#Ilia Gorovitz
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https://www.facebook.com/events/5818577071567634 Multiversal #127 on 21.03 at 19:00 at Villa Kuriosum with P≡B l0r3tt4 - Voice, electronics Ilia Gorovitz - Drums, electronics https://www.instagram.com/p/Cm6Ya9ltcJn/?igshid=YmMyMTA2M2Y%3D ELSTERN https://elstern.bandcamp.com/ SOAP TONGUES Samuel Hall - Drums, electronics Lorena Izquierdo - Voice, performance https://samuelhall.bandcamp.com/album/live-loophole-berlin-2019 VANDEWEYER x KÜRVERS Els Vandeweyer - Trash guitar Klaus Kürvers - D. Bass SANCHEZ x TAVIL Paula Sanchez - Cello Utku Tavil - Drums https://mme-sanchez.bandcamp.com/ http://soundcloud.com/utkutavil
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MATTHIAS KOOLE AND MAT POGO AT DISSIDENTS LX
2024/06/27 Dissidents LX - celebration! KOOLE / POGO DÖRNER / IZQUIERDO ELLEEFFEZETA / GOROVITZ / SALVO GROWTHRINGS / LIENHARD DMITD / KABRA / MARKVART Pas Berlin - DE
Thursday June the 27th at PAS in Berlin Matthias Koole and Mat Pogo will perform again as a duo for the 60th chapter of the Dissidents series curated by Lorena Izquierdo. Other amazing four sets in the line up Petersburg Art Space - PAS e.V. is a non-profit organization. A creative space for art, culture and experiment on Spree. It’s open for different projects in the fields of art, architecture, dance, theatre, film and music. PAS Kaiserin-Augusta-Allee 101, Berlin, Germany
DISSIDENTS LX - celebration!
Mat Pogo, voice, electronics Matthias Koole, guitar
Axel Dörner, trumpet Lorena Izquierdo, voice action
Ilia Gorovitz, drums Sofia Salvo, baritone sax Giorgio Elleeffezeta, voice and electronics
growthrings x Pablo Lienhard voice and electronics
Alexander Markvart, feedback guitar, objects Daria Kabra, voice, electronics Dmitd, electronics
Entrance in the courtyard, Aufgang II, 1OG Doors 19:00 fb event
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Sa. 20.01.2024 TRXXTR
A special one-nighter of experimentation, noise and bass, fresh musical encounters, and cross-fade music, featuring:
FOREST GIMP → no pop no style → https://www.mixcloud.com/ilia-gorovitz
LFZ & KS & SHA_M → vocal feedbacks from rotten guts → soundcloud.com/m_oo → https://kazehitoseki.com/ → www.munsha.it
TRAS → abstract improv electroacoustics drum voice noise → https://archive.org/details/teresariemannasjaskrinik
SIREN ORCHESTRA → An out-of-context ensemble for Dub Sirens and FX – interpreting an experimental score by Munsha → Premiere
ELVIN FRIDGE! → .if
CAEDES & EINEMILLION → exLEpäng! → genre-free dj excursion → https://soundcloud.com/exlepaeng → https://soundcloud.com/caedes → https://hearthis.at/einemillion
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Berlin 17.08 thu 20h-01h(ish) KvU Kirche von Unten, Storkowerstr 119 Last Minute Party Situation w/ Live: JD Zazie x Kido Gohn cdjs, e. bass, fx, voice https://jdzazie.tumblr.com/me https://guidokohn.wixsite.com/website Horacio Pollard electronics, voice https://horaciopollard.bandcamp.com/
Threaded Dreams no-input mixer https://romainbertheau.com/ Corazón de Robota diy electronics https://corazonderobota.wordpress.com/ Supernintendo Archundia electronics, keytar, voice https://supernintendoarchundia.bandcamp.com/
Bourgeois Nudists' Sweet Uppers drums, electronics, voice https://bnsu.bandcamp.com
Selectors: Cate Hops https://soundcloud.com/cate_hops Ilia G https://www.mixcloud.com/ilia-gorovitz/ FB Event: https://www.facebook.com/events/725647076066455
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6th Floor Orchestra - Cuerdas de Bruja
(Alternate Eibon Video)
#6th Floor Orchestra#Psychopop#Angel Dust#Ilia Gorovitz#Horror#Witchcraft#Cult#Film#Giallo#Eibon Celaeno#Collage
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Dust Volume 6, Number 13
Trees
It’s four in the afternoon and already getting dark, a foot of snow on the way. One year is nearly over — and yes, we’ve got some essays on that coming up after the holiday break — and another one is taking shape in our inboxes, mail chutes and hard drives. But for right now, let’s take another look at 2020, doubling back on the records that caught our ears without exactly fitting our schedules, the ones that almost got away. Here are the usual free improvisations and long drones, hip hop upstarts and cowpunk also-rans, a harpist, a cellist, a tabletop guitarist and at least one stellar punk record that has us hoping for sweaty live music again in 2021. Contributors this time included Bill Meyer, Bryon Hayes, Andrew Forrell, Patrick Masterson, Jennifer Kelly, Jonathan Shaw, Arthur Krumins, Ian Mathers and Ray Garraty, heck let’s call it a quorum, and see you again in the New Year.
Mac Blackout — Love Profess (Trouble In Mind)
Love Profess by Mac Blackout
Mac Blackout owes his surname to his membership in the Functional Blackouts. That’s a garage combo that was once the subject of an article about how they’d been banned from various venues on account of the destructive chaos of their live performances. But you can’t do that forever, and nowadays Mac’s a painter and solo recording artist. His latest sounds are unlikely to make anyone want to put a chair into the mirror behind the bar, but they might send you flipping through your record collection, looking for the sounds that you and he have in common. Love Profess opens with a burst of piano-pounding, sax-overblowing free jazz, but that lasts for about nine seconds before it gets swallowed by some John Bender-worthy synth throb. Give “Wandering Spheres” a couple more minutes, and Mr. Blackout goes full La Dusseldorf on us. By turns spacy, spooky and seriously compelled to vent nocturnal loneliness, this half-hour long LP is both as familiar and as unknown as a well-shuffled deck of cards.
Bill Meyer
Ross Birdwise — Perfect Failures (Never Anything)
Perfect Failures by Ross Birdwise
Vancouver-based electronic improviser Ross Birdwise rails against spatio-temporal norms. The concepts of tempo and rhythm are malleable in his universe. Architecturally, Birdwise is Antoni Gaudí, working in fluid lines to build incomprehensible structures. With Perfect Failures, he leaps even further away from the orthogonal grid of musical construction, dissolving beats into grains of sound. The warped rhythms found on Frame Drag are divested in favor of an approach that more resembles electroacoustic composition. As a matter of fact, the title track comes on like a digital recreation of a piece of classic musique concrète. Birdwise avoids venturing into purely ambient territory yet borrows some signifiers from the genre: keyboard melodies, elongated tones, washes of sound. He overlays these seemingly innocuous elements with crashes of noise, oblique jump cuts and hyperkinetic sequences, constantly forcing us to shift focus to make sense of his soundscapes. The febrile nature of the music is what intoxicates, but the discordant melodies are what enthrall.
Bryon Hayes
C_G — C_G (edelfaul recordings)
C_G by C_G
Belgium-based French electronic artist Eduardo Ribuyo (C_C) and Israeli drummer Ilia Gorovitz (Stumpf) join forces on C_G, a one-take collaboration of molecular machine noise and improvised percussion. It opens as a slow creep, Gorovitz playing minimal rhythms that sound like someone walking through the pre-dawn streets of an awakening city. Ribuyo accretes whirrs, cracks and electrical pops to evoke the dread of a night not over. On “Normalising Cruelty,” for instance, the discomfort builds, the drums tumble in flight, the noise intensifies. The relative conventionality of the percussion tracks seems intentional and serves to focus attention on the granular details Ribuyo conjures from his machines. Think the experiments of similarly minded Mille Plateaux and Raster Norton artists. When played through headphones at volume, its full queasy Room 101 buzz and grind squirms most effectively into the brain. Easy listening this is not, but if and when home gatherings resume this would be an ideal way to clear the house.
Andrew Forell
Che Noir — After 12 EP (TCF Music Group)
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If you’ve been paying attention to hip-hop in the last few years, Buffalo’s Griselda camp has dominated the “old heads” conversation away from whatever the kids are vibing to on TikTok. But there’s life away from an Eminem partnership, and not just in the form of Benny the Butcher: Witness Che Noir, who has been on fire throughout 2020. After starting off the year with the 38 Spesh-produced Juno and following it up with the Apollo Brown-produced As God Intended, Che’s closing things out with this self-produced seven-song EP that covers a wide range of territory without dipping into tales of street hustling, just the age old struggle to get some respect. “Hunger Games” is an early highlight that shows her chemistry with Ransom and 38 Spesh, while she completely takes over in speaking to the times on “Moment in the Sun,” which is the clear emotional highlight of the EP. Amber Simone’s pleading chorus on closer “Grace” is another stylistic turn and closes things on a high note. The last words you hear are Simone’s as she sings, “Imma go get it”; the lingering effect is that you know Che Noir is already showing you as much. Miss this one at your own risk.
Patrick Masterson
Cong Josie — “Leather Whip” b/w “Maxine” (It Records)
Leather Whip / Maxine (AA single) by Cong Josie
Frankie Teardrop rides again in this smoking synth punk single from Australia’s Cong Josie. “Leather Whip” is about as menacing and minimal as synthesizer music gets, braced by the hard slap of gate-reverbed drums and a claw-picked bass sound (maybe electronic?) and Cong Josie’s whispery insinuations. “Maxine” is just as stripped, with blotchy bass sound and swishing drum machine rhythms framing a haunted rockabilly love song. It’s very Suicide, but isn’t that a good thing?
Jennifer Kelly
Divine Horsemen — Live 1985-1987 (Feeding Tube)
Divine Horsemen “Live”1985-1987 by Divine Horsemen
With Divine Horsemen, Chris D of the Flesh Eaters had a brief but memorable run in vivid, gothic, country-tinged punk. This disc commemorates two red-hot live outings from 1985 and 1987, the first at Safari Sam’s in Huntington Beach, California, the second at Boston’s The Rat. A sharply realized recording shows how this band’s sound fit into the cowpunk parameters set by X, with strident guitar clangor and hard knocking rock rhythms (the ax-heavy line-up featured in this recording included Wayne James, Marshall Rohner and Peter Andrus on guitars, the Flesh Eater’s Robyn Jameson on bass). The secret weapon, though, was the ongoing and volatile vocal duel between the front man and his then-wife Julie Christensen, a classically trained soprano with an unholy vibrato-laced belt. You can hear how she transformed his art by comparing the Flesh Eater’s version of “Poison Arrow” with the one here. It’s as aggressive as ever, musically, and Chris D. is in full florid, echoey, goth-punk mode. Christensen, however, is molten fire, letting loose cascades and flurries of wild vibrating song. There’s a scorching, stomping romp through the vamping “Hell’s Belle,” and a lurid rendering of mad, howling “Frankie Silver,” and, towards the end, a muscular take on the Stones’ “Gimme Shelter.” Christensen later made a mark as one of Leonard Cohen’s favorite backup singers, and Chris D is still knocking around with a reunited, all-star Flesh Eaters, though there’s some talk of getting this band back together as well. I’d go.
Jennifer Kelly
Dezron Douglas & Brandee Younger — Force Majeure (International Anthem)
Force Majeure by Dezron Douglas & Brandee Younger
Harlem harpist Brandee Younger and bassist Dezron Douglas faced down New York’s early months of quarantine with a series of live broadcasts recorded in their apartment on a single microphone. This document of intimate resilience collects highlights of the Friday ritual. Younger and Douglas perform covers of spiritual Jazz, soul and pop songs as well as the delightfully titled original “Toilet Paper Romance.” The music is so close you feel the fingers on the strings and frets. Younger’s harp playing is a revelation, pianistic on John Coltrane’s “Equinox”, pointillist yet robust on his “Wise One” which they dedicate to Ahmaud Arbery. Douglas provides vigorous and sympathetic accompaniment and his solo rendition of Sting’s “Inshallah” is a tender tough exploration of his instrument. Along the way there are lovely versions of pieces by, amongst others, Alice Coltrane, Kate Bush and Clifton Davis. Douglas closes with the words “Black music cannot be recreated it can only be expressed” and Force Majeure demonstrates that the same goes for humanity and creativity.
Andrew Forell
Avalon Emerson — 040 12” (AD 93)
040 by Avalon Emerson
It’s been a big year for Avalon Emerson, who started 2020 prepping a move from Berlin to East Los Angeles and ends it back home stateside with an almost universally acclaimed DJ-Kicks entry to her credit. This three-song 12” for the label fka Whities is a nice way to close out a triumphant year, illustrating her penchant for bright melodies and percussive detail. “One Long Day Till I See You Again” is a welcoming slice of beatless percolation to close; “Winter and Water” leans heavily on rhythmic tricks in the middle. That makes A1 “Rotting Hills” the ideal lead as a balance between them. There may not be so obvious a gimmick as a Magnetic Fields cover, but that makes it no less valuable for showing what Emerson can do. Call it one more fluorescent rush.
Patrick Masterson
End Forest — Proroctwo (Self-released)
Proroctwo (The Prophecy) by End Forest
For some of us, the fusion of folk music forms with crust and metal mostly issues in obscenities like Finntroll (yep, a Finnish band that makes folk metal songs about…trolls) or in politically toxic, Völkisch nationalist fantasias. But some bands get it right; see Botanist’s remarkable work, and see also End Forest, an act just emerging from Poland’s punk underground. Singer Paula Pieczonka employs a traditional Slavic vocal technique that roughly translates to “white singing” — but before you get creeped out by any potential fascist vibes, please know that the “whiteness” at stake in the phrase is purely an aesthetic value. And her voice is really great, open and soaring. “Proroctwo (The Prophecy)” has the sweep and drama of a lot of contemporary crust, and all of the genre’s interest in symbolic violence. The lyrics envision a future wrought and wracked by social conflict, a coming conflagration of torn bodies and of piles of dislodged teeth housed in some horrific archive of viciousness (that’s quite an image). It’s harrowing stuff, big guitar chords accented by sitar and flute. The track is available on Bandcamp, along with several inventive remixes by Polish musicians and DJs, like Tomek Jedynak and Dawid Chrapla. End Forest indicates that a full record is forthcoming sometime in spring. Looking forward to it, y’all.
Jonathan Shaw
Lori Goldson — On a Moonlit Hill in Slovenia (Eiderdown Records)
On A Moonlit Hill In Slovenia by Lori Goldston
Goldson creates movement and tension in an arresting way with a rough-hewn approach to the cello. This could be a good entry point to her solo work, which is varied and bridges the gap between DIY attitude and elevated levels of musicianship and considered approach. The flow of her playing here evokes the almost brutal scrape of the strings, which gives a welcome texture to the melodic squiggles.
Arthur Krumins
Hot Chip — LateNightTales (LateNightTales)
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The LateNightTales series of artist-curated mixes has seen a fair bit of variation over the years since Fila Brazilia first took up the torch in 2001, which makes a certain amount of sense; how we spend our late nights can differ wildly, of course. Hot Chip’s instalment in the series hits some of the expected notes (at least one cover, in this case a deeply moving one of the Velvet Underground’s “Candy Says” they’ve been playing since Alexis Taylor and Joe Goddard were in high school together; a closing story track, in this case Taylor’s father reading a bit from Finnegan’s Wake) and otherwise depicts the kind of late night Dusted readers might be more familiar with than most; one where a clearly voracious and eclectic listener is keeping their own private party going just for another hour or so, but always keeping things just quiet and subtle enough to not wake up anyone upstairs. The three other, non-cover new Hot Chip tracks all make for standouts here but there’s plenty of room for accolades, whether it’s for the smoothly groovy (Pale Blue, Mike Saita, Beatrice Dillon), the more avant garde (Christina Vantzou, About Group, Nils Frahm) to just plain off-kilter pop (Fever Ray, PlanningToRock, Hot Chip themselves). The result works as both a wonderful playlist and a survey of the band’s sonic world; and it does work best when everyone else is in bed.
Ian Mathers
Annette Krebs Jean-Luc Guionnet — Pointe Sèche (Inexhaustible Editions)
pointe sèche by Jean-Luc Guionnet, Annette Krebs
Annette Krebs and Jean-Luc Guionnet recorded the three long, numbered tracks on Pointe Sèche (translation: Dry Point) over the course of three days at St. Peter’s Parish church in Bistrica ob Sotli, Slovenia. Location matters because this music couldn’t happen just anywhere; Guionnet plays church organ. Krebs was once part of the post-Keith Rowe generation of tabletop guitarists, but since 2014 she has abandoned strings and fretboards in favor of a series of hybrid instruments called konstruktions. Konstruktion #4, which appears on this record, includes suspended pieces of metal, a handful of toy animals, a wooden sounding board, vocal and contact microphones and a couple touch screens that manage computer programs. While both musicians have extensive backgrounds in improvisation, this recording sounds more like an audio transcription of a multi-media collage. Guionnet plays his large instrument quite softly, extracting machine-like hums, brief burps and dopplering tones that flicker around the periphery of Krebs’ fragments of speech, distant clangs and unidentifiable events. The resulting sounds resolutely defy decoding, which is its own reward in a time when so much music can be reduced to easily identifiable antecedents.
Bill Meyer
KMRU — ftpim (The Substation)
ftpim by KMRU
If you happened to catch Peel, Joseph Kamaru’s wonderful release on Editions Mego in late July, but haven’t paid attention before or since, early December’s half-hour two-tracker ftpim done for (and mastered by) Room40 leader Lawrence English is a Janus-faced example of the Nairobi-based ambient artist’s power. As Ian Forsythe put it in his BOGO review of both Peel and Opaquer, “Something that can define an effective ambient record is an ability to disintegrate the perimeter of the record itself and the outside world,” a line I think about every time I listen to KMRU now. “Figures Emerge” feels more immediately accessible to me as a relatable environment where the gentle, pulsing drone is occasionally greeted by sounds outside the studio, while “From the People I Met” is more difficult terrain, a distorted fog of post-shoegaze harmonic decay — no less interesting, but perhaps more metaphorical in its take on the outside world. (Or not, given how 2020 has gone.)
Patrick Masterson
Paul Lovens / Florian Stoffner—Tetratne (Ezz-thetics)
Enough years separate drummer Paul Lovens and guitarist Florian Stoffner that they could be father and son, and Lovens membership in the Schlippenbach Trio, and Lovens role as drummer in the legendarily long-running Schlippenbach Trio establishes him as an august elder of free improvisation. But the partnership they exhibit on this CD is one of equals committed to making music that is of one mind. Whether matching sparse string-tugging to purposefully collapsing batterie or burrowing sprung-spring wobbles to an immense cymbal wash, the duo plays without regard for showing us one guy or the other’s stuff. The point, it seems, is to how they imagine as one, and their combined craniums generate plenty of imagination. They operate in a realm close to that occupied by Derek Bailey and John Stevens, or Roger Smith and Louis Moholo-Moholo, but their patch of turf is entirely their own.
Bill Meyer
Mr. Teenage — Automatic Love (Self-Release)
Automatic Love by Mr. Teenage
Melbourne, Australia’s fertile garage punk scene has squeeze out another good one in Mr. Teenage, a Buzzcockian foursome prone to short, sharp riffs and sing-along choruses. A four-song EP starts with the title track, whose arch talk-sung verse erupts into rabid, rip-sawing guitar, like Devo meeting the Wipers. “Waste of Time” piles palm muted urgency with explosive release, with a good bit of the Clash in the crashing, clangor. “KIDS” struts and swaggers in a rough-edged way that’s close to the violence of early Reigning Sound or Texas’ Bad Sports. “Oh, the kids these days,” to borrow a phrase, they’re pretty good.
Jennifer Kelly
Nekra — Royal Disruptor (La Vida Es Un Mus)
Royal Disruptor by Nekra
Remember punk shows? Remember half-lit, dusty basements and fully lit, dirty kids? Remember your sneaker soles sticking to scuffed, gummy linoleum? Remember greasy denim battle jackets and hand-drawn Sharpie slogans? Remember warm beer (watery domestic suds in cans and cups) and cold stares (angsty bravado and bad attitude for its own sake)? Remember anarchists arguing with nihilists, and riot grrrls arguing with rocker boys? Remember people laughing and people smoking and people shouting and people spitting, all without masks? Remember the anticipation that crisps the air when the amps switch on? Feedback from the cheap-ass mic stabbing your ears? Beefy dudes elbowing through the press of flesh? That volatile, stomachy mix of happiness and truculence? Those warm-up thumps of the bass drum and the initial strums of crackling guitar? Remember all that? For the time being, in the United States of Dysfunction, here’s the closest thing you’ll get: an EP of feral, fast punk songs that sound like they’re happening live, right in front of your face. Thanks, Nekra — I really needed that.
Jonathan Shaw
Neuringer / Dulberger / Masri — Dromedaries II (Relative Pitch)
Dromedaries II by Keir Neuringer, Shayna Dulberger, Julius Masri
Yes, Dromedaries II is a sequel. It follows by three years a debut cassette which was sold in the sort of microquantities that 21st century cassettes are sold. So, it’s more likely that you have heard another of the bands that the trio’s alto saxophonist, Keir Neuringer, plays in — Irreversible Entanglements. While the two combos don’t sound that similar, they share a commitment to improvising propulsive, cohesive music that will put a boot up your butt if you get in the way. While IE focuses on supplying music that frames and exemplifies the stern proclamations of vocalist Camae Ayewa, the trio plays instrumental free jazz that balances individual expression with collective support. Neuringer, double bassist Shayna Dulberger and drummer Julius Masri play like their eyes are on the horizon, but each musician’s ears are tuned into what the other two are doing. The result is music that seems to move in concerted fashion, but usually has someone doing something that pulls against the prevailing thrust in ways that heighten tension, but never force the music off track.
Bill Meyer
Kelly Lee Owens — Inner Song (Smalltown Supersound)
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One of the distinctive things about Kelly Lee Owens’ marvellous debut LP a few years ago, as noted here, is that it felt so confident and distinct that it could have easily been the work of a much more seasoned producer. That impression, of a deftly skilled hand at the controls and a keen artistic sensibility and taste shaping it all, certainly doesn’t recede on Inner Song, whether it finds Owens homaging the grandmother who provided support and inspiration (“Jeanette”), gently but firmly rejecting unhealthy relationships (the utterly gorgeous “L.I.N.E.”) or teaming up with John Cale to make some bilingual, deep Welsh ambient dub (“Corner of My Sky”). And that’s one pretty randomly chosen three-song run! Owens continues to excel at both crafting gorgeous, lived-in productions and maybe especially with her handling of voices (her own and others), and she’s comfortable enough in her own skin that if she wants to open up the album with an instrumental Radiohead version (“Arpeggi”) she will, and she’ll make it feel natural, too.
Ian Mathers
San Kazakgascar — Emotional Crevasse (Lather Records)
Emotional Crevasse by San Kazakgascar
You won’t find San Kazakgascar on any map, but give a listen and you’ll know where this combo is coming from. Geographically, they hail from Sacramento CA, where they share personnel with Swimming In Bengal. But sonically, they are the product of a journey through music libraries that likely started out in a Savage Republic and sweated in the shadow of Sun City Girls. They likely spent time in the teetering stacks of music collections compiled in a time when the problematic aspects of the term world music were outweighed by the lure of sounds you hadn’t heard before. More important than where they’ve been, though, is the impulse to go someplace other than where they’re currently standing. To accomplish this, twangy guitars, rhythms that straighten your spine whilst swiveling your hips, bottom-dredging saxophone and a cameo appearance by a throat singer who understands that part of a shaman’s job is to scare you each take their turn stepping up and pointing your mind elsewhere. Where it goes after that is up to you.
Bill Meyer
John Sharkey III — “I Found Everyone This Way” (12XU)
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Has Sharkey mellowed? This early peek at the upcoming solo album from the Clockcleaner legend and Dark Blue proprietor suggests a pensive mood, with liquid jangle and surprisingly subdued and lyrical delivery (albeit in the man’s inimitable hollowed out and wounded snarl). But give the artist a power ballad if that’s what he wants. The song has a graceful arc to it, a doomed romanticism and not an ounce of cloying sentiment.
Jennifer Kelly
Sky Furrows — Sky Furrows (Tape Drift Records/Skell Records/Philthy Rex Records)
Sky Furrows by Sky Furrows
Sky Furrows don’t take long to match sound and message. As Karen Schoemer drops references to SST Records and Raymond Pettibone, bassist Eric Hardiman and drummer Philip Donnelly whip up a tense groove that could easily have been played by Mike Watt and George Hurley. Mike Griffin’s spidery, treble-rich guitar picking is a little less specifically referential, but does sound like it was fed through a signal chain of gear that would have been affordable back in the first Bush administration. The next track looks back a bit further; Schoemer’s voice aside, it sounds like Joy Division might have done if Tom Herman had turned up, pushed Martin Hannet out of the control room before he could ladle on the effects and instead laid down some space blues licks. Schoemer recites rather than sings in a cadence that recalls Lee Ranaldo’s; pre-internet underground rock is in this band’s DNA. The sounds themselves are persistently cool, but one drawback of having a poet instead of a singer up front is an apparent reluctance to vary the structure; it would not have hurt to break things up with some contrasting passages here or there.
Bill Meyer
Soft on Crime — “You’ve Already Made Up Your Mind” b/w “Rubyanne” (EatsIt)
7'' by Soft on Crime
These Dublin fuzz-punks kick up a guitar-chiming clangor in A-Side, “You’ve Already Made Up Your Mind,” which might have you reaching for your old Sugar records. Sharp but sweet, the cut is an unruly gem buoyed by melody but bristling with attitude. “Rubyanne” is slower, softer and more ingratiating, embellished with baroque pop elements like flute, saxophone and choral counterpoints. “Little 8 Track” fills out this brief disc, with crunching, buzz-hopped bass and a bit of guitar jangle under whisper-y romantic vocals. It’s a bit hard to get a handle on the band, based on such disparate samples, but intriguing enough to make you want to settle the matter whenever more material becomes available.
Jennifer Kelly
Theoxinia — See the Lapith King Burn (Bandcamp)
See the Lapith King Burn by Theoxenia
Students of Greek mythology will grasp it right away, but in the internet age, it doesn’t take anyone long to figure out that when you name your record See the Lapith King Burn, you’re casting your lot for better or worse with the party animals. The Lapiths were one side of a lineage that also involved the considerably less sober-sided Centaurs, and the two sides of the family had a bloody showdown at a wedding that has been taken to symbolize the war between civilization and wildness. Theoxinia is Dave Shuford (No-Neck Blues Band, Rhyton, D. Charles Speer & the Helix) and his small circle of stringed instruments and low-cost repeating devices. If you were to dig through his past discography, it most closely resembles the LP Arghiledes (Thrill Jockey) in its explicitly Hellenic-psychedelic vibe. But, like so many folks in recent times, Shuford has decided to bypass the expanse and aggravation of physical publication in favor of marketing this LP-sized recording on Bandcamp. If that fact really bugs you, I guess you could start a label and make the man an offer. But if fuzz-tone bouzouki, sped-up loops and unerringly traced dance steps that will look most convincing when executed with a knife between your teeth and the sheriff’s wallet poking mockingly out of the top of your breast pocket sounds like your jam, See the Lapith King Burn awaits you in the realm of digital insubstantiality.
Bill Meyer
Trees — 50th Anniversary Edition (Earth Recordings)
Trees (50th Anniversary Edition) by Trees
This boxed set presents the two original Trees albums from the early 1970s, The Garden of Jane Delawney and On the Shore, with the addition of demos and sundry recordings from the era. Here the band took the UK folk rock sound emergent at the time and drew it out into its jammy and somewhat arena rock guitar soloing conclusion. It’s good to have all of this in one place to document the myriad ways that Trees wrapped traditional material into new forms and with a bracing, druggy feel.
Arthur Krumins
Uncivilized — Garden (UNCIV MUSIC)
Garden by Uncivilized
Guitarist Tom Csatari presides over NYC-based large jazz ensemble known as Uncivilized, whose fusion-y discography stretches back a couple of years and prominently incorporates a cover of the Angelo Badalamenti theme from Twin Peaks. This 27-track album was recorded live at Brooklyn’s Pioneer Works space in 2018 with a nine-piece band, who navigate drones and dances and the multi-part Meltedy Candy STOMP, a sinuous exploration of space age keyboards and surging big band instruments. Jaimie Branch, who lives next door to Csatari and was invited on a whim at the last minute, joins in for the second half including a smoldering rendition of the Lynch theme. It’s damn fine (though not coffee). Later on, Stevie Wonder gets the Uncivilized treatment in a pensive cover of “Evil,” led by warm guitar, blowsy sax and a little bit of jazz flute.
Jennifer Kelly
Unwed Sailor — Look Alive (Old Bear Records)
Look Alive by Unwed Sailor
Johnathon Ford, who plays bass for Pedro the Lion, has been at the center of Unwed Sailor for two decades, gathering a changing cohort of players to realize his lucid instrumental compositions. Here, as on last year’s Heavy Age, Eric Swatzell adds guitars and Matthew Putnam drums to Ford’s essential bass and keyboard sounds. Yet while Heavy Age brooded, Look Alive grooves with bright clarity, riding insistent basslines through highly colored landscapes of synths and drums. The title track bounds with optimism, with big swirls of synth sound enveloping a rigorous cadence of bass and drums. “Camino Reel” is more guitar-centric but just as uplifting, opening out into squalling shoe-gaze-y walls of amplified sound. Ford, who usually leans on post-punk influences like New Order and the Cure, indulges an affinity for dance, here, especially audible on the trance-y “Gone Jungle” remix by GJ.
Jennifer Kelly
Your Old Droog — Dump YOD Krutoy Edition (Self-released)
Dump YOD: Krutoy Edition by YOD
American rapper Your Old Droog has been releasing solid music for years. He never had ups for the same reason he never had downs: he never left his comfort zone. Dump YOD Krutoy Edition (where “krutoy” stands for “rude boy” or “badass”) may be his breakthrough album. He always kept his Soviet origins in check, and here for the first time he draws his imagery from three different sources: New York urban present, Ukrainian folk and Soviet and post-Soviet past (even Boris Yeltsin makes an appearance). In this boiling pot, a new Your Old Droog is rising, among balalaikas and mean streets of NYC, matryoshkas and producers with boring beats, babushkas and graffiti writers.
Ray Garraty
#Dusted magazine#dust#mac blackout#bill meyer#ross birdwise#bryon hayes#c_g#andrew forell#che noir#patrick masterson#cong josie#jennifer kelly#divine horsemen#dezron douglas#brandee younger#avalon emerson#end forest#jonathan shaw#lori goldston#arthur krumins#annette krebs#jean-luc guionnet#paul lovens#florian stoffner#mr. teenage#nekra#keir neuringer#shayna dulberger#julius masri#San Kazakgascar
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✌🍄 Good Morning friends. Our Portland psych pal Leah is playing some music today on her radio show Shroom Tunes , a bunch of lovely friends' records and our @6thfloororchestra track "Cuerdas de Bruja" at 8-10am PST (11 EST) you can listen at 90.3 FM Portland or freeformportland.org if you live elsewhere... ❤️❤️ Cheers, @leahmellmer to friendship, come visit ny again soon! :) :) "Shroom Tunes’ “Friends & Friends of Friends” playlist! I will be supporting bands that I have found through Facebook, Instagram, and real life pals ❤️ There will be many groovy songs with sounds ranging from synth to sitar! Listen in at freeformportland.org (11/25) from 8-10 am (PT)." #psych #music #giallo #horror #library #musiqueconcrete https://www.instagram.com/p/Bqm0uttAYeJ/?utm_source=ig_tumblr_share&igshid=1m0lld7p5cgh
#psych#music#giallo#horror#library#musiqueconcrete#6th Floor Orchestra#Kristi Scarvelis#Auramics#David Lampley#Psychopop#Angels Dust#Flavia Ciampi#Emmanuel Coto#Black Magic Chocolate Tears#Ilia Gorovitz
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Ilia Gorovitz - Turmoil / Simmering with No End
Sick heavy drum thing. Something evil crawling. Like a black and white silent film soundtrack.
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Des concerts à Paris et alentour
Janvier 30/31. Arnaud Rebotini : musique live pour "Fix Me" d'Alban Richard – théâtre de Chaillot 31. Deena Abdelwahed + M.E.S.H. – Gaîté lyrique 31. Go!Zilla + Siz + Deaf Parade – Supersonic (gratuit)
Février 01. Le Comte + Christine + Atoem – Palais de le Porte dorée 01. Negative Space + Volition Immanent + N0v3l – La Station 01. Lust For Youth + Dead Horse One + San Carol + Venice Bliss – Supersonic 01. Autrenoir + Linda Olah + Uriel Bartélémi – théâtre de Vanves 01. Cylene (François Bonnet & Stephen O'Malley) + Kreemer (Cameron Jamie & Dennis Tyfus) + Xavier Boussiron – Instants chavirés (Montreuil) ||COMPLET|| 01/02. Erik Minkkinen – Pauline Perplexe (Arcueil) 01/02. Arnaud Rebotini : musique live pour "Fix Me" d'Alban Richard – théâtre de Chaillot 02. Tempers – Supersonic (gratuit) 02. Fraction + Frédéric D. Oberland + Clara De Asis + MTUA + Raphaël Mouterde + Sébastien Roux + Fantasia Nei Dessert & Romain Al'l + Hourvari + Aloyse Lucas (fest. Les Sonifères) – DOC 02. The Residents – Gaîté lyrique 02. Shabazz Palaces + Dälek (fest. Sons d'hiver) – Théâtre de la Cité internationale 02. Venetian Snares + Dbridge + Zoe McPherson + Bastos + Behzad Ghorbani – Concrete 02. Jennifer Cardini + Javi Rodondo – Badaboum 03. Mesce basse + :such: + Duncan Pinhas + Alexandre del Torchio + Isothesis & Alexandra Radulescu + Opaque + Armand Lesecq + NO3sis (fest. Les Sonifères) – DOC 03. Aidan Baker + The Eye of Time (Sulfure fest.) – Le vent se lève 05. Zombie Zombie – Bigwax Records (gratuit) 05. Nadja + Saudaa Group + Lacustre – Instants chavirés (Montreuil) 06. Binidu + Hilgege + Deux Boules vanille – Supersonic (gratuit) 06. Brendan Perry – Petit Bain ||COMPLET|| 07. VNV Nation – Le Trabendo 07. Tomaga + Jozef Van Wissem + Noyades + La Jungle – Petit Bain 07. Subtle Turnhips – La Pointe Lafayette 08. Cartouche + Ddash + VHS from Space + Professeur Postérieur – Le Cirque électrique 08. Manu le Malin + 3FAZé + DKLé + Nawak – Glazart 08. Headless Horseman + Ø [Phase] + Joton + Electric Rescue – Rex Club 09. Psyche + Sarin + Law & Haktion + Cassie Raptor b2b Mila Dietrich – La Station 09. Leopardo + Rose Mercie + Eggs – Le Zorba 09. The Ex : "Ethiopian Night" (fest. Sons d'hiver) – salle Jacques-Brel (Fontenay-sous-Bois) 09. Veronica Vasicka – Badaboum 10. Therapy? – La Maroquinerie 10. Fake Off + Youth Avoiders + Potence – Le Rigoletto 11. Massive Attack feat. Liz Fraser jouent « Mezzanine » – Zénith 13. Pierre Bastien & Philippe Dupuy + Laake – Petit Bain 14. Slash Roubex + Krab + Joan Jett Fanclub + Gauchoir + Zaraz Wam Zagram – Les Nautes 15. Peter Kernel + Totorro – Petit Bain 15. Codex Empire + Schwefelgelb + Philipp Strobel + Panzer – Petit Bain 15. Kælan Mikla + Some Ember – Black Star 16. Krikor (fest. FAME) – Gaîté lyrique (gratuit) 16. Teledetente666 + Balladur + Bajram Bili + Teknomom + Coeval + Marai + Steep Incline b2b Quentin Pierce – La Station 16. Anthony Braxton + Dave Douglas & Bill Laswell (fest. Sons d'hiver) – théâtre Jacques-Carat (Cachan) 16. Homoagent + Huren + Orphan Swords + Salem Unsigned + Sirio Gry J + Verset Zero... – tba 16. Jasss + Dactylo + Nizar + Pipi de Freche – NF-34 19. Bruit noir + Red – Point FMR 21. Mlada Fronta + Absolute Valentine + Neoslave – Petit Bain 21. Collection d'Arnell Andrea + Katzkab – Bus Palladium 21. Rouge Gorge + Fiasco + Peur bleue – L'International 22. Marquis de Sade – Petit Bain 22. Lucie Antunes + Clémence Lasme, Kim, Gaspar Claus, Halo Maud & Yadh Elyes – Théâtre de Vanves 22/23. Nils Frahm – Le Trianon ||COMPLET|| 24. Nils Frahm – Le Trianon 28. Bryan's Magic Tears + Steeple Remove + Seppuku – Point FMR 28. The Zeros + Astaffort Mods – Le Klub
Mars 02. Lydia Lunch & Marc Hurtado jouent Alan Vega et Suicide – Silencio (gratuit sur résa) 02. Le Groupe obscur + Le Ton mité + Golden Q – L'International 02. Shlømo + UVB + Charles Fenckler + Darzack + Delta Funktionen + Keepsakes – Studio du Lendit (Saint-Denis) 02. Boy Harsher + Kontravoid – Badaboum ||COMPLET|| 03. Camera – Olympic café 03. Geld + Youth Avoiders + Plomb – Le Picolo (Saint-Ouen) 05. Orgue Agnès + Borja Flames + Gilles Poizat – Petit Bain 07. Scratch Massive – Gaîté lyrique 07. Gum Takes Tooth + Usé + Society of Silence – Badaboum 07. The Dead Brothers + Dédé Macchabée – Péniche Antipode 08. FTR + Deadpan – Olympic café 09. Deeat Palace + Maoupa Mazzoccheti + Krikor + Crave + Iueke + Moyō – La Station 09. Paulie Jan + Witnesses Without Hands + Mod303 & The SHADERS + Alexandre Navarro (dj) (Sulfure fest.) – Le vent se lève 10. James Chance & Die Contortions – Supersonic 12. Yann Tiersen – Salle Pleyel 12. Dominique A – Espace 1789 (Saint-Ouen) 13. Helluvah + IDK IDA + Cebe Barnes (dj)(Sulfure fest.) – Le vent se lève 13. F/lor + Jérôme Lorichon & Quentin Rollet + Don Nino – Instants chavirés (Montreuil) 14. Parade Ground + BadBad + The Wheal + Versolo – Supersonic (gratuit) 14. Stefan Rusconi & Tobias Preisig + Étienne Jaumet (fest. Paris Music) – Église Saint-Eustache 14. La Colonie de vacances – Cabaret sauvage 14. Raoul Vignal (fest. Paris Music) – Bibliothèque historique de la Ville de Paris 14. Dave Phillips + Evil Moisture + Feromil – Instants chavirés (Montreuil) 15. Rubin Steiner (fest. Paris Music) – Crypte archéologique du parvis de Notre-Dame 15. Bertrand Burgalat (fest. Paris Music) – Musée des Arts et Métiers 15. Zombie Zombie (fest. Paris Music) – Cathédrale américaine 15. Silent Servant + Machine Woman + Tolouse Low Trax – Concrete 16. Christ. + Alexandre Navarro (Sulfure fest.) – Le vent se lève 17. Giulio Aldinucci + Paskine + Waveland (Sulfure fest.) – Le vent se lève 19. thisquietarmy + Haxo + Ilia Gorovitz (Sulfure fest.) – Le vent se lève 20. Oomph! – La Machine 21. Olivia Block + Marc Baron – Instants chavirés (Montreuil) 22. Delia Derbyshire (diff.) + Lettera 22 + Evil Moisture + Caterina Barbieri + Drew McDowall : "Coil's Time Machines" (fest. Présences électronique) – Studio 104|Maison de la Radio 22. The Young Gods – La Maroquinerie 22. Crystal Fighters – Gaîté lyrique 23. Pierre Boeswillwald (diff.) + Max Eilbacher + Andrea Belfi + Sarah Davachi + William Basinski & Lawrence English (fest. Présences électronique) – Studio 104|Maison de la Radio 23. Snapped Ankles + Wild Classical Music Ensemble + Man from Uranus – La Maroquinerie 23. Les Harry's & Stefan Neville (fest. Sonic Protest) – Châpiteaux turbulents 23. Kas:st + Paule Temple + Shlømo + VTSS + Parfait – tba 24. Warren Burt (diff.) + Mats Erlandsson + Okkyung Lee + Low Jack + BJ Nielsen (fest. Présences électronique) – Studio 104|Maison de la Radio 24. Chantal Acda + Miles Oliver + Julien Ledru (Sulfure fest.) – Le vent se lève 25. Laibach – Trabendo 26. Jon Porras (Barn Owl) + Mathias Delplanque (Sulfure fest.) – Le vent se lève 27. Strangelove + Background (dj) (Sulfure fest.) – Le vent se lève 28. Scanner + Openendedgroup & Natasha Barrett + Raphaël Imbert & Benjamin Lévy – Centre Pompidou 28. Euromilliard + Humbros + Peür + Pumice (fest. Sonic Protest) – La Station 29. Perturbator – Le Trianon 29. Jandek + Confusional Quartet + Société étrange (fest. Sonic Protest) – théâtre de l'Échangeur (Bagnolet) 30. Marc Almond – Le Trianon 30. Seabuckthorn + Rach Three + CollAGE D (Sulfure fest.) – Le vent se lève 30. Lahcen Akil & les Chaâbi Brothers + Suzanne Ciani + The Coolies + Lemones + Les Statonells (fest. Sonic Protest) – théâtre de l'Échangeur (Bagnolet) 31. Fuji Kureta + Mei (Sulfure fest.) – Le vent se lève 31. Claudio Simonetti (Goblin) joue "Suspiria" et autres – Flow
Avril 02. Schtum + Shit & Shine (fest. Sonic Protest) – Mona Bismarck American Center 02. Steve Gunn + Papercuts – Petit Bain 02. Ballaké Cissoko & Vincent Segal (fest. Les Rares Talents) – théâtre Berthelot (Montreuil) 03. Han Bennink + Jean-François Pauvros + Anne-Laure Pigache & Anne-Julie Rollet + Parlophonie (fest. Sonic Protest) – théâtre de Vanves 03>06. Shannon Wright + Regina Demina + Camilla Sparksss (fest. Les femmes s'en mêlent) – Trabendo 04. Dust Breeders & Mattin + Lydia Lunch & Marc Hurtado jouent Suicide et Alan Vega + Anna Zaradny (fest. Sonic Protest) – église Saint-Merry 05. Bégayer + France + Frédéric Blondy joue "Occam XXV" d'Éliane Radigue (fest. Sonic Protest) – église Saint-Merry 05. Beirut – Le Grand Rex 05. Rendez-Vous + Qual – Gaîté lyrique 05/06. Nadia Lauro & Zeena Parkins : Stichomythia – Centre Pompidou 06. Molecule – Gaîté lyrique 06. These New Puritans + Scintii – Petit Bain 06. Kokoko! – Badaboum 06. Dylan Carlson + Julien Clauss + Hermine + Lee Patterson + Ut + Blenno Die Wurstbrücke (fest. Sonic Protest) – Cirque électrique 08. The Specials – La Cigale 09. Young Widows + Nesseria – Petit Bain 10. Daughters – Point FMR 13. Toner Low + Ambassador 21 + The Fat + Orso + Evil Grimace + Gurt + Ddent + Froe Char + End of Mankind + McLane + Suprême Mycosaure (Monospace fest.) – Petit Bain 14. Arnaud Rebotini joue la BO de "120 Battements par minute" – Cité de la musique|Philharmonie 17. Teenage Fanclub – Trabendo 17. Soap&Skin – Le Trianon 17. Apparat – Gaîté lyrique 18. Kompromat – Trabendo 20. The Horrorist – Rex Club 20. Vincent Epplay + Black Zone Myth Chant & High Wolf + Domotic + Jean Benoît Dunckel + NSDOS + Erol Alkan + Tim Glass + Roscius + Sahalé + Golden Bug + Pouvoir magique + Cät Cät + RA+RE + Wael Alkak + Molecule (Inasound fest.) – Palais Brongniart 21. Plaid + NSDOS + Myako & Basses Terres + Jonathan Fitoussi + Danton Eprom + La Fraîcheur + Edouard Rostand + Prieur de la Marne + The Supermen Lovers + Panteros666 & Inès Alpha + Matt Black + Sara Zinger (Inasound fest.) – Palais Brongniart 22. Fontaines D.C. – Point FMR 23. Lambchop – La Maroquinerie 25. Lali Puna – Petit Bain 25. Kap Bambino – Trabendo 27. She Past Away – La Machine 27. Chloé : Lumières noires – Le 104 27. Cocaine Piss + Tôle froide + Avale – Petit Bain 27. Bérengère Maximin, Fred Firth & Heike Liss – Instants chavirés (Montreuil) 30. The Undergound Youth + Dune Messiah – Petit Bain
Mai 04. Covenant – Petit Bain 07. dEUS – La Cigale 07. Le Prince Harry + UVB76 – Petit Bain 08. Sneaks – Supersonic (gratuit) 10/11. Dead Can Dance – Grand Rex ||COMPLET|| 11. Christina Vantzou + Eiko Ishibashi + Jan Jelinek + NPVR (Nik Void & Peter Rehberg) – Le 104 12. Massimo Toniutti + François Bayle – Le 104 13. Foals – Bataclan 17. Philip Glass : Études pour piano – Salle Pierre-Boulez|Philharmonie 18. Bruce Brubaker & Max Cooper : Glasstronica – Cité de la musique|Philharmonie 18. Eliane Radigue : musique (diff.) pour "Continuum" de Félicie d'Estienne d'Orves – Centre Pompidou 22. Housewives – Supersonic (gratuit) 24. Beak> – Gaîté lyrique 24. Shonen Knife – Petit Bain 28. Alice in Chains + Black Rebel Motorcycle Club – Olympia 29. Flotation Toy Warning + Raoul Vignal – Petit Bain 31. François Bonnet + Knud Viktor + Jim O'Rourke + Florian Hecker (fest. Akousma) – Studio 104|Maison de la Radio
Juin 01. Eryck Abecassis & Reinhold Friedl + Hilde Marie Holsen + Anthony Pateras + Lucy Railton (fest. Akousma) – Studio 104|Maison de la Radio 01/02. Metronomy + Laurent Garnier + Ricardo Villalobos + Mr Oizo + Bonobo (dj) + Yves Tumor + Marie Davidson + Pond... (fest. We Love Green) – Bois de Vincennes 02. Bernard Parmegiani + Jean Schwarz (fest. Akousma) – Studio 104|Maison de la Radio 19. Stephen Malkmus & The Jicks – La Gaîté lyrique 26. Magma – Salle Pierre-Boulez|Philharmonie
Juillet 02. Interpol – Olympia 11. Masada + Sylvie Courvoisier & Mark Feldman + Mary Halvorson quartet + Craig Taborn + Trigger + Erik Friedlander & Mike Nicolas + John Medeski trio + Nova quartet + Gyan Riley & Julian Lage + Brian Marsella trio + Ikue Mori + Kris Davis + Peter Evans + Asmodeus : John Zorn's Marathon Bagatelles – Salle Pleyel 11>13. Kraftwerk – Philharmonie
Août 23>25. The Cure (fest. Rock en scène) – parc de Saint-Cloud
Septembre 13. Rammstein – La Défense Arena (Nanterre) ||COMPLET||
Octobre 19. Sisters of Mercy – Bataclan
Novembre 17. Nitzer Ebb – La Machine
en gras : les derniers ajouts / in bold: the last news
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Heavy 7" vinyl from Ilia Gorovitz on Raash Records #vinyl #vinyl45s #iliagorovitz #raashrecords
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March is here and so are we! #notprettyatall Squeezing in shows in between tour dates for friends and unknowns! Two Multiversal appointments, 10 days apart, on 21st and 31st, of this month featuring exciting line-ups both Vil la Kuriosum ! 21.03 Multiversal #127 https://www.facebook.com/events/5818577071567634 P≡B ELSTERN IZQUIERDO x WINKENS SANCHEZ x TAVIL VANDEWEYER x KÜRVERS 31.03 Multiversal #128 https://www.facebook.com/events/718568609908583 Göttemia Fork Teresa Riemann 100 Kicks KaS x Gi0 __________ Multiversal #127 on 21.03 at 19:00 at Villa Kuriosum with P≡B l0r3tt4 - Voice, electronics Ilia Gorovitz - Drums, electronics https://www.instagram.com/p/Cm6Ya9ltcJn/?igshid=YmMyMTA2M2Y%3D ELSTERN https://elstern.bandcamp.com/ IZQUIERDO X WINKENS Lorena Izquierdo - Voice, performance Jan Winkens - Bass, EMF Detector lorenaizquierdo.net https://gallviolence.bandcamp.com VANDEWEYER x KÜRVERS Els Vandeweyer - Trash guitar Klaus Kürvers - D. Bass SANCHEZ x TAVIL Paula Sanchez - Cello Utku Tavil - Drums https://mme-sanchez.bandcamp.com/ http://soundcloud.com/utkutavil :::::::::::::: Multiversal #128 on 31.03 at 20h at Villa Kuriosum w/ Göttemia, Fork, Teresa Riemann, 100 Kicks & KaS x Gi0 it's a punk show topped with noise from the bottom! Göttemia https://kraftpest.bandcamp.com/album/trigger-happy-fat-family Fork https://kraftpest.bandcamp.com/album/1890-antislum Teresa Riemann https://www.teresariemann.com/ 100 Kicks so underground, there are no links! KaS x Gi0 https://kazehitoseki.com/ https://www.instagram.com/agramof_mo_o
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GENAU PORCODIO AT PAS
2024/02/25 GENAU PORCODIO REYETTO TAPES PAS Berlin - DE
Petersburg Art Space Kaiserin-Augusta-Allee 101, Berlin
Sunday concert:
Genau Porcodio w/ Mat Pogo: Ilia Gorovitz - drums, electronics Margaret Unknown - slide guitar Giorgio Alloatti - voice, electronics Mat Pogo - voice, electronics
DJ set: Reyetto Tapes
+tba
Entrance in the courtyard, Aufgang II, 1OG Doors 20:00, music a bit later
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NEW YEAR'S EVE AT PAS
2023/12/31 New Year's Eve Party PAS NYE BAND GENAU PORCODIO SUM JACKIE LOUISE ADAM ASNAN LUCIO CAPECE MAJA MILIĆ b2b KUTMAH DJ SGIAI DJ CYCLOPHREN ILIA GOROVITZ MISSTEIK b2b MAKOSSIRI ULISES4000 “All In” Exhibition PAS Berlin - DE
Petersburg Art Space - PAS e.V. is a non-profit organization. A creative space for art, culture and experiment on Spree. It’s open for different projects in the fields of art, architecture, dance, theatre, film and music. Kaiserin-Augusta-Allee 101, Berlin, Germany we receive and publish the announcement of PAS Tickets: We offer two tickets options, PAS has limited capacity, so reserve the spot in advance: – 30eu, including 6 drinks on the bar and food. (Limited edition of 30 pieces, pre-sale only till 28 December) – 15eu, entrance + food. (pre-sale and on the door) Registration is required for both ticket types via email: [email protected] and or directly via PayPal: @PASopendoor. Write us the name/-s, type of the ticket and we send you instructions. Also you can buy tickets in PAS by cash (we have concerts/events: 20, 21, 24, 27 December).
Here’s what we have for you: an all-night journey with different genres of music from DJs of all types and a live experimental concert – a special song project from PAS team and residencies with guest artists, improv noise set and SUM in a small line-up with siberian songs and a special sound performance at 00:00. Our regular bar will be expanded with special offers and we will offer snacks from different cultures for you. There will also be a New Year’s marekt all night where you can buy designer t-shirts, merch and maybe even art! And if you are tired, a chill zone will also be organised for you. Regards, your PAS.
Start at 19:00 Program:
Exhibition “All In”
Live: PAS NYE Band (Joey Gavin, joji, Lasha Goginashvili, Quentin Tolimieri) Genau Porcodio w/ Mat Pogo (Ilia Gorovitz, Margaret Unknown, Giorgio Alloatti, Mat Pogo) SUM (Alexander Markvart, Axel Dörner, Carina Khorkhordina) + NYE Performance
Music Selection and DJ-s: Jackie Louise Adam Asnan Lucio Capece JD Zazie Maja Milić b2b Kutmah DJ Sgiai DJ Cyclophren
Club: Ilia Gorovitz Missteik b2b Makossiri ulises4000
If you have any question contact : [email protected]
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CATE HOPS AND JD ZAZIE AT TRXXXTR
2022/01/20 .PK IBIZA MOVE NUUK & JGHOYOS MARTA MASTERNAK & ILIA GOROVITZ CATE HOPS & JD ZAZIE DESMOND DENKER trxxxtr Berlin - DE
Friday January 20 at TRXXTR, Berlin Kreuzberg doors at 8:30, concerts start at 9 pm
A special once-off night of collaboration, experimentation, noise and bass, featuring six acts:
.PK → speed/flash (soundcloud.com/ipekodabasi)
IBIZA MOVE → non-authorised disassembly of grooves in consolidation (www.munsha.it & www.junktion.de)
NUUK & JGHOYOS → modular ambient & live visuals // NUUK are two people, a hideout, a mental holiday (linktr.ee/nuuk2)
MARTA MASTERNAK & ILIA GOROVITZ → hybrid electro acoustic 8 limbs machine (martamasternak.com – part of soundcloud.com/catarat and br4k.bandcamp.com & iliagorovitz.com)
CATE HOPS & JD ZAZIE → decks, electronics, kitchen radio (soundcloud.com/cate_hops & soundcloud.com/jd-zazie)
DESMOND DENKER → Selector, musician and producer from Cologne, associated with Modularfield, Distanzplatten, Geheimklub and Basspräsidium. Telling new stories by combining the incompatible. Like a description of everyday life out of the canned music collection. (linktr.ee/desmond_denker)
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First draft of the Multiversal 10 years program, subjkect to change due to everchanging conditions of life. Save the dates, and help us spread the news; no media partners, no stars, no hype... 17/11 Thu 19h - AUSLAND HURE no mercy https://hure.bandcamp.com/ https://www.facebook.com/profile.php?id=100031883486971 Ilia Gorovitz drums, electronics https://www.iliagorovitz.com/ https://iliagorovitz.bandcamp.com/ https://www.facebook.com/iliagorovitzmusic M.P.C. Seht Z - Electronics, synths Damn J - Electronics, synths https://pataphors.bandcamp.com/album/m-p-c-beware-the Handmade Music Ann Antidote - Objects, Electronics Lun Ário - Objects, electronics https://youtu.be/hAHOk4KKslQ https://youtu.be/dhmlQgFKiSs Isabel & Vittoria action sonorè https://soundcloud.com/amand-leyvraz-projects https://soundcloud.com/brainpussyfication2bpf/beeatsz-v30333-live-at-labert-oppmote-festival-aug2017 10000V k angboly - noise https://reactionpowertrio.bandcamp.com/track/10000v Lucien Hawat piano https://soundcloud.com/lucien-hawat 18.11 Fri 19h - In den Räumen des SUBVERSIV e.V Laju x Williams Vincent Laju - Cello Ed WIlliams - Guitar https://soundcloud.com/vincent-laju/afrauxlaju Naked in the Zoo Teresa Riemann - Drums, Voice Ruben Tenenbaum - Violin, FX, Voice https://soundcloud.com/nakedinthezoo FLUT Christopher Kunz - Tenor Saxophone Isabel Rößler - Double bass https://www.christopherkunz.net/flut Nathan L. x Sad Ed drums, electronics, flutes https://nathanl.bandcamp.com/album/why-so-much-hate Python vs Cobra K - Drums T - Guitar https://pythonvscobra.bandcamp.com/album/python-vs-cobra-live-at-multiversal-100 https://brainpussyfication.bandcamp.com/album/bitte-nicht-f-ttern-ep Fezaya Firar https://soundcloud.com/fezayafirar 19.11 Sat 20h RauxxxauS Hops x Possidente Cate Hops - Turntables, electronics Paolo Possidente - Drums, electroniocs https://soundcloud.com/cate_hops https://soundcloud.com/paolo-possidente Jugendwerkhof berlin harsh noise unit https://lowlifehighvolume.bandcamp.com/ Ring Dog Duo Markus Krispel - Saxophone Marcello Busato - Drums https://busato-krispel-duo.bandcamp.com/album/objektmagnipulationen Royal Spaceporn no mercy https://www.instagram.com/trinekrogst/ Flerpsnes no http://listen.irenegellein.com/ Angboly x Morti x Stammberger Kevin Angboly - Drums Isabel Morti - Electronics Norbert Stammberger - Baritone Sax https://www.gnurecords.com/ https://reactionpowertrio.bandcamp.com/ Keller x Imm Beat Keller - Feedbacker guitar Thiebault Imm - Electric guitar https://beatkeller.com/en/news/ https://soundcloud.com/thiebault-imm 20.11 Sun 19h ANAGRAM SPACE Cum Filled Coke Boyz Irene & Trine no success in googling an appropriate link Salgar x Eraslan Merve Salgar - tanbur Anil Eraslan - cello https://soundcloud.com/anilthecellist/ikidebir Aaakzt solo for voice, electronics https://youtu.be/PKzaoGdbtCY https://aaakzt.bandcamp.com/album/here TBA 21.11 Mon 20h Koma F Pleasure Force Dr. Nexus - Voice, FX Kriss Kuldepp - E. Bass, FX, Objects https://www.facebook.com/profile.php?id=100075760912127 https://drnexus.bandcamp.com/ https://kris-kuldkepp.bandcamp.com/ BRÅK Wolfie - Guitar, Vocals Sofia - Guitar, Vocals Marta - Bass, Vocals Carolina - Drums https://br4k.bandcamp.com/album/dopamine Izquierda x Craig Lorena Izquierda - Voice, Body Daniel Craig - Electronics https://archive.org/details/lorena-izquierdo-daniel-craig-live-dienstbar-2022 Amand Leyvraz solo for electronics https://soundcloud.com/amand-leyvraz-projects Harald Fetveit solo for electronics https://soundcloud.com/user-438589218 BNSU Self Toxication - Voice, Noise BEEATSZ - Drums, Electronics https://bnsu.bandcamp.com/ 22.11 Tue 20h VILLA KURIOSUM Project VO Rieko Okuda - Violin, Objects Antti Virtaranta - Double Bass https://project-vo.tumblr.com/ Pitch Shifting Grgur Savic - reeds, electronics, objects Daniel Craig - real to real, laptop Sanja Star - visuals http://grgursavic.com/pitch-shifting/ Kris Limbach electronics, visuals https://krislimbach.com/ Xorgett Julian Fernandez - electronics https://soundcloud.com/user-79123897 Au Revoir Ears Isabel Rößler - Double Bass TBC https://youtu.be/mSbKBbef2gc Fetveit x Seki Harald Fetveit - Electronics Kazehito Seki - Voice, Electronics https://soundcloud.com/user-438589218 https://kazehitoseki.com/ 23.11 Wed 20h KIRCHE VON UNTEN Adam Goodwin amplified double bass solo https://www.youtube.com/watch?v=N9xgnEzqn_w&t=121s Bilwa William Bilwa Costa - electronics https://soundcloud.com/bilwa Cock & Roach knifeloop - electronics stØrfan sender - electronics https://archive.org/details/cocknroach-stubnitz Shake The Train Lucas H - Trumpet, Voice, Action Damn J - Electronics Teresa Riemann - Drums, Voice Phallucipher https://phallucipher.bandcamp.com/ Secrétariat Maxime Hänsenberger : Drums/Objects Shuyue MiaoZhao: Cl/Basscl/mics Emre Sarigöl: Modular Synth/Bass Tokar Krzysztof Tokarczyk: Sax ts/sopran/rec/mic https://thesecretariatband.bandcamp.com/album/sect-rariat Bomi x Fetveit x Leyviraz trio ultranoise 24.11 thu 18h - Villa Kuriosum Garden / Circus Charivari Tent Dora Bleu https://soundcloud.com/dora-bleu Ido Bukelman http://www.idobukelmanmusic.com/ Obligado x Salvatore Gustavo Obligado - sax, electronics Emiliano Salvatore, Guitar, fx, objects https://soundcloud.com/emiliano-salvatore-378327720/salvatore-obligado-untergrun-festival Notorische Ruhestoerung x Lun Ário drums, electronics https://soundcloud.com/lun_ario/2022-09-20-yyurirui-02-multiversal TBA 25.11 Fri 20h - TRxxxTR Cuntroaches Martian - Voice, Guitar Davin - Bass Claire - Drums https://cuntroaches.bandcamp.com/ ThreadedDreams chill https://soundcloud.com/romain-bertheau-620265082/nextxntxrx Zad Kokar on tour https://youtu.be/SHllqb4E-tM Säkkikangas + VJ JV noise, analog feedback visuals nolink sitbQ bomi - electronics https://soundcloud.com/sitbq 26.11 Sat 20h - SUPAMOLLY Izquierdo x Schneider x Salvatore Lorena Izquierdo Aparicio - voice Marie-Louise Schneider - violin, voice Emiliano Salvatore - guitar https://youtu.be/Cudl9EJhL-Y KIME Sofia Borges – percussion Fyodor Stepanov – bass & electronics Andreas Voccia – electronics https://sofiaborges.com/kime-2/ Pitsiakos x Lienhard x Fakuč Chris Pitsakos - Reeds Pablo Lienhard - Reeds Marek Fakuč - Drums http://chrispitsiokos.com/ https://pablolienhard.com/ f https://www.discogs.com/artist/2986617-Marek-Faku%C4%8D KALATA Dirar Kalash - Electronics Joke Lanz - Voice Utku Tavil - Drums https://brainpussyfication.bandcamp.com/album/hot-glue .PK. selektorin https://soundcloud.com/ipekodabasi?_pxhc=1611939600257
#berlin#multiversal#10 years#jubileum#underground#music#independent#punk#squat#noise#free improvisation
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Next in the line: 22.02 BUSS Fundraiser at 3XTR 24.02 Multiversal #117 at Staalplaat 26.02 Multiversal #118 at Villa Kuriosum 05.03 Buss Fundraiser at Villa Kuriosum 19.03 Buss Fundraiser at Villa Kuriosum 24.03 Multiversal #119 at Staalplaat MULTIVERSAL #117 24.02 Staalplaat Berlin Shop Elbestr. 28-29 Hinterhof 19:00 Doors 19:30 Concerts Gorovitz x Nakamura Ilia Gorovitz - Drums, electronics Aine Eva Nakamura - Movement, voice https://iliagorovitz.bandcamp.com/ www.evaaine.com Bilwa William Bilwa Costa - Electronics https://williambilwacosta.com/ Kikiriki Nina Faric - Electronics https://kikiriki.bandcamp.com/
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