#ITS FUN. DONT RUIN MY WHIMSY
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I HaTE sTaR wARs says the guy currently embroidering his name in aurebesh onto literally every single surface he can get his hands on
#ITS FUN. DONT RUIN MY WHIMSY#im so deep in denial#im drowning#the mental gymnastics#don't even @ me I was a trekkie first and will forever remain a trekkie#ofc clarifying there isn't any problem with liking both I just think this is funny and I'm committed to the bit
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ranting about niche things in my own tags so i can come back to them at a later point and see if my opinions have changed (i was in a crowded area for longer than i wanted to today and need to get over my hater energy)
#the vball world anouncers in rio rn are pissing me off so bad.#like my girl emily usually doesnt annoy me but her points are being brought down by the absolute negativity of the other two...#like im not saying every anouncer gotta be like my man clayton cause im sure thats not everyones style but when hes not describing whats#happening the things hes adding are fun/mood lifting#like its such a chore to get through these anouncers negative ass commentary like every single play is a mistake#(unless it comes from their blorbos on the us team)#and instead of just telling us or framing it in an informative way they just have to use boring and overly negative tone.#its especially terrible since the 3 in antalya rn all have such better energy so like the contrast is brutal#hat off to clayton hes my fav but what i like about the 3 in antalya rn is that 1. they have a bit of whimsy in their soul 2. they sound#like theyre having a good time and enjoy the game 3. they will say a play that didnt go to plan without being an absolute fucking downer#about it.#like i fr have to mute games sometimes ...#idk clayton is blorbo from my anouncement panel like when he gets so excited i as a listener get so excited when hes scereaming cause the#rally is so intense im screaming when he is in tears over carolanne kiss at 22 world champs im also in tears like come on#also will never forgive /that one/ for the way they speak about the asian teams/brasil cause dont be a commentator for international events#if youre gonna be weird about it.....#not to sound like i hate all these anouncers cause i dont. as i said the three in antalya are absolutely on it but it sucks that have the#tournament is lowkey ruined for me....#thats dramatic but its just not as fun#like when brasil would score and we'd still be getting a run down of jordan larsons biography... like shes a good player but lets give the#teams equal energy here#sigh
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your blog is great but its a small sliver of the reason why studios will not care about period dress in film. like 9/10 before voting i already can pick which one is leading based on how silhouettes and other things that are consider more goofy to do in modern times. its not your fault and im not upset but i find it interesting even when looking at historical dress we still see it through a lense of modern styles and almost subconsciously probably prefer what looks more familiar. and well when you got hot actresses executives dont want them to actually dress like theyre speeve maxxing in 1896 bc sex sells of something idk
hi there anon,
I've spent most of the morning trying to figure out how to respond to this message, because I genuinely always try to assume that all asks are sent with the best intentions, but to be honest, I'm having a really hard time seeing this as anything but a bad faith reading of the blog
as I've mentioned many times, I run this blog entirely for fun and because people enjoy it. I've always intended it as a place for joy and whimsy where people can play pretend and imagine themselves wearing lovely garments from the past
if you read the notes of the polls and many of the asks that have been sent to the blog, I think you'll find there's actually a great diversity of opinion on garments from every era. many people have mentioned that the blog has even given them a better sense of the trajectory of historical fashion and has helped them improve their skills in dating garments
even if the majority of people almost always do pick the garment that is most resonant with modern sensibilities (which (1) I'm not totally convinced of, and (2) which is rather a subjective judgement anyway), the real goal here is that people have fun and get to enter an imaginative headspace where they can picture themselves wearing the various garments
there is definitely space for a conversation about what historical accuracy actually *means* and where we do and don't see it in media and why that might be the case, but to be honest I have a very hard time seeing how my little for-fun blog has any relevance to or influence over larger cultural tendencies in major media. if anything, people's responses to the polls are an outgrowth of opinions and ideas about historical fashion that are already extant in the cultural space, not something formed independently by the existence of the blog or by the experience of participating in the polls
I'm not sure how else to conclude except to say that I'm sorry that you feel this way about the blog and – at the risk of being too honest – I'm sorry you felt the need to tell me, because this did ruin my day a little 💔
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im watching a playthrough of Dangan Ronpa (the third game) with my partner and i have thoughts. its definitely one of those things that were ruined by a fandom because they were too young for it. dont get me wrong, the characters are so out-there and unique they lend themselves to be perfect shipping war candidates, but there is seriously a wealth of artistic value to the games. watching through it ive been delighted with the artistic direction and sound design. the OST is dripping with personality and whimsy. its all around a fucking hoot to watch. its goofy and leans into the absurdity of it's setting without sacrificing sincere moments of the story. the murder mysteries are solid and engaging. Monokuma and his kubs are the stupidest motherfuckers ive ever seen and are hilarious whenever they show up. Ouma is there. ive had the most fun interpreting the ultimates as different flavours of neurodivergent and even if their role is short (i.e. theyre an early game victim/culprit) they have complexities. DR is genuinely cool as hell, if youve ever been interested in it i recommend tackling the playthroughs to enjoy the art of it - there really is nothing like it and i think we're all grown up enough to see the beauty in the absurd.
#i love when things surprise me witj being works of art. i never saw any kind of interrogation of the design in fandom#its a piece of media that begs for the characters to be scrutinized and explored so i get it#but ugh holy shit its pretty. and the soundtrack is incredible.#dr3 is the best in my partners opinion and im looking forward to seeing how the other games compare#also Ouma Kokichi is a fucking good ass character i hate and love his gay ass#dangan ronpa#raven.txt#also i watched the anime a Bit and i remember it being Alright#but it lacks what makes the series so distinct due to the shift in medium
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Inevitable Gerudo Headcanon Posting
i spend too much time thinking about the gerudo like genuinely theyre one of my favorite recurring tribes in the zelda series, which as we all know is a form of suffering because god forbid nintendo stop relying on racist tropes and caricatures.
keeping in line with this nintendos portrayal of the gerudo tends to either be 1) why theyre bad, and/or 2) how a culture of all women has kids. like thats an oversimplification of ALLL the problems present in the gerudos portrayal but thats a different post for another time. in general i bring this up because it means, for me as well as any others interested and invested un the gerudo, that there is a kind of generalized lack of pre botw characterization or cultural concepts to work with, esp when compared to the other tribes of hyrule. (looks pointedly at how theres no gerudo in the gerudo desert but there is a prison slash execution site where their king was held. LOOKS AT WHO SURVIVED THE PROLOGUE CUTSCENE IN WINDWAKER)
ANYWAYS. botw was really fun because, while it had plenty of its own issues with the gerudo, they were at least non hostile! so with that in mind, the headcanons and worldbuilding i write primarily apply to the wilds era gerudo, which spans the timeframe between ganondorfs reign as king to totk (suspending disbelief because that timeframe is. by all accounts. longer than recorded human history. friendly reminder ganondorf does All That before we even get sheikah wifi towers. christ.)
anyways. second verse same as the first, core assumptions and then a readmore
Some core assumptions:
The BotW branch of the timeline is chronologically set AFTER the previous timeline, ie the events of ToTKs ancient past is set AFTER the last event of the Hyrule Historia timeline. essentially they all come back together to form one line that makes up ToTKs ancient era
The biggest effect on Hyrules topography was the flooding in Wind Waker. after an unknown point, the flooding ocean receded leaving behind the ruins of ancient Hyrule. at some point after that, the zonai settled parts of it and made the buildings wed see as ruins by the time of BotW. slowly the various tribes of hyrule immigrated back
all peoples within the setting of hyrule are loosely grouped into categories called tribes. in this sense, tribe refers a collection of peoples with shared traits, without anything concretely set in stone (for example, hyrule includes the tribe of hylians, the tribe of gorons, the tribe of koroks, etc etc). the main six who show up repeatedly can be considered the sage tribes (gerudo, hylian, sheikah, rito, goron, zora), and the various types of enemies can be considered the monster tribes (the blin tribe of bokoblin, moblin, bulblin, etc)
so. starting at the beginning. near entirely headcanons
in ocarina of time, we see the spirit temple, where Nabooru awakens as a sage. this temple features a MASSIVE statue of a woman adorned with a snake and its primary mechanic centers around mirrors and reflected light. while the mirrors return, we dont really get that same kind of implied spiritual/religious focus again. so instead im going to make a mountain out of a molehill and position her as the primary spiritual figure here. im running low on name ideas tho so suggestions are much appreciated. for right now ill refer to her as the serpent goddess
the gerudo are culturally a people of function over form, practicality over whimsy, but when circumstances allow for it, are drawn like any other to arts and music and decoration. they have a long history of bloody, brutal battle, and while the war has long since ended, its kings buried and its warriors naught but ghosts, the desert remembers. its sands haunted by the bloodstains of conflict past, and echoes of ancient tragedies. the gerudo here in the era of wilds may have lost their records of their ancient history of conflict, but some aspects, preserved by the sands, have managed to survive the onslaught of time
surviving all this time is the ancient creation myth of the gerudo people. as legend tells it, long ago in the time before myth, there existed a goddess whos power was transformation. she was possessed of two forms, one a proud humanoid figure, the other a striking serpentine form twisting through the heavens with ease, her scales glittering with mirror sheen. to shift from serpent to human, she would shed her skin, and grow it back again to embrace her serpentine form anew
seven times she shed her skin, and from these shed skins rose the first gerudo, each embodying a key aspect of their sacred mother. the serpent goddess's scales are each a nascent soul of a gerudo, and when those scales are shed and fall to the land below, a new gerudo is born. likewise, when a gerudo dies, their soul returns to the scales of the serpent goddess, to await until they would descend again and reincarnate once more. the seven daughters of the serpent goddess led these gerudo as their guardians, leaders, and protectors. but, away from the seven heroines and their new people, the goddess shed her skin an eighth time. this daughter was born alone, and while her sisters embodies the strengths of spirit, flight, endurance, knowledge, motion, skill, and gentleness, the eighth was born with insatiable wanderlust. learning of this, the seven sisters cursed her name for leaving them and their people behind, and despite their shared ancestry, the eighth was forbidden to be spoken of. this suited her just fine, and the eighth was free to walk the land and learn all of its hidden paths
in time, war came to the gerudo, as it often does. though they were united, and strong, they were a small collection of people, and thus despite their proficiency were threatened nonetheless. it became clear at last that they could not stand and fight, and that to survive, they could not remain in place for long. but the enemy had pushed them deep into their home, and knew all the paths back. as hope seemed lost, as if summoned by call, the eighth sister at last wandered home. calling her seven sisters to her, she proclaimed that every hidden step was known to her, and while she lacked the power to guide them on her own, together they would escape unseen into the night, their enemy none the wiser. thus, skillfully guiding the skills of her sisters, the eighth heroine led the gerudo into safety, and the seven were humbled from their pettiness. seeking to apologize to the sister they had banished and forgotten, the seven sought to make amends, but the eighth was content merely to have a place of remembrance among them. to wander is not a sin, as long as one remembers where their home lies.
the eight heroines have long since passed and returned to their mothers scales, but the virtues they embody are cherished by the gerudo family they left behind, seeking to hold their memory close even as the years wear on
to the gerudo was bestowed the blessing of the element of Spirit, embodied by their iron wills and manifesting as crackling lightning. this spirit lightning is the gerudo's will made tangible, arcing out towards their target as an extension of their focus and sheer determination. to a gerudo, nothing is impossible until one has devoted themselves entirely to it, giving it their all, and only then may it be conceded
a long history of persecution has resulted in the gerudo being increasingly insular and isolationist. their admiration of the art of combat and how it can bring forth an individuals talents, achieving a perfect harmony between body and will as the weapon became an extension of ones limbs, was often perceived as aggression by outsiders, who would react as if to defend their own interests. the gerudo have suffered much at the hands of hyrule at large, and have pulled further and further away.
as the gerudo pulled away from hyrule, and hyrule from them, they devoted most of their attention to themselves. cooperation amongst themselves is seen as paramount to their survival, and familial affection often extends well past ones blood relations.
the gerudo value family, and loyalty, alongside independence and cooperation. everyone should have the opportunity to pursue their goals, but if someone is struggling, it is the responsibility of everyone to help. children are raised by as many people as are available, and even in the times of monarchy, the palace was less a formal dwelling place belonging to the gerudo ruler and more a public forum that the ruler simply happened to live in
most of the palaces amenities are fully public, a tradition that has carried on to riju's time. meals are communal and the kitchens open to all, and the palace has no strictly dedicated servants, merely a collection of amenities the gerudo people are free to use at will and often do so together. what this means is that there is no servant, for example, dedicated to preparing riju's meals but instead a collection of people willing to cook and willing to eat making meals riju partakes in, and this applies to most other menial tasks as well. the throne room is where the leader of the gerudo engages in their job as public servant, attending to the needs of the gerudo at large and responding to crises as they arise.
as nintendo is keen to point out, the gerudo are a people that are predominantly "all women", and thus spends plenty of time going over dialogue wherein people wonder how they have children and including a plethora of sidequests in the wilds era about acquiring partners. im ignoring all of that and instead going by lizard rules, in part because here theyre descended from a serpent dragon goddess, wherein a population of all female lizards were able to successfully maintain a stable population and have children without major issue. gerudo like ganondorf are the equivalent of a rare genetic mutation that flips some other genes on and has a different result, that really doesnt affect anything besides this one kid and doesnt have any major effects or differences in their life. two gerudo are perfectly capable of having kids together, having relationships as usual, and on the topic of "how do the gerudo have kids", thats all i really feel like exploring that topic
with an insular, isolationist culture that appeared for all intents and purposes to be all women, the gerudo were often a source of major culture shock when interacting with the other tribes of hyrule, most notably hylians
bonus hylian lore: hylians experience an even greater lack of sexual dimorphism than irl humans do, so gender presentation is near exclusively presentation based, with a heavy emphasis on clothing. showing skin is considered an act of emotional intimacy, and most hylians opt to cover as much as they can. the intensity of presentation scales upwards with their role in society, with the royal family having the most extreme form of gender presentation. gender is presented through clothing style and hair length, with ornamentation, jewelry, and piercings serving as a kind of intensifier, and hylian culture at large tends to operate on a sliding scale of masculine to feminine, with the middle androgynous zone being a weird gender spot for them
the gerudo, by contrast, never really developed a concept of masculinity versus femininity. gender pronouns in gerudo are based on personal proximity, occupation in society, and familiarity. these barely translate at all into hyrulean.
as the gerudo, by circumstance or by choice, interacted with hylians and the tribes of hyrule more and more often, some kind of understanding had to be reached with regards to translation. as relations were already terse, making an attempt to fully translate the gerudos understanding of gender to your average hylian was considered a fools errand, and thus translation was done in broad strokes, giving hylians the simplest root form of gender pronouns (and none of the increasingly specific declensions). loosely, the term vai is closer in concept to "us" and voe is closer to "not us" "foreigner" "outsider", and has taken on a connotation of " forbidden" or "taboo" (leading to wilds era gerudo secret clubs often imploying translatable Adult Puns regarding their catering to voe and the overall titillating atmosphere they tend to put on for customers). with regards to hylians, the feminine princesses and queens had more in common with the gerudo and were thus "vai", but the masculine kings and soldiers, who were often the main figures pushing aggressive efforts into conquering or otherwise absorbing the gerudo into hyrule, were "voe". this was then distributed in various guides to understanding the gerudo language as " vai" meaning "woman" and "voe" meaning man
gerudo town, as the capital of their people and general hub, has a law banning the entrance of voe. at the time if its writing, this was a fairly obvious law, because most "people who are forbidden" are forbidden from entering. as time has passed, hostilities cooled, and relations warmed, this law has been the subject of a long struggle of interpretation. it doesnt translate well into nearly any other language, and thus who counts as "voe" and "vai" is subject to endless debate. the differences in gender perception are most clearly on display with the admittance of the gorons. one might assume that the gorons, being a monogendered people who typically use masculine terms of identity and endearment in hyrulean, to thus qualify as voe, but the gorons cooperative nature, near uniform monogendered culture, and emphasis on hard work and independence has enough in common with your average gerudo that considering them as vai is a no brainer
ganondorf thus is also, clearly, considered vai. the specific pronouns he uses in his native gerudo include declensions regarding his position as royalty (one that has since gone out of use and is fairly archaic now, only really being used as a kind of neo-pronoun by current era gerudo as a rebellious self identification thing), his relation as the only child of koume and kotake, and are conjugated based on relation between the speaker and him. in the ancient era, calling ganondorf voe would be so confusing as to not even read as an insult. if one really wanted to refer to ganondorf with a tone of insult, theyd substitute the declension of familiarity with one used for strangers
ganondorf achieved his position as king the old fashioned way: a gift from his moms. ancient era gerudo practiced typical monarchy with a line of succession, and koume and kotake named him as the next royal of the gerudo as their heir. the hyruleans, seeing a masculine gerudo of royal birth, referred to him as "king", and correcting a culture of people he had little respect for was just a waste of ganondorfs time. after ganondorfs sealing, the gerudo changed to the current system of chiefs, wherein the current chief names a successor, or by default passes it onto their living heir. a system is in place to democratically install a new chief if the current one passes without naming a child their heir, or naming a successor in their place, a system drafted and then used in ganondorfs absence. riju thus inherited the mantle from her mother, but could opt instead to force a vote, or have such a vote forced on her due to her age, leading to much of her insecurity seen in BotW. this system has proven to be relatively stable, especially coupled with the continued tradition of keeping the palace an open public forum
the first chief of the gerudo was nabooru, advised by the sage of lightning we see in totk, following ganondorfs sealing
the gerudo are very familiar with the souls of the dead. poes, souls lost and aimless, wander the desert after millennia of bloodshed. thus their funerary customs have persisted, even as the folklore behind them fades in and out of memory.
a person perceives reality through their body. they know the sky is above them both by craning their neck up, and by the sensation of ground beneath them. in death, one is bodiless, and sensation becomes a confusing, directionless onslaught. it is so easy for a spirit to become lost, unable to orient themselves. the gerudos funerary rites seeks to aid these souls in their journey towards returning to the serpent goddess, as without guidance they are liable to become poes. the body after death is merely an empty receptacle, and on a practical level is a potential draw for dangerous desert scavengers seeking an easy meal. the shifting sands and hard soil makes burial difficult to impossible, so instead the gerudo burn their dead. smoke is ephemeral and thus able to be seen by spirits, and even as the wind rushes, smoke will still travel upwards towards the heavens. a spirit will linger by its body for a time, and thus cremation helps provide guidance to the dead. unable to feel the earth beneath them, the dead can follow the trails of smoke to orient themselves upwards, and dispel lingering confusion
as the body is burned both to guide the departed's soul and to ward away scavengers, the gerudo inter their belongings into gravesites instead, usually one or a small collection of items that the deceased valued or were considered emblematic of them. having a proud history of warriors, many gerudo consider their weapons extensions of themselves, and thus many gravesites will consist of a single weapon.
the sage of lightnings temple served as the primary gravesite for many gerudo, and in its heyday was decorated with love and care as befitting its role. torches burned bright in its sconces and the walls painted with care in massive sweeping murals. here in the temple, a foreigners idea of the gerudo as austere and practical would fall away, as the halls shone with warmth and color, taken from their desert home
lost souls that become poes often end up becoming consumed by their regrets and despair at their inability to find their way back to reincarnation through the serpent goddess's scales, and from there turn to rage and aggression. the sunlight glinting off of the goddess's mirror scales will blind and disorient the dead who have lost their way, as they try in vain to rely on their half forgotten senses, and thus poes eschew the day in favor of the cover of night. though incorporeal, poes move as fast as the desert winds, and try all they can to cause mischief and havoc. usually the end result of their shenanigans is light injuries and scratches, but it isn't uncommon for a waylaid traveller or adrenaline seeking youngster to suffer fatal consequences. despite this, poe hunting tends to be the go-to act of rebellion for antsy teenagers with a taste for danger. in general, one of the only things fast enough to strike a poe is a fired arrow
as the sands grew and the desert expanded, it grew more and more difficult for the steeds of the gerudo to gallop across the dunes, and they were driven further and further back until the gerudo phased out their horseback traditions entirely
and as an AU specific trivia tidbit
after ganondorf's sealing, nabooru grieved the loss of her childhood friend by constructing a dedicated tomb to house ganondorf's gravesite. even though he wouldn't die, nabooru would never live to see him again, and in traditional gerudo fashion, his gravesite is marked by his signature trident, further imbued by nabooru's blessing of lighting (in a similar fashion to urbosa's fury, despite urbosa not being a sage).
#totk headcanons#totk spoilers#loz gerudo#gerudo#ganondorf#totk au#loz headcanons#i THINK thats all the relevant ones#god i hope the readmore works. guess ill find out#BUT ALSO. GANONDORF NEOPRONOUNS REAL IN MY HEART. HES VAI. HES AN INCREDIBLY NICHE AND ARCHAIC FORM OF VAI#THAT HIGHKEY ISNT EVEN RELEVANT ANYMORE. biographies about him confuse+anger gerudo scholars because translating his pronouns is a BITCH#it also makes riju removing the voe restriction more impactful imo because its a symbol of how far the gerudo have come-#-in their relations to hyrule. because the voe rule is almost entirely like. a no hyrule thing snfnsndhdbf#so hyrule finally like! not being so much of a threat that the gerudo feel they have to stay closed off! going from oppressor to ally!#LET IT MEAN SOMETHING NINTENDO G O D#anyways. ganondorfs so gender.#nvm got the readmore to work c:#loz totk
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PLEASE tell me you ship Gerpol
(you seem like a very old-school CountryHuman fan, and I never much enjoy that such people like you exist)
i am an old school countryhumans fan! thank you for noticing hehe. and yeah! shipping isnt really my main focus im more into platonic dynamics and lore stuff. but i do ship gerpol. im also a multi shipper so i ship a lot of things. the main ones with germany being gerpol russger and the more rare one i dont think ive seen all too much ameger. i like shipping sometimes its pretty fun.
and you never really enjoyed… people like me? im not sure if im reading that right. sorry if im misunderstanding you. but if some old school fans were ruining your fun im sorry to hear that.
im the kind of fan who doesnt hate any ships because i dont feel like thats really necessary and i just dont have the energy for that kind of negativity? and honestly i find shipping wars very dumb and fighting and being negative all the time about something so small like a fandom ship just doesnt sound very fun to me. i just like to have fun here! i am full of joy and whimsy and love.
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okay being serious about the hamilton x prsk au now
its not an au theres just. a production of hamilton. hosted by emu ootori who convinced (wonderhoy'd) lin manuel miranda into giving her the rights
wxs puts on a production of hamilton (rui painstakingly teaches tsukasa the entire thing line-by-line and is on the verge of pulling a nightcord by the end SLASH SILLY) and kidnaps other people (i.e. their fans) to help out (take on major roles) with the only pre-requisite being "please speak english and also know your part. we've spent a month trying to drill this into tsukasa's head and we think rui will actually jump off a cliff if we ask him to do it again".
so, with no further ado: the cast list. alexander hamilton - kohane azusawa. while you would expect tsukasa to demand the titular character he did not want to learn that much english (rui refused to teach him) and so he adorned it on his number three fan. who was thrilled. everyone knows my kohane hamilstan agenda by now. she kills it. an does not understand a word but is cheering the entire time. noone tells her that kohane is singing about adultery and tax fraud. aaron burr - toya aoyagi. once again, as a majorly important character, you'd expect this role to be filled by a member of wonderlandsxshowtime. no. toya :D. he knows english he can sing he gets along well with all the other cast members. its perfect! kohane dramatically brings up the fact he shot her on a daily basis from here on out and he dramatically apologises every time. eliza schuyler - nene kusanagi. we finally get to a wandashow member (we'll speedrun them all in a minute). "izza, why do you always give nene, a character allergic to romance, the first love interest?" i think im funny. no yeah i think she would KILL burn. like its dead on the floor. stabbed. perhaps even burnt. (also. nene beatboxing.) angelica schuyler - mizuki akiyama. "izza you said wandashow-" shut. its mizooking time. she mizooks all over the place. some men say that im intense or im insane. you want a revolution i want a revolation so listen to my decloration. george washington - tsukasa tenma. "izza this is still a very major character your excuses make no sense" shush my hamilton production i want kohane as lead. go away. i think blond bitch should be washington. if it works it works yk. king george iii - emu ootori. shes just here to have fun idk man. shes having fun. leave her be. john laurens/phillip hamilton - minori hanasato. i dont have an explaination beyond minokoha queerbait and also i think minori doing the. my name is phillip. i am a poet. and i wrote this poem just to show it. sequence would be amazing. imagine a version of phillip where hes delivering it as normal but with an idol dance routine. yeah. lafayette/thomas jefferson - rui kamishiro. i was actually really stumped on where to put rui. yes i considered maria. i did not do that (evidently). this is just because jefferson is really gay like in the way he dresses and such and i think rui can get on board with that hercules mulligan/james madison - airi momoi. she has officially ruined her idol reputation and haruka has clipped her making sex jokes on stage and turned it into a nightcord emote for the mmj server. ena never lets her live this down and has printed a screenshot of the sex jokes and stuck it to the shinonomefridge. she still stands by her decicion to participate. peggy schuyler/maria reynolds - saki tenma. this one is one of the more streched ones. i couldve put emu here. i couldve put rui here. but no i put saki. why? i simply think shed enjoy it. enrichment. leo/need casually dies in the audience. samuel seabury - ichika hoshino. she has just the right level of seriousness and whimsy to pull this off. phillup schuyler - keisuke ootori. i think im so funny. well? im not. james reynolds - shiho hinomori. she does NOT want to be here but apparently shes married to saki so everythign is okay. what do you mean saki cheated on her with kohane. my bestie you are gettign SHOT. (she gets very in character.) charles lee - mafuyu asahina. mizuki is laughing her ass off. basically mafumom found out that someone mafuyu knew (emu) was putting on a historical play and was all "go on join in!!" and so she did.
yaysies. honami and shizuku and haruka and an and akito and kotaro and tatsuya and hinata and ena and kanade and yuuki (and mafumom i guess) all go to see it and have a variety of reactions ranging from homosexuality to omg look thats my sister!!! to oh my fucking god airis making sex jokes on stage to why didnt my daughter get a bigger part
...@vivid-street i am ashamed of myself but its here now.
#this was number 666 in my drafts. hm. am i going to be killed for this.#not tagging this lmao (just in case)#my lack of knowledge on wxs npcs shines through#im not putting someone to play eaker the whole point is hes played by a member of the ensamble#ramblings#pjsk posting
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Yeah just to clarify, Im qatching the no way home vod now I'll probably make this a seperate post for the sake of keeping shit more organized
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Oh they are in prison my hearst beating so fast rn
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Oh dear god technical difficulties
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Bruh did they drag them to jail with fishing rods thats fucked
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Oughhhh the fucking armor thing aaaaaaaaaaaa
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Okay the real question is, does Dream want Tommy to die or does he still wanna keep him alive n shit
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I knowww wI definitely need another break but its already noon and I just gotta power through this shit man
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NOOOOOO ERYNS ARMOUR.........
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"You broke in and killed me in my owm house" idk why but thats so funny to me. dreams house, The Prison
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Dream smp got me rockin back and forth dude
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Bro did Tommy keep DreamXDs bell from the cell really
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Okay Tommys keeping his weapons, some pearls and his totems thats good
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Ah nvm
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NO WAIT THE DISCS ARE IN THE ENDERCHEST
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NOOOOO
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Oh this is so painful to watch man i feel like im gonna die
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Oughhhhh the discs.. ...... even aftrr all this time
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At this rate its gonna take me like 10 hours to watch this hour long stream man
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Okay he kept cat and mellohi
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OHHHHHH WHAZ THE FUCK WHAT THE FUKC
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Bro look att them just watch. sickos
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Oh yeah baey its monologuin time
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What if its just the snake monologue. like word for word
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Maybe thats just me but "I dont have anything to say to you" from Tommy followed by a long ass pause and then "I have a lot to say to you" from Drea has the same kinda vibes as "I dont think about you at all" from Wilburs fanfic
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"I hadnt bothered you for months!! I just left you with lifelong trauma!!"
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"Bro, I was too busy trying to ruin the lives of these other guys to even try gaslighting you again!!"
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Im trying to discern if Dream actually believes the bullshit hes saying or if this is another manipulation attempt rn this is so fascinating
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Oh boy philosophical discussion about death time
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Ok nvm i think
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Cmon white boi tell me about the meaning of life
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Dream is basically like "oh why does this stupid shit matter so much to you when theres immortality and life after death" and its like okay, but why would you wanna live forever if you cant even enjoy yourself though. Like, what are you doing this for if not so you can go hang out with your friends in peace and have fun forever
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Bro Dreams actually the kinda guy who goes "well, why shouldnt i be god" without a hint of irony
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Dream is about to actually lose it man
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Why are they all talking about death as though they have absolutely no idea what happens after you die permanently? Like, both Wilbur and Ghostbur talked about what limbo was like to anyone who listened and Dream was literally JUST dead. Like yeah, it was only for a few minutes but if the conversion is 1 day on the smp = 1 month in limbo then he mustve spent atleast a few hours if not days there right
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What are Punz' opinions about all this does he want his boytoy to be god. is he familiar with the god that looks exactly like his boytoy
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"while you were recovering from the lifelong trauma i gave you I was studying the meaning of life"
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I spent the entire day yesterday just watching musical bootlegs on youtube and all i can think of rn is that part in Twisted where Aladdin is like "im gonna break the chain! youll see!! Im gonna live forever!!!"
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Imagine pouring your fucking heart out about what you think ks the meaning of life to two teens that you kidnapped and one of them just goes "what kinda life is that" i would start crying
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"We want a life without mystery" where is your fucking whimsy bro
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You know, if Sam wasnt basically responsible for Dream being tortured and Dream didnt break him down as revenge, the two of them and Punz couldve been a real death defying power trio. And then i guess Tommy, Tubbo n Philza would be the death defyer-defying power trio
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what do you MEAN not contribute anything by just walking around on the dream smp??? HOW is the Dream SMP connected to any other place??? HOW IS IT CONNECTED TO FUCKING UTAH
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"We need to be alive together to find out what life is" youre never gonna know if you dont die though. Especially because like, theres no such thing as heaven in this world, its life and then you die and then its hell for eternity so you gotta make life heaven but the only way to truly appreviate and comprehend that the life youve made is heaven is to think about it in hell, if Im making sense here
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I would love to watch these guys try to have this discussion with Philza that would be soooo interesting
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HE CALLED HIM A BUG AGAINNNNNN
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the victim complex is strong in this one
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Ohhhhhh the bois are fightinggggggggg
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Hey, is Dream gonna address that fact that the actual capital g god of this world looks exactly like him any time soon. because that seems relevant
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Oh my god this kind of dehumanization of the people around him is so painfully relatable it hurts im in pain
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Bro how is he bringing up Ranboo right after bringing up Foolish but not yknow, DREAMXD
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Okay Im gonna b real with yall, Ive been having a pretty good time with this vod and this finale so far but now hes bringing up mind control and the stuff with Ranboo and Im not a fun uh uh absolutely not
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Alright so, they revealed that the revival book can do mind control as well, ive read spoilers about this and i was desperatrly hoping that I just misunderstood but sighhhhhhhh, no.
This is so fucking stupid man. The revival book was a really good concept because of how simple yet effective it is and how scary it would be for someone like Dream to have it, it doesnt need any more powers or whatever. Obviously the stuff with Ranboo being controlled by Dream to some extend has been planned for a really long time, and it does make sense, but they shouldve gone about it way differently. My fix is simple: bring DreamXD into this.
Like, right now it doesnt seem like Dream and DreamXD are connected in any meaningful way when Dream couldve been like, idk a worshipper of DreamXD who eventually earned his favor, or just a human that DreamXD thought was interesting and wanted to help occasionally so he'll keep entertaining him. Maybe he gets the revival book and immediately tries to test it out and then DreamXD appears and hes basically like "okay, i wont kill anyone for you or destroy anything or get too involved in all your petty mortal squabbles, but if you call for me I'll help you out bc Im so nice XD dont rely too much on me tho or else I'll kill you XD" and Dream is like "k i'll keep that in mind" and then when Ranboo shows up he calls for him like "okay, can you make me like, a mindlink to the new guy so I can control him" and XD is like "okay, sure, I wont help you anymore though" and Dream agrees and thats that. Maybe DreamXD is even like "Im still rooting for you though XD" and then Dream could bring up the fact that god is on his side during this unhinged monologue
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Okay, when hes saying 'other dimension' is he talking about limbo or is it like, the real world that has the Utah that Wilbur went to and everything
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Ohhhhhhh hes talking about the End uh yeah, no way man DreamXD is gonna put a stop to your foolishness so quickly if you try to go there
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HE WAS IN LIMBO BEFORE???
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Okay, the fact that both of them have been to limbo really takes a certain edge away from their motivations though
Like, if they hadnt known what death was like and just feared it because it was the End of Everything that wouldve been so interesting and then Dream died and came back to tell Punz about it and how its nothing but suffering that wouldve made it feel a lot more human if that makes sense because sure, i just spent a bunch of time poetically philosophically whinging but at the end of the day I wouldnt wanna die just to spent eternity in a hell made specifically for me yknow
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I slept 8 hours today so Im perfectly well rested as Im writing this but honestly, at this point I'd rather be sleep deprived and delirious itd make this go by way faster and make it more fun too
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Oh my god please tell me its not gonna get meta
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They were in the End?!??!? Bro are they gonna bring up DreamXD anytime soon
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Im serious how are they not gonna bring up DreamXD cc!Dream knows the lore around him because he PLAYED HIM
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Okay so I guess theyre just gonna sacrifice people to make up for them reviving each other over and over? Idk man this is barely comprehensible I feel like i might as well be delirious the only differenfe is im not having nearly as much fun rn
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what do you MEAN "whatever god is" YOU SAW HIM WITH YOUR OWN TWO EYES. HE GAVE YOU A BELL
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I realize that Dream is like, a villain and also clearly mentally ill so Im not expecting his plan or his worldview to make any actual sense but this just seems pointless. Like, if you revive too many people or if you revive yourselves too many times it could bring about the end of the world, presumably bc ya boi XD needs souls to eat. So you need to kill people to balance shit out but if you kill people, its gonna paint a massive target on your back and people will want to force you to revive people. So, you really cant revive people then right
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Oh good god what now
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Not the guy who was in limbo for maybe a day trying to lecture the guy who qas in limbo for like three months 💀💀💀
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If it wasnt for the fact that these guys just hit me with like three massive disappointments all in a row I'd say something like "oh i forgot about this but yeah, I am kinda curious as to why Tommy never came back as a ghost, like even Schlatt was there for a day atleast" but my spirit has been crushed and so all im hoping for is that the explaination isnt too stupid
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"We know the responsibility that comes with the revival book! Thats why we kept reviving people even after we knew it was slowly destroying the world!!" Its giving oil companies talking abt climate change yknow what i mean
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"The worlds fucked up, we fucked up" BRO. STOP FUCKING REVIVING PEOPLE IT CANT BE THAT HARD
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Okay, the stuff about limbo changing based on the circumstances of your death is pretty interesting hopefully they wont fuck it up
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Ohhhhh I think I can see where this is going one of these guys is gonna have to die for their buddy isnt he
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Okay, im at 27:51 in the vod Ive been at this for atleast two hours Im gonna go take a walk again
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Alrighty then time to watch these bozos torment these boys
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Bro the dehumanization right off the bat man
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Ah so this is that Drunz Sandwich Date ive heard so much about
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"You can warn the others about their inevitable doom that is... inevitable" he has such a way with words man
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Something something the definition of insanity
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Okay but Dream cant be all high and mighty about Tommy and Tubbo doing the same shit over and over because he literally does the exact same thing
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Aarhghggh pain and suffering
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cc!Tommy just left thats hilarious
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Noooooooo Tubbos still in rp mode this is so funny man
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Theyre both about to die with the lergy 😭
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OHHHHHHH HE STILL HAS THE DISCS HE CAN USE THOSE HOLY SHIT FUCKING SET UP AND PAYOFF BABEYYYYY
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ARGRHFHRGFGFREFSHUPEGUSGHI ONE DISC GONE 8NENDISCS GONE
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Okay now what. both of the discs are gone now and they didnt hit the pressure plate. I dont think that was planned.
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Oh I cant believe this this is so awkward man
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NO HE FAILED AGAIN BRUHHHHH
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Oh man
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Okay theyre just carrying on time to jump through the hole
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TUBBOS DEAD???
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okay i dont think that was planned either lmao why did they think this was a good idea to do on stream
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HES BLOWING SHIT UP????
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👁👁 project dreamcatcher??
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Right now the thing is, ive read spoilers so i roughly know how all of this is gonna end, I just dont know how we're getting from this exact point to that ending yknow what i mean
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Theyre gonna nuke them arent they
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NUKE HIM NUKE HIM NUKE HIM NUKE HIM NUKE HIM
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This is so upsetting man
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TUBBO WAS THE ONE WHO STOLE THE NUKE??? i mean, atleast they remembered that plotpoint
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YEAHHHHHHH SEND THOSE BASTARDS TO HELL BABEYYYYYYY
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Ohhhhh Tommys gonna use himself as bait
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The only way to destroy gods is to nuke them
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THEY DONT HAVE A SCHEDULE, THEYRE GODS
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Dude, the Dream SMP as a post post apocalyptic world though
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Lets fucking nuke that sonofabitch!!
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NUKE TIMEEEEEEEEE
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the bench,,......
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Okay so theyre gonna kill Dream and Punz and then everyone will be free from them and the revival book but like, what about their ghosts though. I mean, those presumably wont be able to revive anyone but they could still like, harass everyone n shit
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Okay but why would no one believe them about Punz being evil now, doesnt he have a reputation for doing whatever for a paycheck and Dream is like, one of the richest guys on the server
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Oughhhh watching Tommy tell Tubbo to tell everyone their stories is so painful when you know its all gonna become lost history at some point
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Theres no music..........
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Okay Im not gonna watch this again from Tubbos pov
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the rest of the reblogs go in 1 big long post because sorry moots
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there is a special place in my heart for these two (not a ship)
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why is he ice skating
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HE GAVE KIT TAILS' AUTISM!!!!!!!
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babe help my bitch ex-wife made me into a fully articulated action figure
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AGAIN WITH THE EYES!!!!!!
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YOOOOO HES DOING THE THING!!!!!!!
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i dont hate him for this 1 single panel. look at him! he's full of whimsy! he dressed up the badnik! he's so silly!
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nvm just remembered the whole abusing surge and kit thing i change my mind
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HAHA! HA! ONE!
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he looks like the personification of sneaky snitch by kevin macleod
that looks so much like sonic x shadow (im yet to watch sonic x btw)
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this is a good panel i think
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i thought that was a random D on his glove and my mind instantly went to 'har har sex'
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born to 'haiiii :3' forced to 'hello'
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goofy ahh little jig
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WHY IS IT THAT THE ARTISTS FOR THIS SPECIFIC SPIN-OFF COMIC HAVE SUCH PRETTY ART STYLES
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he's such a wanker (if this were someone else id be saying 'omg i love him so much')
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i hate this 1 specific badnik so much every zone they're in has such a good ost and is so fun to play and then they ruin it
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NO WAY
ITS MY SILLY LITTLE GUYS!!!! MY COMFORT CHARACTERS!!!! ORBOT AND CUBOT!!!! THEYRE GETTING LINES!!!! AND ITS NOT EVEN SONIC BOOM!!!!
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he is ascending. alexa play gangsters paradise
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i always forget they can so that lmao
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omg wait hes actually about to do the thing
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finished!!!! everyone should read that its really really good!!!!
giggling very hard rn
belle just looking done with it all and starline just... that
#sonic idw spoilers#sonic idw imposter syndrome is a good spin off you should read it#even if its kinda been spoiled by now#i mean tbf i knew roughly how it would end anyway
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sorry again for taking so long to answer this, mp100 and ghibli films are genuinely the most important and influental pieces of media in my life so ive wanted to take a long time to think about this. im going to be answering based on how the films feel compared to characters general vibes/characteristics along with which films i think characters would enjoy because i adore the idea of the gang having movie nights and watching ghibli movies. this ended up being pretty long so im putting it under a read more!!
Im starting out with Ritsu because ive got a kikis delivery service with him as kiki. ive made another post a while back about how i can see similarities between the two characters, both ritsu and kiki struggle with finding and expressing themselves truthfully and being able to feel free along with gaining control of their psychic/witch powers. Kiki has a hard time making friends and she seems to also struggle with her view of herself and what/who she wants to be, which really reminds me of Ritsu being compared to his brother and being pinned down into the role of a perfect straight A student. Both kiki and ritsus stories are about believing in and discovering themselves. Aside from what film reminds me of Ritsu, i like the idea of him being a sap at heart and so i think hed enjoy a film like howls moving castle where theres a sappy romance but also adventure and a solid plot.
For Mob im reminded of princess monoke… ashitakas curse that he tries to contain throughout the course of the movie reminds me a lot of ???% and Mobs overall repression of both his emotions and powers. Monoke also reminds me of Mob because in the end its a film that has a hopeful feeling to it.. even after the forest spirit is beheaded the earth blooms and the previously barren mountain that was misused by the humans for war and pain experiences a rebirth. Mob is a character who has gone through so much pain and yet he still believes in the good of people and is a hopeful person in general. Ashitaka says at one point in the movie something along the lines of “how much more killing and hatred will happen before youre satisified” which is a sentiment that really reminds me of mob, who ultimately does not want to hurt others or resort to violence although sometimes the situation forces his hand. Aside from that!! Mob likes action movies, and because of that i think hed enjoy both monoke AND castle in the sky, which is a very swash buckling fun action movie that still has the message of love and peace that i think mob would resonate with. For Shou im pretty torn. hes a character that has a lot going on with him, he feels that he has to be strong and brave and to both take down his father and fix claws mistakes even though hes still just a kid and shouldnt have to deal with that responsibility. he hasnt gotten much of a chance to really be a kid from what weve seen. hes bold and arguably impulsive/adventurous, and i still think that ONE should have developed him as a character more and given him more of a character arc outside of the claw/world domination arc. Because of all this im really having a hard time deciding between castle in the sky and tales from earthsea. to me castle in the sky seems like the kind of story that shou might draw up into a comic and the dola gangs overall dynamics and shenanagins remind me of shou a lot. however tales from earthsea deals with a young prince who is fleeing from both his homeland and also himself. hes just stabbed his father, the king, and is on the run, constantly vigilant and also a skilled fighter. hes tricked plenty of times in this film and yet there are also people who are trying to help him and live alongside him. part of both tales from earthsea and castle in the sky is about realizing that all life including your own has value and that the world is driven by and founded on love. tales from earthsea is a much darker film but the storyline with the protagonists father and struggle to simply be himself instead of fighting reminds me of shou. So yeah those both remind me of him, and as far as films hed watch i think hed enjoy the cat returns!!
Im the first one to acknowledge that i am by no means an expert on terus character, and just like all of these i want to encourage anyone to add their own thoughts on what ghibli films they think match up to each character! but anyway. When i started writing this the first film that popped into my mind for Teru was howls moving castle. I could very easily point to both howl and teru having huge reactions to their hair being ruined and go on my merry way but i want to go a lot deeper than that. Howls moving castle is about a lot of things, and one of those things is loving yourself for who you are. both howl and sophie have problems with their self image and with who they are in general and they express it in different ways. howl is very extravagant and uses magic to make himself look as handsome and flashy as possible whereas sophie seems plain and simple, like shes hiding herself and not secure with who she is. this can be compared to Terus very loud and showy way of presenting himself and how before meeting mob he used his powers in a way to make both the people around him and the world bend to his will. hes got a lot of issues with himself that stem from a lot of things, which probably include his parents never being around during his teen years and being the only esper he knows thus creating this idea that hes somehow above others. both teru and howl are arguably selfish people who during the course of meeting certain people (sophie and mob) try to better themselves and become less selfish. howl throws himself into the battles outside the hat house to try and protect sophie while teru tries to stop ???%s rampage by talking with mob as a friend. Howls moving castle also has a general feeling of grand whimsy and magic that reminds me of teru, and as far as what movie i think hed like watching- i think hed enjoy arriety!! Porco Rosso reminds me so much of reigen, i really think theres been times that ive watched the movie and thought of reigen while watching it. the obvious comparison is that porco is selfish and self centered, which in the end is what has cursed him into becoming a pig. hes a bounty hunter by trade which can easily be tied to reigens con man business ventures. theyre both very flawed men who put themselves first but the more we go into their story lines the more these selfish ways of thinking are challenged and changed, and despite their flaws both end up helping other people. it can be argued that reigen and porco are not exactly good people, but theyre not for sure bad people either. They both have a lot of issues they need to work on and in their worst critics are themselves, no matter how selfish they might be both characters very obviously are lonely and dont think very highly of themselves. also for a film i think hed like watching.. i like thinking about reigen and serizawa having a movie date night watching nausicaa ive been writing this all day and its already incredibly long so i think im going to end it here although i might come back another day and continue with characters including serizawa and all the girls because ive got thoughts on them too but wanted to answer on the same day as i got the ask. again if you have your own thoughts and ghibli movie comparisons please feel free to add on id love to hear what you think!! thank you so much for asking this
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Also HELL YES FOR CASUAL PLAYER LOVE
Im so happy to hear that Let's Go is indeed INTENTIONALLY designed to be "more casual" and everything these super anti-casual conpetitive players are complaining about was intentionalky put in there cos the developers legit think its better. THANK YOU!
i dunno man it just seems like we NEVER heae about the developers doing anything for the fans unless its enablibg competitive play or iv breeding or whatever. Like those are the only definitions of "fans" that interviewers seem to care about. And Its hard to know what the developers really think when the questions that are asked leave out a huge componant of the fanbase, yknow?
And uhh.. I mean its just good to specificially know that theyre okay with casual fans existing, like not just "its for kids" but "hey you are not bad if you are an adult who also enjoys the game for its intended appeal points and not for a huge mega complicated mathematical metagame people made up to be 'more mature'". I was really surprised to see that written interview with masuda specifically mentioning IV breeding as the place where conpetitive goes too far and makes the game not fun anymore. "Pokemon wasn't meant to be a game about hatching eggs and nothing else." Like.. Playing competitively itself is not bad, i dont wanna sound like i hate hardcore fans and im a big ol jerk. I admire the dedication because it all seems so super unattainable and mathematically magical to me! Im not into that stuff but i can admire that you have to be a damn genius to achieve all that stuff. BUT i also get what he's saying. Because it sucks when you HAVE to be a damn genius to EVEN START PLAYING! Whenever high level competitive strats become the goddamn baseline it makes competitive completely inaccessable to everyone except the most hardcore of the hardcore, and its like damn man how do you even become that if you have no way to start practising? Iv breeding is so INSANE in retrospect! Like when you think about it, its wild that people even cracked the code for how to game the system and get the highest possible randomized stats for every ridiculously minor thing. Like how the fuck did they even figure out any of this?? And then all the further madness into figuring out how to attain it and how to raise odds of shinys and hidden abilities and how they keep figuring out new ways to do it with every new system each game brings out. And then people will spend friggin LITERAL DAYS OF REAL TIME running up and down the same road in the game, hatching thousands of eggs just to get the one mathematically superior pokemon from a confluence of random events. And this is treated as fuckin REQUIRED to play the game! You can't touch competitive if you dont do it. And these bad sorts of competitive players will try and force this requirement onto other non-competitive parts of the game, and shame casual players for not doing it even though its literally not what they want to play the game for.
Seriously, man! Individual values were just designed to make individual pokemon more random, so the play experience would seem more unique to each run. It was literally invented for a "casual" reason! It just really sucks that they implimented it in a way that had an objective "best" value to get, so people ignored the whole point of "adding personality" and just wanted that one. Tho i mean at least they patched out the early issue where gender and shinyness were linked to these values so you couldnt get certain types of pokemon as the "best" version and it was even more limiting. Glad that GSC didnt have online metagame yet, lol! (Tho it makes it possible for people to more easily predict which pokenon will become Shiny when transferred from rby to gsc, which is neat.)
ANYWAY WHERE WAS I
Oh yeah! I appreciate that each generation of games lately has made it easier to see your IVs and EVs and to get them to their "best" versions, with even the FUCK YEAH feature pf being able to "fix" bad IVs on level 100 pokemon. I carried my Sneasel named Reaper since RSE and he's been completely unuseable for so long and bottlecaps fixed that! Kid me just played the game like he was my starter and i loved him. I didnt know about IVs or EVs, so i took this terribly-statted dude with a bad ability and made him fight all the wrong pokemon because he is my best friend and he needs to win every gym battle and i will buy him lemonades afterward. Also he wore the Blackglasses item forever cos i thougjt itd be cool if you could put accessories on your pokemon. So yeah i did Everything Wrong and thus all the pokemon i actually cared about were made weak and useless by my love and i had to spend 48 hours running down a stupid road to hatch and abandon 1400 new ones just to get one that was "useable". Thanks to bottlecaps, this is no more! Decade old weasel pals can be revived! Tho still it sucks that i hit level 100 before this mon's evolution came out. Alas!
BUT
Like.. Even tho now its slightly less hard to make a "perfect" pokemon its still tedious as hell and really takes you out of the moment and you have to already know beforehand that its necessary. Kids are just gonna blunder in and not even know why they keep losing due to no fault of their own. Adults are gonna also do that. Seriously this isnt a "kiddy fans vs mature fans" or "non fans versus FANS" thing, this is just "fans who have one very specific skill for memorizing a bunch of numbers and steps and enduring hours of boredom doing it vs..people who think that kinda ruins the game". And even if nintendo fully streamlined the process into sonething easy, itd still feel like an unnecessary roadblock in the way of just getting to play the damn game. We really need to add some sort of hardcore/casual or iv breeding/no iv breeding thing to league divisions, as well as the tier lists. This is why im so hyped for the current "Spooky Cup", since it actually seems like a "just for fun" multiplayer experience, and its kinda dumb that we have to rely on nintendo actually programming limitations into a tournement cos the players refuse to allow anyone to just do it normally. I did a big whoop at "no mega stones" and "everyone gets a participation prize even if they lose"! And the limitations being a random event based thing rather than a skill cap! Yay ghost types!! Reminds me of the baby pokemon only tourneys in the n64 games. That was a kind of hardcore challenge that had a bit of creativity to it!
So anyway anyway what i'm getting at...
I'm just happy that the devs are saying "yes this is a casual game with more of what casual players want, and less of those hardcore limitations" and THATS NOT MEANT TO BE A NEGATIVE!! Actual developers sitting on a couch hugging giant pikachu plushies and saying this game is for people who just want a fun game about..well, hugging pikachus! They changed the way you catch pokemon because they wanted it to be more fun. They brought back following pokemon because fun. You get all these new features for your starter because they wanted you to really feel like a kid going on their first pokemon adventure and sharing all these special moments with pikachu! They talked about how the art style was decided upon because it was the closest to "how you imagined it in your head when you played pokemon yellow", and "if it was photorealistic it just wouldnt feel right". They picked eevee for the second option because they actually paid attention to the fans and which pokemon was the second most popular and had a similar "both cute and cool" appeal with all audiences. And they put the most effort into the visuals and the cuteness and making everything just feel like a good and fun adventure that recaptures everything you wanted as a kid playing the first game.
And they just act so unapologetically HAPPY about all these parts of the game! These are their favourite parts! They're the goddamn DEVELOPERS and even they say that they prefer the story and the characters and the relaxing childlike whimsy to the concept of refining gameplay to a ridiculous hardcore perfection and throwing out everything else in pursuit of that. And man, seeing them hugging the big pika and eev plushies in EVERY PROMOTIONAL VIDEO and just enjoying playing their own game so much!! And babbling on about dressing up your pokemon!!
God its just SO GOOD to see this as a fan who's been here since the very beginnibg and is starting to feel quite self concious about being an adult fan who isnt doing it "properly". Like man the pressure of hardcore competotive being the "only right way" started even when i was just 11, like seriously THE AGE THE ACTUAL TRAINERS ARE IN THE GODDAMN GAME. Before you even hit your teens you already got stuck up older kids telling you you were too old to just enjoy a game cos you enjoyed the damn game, noooo you have to make it as unfun as possible and only derive enjoyment from defeating other people. It took me until ORAS to actually even be able to try competitive at all, i found it so overwhelming until they added other methods to EV train. And even then i still felt like the blandness of the preparation outweighed any fun of playing these "higher level" battles. Like sure maybe some people like that stuff but it felt so dissappointing after all these years of being pressured to try it...
Sometimes its just good to enjoy a game cos you legit like the world and characters. Sometimes its just really validating to see the developers talking about enjoying making those things, cos it gives you permission to be less embarrassed about it. Sometimes its good to also see them hugging a hundred dollar giant pikachu while you hug your hundred dollar giant mimikyu. Cos seriously what is the point of being an adult if youre not allowed to buy these adult sized plushies? What kid could ever afford those! Im not letting my childhood dream pass me by just because ~maturity~ when im finally able to slap a fat wad of cash on the table and yell GIVE ME THE BIGGEST CHU
I will embrace all my pure childhood love and enjoy this game of just huggins and nothing else! And i really like this concept for the series, if they continue doing Let's Go as a spinoff so we'd have a set of games appealing to each of the casual and hardcore demographics. I always feel bad complaining about hardcore when really my actual opinion on it is just "its not for me" and im actually only complaining about the rude fans who tell me im not a real fan unless i like their genre of stuff. Dude i was three years old when pokemon came out, i think ive earned my right by seniority to hug a plushie or two! So itd be awesome if hardcore doods could get their super hardcore game too, and we could just argue less cos we'd each be able to enjoy what we enjoy. Tho i mean the main series games already have a pretty clear divide between story/fun being the main game and hardcore competitive being a postgame thing. And yet we still get all this fandom fightibg over "ignore the actual 90% of the game, skip the plotline and only play competitive" apparantly being the "real" way to play it. Like man im worried that attitude is still gonna stick arpund even if they do give us separate games appealing to each side of the fandom?
EHHH WHATEVER! Im just gonna sit here in my corner of casual hugs and work on my self confidence to be able to stop feeling bad about not being someone else's idea of a "real" fan. If real fans can't have pikachu in a little hat, then that is not the life i wanna lead!
LITTLE GODDAMN HAT, MY GUY
#rambleramble#just a long vent ive had pent up since gen 4 lol#tho man people were still jerks in the competitive scene even back when it was just local link cables#just that there wasnt a massive internet community thats only really available to competitive people and excludes anyone else
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