Go on in then, sweet hen," he pushes you just enough for you to shuffle your feet in the door.

Modest wooden furniture greets you, a one-room house with a large bed, fireplace, and table. The rest is beyond you once you spot the tub.

"Sit, let me get it ready for ye."

You nearly fall asleep, or maybe you do, because when you open your eyes Johnny has steaming water filled to halfway in the tub, wooden slats fragrant. He's crumbling a dried flower in as well, humming to himself.

"Alright, s'ready," he helps you up again. Modesty is forgotten, you're too tired and weary to care when he slips the woolen habit off and leaves you in a plain shift, finally untying your wrists. "Pretty girl." He says it under his breath, like he can't help it.

The water is better than the apple. You hiss when it touches your wounds, your sore muscles.

You're tired to your marrow, could weep about it, eyes still opening and closing. Around you, Johnny searches through various bags and chests until he finds a bar of soap.

The soap is better than the water.

"Feels good?" he whispers, dipping his hands in and lathering up. How he's up and about, you have no idea. Even his hands near your bare breasts don't phase you - that's how wiped you are.

"S'good," you mumble. "Thought I ws'gonna die."

"We wouldn't've let that happen, sweet girl. Too precious, our treasure," a kiss, on your shoulder. He rubs the soap on your skin, your arms and down to your fingers, washing them each one by one.

"N'ver want to do that again," and then, because you forget he's your captor. "Please."

The attention is soft, patient. The soap washes away salt and dirt and sweat, even tears when he wipes your face with a rag. This is a second baptism, a better one, with gentle hands massaging your scalp and the barest brush against your nipples.

"Sit up," he pushes you forward, rinses your hair, washes your back while you're there.

The rag swipes over your cunt when he gets there, once, twice, eyes boring into you. Your exhaustion mutes the squeeze of anxiety in your chest, closing your eyes to avoid his gaze.

"Right, all done," he helps you back out and into a long, thin shift.

The bed is soft, so soft, covered in furs and actually stuffed enough to cradle your body. You sink into it immediately, just barely registering the door opening again.

"She asleep?" It's Simon, carrying luggage.

"Aye," Johnny says. You hear them kiss, wondering if they think you're asleep. "Anything else?"

"No," he's gruff, to-the-point. Drops bags in the corner with a clank and a chest by the door with a thud. "She give you trouble?"

"Sweet as a lamb, our girl," he sounds proud.

You open your eyes, one last attempt at self-preservation, and see them looking down at you.

Simon swipes a thumb over your cheek, under your eye, still wearing the skull.

"It's alright, go to sleep," he murmurs. Johnny leans his head on Simons shoulder. "Perfect girl, knew we did good takin' you."

[gomzdrawfr]

[content warning:MCD, afterlife]

Back in your arms

[moondirti]

simon forcing your jaw unhinged and hooking two thick, salty fingers behind your molars to keep your mouth open, thumb pressing up on your top row of teeth. warns bite n and i’ll pluck em out, all low and coarse, voice deeper than it usually is. to be expected for the hour.

your body’s wedged between the bathroom countertop and his heavy body, struggling for air as his stomach crushes into your sternum. he’s in only his boxers — the usual sleep attire. you’re in nothing at all; though you’re given an old shirt to wear overnight, he insists you take it off for this part of your routine. doesn’t want it to get messy, he says. what you know is that he prefers to feel your bare tits heaving against him, nipples caught in the steel wool coils of his chest hair. as good as dead, like little flies in a spider trap.

the sun’s barely up. through the open door, pale blue light douses the bathroom in a similar hue. your eyes water, and the image blurs to one of wet dawn and the shadow he casts above you. you see his free hand working something, hear the run of tap water, smell the minty fresh dollop of toothpaste before it hits your teeth. the tears slip down your cheeks, and he comes into focus again. focused. cruel. face more scar tissue than flesh. the one that runs through his upper lip gives the impression that he’s always sneering, but you can glean what he looks like amused by now. his eyes are too narrow to be anything else.

brushing your teeth for you. considerate. he works in fast, rough circles. brutally efficient. there’s a metallic aftertaste to the bristles he runs along your gums. you must be bleeding. it’s harder to breath with the intrusion in your mouth. you spread your legs wider, giving his body more space to move. perhaps naively hoping it would be away from you. he only carves in closer.

there’s a hot mass pressing into your inner thigh now. simon makes sure to get the back of your mouth, polishing around your molars. he must be really into it; what, with the way his hips match the rhythm. grinding into your leg at the same tempo he cleans the backs of your teeth with. you’re like a little rag doll to his whims, manhandled by the hand anchored in your mouth. it pulls your body closer, tilts your head up higher.

your neck aches. there’s a ringing in your head. one of your hands acts against your will, clamping around his sturdy wrist for purchase. his erection has pushed up closer to your cunt. it’s mortifying when you’re shoved up on top of the counter to discover you’re radiating heat and slick — an especially stark reality as you press down onto the cool granite surface. inadvertently, you lean into him. a gurgled whimper escapes you. as if to exaggerate the sound, simon grabs the tip of your tongue and drags it out of your mouth.

it’s not at all necessary to brush your tongue the way he does. with as much aggression. your clit catches the mound in his boxers the same time the brush strokes the back of your throat, and a messy gag sends tributaries of watery toothpaste down your chin. you’re moaning like the whore he insists you are now; holding onto him like you were the one to stick out your tongue.

it doesn’t get easier to withstand the rough sweeps of the toothbrush, now clutched in a tense fist — you gag and spit and cry and make a mess all over, just like he said you would. but the cock humping into your similarly weeping pussy helps just a little bit. you must soak through the cotton of his underwear with how good it feels, grinding your hips up and down all over his length. the waistband rolls down with the motions, and you catch the gleam of your juices matting his happy trail in the low light. your eyes roll to the back of your head. you tuck your nails into the flesh of his forearm. he brushes your tongue until there’s more toothpaste running over your lips and down your neck than there is in your mouth.

you convulse in his arms until you’vs wrung the last dregs of your orgasm from your frame. simon hardly waits for you to finish, collecting your hair to pivot you over the sink basin.

spit. rinse out. he wipes the front of your mouth off with a towel, then runs a thumb over your canine to check if it squeaks. your lashes feel crusty with the dried remnants of your tears. it hardly matters when he bends down to tuck your face in his shoulder, lifting you off your feet. the bruising pinch he gives your ass meant to mean: we ain’t finished.

[tanked-up]

Price’s boys