#IVE GOT SOME NEW ONES
Explore tagged Tumblr posts
Text
me, everyday, feeling like i should make myself get a hyper-fixation on one of those really popular fandoms, or on a really popular ship so that there is a heap of media to consume and im not just reading and watching the same things over and over: yes, this is smart.
me at 3 a.m, going back to a really small fandom with only 600 fics on ao3: fuck.
#for you#chronicles of narnia#my guy#edmund pevensie#boku no hero academia#its not that small#but i just want some solid todobaku#dramione#merlin#bbc merlin#marauders#marauders era#boy meets world#full house#httyd#i cant think of any others rn#IVE GOT SOME NEW ONES#uncharted#the impossible#the breakfast club#ferris bueller's day off#six of crows#but like the specific characterisation/writing of wylan that i CRAVE
204 notes
·
View notes
Text
Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
3K notes
·
View notes
Text
Different standards
#didnt mean to do this one in quote unquote colour but it wasnt legible without it so. heres a treat i suppose#isat#isat spoilers#in stars and time#in stars and time fanart#isat fanart#isat loop#isat bonnie#lucabyteart#coughs up a lung. anyway. ramble time as per usual. this is what i was warming up for btw in case it wasnt obvious#besides being another entry in the 'letting bonnie read loop for filth on accident' series. this is mostly self indulgent musings on#headcanons (and i will just use that word here.) ive previously rambled about in other tags and posts#namely: in the scenario that loop integrates into the party as a New Person for quite a while before The Truth Come Out. i feel they have#a decent chance at really scoring a slam dunk in becoming a guardian figure for bonnie? loop's demeanor is already colder and a tiny#bit more level-headed than siffrin's in the way they seem to discuss bonnie with them. namely pointing out that bonnie#never really hated them. it seems to be one thing they're genuinely at peace with? they've seen by now the truth that bonnie#was just scared and upset. and likely now knows that what bonnie wants is to be treated with grown-up respect within reason. plus loop#already scores bonus points with bonnie since they didnt 1. fuck up bad like sif did in act 5 and 2. saved sif in the party's eyes#... but then when it turns out that this clean-slate relationship with a stranger was siffrin being deceitful? must have been odd.#bonnie seems to really dislike being lied to. the question is whether they'd see it that way? would they feel betrayed there?#anyway. this is set after all those emotions are at least settled some. loop able to be more physically affectionate... and yet#still not letting themselves be quite as close as they'd like perhaps. perhaps...#anyway translucent pyjamas because i dont care if you're comforting a crying child you've GOT to SERVE!!!#and also i feel like the party probably wouldn't let loop stay completely naked for that long. especially not post-reveal anyway
992 notes
·
View notes
Text
sort of redraw sort of, happy pride moth part 2
#raii draws a lot#haven’t drawn them in a hot minute but they’re still so <33333#id in alt#bna#brand new animal#michiru kagemori#nazuna hiwatashi#michiruna#q#ive got some other like. gay people too. not these ones but. watch out guys there’s um. yeahg
694 notes
·
View notes
Text
38 Parrots (38 попугаев)
Soyuzmultfilm, 1976
[eng fandub] [eng sub]
#i will be doing some snakeposting for chinese new year#i love benevolent snake characters this guys a cutie#this ones a favourite i watched it a ton#series has 10 installations i think ive seen half?#i actually got to see some of these puppets on display! theyre holding up well 50 years later#sub site is still down im afraid </3#70s#soyuzmultfilm#monkey#reptile#snake#puppet
171 notes
·
View notes
Text
4h lecture every day
#vbros#venture bros#the venture brothers#pete white#the monarch#malcom fitzcarraldo#hank venture#triana orpheus#billy quizboy#billy whalen#henchman 21#gary fischer#dean venture#admin draws#fanart#phewwww too many tags i put off posting this for too long#ive got no will to draw rn january is brutal#ive just been watching gmm and sleeping and desperately trying to catch up on my studies#and losing my mind but thats seasonal depression i guess#took some nice walks. nice pictures. too bad i cant risk doxxing myself so youll never see them#but here have more doodles..first time drawing 21 and billy and triana#so thats one new years resolution down#they were all way easier to sraw than i thought. with a reference open on my phone under my desk in class#tried to make triana a more even mix btween orpheus and tatyana. pretty happy with results considering its. a trad drawing#i usually fuck those up#anways watxhed wwdits going to bed snzzzzz
166 notes
·
View notes
Text
patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
---
ok, found some
---
I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
---
---
---
The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
---
---
---
Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
---
---
---
From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
---
The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
---
---
---
As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
---
---
---
Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
134 notes
·
View notes
Text
bites you bites you bites you
#i wanted to draw more werewolf shart before Halloween but then i got sick twice in a row and#things have been busy#also drawing werewolves is difficult af so#drawing face profiles on the other hand is easy and fun :3#also since i found out my blog is flagged as mature for some reason i was pissed for a bit#still am#ill make a new one eventually ive just been busy and tired yk how it is#my art#shadowheart#astarion#bg3#this wasnt meant to be shippy but im not the boss of you so
112 notes
·
View notes
Text
day 15: haunting
#new danganronpa v3#ndrv3#yumeno himiko#himiko yumeno#tenko chabashira#chabashira tenko#tenmiko#tenhimi#minifemslashfeb2024#kiki draws#and with that we are halfway through the month!! officially!!!#and now the hard part starts because im gone all day tomorrow and then im gone monday thru wednesday/thursday all next week#and then the 28th is my birthday#so. erhm. gulp!!!#overall happy w how this one came out though some parts are definitively more rushed than id like them to be but#we got the vibe down ^_^#and WOW A NON ARKNIGHTS PIECE WOW FINALLY#we're 2 weeks in and ive only done 3 fandoms dudes#i gotta diversify.#i was gonna do a pomuselen piece i had one planned but uh#looks at nijisanji and looks away#a lot of stuff happened between february first and now huh.
450 notes
·
View notes
Text
they are really sapphic actually
#ddlc#doki doki literature club#ddlc sayori#ddlc monika#sayonika#i cant believe this game just released!!!#anyway ive been working hard past few days so this is my little doodle for today#too tired for asks rn super sorry!! i wanna release new pages the beginning of next week and thankfully i got some comms and all that ^^#i love these two sm! actually this is one of my first comfort ships ever!!!!#i think about them to this DAY#soo important to me forever hehe
494 notes
·
View notes
Text
[mostly] recent leafpin gijinka art dump! revamped leafy's design a bit ago so ive been drawing her more :3
#2nd one is months old [and i posted the uncolored ver. here] but wanted to update it bc of leafy#if you compare my old designs to this one you may have noticed she got fatter . because i WANT TO 💜#ik shes a flat fuck but she deserves to be big as a treat#my art#bfdi#bfb#tpot#bfdi gijinka#bfb gijinka#gijinka#humanized#humanization#leafy bfdi#leafy bfb#bfdi leafy#bfb leafy#bfdi pin#bfb pin#tpot pin#pin tpot#pin bfb#pin bfdi#leafpin#pinleaf#leafy x pin#pin x leafy#pineafy#offtopic: honestly ive been Kind of Forcing myself to draw lately since ive been unmotivated due to Personal Stuff#thats also why ive been slightly less active here. may take a break soon!#on other news ive been crossposting some of my leafpin drawings at twitter because idk i felt like it. my @ there is @leafpinyuri
73 notes
·
View notes
Text
torn between wanting to continue writing the next chapter and making another part to that crossover comic ....... cause the next chapter is LONG so it might be better to get ahead
#personal#the next chapter so far has 11 scenes outlined btw#ive written one. its about 3k words long#some scenes might get added some removed. and i know SOME of them are gonna be long. so#although idk im in the final stretch i can take it easy. and the comic got a bunch of new people into cc so maybe i'll do moooore#lol every time i draw leo i legit go ''wow i love drawing leo''
63 notes
·
View notes
Note
Hi, I’m so sorry if others have asked this, but what are the chances of the star trek charms being up in your ko-fi? I know you mentioned you were at an art fair recently so if there aren’t any left no worries! Just wanted to ask! :) I need an excuse to do some depression shopping lolol
Thank you! Have a good day/evening/night! 🖖
i do plan to put them up on my kofi!! i most certainly still have some left lmao i've just gotta get some shipping supplies and figure all that out. the amount of spocks i have post-art fair is in the single digits, but i might make more if people want more?
^ anyways i put them on my jacket today because i think theyre fun :]
#they hung out with me for two days of convention going..#ask#annie-in-the-real-world#also planning to put up some new prints#also new spock sticker#and some not trek related bracelets since i have a gazillion of those left over lmao i dunno if anyone wants them but whatever#ig i do technically have spirk color ones tho i made a couple blue and gold ones#id like to finish some winter sticker designs soon but idk we will see.. ive got sketches finished…..
117 notes
·
View notes
Text
Okay. From what I can gather.
Iskall sent Joel so much love mail while he was on vacation, as a prank to fill up his inbox, but he didn't sign them to make it look like it was Etho. But I think he actually liked Joel in some regard so when Joel found out it was him, Joel said he wanted a restraining order. Now Iskall is going after the real bad boy, Joel's babe, Jimmy, as revenge...
#is this for real?#we arent in a love triangle we're inventing new shapes#i dunno if i got everything right i havent seen some of iskall's latest videos#i havent watched any recent videos but the one scar put out today ive been working 12 hour shifts
181 notes
·
View notes
Text
@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr
Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first
Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid
Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors
peep the rant in the tags
#isat#isat fanart#isat siffrin#isat mirabelle#god ive been obsessing over isat lately#its terrible how ive been feeding into it#ffs of it be having me giggling running around because siffrin is healing#not in this particular one though#at least not at the part thats written rn#i do love seeing them suffer in equal parts#siffrin my scrimblo i will microwave you#a mosquito is in my room as im typing this girl gtfo#slight spoilers for this fanfic i suppose#okay so THE FANFIC BROO that part where sif lets mira pick his name?! makes me think that sponsors always pick the names#hence why sif never got a new name and spica feels outdated#also i love LOVE seeing mirabelle get better and better at yk... remembering#needing sif to reintroduce themselves every time is such a creative way to do like a pseudo timeloop#everything was so neat#upset that i cant do them justice in drawinng though i have very little experience drawing black hairstyles#or like being around black people with such hairstyles which is a shame!! i would wanna get a better look at the texture and the variation#BACK TO THE FF i literally read this to my older brother out loud (thank god i managed to pester him to play Isat)#and my throat got so raw from speaking that i had to stop but then itd get to another cool detail and i HAD to tell him#so my throat pain? your fault not mine nuh uh not the lack of self control#case in point thanks a bunch for writing!! i wanna get as good at that as you at some point
105 notes
·
View notes
Text
Family Dinner Part 1
I actually missed the Arthur part when I first saw this and. Um. This is gonna be a long one.
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7 / Fin
#jrwi the suckening#jrwi#comic#emizel tucker#shilo bathory#shilo bathroy#jrwi Grefgore#<- he disappears for the next few parts and then gets ONE line#wait no TWO lines#omgart#IM FREEEEEEEEEEEEEE#IVE BEEN WORKING ON THIS FOR SO LONG MAN#oh also this doesn’t have any particular place in the canon timeline?#except just like. after they finish up#in some alternate timeline where the queens totally fine#also also obligatory 'drawing prompts ask thing still ongoing'#but like also the new episode's out AND i still got another cool prompt AND im like dead man this had 7 parts THATS 70 LIL DRAWINGS
193 notes
·
View notes