#If its not consequence i dont know what is

[mythalism]

Watching a video of the "fight Solas" ending and I find myself really disliking the fact that Rook declares that the Veil must be tied to the life of an elven god. It is treated like a fitting punishment for Solas, and even in the redemption ending, Rook all but orders Solas to sacrifice himself to maintain the Veil (or the status quo). I also can't help but feel that Solas, the last of the elven gods, is being sacrificed to maintain the Veil that he, alone, is somehow expected to magically maintain, allowing everyone else to go on their merry way. The implication here is that the elves are losing the last of their history, or pantheon, and this is a GOOD thing, and now we can all move forward and live peacefully. Am I overthinking this? 'Cause if this was the intention it does sound kind of bad.

yeah. i do agree and i dont think you're overthinking. and even if you were, im about to overthink way harder so don't worry. forgive me for getting on my legal philosophy soapbox but thats my whole brand at this point so here we go: it is a very retributive view of punishment and desert (deserved-ness) that i morally disagree with and feels outdated in the political landscape of 2024 to me PERSONALLY!! the foundation of retributive justice is:

(1) that those who commit certain kinds of wrongful acts, paradigmatically serious crimes, morally deserve to suffer a proportionate punishment; (2) that it is intrinsically morally good—good without reference to any other goods that might arise—if some legitimate punisher gives them the punishment they deserve;

obviously this is how much of the western world conceives of punishment and western media is consequently saturated with narratives that espouse this. most of the time, restorative justice is seen as mutually exclusive with retributive justice, though there are some people who say they can be used in tandem. i disagree anyway.

i think solas's endings grapple with these ideas in a way that is... messy. its confusing because we dont actually know if he is truly imprisoned, in the sense that he cannot leave. we know he is in A prison, though its unclear whether its the new regret prison that rook was in, or the black city (epler refused to clarify this during the AMA because of "spoilers", while trick said the implication is he is "going back to the prison", the epilogue slides imply he is in the black/golden city, as does his quest to heal the blight which only exists in the black city). we also do not know what capacity he has to leave. with lavellan or after being "redeemed" by willingly binding himself to the veil, he does not have the lyrium dagger but he does have the capacity to free himself from his regrets (if hes in the regret prison) or heal the blight (if he's in the black city), exemplified by his golden epilogue slides. if he is tricked or fought, he is not in a mental space to overcome his regrets and does not swear to atone by healing the blight, but he does have the lyrium dagger with him, so we can assume he can just use it to leave, the way we literally see him do earlier in the game lol. whatever message they are trying to send with his "punishment", i think it is muddied by the vagueness of what actually happens to him in the end and where he goes.

if the message truly is that he "deserves" to be imprisoned in the fade for his long list of crimes, i find that lazy and nonsensical. first of all, he loves the fade and has been dying to return to it so thats not really a gotcha, but more importantly, which crime warrants this punishment? and is his punishment proportional? this is impossible to answer because we do not know what the punishment truly is. we also dont really even know what crime he's being imprisoned for. taking down the veil? he didnt actually get to do that. are we punishing him for something he didn't do yet? is it for killing varric? sure, i guess that one works. its the strongest of the options we have, but the game is also pretty clear that its not what varric would want. what about all of the other people he has killed? the spirits he sacrifced in that siege on elgar'nans temple? the mages who summoned and corrupted wisdom which he incinerates alive? flemythal and felassan? do they deserve retribution via solas's imprisonment? would they want that? would they find it just and satisfying? the game does not ask these questions. so we dont know. does he deserve to be imprisoned for for what he did to the titans? ok, maybe. this is stronger than the others at least. but in the trick/fight endings he doesnt vow to heal the blight, so what does his imprisonment do for the dwarves and the titans spirits? this is what i mean when i say his imprisonment is retributive, but it is not even thoroughly retributive. it does not think deeply about what solas deserves for his crimes and the proportionality of such a punishment, but it is clear that we are supposed to that he deserves to be in prison, it is morally good that he is receiving "justice", and rook is a hero for imprisoning him. his punishment is presented as a moral good because he deserves it. unfortunately for veilguard, i dont think i would ever be convinced by this message in any narrative anywhere, even if it was better written, because this is not a moral philosophy that i subscribe to.

his redemption endings feel so much better and more satisfying because his vow to use his immortality and knowledge to heal the blight that he created is restorative and has a direct correlation to his crime of creating the blight by tranquilizing the titans in the first place. his imprisonment achieves nothing outside of removing him as a "threat", which is ruined by the fact that he has the dagger and can just leave lol. devoting the next significant portion of his life to alleviating the titans suffering is not just reparative remedy that directly affects the people and creatures he has harmed, it also actively makes the world of thedas a better place. to be clear, im not saying solas is innocent. he is guilty. of a lot of things. he bears responsibility for a lot of things. he would qualify as a war criminal. but i do not believe in retributive justice. veilguard having solas kill varric because trespasser made me sympathize with him "too much" is not going to make me believe in retributive justice. for the non-atonement imprisonment endings to feel satisfying you have to subscribe to this ideology of moral desert and punishment and a lot of people do. the entire american carceral system is founded on it. so is christianity. and bioware clearly subscribes to it as well. you might disagree with me and subscribe to it yourself. thats fine. but i believe it has caused a lot of harm to our world and continues to do so. seeing it manifested in media is always disappointing to me.

regardless of the technicalities of his imprisonment, his binding to the veil is the one thing that happens regardless of his ending, and i agree that it is icky for similar reasons. the veil is his responsibility, as is the blight which he will be keeping contained with his life, so i guess you can interpret it as proportional? but again, what crime is he paying for with binding his life to the veil? is he not paying for a crime at all? is binding his life to the veil even part of his punishment? or is it just something he has to do because he's the only person alive that can do it? if that is the case, that it has to be him because he is the only proper sacrifice, and not that he deserves it, then what does it say about rook that they sacrifice someone undeserving? if he is deserving, why exactly? if he wasn't the only elven god left alive, would he still be deserving of such a fate? if the answer is no, then he does not deserve to be bound. what gives rook the right to make this call? based on the convo they have before the ending where they plan to bind him to the veil, its not clear if rook binds him because they think he deserves to be bound to one of his greatest regrets, or because he's quite literally the only option. either way, i think there is an argument for it being cruel, and unearned coming from someone like rook, who really has barely been a victim of solas's sins outside of a 2 week time-out. literally harding binding him would've been far more satisfying. or imagine if fragment mythal went rogue and did it, or morrigythal did. mythal would not be justified either but at least it would be fucking banger and evil and interesting of her. anyway.

i think your point about what it means for the elves to lose their final living god, outside of mythal who is [redacted] ? is a fantastic point. through solas's binding, they also lose the veil-less future he represented that was promised to be a better world for them. would it really have been? probably not. solas clearly thinks so. but we will never know lol. the failure of the story to grapple with the dissolution of the elves entire belief system is one of its most egregious ones, and i think this is a symptom of it. dragon age's elven lore got itself into a weird spot by veilguard and i think they just abandoned it rather than attempting to write themselves out of it. i love stories that grapple with the average person's culpability as complacent in imperialism. this is part of why fullmetal alchemist is my fav story of all time and you should watch it (fullmetal alchemist:brotherhood on hulu please im begging. but you have to watch the "brotherhood" one not the other one. its complicated dont ask). veilguard seemed to want to do something like this, but they got themselves into weird spot with the elves because their evil, slavery-based empire is a thing of the distant past, and in the present they are systemically oppressed and have no social or political power.

usually in these sorts of stories, someone currently living in an imperialist society who is directly benefiting from that imperialism is confronted with their complacency and asked to rise to the occasion of standing up for what is right, despite their material best interest. they often sacrifice their privilege as a benefactor of imperialism in the present to attempt to make up for the evils that system has inflicted on others. fmab does a wonderful job of this. there is at once both an acknowledgement that no, this is not literally YOUR FAULT, you did not order a genocide or press the nuke button, but you have benefited from it and/or participated every day of your life, whether that is through the stolen land you live on, the fact that you have never seen war in your home country, the way you can buy whatever fruit you want at the grocery store any time of year, or the way your tax dollars fund the bombs being dropped on children thousands of miles away, and you do have a moral obligation to do whatever you can to fight back. i believe this is a very important lesson for the average american (and canadian since we are talking about bioware), and anyone that lives in an imperialist country, that a lot of people have not yet learned ... lol.

this feels along the lines of what veilguard was going for (or maybe they werent and this was accidental, idk which is worse), but it fails because the elves are not currently benefiting from their past empire, like at all. actually, they live in squalor and at risk of constant violence from human empires. they have experienced centuries of genocide, violence and slavery at this point in modern thedas. the imperialistic success of the elvhen empire has absolutely no bearing on their current lives, it provides them with no privilege, and it gives them no culpability in its evils. they are thousands of years removed from it. and its not like "oh the british empire was dissolved 50 years ago so imperialism is over" no. because britain's wealth and power are a direct result of that imperialism, thus they do still benefit from it presently, even if the "official empire" is dissolved. this is true for most empires. but with the elves of thedas, they have none of the power or privilege that the elvhen empire accrued through its evils. if anything, it is tevinter that benefits most from the lost elven empire considering how much of their society is founded on its technology, and the fact that. you know. they are currently, modernly, presently an empire based on slavery. OF ELVES. so why, then, does veilguard present the elves as culpable? why does the angry titan harding creature say they are "thriving" at the titans expense? why does bellara take personal responsibility for the evils that elgar'nan and ghilan'nain commit when she had nothing to do with them? the messaging with this is so strange. it would make sense if elves were still the ruling class but... they're not. the only remnants of the empire that they have access to is their own bodies... which are systemically, bought, sold, and mutilated. though the game does erase much of the racism they face in what i can only assume was an attempt to make this work.

the combo of this + solas's trick/fight endings for what is fundamentally, according to this game itself, a desire for a better world for elves and spirits, no matter if it is misled or his methods are violent, is a depressing, bleak message that i find to be irresponsible to be sending in 2024 and considering the real world groups of people that elves are based on, most notably of the dalish as indigenous north americans. veilguard sees elves lose not just their understanding of their past, dissolving their entire worldview, their conception of their cultural identity, and their relationship to their religion, all without sufficient (or any) exploration of how devastating such a process would be, but by imprisoning solas, erasing his followers and supporters from existence, and binding him to the veil, it also robs them of the possibility of a more just future... while asking you to cheer because he deserved it. dont try to make the world a better place unless you do it the right way. work with the world as it is. your attachment to the past (when you werent being genocided regularly) is a disease. you deserve to go to jail because you tried to change the world in a way that that was too disruptive. get over it! move on! rot in jail!

[strngegirl]

hii i really loved ur gojo: overtime drabble, can i req something similar with gojo but instead of us giving him a handjob he gives us one😞😞 idk if u write for male readers but if you do please do so!!

hellooo!! im happy you liked that post :DD nd i dont usually write for male readers but i would! so here it isss (⁠ ⁠≧⁠Д⁠≦⁠) i hope it's satisfying enough </3 this is kinda rushed ,,,

cw: gojo x very tired m!reader, very aggressive handjob (reader receiving), cum eating (gojo), both are ordinary office workers, unestablished relationship, reader kinda hates gojo, not proofread

It's currently 9 PM and you still haven't gone home yet. You would if you could, but that's the thing; you couldn't.

Your boss dumped a whole stack of work onto your desk last minute, said something about having no one else to do this for, then proceeded to leave without sparing you a second glance. The cruelty of this goddamn country and its corporate workplace rules has you daydreaming about blowing the whole place up. Alas, you couldn't. There'd be more consequences doing that, so you decided to simply do your job like a good, loyal mutt. If you even want to call yourself that.

What's even worse is that, you're alone within the same vicinity as Gojo Satoru.

It's not like he's the boss that dumped all his work onto you, he's just another worker in this god forsaken office whom the boss hates—but you hate him even more. Born rich and yet he chose to work here, everyone likes his magnetic personality, he always wears designer, and he's fucking hot. It's infuriating how he has it all and yet he's here in the marketing department of a shitty company that's teetering on the edge of bankruptcy. What does he even gain from this? "Experienced being a peasant" on his resume?

He's currently in the cubicle right across from you, and you're not even sure why he's here. He's been humming trending songs that kept playing in stores for the past few hours and giggling at something you don't really wanna know. Can't he see you're literally suffering working overtime?!

You narrow your eyes at the scintillating screen, the only source of light in the dark office alongside the table lamp you turned on three hours ago. Gojo laughs at something and you clench your teeth, trying to will yourself to not react to his disruptions because you just want to get these over with and go straight home and sleep. It was going so well until he started to talk to himself, then the already thinning string of restraint snapped.

"That happened? No way. Crazy-"

"Can you shut the fuck up?" You growl, a hand running down your face as the other grip your mouse so hard your knuckles are whitening.

There was a moment of silence where both of you say nothing, and honestly you're starting to relax a little at the upcoming tranquility that you thought would arrive, but as quickly as it had came, it went.

You see Gojo's white hair slowly appearing at the top of your vision, and you lift your head to look at him. He's currently looking over your cubicle with an impassive expression, those azure eyes staring right down at you beneath his shades like he's judging you for something you didn't do.

"You talking to me?" He asks.

"Is there anybody else in here that's been yapping all fucking night?" You deadpan. Something about what you've said must've been funny, because he starts smiling. God, that's straight up aggravating.

He lifts his arms up to support himself as he leans onto the partition, making it creak under the weight of his pressure. The old thing's gonna break. You hope it doesn't. If he crashes down and crushes your computer, you swear you're losing it.

"You're so mean tonight, man. Can't you go back to throwing me nasty glares instead? I like those better." He pouts mockingly at you, which grates on your nerves even further. Your work is forgotten as you currently just want to snap at him.

"Why are you even here? Seriously. You don't even need to work overtime, no one is forcing you to do their work you can just go back to your fucking penthouse and sleep like I've been wanting to for the last few hours. I'm tired, hungry and I seriously can't stand wearing this goddamn suit for another minute. All I want is some peace and quiet and yet, you're there, doing god knows what and breaking the only good thing I have right now." Your voice rises at every syllable that leaves your lips, and once you finish you take a deep inhale, feeling your body heat up from unleashing your frustration. You look back up at him and all you see is a raise of an eyebrow.

Gojo brushes a strand of hair away from his eyes then slowly starts to bob his head, unfolding his arms and clapping them onto your partition.

"Ooookay. Well, I'm here for you, actually." It's your turn to raise an eyebrow at that. "Don't. Not yet. Let me explain."

He disappears back into his own cubicle for a second, before you hear the pitter-patter of his footsteps approaching your cubicle. He stops at the entrance and leans against it, both hands simultaneously tucked into his pockets.

"I wanted to talk to you."

You blink.

"And we couldn't have talked in the morning or afternoon?"

He smiles a little. "Mmh, no. It's... Personal, and I'd rather we don't have any interruptions."

Now you're kinda curious. Pushing your one-sided hatred for him aside, you turn your chair to fully face him as you inquire him with a questioning stare.

"Anyways," he pulls his hands out and clasps them with a clap. "I know you hate me. And it's probably because of my dazzling appearance and charming antics that have half the office swooning over me"—you roll your eyes at that—"but! I don't want you to hate me."

You scoff at that. Does he just want everyone to love him? Is that it? So there'd be more people at his beck and call?

"I don't want to turn into one of your fans, Gojo." You rub your eyes.

"That's not my goal! Swear." Suddenly, he walks over and places both hands onto the handles of your chair and effectively caging you in, the abrupt proximity prompting you to lean back so fast your head spins for a second. His face is mere inches away from yours, as if silently threatening to kiss you.

The intimate way he's looking at you right now is making you feel a cacophony of things you're not sure what to name. You're sure annoyance is in there somewhere, but also mixed with other things you seriously don't want to acknowledge. No, it's mostly surprise.

"What the fuck are you-"

"I like you more than I should, you know." He murmurs, brushing the tip of his nose against yours. "No one else in the office looks at me the way you do. It's fascinating."

Surprise washes over you when he gets closer, the warmth of his breath fanning over your lips. It has to be the lethargy you're feeling right now, because why does kissing him seem so tempting?

Your lips suddenly feel dry, and the moment you dart your tongue out to wet it, you inadvertently lick his lips. He took that as a sign to crash his lips into yours. It was all bumping teeth, tongue biting and sloppy kisses, one that overwhelms your clouded mind. He puts more of his weight on you, causing the chair you're sitting on to roll back before it inevitably bumps into the partition, causing it to tremble slightly. That doesn't deter him from continuing to ravish your mouth.

You don't understand why you're not stopping him. In reality, you should be hating this. Hating him. But somehow, you're actually liking it. The realization sends shivers down your spine.

You hardly register what's happening, and next thing you know, you feel a sudden breeze brush past your tip. You yelp in surprise as your lips break off of his, causing him to promptly stop as well. Your eyes dart down to find he's already pulled your half-erect cock out of your pants, his hand wrapping a fist around your base. You snap your gaze back to his flushed face, a hint of eagerness in those eyes you used to despise but now desire to drink you in.

"Don't wanna?" He breathes, already loosening his grip on your cock. You instantly reach down to keep his grip there, manually making him re-tighten his grip. There's a newfound spark in his eyes, and the speed in which he suddenly starts stroking your cock gives you an immediate whiplash.

His lips meet yours again, the same hunger and fervor mixed with a heightened passion combined with the unrelenting pace in which he jerks you off, you swear your head is about to burst. The chair underneath you creaks so loudly you think it's about to crumble, but you hardly care when he's pleasuring you so fucking well.

Breathy moans escape from your mouth as Gojo drinks it all up, capturing them into his own mouth as he whimpers himself. He's fisting your cock like he wants to tear it off and you feel like it really is gonna fall off if you're not careful enough.

The air in the otherwise empty office has become heated, the serenity broken by both of your moans and the aggressive creak of your chair. You feel your cock twitch at the impending orgasm, and he definitely feels it as well because he starts chuckling into your heated make out session.

"Feels soooooo good, doesn't it?" He purrs, almost teasingly but there's no denying the underlying desire in his tone. You nod fervently as you start to thrash in your chair, and Gojo brings his other hand up to pin you down by the shoulder to ensure you can't get anywhere.

With a sudden cry, you jerk up repeatedly into his fist as hot cum spurt out of your tip, getting everywhere on his suit and hand. He doesn't really care though, because this might be the hottest thing he's seen all week. Gojo slows down his stroking before eventually stopping, just holding it firmly before his thumb moves to gently rub your sensitive head, smearing the cum over it. That action overstimulates you and you start whimpering, eyes rolling back at the slight pain it brings you.

"Such a mess." He murmurs, gazing almost lovingly at you. Slowly, he releases your cock as you let out a gasp, acting like you just ran a whole marathon. He brings the very same hand up to his lips as he starts to lick it clean, his tongue caressing through every crevice, trying to make sure he tastes every single last drop. You watch in a daze, watching the man you were despising toward not even three hours ago now licking your sperm off of his hand. He's the reason you even came.

God.

Gojo sucked on his index finger, making direct eye contact with you. He then releases it with a salacious 'pop!', bringing his head down again and kisses you. You taste the slight tang of your own release on his tongue and fuck, you think your dick is rising again.

"Do you still hate me?" He breathes into your mouth. You'd glare if you can, but you seriously can't bring yourself to. Your body is spent as hell.

Reluctantly, you shake your head and he smiles widely. Gojo Satoru got what he wanted, once again.

"Finally." He kisses you again. "Come home with me. Fuck your work, I'll talk to the boss for you tomorrow. I wanna fuck you."

You shouldn't. Damn, this goes against everything you believe in.

"I have a memory foam mattress. Silky blankets. And also really, really soft pillows."

...he sure knows how to tempt you. Fucking Gojo.

With a defeated sigh, you gently rub your cheek, hoping the red would go away.

"Okay."

[floatingshark]

This has been in my head for like weeks and it's what makes me struggle to actually finish arcane LMFAO. For context ive been mostly interacting with arcane stuff on tiktok and ive seen some stuff and opinions that doesn't sit well with me.

also on another note i havent fully finished arcane, i stopped at s2 ep6 so ep7 to 9 i have no prior knowledge apart from spoilers i got bc of arcane edits.

and on one last note, if you disagree or agree with me in this you're free to express it. just be civil. we can all be adults and we know how to understand so just mind your words bc people on tiktok state their opinion so aggressively, it is not needed. we dont need that energy here.

okay so with that out of the way, like i said ive seen a lot of tiktoks lately and i want to kind of speak my mind (technically rant) about some of the discourse regarding characters and whatnot. This is going to be long.

also, spoilers.

so first up is caitlyn. How do i start?

Caitlyn:

I do love caitlyn... in season 1.

in s2 not so much but hear me out. a lot of people have been debating on her actions and how half the fandom hate her, half love her (some a little,,, off putting but ill get into that later) and here's my unneeded take. I don't think its valid. like her actions in s2 are so morally wrong it blows my mind.

first of all, Im not going to say that its ooc of her because that doesnt make sense to say. this cant be ooc (in my perspective) because we have never seen caitlyn angry to the point of doing this. this is our (or my) first time seeing her go through grief this bad that it has her making decisions we dont particularly agree with or is objectively right to do. we cant say that this is "out of character" because we had'nt had prior idea or knowledge to how she'd cope with her mother's passing.

second off, like i said i dont think its valid. yes, i understand her actions are a result of her mothers untimely passing but we can't keep saying that it was right of her to do what she did.

we can empathize and we can understand that what she's doing is because she's had enough of jinx putting the people of piltover in danger because obviously she cares about these people, and it put her over the edge the day that her mother died because of jinx. but it doesnt mean that her actions were right objectively (i say objectively because we all have different moral compasses).

lets get into what she did

her actions consist of:

-gassing the undercity (even after watching an entire documentary/history lesson about how her mother built the ventilation systems to keep the grey out of the undercity)

i dont want to hear people saying that it never showed people dying, it was only used on the gangs, the goons, and jinx. people, we dont need to see people dying to know that the grey has been a problem zaunites have had to deal with for years until cassandra (cait's mom) built those vents.

yes, you can say that they didnt show people dying, doesn't mean that using it wont have consequences if anyone that was innocent does get affected. gas spreads, it moves, it can and it will affect anyone in the vicinity or anyone that comes across it. how do you know that it didnt affect anyone?

even in a moral lens, isnt it just wrong to use the grey ( which in the real world might be equal to something like tear gas. theory tho, going off of tear gas effects) to "clear out" the streets of the undercity where homeless people litter the streets, where children, old people, and people with disabilities roam freely?

-the scene where she insisted she wont miss her shot at jinx

for this one, i think she said this because she was obviously frustrated. she believed in her abilities and she had jinx right in front of her and obviously she wasn't thinking straight.

but people, i cant defend her when i saw her miss her shot just a minute prior. she can think that about herself, that she can shoot past isha and hit jinx in the head, i cant. like i said she missed, it is absolutely not a guarantee to her that they wont move once she pulls the trigger, which is exactly why she hit jinx in the finger instead, and almost killed vi before too.

like its more understandable for me that that statement would come from her, than if it came from someone that was watching the show.

with that, i think i covered mainly my thing with caitlyn. i do empathize, and i do think that for someone thats grieving and angry, her actions can be understandable in that perspective. i do not however, think her actions are justified, especially bc its borderline fascist (if not already). she's a dictator in simpler terms and its just so wrong no matter how i look at it.

i mentioned earlier as well that there were caitlyn supporters that were off putting, but honestly even caitlyn haters can be the same so really its not just a one sided thing going on. the least we can do with this topic, especially because its not black and white, is be civil and just talk about it properly we dont need aggression.

Jayce:

I love jayce, i truly do. well, for the most part.

this rant simply started bc i saw people saying he's privileged, he's egotistical etc, etc.

here is my take.

some people (might just be one actually) see jayce as a minority, or an immigrant and believe that that erases his privilage. but let's talk about it.

no matter if jayce is a minority, or an immigrant, it does not erase that he is from a known house (even if its small) and lives in piltover. he is in the academy, a known scientist and inventor, and he's part of the council. where is the privilege? right there.

he has privilege, why are we erasing that? he has the privilege to live in piltover, to study and learn, to meet with the highest of the highs that control and lead their entire nation, to be known as a great inventor and scientist who, through hextech, has improved the lives of many, who bears a name that is recognizable as a house, and even if he is not equal in wealth with salo or mel, is still equal in status because he now stands amongst them in the same rank and has mel beside him to get the other counselors on board with his plans or ideas.

he has privilege, we cant erase that just because he's an immigrant, because objectively he's living a life better than anyone in the undercity does. hell, viktor has privilege because he's living in piltover now, he no longer lives in the undercity where people struggle, get hunted down, and killed.

thats mostly what i wanted to talk about, i cant say if he is egotistical because i cant remember him being one? arrogant in a way, maybe. but egotistical im not so sure.

with that note.. thats all the word vomiting i can do. but mainly my main gripe is how s2 loses what i loved with the s1 storyline and its the oppression that piltover has on the undercity. it could have been even better if they had handled it properly but i guess it just gets erased like that..

anyways, like i said im up for discussion. you're free to dicuss, to correct, to agree because i can admit i might be forgetting about certain scenes or diaogue or whatnot and its good to be educated and to learn from other people as well.

so, idk, dont take this too personally. at the end of the day it is a show, with important storylines, but still just a show nevertheless. we dont need to be so personal and so aggressive with debates, we can have it like adults, and we can have opinions and thats okay.

thanks for listening lmao

[pirategirl4l]

can i just say what i think of everything that had been happening with the triplets these days?

first, i dont think matt was scary or abusive or shit like that when he hit nick, because i am used to seeing them fight, like siblings do. i grew up with an older sister and we always used to fight. but i do think is childish the way he acted as a 21 years old man, with throwing the calendars on the floor and also throwing nick’s gifts.

i dont give a fuck that nick said that the presents were totally a joke and was solemnly for his use, was still money spent that could’ve been broken in a second.

the only people that think that’s normal are rich and spoiled people who never had to face their consequences. and i doesn’t matter if my sister gives me a present for her own use as a joke, i would never do that, let alone do it in a video that will be public for all the world to see.

this always bothered me about the triplets, how they always throw stuff and shit like that. like, how petty and spoiled can you be to be ruining shit you paid like that? and its not even funny, like?

and its also obvious that if they ever get cancelled for real for some stupid shit they’ve said, they wont apologize. they will probably do another childish video of replying the haters, that some are actually correct. because they have themselves and they will always defend themselves, not even caring if they are wrong.

i dont know, i just miss their old selves.

[searsage]

She wasn't afraid, at least not for what would come, but what would be left behind..

A single human could not stand against the horrors of the night and hope for a miracle, yet she was content with her decision to stay with her vulnerable architect, decidedly not acknowledging what would come with dawn.

Robin would rather he be optimistic but she could not ignore the odds against her..

Her mind was a panicked mess of thoughts, on her surroundings, her worries, regrets…

Every snapped twig, fallen leaf, whispering breeze sounded so obnoxiously loud just moments ago..

What would Al-an wake to find..?

The anxious chittering around her has ceased..

Her remains scattered accross the bank?! Would he blame himself when it was her choice alone..?

Why was it so quiet..?

Of course her architect would, Al-an would never forgive himself.

A cancerous stain on an existence ungoverned by time, a weed nestled inbetween the joints of an immortal engine, how long would he carry her?

Her memory, her loss, her grief..!?

Suddenly an odd shiver shot up the resercher's spine, goosebumps rapidly rising on her shoulders as she felt a soft but unnatural breeze ghost against the back of her neck, the researcher's eyes narrowed, the hilt on the blade tightening in numb fingers, In a moment of numb resolve Robin turns around to face the adversary behind her…

It's not the night beast she expected it to be, no, the massive creature before her was so much worse..

It was so close to her, Robin could feel the heat radiating off it's slick black skin, and yet it stood motionless, as still as stone she may have walked by it without notice had it not been right up behind her, a massive splotch of vantablack against the backdrop of a dim and dreary forest.

Robin's heart thumps in her chest so hard it actually hurts as she stares back frozen in place, the way it's long neck bent reminded her of a viper poised to strike, but the dramatic bend of its neck almost seemed as if the massive creature's head was upside down..

It was impossible to make out its true visage when it's black skin seemed to swallow the scant rays of starlight escaping through rain filled clouds..

The air is so heavy, the weight of apprehension felt crippling but Robin remained still, her gaze unwavering, unwilling to give it an opening to strike, it would be foolish to show weakness, any wrong move could result in her death and that wasn't something she was keen on Al-an waking up too.

This stand off seems to stretch on for eternity, at least until the sound of a twig snapping shatters the tense silence and against her better judgement, Robin's eyes quickly cut to the side to see the familiar shape of a large night beast creeping up a tree not far off, it's pale glowing eyes watched her with intrigue but equally seemed to think better then confront the lone human in the presence of a much larger adversary…

A muffled noise has the resercher's head snapping back to the creature before her only to stiffen, it had shifted closer.

At her hip her PDA reiterates it's warning, a warning long too late.

"Detecting leviathan class lifeform in this region, proceed with caution. Error. Further system data required."

[harvestmoth]

mmmind crab.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[ender1821]

im a child of divorce

[mcytegg]

you can love a character and still admit when they're wrong. i love roshambogames but can acknowledge his flaws (he has none) & can hold him accountable for his wrongdoings (he’s never done anything wrong in his life) & call him out for his actions (which are always correct)

[aphel1on]

not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.

xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.

i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.

it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.

[angelpuns]

Me patiently waiting for a way to make comics about the shitty things that happened in 2020-2023 but unsure of how to go about it in a way that will make me feel better smh

[pagesofkenna]

it's basically the same explanation as in the manga, but the anime has made it easier for me to understand what Kabru's beef is with the Touden siblings, and I think that explanation was really well done

[arson-09]

i dont think ill ever recover from the pure tragedy that is Touya Todorokis story/life. Genuinely the ending did mental damage to me

[whomeidontknowthem]

Eyes on me – an interactive whump story. Part 5.

Previous part. Masterpost.

Content: institutionalized slavery, imprisonment, dehumanizing language, it/its for an inhuman whumpee, pet whump, whipping, blood, physical abuse, withholding of food, training, torture, intimate whumper, carewhumper, mentioned pet death, tell me if i missed something

Lord Teelo didn’t strike. 

He lowered his arm, eyes never straying from holding the creature’s terrified gaze. The room reeked of blood, now streaming down the lord’s fingers in a warm waterfall. He worked hard on pushing his fury back, taking it under control as many times before. He was in control. He would show it, careful and persistent and levelheaded. He would make sure it remembered the lesson forever. The crop was not meant for punishments, it was too short, too soft – he hadn’t meant to punish it. He was going to be a kind and gracious owner. It had left him no choice!

He opened the door, finding the redheaded guard still in the corridor.

“Get a proper whip,” he ordered. “More chains – gods damned handcuffs, whichever idiot thought of leaving it like this?! And a knife, scissors – or whatever, something to file its atrocious claws.”

The guard stared at him, not in the face – at his arm. Lord Teelo felt it – the consistent drip-drip-drip of his blood. He didn’t feel the ache yet. Nothing but the quiet, cold fury he couldn’t wait to unleash at the world. Haltingly, the guard started, “Should I bring someone to take a look at–”

“I have told you what you should do,” his voice came out as a hiss.

“Yes, my lord,” the guard saluted and hesitated only a moment before running down the corridor. 

Lord Teelo closed the door with a loud crash. He paced inside, steps echoing around the room, as the pain slowly started to radiate out. He hated it. Oh how he wished he could slice the thing’s skin just this moment, not waiting for anything and anyone. He picked up the crop once more, stoped before the creature – it cowered to the very corner between the wall and its cage, never letting its eyes away from him. Oh, now it was looking. It dared to look! 

“You think yourself smart?” the lord hissed. “Think you did something good for yourself? Oh, no, you’re gonna regret this. You’re gonna regret this so much.”

The pain seeped into his consciousness with every heartbeat, radiant and nauseatingly familiar. He held a handkerchief to the cuts until it filled with deep red. He threw it away – it landed in a wet disgusting lump on the table, by the bowl of wet disgusting meat. Oh how the lord had tried to be a nice host, how he had tried to accommodate this, this– 

“Damned, ungrateful, hateful beast!” Lord Teelo roared. The glass of the bowl nearly slipped from his bloodied fingers when he grabbed it, and then shattered to thousands pieces to the side of the creature’s head. Its dinner fell onto the floor, useless. Oh, it wouldn’t get any, it would have to work, to beg for any crumb from then on – it would regret, regret it so much!..

The door slid open soundlessly after a short knock, letting in the heavy footsteps and the clanging of metal. The lord turned on his heels, facing the guard. “And why in the world have you not brought a damned healer!” he hissed. “Can’t you see I’m bleeding out!”

The guard blinked. “But you have–” 

“YOU DARE ARGUE WITH ME?!” 

He was struggling to breathe, chest heaving with effort. The blood was still warm down his arm, still bright on the broken glass and light wood of his floors. How could the idiot not understand!

There were chains in the guard’s arms and a leathery length of the whip. Lord Teelo snatched it and demanded, “Chain it up!” The guard hesitated, opened his mouth. “NOW!” 

He did. The lord watched as he came to the beast, careful with his steps, cautious of it. It squeezed itself deeper into the corner. Lord Teelo could see it shaking. He was delighted to see it shaking. The guard reached out, the first cuff prepared, and Lord Teelo watched from a step away as it lifted its hands up, close to its chest. Its teeth were bared, pupils wide and eyes wider. It tried saying something, but what came out was only a mess of sounds with no meaning. 

The guard squeezed its arm even as it tried to avoid it. It whined and fought back, tried getting out of the grasp, tried pushing him away, tried and fought and struggled as he cursed under his nose. Its claws went through the skin of his palm ripping out a sharp hiss. It managed to raise its hind leg as the cuff clicked around its wrist, its claws scratching against the metal in an effort that only delayed the inevitable. 

Lord Teelo had little patience left. He stepped forward, connecting his heel with the middle of the creature’s tail. It yelped, flinched backwards – its head connected with the wall, and before it could regroup the second handcuff was in place. After that, restraining its legs was only a matter of time.

“Turn it around,” the lord ordered. Chains clang as it fought in an ever increasing panic. “To the wall, yes… yes, just like that.” The locks rattled, forced closed. The guard let the key fall onto the ground, forcing the creature to kneel. It hid its tail between its legs, whining as its head was pressed into the wall. “Is the chain short enough? Will it be able to move?”

“I don’t think so, my lord,” the guard answered. 

Lord Teelo played with the whip, trying it out. “Good. Go fetch the healer– wait. I need – something sharp, something – to secure on its tail. See how it hides it? I need something it can’t hide from.”

The guard looked puzzled. He eased his hold in a test, and the creature threw its whole weight backwards, fighting the chains. They held. Kneeling, with its tail hidden and only back visible, it looked strikingly like a human. “Perhaps clothespins, my lord?” It wasn’t what he had in mind. What he wanted – it wasn’t that. Not this easy, tame solution.

“It would work,” he drew out. He would go to the smith when he had time. He had an idea, oh, that would be a genius idea. “Just this once."

He flexed his left arm and rubbed his right. It hurt as all deaths, but it had stopped bleeding. He failed to crack the whip the first time but managed it the second, inches from the creature’s back. The guard bowed, taking it as a sign to leave. 

The creature mumbled and mumbled more, sounds a meaningless mush falling from its tongue. If Lord Teelo was generous, he could see it as an apology; he would not even entertain the possibility of giving in to it, of course. 

The second crack was right by its ear. It flinched and curled up further but couldn't hide.

It wailed when the whip connected with its back – so loud, so quickly, taken by surprise. Lord Teelo bared his teeth in a smile and struck again, violent purple already flowering on the gray of its skin, and struck again without waiting – three, four, six, twelve hits in a row, as it flinched and writhed and cried out.

He paused afterwards, and saw as it tensed, first, its whole body shaking with the effort of breathing, hiccupping in what sounded almost like sobs. He waited, watching how it trembled more and more. He let it marinate in the anticipation, the fear coiling and coiling with no release, the stinging of its sore back growing as its patience ran thin. 

When it raised its head, just barely, as if to look, the whip snapped through the air again. 

It screamed out. He didn’t give it time to recover. 

The lord hit it with no pattern, pausing and continuing at his leisure, until his arm grew heavy with pain and the creature nearly silent. Lord Teelo could only hear its labored breathing, air forced out of its body with every strike. Its back bloomed with purple that gave way to red when the skin opened, the new lines covering the rainbow pattern in an unstructured, repulsive mess.

Oh, he nearly pitied it, trembling pathetically in the corner. Then he rubbed his arm and the sharp pain was enough to remember why he didn’t. 

He struck for the last time, lazily, with his left, and then a few more for a good measure. When a polite knock announced the guard’s return, he felt pleasantly tired, like after a good work out. He called out for the man to enter. 

The guard did and the healer, an old woman the lord knew for most of his life, followed in. She looked the room over with stony, unreadable expression, and Lord Teelo met her gaze with a nice enough smile. “You’ve got your toy,” she stated and that was all the attention the creature got from her. 

She made a quick enough work of the wounds: cleaned and bandaged them up after applying that miraculous numbing cream the lord appreciated since early childhood. The creature would appreciate it even more, he thought, glancing at the pathetic thing. It had shifted at some point, stretching its legs just a bit but keeping its head hidden. Its body shook violently, trembling so much it in itself looked tiring. 

“Should I look it over?” the healer suggested, all business. 

The lord huffed, “What would the point of a punishment be then?” 

The woman looked him over with that annoying, unreadable gaze. “Call me whenever you change your mind,” she bowed and left when he dismissed her. 

Lord Teelo tried the clothespins with interest, forcing the spring to coil and then letting it go softly around his finger, just a tad, until it started hurting. “Good enough,” he concluded finally and got up. 

The creature flinched when his boots stopped by its form but didn’t try anything. “Poor thing,” he drew out and crouched, ran his fingers along its back lightly, brushing fingertips over the painful ridges of future bruises. Its breaths hitched, but it didn’t make a sound. “And all you needed was to not act like a brainless brat to avoid all this. You have no one but yourself to blame, silly thing,” he told it. It didn’t answer, shivering under his touch but not attempting anything stupid. 

“But maybe you can learn,” he hummed and moved his hand down to where its tail started. It tensed even further, if it was possible at all. “Let’s just make sure the lesson sticks, huh?” It curled up even further as he tagged on its tail, releasing from under the creature’s body. He flickered it back and forth and rubbed between his fingers and was satisfied when it sobbed and shuddered but remained motionless otherwise. 

“Like this, yes,” he muttered. With the softest touch of his second hand, he stoked its head. “But look at me now. Eyes on me,” It didn’t understand. He caught a fistful of its fur and tagged. “Eyes on me.”

Too drained to resist, it lifted its head as he guided it. “Eyes on me,” he demanded again, and it either guessed or truly learned – its gaze settled on him, focusing to the best of its ability – and, oh, what a pathetic mess it looked, eyes bloodshot and wet in ways he’d thought only a human's could be, dark lines from where it pressed into the floorboards marking its cheeks. There was something red around its mouth – did it bite itself, the poor thing? 

Lord Teelo clicked his tongue, smiled softly and released its fur. It settled back instantly, curling up again. Its tail remained in his hands. 

He picked up the first pin. 

It must have assumed at first that he was just playing like he had been, – at least, it didn’t seem to tense up too much, nor expect the sharp pain when he released the spring around its tail. It shuddered, head whipping up, staring at him once again. He smiled. Picked up the second clothespin. 

It tried to get its tail free – oh, it tried as much as it could without hurting him, but he tightened the grasp and played with the pins as it couldn’t help a new whimper, and hushed it and urged it to sit still. “That’s for you to remember the lesson better,” he told it pleasantly. It must have cried, body shaking again, and tried to kick just once, the movement stopped halfway through by a short chain. 

Lord Teelo wondered how many pins would be good for it – should he go with the whole set the guard had brought? He settled on five, at the end, a nice even number not even halfway through what he had. He was feeling rather merciful and forgiving, and it sounded just so pathetic. 

He called the guard in to urge it into the cage when it was done. It didn’t even try fighting, following the man's tagging and pushing until it was inside, drawing its limbs close and curling up to fully fit. Nearly immediately, its fingers itched towards the pins, human-like thumbs ready to work on the problem. Lord Teelo snapped his fingers to get its attention.

“No,” he said, words dripping with finality. He reached through the bars and tagged its tail outside. “The clothespins stay here for the night,” he told it. It probably didn’t understand – there was so little thought in its eyes. He let go of it hoped for its sake it understood what he meant. He didn’t want to have to punish it so soon for their lack of common language. 

When he went to sleep, the shaky breaths and the rare clanging when it tried to settle more comfortable sounded like a lullaby to his ears.

In the morning, his arm stung mercilessly and unendingly, and no melodies of birds and gentle sunrays could make his mood better. He turned lazily, letting his eyes fall onto the cage. The creature was curled inside of it, eyes shut tight and ears flickering restlessly. Its tail fluttered too, freed at some point from the pins, one of its hands curling around it protectively. 

Lord Teelo felt stuck between endearment and irritation. He moved and the cuts on his arm ached, and irritation won. 

“Hey… you,” he called and realized he hadn’t come up with a name. He should think about it as some point, he decided grimly, and banished the thought of the last pet he’d named, back in childhood. That was a just a cat, a stupid spoilt creature with too much attitude. The lord remembered the way it looked, painted red and unmoving, after crossing one too many lines. 

The creature didn’t move at his call, either. He picked up an extinguished candle from his bedside table and threw it towards the cage. “Hey!” 

There was no reaction. With an undignified groan, he forced himself on his feet and towards the cage. He rattled the key across the bars, the way that always seemed to get the creature’s attention.

It didn’t react. It was outright ignoring him! 

Had it learned nothing?!

He reached through the bars and tagged on its tail, finally getting some response in return – it flinched weakly and grimaced. Slowly, its eyes fluttered open, but didn’t settle on the lord. They looked as if through him, unfocused and dizzy, and a pang of worry cut through the just rage when they closed back and its chest heaved, struggling for breath. 

Something was wrong.

He reached through the bars and towards its forehead, forgetting for a second it wasn’t a human. The skin under his fingers was blasting hot and sickly wet. It moved closer to his fingers, all but nuzzling against him. 

Something was terribly, terribly wrong.

Updates every 7-10 days (depending on how much time I have and how obvious the poll result is) (unless something goes wrong and it takes me too weeks to get myself to write something. I'm so very sorry about the delay!)

@isikedmyself878, @fraugustends, @otterfrost, @fuchstastisch, @3-2-whump,

@the-lone-youth, @will-o-the-wips, @catnykit, @granny-aaravos, @mj-or-say10

Tell me to be tagged in the new parts!

[yourcomputerr]

slow wifi wishing you a very die

[nie7027]

Hot take here but...

Like I know this is Tumblr. This is the autism site.

So of course I knew everyone would side with Laios on this and empathize more with him but its driving me insane how everybodys saying Toshiro was completely on the wrong here and he should have communicated better and talked about his grievances with Laios WHEN THE WHOLE POINT OF THIS IS THEY WERE BOTH ON WRONG HERE.

LIKE THERES A REASON CHILCHUCK BRINGS UP HOW LAIOS SHOULD WORK ON HIS SOCIAL SKILLS A COUPLE OF EPISODES AGO/JUST BEFORE THIS HAPPENS?

like I know most of you don't like it but social cues ARE a part of society culture. Social cues ARE a form of communication.

In fact they were made to facilitate communication.

They were made so everytime Alice and Bob annoy each other they don't have to go and have a heart to heart when a simple gesture can have the same effect.

In fact sometimes better because sometimes addressing something with words makes it come out stronger/ruder than it is.

And sometimes just like you have problems understanding social cues some people have problems speaking, finding the way to words their thoughts/feelings correctly.

Specially among strangers where you don't know the others personality or how they could react to your words.

That's where social cues, that are general rules the majority of people have agreed on, work. To facilitate convivence.

And yeah there's an argument to be said about how you are supposed to know them if they are unspoken rules and the thing is YOU LEARN THEM THROUGH SOCIAL INTERACTION, through living in a society.

Just like gender norms and the like you don't learn them in school during a boring lecture where a professor lists them on the board. You learn them through interaction and repetition, throught observing your peers. Just like learning to talk and walk and other stuff. Heck, your parents and other adults around are supposed to ease you into it.

And yes, it's not a perfect system. But nothing is.

The saying 'communication is the key' doesn't refer to just talking.

Social cues and other non spoken gestures are also another form of communicating. Equally as valid as all the others

There's beauty in talking and openly expressing your love to someone. Or your grievances.

But there's also beauty in grabbing someones arm or the you picking up your friend is uncomfortable due to the turnup of their mouth or the way they stand.

One isn't superior to other. They are supposed to complement each other

Laios and Toshiros mistakes were relying completely in one or the other instead a compromising and finding a middle point.

Toshiro should have expressed his annoyance at Laios.

And Laios should have picked better Toshiros signs of discomfort.

(All of this isn't even taking into account how they come from different cultures and shock it comes with it because others have talked better about it and I wanted to focus on this. On how even if they have from the same background Laios should have also been a fault.

Hell not only social cues even talking is affected by ones cultural background. What for me is normal could come out as rude for someone in Japan)