#Ian Cromwell

[citizenscreen]

Ian Hunter, Warner Baxter, Myrna Loy, and director John Cromwell during production of TO MARY - WITH LOVE (1936)

[wornoutspines]

Murder in a Small Town (TV Series Pilot Review) | Murder with a Cozy Twist

If you're in the mood for a cozy mystery with charming coastal vibes, Murder in a Small Town is just the escape you need. Rossif Sutherland and Kristin Kreuk bring an easy charm to this laid-back crime drama. 🕵️‍♀️ #TVReview #CozyMystery #MurderInASmallT

Ian Weir (Showrunner), L.R. Wright (Novel) CAST Rossif SutherlandKristin Kreuk Review Murder in a Small Town is based on L.R. Wright’s Alberg and Cassandra Mysteries, set in a coastal town in British Columbia, Canada that hides a darker side beneath its quaint exterior. The show centers around Karl Alberg portrayed by Rossif Sutherland, a big-city cop seeking solace in a quieter life, only to…

[gghostwriter]

Yours Truly, Romeo

Chapter 1 __ Case File No 576

Spencer Reid x FOC

Summary: Washington, DC - A string of grizzly murders and obsessive love letters causes Olivia and Spencer’s paths to intertwine. With a serial killer proclaiming his undying devotion to her and the thick tension surrounding her and her agent turned bodyguard, Olivia’s life is writing out like a contemporary love story that she, as a successful writer, could see herself publishing.

Previous chapter || series masterlist || next chapter

“The healthy man does not torture others. Generally, it is the tortured who turn into torturers.” - Carl Jung

Doctor Spencer Reid knew the next case would be a harsh one based on how pale and squeamish Penelope Garcia looked entering the conference room. He knew she had little to no tolerance on for any carnage that each case brings but her attempt to make the atmosphere light or lack of attempt signaled that this was a rough one. 

“Baby girl, what do you have for us?” Morgan asked, situating himself between Reid and Rossi at the round table.

“Sadly my chocolate thunder, not good,” Garcia replied then pressed the remote to showcase three different bodies with different types of crime done to them. “These are pictures that would haunt my nightmares.” 

“Maryland PD has reached out for help on a string of murders. Three men, possibly between the ages of 27-35. The bodies were found within three weeks from each other, all in a different state of decomposition, floating by the Potomac River. Each had blunt force trauma to the head but the forensic pathologist ruled that out as the cause of death.”

“If blunt force trauma wasn’t the cause of death and there were no signs of bullet or knife wounds, the unsub must be using some type of drug to kill them,” Prentiss suggested, flipping through the case file.

Garcia presented the next slide. “Yes and they’re all missing a different body part. The first body found was Kennedy Hale, 28, skin missing from his upper arm to his hands. The second body found was Adam Smith, 30, skin and bones missing from his nose. And the third body found was Ian Cromwell, 32, skin missing from his upper torso.”

“The unsub must be removing the parts post mortem. The cut around the wounds show no sign of blood still being pumped out by the heart and they’re too clean to be done to an alive victim,” Reid pointed out. “Any connections between the victims?”

JJ shook her head. “None that the Maryland PD could find and they also mentioned that the victims aren’t from Maryland. There wasn’t even a missing report filed on any of the victims.” 

"So our unsub is kidnapping and crossing state lines with the victims,” Rossi pointed out. “But why take the risk? And why Maryland?”

“Were there any evidence left on the bodies or nearby the river where the bodies were found?” Morgan asked.

Prentiss flipped the pages before answering. “None. No ID, no belongings, no clothes on the victims.”

Reid stared at the crime scene images once again, wondering if there was any detail his eye had missed. This case screamed personal for the unsub but based on the lack of additional information, there was no rhyme or reason between the choice of victims. 

“The river washed away all possible evidences and without them and a possible connection between the victims,” Hotch stated, standing up and collecting the case file as he went. “All we have is the profile. Wheels up in thirty.”

———

“Hey Reid, you have a statistic for us on poison used as a weapon of choice in homicides?” Morgan asked on the flight to Maryland.

“Based on national statistics collected from 13,922 homicides, only 11.4% of those were committed with the use of other weapons such as explosives, fire, narcotics and more. That’s only 1,591 out of the database. Out of the total homicides, Maryland contributed 551 and only 34 of those were with the use of other weapons. Also based on statistics, female serial killers are more often to use poison rather than a male serial killer.” Reid rambled on. “Female serial killers are also know to have a longer cooling off period and kill more often for money, revenge, or attention.”

“So highly likely, our unsub is a female,” JJ summarized, looking up from her case notes.

“Not necessarily. The unsub could still be a male perpetrator,” Rossi countered. “Crossing state lines for a female unsub is highly risky.”

“That’s true,” Prentiss added on. “Having to subdue male victims and having the power to haul them to and from a vehicle seems like to much work for a female.”

Morgan interjected. “What bothers me is the skinning post mortem like we’re in Silence of the Lambs. Why bother doing that when the victim is already dead? It’s not a form of torture, that’s for sure. There’s no pleasure in torturing an already dead victim.”

“There are 14 recorded killers who skinned their victims. Dahmer, Gein, Nelson, Bell, to name a few. Maybe this unsub is keeping the items as his trophy.” Reid answered. “It could also provide a sense of gratification for the unsub. Made them feel powerful and God-like.” 

“He couldn’t have started killing randomly,” JJ added on. “There must have been a recent stressor that caused him to kill. Loss of job, family problems, and such.” 

“Let’s not disregard any possibilities due to the statistic. Look at the case with an open mind and approach from there,” Hotch cleared his throat, effectively ending any conversation. “Morgan and Prentiss, visit the dump site and see if we can get any more clues from there. Reid, JJ, Rossi, and I will head on over to the precinct to coordinate with Maryland PD. And Garcia—“

“Yes sir, what can I help you with?”

“—I need you to dig up any information regarding our victims. No information is too small, there must be some sort of connection there.”

“Got it, I will search high and low and will leave no stone unturned. Garcia, out.” She said before cutting of the call.

———

Olivia Hill was having an ordinary week day. Emphasis on was. There was no indication that anything out of the ordinary would happen at any hour of the day. She  went for her usual run around her neighborhood in Spring Valley, Washington DC. Her eggs on toast were cooked to perfection and her coffee tasted excellent. She had the regular video call with her publishing agent regarding the launch of her fifth romance book, Book Lovers. Overall, everything was going well. Nothing out of the ordinary.

It all went down just after lunch when she was taking a small break from writing her next idea that was still untitled.

“Hey Olivia,” her editor and friend, Hollie, called out from her foyer as she locked the door after her.

“I’m at the office,” she called out to her friend. 

Hollie rounded the corner to the office with a stack of letters on hand. “How’s the book idea coming along?”

“Rough,” she sighed. “It’s turning out very different from what I usually write and my publishing agent has already expressed her concerns about the change of writing style and pace.”

Hollie sat beside her and gave her a pat at the back. “Oh sweetheart, you know how Amanda is. Scared of change, how typical of a Virgo of her.” 

“Hey, I’m a Virgo too you know,” she jested back, finally noticing the stack of mail Hollie placed on her desk. “Thanks for picking up my mail, by the way.”

Hollie hummed nonchalantly, already busy reading the rough draft she had opened on her laptop. She had been her number one fan ever since they were assigned as roommates in the university, 7 years ago from now and Olivia was forever grateful to her as she was there for it all, through her ups and downs, failures and successes. She flipped through the stack of letters, mostly noting that most were junk mail. Except for one ordinary white letter envelope, unsigned and with no postage stamp anywhere.

Curious, she grabbed her letter opener and carefully sliced it open. A number of Polaroid images fell on her lap upside down. She opened the letter and a chill went down her spine. 

Dear Juliet, 

What’s in a name? that which we call a rose. By any other name would smell as sweet.

You must look no further than I for I am your equal and perfect companion.

Look upon these images and you shall see that I am made for you as you are made for me.

Yours truly, Romeo

The letter was made with a collage of letters cut from magazine. Hands shaking ever so slightly, she gathered the flipped Polaroids and found close up images of a pair of eyes, a set of hands, and more. The images gave off a stench of creep and horror, no matter how much she looked at it.

“Oh god,” she breathed out before dropping the Polaroids all over her wooden floor like it burned her skin to touch.

[bauliya]

in theory thrifting for books in delhi sounds fun in practice it is just perusing stacks and stacks of libertarian self help books, celebrity biographies, harry potter, tech ceo biographies, sarvakar for english speaking hindutvadis, ian mcewan, colleen hoover, john grisham, jeffery archer, sherlock holmes anthologies, chetan bhagat and his knock-offs, the shiva trilogy and its cringe ilk, and a couple of copies of the cromwell trilogy.

[scotianostra]

On December 25th 1950 four young Scots liberated the Stone of Destiny from Westminster Abbey.

Here is a report from The newspaper The Guardian of the story that was enfolding.

“Scotland Yard had no further news last night of the Coronation Stone, the Stone of Scone, or the Stone of Destiny as it is variously called. There is "absolutely no trace” of it, but the police are still busy all over the country - especially on northward routes - looking for it. The stone was stolen in the early hours of Christmas Day from Westminster Abbey.

One theory is that the thieves - or from the point of view of certain Scotsmen, “liberator” - hid in a chapel overnight in readiness for their coup. They had first to prise the stone out of its housing under the Coronation Chair, which is behind the high altar. Then the stone - which weighs four hundredweight and measures roughly 26 inches by 16 inches by 11 inches - had to be carried round to the Poet’s Corner door where, presumably, it was loaded into a car. The police are looking for a man and a woman in a Ford Anglia car which was seen near the abbey in the small hours of the morning.

Descriptions of them have been circulated, and the police say they speak with Scottish accents. It is taken for granted that the stone has been stolen by Scottish Nationalists. The stone, which is rectangular and is of yellowish sandstone, has two rings let into it and normally lies behind a grille under the Coronation Chair. In 1940 it was buried in the abbey and the secret position marked on the chart which was sent to Canada for safety.

It is believed to have left the abbey only once, when it was taken across to Westminster Hall and used for the installation of Cromwell as Lord Protector in 1657. It has been “attacked” before and was once slightly damaged (in 1914), when a bomb was placed under the Coronation Chair during the woman suffrage agitation. Twenty-five years ago, Mr David Kirkwood was given permission to bring a bill for the removal of the stone to Holyrood Palace, but the bill went no farther.

The Coronation Chair is the oldest piece of furniture in the abbey, and has been used for 27 coronations. It was damaged by the removal of the stone; part of it was broken and a strip of wood from the grille was found lying on the floor. Scotland Yard sent a number of CID men, including fingerprint experts, to the abbey and have circulated a description of the stone.

There is no official confirmation of a rumour that a wristwatch was found near the Coronation Chair, but it has been stated that freshly carved initials “JFS” have been found in the gilding on the front of the chair. It seemed evident that the intruders were amateurs, for they made little attempt to hide their tracks. Whether or not they will make straight for Scotland with the stone is doubtful, though one Scottish paper said this morning that the stone might already have crossed the border.

It should not prove a difficult object to hide once it can be taken out of the car which is carrying it, and the police of the two countries are likely to find themselves with a difficult job - not so much in finding the culprits but in finding the stone. If anybody is brought to court either on a charge of stealing or of sacrilege, the case should produce some fine legal and historical points.“

In addition to numerous road blocks, a special watch was kept at docks and airports, while hundreds of CID officers checked hotels and B&Bs in the North of England. Following the delivery of an anonymous petition promising the “return” of the Stone – on condition that it would remain in Scotland – to a Glasgow newspaper, Special Branch officers soon started making enquiries about student political bodies at Glasgow University.

The liberators were indeed Scots, four students from The University of Glasgow, from the University of Glasgow (Ian Hamilton, Gavin Vernon, Kay Matheson and Alan Stuart, travelled to London, entered the Abbey in the small hours of Christmas Day and nabbed the Stone from beneath the coronation throne. They dropped it by accident and it broke in two. They loaded the Stone into their car boot and brought it back to Scotland – despite roadblocks and police searches.

The four became notorious for the daring heist and in Scotland they achieved nigh-on hero status, while in contrast the English were somewhat bewildered. All four of the group were interviewed and all later confessed to their involvement with the exception of Ian Hamilton. The authorities decided not to prosecute as the potential for the event to become politicised was far too great.

At the time, the leader of Scottish Covenant Association, Nigel Tranter commented

“This venture may appear foolish and childish on the surface, but it will have the effect down South of focusing attention on Scotland’s complaints. It takes a lot to get any news of Scotland’s national existence into the English Press, and this sort of thing is the only type of Home Rule story that gets a break in the English newspapers.”

Mungo Murray, 7th Earl of Mansfield and Lord of Scone, the spiritual home of the stone waded in with how he would be “extremely reluctant” to hand the Stone “to the English authorities,” assuming it should be returned to his property at Scone Palace. “In view of the fact that the Stone undoubtedly pertains to the line of Scottish kings, it belongs to the King as King of Scotland, not as King of England,” he said. “In the future the Stone should be kept at Scone or Holyrood instead of Westminster.”

Despite their best efforts, the authorities on both sides of the Border were unable to trace the Stone, at least until April 1951 when – draped in the Scottish Saltire – it was ceremonially deposited at the site of the high altar within the ruins of Arbroath Abbey. The Stone was accompanied by two unsigned letters, one addressed to the King, the other to the General Assembly of the Church of Scotland, described as “successor to the Abbots of Scone” and therefore the Stone’s “natural guardians”.

It would be a further 43 years before a UK Government agreed that the Stone. when not required for use in such ceremonies, I covered this in depth on St Andrews Day.

Church-bells across Scotland didn’t ring out in celebration – as portrayed in the 2008 film, The Stone of Destiny – yet Ian Hamilton and his friends nevertheless showed how what had seemed permanent and immutable could be changed.

The Stone of Destiny will again be on the move and will be the centrepiece of a new £26.5m museum, in Perth. Construction work on the new museum at Perth City Hall is due to start in February, with it scheduled to open in 2024. The third pic shows an artist impression of how it might look.

[theirmadness]

muse update list!

below the cut you will find: deleted muses i think aren't going anywhere. if we have any interactions with these muses, please consider them null. thanks!

all fantastic beast muses.

all cursed child era muses.

tom riddle.

severus snape.

sirius black.

remus lupin.

bucky barnes.

steve rogers.

hope van dyne.

thor odinson.

tony stark.

magneto.

thanos.

matt murdock.

bruce wayne.

arthur curry.

clark kent.

dr. fate.

starfire.

lois lane.

anakin skywalker.

kylo ren.

10th-12th doctor.

dean winchester.

castiel.

nicholas scratch.

gabriel.

daemon targaryen.

jon snow.

aragorn.

gandalf.

legolas.

thranduil.

smaug.

geralt.

jaskier.

belle french.

hannibal lecter.

charlie swan.

carlisle cullen.

edward cullen.

damon salvatore.

niklaus mikaelson.

stefan salvatore.

van helsing.

alice cooper.

hermione lodge.

hiram lodge.

alcide herveaux.

bill compton.

eric northman.

john watson.

mycroft holmes.

atticus lincoln.

amelia shepherd.

greg house.

aaron hotchner.

joe goldberg.

emily prentiss.

eve polastri.

joe goldberg.

ellie settler.

jeanine matthews.

lorraine warren.

doric.

ed warren.

jim preston.

ian malcolm.

oc muses:

agna blake.

bambi elsher.

bess cromwell.

bianca delaveaux.

camilla souza.

dahlia ledger.

elia sandstone.

emily reacher.

grace stevens.

george star.

harriet stark.

jane williams.

kitty green.

margot peach.

nymeria sand.

ophelia dragos.

pearl james.

roxy blue.

ruby andrews.

summer hayes.

suzanne preacher.

jean taylor.

gertrud northman.

jack smithman.

juliana marques.

madame erin.

margaret greene.

edward charles.

elias karlson.

jack wallace.

max everwell.

philip windsor.

tiresias iamus thebeus.

belial.

brandon strage.

christopher smith.

daniel williams.

dante smith.

harry williams.

ian caroll.

jeffrey cole.

patrick wright.

paul smith.

[justforbooks]

The actor Michael Jayston, who has died aged 88, was a distinguished performer on stage and screen. The roles that made his name were as the doomed Tsar Nicholas II of Russia in Franklin Schaffner’s sumptuous account of the last days of the Romanovs in Nicholas and Alexandra (1971), and as Alec Guinness’s intelligence minder in John Le Carré’s Tinker Tailor Soldier Spy on television in 1979. He never made a song and dance about himself and perhaps as a consequence was not launched in Hollywood, as were many of his contemporaries.

Before these two parts, he had already played a key role in The Power Game on television and Henry Ireton, Cromwell’s son-in-law, in Ken Hughes’s fine Cromwell (1969), with Richard Harris in the title role and Guinness as King Charles I. And this followed five years with the Royal Shakespeare Company including a trip to Broadway in Harold Pinter’s The Homecoming, in which he replaced Michael Bryant as Teddy, the brother who returns to the US and leaves his wife in London to “take care of” his father and siblings.

Jayston, who was not flamboyantly good-looking but clearly and solidly attractive, with a steely, no-nonsense, demeanour and a steady, piercing gaze, could “do” the Pinter menace as well as anyone, and that cast – who also made the 1973 movie directed by Peter Hall – included Pinter’s then wife, Vivien Merchant, as well as Paul Rogers and Ian Holm.

Jayston had found a replacement family in the theatre. Born Michael James in Nottingham, he was the only child of Myfanwy (nee Llewelyn) and Vincent; his father died of pneumonia, following a serious accident on the rugby field, when Michael was one, and his mother died when he was a barely a teenager. He was then brought up by his grandmother and an uncle, and found himself involved in amateur theatre while doing national service in the army; he directed a production of The Happiest Days of Your Life.

He continued in amateur theatre while working for two years as a trainee accountant for the National Coal Board and in Nottingham fish market, before winning a scholarship, aged 23, to the Guildhall School of Music and Drama in London, where he was five years older than everyone else on his course. He played in rep in Bangor, Northern Ireland, and at the Salisbury Playhouse before joining the Bristol Old Vic for two seasons in 1963.

At the RSC from 1965, he enjoyed good roles – Oswald in Ghosts, Bertram in All’s Well That Ends Well, Laertes to David Warner’s Hamlet – and was Demetrius in Hall’s film of A Midsummer Night’s Dream (1968), with Warner as Lysander in a romantic foursome with Diana Rigg and Helen Mirren.

But his RSC associate status did not translate itself into the stardom of, say, Alan Howard, Warner, Judi Dench, Ian Richardson and others at the time. He was never fazed or underrated in this company, but his career proceeded in a somewhat nebulous fashion, and Nicholas and Alexandra, for all its success and ballyhoo, did not bring him offers from the US.

Instead, he played Charles Lutwidge Dodgson (Lewis Carroll) in Alice’s Adventures in Wonderland (1972), a so-so British musical film version with music and lyrics by John Barry and Don Black, with Michael Crawford as the White Rabbit and Peter Sellers the March Hare. In 1979 he was a colonel in Zulu Dawn, a historically explanatory prequel to the earlier smash hit Zulu.

As an actor he seemed not to be a glory-hunter. Instead, in the 1980s, he turned in stylish and well-received leading performances in Noël Coward’s Private Lives, at the Duchess, opposite Maria Aitken (1980); as Captain von Trapp in the first major London revival of The Sound of Music at the Apollo Victoria in 1981, opposite Petula Clark; and, best of all, as Mirabell, often a thankless role, in William Gaskill’s superb 1984 revival, at Chichester and the Haymarket, of The Way of the World, by William Congreve, opposite Maggie Smith as Millamant.

Nor was he averse to taking over the leading roles in plays such as Peter Shaffer’s Equus (1973) or Brian Friel’s Dancing at Lughnasa (1992), roles first occupied in London by Alec McCowen. He rejoined the National Theatre – he had been Gratiano with Laurence Olivier and Joan Plowright in The Merchant of Venice directed by Jonathan Miller in 1974 – to play a delightful Home Counties Ratty in the return of Alan Bennett’s blissful, Edwardian The Wind in the Willows in 1994.

On television, he was a favourite side-kick of David Jason in 13 episodes of David Nobbs’s A Bit of a Do (1989) – as the solicitor Neville Badger in a series of social functions and parties across West Yorkshire – and in four episodes of The Darling Buds of May (1992) as Ernest Bristow, the brewery owner. He appeared again with Jason in a 1996 episode of Only Fools and Horses.

He figured for the first time on fan sites when he appeared in the 1986 Doctor Who season The Trial of a Time Lord as Valeyard, the prosecuting counsel. In the new millennium he passed through both EastEnders and Coronation Street before bolstering the most lurid storyline of all in Emmerdale (2007-08): he was Donald de Souza, an unpleasant old cove who fell out with his family and invited his disaffected wife to push him off a cliff on the moors in his wheelchair, but died later of a heart attack.

By now living on the south coast, Jayston gravitated easily towards Chichester as a crusty old colonel – married to Wendy Craig – in Coward’s engaging early play Easy Virtue, in 1999, and, three years later, in 2002, as a hectored husband, called Hector, to Patricia Routledge’s dotty duchess in Timberlake Wertenbaker’s translation of Jean Anouilh’s Léocadia under the title Wild Orchids.

And then, in 2007, he exuded a tough spirituality as a confessor to David Suchet’s pragmatic pope-maker in The Last Confession, an old-fashioned but gripping Vatican thriller of financial and political finagling told in flashback. Roger Crane’s play transferred from Chichester to the Haymarket and toured abroad with a fine panoply of senior British actors, Jayston included.

After another collaboration with Jason, and Warner, in the television movie Albert’s Memorial (2009), a touching tale of old war-time buddies making sure one of them is buried on the German soil where first they met, and a theatre tour in Ronald Harwood’s musicians-in-retirement Quartet in 2010 with Susannah York, Gwen Taylor and Timothy West, he made occasional television appearances in Midsomer Murders, Doctors and Casualty. Last year he provided an introduction to a re-run of Tinker Tailor on BBC Four. He seemed always to be busy, available for all seasons.

As a keen cricketer (he also played darts and chess), Jayston was a member of the MCC and the Lord’s Taverners. After moving to Brighton, he became a member of Sussex county cricket club and played for Rottingdean, where he was also president.

His first two marriages – to the actor Lynn Farleigh in 1965 and the glass engraver Heather Sneddon in 1970 – ended in divorce. From his second marriage he had two sons, Tom and Ben, and a daughter, Li-an. In 1979 he married Ann Smithson, a nurse, and they had a son, Richard, and daughter, Katie.

🔔 Michael Jayston (Michael James), actor, born 29 October 1935; died 5 February 2024

Daily inspiration. Discover more photos at Just for Books…?

[represseddilfs]

𝚃𝚎𝚖𝚙𝚝𝚊𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 𝙳𝚎𝚜𝚒𝚛𝚎𝚜

Indie role play blog featuring mainly older male OCs. Smut based. Dark and triggering content will be present and not tagged. Exploration of older, typically repressed married men. OC and canon friendly. Semi-selective, low to medium activity. Dash only. Written by Murdock, 29+ NB.

Use the links below for more information. Mobile friendly list of muses below the cut.

Muses

Rules

Kinks

Wanted opposites

Wishlist

Starters

Arthur Dawson: Mechanic, 53, dominant (JR Bourne)

Richard Winston: Bar owner, 55, dominant (Jeffrey Dean Morgan)

Santiago Mendez: Detective, 48, switch (Pedro Pascal)

Forest Martin: Rancher, 46, dominant (Ian Bohen)

Alexei Volkov: Arms dealer, 43, dominant (Charlie Hunnam)

Marshall Teller: Personal trainer, 40, switch (Alan Ritchson)

Brandon Harris: Crooked cop, 45, switch (Tom Hardy)

Dominic Ricci: Surgeon, 56, dominant (Joe Manganiello)

Thomas Grant: Motorcycle street racer, 42, dominant (Ryan Gosling)

Nicolas Pederson: Band manager, 42, dominant (Chris Pine)

Carlos Alvarez: Professor, 49, switch (Danny Pino)

Cameron Davis: Baker, 42, switch (Chris Evans)

Dante Branson: Stock broker, 50, dominant (Anson Mount)

Jason Parker: Retired boxer, 54, dominant, (Hugh Jackman)

Elias Hoffman: Soldier, 43, switch (Luke MacFarlane)

Liam Abrams: Retired porn star, 55, dominant (Frank Grillo)

Rowan Montgomery: Gym owner, 45, dominant (Jon Bernthal)

Sebastian Richards: Author, 47, dominant (Liam O'Brien)

Ryan Cho: Theatre actor, 54, dominant (Daniel Dae Kim)

Dylan Cromwell: Tailor, 52, switch (Ewan McGregor)

Joshua Conelly: Stay at home dad, 40, switch (Henry Cavill)

Lance Priest: Construction site manager, 47, dominant (David Harbour)

Andrew Weeks: Lawyer, 45, dominant (Pablo Schreiber)

Oliver Velasco: Musician, 44, switch (Oscar Isaac)

Silas Perez: Outlaw biker, 45, dominant (Santiago Cabrera)

William Reichheld: Bounty hunter, 55, dominant (Tim Olyphant)

Joel Beckerman: Firefighter, 40, dominant (Sebastian Stan)

Bartholomew Walsh: Distiller, 47, switch (Cillian Murphy)

Nathaniel King: Security specialist, 54, doominant (Josh Brolin)

Dimitri Volkov: Arms dealer, 43, dominant (Joel Kinnaman)

Augustine Nelson: Casino owner, 58, switch (Keanu Reeves)

Caspian Fitzgerald: Hippotherapist, 42, dominant (Jake Gyllenhaal)

Max Berry: Contractor/house flipper, 53, dominant (Skeet Ulrich)

Zane Weisman: Wrestling coach, 33, dominant (Aaron Taylor-Johnson)

Deacon Abbott: Assassin, 52, dominant (Nikolaj Coster-Waldau)

Wyatt McNabb: Repossession specialist, 34, switch (Ryan Corr)

[guerrerense]

Oliver Cromwell with freight train on the Great Central Railway, UK. por Ian Silvester Por Flickr: A charter on the 17th January 2012

[misplacedmidlanders]

Thursday, May 16th 2024. Lake Pukaki > Ben Ohau > Cromwell

This morning we circled back to Lake Pukaki, driving along the east side where we saw the area where they had built part of Lake Town in The Desolation of Smaug (the scene where the refugees all gather after their town is burnt down, although this is entirely based Jake's description of it as I literally have no memory of this film). 

The farm's owner, Ian, was essentially the Radagast of our tour so far, in that he described a very lengthy family history of how the farm was eventually passed down to him, but only spent about two minutes talking about the actual filmmaking that had happened there - although his starry suit and the mannequin strapped to the back of his car (a mannequin called Richard, and no I'm not kidding) at least made this more entertaining. We then grabbed some snaps of the lake and had a bit of archery sesh - shooting arrows at a poster of Smaug (360⁰ no-scoped him, I did).

Afterwards we went to Ben Ohau where they filmed the Battle of the Pelennor Fields in The Return of the King where we staged a re-enactment of The Witch King getting shanked in the face, and then Jake and I both recited King Théoden's speech to his soldiers (the others on our tour) before their charge towards the Sauron's army (Jake went the Shakespeare route with his Théoden performance, and I went with more of a Toby Flenderson from The Office type performance, to mixed results). 

We were then joined by Priscilla Cameron (and her dog Ginny), the owner of said field who had also worked as an extra during the time that they filmed there. At one point they had 500 horses and 2000 extras, 650-700 of whom were locals who they had hired as orcs and soldiers. She then informed us about nine years after they had filmed there that she had found one of the spears that they had left behind, and so we took photographs with an actual movie prop in the same field it was originally used in (naturally Jake and I posed for several pictures where we murdered each other with this spear, a foreshadowing for next week when it's just the two of us).

We grabbed lunch in Omarama at The Wrinkly Lambs where I enjoyed steak and chips before we made our way down to the Jones Family Fruit Store in Cromwell where I had my third ice cream in a week (the hotels all have gyms and yet I have taken the pathway to ice cream every time). For our dinner tonight we had Mexican at Amigos Cromwell and tomorrow we'll be heading down to Queenstown where our tour will be starting to come to an end (cue the violins).

[crimesandcuriosities]

What Happened to the Most Infamous Murder Houses in the UK?

The stories behind the real-life ‘Houses of Horrors’ in 20th century England— and what has become of them since.

Pictured above are the infamous homes in which some of Britain's most notorious killers lived and committed their heinous murders. They are recognised to this day as the real-life 'Houses of Horrors' which were, in the second half of the 20th century, plastered across the front covers of global newspapers from the 1950s through to the 1990s.

In true crime books, podcasts and documentaries, the buildings above are still frequently named in association with the crimes that took place within their walls - these crimes being some of the worst the UK has ever seen.

John Reginald Christie killed and buried eight women at 10 Rillington Place, Ian Brady and Myra Hindley killed two out of five child victims at 16 Wardle Brook Avenue, Fred and Rose West killed at least nine young girls and women at 25 Cromwell Street, and Dennis Nilsen killed three of at least twelve young boys and men in his apartment at 23D Cranley Gardens.

This post details the gruesome history of the houses and also what has become of them since their era of notoriety. The full article is available to read here.

[movies-to-add-to-your-tbw]

Title: Becoming Jane

Rating: PG

Director: Julian Jarrold

Cast: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Maggie Smith, Joe Anderson, Lucy Cohu, Laurence Fox, Ian Richardson, Anna Maxwell Martin, Leo Bill, Jessica Ashworth, Michael James Ford, Tom Vaughan-Lawlor, Chris McHallem

Release year: 2007

Genres: drama, romance

Blurb: A pre-fame Jane Austen enters a romance with a young Irishman.

[sapphiredhearts-a]

hello! this is not meant to be a bother, but i was wondering if you happened to have a list of fcs for your muses or if you’d be willing to type one out? again very much not trying to be a bother or anything just honestly curious and would like to know!

hi friend !! not a bother at all !! almost all of my fcs are different from canon so it's probably hard to keep up ! I have a lot of muses so I'll add it under the cut ! I've been away from tumblr for a long time so if you see something that isn't super accurate please don't hesitate to let me know !! I relied real heavily on rph resources & tried to google search as much as possible but I know it's not always the best & I wanna stay true to what I can !! also pls forgive the non-formatting the list is long & I am literally copy & pasting this . ( also also if anyone's name is misspelled it's literally because I wrote this as I went & not intentional - some of them may also be abbreviated I can't remember if I went back & fixed it )

twilight

jacob black - blair redford

isbaella swan - maia mitchell

edward cullen - christopher briney

emmett cullen - adam dimarco

esme cullen - sadie sink

serena ( hybrid ) - dove cameron

sam uley - marlon teixeira

seth clearwater - booboo stewart

paul lahote - alex meraz

the hunger games

katniss everdeen - devery jacobs

peeta mellark - froy gutierrez

lucy gray - rachel zegler

finnick odair - gavin casalegno

annie cresta - lola tung

vampire academy/ bloodlines

adrian ivashkov - thomas doherty

sydney sage - sydney sweeney

eddie castile - josh hutcherson

charmed

piper halliwell - zendaya

phoebe halliwell - whitney peak

leo wyatt - jacob elordi

cole turner - michael trevino

one tree hill

brooke davis - olivia rodrigo

nathan scott - tyler posey

haley james - alba baptista

julian baker - douglas booth

peyton sawyer - penelope mitchell

f.r.i.e.n.d.s.

monica gellar - lana condor

chandler bing - dylan o'brien

joey tribbiani - rege jean page

phoebe buffay - lili reinhart

gg

blair waldorf - leighton meester

nate archibald - chace crawford

serena van der woodsen - blake lively

the host

wanderer - kat mcnamara / tanaya beatty

ian o'shea - luke pasqualino

jared howe - theo james

original characters

analeigh ateara - fivel stewart

josie baker - natalia dyer

daisy fairstone - adelaide kane

salem cromwell - nina dobrev

tda

julian blackthorn - daniel sharman

a court of thorns & roses

feyre archeron - danielle rose russell

rhysand - matthew daddario

disney

david 'gordo' gordon ( lizzie mcguire ) - alberto rosende

miley stewart ( hannah montana ) - miley cyrus

rose ( american dragon jake long ) - madelyn cline

sharpay evans ( hsm ) - sabrina carpenter

alex fielding ( twitches ) - halle bailey

nicholas sparks

allie hamilton ( the notebook ) - abigail cowen

noah calhoun ( the notebook ) - logan lerman

will blakelee ( the last song ) - noah centineo

[twittercomfrnklin2001-blog]

Witchfinder General

Many of the films of the British horror renaissance that started with Terence Fisher’s THE CURSE OF FRANKENSTEIN (1957) seem better on paper or in stills than they are in execution. Some of that is due to the fact that what made them shocking in the ‘50s and ‘60s seems tame compared to contemporary horror films. All that trickling blood and all those heaving bosoms now look almost quaint. After facing numerous cuts to pass the British Board of Film Censors in 1968, Michael Reeves’ WITCHFINDER GENERAL (Shudder) can now be shown uncut with no objections. But it isn’t just the shock element in its time that has made the film an enduring favorite and arguably the best British horror film of the later 20th century. Reeves’ overall conception of the film’s world is one of rampant corruption and disorder that continues to resonate with contemporary politics. During the English Civil War, self-appointed witch hunter Matthew Hopkins (Vincent Price) travels through Southeast England torturing and executing those accused of witchcraft, often with no real evidence. There’s never any motivation given for the accusers. It’s seen as part of the chaos of the times. But Hopkins often acts out of lust, getting one girl (Hillary Dwyer) to sleep with him to save her uncle, only to turn around and have the man executed anyway. None of this sits well with Dwyer’s fiancé (Ian Ogilvy), a soldier in Cromwell’s army. Reeves knows how to stage a scene to maximum effect and use his framing to communicate his view of the action. The film opens with an old woman’s execution. After she’s hanged, the camera pans over the crowd as it disperses almost morosely. The excitement is over, but there’s no real release. They still live in a horrible world. Price gives one of his most restrained performances, which makes him much scarier than in his more camp outings, while Dwyer, in her feature debut, creates a surprisingly complex interpretation of a young woman who thinks she knows when to put on a mask to survive.

[newmusicradionetwork]

Brooke Moriber Drops Evocative New Single “So Do I”, Presenting and Performing at “Women in Country” Show at The Bitter End in NYC

Current Country music sensation Brooke Moriber’s new single “So Do I” will be available now! Written by Brooke Moriber, with Jessica Cayne and Karen Kosowski, “So Do I” is a song about admitting your regrets in ending a relationship and hoping that the one you lost feels as lost without you as you do without them. “So Do I” was produced by Karen Kosowski, Mixed by Craig Alvin and Mastered by Greg Calbi. The record was Engineered by David Kalmusky at Addiction Sound Studios (Nashville TN) and by Karen Kosowski at The Holodeck South (Nashville TN) featuring musicians Sol Littlefield on electric guitars, Marc Rogers – Electric Bass & Synth Bass, Justin Schipper – Steel, Chad Cromwell – Drums and Nathan Chapman on Acoustic Guitar, Resonator Guitar + Banjo. Brooke also recently launched “Nashville in New York”, a series of Nashville style songwriters’ rounds sponsored by Music Choice Network bringing some of country music’s top talents to her hometown New York City. On Saturday July 20th “Nashville in New York (NINY)” returns to the legendary The Bitter End on Bleecker Street in NYC for the fourth installment of the new bi-monthly series. Brooke will, as always, host and perform at the intimate acoustic storytellers style performance event, this time celebrating the Women Of Country alongside acclaimed songwriters Callista Clark, Emily Shackelton, Averie Bielski and Claire Wyndham with special guest M.C. Kelly Ford. Presented by Music Choice and sponsored in part by KICKER Performance Audio, Suerte Tequila and Taylor Guitars. Get Tickets here. Previous NINY shows have showcased the talents of Victoria Banks, Phil Barton, Jeff Cohen, Kara DioGuardi, Ian Flanigan, Randall Fowler, Toby Lightman, Jon Stone and members of the 615 Collective (which includes tunesmiths Sarah Darling, Aaron Goodvin, Michael Logen and Nicole Witt). Brooke Moriber is a singer/songwriter who has paved an unconventional path for herself in Country music. After getting her start at a young age professionally performing on Broadway, Brooke turned to songwriting as a teenager to cope with losing her eyesight to a rare eye disease. When the disease went into remission after a difficult four years, Brooke began traveling to Nashville to tell her own stories. Praised for her “clarion voice” (Associated press), she went on to release her first single “Cry Like A Girl” independently and later signed with Nashville’s Reviver Records. Brooke’s music has been featured on Spotify’s New Music Friday Country (Little Bit of You, Half A Heart, Down to Nothing) and Country Christmas playlists (All I Want for Christmas is You), Sirius XM’s Velvet, CMT online, Music Choice Network and the Music Row Country Breakout radio chart. Hailed as a “stellar songwriter and a powerhouse vocalist” (Country Swag) and a “force to be reckoned with in Country music” (Celeb Secrets Country). X | Instagram | Facebook | brookemoriber.com | YouTube | Tik Tok | Spotify Read the full article

[scotianostra]

Happy 82nd Birthday Scottish actor Ian McCulloch was born in Glasgow 18th November 1939.

After doing his national service in the army McCulloch studied at Oxford, during this time he started picking up acting roles and was almost kicked out as it was seen to be interfering with his studies, he knuckled down and completed his university degree. McCulloch admits finding it hard to pick up parts early in his career, he took anything he could, and was known to take operatic parts before being recommended to the Royal Shakespeare Company.

Another of those actors that you will know the face from many shows and films but might not recall his name, I remember him from a 70’s series my mum never missed, Survivors, where he played the enigmatic Greg Preston, McCulloch also wrote the final three episodes of the post-apocalyptic drama. Survivors was created by the man behind Dr Who, Terry Nation, so it won’t surprise you that McCulloch also starred in the episode Warriors of the Deep, the Doctor was played by Peter Davison. The episode is  best remembered  by cult television fans because the story featured quite possibly the most unconvincing monster in the history of the series.

He then starred in several notoriously violent Italian made horror films of the early 1980s that were part of the "video nasty" controversy within the UK. McCulloch was the male lead in the Romero inspired Zombie  aka "Zombi 2" directed by Lucio Fulci, he was back battling more living dead in Zombie Holocaust aka "Dr Butcher MD" directed by Marino Girolami, and then McCulloch took on interplanetary invaders in the Alien  rip-off Contamination, directed by Luigi Cozzi. I would think that by standard nowadays they would be pretty tame.

Ian McCulloch’s film credits are impressive playing supporting roles in Where Eagles Dare with the likes of Richard Burton and Clint Eastwood then Cromwell with Richard Harris and Alec Guinness but it was TV that he made a name for himself, Dr. Finlay’s Casebook, Colditz and Secret Army, as well as Survivors during the 70’s and in the 80’s, Diamonds, Bergerac, Childrens Ward and of course Taggart, as well as other Scottish shows, City Lights and The Tales of Para handy, McCulloch was never been short of work, however there has been nothing lately fro him and I assumed that he retired., but he turned up in a podcast of Survivors in 2016, and according to IMDB he is to feature in a film,  The Witches of the Sands, which is due out next year