#If I don't write this down

[vole-mon-amour]

I don't think I ever gave a name to that, which results in me never truly pinpointing that, but Johnny is such an incredibly resilient and adaptive, quick thinking person.

I just did that mission with an old Samurai fan that refuses to give you the tape of the first concert(s) unless you prove to him you're also a big fan, and the way Johnny reacts combined with what we know about him? Amazing.

The game starts with Johnny wanting to kill V, but then he very quickly thinks it over and decides he has to work with V. "Changed my mind, made it pretty clear." & "I got a free ticket out of this prison, would be a fool not to take/use it."

Then, while he's still getting used to V, he says out loud that he's been watching her, been trying to understand how she works and in whose brain he's stuck with. When she asks what he wants, he says, "Help me settle my score with Arasaka." He has a clear goal, but he's constantly analyzing the world around him and adjusts if needed.

During the Samurai old tapes mission, Johnny says something like, "That's why you never bring old war heroes back. They might see that everything they fought for been turned to shit/been for nothing." Not the exact quote, but the point is the same.

After the conversation with that old fan, V asks, "The guys is your biggest fan. Not happy to meet him?" And to the entire situation Johnny basically reacts that the guys is stuck in the past. The Arasaka tower has been blown to bits by Johnny, but it's still standing, so nothing changes/changed. And V insists that "been fifty years, something must've changed and still changes, we just don't see it." Johnny says that the only thing that (truly) changed is that people (a person) used to be more than a bag of meat full of implants.

When Kerry is angry (as he should be) about his manager screwing him over and wants to attack Us Cracks backstage, upon seeing the girls, Johnny says something like, "They have potential. Kerry must be an idiot if he doesn't see that." Johnny probably saw/heard them during the first V's body takeover while he was partying, plus, he probably saw the footage that Kerry showed V at the diner while they were drinking coffee, so in theory he had time to think it through. However, it also seems like Johnny saw the band for the first time ever, heard what they were saying and how they wanted to help (that they're Kerry's fans, have multimillion contracts and are touring right here and now), so he immediately adapted—take the opportunity, don't be an idiot. While Kerry is insecure and is driven by that and emotions, and he wants to make it on his own.

The entire thing with Johnny first hoping to get out of V's brain and keep on living that resolves into him taking V to Pistis Sophia and promising her that "When it comes to my life for yours, I'll agree to get wiped." He sees what V is going through, he gets real, he thinks it over, he makes a quick decision and he sticks to his word.

There's probably more I could add, but jumping to the Temperance ending: how Johnny doesn't bother telling Kerry about V (which is both a shitty and a necessary thing to do), how he only reaches out to Rogue and updates her on the situation because it's something HE needs to do for himself. When she insults him, however, he a) he's still grieving the loss of V b) he doesn't start defending himself, nor does he bother to even reply to her messages. He told her all she needed to know, the rest doesn't (or at least shouldn't) bother him. It's a post factum to Johnny: this happened. He has to live with it & it doesn't matter what anybody says about that. And while he basically says to Steve. that Kerry is good, that he's happy for him and his success, he knows he has to get out of Night City. And who knows what happens if he calls Kerry or, God forbid, meets up with him and tells him that his partner/good pal (gn) is dead and Johnny took her place? It's like poking a beehive. Like adding salt to the wound while the wound is still bleeding. Johnny doesn't need that.

So what does Johnny say when he gets on the bus? "Didn't forget a thing. Will never forget." Johnny recognizes that everything that has happened has ALREADY happened and he should leave it in the past. He even tells to V's necklace that he can't keep on living like this, he has to move on—while the time after her death has barely passed (two weeks or two months, when you lose a loved one, it barely makes any difference. It's still an open wound.) He even tells Steve that he used to miss her, but not so much now. Which I think he tries to convince himself in order to move on and "man up" (which is a problem in itself, but that's not what the post is about), or be nice to the kid without burdening him because Steve already has lots of problems with his family, but maybe Johnny truly believes (or thinks that he does) that it's OK now. Just like with that old Samurai fan, he tells to himself not be get stuck in the past (while it's still his present, but again, that's another topic). The time to grieve has ended, gotta get on.

Again, combined with Johnny's horrible childhood, his dad selling him for a pack of cigs, Johnny losing his best friend at war and being experimented on with the new cyberware that made such an awful and lasting damage on him (and the entire untreated PTSD) that, when he emerged, everyone around him noticed that he's not quite himself, it's incredible that Johnny managed to not lose his mind and sanity completely. With drugs, alcohol, depression, but he kept being functional, managed to write songs, tour and perform.

And THEN the entire thing with V happens & he still finds enough of mental strength and energy to keep fighting for this body and this life that V gifted him. Make himself worthy of this body. Make V proud.

Johnny is such an amazing character. If there wasn't anyone and anything in this game that I liked, he and his character development alone would've kept me in the fandom. He and his story are a big part of why I keep calling Cyberpunk 2077 one of my favorite games and have around 380 hours put into the game (and it's still raising).

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[prlssprfctn]

Do you ever sit down here for a minute and start thinking that technically Jason asks from Bruce the only thing Bruce can not give him (to kill Joker or to let him kill him), but for Jason it is the only thing he had ever asked from Bruce at all?

[quadrantadvisor]

Thinking about DP x DC Jason Todd being a revenant again. Here's my scenario. Jason gets called that by some ghost. He's like "what the fuck is that supposed to mean?" He's heard the term before but he doesn't know any actual lore. He googles it. He scrolls past the Leonardo DiCaprio bear movie. He opens the wiki. Sees the words "animated corpse" and gets a chill diwn his spine. He starts reading the first section.

He closes Wikipedia.

That night he has a nightmare that his family buried him, again, this time with precautions. He wakes up in his own grave, full of stones, too heavy to move, to scream.

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[haematoclan]

Leo's relationship with death

Leo really doesn't like to think about death.

I mean, we all saw how much impact Karai's death had on all of Mad Dogs but Leo was the only one that had to be dragged from her, yelling after her, he really, really didn't want to lose her.

And I think when he lost her it left a deep scar.

I saw posts talking how Leo wants for things to get back to normal and pretend nothing happened, which I completely agree with. I think it's in big part because of his fear of repeating losing a close one.

He REALLY doesn't want to even acknowledge death.

Here Raph seemed to be getting through to Leo-

-but the moment he mentions possibility of his family dying?

Nope, time to deflect, joke and feign ignorance.

Leo's aware that death is a big part of being a responsible hero and that's why he'd rather goof off with his brothers and not train.

Because obviously when you ignore something it just dissapears, right? So if they ignore severity of certain situations and possibility of dying it won't happen, right?

If they don't treat it seriously they'll be fine! Totally!

Then Raph shields Leo from the Krang and sends him away.

And it's as if Karai's death stared right in his eyes.

So Leo picks up the slack of leadership in order to save Raph. He behaves carelessly during this time but can you really blame him, he desperately wants to save his brother, to stop yet another family member from death that he is so scared of.

He still tries to be positive and nonchalant, that "pfff obvioulsy everything will turn out alright!" but at the end of the day, it's not that simple.

Casey's speech had hard time to really hit Leo, he's still avoiding confronting resposibility, literally and metaphorically turning away from it. But the moment Casey says Leo's whole family died?

Now that made an impact.

And every time his family is in terrible danger he looks absolutely terrified and basically every time Leo has to be dragged away to not just return and try to save them again.

And when there's nobody to drag him away?

First thing he does is sacrifice himself. Because I don't think Leo is scared of his own death, or at least he is not as scared of him dying as his family. He'd rather give away his life than live through another grief.

Obviously I'm not sayin that the rest of the fam isn't terrified of close ones dying. But while they seem less aware (Mikey) and/or more ready for the possibility (Raph)...

Leo's wholly aware but he'd rather not be and ignore his fears until he can't anymore.

[emacrow]

The Phantom of the Abandoned Opera by emacrow/creator

The bats were investigating an old abandoned rundown opera that seemed to come to life, literally rebuild and booming at night that was luring people in, only for them to come out... different.

Tim was the first to sneak in in disguised as a wanderer citizen, seeing how people were grabbing snacks from a snack bar that looked as if it was in the 1880s with snacks ranging from the early 1990s to late 2010s.

Nobody was unable to enter with technology or weapons of any kind, which was the price Tim had to pay, unable to bring his backup backup spy bots.

He got a sample of the oddly popcorn with specks of green coating and a smoothie, which the Snack bar attendant told him it was Phantom Special tonight.

He follows the group to a mass audience seat. The audience room that was once rundown with barely anything in it beside broken nails and missing chairs in the daytime were filled with thousands of vintage chairs with red plush seating and cup holder, each with names on them.

What scared him was a seat was his real name on it.

Sitting down as stiff as he ever felt, the opera stage that used to be a mass hole in the center with no curtain was at all renewed as red curtain pulled open, the center play that was a very very tall man with a half mask wearing a handsome old fashion style royal costume with long hair that defies gravity in a stage full of moving stars and planets as the background.

The man began to sing, and Tim was completely enchanted.

[jonnywaistcoat]

Hello Mr. Waistcoat! I was wondering if you had any tips on how to make writing more enjoyable? I’m dyslexic, so I struggle to get my thoughts out onto paper, which makes writing extremely challenging and unenjoyable and often leaves my writing not flowing smoothly and scattered. If this weren’t the case, I probably would write a lot more (and not procrastinate essays as much). How do you go about getting your thoughts on paper? Do you have a specific strategy for remembering what you were going to write or for making ideas flow better?

I'm sorry, but I have no tips for this. The process of writing things down is boring and bad to me, but I'm good at it and I hate it significantly less than every other job I've ever had, so I just do it. You don't have to enjoy it if you want to be a writer - you just have to do it.

[heartofjasmina]

Ushijima making bitch!reader cry like a baby because his dick is really as big as he said it was :(

"I tried to tell you-" He groans as you cum, again, from his slow and gentle thrusts that are already too much for you. And maybe you would have had a sharp response for him an hour ago. But now?

You were barely able to form words besides his name and 'please'.

Your pussy kept sucking him in, fluttering around his cock and making him curse- in your haste you'd both forgotten condoms. So he was fighting the good fight, trying not to knock you up by accident but struggling more and more with each thrust.

You felt so fucking good around him. Every time you came you took another inch of his shaft until he was balls were slapping against your ass, the head of his cock kissing your cervix wetly.

Doesn't help that you're sniffling and clawing at his back, making the most adorable faces as you can't help but feel good.

"You're doing so well honey, just gotta let me pull out-" He murmured gently, even though the words were sour on his tongue.

"No! Need you," Your legs clamped around his waist like a vice, heels digging into his ass and keeping him trapped inside you. Every thrust he got closer to losing it and with one last appeal to his conscious he tried again to ignore the way you were fucking yourself back on his cock.

"Baby-"

But you were already losing it again with a cry of his name, and with your pussy milking him dry suddenly he couldn't give a single fuck why he shouldn't cum inside.

His load was so hot as it spewed into you, marking you. Branding you as his.

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[koipudding]

jing yuan, who loves when you’re wearing his clothes, and you return them to him. it’s so domestic and simple but he craves it. (gn reader, not a serious drabble.) reader is characterized as smaller than jy, interpret as you wish.

wc: 470

The clothes smell like you, of course. The laundry detergent you bought, your shampoo and the little scent beads you like to put in the washing machine. He doesn’t mind the musk that lingers on his old shirts after you clean the whole house, no of course not. Jing Yuan adores smelling your musk, lotion and conditioner melding together and melting into his shirt.

You go out to buy new scent beads every other month, a tiny little jar of them. Jing Yuan swears to anyone who listens that you’re doing this on purpose. Mixing your shampoo and lotion to match with the scent beads, changing the fabric softener to mess with his head (and laundry). He laments this to Fu Xuan, Qingzu, and Yanqing, who all beg you to stick to one routine before the General loses his sanity (of course, everyone groans and ignores him. they’ve had enough of his marital escapades, and they just tell him to marry you again if he’s this smitten. Thus, after a decade of marriage, Jing Yuan has rewritten his vows.) He likes these little variances in his routine, the little harmless surprise that keeps him on his toes.

(He swears it's just because you picked it out. You know it's because it reminds him that there's finally a home for him to return to.)

"I'm back, do you know what the others said during the meeting, they were planning on handing off more paperwork, but I insisted mimi and you would--" He stops in his tracks. This must be unfair. Divine Punishment? Did he anger Lan? his ancestors?

Jing Yuan sees you wearing nothing but some socks, his shorts and t-shirt (both of which hang off of your smaller frame). He runs over, pace quickening.

You yelp quietly, backing away before he pounces onto you, bearing all of his weight onto you. He can't help it, you're so cute wearing his outfit, doing laundry and making dinner.

“You smell so good.” he buries his face into your neck, inhaling the sun on your skin, lotion he bought for you, and the conditioner you've taken from his stash.

“And you smell icky.” You push him off gently, but his arms only tighten. He just got back from work, and he reeks of sweat. But you can’t ignore how your heart races whenever he gets up to these antics, and you can’t help but indulge in his whims. 

This is a regular habit. He barely removes his armor before running to you, and clings to you like a sullen child, asking about dinner and how his darling and mimi have been. You can only sigh and pat his head while he recharges in your lap (or, in Yanqing’s words: naps.) 

"thank you, for everything," He whispers into your ear, "You're doing great, sweetheart."

a/n: I was talking to a coworker abt how the only thing that brings me joy now is a 2d man (jy) and buying new scent beads/laundry scent boosters or sample perfume. then I had this idea. also that ending bit :,) sending good vibes to all with my first fic of the new yr!

[umbrellajam]

de-aged baby Tim but it happens during Prodigal when he and Dick still barely know each other and are supposed to be holding down the fort in Gotham by themselves and also Dick's life is already in extreme early 20s shambles

Dick!Bats:

Baby Robin!Tim (with oversized domino falling off his face): (burbles) Dbbb? BUH-MUH-MUH.

Dick!Bats:

Dick!Bats: nope nope nope nope NOPE

Huntress (rolling up warily): hey...Batman. what was that lightshow - oh, that is a baby.

Baby Robin!Tim (waving his hands delightedly): He-ba-ba!

Huntress: ...Heb-- wait a minute, is that Robin's uni--

Dick!Bats (bundling Tim and the Robin uniform into his own Bat cape and using his best Bat growl): the situation is under control, move along. (sweeps away)

---

Dick: (reading the manual to the new Batmobile to try and activate the baby carseat configuration that has to be in here somewhere, please god)

Tim: (yanks on the end of Dick's ponytail and sticks it in his mouth)

---

Dick: (standing in front of Drake Manor gearing up to hand baby Tim over to his actual family, thank fuck this will no longer be his problem--)

Dick: (remembers (a) Jack Drake is still in a wheelchair and (b) Tim laughingly telling him the funny family story of how Janet left Jack in charge of Tim for one (1) girls night when he was a year old and came back to diaper rash because he hadn't been changed in six hours, haha Dad was so embarrassed, like "so by every two hours you meant every--??")

Dick: y'know what I've helped babysit Lian how hard can this be

---

Dick (with formula in his hair, spit-up all over his shirt, juggling a red-faced wailing Tim and a corded phone held between his shoulder and his ear): ROY. ROY MAYDAY.

[ratsreading]

Thinking of what it must be like to be loved by a ship like the Perihelion. I think it must be a little like being loved by a god. A minor god and one with true personality, a god from a pantheon, with limited power and no claims to be all-knowing, all-powerful, all-loving, no claims of being the One True God. And yet, a god. Its mind so powerful it can be present with you and yet in a hundred other places simultaneously, it holds you safe inside of it - or not (as Mother Nature holds us safe on Earth - or not). It can rain destruction when angered or help you if it wishes. Inside of its realm (itself), within its dominion, it sees all, controls all (not other people, but the very ground you walk on, the air you breathe). Outside of it, it can help you if it sees what is happening, but is not in control of everything. If you are within its reach, it is there, present with you always, a voice in your head, a friend (because this god spaceship loves you).

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[nataliescatorccio]

plotholes in season 4 i really don't understand now i've digested the season please feel free to explain or add your own:

- sparrow academy and especially sloane just being forgotten, luther just seeming to magically get over his wife disappearing and not fighting in any way shape or form to find her or get back to a timeline with her in it - especially as they show discovery of the phoenix academy you think five would mention that a timeline with sloane must exist out there - ben being teased on the subway train at the end of season 3 but just??? never showing up??? was that an alternative timeline? - allison doing everything last season motivated by the idea of being able to get to claire and ray only for ray to apparently leave her with zero elaboration as to why or what happened - making fatphobic jokes towards diego but actually he takes his shirt off and is still ripped as fuck? - upon regaining their powers luther getting his ape body back which??? literally had nothing to do with his marigold related powers it was because of an accident on a previous timeline? - lila getting laser beam eye powers seemingly from nowhere, but it's not as if this was ever addressed because she could still mimic powers (see: her using five's time travel ability) - very limited use of powers, there were a few cool moments in episode 2 but ultimately it felt like there was no need to even get them back as they rarely showcased them (with the exception of five's getting them stuck) - klaus throwing his marigold onto a passing man but this never getting any exploration - never explaining why jennifer was in a giant squid - never explaining why jennifer got locked up in a safe - ben apparently never discussing with klaus how he died??? - ben and jennifer not realising that the entire motel had blown up around them including murdering flocks of birds and staff when they checked out? - entire five/lila plotline but also five figuring out how to leave and not saying anything when he has always been the first to want to get back and protect his family - lila apparently hating bracelets despite the fact that diego making lila a bracelet and it keeping them linked was such a big plotpoint it was used as a teaser in previous seasons (and the bead bracelet just disappearing) - lila being so intent on saving her family and the kids by sending them to the subway and on an alternative timeline but only one 'true' timeline can survive anyway which would erase the subway - the kids existing when the parents that created them don't - the entire show being for nothing in that the umbrellas do not even exist anymore