#If only I'd followed my own advice there...

[whysamwhy123]

Might just scrap all my shitty unfinished fics and peace out of this fandom for good tbh.

[drdemonprince]

The conversations about accountability & apologies that we've been having in social justice circles these last few years have basically trained everybody to fawn.

We've been telling people that if they are accused of any wrongdoing or of hurting anybody's feelings, it is their obligation to apologize immediately, and never to hedge, disagree, or to explain their rationale what they've done.

In their apology, we expect them to articulate every single thing that they have done that was damaging in the strongest language possible and to declare outright that they have harmed someone, often multiple groups of people, even if they are not sure of the impact (or could not even possibly be sure).

If a person's apology is anything but immediate and entirely self-excoriating, we accuse the person of downplaying the damage they have done, failing to be accountable, and manipulating others.

In this way, we've made it impossible for a person to ever take their own side lest that be taken itself as a form of wrongdoing. We have trained our fellow social-justice-minded people to believe that if they do anything but worsen the case against themselves, they are being irresponsible.

I say we, in all of this, because I have partaken in all of this rhetoric, made these kinds of criticism, given accused people this type of advice.

And I have followed it myself, often to a damaging effect.

I have taken responsibility for problems in which I truly did not believe I played a part, I've overstated the damage that I've done so as not to risk understating it, I've ascribed malice to my intentions when I knew it wasn't there, I've agreed with people's most negative, bad-faith narratives about conflicts involving me that they were not even present for, offered up information about myself that was not a third party's business in the name of transparency, apologized for things I haven't done -- and in doing all of this, I have denied my loved ones the opportunity to really hear me about what I was going through and my motivations when I was in conflict with them, things that any true friend or close associate would obviously want to hear about if they cared about me.

This aim of giving the perfect apology and taking perfect accountability has been nothing but an isolating force in my life, because it has barred me from openly entering into necessary conflict with people when our needs were incompatible or they had hurt me just as much as I'd hurt them. The fear of being a manipulative, unaccountable DARVO-er has led me to roll onto my back and expose my belly, falling over myself with panicked apologies and the most unflattering information possible cast in the least explicable light, almost outright begging for others to become angrier at me and believing that it was only way I could ever possibly be accepted back.

We've drilled into people that the way to be good and responsible is to allow people to view us as negatively as possible, to even arm others with information that will confirm that point of view, and to never insert our own perspective or needs on the matter at all.

And yeah, there are a lot of shitty people out there who dodge accountability easily because their power ensconces them from any consequences. but the primary problem with that was never that they wrote a shitty notesapp apology that used the unforgivable phrase "I am sorry if you felt XYZ." The real problem was that there was no community that held enough influence to hold them to account, and for their victims there weren't ever adequate supports or protections.

instead of addressing any of that in a remotely systematic way, we have taken to picking apart every accused person's every word and deed for evidence of inner moral failure and created a culture in which we think we can determine a person's safety by how artfully they put words together when they are under threat. and what do you know, plenty of bad faith actors and conflict avoidant cowards and people who just dont understand what they are even being accused of can do that just fine.

[signedkoko]

Signed with Love - Overlords & Sins

What is this? - A valentines gift to my lovely readers! Its valentines/love letters from your favourites 🖤

Characters - Asmodeus | Beelzebub | Carmilla | Mammon | Rosie | Valentino | Velvette | Vox | Zestial

Series Parts Hazbin Cast - Here! Helluva Cast - Here!

Dear to the dearest,

You've always got me running myself sappy, but I'd like to offer my hand to you this valentines.

You know how popular Ozzie's is on Valentines, so how about a nice spot for brunch and then we pick a song to perform together tonight? Just you and I on stage, surrounded by people who wish they had what we do~

Eagerly awaiting your reply,

Prince of Lust, and yours forever;

Asmodeus

Heya lovely!

I'm so fucking excited to be spending valentines with you this year, and I don't say it enough so here it is in writing!

Normally I throw a party but I don't know, I kinda rocked with the galentines dinner you suggested, I'm thinking we invite some of our closest and have a hell of a good night, yeah?

You're the only party that matters,

Your Queenie Bee🐝

Mi vida,

I think it's about time we get away from work and the girls, how about we take valentines off?

I've always wanted to show you some of the places I used to frequent, since you always ask it only seems fair. I'm sure you'll adore the cuisine, I miss it dearly.

I'll help you get ready before we leave,

C. Carmine

Sup hottie!

How about we ditch my valentines show and leave it to the performers to take care of shit? I much rather be with ya anyways.

Anything you want, just tell me. I'll take care of everything from there babe.

Love ya more than you know,

MAMMON

Sweetest darling,

I reckon its about time I follow my own advice and pursue the one I love this valentines.

We can take a break from everything and go sight seeing! I don't get away from the town much, but everything you tell me sounds exquisite. We can go somewhere with a nice tune and I can really show you how I used to swing!

What do you say?

Your Rosie

Querida cariño,

Theres no reason for me to ask what I already know, and I don't want to hear another valentines joke about my name.

I know work has kept me busy babe, but this Valentines its just you and I. We can laze around all you want or you can drag me wherever, I'll make sure we get in.

Like a moth to a flame, eh?

Val.

Heya gorgeous,

Ive got two outfits in our sizes that could use a little test drive around town this valentines.

Already booked the photographer, so I hope you'll come model with me for my end february magazine, yeah? If you do a good job we can do dinner and drinks after, though you've never disappointed me, dolly!

You know I love you, always have & will

Velvette

Hope you're doing well, angel

You always joke that I can't write for shit so heres proof. In fact, I'm here to ask you to be my valentine.

I already know its a yes anyway, so how about I let you in on the itinerary? I got breakfast at the local spot booked with live music, an afternoon just the two of us, and for dinner I have our main reservation and a backup in case you don't like it.

Romantic or what?

Owner & CEO of VoxTek, Beloved valentine of you, Vox

Greetings,

Tis with great pleasure that thou is still by thine side after such an overwhelming year.

We must beg thou has considered indulging such an old soul in an evening of romance. Perhaps thou would dare to consider looking upon their bed, for there lays a gift.

Yours affectionately and forevermore,

Z

Authors Note - Who are you expecting a letter from? Who will you accept? I'd love to know! Heres to another part of the valentine sseries 🖤

[shiny-jr]

VERY IMPORTANT!

THE INTERACTION.

This announcement pertains to the recent plagiarism incident that I've been dealing with behind the scenes. This announcement will contain the explanation in the form of a timeline, along with evidence (as much as I can provide given that Tumblr has an image limit) of the plagiarism and interactions, as well as what you can do to help. This post will be the interaction post, and you can find the other post of the evidence here:

Evidence post.

If you choose to help, thank you, and please make sure you read the entirety of the two posts for all the information and as I'd like to set some boundaries.

Before I explain the timeline, I would like to make it clear that it was my full intention to solve this privately and quickly. It was what I wanted since the beginning, but that has been made harder and harder, and now it is practically impossible. I did not want to go public, but I was compelled to do so.

Here is the rough timeline to understand the situation.

DECEMBER EIGHTH. I receive a message in my inbox notifying me that my work has been plagiarized. I check it out promptly, despite being busy. Sure enough, I find a story on Quotev that has multiple scenes that are far too similar to mine, with some words even being the same, but of course slightly adjusted probably to go under the radar. What I found even more preposterous, is the user followed me and still had this story posted.

I took some time to skim through the story, comparing scenes with mine. I have different tabs open, looking at each line and recognizing some lines and scenarios. After a bit of comparison, I came to the conclusion that it was indeed plagiarism. This was entirely new territory for me, as I don't remember if I had ever dealt with something like this before. Which is why I took this issue to a small server of writer mutuals where I received advice and feedback.

My main objective was to end the situation as quickly as possible, without any major drama or harsh words. There were no direct messages available on Quotev, so I had to resort to the comment section. I leave a comment on the copied story, detailing an explanation with dates provided and one of many examples being used to further my point. At the end of the comment, I ask them to delete the story.

Unfortunately, I did not think to take a screenshot of the comment I made, but I do have a copy of it from when I was typing it out in my notes. My comment on the copied story went something like this:

"Hello. I really did want did to be a private conversation, but due to the fact that Quotev has disabled private messages, this is the only way my message could get across. My username, as you can see right above this comment, is ShinyJr. My story is Damnation, a Twisted Wonderland yandere series that bears a striking resemblance to yours. I would say it's a coincidence, but I really don't think it is based of the fact alone that you published this series in June of 2023 while I first published scenes of my story in December of 2022 from Tumblr then officially posted it on Quotev in January of 2023. It's an ongoing series of mine, which makes it more disheartening when I find a story such as this one that have blatantly copied both the premise and a vast majority of the scenes. Not only this, but I also noticed several instances of potentially copied scenes from a mutual of mine and their own story, who I won't name as I don't speak for them. This just further proves that you deliberately copied others. If you need more proof of this, I will gladly provide it, as I gathered plenty of side by side comparisons. Just in case though, here are some comparisons I found: 1. MC is trying to think of how to manipulate the story. Up to this point, there are a lot of uncanny similarities, such as the MC waking up as the chieftain of the hyenas, Ruggie being the first one to greet them, climbing a cliffside and being surprising by Leona, the prince of the kingdom. But there's one line in the thought process which particularly caught my eye. My version: The plot was moving forward. Leona needed the hyenas, he couldn’t complete the coup all on his own. So either way, with or without your approval, he would win the majority of the hyena-folk by his false good-will. You could reveal to Ruggie and the others that you weren’t who they thought you were, but that didn’t work before. Even if it did work this time, what then? Would they turn on you? Would they accept you but lower your standing in the ranks? Or would you be banished, die stranded in a hot desert where the vultures would peck at your remains? . . . Your version: The plot was moving forward. Leona needed the hyenas, he couldn’t complete the coup all on his own. So either way, with or without your approval, he would win the majority of the hyena-folk by his false good-will. You could reveal to Ruggie and the others that you weren’t who they thought you were, but that didn’t work before. Even if it did work this time, what then? Would they turn on you? Would they accept you but lower your standing in the ranks? Or would you be banished, die stranded in a hot desert where the vultures would peck at your remains? This is just one example of the many I found. I ask that you please take down the story. Next time, if and when you decide to continue writing, do not copy. It's not a big request, it's just basic decency."

A few hours pass when I get word from a mutual that my comment was gone, and eventually, the user had disabled the entire comment section, leaving no evidence of my message and no way to speak to them. Meaning my comment was never responded to, and the user was trying to avoid responsibility.

With no other choice left, I report the story for plagiarism.

A few hours later, the story is gone completely but the account remained. I do not know if this happened by choice of the user as in they deleted it willingly or the report worked, but the story was gone. This was completely fine with me. I was content, as I thought that it was the end of things. Oh, I was so wrong.

DECEMBER NINTH. A mutual informs me that they found the same exact story under a new profile. Same cover, same notes, same everything. Looking into things, I discover that the user created an entirely new account just to avoid being caught, and put the story back up. Not only that, but they added notes on their account and the story that were clearly meant to be jabs at me. So you can probably understand the stress this was creating.

Here is the note that was found on the second version of the copied story. The username of the other writer is blacked out because I have not spoken to them and I do not want to involve them in drama they may want no part of.

Additionally, here is the second profile the user made just to post the story again. Take note of the words on their profile and how long the account was active, as well as how long ago the story had been posted.

This time, again, I had little choice but to report both the story and the new account. I did not want to comment on anything again in case I would be reported for harassment, so this was the safest option.

At this point, I considering going public with the information, but I really want to avoid this as it just makes the issue that much bigger and problematic. So, ultimately I push the idea aside.

A few hours later, the original account, the secondary account, and the copied story are again, gone. Gone entirely. Again, whether the reports worked or the user decided to call it quits, I have not a single clue. But surely, that must be the end of it, right? You would think so.

That same day, I was informed that this same copied story was on another site. Wattpad. I investigate, and sure enough, there it is. The same user, same story. This version had been up for a while and seemed relatively low activity.

This version is still up. Now, before anyone does anything, I ask you to please finish reading for all the details.

After discovering the profile, I decide to comment directly on the user's profile. This is one I do have screenshots to. My comment was very similar to the one I left on Quotev, but with some changes.

My comment:

Their reply:

My response:

Their answer:

Notice how there is no reply after that? That is because they blocked me before I could say anything else. They also chose to go to my profile on Wattpad and comment on a post I made two years ago. This comment was likely made sometime around the time they blocked me.

This is currently where things stand. Despite the report I have attempted to make, I am unable to do anything more because of the rules of Wattpad.

This is the part where I would ask you, my followers and readers, for help. If you have fully read both this evidence post and interaction post, and you are wondering if there is a way to help, yes, there is.

However, I want to remind everyone that I do not want anyone to spam or send outright hate. That is not what I want nor will it be useful.

If you would like to help, then please report the story and comment discouragement. Especially comment on the story, as I feel that this would be the most efficient method. If you wish to reblog, you may. Again, I stress this, DO NOT send any hate or spam! I am entirely serious on this point. I will block any users I find that are clearly hating or spamming the user on my behalf.

All I want is this to end as quickly as possible, so I can just get back to writing in peace. Please, and thank you for your time.

Where can you find the story and user: Wattpad

The user: kristynaka1

The story: In The Right Time

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[entitled-fangirl]

Chance. (P2)

Aemond Targaryen x Baratheon!reader; Aegon x wife!reader

Summary: Aemond finds that his ploy is having the opposite effect- driving her away from him slowly.

Part 1, Part 3

Masterlist

....................................................................

In the days that followed, Aemond had managed to lure the poor doe from Aegon's room. 

She now took walks with him daily, something he found himself enjoying more than he thought he initially would.

Like now.

"Against Caraxes?" She asked with a slight grin. "I thought both Caraxes and Meleys have seen war."

"They have. But I believe Meleys would win."

"I believe Vhagar would best them both." 

He felt a warm feeling go through his heart at that. "That was not the hypothetical scenario that I stated though, was it?"

"No, but it is the truth. Vhagar is a formidable creature."

His head tilted, "Vhagar is quite… kind, actually."

She stopped walking to look at him. "Is she?"

He hummed, "Very gentle in spirit. She must make up for my lack thereof."

Her lips pulled into a teasing grin, "You're quite gentle when you wish to be."

"I suppose so." He reasoned, "I just do not wish to be very often."

…

"THAT BASTARD!" Aemond roared as he entered his mother's chambers. 

Alicent turned and stood, "Aemond, what are-"

"Did you know about this?" He seethed.

She stared. "About what?"

"The marriage. A fucking marriage."

"What marriage?" She asked. "What are you talking about?"

"That slimy bastard will have his hands all over her," he spoke through gritted teeth. "And I must let him."

"Speak plainly, Aemond. You're confusing me."

He forced himself to take a deep breath and lower his voice, "My brother denied my betrothal. And now he takes my place in it."

Alicent tilted her head, "He wishes to marry her?"

"He does not love her." Aemond's fist clenched. "He will not love her as I can."

"That's what this is about then," she said. "A brotherly feud?"

"He only wishes to make my life harder, mother. And you let him."

He stormed out the door, kicking a chair on his way, not caring for the loud clattering sound of it against the floor.

…

"How does he fair today, my queen?" Aemond asked.

She looked up from Aegon to the prince, "Better. He's… better, I suppose."

"He does not look it."

She let out a frustrated huff, "Anything is better than the state you brought him to me in."

He smirks, "Do watch your tongue, doe."

She tilted her head curiously, "Why? Don't misconstrue my words, my prince. I only mean to say that you returned without a mere scratch and our king is…" She paused as she look to him, "…beyond repair."

"That was the will of the gods, not mine own. Remember that."

"And yet they named you regent. Didn't they?"

Aemond's jaw clenched and he took steady steps to the foot of the bed she sat on, "I am a worthy candidate for the crown, am I not?"

"Your mother ruled in your father's stead. Should I not rule now?"

"No, pretty doe. You're to care for the king. He needs a… woman's touch."

Her eyes flitted down to the dagger Aemond possessed. 

He continued, "Do watch who enters here. You never know who you can trust."

She looked back up to him a new look in her eyes, "Right."

…

Something began to stir in the girl as she thought about Aemond as the regent now. 

Some things just didn't add up.

And it seemed Alicent thought the same. 

Y/n spotted Alicent walking down the halls and decided to catch up to her. "My lady?"

Alicent turned, seeing the girl, "Is Aegon alright?"

"Yes," she found herself now nervous under the older woman's gaze. "I found myself needing advice, is all."

"Oh. Um." Alicent hums, stumped. "Let us take a walk then, I suppose."

"I'd like that."

…

Y/n called in the knock that sounded at her door.

Aemond entered and she stood at his entrance, "My prince."

He shook his head, "Please don't do that."

"Do what?"

"Act so formerly. As if we were not betrothed only hours ago."

She sighed and sat back down. "I do not know what you wish for me to say."

"That you're upset, perhaps?" He scoffed.

She huffed back, "I have had no say this entire time. Why would I just now be upset?"

"Because you know what Aegon is."

"I do."

His jaw clenched, "And still nothing?"

"My prince, my life was bargained for before I was out of my mother's womb. I am used to the feeling of disappointment."

He sighed and moved towards her, sitting on another chair. "He'll mistreat you."

She stared at the flames of the fireplace, "So be it."

Aemond studied her with his one eye, "You'll wed yourself to a whoremonger that would rather spend his nights drunk in a cold, dark alley than sober with his wife in a warm bed?"

Her eyes watered. "Do not remind me."

Silence filled the room as he considered what to say next. 

But she spoke first, "You may not be my husband, but you will be a caring brother-by-law. I know."

He smiled, "I won't abandon you."

…

"As a woman, it must be hard to truly now who your allies are."

Alicent nodded, "It is. Men only want thing in life, and that is anything that gets them hard."

She hummed, a trait she no doubt picked up from her recent time with Aemond, "But how can you be certain?"

The queen regent frowned, "Is there someone you fear as of now?"

"Not I. I fear more for Aegon."

Alicent sighed. "I do as well."

Y/n began to step, leading the two more into the garden. "I cannot protect him all of the time."

"Nor do we all expect you to."

Her jaw clenched, "And yet I find myself protecting a man who cares not for my own wellbeing."

"That's not entirely tru-"

"IT IS!" She cried. "Aegon married me for nothing! I am nothing to him but a whore he can impregnate-"

Her head jerked to the side with a loud slap and a sudden hot pain spread across her cheek.

Alicent had slapped her.

"Do not," the queen regent sneered. "Say those words again."

A shaky hand came up to her cheek, the cold of her palm soothing the pain. "I thought you an ally. But you're not."

Alicent scoffed mockingly, "Silly girl. There are no real allies in this game. Only mutual interests for a common end."

"It seems we wish for different endings then."

"Does it matter anymore?"

When she didn't answer, Alicent began to walk away.

"Alicent-"

She whipped around, "Do not call me that."

Y/n's head shot up with a new look of determination, "I am the queen. Not you. I will call you what I wish."

…

The next day, she met Aemond as always to walk the gardens.

He moved to hold his arm out, but immediately stopped himself. "What befell you?"

Her brows furrowed, "I'm sorry?"

His hand gently brushed her cheek and she flinched at the contact. "My queen. Has someone laid a hand on you?"

She shook her head. "I was being reckless."

His eye studied her closely. "I don't believe you."

She pushed his hand away lightly, "Then don't."

He bent his head down closer to her, "Is someone a threat to you? Must I fix something for you?"

"There is nothing to fix. I wish to go on our walk so I may return to my husband."

My husband.

The words still burned him worse than dragon fire.

He hummed and held his arm out once again, staring their walk. 

"I am curious, if you allow me to be so," she began.

He nodded.

"You've dismissed Cole as hand-"

"-And you wish to know his replacement?"

Her head tilted to the side, "I do."

He let out a low breath as he looked down at their path, "I'm assigning it to my grandsire, Otto Hightower. He's done it twice before."

"In a time of peace, that is."

"I suppose that's true. Then again, not many others are good enough even in times of peace, my queen."

"Sitting on the Iron Throne is no easy task, Aemond."

He chewed on his bottom lip as they walked, unsure of what she really wanted to say.

She pulled away from him at the sight of a certain flower. She knelt down at it, touching it with a gentle calmness to her.

She could be such a good queen if Aegon had just given her the chance.

Aemond promised he would.

…

"Dismissed. Except for my mother."

The council members one by one left the table and out the door, save for Alicent who sat with a curious look.

Aemond stood, rounding the table to stand behind her chair, "You dare strike her?"

Alicent took a deep breath, "Aemond, this does not concern you."

"Concern me? Indeed it does." He moved next to her chair, leaning against the table now, "You believed that you could strike her and I would not notice?"

"I did not think she would tell you."

"And alas, she did not."

Alicent's eyes widened at that. "Then how-"

"You've just confirmed it."

Aemond crouched down to her level, practically spitting venom, "I'm removing you from the small council. You're of no use to us and the kingdom anymore if you cannot even keep your hands to yourself, mother."

…

Y/n walked down the halls of the castle, going to Aegon's room as she always did. 

Upon entering it, she was surprised to find Lord Larys Strong there. 

He pushed himself to stand, "My queen."

She frowned, "My lord."

He turned to Aegon, "I am grateful for your recovery, your grace."

Lord Strong limped by, stopping next to her and speaking in her ear, "If you're in need of an ally, I can be of assistance, my queen."

Her eyes studied Aegon, noting the watery look in his eye. Her jaw clenched, "I believe I am tired of alliances, my lord. They do nothing for me."

He hummed, "Very well, your grace. My offer stands if you change your mind."

She turned her head to him with disdain, "I won't."

His jaw set but he nodded and left without another word. 

Upon the door closing, she moved to Aegon's side, exactly where Lord Strong had been moments before. "There you are."

His hand moved towards the bedside table, clearly reaching for something. 

She looked, noting the cup of the milk of the poppy that sat there untouched.

She quickly took the cup in her hands, "Relax yourself, my king." 

He moved back, a small tear in his eye.

She leaned down, wiping it from his cheek with a gentle smile. "You foolish man. What's wrong?"

He coughed a bit, "Ae…aemond…"

Her brows furrowed, "Aemond? What of Aemond?"

His hand grabbed her wrist, yanking her to him with what little strength he had. He cried as he did so, "Do not…"

She studied him with a worried gaze, "Do not...?"

The door opened, and she quickly looked over her shoulder. 

Aemond himself stood in the doorway. 

"How is his grace?"

She looked back to Aegon who looked ready to cry again. "He's doing alright. He'll be resting again soon enough."

Aemond hummed, stepping to the other side of the bed to watch the two.

Her hand moved to the back of Aegon's head, leaning him up to sip from the cup in her other hand.

He carefully took in the liquid, sighing as he finished. 

The woman leaned forward and kissed his forehead, "Sleep well."

She stood up and abandoned the cup with her focus now on Aemond, "Let us leave him in peace for a while."

"Yes," he said absent-mindedly. "We should."

But his mind was far from absent. In fact, it only thought one thing.

What had Aegon told her?

..................................................

part 3

taglist: p45510n4f4shi0n, darktrashsoulbear

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[pomefioredove]

heyyy! i really love your writing🥹🥹 btw can i request a hc with riddle and jamil (separated) with gn!reader who’s very lazy and they have a test and only study the morning before the test? but somehow pass?? i wanna see their reaction

anyway sorry if i made any mistakes, this is my very first request and english is not my first language😔 it’s fine if you can’t do it!!

-🎲

no worries! this is a great request, their reactions would be very funny

summary: reader miraculously passes a test they last-minute studied for type of post: headcanons characters: riddle, jamil additional info: platonic or romantic, reader is not specified to be yuu, reader is gender neutral, not proofread

Jamil knew that it wasn't his place to judge

after all, being raised with the al-Asims, he'd been taught to keep his bitter thoughts to himself

but something about your carelessness reminded him all too much of Kalim

...okay... maybe you weren't exactly partying, or spacing out, but your complete lack of conviction is almost identical

and, so, Jamil decides to give you a word of advice the day before the big exam

"Worried about tomorrow's History of Magic test?"

he even gives you a big smile, trying to play it off as a casual question

you shrug. "Eh, not really,"

"If I were you, I'd be a little more concerned. The grading system is very strict at NRC,"

and with that, he's gone

his sly remark, spoken as if in friendly conversation, leaves him feeling a little more satisfied with himself

he doesn't even feel irked when Kalim nearly sleeps through the test, or when he forgets his notes, or when he absent-mindedly reads the questions aloud during...

in fact, Jamil is quite confident that in any case, you'll do much worse than Kalim, which saves the both of them

after the exam scores are posted in the hall, you find him

"What did you get?"

Jamil hates answering these kinds of questions, especially knowing that he could be in the top of the class if he was allowed to try. "Passing. And you?"

"Well..." you smile. "I really thought about what you said, so I studied this morning."

Jamil's sour mood at his own score seems to lighten

you studied the morning of the exam? oh, this was going to be rich

"...And I got full marks!"

...what.

you show him the paper and it takes all his strength to keep his usual poker face

otherwise, his jaw would drop

"How did... how?"

you shrug. "Good study plan, I guess,"

"Hmph," he crosses his arms. "Well, then... you'll have to come tutor Kalim sometime. What works for you must work for him,"

Riddle spends the entire week pestering you about studying

"I just don't feel like it," you groan

goodness. you sound just like that terrible Floyd...

"It's not a matter of want, it's a matter of need. This exam counts for a significant amount of your grade!"

"Eh... I'll just wing it,"

wing it?! oh, now you've really done it

"Consider yourself lucky for not being a part of Heartslabyul. I would have your head for that!"

and then he storms out. how graceful!

when he sees you the following afternoon, that calm, unbothered look of yours is still on your face. it drives him mad

"If I were you, I'd be praying," he says. he's almost smug about it

Riddle earns full points on every exam- it's just a given. he's sure that the two of you will be on polar opposites of the grade spectrum once the results are posted

you shrug. "Yeah, about that... I thought about what you said, and decided that I don't want to have to retake this class. So I studied this morning,"

he almost smirks. "One last-minute cram won't be enough to raise your grade above failing, I'm afraid. But perhaps this will serve as a lesson, next time you-"

Riddle stops dead in his tracks as Trein posts the exam results on the wall behind you

his eyes widen

"Full... full marks?! We're in the same percent!? How is that possible?!"

You chuckle as his face goes all red, both frustrated and flustered

"Hey, you should count this as a victory for yourself. You give great advice,"

[trensu]

It's Will that gives him the idea.

"we don't really celebrate father's day anymore," he had said awkwardly, "but I can't hang out anyway."

"why not?" Dustin demanded. He was gonna end up bored and alone because he didn't celebrate the holiday and everyone else had plans. he had been counting on Will to keep him company.

"I'm gonna get Jonathan a new record and I want to listen to it with him," he said.

"can't he get his own records? C'mon, we could go to the arcade or something."

"no, Dustin," his tone took on a stubborn edge that made Dustin pause. "He's my brother and I love him, and he's the only guy besides Bob who's ever even tried to look out for me. So I'm sorry but I'm gonna be busy on Sunday."

Dustin didn't argue after that but it did get him thinking which is why on Sunday morning he biked all the way over to Loch Nora and started banging on Steve's door.

"what do you want, Henderson?" Steve sighed the most dramatic put upon sigh Dustin had ever heard.

"you're not my dad--"

"wow you really are genius!"

"shut up, shut up, listen to me!"

"okay, geez, I'm listening."

"you're not my dad and I don't want you to be my dad. I don't even really want a dad! Lots of dads aren't even that great and my mom already has the single parent thing down. But you taught me how to do my hair and how to talk to girls - even though that advice sucked, I didn't need it to get Suzie at all - and you're gonna teach me how to drive--"

"woah, hey, no I never said I'd do that, wh--"

"--and you've saved my life but I think we're even because I've saved your life too."

"Henderson don't you have anything better to do than harass me in my own home?" Steve said. he was using that exasperated tone he got when he knew he wasn't keeping up with what was going on but didn't want to admit it.

"actually no I don't but I'm here for a reason," he reached into his backpack and took out the gift he clumsily wrapped with scraps of brown paper bags. He shoved it into Steve's hands. "You're basically the only adult male figure in my life. And I appreciate you."

Steve squinted at the gift and then at Dustin and at the gift again before he said fussily "is this a prank? If something gross explodes from this, I swear to god, I'll--"

"Just open it, Steve!"

"Fine, fine, keep your shirt on," Steve said and tore off the paper. He blinked and in a softer tone said, "Oh."

"I don't know if you even like making models but I know you love cars and this kit looked just like yours, so yeah."

Steve stared at the kit some more. Dustin started to fidget. It was always better to be honest with your feelings but maybe this was too much for Steve. Maybe Steve didn't like him as much as Dustin did. Steve was not as enlightened about these things as Dustin.

"I've never made a model before."

Dustin hunched his shoulders and tried not to feel stupid or hurt. He should have expected this. They weren't even related. This was probably too weird. He reached out to take the gift back.

"it's fine, I can return it, whatever."

Steve raised the kit out of Dustin's reach.

"Hey, this is mine," he said.

"you don't even like it!"

"I never said that! I'm just gonna need a dweeby little nerd to help me build it. You know anybody like that?" Steve asked, batting his eyes innocently.

"you're such a dick," Dustin grumbled, fighting back a grin.

"watch your language!"

"shut up, you're not my dad."

Steve laughed as Dustin shoved his way into the house. Hours later, after much shouting and ribbing and one incident of spilled paint, a small model of the beemer was left to dry while Steve forced Dustin to watch the baseball game on TV with him. It wasn't the worst thing ever, and after Steve mentioned the statistics involved, it got way more interesting ("of course you'd like the math part, you weirdo" "you don't understand the stats do you" "shut up and watch the game, Henderson"). When the paint was dry, Dustin followed Steve upstairs and watched him carefully and deliberately place the model between a couple of sports trophies.

"yeah, I guess it looks pretty cool," Steve said with exaggerated nonchalance. "Now beat it, kid. your mom's gonna freak if you're not home when she gets back from work."

"can you give me a ride?"

"ugh, fine."

Dustin grinned. This had been, hands down, the best father's day ever. From the look on Steve's face when he placed the model, Dustin was pretty sure he agreed.

[dedalvs]

When will humankind learn the lesson of its hubris and begin to heal itself? Also can you recommend any undergraduate or graduate level resources (textbooks etc.) for learning about fiction? I already read Writing Fiction by Burroway. Thanks in advance

January 14, 3182. Make a note of the date and return to this post when it comes.

To your second question, I've never read anything on writing fiction, only writing in general. I've found something valuable in every book on writing, even if there were things in the book I found less valuable. For example, I read Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg, and while there was much of it I didn't care for, there are some passags that have stuck with me 22 years later. When it comes to writing guides, I think the best thing to do is read what interests you while understand that what you are really doing is building your own writing guide inside you. You're absorbing what you find personally meaningful and using it to create your own personal styleguide that, like it or not, you'll be following for the rest of your life. Rather than rejecting that, and trying to decide which text will be the text that tells you how to write, embrace it, realize that you are going to do what you're going to do, and then try to work within that framework. That is, if that's what's happening, how will you approach a styleguide? What will it mean to you to read a very didactic text (i.e. "All serious writers must do x; no serious writer every does y") vs. a loosey-goosey one (e.g. "Dance naked in the garden of your creativity and allow your flowers to bloom!")? What are you looking for in these texts and what will you do with information or strategies that you find valuable?

Returning to Writing Down the Bones, I have to say I found the book to be mostly woo. It was more a kind of self-help/empowerment book than a book on writing, in my opinion. But there is something in there that I'm sure I'd heard before but which finally resonated with me. Specifically, it was the way she articulated that it really, truly doesn't matter what you put on the page when you're drafting. Drafting is not the time to reject. Even some idea comes to you that you find absurd, illogical, thematically inappropriate—whatever. It's not the time to push it away. Indeed, it's wasted effort. Editing and revising is the time to question. If you're writing, you shouldn't let anything stop you—even your own brain.

Why it took till then for this idea to take root, I don't know. It could be how she worded it. It could be that it came at the right time. Perhaps I was more open to new ideas when I was reading this book. It may also have something to do with a transition that had taken place for me in writing. After all, when I started high school, I was not regularly using a computer (we'd only just gotten a computer that stayed at home). When I started writing, I wrote by hand—on paper. It's a much, much different thing to edit and revise when you're writing on paper than it is on when you're working on a computer! I mean, digital real estate is cheap. When you're writing by hand, it can literally hurt to write seven or eight pages—and then to discard them in editing! Right now I'm working on a novel draft where I've decided an entire section needs to come out. If I'd written that by hand?! I can't even imagine.

I guess the tl;dr of it is I don't have a specific text to recommend. Rather, I encourage you to look around and grab anything that interests you. In doing so, though, I encourage you to approach it differently, focusing on what in it you find valuable, without either wholly rejecting it or feeling you have to follow it to the letter like an Ikea manual. I even found something valuable in C. S. Lewis's The Abolition of Man, which I honestly can't believe I read.

If you'd like some fiction advice that may be generally useful no matter what you're writing, this is what I can offer:

A valuable skill to hone is being able to read your work as if you have no other knowledge of it. In other words, you need to be able to read your work like a reader. One of the most difficult things to do with fiction is to cut. You usually have a lot more characterization, a lot more plot points, a lot more detail, etc. than end up on the page. The important question is if you cut something, will the reader notice? Will it actually feel like something's miss it, or will a reader never notice? Mind, I'm not saying that as a writer you can't tell if something is superfluous, or that anything you cut will be superfluous. I'm saying sometimes even if you cut something important a reader will still get the impression that what they are reading is whole and unedited. That isn't a good thing or a bad thing: it's a neutral thing. The question you'll have to answer is what is this whole that the reader is getting, and is that whole something you're satisfied with?

Get multiple rounds of feedback from many different readers. I say this not because it's vital, because beta readers are important, because you have to have multiple perspectives on your work, etc. None of that. Getting feedback from many different readers is a form of self-care on the part of the writer. I was deathly afraid of feedback as a young writer. I welcomed praise, sure, but anything else felt too painful to bear. This changed when I took a short fiction class at Berkeley. Suddenly a short story of mine wasn't getting one round of feedback: it was getting fourteen. And not just from the professor, but from fellow students. This was a minor revolution for me in terms of accepting feedback. If I were to take, say, one round of feedback, certainly there would be some praise, but there would also be notes like "awkward phrasing", "why did x character do y?", "this is unclear", "too much description", etc. These things would burn me. I would seethe reading them, and it would hurt so deeply. But! Imagine that one of them circles a paragraph and writes "too much description" and then the other thirteen readers say absolutely nothing at all about that paragraph—maybe one even puts a smiley face next to it. THAT puts the criticism in its proper context. Maybe your writing isn't too bad! Maybe there isn't too much description. Maybe that particular reader just wasn't vibing with it, and maybe that's okay. And then let's look at it from the other perspective. Say thirteen out of fourteen papers have a sentence marked and all of them say things like "huh?", "what's this mean?", "confusing", etc. Guess what? The sentence is probably confusing. And for some reason if everyone's saying the same thing it hurts a lot less. It means, yeah, you probably made a little mistake, and that's okay. It's not one person singling you out, and it's not the case that they don't know what they're talking about. I can't emphasize enough how freeing it is to look at reviews of your work if you have a handful or more to draw from rather than just a single good friend.

It's okay to write the fun part first. You may have a plot device you're really excited about, but to get there, you have to introduce your characters, have them get together, have them go to a place, meet someone else, etc. And it may take time and energy to write all that. You may feel pressured to get through that before you get to the part you really want to write. You certainly can, but you do not have to. I don't know if younger writers can appreciate exactly what it means to have a computer. You can write a little bit now and literally copy and paste it into some other document later. Try doing that with a typewriter! You can write something like "Insert paragraphs later of characters traveling to x location". You can even drop a variable in there so it's easy to find with the search function later (e.g. "ZZZZZ insert scene description here"—now you just need to search for "ZZZZZ"). You can put it in a different color on the screen so it's easy to find when scrolling. You can paste a freaking photo into your document! It's extraordinary what you can do with a computer that you couldn't do in years past. You've got a ton of options. But most importanly, when your work is done, no one will know what order you wrote it in.

In fiction, nothing has to happen. Villains don't have to be punished; heroes don't have to win; characters don't have to have a specific arc that comes to some conclusion. Honestly, one of the tropes (if you can even call it a trope) that I find most frustrating in sequels for movie franchises is after the characters are introduced, they take a few character and assign to them the major story conflict, and then for the rest, they give them a mini arc. It's like, "Mondo 2: Exploding the Mondoverse sees our hero Larjo Biggins take on new villain the Krunge as the very core of the Mondoverse is threatened with destruction! Also, Siddles Nuli learns its okay to be left out sometimes and she shouldn't get her feelings hurt, and Old Mucko learns that even though technology is advancing, sometimes good old fashioned common sense is just what the doctor ordered!" If you get to the end of your story, and you feel it's done, you don't have to panic if you suddenly realize we don't know whether Hupsi ever made it to Bumbus 7. It's okay if Story A is resolved but Story B is not.

I don't care if you used Trope A in your new story even though you used Trope A in your past seven stories and neither should you. Seriously, you think anyone was complaining when Agatha Christie put out another mystery novel? "Oh. Mystery again, huh? Gee, we were all hoping you'd write a book about the struggles traditional fishing villages are facing in the wake of industrial modernization." No we fucking weren't!

I hope you find some of this useful. Whether you did or not, though, be sure you enjoy what you're doing. If you are, you're doing the right thing.

[cozycottagetarot]

The Next Chapter Of Your Life

How To Pick A Pile:

Everyone has their own technique for choosing a 'pile'. My recommendation is to clear your mind and focus on each image for a few seconds. The image you find yourself coming back to even when you focus on the other images is the pile for you.

Quick notes on this reading:

It's a long one -- This reading is a lot longer (I think) than what I typically post. I'd appreciate any feedback on the length since it's something I'm experimenting with. The pile titles are colour-coded -- Hopefully, it helps make scrolling to the next section quicker.

Each pile references multiple scenarios -- some scenarios came through stronger than others, but I did my best to write what I was getting to be applied to situations not mentioned.

‼️ THIS READING IS MEANT FOR SELF-REFLECTION AND ENTERTAINMENT PURPOSES ONLY -- While this reading does contain a bit of advice and reflective questions, IT'S IN NO WAY SHAPE OR FORM MEANT TO REPLACE PROFESSIONAL ADVICE OF ANY KIND. Please use your discretion, think carefully before you act and only take what resonates be it a little, some or none at all. (The usual disclaimer is at the bottom).

Reading Masterlist | Patreon | Paid Readings -- Open 🥂

PILE 1 (Scrapbook)

Who are you? Cards: The Poet, The Founder rev, The Queen of Roses

This pile may be the pile for you if any of the following resonates:

Wanting to connect or being very connected to your loving, nurturing and supportive side. You've been receiving messages or sensing that a new connection is on the horizon. Motherhood/parenthood or marriage. Seeking resolutions to a relationship. Leaving behind relationships that have been in your life forever. Giving too much to others. Ending toxic relationships. Finding or wanting freedom. Finding your voice. Finding you. Tapping into your creative side. A quest for happiness.

If none of these individual sentences resonate feel free to check out a different pile.

Who will you become throughout this next chapter? Cards: The Muse, The Gambler

You will begin to bloom. Maybe not fully, but you’ll be more open to taking the necessary steps (which may feel like risk) to flourish. The end result will be you tapping into your creativity and creator energy. But also putting in the work, and changing your approach. I pulled all the cards at once so being able to take in all the cards at once, it’s this sense of making you happen. Gone will be the sense of being who you think you should or are expected to be. You’ll be gaining a new sense of self that is brighter and more wild. The risk is non-existent. It’s more perceived. It seems like a risk to indulge in the aspects of yourself that may seem like they’re more whimsy, but by actually making those things happen, you will transform into someone who can inspire themself. You won’t have to look for inspiration elsewhere, you’ll have it there within you.

How will you find success? Cards: 3 of Keys (The Chess Game), The King rev

Through changing your tactic. This chapter won’t necessarily be easy. There will be conflict with those around or above you, especially if this relates to career or relationships, possibly even both. Detach from the situation and be objective. Waiting for your opening will be the key to your success. For some, it’s a situation where everyone is only looking out for themself and I’m picking up that it's creating a stalemate. With the king reversed, you know what’s best in the situation but someone with more authority than you or a level of seniority if this is a personal relationship thinks they know better but they don’t. It’s about being firm and holding your own as well as not letting your emotions, or the part of you that’s super connected to the situation, get the best of you and influence you to make rash decisions.

Challenges you may meet: Cards: The Astronomer, The Orator, Reflection rev.

I see the biggest challenge here for you being one of mastering yourself in this next chapter. There’s a battle between your emotions and your intuition. To navigate this you need to have a conversation with yourself and determine why you’re having such strong emotions. Where are these feelings stemming from? The astronomer card is here to remind you that whatever the situation is, it’s not really about the past-- it’s not going to help you navigate this chapter. Especially if you’ve been acting according to what’s expected of you when the current/upcoming situation(s) requires you to do what is true to you. I hope I'm not repeating myself too much here, but the challenge becomes exploring the why behind the emotions so you can better make decisions and listen to your intuition. BUT, keep in mind that it doesn’t mean not to listen to your emotions at all.

Another message here is that working with other people may also show up as a challenge. There's a reminder to listen to other people's perspectives but also know that choosing to hear someone’s POV doesn’t mean you have to absorb it as yours either.

Finally, even when it gets tough, don’t doubt yourself. Take your time. It may seem like you have to have it all figured out and know what to say and which decision to make, but not really. It’s easy to feel that way when it feels like everything is at stake, but again, if you feel that way, pause and ask yourself why? Once you have your why, you can take on the world.

Lessons To Be Learned: Cards: The Painter, 8 of keys (the master artisan)

This definitely feels like it relates to career or passion projects, but of course, just adjust to your individual situation. It may or may not mean anything, but your cards have lots of florals.

Your lessons in this next chapter of life relate to learning to connect with yourself, speaking up and putting yourself out there. Your energy is one that makes me feel like you have such an amazing talent you're hesitant to embrace. You have so much to learn and just as much to offer... this is the beginning of that journey. Don’t be shy. There are opportunities out there waiting, you just have to figure out the way to pursue them that is most authentic to you. Even if it’s simply an opportunity to give love and kindness. I know I focused a lot on career and creativty, but this goes for relationships too. There is a lot of heavy energy covering this beautiful light-hearted one that just wants to break free. If you are considering going into teaching or taking up a teaching opportunity (not necessarily even in a formal education system) or enrolling in a course of some kind, I feel like this is a nod to say go for it. Especially pottery or beadwork? Trade work as well, maybe even culinary school or food-related skills. (I could be projecting there on the culinary aspect though as that's what I did and the imagery on the card reminds me of it).

Advice to take with you in this next chapter: The hound and pear (loyalty) — This card is always a bittersweet card whenever I see it. The message here is one of loyalty and friendship. A new relationship (of any kind), one founded on friendship, is precious but also delicate. Don't make irrevocable decisions based on conclusions. It must be treated with care on both sides because it can be damaged easily.

The deer and oat (healing) — Rest and recharge. Moderation and mindfulness are also key for recovering from difficult or intense situations. Ask yourself, how you can rest and nurture yourself?

The snake and fern (starting over) — it’s time to finish breaking free from the past so you can become something new. So you can return to your true self. What has protected you and brought you to this point? Are you in a position to release it? Are there any parts of your past self that you can regrow from (like snipping off part of a plant that may be unhealthy and leaving the rest so it can re-catch itself, not sure why I picked that analogy) or must you grow anew? (Planting a new seed, from the old plant. The essence is still there but a completely new plant will grow)

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 2 (Compass)

If you’re drawn to pile 1 feel free to check that out as well.

Who are you? Cards: The Oracle of Delphi, the Sentinel, the Forgotten

This pile may be the pile for you if any of the following resonates:

Intuitive. Connected to a higher power. Diety work. Past lives. Psychic powers. Perseverance. Fighting back. Confidence threatening to become arrogance. Dominance dancing on the lines of domineering. A force to be reckoned with. Someone who's sometimes brash. Amor fati (love of fate). An academic. Dreamlight Valley. Self-esteem issues (past or present). Someone who was looked past and from it learned not to try. Fear. Anxiety. A lost soul stumbling in the dark. Chaos. Morally grey. *You may be an avid reader or enjoy fantasy media as well.

My Overall Impression: You’re a force to be reckoned with and reckon you will. Your energy is just pure power and chaos. I low-key feel like you’re battling with life/the universe (call it what you prefer, that’s just how I prefer to call it). There’s this energy of "Try me" and the universe is like "I got one for you, watch and see". But there’s no malice. I just get fed-up vibes from you and the response from life is like "Okay 👀, but chill." Enemies to lovers with life itself.

Who will you become throughout this next chapter? Cards: The Ark of the Covenant, Beith — Birth, The Queen, The Assassin

The Queen and The Assassin flew out with such fury! You’re going to become someone worthy of wearing a crown. But it comes at a price, though it’s not one you can sit around and sulk about. The next chapter of your life reminds me of being forged in fire. Now you’re stepping into the role and identity of someone who can achieve your goals. It’s dark at times, but you’re gaining the skills to do what you want to do and I get the feeling this "thing" you're meant to do is one you may feel on a deep or soul level. (It is) fulfilling a higher calling or purpose. At the very least, you’re becoming someone who has decided that this is the last time they repeat a cycle.

You’re working towards something more and it feels like by the end of this chapter, you’ll be granted a brief reprieve. There’s still more work to be done though. You’re stepping into a new era where so much will grow from you. For some of you, a new romantic relationship is coming in and/or you're expanding your family-- that includes found family as well.

How will you find success?

Cards: 4 of Roses (views of the ego) the Witch. Rev

The first message that comes through is that your success lies in cutting someone off. Someone selfish and self-absorbed to be exact. It’s a relationship you’ve stayed in too long... they could have had some kind of hold over you, not necessarily in a controlling way, but they could have meant something on a deep level which could have been why you held on. You may have done a lot you’re not happy with because you’ve done it with this person in mind. Cutting ties with them grants you success as it allows you to focus on what’s truly important to you.

The other message with the witch reversed is the importance of remembering that while you’re forging your own path, it’s okay to look to others who have made it or 'gotten out'. Maybe they haven’t gone through the exact same thing, but it doesn’t mean there isn’t wisdom in the stories of others who’ve forged through and paved their own way as well. Pile one was about breaking away from the expected, but you’re being called to review what is expected and see if there’s anything worth considering. Kind of like shopping around for inspiration? You might come across someone else's story and it might spark an idea within you on how to navigate your own.

Challenges you may meet-- Cards: The Tailor Rev, The Scribe

Your challenges in this next chapter involve trying not to force your will upon the flow of your life and refining your focus. I know, I said forged in fire. There’s an imbalance of sorts... instead of firing and hoping you hit the target (your goal), you need to pause and take a good look at what’s working vs what isn’t. The 'wheel of life' worksheet/exercise comes to mind but I personally hate that exercise so much. I bring it up because it allows you to get a visual of what areas of your life you've been focusing on vs neglecting and pinpoint which areas of your life you’re lacking in. From there you can further assess and gain a better grasp on what you should be focusing on. After all, you can do anything, but you can’t do everything.

With the scribe, you may need to study or fine-tune your skills regarding a specific matter more. Here, there's something you need to learn to influence your life in the way you want, but you have to take the time to figure out what it is that you need to learn. It doesn’t have to be formal learning either. It could be something such watch a YouTube video, reading a book or article, or even taking a free online course or masterclass. Nothing is too big or too small here, as long as it's helping you to develop to get from point A to B.

Lessons To Be Learned:

Cards: 8 or scrolls (path unknown), the diviner, the puppeteer

The 8 of scrolls here reminds you that you’ve been travelling on a path where you know the outcomes, but to get to where you want to be sometimes requires walking down paths that may mean you don’t know what’s going to happen until it happens. At the same time, that’s how opportunities we didn’t know we needed arise. In the card imagery, there’s a basket next to the girl filled with scrolls, the same type of scrolls pictured in the scribe card. I think for you it’s learning the skill or information I mentioned that is going to help you feel more confident and assured on this path you’re following. You’ve got the energy of the queen archetype (regardless of gender), and though it may be a challenge, you’ve equipped yourself with the skills necessary to go after what you want. You’ll have what it takes 100% to move on to the next phase (after this one we're talking about).

The Diviner is about divine timing and evaluation. Here you’ve done all that you can with what is in your control. What’s left now is waiting for your desires outcomes to come to fruition. While you can’t rush or force things, you can make sure you set yourself up for success when you get it. So let's say you're waiting on receiving a sum of money, in the meantime you can learn/brush up on the skills to manage money etc.

Finally with the puppeteer, mending relationships could also be a lesson. Although I think it’s more about learning to interact with others better? But also remembering that sometimes apologies can mend relationships and other times they can’t. Going back to that relationship mentioned way before, it could be a matter of "are you willing to forgive the other person if they were to apologise and see the error of their ways?" (Though with the type of person mentioned that may be unlikely but, who knows).

Another possibility with the assassin card is that you may ruffle feathers at some point, so you may learn the power or limits of an apology in that sense as well.

Advice to take with you in this next chapter:

The Finch and Peach (romance) — romance is on its way to you. Things to ponder on could be: do you feel ready to welcome love into your life? What are some things that make you feel loved/how do you like to receive love?

The Marten and Foxglove (mischief) — this card asks you to stay open to opportunities that allow you to tap into your playful side, be spontaneous or travel. Ask yourself how can you make room for spontaneity? (It could be through trying new foods, reading a different genre, visiting a place you wouldn’t typically visit, changing up your daily routine etc). Also are you at a point where you can open yourself to new adventures, big or small?

The Boar and Pumpkin (confidence) — You’re not wrong to be confident in yourself, don’t let anyone tell you otherwise. Take a moment to acknowledge your accomplishments and think about what you’ve done that you’re proud of (doesn’t always have to be tangible, it can also be mindsets, situations you’ve walked from etc).

The Snake and Fern (starting over) — Again, if you were drawn to pile one, I suggest you check that out. Here this card nods to beginning a new and asks you to see if there are any parts of yourself you can return to, or if it’s time to completely start anew and discover yourself from scratch.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 3 (The Trunks/Suitcase)

Who are you? Cards: The Smith, The Twins, The Lookout, The Askashic Library, 3 of Forces (Bird’s Nest)

This pile may be the pile for you if any of the following resonates:

The overthinker. Having a twin or prominent Gemini placements. If you're considering something you’ve been wanting to do for a while but keep putting off. A relationship with someone in which you both started on the same path but they went in another direction. Holding onto resentment. Feel like everything is up in flames. Writing. Seeking self-awareness. Manifesting. Intuitive. *Read that book you’ve been meaning to read. Needing a backup plan. Expanding. Hopeful prospects.

*If this doesn't feel like your pile, and you were eyeing pile 4, definitely check it out. This pile was actually the last I pulled and the hardest to read for and it felt like many aspects of it related to other piles as well. I recommend checking out a secondary pile in general if you were drawn to one.

Who will you become throughout this next chapter? Cards: The Waker, The Runaway, The Warrior (Sorry, I forgot to write down some of the cards 🤦‍♀️, I believe it was 'Fated Meeting' and 'Queen of Scrolls')

You’re becoming someone who is becoming centred/aligned and more intuitive. Your internal world and external world are going to become more connected. Connected to your ‘higher self’ as well, it’s going to be you vs you (levelling up). You’re going to become someone who can face the things you’ve been running from head-on.

That thing you’ve been putting off, you’re going to be able to finally put into action. Coming into being filled with inspiration, clarity and direction. This is especially if you’re considering careers/education, or projects in the fields of writing, publishing, marketing, communication, counselling or teaching. If you’re seeking a mentor, this person could help guide you to becoming this way. It could also be someone in your life already that may help you who is in one of these fields.

For a select few of you, you’re becoming the version of you that was meant to meet your person. If it’s not a romantic partner, then you’re coming into contact with a soulmate (meant as someone you have a ‘soul bond’ with).

Where Will You Find Success? Cards: 4 of Keys (Clearing The Way), Reflection, The Cartographer rev, The Weaver

If you find yourself prone to many different avenues of ideas and project but never settling on one, you’re going to find your success through settling on one thing and focusing on it. It’s time for you stop buckle down and stick with one of those brilliant ideas of yours and make it happen.

Also while it may be time for you to focus on one thing professionally or creatively, when it comes to yourself, it’s time to embrace all the pieces of you that seem random. It reminds me of this post I saw a couple of days ago about how we don't have to force ourselves fit perfectly into an aesthetic... that it's okay to have and embrace parts of your personality that are completely left field of the other bits that go hand in hand. So for some of you, maybe it’s time to embrace all the pieces of you that don’t go together neatly. Maybe that’s why you have these ideas and start them and then ditch them, because you’re a multifaceted being and you’re not allowing yourself to be so and that is the way it manifests in your life? Maybe it’s time to learn how to let all the sides of you coexist without getting lost. Food for thought maybe?

Regardless, it’s time to remove distractions that are holding you back. Tap into your intuition. Become more aware of your emotions. There's a sense of self-mastery is needed here.

Challenges You May Meet? Cards: The Pathless, The Miser, 1 of Scrolls (On Track), Up In The Air, 6 of Forces (The Waterfall) rev

Your challenges kind of relate to the things that were mentioned already. Being in your head, overthinking things, being unable to settle, but also trying to avoid falling into a headspace where you’re being pessimistic and stubborn. Just because you stick to one thing doesn’t mean you can’t shift and adjust your approach. And if you find that you’re really stuck don’t be afraid to just take a step back. If this is all relating to something where other people are giving you their unsolicited advice, don’t be afraid to brush it off and say “Hey, I might have hit a block but trust that I know what I’m doing”. Another scenario is to not internalise any unsolicited advice or opinions because I feel like that could be a trigger for getting lost in your head for some of you.

For overthinking, it'll be about learning to accept that you won’t be able to know the exact outcome of certain things. If you’re working with someone else, then feeling like you are in control or that you have a say may be the challenge. For others, the challenge may simply be making the decision or committing. It could also be coming to terms with the fact that you waited so long to pursue this goal.

Lessons To Be Learned: Cards: The Brawler, The Forgotten, 2 of Roses (The Winged Messengers), Uriel and the Sphinx, the king of roses

With the Forgotten you’ll learn that you can’t be afraid of mistakes. Mistakes help you grow. You'll come to realise how much fear has been holding you back. There's also learning how to make something out of your anxiety. Learning not to run from conflict or maybe how to properly address it could also be another lesson. This could be regarding internal conflict or conflict with another person as I am getting multiple scenarios come up.

Again there's a message here that for some of a romantic suitor specifically coming in. Overall for everyone there’s an important relationship making its way into your life. The mentor shows up as a neutral energy throughout the reading (or balanced feminine and masculine). Their energy is thoughtful, nurturing/comforting and supportive.

Advice — The Goat and Willow (overdoing obstacle) — even though there are losses to suffer, you can overcome them with renewed energy and the right balance. When obstacles appear, prioritise realigning yourself with your goals. You can even get ahead of the game and brainstorm ways to handle potential obstacles before they arise. The Chipmunk and Laurel (success) — Your path to success will be a unique one, one you have to create on your own, but there will be adventures along the way. The Elk and Ash (strength) — Don’t be afraid to fight back when met with a challenge.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 4 (The plane around the world)

CW: Brief implication of strong language

Who are you? Cards: The storyteller, the mascareri, 1 of roses (commitment), 6 of roses (the war of roses)

This pile may be the pile for you if any of the following resonates:

Someone who struggles with the 'self'. You may hide your true self and struggle to accept others' true selves. For you, you could spend a lot of time crafting your persona. For some of you you maybe in positions where you delegate to others or are responsible for others' behaviour (managerial or boss positions). Some of you could work with kids or want to work with kids. Putting on a mask. Neurodivergence. You could enjoy writing or be a writer of some kind. The arts. Struggling with a partnership (romantic or business), trying to balance honouring yourself and their wishes? Conflicted about a relationship. Feeling like there's a battle between your head vs your heart.

Who will you become throughout this next chapter? Cards: 4 of Scrolls rev (The Karmic Trenches), The Patron rev, The poet You’re becoming someone with so much to offer and is still looking to grow. However, people may want to take advantage of that. Becoming someone who doesn’t hesitate and is in love with life. Embracing that life is imperfect. Becoming more vulnerable. Finding like-minded people. Embracing happiness. Tapping into your creative spirit. There could be an ending of some kind, though you didn’t want it, it brought a world full of new opportunities. You're finally breaking a pattern but also having the awareness to know when you’re tip-toeing along the lines of going back. Coming out of the dark. This sense of being healed on multiple levels and being able to finally experience joy.

Where will you find success? Cards: The Astronomer Rev, The Hound, 5 of forces (summer/winter), 7 of keys (The Ascent) You’re going to be finding success through setting long-term goals. If this is about a financial situation especially, then also finding a balance between focusing on what is necessary and not letting the 'wishlist' desires lead you astray. It can apply to any situation in general though. Focusing on what’s necessary and the things you would like to do coming afterwards.

There's also a matter of assessing where your loyalties or priorities lie and releasing habits, relationships, and ideas that are no longer serving you. Loyalty and staying true to your word might be something you value heavily and stand by, but I also see you finding success in this next chapter of your life by realising, you know what, sometimes you have to cut your ties, count any losses and move on because staying is only doing more harm than good. For some of you who have a relationship in mind or the relationship part resonated with you, this is especially true.

Taking action in general will bring success. This chapter could either close out or begin in the summer, or summer will mark an important time for you. With the 7 of keys, your success is guaranteed as long as you put in the work.

Challenges You May Meet: Cards: The Founder, The Shepard, 3 of Scrolls (Setting Your Course), Caught in The Ruins With The Founder, a challenge you might run into is needing to put yourself before someone else who is asking you for your help, although I'm also feeling it maybe asking you to put them first. You might struggle to determine whether or not you should offer them your help. The Shepard urges you to step up and take the lead when others need guidance. However, I think the best question to ask is what kind of person do you have to show up as in order to offer them your support? And also what type of person do you have to show up as to meet your goals? I’d say make a decision on how to proceed based on whether the two can successfully coincide or not.

A lot of different situations come up in this pile— relationships, career/finance, behaviours… but the common theme here seems to come down to mindset. Whatever the situation is that has you feeling trapped, you have to realise that it’s not definitive, even if it seems that way in your head. It seems like a lot of what is going on, and what you have to overcome, is self-sabotage and realising that just because you’ve always done something a certain way or a situation has always played out that way, doesn’t mean it will always be that way. You have the power to change; the challenge here simply lies in picking yourself up and dusting yourself off. There’s so much more out there for you than what you’re seeing right now. If relocating or travelling, especially where you have to cross the ocean, is something you’re hoping to do, then the end of this chapter we’re discussing in this reading might be the beginning of that next chapter in your life.

Lessons To Be Learned: Cards: 3 of Roses (Loving Elementals), 5 of Roses (The Garden)

The lessons here are about having a sense of child like wonder, and learning to find joy and exploration in life. Being able to laugh and play and find inspiration once more. If any of you have been thinking about starting a family (not necessarily right away) then it’s likely that this chapter will set you up for that. If not then I think a matter of legacy here. Being exposed to opportunities to nurture and grow the future you desire.

You’ll learn that sometimes you are the one who has to be the catalyst to change your life. I love this line from the guidebook of my Citadel Orcale cards regarding the catalyst. It says “ You are the bolt of lightning that topples the tower”. If you think about the Tower card in the traditional tarot deck, there’s lightning striking the tower and setting it on fire. Whenever it comes up it talks about upheaval and there’s often a sense of “oh great, something’s about to come **** up my life” but maybe [we] should consider that we’re not always the tower, but instead, we are the lightning. You have to make the decision to do or become something different, even if goes against what you've always known or what everyone tells you you should do.

What’s also important is not dwelling on past mistakes or regrets, it’s about learning from what happened and using it to make a better decision. Stop doubting yourself and overthink until your head hurts. Give yourself some grace and self-compassion. Take your time, changing isn’t going to happen overnight and often times we have to adjust to who we’re allowing ourselves to become.

Advice to take with you in this next chapter:

The Bee and Pomegranate (productivity) rev — If you find yourself struggling with procrastination, don’t be afraid to rest a while before giving whatever it is another go. Consider what makes you productive as well as what you can do to change why you’re not feeling productive towards another task.

The Racoon and Sycamore (curiosity) — The time is now to do some self-exploration. Explore new interests and hobbies as well as take time to think about how you’ve evolved and how you’d like to further evolve.

The Finch and Peach (romance) — Love is on its way to you. (I did kind of feel like it’s romantic love but it wasn't a prominent message in the reading.)

The Bear and Cedar (leadership) — You’re being guided towards leadership opportunities but remember to ‘rule’ with fairness and care. Ask yourself how can you be a better leader? Who can benefit from your knowledge and experience?

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

*** Disclaimer: All readings and tarot/blog games are for fun and entertainment purposes only. It is in no way meant to act as or replace professional advice of any kind. You know yourself and what’s going on in your life best so I ask that you trust yourself above all else. Finally please take only what resonates from the reading which may be some of it, all of it, or none at all.

[vivilunacornio]

First of all, Merry Christmas

If you're finding this comment on the 25th… man we need friends lol

Second, if you're going to be annoying, don't bother yourself. Just move on, this is not for you.

Well, a month has passed since the end of Arcane and even though I haven't posted anything, I'm always here following some incredible analyses. And during all this time as a Caitvi shipper (long before the series was announced) I've seen everything in just one month

stan Jinx (sorry if you're a decent stan jinx, the ones I've met have serious problems), anti-caitvi, moral police, "arcane critical", vi hater, caitlyn hater, incel, misogynists, harassers, lesbophobes, people who go to the ship's tags to talk shit

And now I started thinking and finally came to the conclusion that… I don't FUCKING care about your opinion. I'm tired of stressing myself out because of misinterpretations. I'm going to have fun, there are fanarts, fanfics and people who love this ship as much as I do. If you couldn't feel the same way I did watching this couple's story, I'm really sorry, because I loved this experience with all my soul. I'm not going to ruin the affection and how special these two are to me just because you didn't like or didn't understand what the writers did to them

I have my own complaints about some of the choices the writers made with them, but nothing that would ruin my experience

To the couple's lovers, a piece of advice: don't pay attention to these people. They won't change the way they think and your argument doesn't mean anything to them, it will only make them think they are right. It's not worth damaging your mental health

So if you're one of those crazy lovers who just wants to freak out and have fun with hc, theories or just finding details, I'd love to freak out with you. Don't be shy, I promise I'm just a little weird

(english is not my native language, so I apologize if any words seem confusing)

[galedekarios]

gale's early access dialogue transcripts - part 2 b: the loss scene

in early access, gale had two additional major scenes in act i: the deer stew scene and the loss scene, both of which would happen during a long rest at camp.

the scenes in early access usually happened in this order:

-1: first night long rest scene (still in the final game) -2: mirror image scene (still in the final game) -3: deer stew scene (cut content / partially reused in act i) -4: weave scene (still in the final game) -5: loss scene (cut content) -6: tiefling party scene (ea version cut / partially reused in act ii last night alive scene)

you can watch the entire scene here. below you'll find the transcript of the scene itself as well as some additional info / context.

the loss scene revealed more about gale's life before the game, his abilities as a chosen of mystra and as an archwizard, as well as his status and his relationship with mystra. sadly, it was cut and only seems to have survived as (as of now) obsolete code:

at a long rest, gale would have a ! and stand by the fire, trying and failing to cast a spell:

Gale: [Fails to cast a spell] Gale: Khat-Tsjin Deth-Thra! Protag: [Wizard]: That was a failed spell if ever I heard one.  Gale: Failure. You'd think I'd be used to it by now. It’s getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 1]: You don't sound very happy there, Gale. Gale: Happiness is like a stray cat; sometimes it seeks you out, sometimes it ignores you. Tonight, I'm ignored. It's getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 2]: Is something wrong? Gale: Let's just say not all is right. But that goes for all of us. - Protag [Option 3]: Do you mind? I’d like some peace and quiet Gale: Quiet you can have – peace I can’t guarantee. Especially not peace of mind.

Protag [Wizard]: I didn't recognize your hand gestures. What spell were you trying to cast? Gale: A bygone spell from a bygone age. It doesn't matter. - Protag [Option 1]: They say you should never go to bed angry Gale: Isn’t that advice for couples? The only one I’m angry with is myself. Please – just let it rest. - Protag [Option 2]: Ever the mystery man, aren’t you? Gale: I simply have a lot on my mind. - Protag [Option 3]: Suit yourself. Goodnight. Gale: Goodnight.

Protag [Option 1]: [if Protag intiated Gale's romance during the Weave scene] Come, you know I care about you. I showed you when we shared that spell. Gale: So you did. Very well. -> See below - Protag [Option 2]: [Insight] We shared the Weave the other night. Now share what's on your mind.    Gale: [Failure] Tonight's not a night for sharing. Tonight's a night for regrets. With that I bid you an evening better than my own.  Gale: [Success] -> See below - Protag [Option 1]: [Persuasion] I’m the leader of this party. I need to know what’s going on. Gale: [Success]: Very well. Just now, I was trying to cast a spell I once cast with ease, but I failed. You see, this fire – there was a time that I could make it come alive. That it would take the shape of a dragon and roar in delight. There was a time I could silence a Beholder with a word, and lift a tower from its foundations with a flourish. There was a time I was all but one with the Weave. But no more – a mere shadow of the wizard I used to be. Why? Because I’ve lost. Gale [Failure] You're the leader and I will follow you where you go, not down the path of my own regrets. With that I bid you good night. - Protag [Option 2]: [Intimidation] You will tell me, and you’ll tell me now. Gale: [Failure] I said ‘please’, but that courtesy was a mere formality. What I meant was; you will let it rest. With that I bid you an evening better than my own.  Gale: [Success]: Very well. -> See above

Protag [Option 1]: I don’t understand. What is it that you’ve lost? Gale: I’ve lost… - Protag [Option 2]: Who are you? Gale: I am the man who came after – after having lost... - Protag [Option 3]: If this is meant to be suspenseful, I assure you it’s not. Gale: You don’t understand! I’ve lost… - Protag [Option 4]: It’s all right, you don’t have to tell me. Gale: Thank you. You’re a good friend. I want you to know that  - Protag [Option 5]: [Persuasion]: You can tell me. You can trust me. Gale [Failure]: Trust is not the issue. The issue is that the truth doesn’t matter. Secret or revealed, the outcome is the same.  Gale [Success]: I’ve lost Mystra. I sought to impress her personally. To turn the eye of my muse upon me. To win the favour of a goddess. But I failed, and all I invoked was death and dismissal. My death. Her dismissal. - Protag [Option 6]: [Insight] Go on. Every burden is easier to carry when shared. Gale [Failure]: I’m strong enough. I’ll carry on alone. With that I bid you an evening better than my own. (Die/Dice Roll Fail) Gale: [Sucess] An apt enough observation.  I've... lost... Mystra. I sought to impress her personally. - Protag [Cleric of Mystra]: I'm sorry. I cannot begin to understand being abandoned by the goddess. Gale: Thank you. You're a good friend. I often think of that moment we shared- - Protag [Cleric of Mystra]: When devotion is blind, the goddess loses sight of you. Rightly too. Gale: You pray to the goddess for every spell and every blessing. You devote your life to her – are we truly so different? Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream.

Protag [Option 1]: I’m sorry for you. Protag [Option 2]: I don't know what to make of what you've told me, but I sympathise. Gale: Thank you. You’re a good friend.  Gale: [Weave scene wasn't romantic] I want you to know that. I consider myself very lucky to have found you. -> Protag can initiate alternate romance route here -> See below - Gale: [Weave scene was romantic] I often think of that moment we shared together – one under the Weave. I hope you think about it too. / I'm glad to know you think about it too. [end] - Protag [Option 3]: Another fool pays for his arrogance. A tale as old as time. Gale: Arrogance? Ambition, rather. And ambition is a fine thing – until suddenly it no longer is. Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream. [end]

the loss scene also offered another way to initiate gale's romance:

Narrator: *You sense a moment of unspoken affection. You want to know where it may lead.*  Gale: I consider myself very lucky to have found you. Protag [Option 1]: I think perhaps we could be more than friends. Gale: Perhaps. - Protag [Option 2]: I consider myself lucky too Gale: Good. Goodnight. And thank you for your patient understanding. / And try not to think too poorly of me. A cat can look at a king. A wizard can look at a goddess.  - Protag [Option 3]: Don’t get carried away imagining feelings that aren’t there. Gale: I see. Say no more. Goodnight. And thank you for your patient understanding. - Protag [Option 4]: You are a good friend too, Gale. Gale: Hold on to that thought. I may just have to remind you before all is said and done. Goodnight. And thank you for your patient understanding. - Protag [Option 5]: Lets not get sentimental, shall we? Gale: Fair enough. Goodnight. And thank you for your patient understanding.

after the loss scene ended, the player-initiated dialogue had several options following it: you were able to initiate the romance on gale's perhaps, you could address the fact that he mentioned that he thinks about the weave scene with the player still, and lastly, you were able to ask how he can still cast if he had lost mystra's favour so.

if you picked the "I think perhaps we could be more than friends." option during the loss scene, you could talk about what exactly he meant with gale after by intiating a conversation with him again:

Protag: When I said we could be more than friends, you answered 'perhaps.' What does that really mean? Gale: If I recall correctly, the Waterdhavian Dictionary of the Common Tongue of Faerun defines it as an adverb that conveys the meaning of 'it may be that', or 'possibly'. Sorry, sometimes I can't help but being quite insufferable. Gale: In seriousness, I’m glad you asked that question. Gale: You see, I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes we embrace. You are on such event, that soon, I would like to embrace.

you could also follow up with him on the mention of him thinking about the weave scene still:

Protag: You said you think about the moment we shared under the weave. Do you think about it often? Gale: Do you? - Protag [Option 1]: Yes. Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace.  - Protag [Option 2]: From time to time.  Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace.  - Protag [Option 3]: Not really. Gale: And yet you ask. I do, as a matter of fact.

the follow up for the loss scene would also include this dialogue:

Protag: There's one thing, I don't understand. If Mystra abandoned you, how can you still cast magic? Gale: The Weave is still here. All around us. Inside of us, too. As long as the goddess lives, magic is still a tangible thing for those who know how to touch. I've studied magic for many years and in as many ways, I'm still a more than capable wizard. Gale: It's just that I'm no longer able to perform those feats even archwizards would marvel at. To have one hand at the pulse of divinity. You have to remember that the Weave is a living thing. Both the embodiment and the extension of Mystra herself. Gale: She can give and she can take away. I'm afraid I'm still very much on her naughty list.

anyhow, this wraps the loss scene up.

overall, i'm extremely sad this was cut. i think with minor adjustments this scene would have worked not only to combat the scene disparity amongst the companions, but it also would have fleshed out gale's backstory and character even more!

i hope this was helpful to some of you!

coming up next:

-part 1: the three tadpole dreams -> completed -part 2: major cut scenes: the deer stew scene & the loss scene -> completed -part 3: minor cut scenes: abandoned temple of jergal, failed to save arabella, talking to the paladins of tyr and agreeing to go after karlach, edowin and the tadpole reveal, mayrina giving ethel's wand to her or breaking it, handing astarion over to the gur or defending him, reaching the druid grove, killing lae'zel, reaching the goblin camp & looking for halsin, killing the druids, priestess gut & the brand & the cult of the absolute, dror ragzlin and talking to the dead mind flayer, ogre couple, necromancy of thay, ethel, zhentarim chest, myconid colony -part 4: gale's condition & the way it was treated in early access

taglist: @chainsawmascara, @randomfanner, @tacogoats, @khajiit-necromancer, @gwinharper, @galesenchantedpanties, @swampfaerie, @ardently-queer, @nirraein, @gale-enjoyer, @xiv-wolfram, @kairoswouldnever, @a-psychopathic-dream, @toboldlydammitjim

i thought i'd tag the people i'd seen taking an interest in my original post! if you want to be taken off the taglist, or added, please let me know!

[elenthyaolyenths]

Ok, it's time, isn't it? My first "Art Versus Artist"! and always, my complete Good Omens Art Gallery if you are curious!

Hello my dears! Your little Frenchie wing-addict here! 2024 has been a hell of a ride, so many great things happened since I decided to join the Good Omens fandom ! What a ride, yeah, from my first Red Art sketches in January to my most recent full-colour tries and experimentations - most of them still secret, sorrryyyyy. My wrist surgery and the physiotherapy still going on, depression and health problems hitting hard again... BUT I KNOW I wouldn't be here without the fandom and without your wonderful support.

The constant research of my own art style, while i was granted the chance to work with amazing writers and artists. The pleasure to share my improvements with you all, dear followers and friends!!!

Thank you so much, for everything. Wishing you the best for 2025, I hope I'll be able to make you smile and dream even more!

Linktree - Masterpost - Ko-Fi - Prints of my Art here!

And, here, I'll have to stop a minute and try to remember ALL of you dear people I'd like to thank even more personally... with all my love and my gratefulness. (!long text under the cut!)

@vavoom-sorted-art dear M'am, I have already told you how one of your Tumblr posts litteraly saved me in the beginning of 2024 and gave me back the courage to continue to make art. It was probably a very small thing for you, but for me it has been a life-changing thing for the best. Thank you again, thank you so much for your kindness, and your advice about my art during this year. I wish you the best for 2025, for your studies and everything else <3

@malohkeh-main My dear, you're the first one who encouraged me to do this personal Red Art Daily Challenge in January. Thanks for your wonderful support and our translation teamwork, life happened between us but I'll never forget our discussions.

@floscrap-blog, my dear frenchie friend I have met on international GOAD sub, while we were living almost right next door, how was it even possible?? Dear Hun, thank you so much for your kindness, I'll treasure our friendship forever.

@kotias, the one and only! I can't even say how much I'm grateful for you finding me and dragging me into the wonderful behind-the-scenes of this awesome fandom. Because of you (and it's a compliment) I was suddenly drawing even more, writing again after a 3-years-blank-page-syndrom, meeting so many new people and collegues and friends. My life has definitely changed the day we started to talk, and I discovered what the tag "found family" might mean. Thank you so, SO MUCH, Madame.

Thanks to @goodomensafterdark for creating the best goblin nest ever. Your whole community supporting me when I was about to get my wrist surgery and when I was scared as hell? Probably my best wonderful memory ever of this summer. Still crying about it. Thank you so much, for everything.

@demonsandpieohmy, dearest, I still remember this comment on my art on GOAD, mentioning your fingers tingling... and then, "To Shreds" was born, and it was just the first of our several collabs together. Thank you so much for your trust and your support on my very first NSFW artworks! Thank you for your friendship, we might have talked less these last months but it's always a pleasure. Wishing you the best for your ulterior writings!

Thanks to @the-bentley and @cassiecasyl for choosing me on the Reverse Bang Minisode and for our wonderful teamwork!! I have been uncredibly lucky to have you both.

Greatings and many thanks to the people who supported me on Ko-Fi and/or commisionned me this year. It's been an honor and a true pleasure. <3

Hugs, love, and big thanks to my dear friends and fellows artists/writers: @daneecastle (your kindness and your advice still help me everyday, dear), @gribouli (tellement heureuse d'avoir pu te rencontrer, merciiiii pour tout!), @nosferatini (Thank Mama Nos for everything, can't wait for 2025 ;-D), @sweetmascherari (the "BIG" project was so much funnier by your side!<3), @eybefioro (my dear I'm so happy to finally be able to work with you!)... and I probably forgot people and I hate it but be sure I'm so so grateful T.T

Thanks even more to all my lovely friends from the TNAN discord - and specifically to @itsscottiesstark, my dear friend and co-moderator. I love what we have created there and even if this BIG BABY of a network is sometime a little bit overwhelming now, it's always a pleasure to co-event with you and having fun during your Story-Times.

And, last but not least, thanks to my dear internet Spouse, @captainblou. Writing and arting by your side has been one of the most wonderful things I was able to do this year. Thank you for that, and for everything else, each day, every day.

Happy NYE everyone! See you in 2025!

Tag-list (ask in comment to be add if you want to be notified next time I publish my Good Omens arts and WIPs! A lot of secret work is almost done and is coming!!!)

@goodomensafterdark ;

@floscrap-blog ; @demonsandpieohmy ; @amagnificentobsession ; @captainblou ; @mamamissy

@ineffable-hyperfixation ; @itsscottiesstark ; @moralsofanalleycatsposts ; @featheredboaconstrictor ; @lenareadly

@fearandhatred ; @eybefioro ; @crowleys-bentley-and-plants ; @ashfae ; @crowleys-hips;

@paperclipninja ; @silverdphantom ; @neverlet ; @naturallyteal ; @goodoldfashionedlovergirls-blog ;

@madaims; @daisydimple20092 ; @seraphhiim ; @rebeccakatmauri ; @cobragardens

[miraculouslbcnreactions]

I know you’ve said in the past that you don’t think switching marinette and adrien’s kwamis would solve anything writing-wise, but do you think having the kwamis switch personalities would do the trick? marinette still has ladybug/creation, but with plagg’s personality, and adrien still has black cat/destruction, but with tikki’s personality. thoughts?

No, I don't think that this would fix anything because it's approaching the problem as if the issue is some flaw in the show's base setup. As if you have to make major changes for Miraculous to work. My stance has always been that the base setup is totally fine. The problem is the execution. In fact, I think that the current kwami personalities are a great choice, the problem is that they're not being used well.

Marinette has a pretty strong personality. She knows what she wants, but has a tendency to get caught up in her own head and a tendency to make snap judgments. Those tendencies make her occasionally fail to consider alternate paths or points of view. That means that what she needs most is someone who will make her consider those alternatives. Someone who will be direct, talk her out of mental spirals, and keep her focused. A voice of reason, if you will. Tikki is perfectly suited to that role. She is not the kind of kwami to sit passively by. Plagg, on the other hand, would just encourage Marinette along the path of glorious chaos or let her do whatever she wants so long as he gets his cheese. While I think that could be genuinely fun to watch, it's not really benefiting Marinette much and this ask appears to be treating the Kwamis as potential mentors, so I will, too.

Adrien is a little more complex. Given his rather depressing home life, I can see why someone would want to pair him with loving Tikki over more-detached Plagg, but I'll explain why I think that Plagg is the better fit IF you actually let him mentor.

Adrien is a passive follower. He never fights for himself and he bows to authority at the drop of a hat. While those traits are arguably strengths for his role on the battlefield, they're not great for him in his day-to-day life. There's nothing wrong with being more passive and more of a follower, but he needs to learn that he can make his own choices, too. The best way to do that is to give him the kind of mentor who doesn't just hand him the answers. Someone a little chaotic whose style is subtle pushes and not just handing him a possible path to take because Adrien would absolutely just take the suggested path. Plagg is perfectly suited to taking on this style of mentorship and it is a crime that the show never let him shine.

Example scenario: Adrien feeling left out in season four. (Note the following is a very rough draft)

Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Tikki: You need to talk to Ladybug and tell her how you feel! Ask her when she's free to meet up! Adrien: Okay, what should I say? Tikki: Tells him what to say.

This is solid advice, but Tikki is just handing Adrien an answer. He's probably not going to learn from this and may even flub up his talk with Ladybug without Tikki walking him through it because he's just doing what he's told and not coming to this path on his own. Contrast this to Plagg in his ultimate form (by which I mean mentor Plagg, not eldritch horror Plagg):

Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Plagg: And you're left watching from the sidelines every time? Adrien: No, not always. Plagg: So she's sharing the cheese now? Giving you slices instead of the whole wheel? Adrien: yeah, I guess. Plagg: why? Adrien: what do you mean why? Plagg: why'd she start sharing? Adrien: I don't know. Plagg: Huh. Too bad. If only there was a way you could find out. I guess it will remain a mystery. Adrien: (annoyed) Ladybug knows! Plagg: And? Adrien: And... I guess I could ask her? Plagg: I mean, if you started sharing my cheese, I'd be demanding answers! Adrien: I'd never share your cheese! Plagg: You promise? Never? Not even if you were starving? Adrien: Well, I mean, I guess I might if it was an emergency or something, but I wouldn't share it without a good reason! Plagg: And Ladybug's different? Adrien: What do you mean? Plagg: She does things without a good reason? Adrien: Of course not! She's brilliant! She always has a plan! Plagg: Interesting. Might want to keep that in mind for your little talk. Adrien: (after a thoughtful pause) So you think I should talk to her? Plagg: Is there another way for you to find out what's going on? Adrien: No. Plagg: Then why are you bothering me? Sounds like you only have one option!

Note that Plagg never gives Adrien a clear answer here. He just asks questions in a bored manner and lets Adrien think things through. He's guiding Adrien to a specific answer, but making Adrien really think about it, better prepping him for the coming talk. This mentorship style would drive Marinette crazy, but I think it would do wonders for Adrien! The difference is that, in this situation, Marinette probably already knows what she needs to do and is just avoiding it while Adrien genuinely needs help realizing that he can speak up. This doesn't mean that Adrien should never get direct, clear advice, I just wouldn't make that the standard as it's not helping him with his passivity.

All of this is a big part of why I love Plagg so much. That little cheese gremlin is just brimming with potential and it saddens me greatly that canon will never give it to us. They gave him the perfect personality, they just missed the fine details of how that personality should function as a mentor.

[thebroccolination]

KAWI WAS ALWAYS OBSESSED WITH PISAENG

Hey, hi, how're you? Do you ever think about this kiss here:

and how, in that original timeline, Kawi was, like, definitely more obsessed with Pisaeng for twelve years than he was with Pear?

Because, I mean, think about it, right?

Look at his face when he's reminiscing about Pear (left) compared to Pisaeng (right):

I'd argue that if Pear had dated and gotten engaged to anyone else, Kawi would have gotten over it. Because it's not Pear he wants, even in that beginning timeline.

It's always been Pisaeng.

And that's the underlying message throughout the series.

When Kawi thinks he's in a dream, he uses what he believes to be a consequence-free opportunity in the past to…follow Pisaeng around all day. Kawi could, at any point, go find Pear. I mean, when he gets to the classroom the gift exchange was in, he's only just missed her. He could have easily turned right back around and asked someone where she went and found her.

Instead:

He meets Pisaeng, and his inner gremlin activates.

Kawi bothers Pisaeng,

steals his clothes,

follows him to work,

naps on him,

and antagonizes gang members with him.

And every now and then he mentions Pear, but obviously he's not trying that hard to find her. The entire first episode is Kawi telling us that he wants Pear and showing us that he actually wants Pisaeng. Which makes the writing in this show so stupidly brilliant it makes my teeth hurt.

And the episode's ending shot is the strongest representation of that:

And of course, it keeps going!

After Pear leaves the mall with her friends after Kawi and Pisaeng's terrible failed attempt to set up Kawi and Pear on a date, Kawi calls Pisaeng.

When Kawi reminisces on the Mystery Man's advice to "be sure where your present is," he decides not to check on the future and smiles fondly at the turtle Pisaeng won for him.

When Kawi gets his first kiss from Pear, he invites Pisaeng to see him record for the first time.

When Pear invites Kawi on a date to meet her father, Kawi dips and runs to Pisaeng.

When Kawi gets the timeline where he does date Pear, he loses her because he cannot let Pisaeng go.

LIKE! The midpoint of Be My Favorite is so perfectly written because yes, the pivotal action that changes everything is Pisaeng finally walking away from Kawi for good. But I'd also posit that Kawi finally looks at his own behavior and realizes he was using Pear to hide from his feelings for Pisaeng all along.

Which is why, as soon as he goes back in time again, he's completely platonic with her in every measurable way.

He still cares for her because of everything he thought he loved about her. He just isn't in love with her, and now that he's accepted it, their friendship can become the support pillar in their lives that they both need.

Which leaves Kawi open to admit what he's been lying to himself about from the beginning:

To me, this is the scene where Kawi finally says aloud what he always wanted, but was too afraid to ask for.

And he spends the second half of the series fighting himself every step of the way to deserve their happy ending.

THIS! FUCKING! PERFECT! SERIES!